Quotes about play
page 5

Jordan Peterson photo

“The notion that every single human being – regardless of their peculiarities and their strangenesses and sins and crimes and all of that – has something divine in them that needs to be regarded with respect, plays an integral role, at least an analgous role, in the creation of habitable order out of chaos. It's a magnificent, remarkable and crazy idea. Yet we developed it. And I do firmly believe that it sits at the base of our legal system. I think it is the cornerstone of our legal system. That's the notion that everyone is equal before God. That's such a strange idea. It's very difficult to understand how anybody could have ever come up with that idea, because the manifold differences between people are so obvious and so evident that you could say the natural way of viewing someone, or human beings, is in this extremely hierarchical manner where some people are contemptible and easily brushed off as pointless and pathological and without value whatsoever, and all the power accrues to a certain tiny aristocratic minority at the top. But if you look way that the idea of individual sovereignty developed, it is clear that it unfolded over thousands, perhaps tens of thousands of years, where it became something that was fixed in the imagination that each individual had something of transcendent value about them. And, man, I can tell you – we dispense with that idea at our serious peril. And if you're going to take that idea seriously – and you do because you act it out, because otherwise you wouldn't be law-abiding citizens. It's shared by anyone who acts in a civilized manner. The question is, why in the world do you believe it? Assuming that you believe what you act out – which I think is a really good way of fundamentally defining belief.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Other

Arthur Miller photo
Ozzy Osbourne photo
Suman Pokhrel photo
Joe Strummer photo

“We got all the influences for it [Global a Go-Go] from Willesden High Road. When you go out for milk and cigarettes you go through three countries because all the shops and cafes are playing their own music, like going through hell.”

Joe Strummer (1952–2002) British musician, singer, actor and songwriter

About Joe Strummer and the Mescaleros' album Global a Go-Go (2001) and about the song writing process.
Strummer talks war and music (13 November 2001)

Stefan Zweig photo
Bon Scott photo
Paul Dirac photo
Klaus Meine photo
Nanak photo
Sam Neill photo

“I'm playing a cat burglar. I've made it. This is the high point of my career. I'm really chuffed.”

Sam Neill (1947) Irish-born New Zealand actor

Entertainment Weekly; 23 July 1993, Referring to his role on The Simpsons

Bobby Fischer photo
Menander photo

“At times discretion should be thrown aside, and with the foolish we should play the fool.”

Menander (-342–-291 BC) Athenian playwright of New Comedy

Those Offered for Sale, fragment 421.

Edgar Allan Poe photo
Fergie photo

“We'll play jacks and Uno cards
I'll be your best friend
And you'll be mine”

Fergie (1975) singer from the United States

"Big Girls Don't Cry" (2006), from The Dutchess.

Bobby Fischer photo
Ludwig Wittgenstein photo
Charles Barkley photo
Oscar Wilde photo

“The only link between Literature and the Drama left to us in England at the present moment is the bill of the play.”

Oscar Wilde (1854–1900) Irish writer and poet

A Few Maxims for the Instruction of the Over-Educated (1894)

Jordan Peterson photo

“You can't have the conversation about rights without the conversation about responsibility, because your rights are my responsibility. That's what they are technically. So, you just can't have only half of that discussion. And we're only having half of that discussion. Then the questions is, 'well what are you leaving out if you're only having that half of the discussion.' And the answer is, 'well, you're leaving out responsibility.' And then the questions is, 'Well, what are you leaving out if you're leaving out responsibility.' And the answer might be: 'Well maybe you're leaving out the meaning of life.' Here you are, suffering away. What makes it worthwhile? Rights? It's almost impossible to describe how bad an idea that is. Responsibility. That's what gives life meaning. Lift a load. Then you can tolerate yourself. Look at yourself. You're useless. Easily hurt. Easily killed. Why should you have any self-respect? Pick something up and carry it. Make it heavy enough so that you can think, yah, well, useless as I am, at least I can move that from there to there. For men, there's nothing but responsibility. Women have their sets of responsibilities. They're not the same. Women have to take primary responsibility for having infants at least, then also for caring for them. They're structured differently than men for biological necessity. Women know what they have to do. Men have to figure out what they have to do. And if they have nothing worth living for, then they stay Peter Pan. And why the hell not? The alternative to valued responsibility is low class pleasure. Why lift a load if there's nothing in it for you? And that's what we're doing to men and boys that's a very bad idea. Basically we give them the message, 'you're pathological and oppressive.' They often respond, 'fine then, why the hell should I play? If I get no credit for bearing responsibility, then you can be sure I won't bear any.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Then your life is useless and meaningless, and you're full of self contempt and nihilism, and that's not good. And so that's what I think is going on at a deeper level with regard to men needing this direction. A man has to decide that he's going to do something. He has to decide that."
Concepts

Thornton Wilder photo

“I hate this play and every word in it.”

Thornton Wilder (1897–1975) American playwright and novelist

Sabina
The Skin of Our Teeth (1942)

C.G. Jung photo

“Aion is a child at play, gambling; a child’s is the kingship. Telesphorus traverses the dark places of the world, like a star flashing from the deep, leading the way to the gates of the sun and the land of dreams.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

Combining fragments of Heraclitus and Homer
Bollingen Tower inscriptions (1950)

Barack Obama photo
Barack Obama photo
Thomas Traherne photo
Saul Bellow photo
Henny Youngman photo

“Business was so bad the other night the orchestra was playing "Tea for One."”

Henny Youngman (1906–1998) American comedian

Don't Put My Name on this Book (1976), p. 92 http://archive.org/stream/dontputmynameont00youn#page/92/mode/2up/search/%22tea+for+one%22

H.P. Lovecraft photo
Josip Broz Tito photo
Ozzy Osbourne photo

“[To Kelly, after he's become suspicious] You haven't been playing doctors and nurses have you?”

Ozzy Osbourne (1948) English heavy metal vocalist and songwriter

The Osbournes television show

John Locke photo
Bhakti Tirtha Swami photo
Suman Pokhrel photo

“I like desires like children
and their plays
that tease me now and then into
knowing life.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> Desire http://lifeandlegends.com/suman-pokhrel-translated-dr-abhi-subedi/</span>
From Poetry

Theodor W. Adorno photo
Arthur Miller photo

“A play is made by sensing how the forces in life simulate ignorance — you set free the concealed irony, the deadly joke.”

Arthur Miller (1915–2005) playwright from the United States

"The State of the Theatre" an interview by Henry Brandon in Harpers 221 (November 1960)

Barack Obama photo

“I have been a consistent and strong opponent of this war. I have also tried to act responsibly in that opposition to ensure that, having made the decision to go into Iraq, we provide our troops, who perform valiantly, the support they need to complete their mission. I have also stated publicly that I think we have both strategic interests and humanitarian responsibilities in ensuring that Iraq is as stable as possible under the circumstances. Finally, I said publicly that it is my preference not to micromanage the Commander-in-Chief in the prosecution of war. Ultimately, I do not believe that is the ideal role for Congress to play. But at a certain point, we have to draw a line. At a certain point, the American people have to have some confidence that we are not simply going down this blind alley in perpetuity.
When it comes to the war in Iraq, the time for promises and assurances, for waiting and patience is over. Too many lives have been lost and too many billions have been spent for us to trust the President on another tried-and-failed policy, opposed by generals and experts, opposed by Democrats and Republicans, opposed by Americans and even the Iraqis themselves. It is time to change our policy. It is time to give Iraqis their country back, and it is time to refocus America's effort on the wider struggle against terror yet to be won.”

Barack Obama (1961) 44th President of the United States of America

Floor Statement on President's Decision to Increase Troops in Iraq (19 January 2007)
2007

Ted Bundy photo
Ramana Maharshi photo
Joe Satriani photo

“Guitars are fun. There are plenty of different kinds to play. They look cool. They sound cool. Don't *you* want to play guitar?”

Joe Satriani (1956) American guitar player

As quoted in Musician magazine (November 1996).

G. H. Hardy photo
Richard Wagner photo
Isaac Bashevis Singer photo
Malcolm X photo
Paul Dirac photo

“I don't suppose that applies so much to other physicists; I think it’s a peculiarity of myself that I like to play about with equations, just looking for beautiful mathematical relations which maybe don’t have any physical meaning at all. Sometimes they do.”

Paul Dirac (1902–1984) theoretical physicist

Interview with Dr. P. A. M. Dirac by Thomas S. Kuhn at Dirac's home, Cambridge, England, May 7, 1963 http://www.aip.org/history/ohilist/4575_3.html

“We are not here to learn to play, we are here to play to learn.”

Guy Finley (1949) American self-help writer, philosopher, and spiritual teacher, and former professional songwriter and musician

Secrets of Being Unstoppable

Barack Obama photo
Jordan Peterson photo

“There are some games you don't get to play unless you are all in.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Other

Frank Popper photo

“One of the main reasons for my interest early on in the art and technology relationship was that during my studies of movement and light in art I was struck by the technical components in this art. Contrary to most, if not all, specialists in the field who put the stress on purely plastic issues and in the first place on the constructivist tradition, I was convinced that the technical and technological elements played a decisive part in this art. One almost paradoxical experience was my encounter with the kinetic artist and author of the book Constructivism, George Rickey, and my discovery of the most subtle technical movements in his mobile sculptures. But what seemed to me still more decisive for my option towards the art and technology problematic was the encounter in the early 1950s with artists like Nicholas Schöffer and Frank Malina whose works were based on some first hand or second hand scientific knowledge and who effectively or symbolically employed contemporary technological elements that gave their works a prospective cultural meaning. The same sentiment prevailed in me when I encountered similar artistic endeavors from the 1950s onwards in the works of Piotr Kowalski, Roy Ascott and many others which confirmed me in the aesthetic option I had taken, particularly when I discovered that this option was not antinomic (contradictory) to another aspect of the creative works of the time, i. e. spectator participation.”

Frank Popper (1918) French art historian

Source: Joseph Nechvatal. in: " Origins of Virtualism: An Interview with Frank Popper http://www.mediaarthistory.org/refresh/Programmatic%20key%20texts/pdfs/Popper.pdf," in: Media Art History, 2004.

Arthur Miller photo
Kent Hovind photo
Jordan Peterson photo

“[I've changed a bit here - see youtube video "Jordan Peterson - Are YOU Antisocial?!"] We have these shared frames of reference, like when we're playing monopoly. Children at three learn to play games, which means that they learn to organize their own internal motivational states into a hierarchy that includes the emotional states of other people. And that means they can play. And that's what everyone does when they're out in the world. That's why we can go about our daily business - we all know the rules. That's why we can sit in the same room without fighting each other. Because you're smart and socially conscious, you can walk into a room full of people and know what to do. If you're civilized and social you can just do it, and you can predict what all the other primates are up to, and they won't kill you. That's what it means to be part of the same tribe. People are very peculiar creatures and God only knows what they're up to. As long as they're playing the same game that you are, you don't have to know what they're up to, and you can predict what they're going to do because you understand their motivational states. And so, part of the building and constructing of higher order moral goals is the establishment of joint frames of reference that allow multiple people to pursue the goals that they're interested in simultaneously. Not all shared frames of reference can manage that. There's a small subset of them that are optimized so that not only can multiple people play them, but multiple people can play them, AND enjoy them, AND do it repeatedly across a long period of time. So it's iterability that partly defines the utility of a higher order moral structure, and that is not arbitrary. It's an emergent property of biological interactions. It's not arbitrary at all, because a lot of what's constraining your games is your motivational substructure and those ancient circuits that are status oriented, which operate within virtually every animal. Virtually every animal has a status counter. Creatures organize themselves into dominance hierarchies. The reason they do that is because that works. It's a solution to the Darwinian problem of existence. It's not just an epiphenomena. It's the real thing. So your environment is fundamentally dominance hierarchy, plus God only knows where you are. And that's order and chaos. And part of the reason people fight to preserve their dominance hierarchies is because it's better to be a slave who knows what the hell is going on than someone who is thrown screaming and naked into the jungle at night. And that's the difference between order and chaos. And we like order better than chaos and it's no wonder. And invite a little chaos in for entertainment now and then, but it has to be done voluntarily, and generally you don't want the kind of chaos that upsets your entire conceptual structure. You're willing to fool around on the fringes a little bit, but you know, when the going gets serious you're pretty much likely to bail out.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

Eddie Van Halen photo

“Practice. I used to sit on the edge of my bed with a six-pack of Schlitz Malt talls. My brother would go out at 7pm to party and get laid, and when he'd come back at 3am, I would still be sitting in the same place, playing guitar. I did that for years — I still do that.”

Eddie Van Halen (1955) Dutch-American rock musician

Eddie Van Halen in April 1996, in an interview with Guitar World, when asked about how he went from playing his first open A chord to playing "Eruption" http://www.guitarworld.com/archive-billy-corgan-interviews-eddie-van-halen-1996?page=1

Claude Monet photo

“In the beginning and the end, it’s all a crapshoot. The Cosmic Mind does play dice. Loves to gamble, in fact.”

Source: Summer of Love (1994), Chapter 2 “Do You Believe in Magic?” (p. 35)

Johan Cruyff photo

“Football is now all about money. There are problems with the values within the game. And this is sad because football is the most beautiful game. We can play it in the street. We can play it everywhere. Everyone can play it but those values are being lost. We have to bring them back.”

Johan Cruyff (1947–2016) Dutch association football player

In an interview with The Guardian's Donald McRae in September 2014 https://www.theguardian.com/football/2014/sep/12/johan-cruyff-louis-van-gaal-manchester-united.

Beck photo
Barack Obama photo
Barack Obama photo
Charles Spurgeon photo

“If religion be false, it is the basest imposition under heaven; but if the religion of Christ be true, it is the most solemn truth that ever was known! It is not a thing that a man dares to trifle with if it be true, for it is at his soul's peril to make a jest of it. If it be not true it is detestable, but if it be true it deserves all a man's faculties to consider it, and all his powers to obey it. It is not a trifle. Briefly consider why it is not. It deals with your soul. If it dealt with your body it were no trifle, for it is well to have the limbs of the body sound, but it has to do with your soul. As much as a man is better than the garments that he wears, so much is the soul better than the body. It is your immortal soul it deals with. Your soul has to live for ever, and the religion of Christ deals with its destiny. Can you laugh at such words as heaven and hell, at glory and at damnation? If you can, if you think these trifles, then is the faith of Christ to be trifled with. Consider also with whom it connects you—with God; before whom angels bow themselves and veil their faces. Is HE to be trifled with? Trifle with your monarch if you will, but not with the King of kings, the Lord of lords. Recollect that those who have ever known anything of it tell you it is no child's play. The saints will tell you it is no trifle to be converted. They will never forget the pangs of conviction, nor the joys of faith. They tell you it is no trifle to have religion, for it carries them through all their conflicts, bears them up under all distresses, cheers them under every gloom, and sustains them in all labour. They find it no mockery. The Christian life to them is something so solemn, that when they think of it they fall down before God, and say, "Hold thou me up and I shall be safe." And sinners, too, when they are in their senses, find it no trifle. When they come to die they find it no little thing to die without Christ. When conscience gets the grip of them, and shakes them, they find it no small thing to be without a hope of pardon—with guilt upon the conscience, and no means of getting rid of it. And, sirs, true ministers of God feel it to be no trifle. I do myself feel it to be such an awful thing to preach God's gospel, that if it were not "Woe unto me if I do not preach the gospel," I would resign my charge this moment. I would not for the proudest consideration under heaven know the agony of mind I felt but this one morning before I ventured upon this platform! Nothing but the hope of winning souls from death and hell, and a stern conviction that we have to deal with the grandest of all realities, would bring me here.”

Charles Spurgeon (1834–1892) British preacher, author, pastor and evangelist

Religion—a Reality part II. Secondly, "It is not a vain thing"—that is, IT IS NO TRIFLE. (June 22nd, 1862) http://www.biblebb.com/files/spurgeon/0457.HTM

Miguel de Cervantes photo

“Those who'll play with cats must expect to be scratched.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part I, Book III, Ch. 8.

Jim Caviezel photo
Kurt Vonnegut photo
R. Venkataraman photo
Stanisław Lem photo

“Not only does God play dice with the world—He does not let us see what He has rolled.”

Imaginary Magnitude" (1981), "Lecture XLIII", tr. Marc E. Heine (1984)

Barack Obama photo
Sean Connery photo
Edward Bernays photo
Hidetaka Miyazaki photo
Andrea Pirlo photo
Tennessee Williams photo
Theodore Roosevelt photo

“To borrow a simile from the football field, we believe that men must play fair, but that there must be no shirking, and that the success can only come to the player who hits the line hard.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

Sagamore Hill, Oyster Bay, NY http://www.trsite.org/content/pages/speaking-loudly (October 1897)
1890s

C.G. Jung photo
Redd Foxx photo

“Music played a large role in the survival of the black people in America — that and a sense of humor that just couldn't be enslaved.”

Redd Foxx (1922–1991) American comedian and actor

The Redd Foxx Encyclopedia of Black Humor (1977) (co-written with Norma Miller)

Georgy Zhukov photo
Cate Blanchett photo
Gabriel Iglesias photo

“The next thing I know, I'm on the set of the movie Magic Mike. The movie is directed by a director named Steven Soderbergh, who's an amazing, amazing director, he's done a lot of great films. And, of course, Channing Tatum's in the movie. In addition, there's an actor by the name of Matthew McConaughey, who's attached to the movie. [Several audience members cheer] I'm a huge fan of Matthew McConaughey, okay? When I found out that I was gonna work with him, I was so excited, you know? People ask me, "Really, you get star-struck?" Hell yeah! I'm a comedian, not an actor. So, I show up, and, immediately, they send me to the makeup trailer that's outside. So, I go into the makeup trailer, I sit down, they start working on my hair, they start putting makeup on me, and in comes Matthew McConaughey, and he sits down on the chair right next to me. And I start freaking out, "Oh, my God, that's Matthew McConaughey!" [Stutters excitedly] And, now, I decide to introduce myself before I did or said something stupid, right? So, I look over to him, and I say, "Excuse me, Mr. McConaughey? How are you doing? My name's Gabriel Iglesias, I'm going to be playing the role of Tobias, the club DJ, and I just wanted to say Hello, and that it's an honor to work with you." And, in my head, I'm thinking, "I hope he's the same guy. I hope he's the same person in the movies, I hope his voice is the same, I hope his accent's the same." And he turns to me, and he says, [Imitating Matthew McConaughey] "All riiight." [Audience cheers] "How you doin' there, big man? You doin' good?" "I'm doing good." "All riiight."”

Gabriel Iglesias (1976) American actor

And, I'm spazzing out. [Gives excited gibberish]
Aloha, Fluffy (2013)

Theodore Roosevelt photo
Pope Francis photo
Bobby Fischer photo
George Grossmith photo

“You should see me dance the Polka,
You should see me cover the ground,
You should see my coat-tails flying,
As I jump my partner round;
When the band commences playing,
My feet begin to go,
For a rollicking romping Polka
Is the jolliest fun I know.”

George Grossmith (1847–1912) English comedian, writer, composer, actor, and singer

Song You should see me dance the Polka This song was performed and played a roll in the 1941 movie, "Dr. Jekyll and Mr. Hyde" in a scene that took place in an English music hall. The movie starred Spencer Tracy, Ingrid Bergman, and Lana Turner; directed by Victor Fleming.

Alf Ramsey photo

“It seemed a pity so much Argentinian talent is wasted. Our best football will come against the right type of opposition—a team who come to play football, and not act as animals.”

Alf Ramsey (1920–1999) English association football player and manager

Ramsey's indignant opinion of Argentina after England beat them 1–0 in a bruising quarter final in the 1966 World Cup. [World Cup medal honour for Sir Alf, http://www.ipswichstar.co.uk/news/world_cup_medal_honour_for_sir_alf_1_173288, 1 April 2012, ipswichstar.co.uk, 26 June 2009]

Arthur Miller photo

“The structure of a play is always the story of how the birds came home to roost.”

Arthur Miller (1915–2005) playwright from the United States

Harper's (August 1958)

“What's it really like to always be the prettiest person in a room? Dos it mean you're always acting as if in a play, because no one stops looking at you?”

Sherwood Smith (1951) American fantasy and science fiction writer

Remalna's Children (Crown & Court 2.5, 2011)

Brian Keith photo
Sophia Loren photo

“My philosophy is that it's better to explore life and make mistakes than to play it safe and not to explore at all.”

Sophia Loren (1934) Italian actress

As quoted in Sophia, Living and Loving: Her Own Story (1979) by A. E. Hotchner, p. 239.

Friedrich Nietzsche photo

“As soon as it becomes possible, by dint of a strong will, to overthrow the entire past of the world, then, in a single moment, we will join the ranks of independent gods. World history for us will then be nothing but a dreamlike otherworldly being. The curtain falls, and man once more finds himself a child playing with whole worlds—a child, awoken by the first glow of morning, who laughingly wipes the frightful dreams from his brow.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Sobald es aber möglich wäre, durch einen starken Willen die ganze Weltvergangenheit umzustürzen, sofort träten wir in die Reihe der unabhängigen Götter, und Weltgeschichte hieße dann für uns nichts als ein träumerisches Selbstentrücktsein; der Vorhang fällt, und der Mensch findet sich wieder, wie ein Kind mit Welten spielend, wie ein Kind, das beim Morgenglühen aufwacht und sich lachend die furchtbaren Träume von der Stirn streicht.
"Fatum und Geschichte," April 1862

Frank Zappa photo
Jan Tinbergen photo

“The dominant role played by… exporters’ and importers’ GNP and distance in explaining trade flows.”

Jan Tinbergen (1903–1994) Dutch economist

Source: Shaping the world economy, 1962, p. 266

Miguel de Unamuno photo
Cassandra Clare photo
Auguste Comte photo
Mark Twain photo
Bertrand Russell photo
Artie Shaw photo

“It became such a hit that it superseded anything that any band had ever had. It was the first time that a so-called swing band played something melodic and still gave it a beat.”

Artie Shaw (1910–2004) American clarinetist, composer, and bandleader

On "Begin the Beguine", as quoted in Artie Shaw, the Reluctant 'King of Swing', 2002-03-08, 2007-12-20, http://web.archive.org/web/20020804051447/http://www.npr.org/programs/morning/features/2002/mar/shaw/, 2002-08-04 http://www.npr.org/programs/morning/features/2002/mar/shaw/,

Takashi Tezuka photo
Steven Weinberg photo