Quotes about play
page 17

Sarah Chang photo
Vladimir Putin photo

“It's extremely dangerous trying to resolve political problems outside the framework of the law — first the ‘Rose Revolution', then they'll think up something like blue. [word play here: "rose" having the colloquial sense of "lesbian" in modern Russian, and "blue" meaning "gay"]”

Vladimir Putin (1952) President of Russia, former Prime Minister

On the "Orange Revolution" in Ukraine and the "Rose Revolution" in Georgia, News conference http://business.timesonline.co.uk/tol/business/markets/russia/article405454.ece, (23 December 2004).
On Ukraine

Walter Rauschenbusch photo
John Gray photo
Justin D. Fox photo
Joe Satriani photo

“When you think about where guitar playing is going today…: it's going everywhere at the same time.”

Joe Satriani (1956) American guitar player

As quoted in "Shred on Arrival" in Guitar World (November 1993).

Hariprasad Chaurasia photo
Kenneth Grahame photo
Louis-ferdinand Céline photo

“And the music came back with the carnival, the music you've heard as far back as you can remember, ever since you were little, that's always playing somewhere, in some corner of the city, in little country towns, wherever poor people go and sit at the end of the week to figure out what's become of them, sometimes here, sometimes there, from season to season, it tinkles and grinds out the tunes that rich people danced to the year before. It's the mechanical music that floats down from the wooden horses, from the cars that aren't cars anymore, from the railways that aren't at all scenic, from the platform under the wrestler who hasn't any muscles and doesn't come from Marseille, from the beardless lady, the magician who's a butter-fingered jerk, the organ that's not made of gold, the shooting gallery with the empty eggs. It's the carnival made to delude the weekend crowd. We go in and drink the beer with no head on it. But under the cardboard trees the stink of the waiter's breath is real. And the change he gives you has several peculiar coins in it, so peculiar that you go on examining them for weeks and weeks and finally, with considerable difficulty, palm them off on some beggar. What do you expect at the carnival? Gotta have what fun you can between hunger and jail, and take things as they come. No sense complaining, we're sitting down aren't we? Which ain't to be sneezed at. I saw the same old Gallery of the Nations, the one Lola caught sight of years and years ago on that avenue in the park of Saint-Cloud. You always see things again at carnivals, they revive the joy of past carnivals. Over the years the crowds must have come back time and again to stroll on the main avenue of the park of Saint-Cloud…taking it easy. The war had been over long ago. And say I wonder if that shooting gallery still belonged to the same owner? Had he come back alive from the war? I take an interest in everything. Those are the same targets, but in addition, they're shooting at airplanes now. Novelty. Progress. Fashion. The wedding was still there, the soldier too, and the town hall with its flag. Plus a few more things to shoot at than before.”

27
Journey to the End of the Night (1932)

Ursula K. Le Guin photo
Jordan Peterson photo
Reggie Fils-Aimé photo
Dylan Moran photo

“Then this song came on—I will never forget it—it was called "The Funk Soul Brother." And I will always remember that because it was also all of the lyrics… and, er, it was that school of songwriting, you know, very easy on the words in case they get wasted, I don't know what— there's a shortage, and… it sounded like a million fire engines chasing ten million ambulances through a war zone and was played at a volume that made the empty chair beside me bleed. And it went, erm, "Funk soul brother… right about now… yeah… it's the, it's the funk soul brother… check it out. It's, er, well… it's the funk soul brother, essentially. He's, er, he's coming. He's coming at you. It's the… well… it's the funk soul brother." And after a while, I began to penetrate the meaning of this song, you know? I gathered that somebody was about to arrive, and everybody else was terribly excited—maybe he was bringing cake, or something, they didn't say—but the thing was, you see, he wasn't there yet. Ha ha, that was the hook! And I'm not saying it's a bad song, you know, or anything like that. All I'm saying is that if you get, I don't know, a broom, say, and dip it in some brake fluid, put the other end up my arse, stick me on a trampoline in a moving lift, and I would write a better song on the walls. That's all I'm saying.”

Dylan Moran (1971) Irish actor and comedian

On The Rockafeller Skank by Fatboy Slim
Monster (2004)

Steve McManaman photo

“It’s a little too early to play curmudgeon and complain that the kids today don’t have the patience to read long web pages.”

Mark Rosenfelder American language inventor

About the paradigm change http://zompist.wordpress.com/2008/07/31/ask-zompist-blogs-vs-non-blogs/ from static web pages to blogs.

Zakir Hussain (musician) photo
Gary Gygax photo
Noel Gallagher photo
Jared Yates Sexton photo
Count Basie photo
Terrell Owens photo

“I think T. O. is the ultimate right now in the league as far as being able to make plays. Every time he touches the ball, he is capable of doing something special with it.”

Terrell Owens (1973) former American football wide receiver

Jeff Garcia — reported in Mike Triplett (November 22, 2001) "Owens receives his team's vote", The Sacramento Bee, p. C8.
About

David Oistrakh photo
Aldo Capitini photo

“I wanted to go away, in the midst of something entirely different,
I had been there, in the house of torture,
I have seen people being kicked, men’s bodies scorched,
nails pulled out with pliers.
Armed with flame and cudgels, grinning men in shirt sleeves.
Where I could hear my friends being thrown headlong
down the stairs.
Night was as day, and long shrieks wounded me.
In vain I tried to think of wooded lanes and flowers,
a serene life and human words.
The thought seized up, it was as if a wound were opened up
again and again and endlessly searched.
From the mouth struck, teeth and blood came out,
and lamenting moans from the deep throat.
Away, away from that house, from that street and town,
from anything similar to it.
I must save myself, keep up my mind,
that I should not be led to madness by these memories.
Oh, if we could go back to a void, from which a new order,
a maternal opening could come forth,
if I hear a certain tone of voice even in jest, I shudder.
My unhappiness is that I avoid the sight of suffering,
hospitals and prisons.
I have yearned for high solitudes, lands of still sunshine
and sweet shadows,
but I would always be pursued by the ghosts of human beings.
All of a sudden I feel the need of distraction and play,
to lose myself in the noise of the fairground.
I remain with you, but forgive me
if you see me sometimes act like a madman.
I try to heal myself by myself, as an animal,
trusting that the wounds will close.
I stop to listen to the simple conversations of the women
in the marketplace, with their dialectical lilt.
I rejoice at the footsteps of running children,
their overpowering calls.
Because you do not know the absurdity of my dreams,
the fixed expressions, the incomprehensible gestures.
There is turmoil inside me, which seems to ridicule me.
And I cannot cry out, not to be like them.
Tomorrow I will go towards some music, now I am getting ready.”

Aldo Capitini (1899–1968) Italian philosopher and political activist
Sarah Vowell photo

“Going to Ford's Theatre to watch the play is like going to Hooters for the food.”

Source: Assassination Vacation (2005), p. 21

Joe Satriani photo

“I assume most guitar players are like me. They're playing, having fun; then they get a magazine in the mail that says "Shred Is Dead" and they say, "What the Hell?"”

Joe Satriani (1956) American guitar player

They throw it away and keep on playing.
As quoted in "Shred on Arrival" in Guitar World (November 1993).

Johannes Bosboom photo

“To show this later progress in my own work I refer to my [paintings] 'Organ-playing monk', in 1850, my 'Lord's Supper in the Geestes-kerk (church) in Utrecht' in 1852, and my 'Bakenesse-kerk (church) in Haarlem', painted a dozen years later. All three can be found in the museum Fodor and can thus be compared to each other. The preference will undoubtedly be given to the latter, which for its strength and unity is counted among the masterpieces of this [Fodor] collection.”

Johannes Bosboom (1817–1891) Dutch painter

version in original Dutch (citaat van Johannes Bosboom, in Nederlands): Om dien lateren vooruitgang in mijn eigen werk te toonen, verwijs ik naar mijn [werken] 'Orgelspelende monnik' in 1850, mijn 'Avondmaalsviering in de Geesteskerk te Utrecht' in 1852 en mijn 'Bakenessekerk te Haarlem', een tiental jaren later geschilderd - alle drie in het museum Fodor te vinden en dus onderling te vergelijken. De voorkeur zal ongetwijfeld aan het laatste worden toegekend, dat om zijn kracht en éénheid tot de meesterstukjes dezer verzameling gerekend wordt.
Quote of Bosboom, in his autobiography, c. 1890; as cited in De Hollandsche Schilderkunst in de Negentiende Eeuw, G. H. Marius; https://ia800204.us.archive.org/31/items/dehollandschesch00mariuoft/dehollandschesch00mariuoft.pdf Martinus Nijhoff, s-’Gravenhage / The Hague, tweede druk, 1920, pp. 108-09 (translation from the original Dutch: Fons Heijnsbroek)
1890's

Stowe Boyd photo
Pete Doherty photo
N.T. Wright photo
Joe Biden photo

“Playing that music delivered me from the pressures of my life. I played with my eyes closed and found that my backaches ceased and my headaches would go. The response to that rhythm was "My God, this makes me feel good." I never really remembered having that much fun with it before or thought about jazz making me feel good. But, at 46, it suddenly dawned on me that my body had priorities that my mind didn't allow, and I decided to (play Latin/jazz)✱ for myself and started having a helluva fine time.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "He Arranges, Composes, Performs: Fischer: A Renaissance Man Of Music" http://articles.latimes.com/1987-05-14/entertainment/ca-8949_1_clare-fischer.
<center><sup>✱</sup> The parenthetical addition is Zan Stewart's; exactly what it's replacing – whether simply filling a space, or replacing an unintelligible word or two – is not revealed.</center>

Gary Gygax photo
Marcel Duchamp photo
Roberto Clemente photo

“Why you think I play this game? I play to win. Competition is the thing. I want to play on a winning team. I don't want to play for sixth place. I like to play for all the marbles, where every game means something. I like to play for real, not for fun.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "Clemente Says Hitting Does Not Come Easy"
Baseball-related, <big><big>1960s</big></big>, <big>1968</big>

John Sloan photo
Toni Morrison photo
Ian McCulloch photo
Hermann Friedrich Kohlbrügge photo

“We reject the pharisaical sanctity, which is but a covering of shame, under which sin has free play.”

Hermann Friedrich Kohlbrügge (1803–1874) Dutch minister

Source: Sermons on the First Epistle of Peter (1855), p. 7

Roberto Clemente photo

“I was just a youngster and believed everything everybody told me. The Dodgers told me a big bonus was no good and they said other players would resent it. Better for me to take small amount and work my way use [sic]. So my father signed for me. Next day, the Braves offer me $27, 500 and I say, "Where were you yesterday?" In the workout with the Dodgers, I hit 10 balls over the fence and I go back to 400-foot mark and throw to the plate. The Dodgers hid me as Montreal in 1954 and I seldom played. Maybe the late innings. Once I started and before I could bat in first inning they take me out for pinch-hitter.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "The Scoreboard: Hitting in Daylight" (.411 Vs. .302) Best For Clemente; Roberto 'Feels Good' In Sunshine; Chicago's Wrigley Field His Favorite; Clemente Can Hit to All Field; Pirates Paid Only $4,000 For Him" https://news.google.com/newspapers?id=YGscAAAAIBAJ&sjid=t04EAAAAIBAJ&pg=4128%2C3280138 by Les Biederman, in The Pittsburgh Press (Sunday, March 11, 1962), Sec. 4. p. 3
Baseball-related, <big><big>1960s</big></big>, <big>1962</big>

“Life grows short. Have you done everything you wanted to do, or have you played it safe?”

Jim Goad (1961) Author, publisher

Shit Magnet: One Man's Miraculous Ability to Absorb the World's Guilt (Feral House, 2002)

James D. Watson photo

“I suspect that in the beginning Maurice hoped that Rosy would calm down. Yet mere inspection suggested that she would not easily bend. By choice she did not emphasize her feminine qualities. Though her features were strong, she was not unattractive and might have been quite stunning had she taken even a mild interest in clothes. This she did not. There was never lipstick to contrast with her straight black hair, while at the age of thirty-one her dresses showed all the imagination of English blue-stocking adolescents. So it was quite easy to imagine her the product of an unsatisfied mother who unduly stressed the desirability of professional careers that could save bright girls from marriages to dull men. But this was not the case. Her dedicated austere life could not be thus explained — she was the daughter of a solidly comfortable, erudite banking family.
Clearly Rosy had to go or be put in her place. The former was obviously preferable because, given her belligerent moods, it would be very difficult for Maurice to maintain a dominant position that would allow him to think unhindered about DNA. Not that at times he'd didn't see some reason for her complaints — King's had two combination rooms, one for men, the other for women, certainly a thing of the past. But he was not responsible, and it was no pleasure to bear the cross for the added barb that the women's combination room remained dingily pokey whereas money had been spent to make life agreeable for him and his friends when they had their morning coffee.
Unfortunately, Maurice could not see any decent way to give Rosy the boot. To start with, she had been given to think that she had a position for several years. Also there was no denying that she had a good brain. If she could keep her emotions under control, there was a good chance she could really help him. But merely wishing for relations to improve was taking something of a gamble, for Cal Tech's fabulous chemist Linus Pauling was not subject to the confines of British fair play. Sooner or later Linus, who had just turned fifty, was bound to try for the most important of all scientific prizes. There was no doubt he was interested. … The thought could not be avoided that the best home for a feminist was in another person's lab.”

Description of Rosalind Franklin, whose data and research were actually key factors in determining the structure of DNA, but who died in 1958 of ovarian cancer, before the importance of her work could be widely recognized and acknowledged. In response to these remarks her mother stated "I would rather she were forgotten than remembered in this way." As quoted in "Rosalind Franklin" at Strange Science : The Rocky Road to Modern Paleontology and Biology by Michon Scott http://www.strangescience.net/rfranklin.htm
The Double Helix (1968)

Laraine Day photo
Gary Gygax photo

“The physical structures of organisms play only a minor and secondary role… The only requirement which physical structure must fulfill is that it allow the characteristic behaviors themselves to be manifested. Indeed, if this were not so, it would be impossible to understand how a class of systems as utterly diverse in physical structure as that which comprises biological organisms could be recognised as a unity at all.”

Robert Rosen (1934–1998) American theoretical biologist

Robert Rosen. "Anticipatory systems in retrospect and prospect," in: General Systems, Vol. 24 (1979), p. 12; AS cited in: Nadin, Mihai. " Anticipation and dynamics: Rosen's anticipation in the perspective of time http://www.nadin.ws/archives/966." International journal of general systems. 39.1 (2010): 3-33.

John D. Rockefeller photo

“I was early taught to work as well as play,
My life has been one long, happy holiday;
Full of work and full of play —
I dropped the worry on the way —
And God was good to me every day.”

John D. Rockefeller (1839–1937) American business magnate and philanthropist

Verses written on his eighty-sixth birthday (8 July 1925) http://www.anbhf.org/pdf/lee.pdf

Charles Dickens photo
Pauline Kael photo
Charles Stross photo
Kate Upton photo

“In my opinion, the national anthem is a symbolic song about our country. It represents honoring the many brave men and women who sacrifice and have sacrificed their lives each and every single day to protect our freedom. Sitting or kneeling down during the national anthem is a disgrace to those people who have served and currently serve our country. Sitting down during the national anthem on September 11th is even more horrific. Protest all you want and use social media all you want. However, during the nearly two minutes when that song is playing, I believe everyone should put their hands on their heart and be proud of our country for we are all truly blessed. Recent history has shown that it is a place where anyone no matter what race or gender has the potential to become President of the United States. We live in the most special place in the world and should be thankful. After the song is over, I would encourage everyone to please use the podium they have, stand up for their beliefs, and make America a better place. The rebuilding of battery park and the freedom tower demonstrates that amazing things can be done in this country when we work together towards a common goal. It is a shame how quickly we have forgotten this as a society. Today we are more divided then ever before. I could never imagine multiple people sitting down during the national anthem on the September 11th anniversary. The lessons of 911 should teach us that if we come together, the world can be a better and more peaceful place #neverforget.”

Kate Upton (1992) American model and actress

Kate Upton on Instagram https://www.instagram.com/p/BKO8_ZGA87r/?taken-by=kateupton&hl=en (September 11, 2016)

Maeve Binchy photo

“Suddenly they asked me, as only the French would, ‘Madame, what is your philosophy of life?’ What a cosmic question, but I had to answer, and answer quickly, because it was live. So I said, in French, ‘I think that you’ve got to play the hand that you’re dealt and stop wishing for another hand.”

Maeve Binchy (1940–2012) Irish novelist

Recalling being invited to appear on French TV on what she described as “a terrifying serious program about books”. nydailynews.com http://www.nydailynews.com/entertainment/popular-irish-author-maeve-binchy-dies-72-article-1.1125516?localLinksEnabled=false

Maryanne Amacher photo

“When played at the right sound level, which is quite high and exciting, the tones in this music will cause your ears to act as neurophonic instruments that emit sounds that will seem to be issuing directly from your head.”

Maryanne Amacher (1938–2009) Composer and installation artist

Amacher, 1999, cited in: Franziska Schroeder (2006). Bodily instruments and instrumental bodies. Vol. 25. p. 74:
Description of how "ears act as instruments and emit sounds as well as receive them (Amacher, 1999)... [and] the way these 'otoacoustic emissions' might function."

Groucho Marx photo
Clarence Darrow photo

“Life cannot be reconciled with the idea that back of the universe is a Supreme Being, all merciful and kind, and that he takes any account of the human beings and other forms of life that exist upon the earth. Whichever way man may look upon the earth, he is oppressed with the suffering incident to life. It would almost seem as though the earth had been created with malignity and hatred. If we look at what we are pleased to call the lower animals, we behold a universal carnage. We speak of the seemingly peaceful woods, but we need only look beneath the surface to be horrified by the misery of that underworld. Hidden in the grass and watching for its prey is the crawling snake which swiftly darts upon the toad or mouse and gradually swallows it alive; the hapless animal is crushed by the jaws and covered with slime, to be slowly digested in furnishing a meal. The snake knows nothing about sin or pain inflicted upon another; he automatically grabs insects and mice and frogs to preserve his life. The spider carefully weaves his web to catch the unwary fly, winds him into the fatal net until paralyzed and helpless, then drinks his blood and leaves him an empty shell. The hawk swoops down and snatches a chicken and carries it to its nest to feed its young. The wolf pounces on the lamb and tears it to shreds. The cat watches at the hole of the mouse until the mouse cautiously comes out, then with seeming fiendish glee he plays with it until tired of the game, then crushes it to death in his jaws. The beasts of the jungle roam by day and night to find their prey; the lion is endowed with strength of limb and fang to destroy and devour almost any animal that it can surprise or overtake. There is no place in the woods or air or sea where all life is not a carnage of death in terror and agony. Each animal is a hunter, and in turn is hunted, by day and night. No landscape is beautiful or day so balmy but the cry of suffering and sacrifice rends the air. When night settles down over the earth the slaughter is not abated. Some creatures are best at night, and the outcry of the dying and terrified is always on the wind. Almost all animals meet death by violence and through the most agonizing pain. With the whole animal creation there is nothing like a peaceful death. Nowhere in nature is there the slightest evidence of kindness, of consideration, or a feeling for the suffering and the weak, except in the narrow circle of brief family life.”

Clarence Darrow (1857–1938) American lawyer and leading member of the American Civil Liberties Union

Source: The Story of My Life (1932), p. 383

William Cowper photo

“But war's a game, which, were their subjects wise,
Kings would not play at.”

Source: The Task (1785), Book V, The Winter Morning Walk, Line 187.

Marshall McLuhan photo
Samantha Bee photo
John Updike photo
Estelle Getty photo

“The only time you'll see me as a Democrat is when I play Sophia. In the real world I'm a Republican from head to toe.”

Estelle Getty (1923–2008) actress

Interview, The Sun Sentenial, May 11, 1986

George Shultz photo

“[A] revenue-neutral carbon tax would benefit all Americans by eliminating the need for costly energy subsidies while promoting a level playing field for energy producers.”

George Shultz (1920) American economist, statesman, and businessman

Why We Support a Revenue-Neutral Carbon Tax: Coupled with the elimination of costly energy subsidies, it would encourage competition. http://www.wsj.com/articles/SB10001424127887323611604578396401965799658 "Commentary" article in the Wall Street Journal, co-authored with the Nobel-Prize-winning economist Gary Becker, dated April 7, 2013.

Taslima Nasrin photo
Larry Niven photo

“Tell them the universe is too complicated a toy for a sensibly cautious being to play with.”

Larry Niven (1938) American writer

Source: Ringworld (1970), p. 314

Rafael Benítez photo

“I'm sure Chelsea do not like playing Liverpool. When they are talking and talking and talking before the game it means they are worried. Maybe they're afraid?”

Rafael Benítez (1960) Spanish association football player and manager

We don't need to give away flags for our fans to wave (2012)

Michael Friendly photo

“Many schools are now introducing computers into the educational curriculum. Within 10 years it is predicted that computers will play a significant role in every classroom in North America. The question is, how will they be used? Many educators have been focusing on the use of computers for drill and programmed instruction—to provide individualized practice and instruction in the usual curriculum areas. There is another use for computers in education which some educators, myself included, find more exciting. These involve using the computer:
• to provide an environment in which learning can be intrinsically motivating and fun.
• to allow children to discover, explore and create knowledge.
• to help develop skills of thinking and problem solving.
• to make some of the most powerful ideas of the burgeoning computer culture accessible and tangible to children at an early age.
If you have ever watched a child playing good video games or if you play them yourself, then you know the powerful motivation that graphics displays can create. As I’ve watched children play these games, every bit of their attention focused on the screen, I’ve often thought how wonderful it would be to harness this motivation and channel it toward intellectual growth and learning…”

Michael Friendly (1945) American psychologist

Michael Friendly. Advanced Logo: A Language for Learning. Lawrence Erlbaum Associates, Inc. 1988. Preface

Michel De Montaigne photo

“The world is all a carcass and vanity, The shadow of a shadow, a play
And in one word, just nothing.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman

Attributed

Albert Einstein photo
Roger Ebert photo
Leonid Hurwicz photo
Aisha photo
Elton John photo
George Savile, 1st Marquess of Halifax photo

“No Man is so much a Fool as not to have Wit enough sometimes to be a Knave; nor any so cunning a Knave, as not to have the Weakness sometimes to play the Fool.”

George Savile, 1st Marquess of Halifax (1633–1695) English politician

Political, Moral, and Miscellaneous Reflections (1750), Moral Thoughts and Reflections

Ralph Ellison photo

“Eclecticism is the word. Like a jazz musician who creates his own style out of the styles around him, I play by ear.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

"The Essential Ellison", interview by Ishmael Reed in Y'Bird 1, no. 1 (1978): 130-59.

Donald A. Norman photo
Max Scheler photo

“"This law of the release of tension through illusory valuation gains new significance, full of infinite consequences, for the ressentiment attitude. To its very core, the mind of ressentiment man is filled with envy, the impulse to detract, malice, and secret vindictiveness. These affects have become fixed attitudes, detached from all determinate objects. Independently of his will, this man's attention will be instinctively drawn by all events which can set these affects in motion. The ressentiment attitude even plays a role in the formation of perceptions, expectations, and memories. It automatically selects those aspects of experience which can justify the factual application of this pattern of feeling. Therefore such phenomena as joy, splendor, power, happiness, fortune, and strength magically attract the man of ressentiment. He cannot pass by, he has to look at them, whether he “wants” to or not. But at the same time he wants to avert his eyes, for he is tormented by the craving to possess them and knows that his desire is vain. The first result of this inner process is a characteristic falsification of the world view. Regardless of what he observes, his world has a peculiar structure of emotional stress. The more the impulse to turn away from those positive values prevails, the more he turns without transition to their negative opposites, on which he concentrates increasingly. He has an urge to scold, to depreciate, to belittle whatever he can. Thus he involuntarily “slanders” life and the world in order to justify his inner pattern of value experience.”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

John Dryden photo

“Leave writing plays, and choose for thy command
Some peaceful province in acrostic land.
There thou mayst wings display and altars raise,
And torture one poor word ten thousand ways.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Source: Mac Flecknoe (1682), l. 205–208.

Roberto Clemente photo
Akira Ifukube photo

“There are two types of composers. Like Stravinsky, some always are aware of the instrument that will be playing a given melody. However, other composers do work out the orchestration only after they have finished composing. I'm like Stravinsky. I always write music with specific instruments in mind.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)

Eiji Aonuma photo
Richard Dawkins photo
Bob Black photo
Valentina Lisitsa photo
Roberto Clemente photo
Rex Stout photo

“There are damn few great writers and I'm not one of them. While I could afford to I played with words. When I could no longer afford that I wrote for money.”

Rex Stout (1886–1975) American writer

Rex Stout, on why he turned from writing serious fiction to detective stories
The New York Times, "An Interview with Mister Rex Stout"

Martin Rushent photo
Edward Witten photo
Alexander Ovechkin photo

“He's a fantastic player. I don't know what else you guys can write about him, but he's the best I've ever played with.”

Alexander Ovechkin (1985) Russian ice hockey player

Olie Kolzig, interview in The Capital staff (March 6, 2008) "March is meaningful for Ovechkin, Capitals", The Capital, Capital-Gazette Newspapers, p. C5.
About

Jodi Benson photo
Stanley Baldwin photo
R. G. Collingwood photo
Peter Weiss photo