Quotes about play
page 18

“Even if they had been real gods, what did it matter? What was it to me? Here I was still, right where I was born a thousand or so years before, in the middle of the human condition—namely, rubbish and pain. If the gods were real, their only relationship with us was to use us to play their games. Screw them all.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 8 (p. 174)

God, Pain, Game

“Oft on the dappled turf at ease
I sit, and play with similes,
Loose types of things through all degrees.”

William Wordsworth (1770–1850) English Romantic poet

To the Same Flower (the Daisy), st. 2 (1805).

“A lot of the reason I am here is because of my strength, my determination and character. I would just like to talk about a girl called Lucy.I went to her funeral today, she was 10 years old. She came to the game against Charlton where we lifted the Premiership trophy. She had a tumor on the brain - really she should have died the week before that game. But she was so desperate to come and see that game, to watch us play. The character and strength she showed made me put everything in perspective.I would like to dedicate this whole award to her, her family, especially her mother, and I would like to say thanks to everyone tonight.”

Frank Lampard (1978) English association football player

Sincerely yours, Frank (May 22, 2005)

Family, Girl, Game

“Jesus Christ has not come to establish social justice any more than he has come to establish the power of the state or the reign of money or art. Jesus Christ has come to save men, and all that matters is that men may come to know him. We are adept at finding reasons—good theological, political, or practical reasons, for camouflaging this. But the real reason is that we let ourselves be impressed and dominated by the forces of the world, by the press, by public opinion, by the political game, by appeals to justice, liberty, peace, the poverty of the third world, and the Christian civilization of the west, all of which play on our inclinations and weaknesses. Modern protestants are in the main prepared to be all things to all men, like St. Paul, but unfortunately this is not in order that they may save some but in order that they may be like all men.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

Source: The Ethics of Freedom (1973 - 1974), p. 254

Men, Money, World, Peace

“In my past there is Krishna. In my dreams I dream of recreating a huge college of flutists, a veritable Vrindaban in which students will arrive to learn and study with satchels full of flutes, live in mud huts, eat at a common langar. A modern Vrindaban from which a thousand flutes will ring out each day. For what else is there? When my breath is gone and I can not play anymore what do I leave behind? Some dedicated students! When you leave nothing behind, you cry at the point of death, but I still dream, I dare to dream that through my students my flute will be left behind as the memory of Krishna.”

Hariprasad Chaurasia (1938) Indian bansuri player

In "Discography".

Death, Dreams, Study, Learning

“An extreme, unconditional human yearning was expressed for the first time by Nietzsche independently of moral goals or of serving God. … Ardor that doesn’t address a dramatically articulated moral obligation is a paradox. … If we stop looking at states of ardor as simply preliminary to other and subsequent conditions grasped as beneficial, the state I propose seems a pure play of lightning, merely an empty consummation. Lacking any relation to material benefits such as power or the growth of the state (or of God or a Church or a party), this consuming can’t even be comprehended. … I’ll have to face the same difficulties as Nietzsche—putting God and the good behind him, though all ablaze with the ardor possessed by those who lay down their lives for God or the good. … I’ll admit that moral investigations that aim to surpass the good lead first of all to disorder.”

Georges Bataille (1897–1962) French intellectual and literary figure

Source: On Nietzsche (1945), pp. xx-xxii

God, Time

“He was an extraordinary bloke. First of all he was very funny. He was straight but very camp. [He] came in and Visconte said, ‘Right, what are we doing?’. He said: ‘Well I haven’t got any material, I’ve just got one guitar riff’. So he played us this guitar riff. It sounded a bit like Chuck Berry to me but I didn’t say anything. He went out with the band and after two hours he said, ‘Right, got a song’. So we recorded it and took a few takes. He then said, ‘Right I’ve got a bit of a tune, just give me half an hour’. In 10 minutes he came back and said, ‘Right I’ve got the lyrics and got the tune’. So he’d written Get It On in 10 minutes basically. He went out there, sang it and in four or five takes we’d got it. There it was. The guy was absolutely astonishing.”

Martin Rushent (1948–2011) English record producer

[Serck, Linda, Legendary producer Martin Rushent, 2009, http://www.getreading.co.uk/entertainment/music/s/2061462_legendary_producer_martin_rushent, Get Reading, 6 June 2011]

Guy

“And we danced;
Out there on that empty hardwood floor.
The chairs up and the lights turned way down low
The music played, we held each other close.
And we danced.Like no one else had ever danced before.
I can't explain what happened on that floor.
But the music played,
We held each other close,
And we danced.
Yeah, we danced.”

Brad Paisley (1972) American country music singer

We Danced, written by Brad Paisley and Chris DuBois.
Song lyrics, Who Needs Pictures (1999)

Music, Way, Light, Dance

“No way! You've gotta be kidding me!…It's gotta be one of the dumbest calls offensively in Super Bowl history. You are on the 1-yard line and you have #24 (Marshawn Lynch) and you drop back pass? Are you kidding me? And also, they ran a pick play - an illegal pick! You deserve an interception!”

Scott Zolak (1967) American football quarterback

On the Patriots radio broadcast on 98.5 The Sports Hub after Malcolm Butler's game-winning interception of Russell Wilson at the goal line in Super Bowl XLIX. Seahawks Opponent Audio Recap - Super Bowl XLIX - Scott Zolak & Bob Socci (Patriots, 98.5 The Sports Hub) http://www.sportsradiokjr.com/media/play/opponent-audio-recap-sb-xlix-patriots-25788776/ KJR

Way, History

“Yes, his father was a Nazi; yes, he has been a consistent supporter and friend of renowned Nazi Kurt Waldheim. All right, so what if the rumors--confirmed for SPY by a businessman and longtime friend of Arnold's--that in the 1970s he enjoyed playing and giving away records of Hitler's speeches are true?”

Arnold Schwarzenegger (1947) actor, businessman and politician of Austrian-American heritage

Charles Fleming, "Uh-Oh" March 1992, page 62 of Spy Magazine https://books.google.ca/books?id=Xa7j5ofHW0EC&lpg=PP1&dq=spy+magazine+schwarzenegger&pg=PA62&redir_esc=y&hl=en#v=onepage&q=spy%20magazine%20schwarzenegger&f=true About

Support

“My only problem is finding a way to play my fortieth fallen female in a different way from my thirty-ninth.”

Barbara Stanwyck (1907–1990) American actress

Way, Problem

“Then in chat, or at play, with a dance, or a song,
Let the night, like the day, pass with pleasure along.
All cares, but of love, banish far from your mind;
And those you may end, when you please to be kind.”

Philip Stanhope, 4th Earl of Chesterfield (1694–1773) British statesman and man of letters

"Advice to a Lady in Autumn", published in A Collection of Poems in Six Volumes. By Several Hands. Vol. I. (1763), printed by J. Hughs, for R. and J. Dodsley

Love, Pleasure, Dance, Night

“Grip the long sword with a rather floating feeling in your thumb and forefinger, with the middle finger neither tight nor slack, and with the last two fingers tight. It is bad to have play in your hands.
When you take up a sword, you must feel intent on cutting the enemy. As you cut an enemy you must not change your grip, and your hands must not "cower". When you dash the enemy's sword aside, or ward it off, or force it down, you must slightly change the feeling in your thumb and forefinger. Above all, you must be intent on cutting the enemy in the way you grip the sword.”

Miyamoto Musashi (1584–1645) Japanese martial artist, writer, artist

Go Rin No Sho (1645), The Water Book

Way, Feeling, Change

“And we would play together,
like fine musicians should,
And it would sound like music,
and the music would sound good.
But in real life I'm stuck with
that same old formula,
me and my monophonic symphony,
six string orchestra.”

Harry Chapin (1942–1981) American musician

Six String Orchestra
Song lyrics, Verities & Balderdash (1974)

Life, Music

“Godzilla is an outrageous monster that is played by an outstanding guy! I am a little short, but in my heart burns the spirit of the samurai.”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by David Milner, "Kenpachiro Satsuma Interview I" http://www.davmil.org/www.kaijuconversations.com/satsum.htm, Kaiju Conversations (December 1993)

Guy, Heart

“Now as for thinking your account a tale or story, my dear Franz, to be a good story is to me the highest the highest test of the truth of anything. I make no distinction whatever between reality and fantasy, or the objective and the subjective. All life and all awareness are ultimately one, including intensest pain and death itself. Not all the play need please us, and ends are never comforting. Some things fit together harmoniously and beautifully and startlingly with thrilling discords—those are true—and some do not, and those are merely bad art.”

Fritz Leiber book Our Lady of Darkness

Source: Our Lady of Darkness (1977), Chapter 17 (p. 95)

Life, Death, Pain, Truth

“Morphy's principal strength does not rest upon his power of combination but in his position play and his general style…. Beginning with la Bourdonnais to the present, and including Lasker, we find that the greatest stylist has been Morphy. Whence the reason, although it might not be the only one, why he is generally considered the greatest of all.”

Paul Morphy (1837–1884) American chess player

José Raúl Capablanca, in Pablo Morphy by V. F. Coria and L. Palau.
About

“I stopped reading the comics page a long time ago. It seems that whoever is in charge of what to put on that page is given an edict that states: “For God’s sake, try to be as bland as possible and by no means offend any one!” Thus, whenever something like Doonesbury would come along, it would be continually censored and, if lucky, eventually banished to the editorial pages. The message was clear: Keep it simple, keep it cute, and don’t be challenging, outrageous or political.
And keep it white!
It’s odd that considering all the black ink that goes into making the comics section (and color on Sundays) that you rarely see any black faces on that page. Well, maybe it’s not so odd after all, considering the makeup of most newsrooms in our country. It is even more stunning when you consider that in many of our large cities like New York, Los Angeles, or Chicago where the white population is barely a third of the overall citizenry, the comics pages seem to be one of the last vestiges of the belief that white faces are just…well, you know…so much more happy and friendly and funny!
Of course, the real funnies are on the front pages of most papers these days. That’s where you can see a lot of black faces. The media loves to cover black people on the front page. After all, when you live in a society that will lock up 30 percent of all black men at some time in their lives and send more of them to prison than to college, chances are a fair number of those black faces will end up in the newspaper.
Oops, there I go playing the race card. You see, in America these days, we aren’t supposed to talk about race. We have been told to pretend that things have gotten better, that the old days of segregation and cross burnings are long gone, and that no one needs to talk about race again because, hey, we fixed that problem.
Of course, nothing could be further from the truth. Sure, the “whites only” signs are down, but they have just been replaced by invisible ones that, if you are black, you see hanging in front of the home loan department of the local bank, across the entrance of the ritzy suburban or on the doors of the U. S. Senate”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

100 percent Caucasian and going strong!
Foreword to "The Boondocks Treasury: a Right to be Hostile" by Aaron McGruder, (2003).
2003

Love, Men, God, Happiness

“A cloud masses, the sky darkens, leaves twist upward, and we know that it will rain. We also know that after the storm, the runoff will feed into groundwater miles away, and the sky will grow clear by tomorrow. All of these events are distant in time and space, if they're all connected within the same pattern. Each has an influence on the rest, and influence that is usually hidden from view. You can only understand the system of rainstorm by contemplating the whole not any part of the pattern.
Businesses and other human endeavors are also systems. They, too, are bound by invisible fabrics of interrelated actions, which often take years to fully play out their effects on each other. Since we are part of that lacework ourselves, it's doubly hard to see the whole pattern of change. Instead we tend to focus on snapshots of isolated parts of the system, and wonder why our deepest problems never seem to get resolved.”

Peter M. Senge book The Fifth Discipline

Source: The Fifth Discipline (1990), p. 7 as cited in: Vivien Martin (2003) Leading Change in Health and Social Care. p. 37

Understanding, Business, Problem, Distant

“Here's the essence of risk management: Risk no more than you can afford to lose, and also risk enough so that a win is meaningful. If there is no such amount, don't play.”

Ed Seykota (1946) American commodities trader

Source: Covel, Trend Following, page 59

“Psychoanalysis, which interprets the human being as a socialized being, and the psychic apparatus as essentially developed and determined through the relationship of the individual to society, must consider it a duty to participate in the investigation of sociological problems to the extent the human being or his/her psyche plays any part at all.”

Erich Fromm (1900–1980) German social psychologist and psychoanalyst

"Psychoanalyse und Soziologie" (1929); published as "Psychoanalysis and Sociology" as translated by Mark Ritter, in Critical Theory and Society : A Reader (1989) edited by S. E. Bronner and D. M. Kellner

Problem, Parting

“Who worships Cupid doth adore a boy;
Boys' earnest are at first in their delight,
But for a new soon leave their dearest toy,
And out of mind as soon as out of sight;
Their joys be dallyings and their wealth is play,
They cry to have and cry to cast away.”

Fulke Greville, 1st Baron Brooke (1554–1628) English politician

LXII.
Caelica (1633)

Boy, Joy, Cry, Wealth

“When asked to play a 12-bar blues, Ornette Coleman fingered his plastic saxophone and played nothing…he's felt more nothing than you or I know.”

Ornette Coleman (1930–2015) American jazz musician

Richard_Fariña
About

“We can't call Afghanistan minnows. They beat all the teams in the qualifiers and progressed. We are taking them very seriously. They can upset any team. We have to really play well to beat Afghanistan. They're really tough. It (2015 WC) was a very close game. They really fought hard against us. We have to fight well. If we play to our potential, we can beat them.”

Angelo Mathews (1987) Sri Lankan cricketer

On the Afghanistan cricket team, quoted on ‘’indiatoday’’, ICC World Twenty20: Sri Lanka not treating Afghanistan like minnows, says Angelo Mathews http://indiatoday.intoday.in/t20-world-cup-2016/story/icc-world-twenty20-sri-lanka-not-treating-afghanistan-like-minnows-says-angelo-mathews/1/621840.html, no date specified

Game, Fight

“I can’t think of better ways to learn than through pleasure and curiosity. I guess the reason these two qualities play so small a role in formal education is that they are so subjective and individual. Curiosity and delight can’t be institutionalized.Childhood and adolescence form our sensibilities. By the time I arrived in college, I had already developed a deep suspicion of all theories of art that did not originate in pleasure.”

Dana Gioia (1950) American writer

"Lonely Impulse of Delight: One Reader's Childhood," http://www.danagioia.net/essays/elonely.htm The Southern Review (Winter 2005) Essays

Pleasure, Education, Art, Way

“My feelings I'm sure are like the thousands of other kids who dreamed their entire life of winning and holding the Stanley Cup. I don't really know how to articulate it and I've never seen anybody put the feeling into words properly. We all felt the same way, whether you won it in Montreal, or in Toronto or in Philadelphia. When you win the Stanley Cup after dreaming about it your whole life, for me, that was the highlight of my hockey playing career.”

Bobby Clarke (1949) Canadian ice hockey player

Quoted in Kevin Shea, "One on One with Bobby Clarke," http://www.legendsofhockey.net/html/spot_oneononep198701.htm Legends of Hockey.net (2003-05-02)

Life, Dreams, Way, Feeling

“I've got no particular desire to play ten minute solos. Those were never valid anyway in my book -- never. It was just a cheap way of building up a tension in the audience…A solo should do something; it shouldn't just be there as a cosmetic. It should have some aim, take the tune somewhere. I'm not saying I can do it, but I try and take the tune somewhere.”

Jeff Beck (1944) English rock guitarist

[Denyer, Ralph, The Guitar Handbook, 2002, 140, 0-679-74275-1]

Books, Way

“All these soft kinds [of stone] have the advantage that they can be easily worked as soon as they have been taken from the quarries. Under cover, they play their part well; but in open and exposed situations the frost and rime make them crumble, and they go to pieces. On the seacoast, too, the salt eats away and dissolves them, nor can they stand great heat either.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VII, Sec. 2

Parting

“The Paleolithic hunters who painted the unsurpassed animal murals on the ceiling of the cave at Altamira had only rudimentary tools. Art is older than production for use, and play older than work. Man was shaped less by what he had to do than by what he did in playful moments. It is the child in man that is the source of his uniqueness and creativeness, and the playground is the optimal milieu for the unfolding of his capacities.”

Eric Hoffer (1898–1983) American philosopher

Source: Reflections on the Human Condition (1973), p. 20

Art, Optimism, Animals, Painting

“I think Clapton is brilliant. He's the only one who moved me. The only one who made me want to play the guitar.”

Eric Clapton (1945) English musician, singer, songwriter, and guitarist

Eddie Van Halen
About

Thinking

“Man works when he is partially involved. When he is totally involved he is at play or leisure.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1990s and beyond, "The Agenbite of Outwit" (1998)

“And we are so amazed, we're crippled and we're dazed.
A gardener like that one, no one can replace. And I've been knocking, but no one answers.
And I've been knocking most all the day.
Oh, and I've been calling
Oh, "Hey, Hey, Johnny"
"Can't you come out to play?"”

Elton John (1947) English rock singer-songwriter, composer and pianist

Empty Garden (Hey Hey Johnny)
Song lyrics, Jump Up! (1982)

“Many people do not realise that it takes considerably more art and skill to play the violin lightly than it does to play it loudly. Indeed, the best possible training for young violinists is learning to play pianissimo and without pressure.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Source: Life class: thoughts, exercises, reflections of an itinerant violinist, p. 68

People, Art, Learning, Training

“For art, the intervention of capital always signals a further degree of mediation. To say that art is commodified is to say that a mediation, or standing-in-between, has occurred, & that this betweenness amounts to a split, & that this split amounts to "alienation". Improv music played by friends at home is less "alienated" than music played "live" at the Met, or music played through media (whether PBS or MTV or Walkman). In fact, an argument could be made that music distributed free or at cost on cassette via mail, is less alienated than live music played at some huge We Are The World spectacle or Las Vegas niteclub, even though the latter is live music played to a live audience (or at least so it appears), while the former is recorded music consumed by distant & even anonymous listeners.”

Hakim Bey (1945) American political writer, poet and essayist

Immediatism (AK Press: 1994)

World, Art, Music, Home

“I saw a cockroach playing Pacman. It was on the internet, right, and somebody had linked up a cockroach to err… to some… I can't even be bothered explaining it, but that's what I'm saying - everything is moving on”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

The Podfather Trilogy, Episode 3 Christmas
On Nature

“Jean-Eugène Robert-Houdin, the extraordinary father of modern conjuring, made the salient point that ‘a magician is an actor playing the part of a magician’. This is a very good description. However, an actor takes for granted how to create drama in every word, movement and look. The average magician is barely aware of its existence.”

Derren Brown (1971) British illusionist

Books, Confessions of a Conjuror (2010)

Parting

“Yet even here all these peoples have remained rooted in their sacred homelands for centuries. Though oppressed and colonized by outsiders, they have never been expelled en masse, and so the theme of restoration to the homeland has played little part in the conceptions of these peoples. There are, however, two peoples, apart from the Jews, for whom restoration of the homeland and commonwealth have been central: the Greeks and the Armenians, and together with the Jews, they constitute the archetypal Diaspora peoples, or what John Armstrong has called ‘mobilized diasporas° Unlike diasporas composed of recent mi migrant workers—Indians, Chinese and others in Southeast Asia, East Africa and the Caribbean— mobilized diasporas are of considerable antiquity, are generally polyglot and multi-skilled trading communities and have ancient, portable religious traditions. Greeks, Jews, and Armenians claimed an ancient homeland and kingdom, looked back nostalgically to a golden age or ages of great kings, saints, sages and poets, yearned to return to ancient capitals with sacred sites and buildings, took with them wherever they went their ancient scriptures, sacred scripts and separate liturgies, founded in every city congregations with churches, clergy and religious schools, traded across the Middle East and Europe using the networks of enclaves of their co-religionists to compete with other ethnic trading networks, and used their wealth, education and economic skills to offset their political powerlessness)”

Anthony D. Smith (1939–2016) British academic

Source: Myths and Memories of the Nation (1999), Chapter: Greeks, Armenians and Jews.

People, Age, Education, School

“Inferences and large dosages of imagination actually have allowed the construction of a far more adequate understanding of the cosmic and human past than earlier generations achieved. I believe that this is the central intellectual accomplishment of the twentieth century. Innumerable cosmologists, physicists, mathematicians, anthropologists, sociologists, historians, ecologists, ethologists, and other specialists have played their part; a few swashbuckling intellects led the way, and the outlines of an evolutionary worldview, uniting natural and human history, has begun to emerge. It may be convincing for generations to come—or again may not.”

William H. McNeill (1917–2016) Canadian historian

The Pursuit of Truth: A Historian's Memoir (2005)

Way, Imagination, History, Understanding

“Individual records are nice to get, but before the season starts, you want to play to win the Stanley Cup!”

Guy Lafleur (1951) Canadian ice hockey player

Quoted in Kevin Shea, "One on One with Guy Lafleur," http://www.legendsofhockey.net/html/spot_oneononep198802.htm Legends of Hockey.net (2003-03-16)

Season

“Very few things are as dangerous as a bunch of incentive-driven individuals trying to play it safe.”

Alfie Kohn (1957) American author and lecturer

Punished by Rewards

“God may not play dice with the universe, but something strange is going on with the prime numbers.”

Paul Erdős (1913–1996) Hungarian mathematician and freelancer

Referencing Albert Einstein's famous remark that "God does not play dice with the universe", this is attributed to Erdős in "Mathematics : Homage to an Itinerant Master" by D. Mackenzie, in Science 275:759 (1997), but has also been stated to be a comment originating in a talk given by Carl Pomerance on the Erdős-Kac theorem, in San Diego in January 1997, a few months after Erdős's death. Confirmation of this by Pomerance is reported in a statement posted to the School of Engineering, Computer Science & Mathematics, University of Exeter http://empslocal.ex.ac.uk/people/staff/mrwatkin//kac-pomerance.txt, where he states it was a paraphrase of something he imagined Erdős and Mark Kac might have said, and presented in a slide-show, which subsequently became reported in a newspaper as a genuine quote of Erdős the next day. In his slide show he had them both reply to Einstein's assertion: "Maybe so, but something is going on with the primes." Misattributed

God, Universe

“Gibbs is thankful to be alive. He really thought life was over, and for him to admit that is huge, because he’s not that kind of guy. After all this time, the writers still find new places to take him. NCIS was never a show about the crime cases, because sometimes we solve ’em, sometimes we don’t. This is a show about characters. The audience takes real ownership of the people we play.”

Mark Harmon (1951) actor from the United States

TV Insider interview (2017)

Life, People, Guy, Time

“Personally, I’ve always been of the sleek and minimalist design school: make sure the core play is consistent and strong, then let that idea play out against different environments and challenges, this tends toward focusing on bio-mechanical twitch responses, audio-visual awe, and leaning more toward general strategy and tactics development over specific puzzle solving.”

John D. Carmack (1970) American computer programmer, engineer, and businessman

Quoted in Brad Cook, "John Carmack: Making the Magic Happen" http://www.apple.com/games/articles/2009/02/johncarmack/ Apple.com

School, Idea, Strong, Personality

“Me a playboy?! You must be joking. But playing something like Robert Redford's role in Indecent Proposal would be a pleasant surprise.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

“When the dinosaurs fell at the end of the Cretaceous, they were not a senile, moribund group that had played out its evolutionary options. Rather they were vigorous, still diversifying into new orders and producing a variety of bigbrained carnivores with the highest grade of intelligence yet present on land.”

Robert T. Bakker (1945) American paleontologist

"Dinosaur Renaissance", Scientific American 232, no. 4 (April 1975), 58—78
Dinosaur Renaissance (1975)

Intelligence

“The rich were dull and they drank too much or they played too much backgammon. They were dull and they were repetitious. He remembered poor Julian and his romantic awe of them and how he had started a story once that began, "The very rich are different from you and me." And how someone had said to Julian, "Yes, they have more money."”

Ernest Hemingway (1899–1961) American author and journalist

"The Snows of Kilimanjaro," first published in Esquire (August 1936); later published in The Fifth Column and the First Forty-Nine Stories (1938). Originally in Esquire "Julian" was named as F. Scott Fitzgerald, who, in "The Rich Boy" (1926) had written: "Let me tell you about the very rich. They are different from you and me. They possess and enjoy early, and it does something to them, makes them soft where we are hard, and cynical where we are trustful, in a way that, unless you were born rich, it is very difficult to understand..." Fitzgerald responded to this in a letter (August 1936) to Hemingway saying: "Riches have never fascinated me, unless combined with the greatest charm or distinction."

Money

“The Game of Chess is not merely an idle amusement; several very valuable qualities of the mind, useful in the course of human life, are to be acquired and strengthened by it, so as to become habits ready on all occasions; for life is a kind of Chess, in which we have often points to gain, and competitors or adversaries to contend with, and in which there is a vast variety of good and ill events, that are, in some degree, the effect of prudence, or the want of it. By playing at Chess then, we may learn: 1st, Foresight, which looks a little into futurity, and considers the consequences that may attend an action … 2nd, Circumspection, which surveys the whole Chess-board, or scene of action: — the relation of the several Pieces, and their situations; … 3rd, Caution, not to make our moves too hastily…”

Benjamin Franklin book The Morals of Chess

"The Morals of Chess" (article) (1750).
1750s

Life, Game, Learning, Future

“I've always spent a lot of time on my records with what I think were unique rhythmic approaches … but no one ever writes about your rhythm playing”

Joe Satriani (1956) American guitar player

As quoted in BAM Magazine (6 April 1990).

Thinking, Time

“Houses and fields in which we lived and played in childhood and youth with those we loved, grow to be part of our being. The sight of them in later years touches us with mystic charm. It is like a vision from beyond the tomb or a memory of a lost Paradise. But little by little their power over us grows less and the light that falls on them becomes more like the common day. Their sacredness diminishes, their beauty fades. The young birds have flown, the old are dead, the leaves and blossoms have fallen and but the empty nest is left among the naked boughs; and looking on the desolation we feel that we have no abiding place on earth, since the home itself loses its consecration.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 137

Love, Youth, Beauty, Feeling

“Good judgement is through good drawing – from the nervous system to the sensory of the brain it is the combination of eurythmics, euphony and poetry, and when the good draughtsman draws, the muses come to dance. Then the imagination is given full play, and design happens. They then become the Muses.”

David Bomberg (1890–1957) painter

"The Bomberg Papers", An Anthology From X (Oxford University Press, 1988), p. 90.

Imagination, Dance, Drawing

“When I was playing football I never enjoyed it that much, I was never happy … if I scored two goals, I wanted a third, I always wanted more. Now it’s all over I can look back with satisfaction, but I never felt that way when I was playing.”

Gabriel Batistuta (1969) Argentine association football player

Batistuta's quiet goodbye, FIFA.com, 2006-08-13, 11 July 2005 http://fifa.com/en/news/feature/0,1451,108450,00.html,

Happiness, Way, Football

“It seems so sad to see the little dirt-grimed brats try to play in the noisy courts and muddy streets. Poor little uncared-for, unwanted human atoms, they are not children. Children are bright-eyed, chubby, and shy. These are dingy, screeching elves, their tiny faces seared and withered, their baby laughter cracked and hoarse.”

Jerome K. Jerome book Idle Thoughts of an Idle Fellow

Idle Thoughts of an Idle Fellow (1886)

Children, Sadness, Laughter, Baby

“Chesterton and Tolkien and Lewis were, as I’ve said, not the only writers I read between the ages of six and thirteen, but they were the authors I read over and over again; each of them played a part in building me. Without them, I cannot imagine that I would have become a writer, and certainly not a writer of fantastic fiction. I would not have understood that the best way to show people true things is from a direction that they had not imagined the truth coming, nor that the majesty and the magic of belief and dreams could be a vital part of life and of writing.
And without those three writers, I would not be here today. And nor, of course, would any of you. I thank you.”

Neil Gaiman (1960) English fantasy writer

"Mythcon 35 Guest of Honor Speech", in Mythprint (October 2004)

Life, People, Truth, Age

“Seeing the play (A Lie of the Mind) clearly is part of why I wanted to direct it. I see hope at the end of this play. People talk about how dark the play was, but I feel like, if you really look at the darkness, you’re able to go through it, and you realize that you can handle dark moments in life and that everything will be all right.”

Ethan Hawke (1970) American actor and writer

The New York Times http://www.nytimes.com/2010/01/31/theater/31roundtable.html?pagewanted=all (2010-01-27) 2010&ndash;present

Life, People, Lie, Hope

“(When asked to reflect on his career) Music is the emotion of the experience. Regarding whether someone knows composers by name, it comes down to how much the music had touched someone that they then care enough to find out who composed it. Myself as an example, I get a dozen or so fan emails every single day, from all over the globe. Most of the time it's new people that are just now figuring out who I am after all their years of playing games I've done, and that I composed some of their favorite game music or just their favorite game in particular. And it never gets old even though I've been reading them and answering them ever since I launched my website www. frankklepacki. com about seven years ago. You can't beat knowing you've had that kind of impact on people on a regular basis. I am always very grateful for it. Some of my fans cared enough to spread the word about my career that they made a full feature article on Wikipedia. That blew me away!”

Frank Klepacki (1974) American musician, video game music composer and sound director

Gameplay magazine

People, Music, Game, Time

“Engvall: Yesterday, my son was out in the yard playing with his friend, and he hit his friend. I walked up to him, and I said, "Hey…" (pantomimes hitting his son) "We don't hit". He looked at me like, "Here's your sign, Dad".”

Bill Engvall (1957) American comedian and actor

Cheap Drunk: An Autobiography (2002)
Here's Your Sign, "Here's MY Sign..."

“Arthur Rubinstein once said to me that he couldn't think when he played, that something else took over. I also don't think when I play - something happens through me, but I am motivated by what I have thought before.”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

Leonard Shure — reported in Richard Dyer (April 21, 1980) "Shure: Looking Back on the first 70 Years", Boston Globe.
About

Motivation, Thinking

“Max Bialystock: How could this happen? I was so careful. I picked the wrong play, the wrong director, the wrong cast. Where did I go right?”

Mel Brooks (1926) American director, writer, actor, and producer

The Producers

“He was a young driver,
just out on his second job.
And he was carrying the next day's pasty fruits
for everyone in that coal-scarred city
where children play without despair
in backyard slag-piles and folks manage to eat each day
about thirty thousand pounds of bananas…”

Harry Chapin (1942–1981) American musician

30,000 Pounds of Bananas
Song lyrics, Verities & Balderdash (1974)

Children, Despair

“Whether it is tennis or any other sport, the situation for women now is far better than it was 10 years ago when I had started playing. Now, people support and promote their daughters to play and take up sports as their career. It wasn't the case during my time. I am glad that things are looking better for girls. Taking a step in this direction, I too have opened my training academy in Hyderabad. Sport for girls in India is in great shape now.”

Sania Mirza (1986) Indian tennis player

Source: Ekta Yadav "Bhopal's adulation has energised me: Sania Mirza"

Women, People, Girl, Support

“I have always wanted to play different kinds of stuff, but it's hard, first to find good material, and then to change people's perception of you so they'll let you do it. I mean, I would really like to play a poet, but once they get this notion of you as a street guy, it's hard to change that.”

Matt Dillon (1964) American actor

Terry Lawson (October 1, 1995) "Matter of Maturation? - Actor Swapping Rebellion for Responsibility in Recent Roles", Dayton Daily News, p. 1C.

People, Guy, Change

“Music has no differences. We played alongside each other; it was not in fusion but in unison. I have enjoyed playing with all the artists. I have collaborated with musicians from the west and fellow Indians, including Ravi Shankar, Allah Rakha (father of Zakir Hussain), George Harrison, Jean Pierre Ramphal, Jethro Tull, John McLaughlin, Jan Gabarek, Yehudi Menuhin and others. I composed for Bollywood. It made me affluent. It was Pandit Shiv Kumar Sharma who asked me one day if playing in Bollywood films was all I was going to do in my life. I was not growing as an artist. I needed more. What did I have to show in terms of personal creativity, or growth? He was right.”

Hariprasad Chaurasia (1938) Indian bansuri player

On Western Culture and the so-called Revolution.
Melodies of Brindavan: Pandit Hariprasad Chourasia

Life, Music, Personality

“It is an incontestable fact that the word "Jew" did not come into existence until the year 1775. Prior to 1775 the word "Jew" did not exist in any language. The word "Jew" was introduced into the English for the first time in the 18th century when Sheridan used it in his play "The Rivals", II, i, "She shall have a skin like a mummy, and the beard of a Jew". Prior to this use of the word "Jew" in the English language by Sheridan in 1775 the word "Jew" had not become a word in the English language. Shakespeare never saw the word "Jew" as you will see. Shakespeare never used the word "Jew" in any of his works, the common general belief to the contrary notwithstanding. In his "Merchant of Venice", V. III. i.61, Shakespeare wrote as follows: "what is the reason? I am a Iewe; hath not a Iewe eyes?".”

Benjamin H. Freedman (1890–1984) American businessman

Facts are Facts (1954)

Time

“The first time Wednesday saw a flag she had to look away, unsure whether to laugh or cry. Patriotism had never been a huge Muscovite virtue, and to see the way the fat woman in the red pants held on to her flag as if it were a life preserver made Wednesday want to slap her and yell Grow up! It’s all over! Except it also felt like…like watching Jerm, aged three, playing with the pewter pot containing Grandpa’s ashes. Abuse of the dead, an infection of history.”

Charles Stross book Iron Sunrise

Source: Iron Sunrise (2004), Chapter 17, “Set Us Up the Bomb” (pp. 277-278)

Life, Age, Way, History

“When I reached the [Yosemite] valley, all the rocks seemed talkative, and more lovable than ever. They are dear friends, and have warm blood gushing through their granite flesh; and I love them with a love intensified by long and close companionship. … I … bathed in the bright river, sauntered over the meadows, conversed with the domes, and played with the pines.”

John Muir (1838–1914) Scottish-born American naturalist and author

letter to Mrs. Ezra S. Carr (December 1872); published as " A Geologist's Winter Walk http://books.google.com/books?id=OAEbAAAAYAAJ&pg=PA355", Overland Monthly, volume 10, number 4 (April 1873) pages 355-358 (at page 355); modified slightly and reprinted in Steep Trails (1918), chapter 2 1870s

Love

“The world, the system, moves forward out of fear. That’s why they have to threaten us to play the game. We’re threatened with loss of job, money, reputation, or prestige. It’s all based on fear.”

Richard Rohr (1943) American spiritual writer, speaker, teacher, Catholic Franciscan priest

Source: Everything Belongs: The Gift of Contemplative Prayer (1999), p. 85-86

Money, World, Fear, Game

“Where're you going Ra?
Take me with you Ra…
You're such a busy God
I wish you could stay
I only want to play and play
But you're such a busy god
and I'm such a mortal Ra”

Happy Rhodes (1965) American singer-songwriter

"Ra Is A Busy God" - Live performance at New Haven, CT (4 April 2003) http://www.youtube.com/watch?v=dmbHQ0rwCBQ Many Worlds Are Born Tonight (1998)

God, Business

“We scent the air of the office. We realize that certain things are wanted, certain things unwanted. There is an atmosphere favorable to Fascism. We find that out when some little pro-Mussolini item is played up, some big item, not so pleasant to the hero of our era, played down, or left out. In the future we send pro-Mussolini stuff only. We get a cable of congratulations.”

George Seldes (1890–1995) American journalist

Can These Things Be!

Future

“One thing I learned a long time ago was my fretboard, in terms of all the scales in all the positions…You have to learn it - there are no two ways about it. I shift between positions so easily now that I really don't have to think about them much…I would suggest starting your scale education with the major and minor scales, and after that, diminished, augmented and whole-tone. Then depending on what kind of music you want to play, the modes should be learned. My theory about this kind of thing is that you should learn it all. Once you've learned it you can play whatever you want to play, and I think that your playing will be more advanced, and you'll have a better understanding of the instrument.”

Al Di Meola (1954) guitarist

[Denyer, Ralph, The Guitar Handbook, 2002, 102, 0-679-74275-1]

Education, Music, Way, Understanding

“When he died, he held fourteen baseball records, a little man with a bashful smile, a silken swing, baseball's legendary nice guy. His death was the worst that could have happened to baseball, but his playing career had been the best.”

Arnold Hano (1922) American writer

On Mel Ott, from "Nice Guy," in Greatest Giants of Them All (1967), p. 232; reprinted in Mel Ott: The Little Giant of Baseball https://books.google.com/books?id=5JlCbMNiWr0C&pg=PA192&dq=%22Arnold+Hano+wrote+feelingly%22&hl=en&sa=X&ved=0CBQQ6AEwAGoVChMI4Yfx7arUxwIViHA-Ch3J4wOi#v=onepage&q=%22Arnold%20Hano%20wrote%20feelingly%22&f=false (1999) by Fred Stein, p. 192 Sports-related

Death, Smile, Guy

“I have friend in Puerto Rico who studied to be a doctor but did not finish. He has lots of money now and just likes to work as doctor sometimes. He has helped lots of fellows playing winter ball in my home. He fixed me up and I know chiropractor in St. Louis who is good for me. I think my friend in Puerto Rico can help Vernon. He can tell when it hurts without touching the spot. He do that with me just in exercise he asked me to do. I make face once and he said you have bad disc. And he right.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "Roamin' Around: Look Out, Joe Brown"
Baseball-related, <big><big>1960s</big></big>, <big>1961</big>

Money, Exercises, Home, Thinking

“In the ice of solitude man becomes most inexorably a question to himself, and just because the question pitilessly summons and draws into play his most secret life he becomes an experience to himself.”

Martin Buber (1878–1965) German Jewish Existentialist philosopher and theologian

Source: Between Man and Man (1965), p. 150

Life, Secret, Question, Solitude

“Fidel Castro essentially forced these guys to leave Cuba. It wasn't really even a choice. It was either stay at home, be handed a broom and told 'have a nice life' or they could leave Cuba and continue playing baseball.”

Joe Kehoskie (1973) American baseball agent

On Cuban baseball defectors, from the PBS documentary Stealing Home http://www.pbs.org/stealinghome/transcript.html (18 June 2001)

Life, Guy, Home

“David Letterman: Earlier today, the man who owns this network, Leslie Moonves—he and I have had a relationship for years and years and years—and we have had this conversation in the past, and we agreed that we would work together on this circumstance and the timing of this circumstance. And I phoned him just before the program, and I said, "Leslie, it's been great, you've been great, the network has been great, but I'm retiring."
Paul Shaffer: This is—really?
David Letterman: Yep.
Paul Shaffer: This is—this is—you actually did this?
David Letterman: Yes, I did.
[dead silence in the studio followed by nervous laughter from the audience]
Paul Shaffer: Well—do I have a minute to call my accountant, because…I, uh…
[Dave cracks up]
David Letterman: I just want to reiterate my thanks for the support from the network, all of the people who have worked here, all of the people in the theatre, all the people on the staff, everybody at home. Thank you very much. And what this means now, is that Paul and I can be married.
[uproarious laughter and applause as wedding chimes play]
David Letterman: So we don't have the timing of this precisely down, I think it will be at least a year or so. But sometime in the not too distant future—2015 for the love of God, in fact, Paul and I will be wrapping things up and taking a hike.
[studio audience goes wild, gives him a standing ovation]
David Letterman: Thank you, thanks everybody. All right, thanks very much.”

David Letterman (1947) American comedian and actor

On announcing his retirement, quoted in Here’s what happened the moment David Letterman announced his retirement (transcript + video) http://www.washingtonpost.com/blogs/style-blog/wp/2014/04/03/heres-what-happened-the-moment-david-letterman-announced-his-retirement-transcript-video/ by Emily Yahr, in "The Washington Post" (3 April 2014).

Love, God, People, Home

“…Suppose you have two free hours a week, and are uncertain whether to use them playing chess or tennis. A good friend might ask: ‘What does your heart tell you?’ ‘Well,’ you answer, ‘as far as my heart is concerned, it’s obvious tennis is better. It’s also better for my cholesterol level and blood pressure. But my fMRI scans indicate I should strengthen my left pre-frontal cortex. In my family dementia is quite common, and my uncle had it at a very early age. The latest studies indicate that a weekly game of chess can help delay its onset.”

Yuval Noah Harari book Homo Deus: A Brief History of Tomorrow

Homo Deus: A Brief History of Tomorrow

Age, Family, Game, Study

“The sixteenth century transformed Middle English into modern English. Grammar was up for grabs. People made up vocabulary and syntax as they went along. Not until the eighteenth century would rules of English usage appear. Shakespearean language is a bizarre super-tongue, alien and plastic, twisting, turning, and forever escaping. It is untranslatable, since it knocks Anglo-Saxon root words against Norman and Greco-Roman importations sweetly or harshly, kicking us up and down rhetorical levels with witty abruptness. No one in real life ever spoke like Shakespeare’s characters. His language does not “make sense,” especially in the greatest plays. Anywhere from a third to a half of every Shakespearean play, I conservatively estimate, will always remain under an interpretive cloud. Unfortunately, this fact is obscured by the encrustations of footnotes in modern texts, which imply to the poor cowed student that if only he knew what the savants do, all would be as clear as day. Every time I open Hamlet, I am stunned by its hostile virtuosity, its elusiveness and impenetrability. Shakespeare uses language to darken. He suspends the traditional compass points of rhetoric, still quite firm in Marlowe, normally regarded as Shakespeare’s main influence. Shakespeare’s words have “aura.””

Camille Paglia (1947) American writer

This he got from Spenser, not Marlowe.
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 195

Life, Hostility, People, Sense

“My life is lived, and I have played
The part that Fortune gave.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book IV, p. 138

Life, Parting

“And many more Destructions played
In this ghastly masquerade,
All disguised, even to the eyes,
Like Bishops, lawyers, peers, or spies.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

St. 7
(1819)

“I have played some of the great men in history and I believe in the great man who does heroic deeds, even in these egalitarian times.”

Charlton Heston (1923–2008) American actor

Sunday Times interview (1990)

Men, History, Time

“For, for aught we know, or for aught that the new science can say to the contrary, the gods which play the part of fate to the atoms of our brains may be our own minds. Through these atoms our minds may perchance affect the motions of our bodies and so the state of the world around us. To-day science can no longer shut the door on this possibility; she has no longer any unanswerable arguments to bring against our innate conviction of free-will. On the other hand, she gives no hint as to what absence of determinism or causation may mean. If we, and nature in general, do not respond in a unique way to external stimuli, what determines the course of events? If anything at all, we are thrown back on determinism and causation; if nothing at all, how can anything ever occur? As I see it, we are unlikely to reach any definite conclusions on these questions until we have a better understanding of the true nature of time.”

James Jeans book The Mysterious Universe

Source: The Mysterious Universe (1930), p. 29-30 of 1930 ed.

God, Fate, World, Way

“The game of power is played remorselessly by men who have not the slightest knowledge of, or interest in, the way ordinary people live, and the ordinary people are too terrified to protest.”

Pierre Stephen Robert Payne (1911–1983) British lecturer, novelist, historian, poet and biographer

A Vision of the Uncorrupted Society, p. 279 (See also: Niccolò Machiavelli..)
The Corrupt Society - From Ancient Greece To Present-Day America (1975)

Men, People, Way, Game

“Ooh, yeah, you're amazing!
We think you are really cool.
We'd give you a part, my love,
But you'd have to play the fool.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Lionheart (1978)

Love, Fools, Thinking, Parting

“Since there is no such thing as absolute rightness and truth, we always pursue the artificial, leading, human truth. We judge and make a truth that excludes other truths. Art plays a formative part in this manufacture of truth.”

Gerhard Richter (1932) German visual artist, born 1932

Notes, 1962; as cited on collected quotes on the website of Gerhard Richter: 'on Art' https://www.gerhard-richter.com/en/quotes/art-1 1960's

Truth, Art, Parting

“The first star vehicle of the summer of 1996 is also the first major disappointment of the season. Mission: Impossible, the big-screen resurrection of the popular late-'60s/early-'70s series, fails to generate much in the way of excitement or intrigue. This globetrotting adventure looks like an opportunity for Tom Cruise to play James Bond — a role he is totally unsuited for. The writing for last year's 007 return, GoldenEye, isn't a lot better than that for Mission: Impossible, but, as an action hero, Pierce Brosnan is considerably more debonair and charismatic than Cruise.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/m/mission.html of Mission: Impossible (1996). Two-and-a-half star reviews

Disappointment, Way, Star, Summer

“This blend of musicians on '90 Millas' is historically significant on a number of levels. This is the first and quite possibly the last time that all of these legendary artists will play together on one CD.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

orlandosentinel.com -- exerpt from Burgundy Records announcement of '90 Millas' (August 10, 2007)
2007, 2008

Time

“To see Good Tennis! What divine joy
Can fill our leisure, or our minds employ?
Let other people play at other things;
The King of Games is still the Game of Kings.”

James Kenneth Stephen (1859–1892) English poet, tutor to Prince Albert Victor

Parker's Piece.

People, Game, Joy

“It's been 20 years since I started playing tennis and I've spent a decade playing singles and doubles professionally. I still enjoy singles and may play in an occasional tournament or at the Fed Cup if my country needs me. But I think the time has now come for me to completely shift my focus onto doubles.”

Sania Mirza (1986) Indian tennis player

In Zee News: "Winning Grand Slams is Sania's motivation after London Games"

Thinking, Time, Country

“She turned again, and this time she was closer. Her head nestled against my shoulder and she moved my hand up her body until I knew there was no marvel of engineering connected to the bra because there was no bra. And the studded belt she wore was the keystone to the whole ensemble, and when it was unsnapped the whole affair came apart in a whisper of black satin that folded back against the sand until all of her reflected the moonlight from above until I eclipsed the pale brilliance, and there was no sound except that of the waves and our breathing. Then soon even the waves were gone, and there was only the warmth of white skin and little muscles that played under my hand and the fragrance that was her mouth. The redhead had been right.”

Mickey Spillane (1918–2006) American writer

My Gun is Quick (1950)

Time

“… condoms are about as effective against AIDS as a twenty-four-chamber gun instead of a six-chamber gun when playing Russian roulette.”

Peter Kreeft (1937) American philosopher

Ecumenical Jihad, (Ignatius Press, 1996)

“Mona said, 'Did you see Gore's new play The Best Man when you were in New York?' 'Of course not.'…'Don't like plays, only shows.”

Edward VIII of the United Kingdom (1894–1972) king of the United Kingdom and its dominions in 1936

He meant musical comedies."
In conversation with Mona Bismarck and Gore Vidal (Vidal, Palimpsest, 206)

Music

“I was so anxious for this season to start when I was at home last winter. I was thinking in terms of a big year for myself—moneywise. I had batted.357 last year and I thought that if I had another big year I might get paid more money than anybody ever did in baseball. Then I fell and then I wonder if I will be able to play at all.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "Top Salary Vision of Clemente Dims; Subpar Season Hurts" https://news.google.com/newspapers?id=3q4nAAAAIBAJ&sjid=Y2wDAAAAIBAJ&pg=4117,4986463 by Charley Feeney, in The Pittsburgh Post-Gazette (Friday, September 27, 1968), p. 23 Baseball-related, <big><big>1960s</big></big>, <big>1968</big>

Money, Home, Thinking, Winter

“By keeping historical events in their proper perspective, theology helps safeguard society and the Church from regarding as permanent what is only temporary. Critical reflection thus always plays the inverse role of an ideology which rationalizes and justifies a given social and ecclesial order.”

Gustavo Gutiérrez (1928) Peruvian theologian

Source: A Theology of Liberation (1971), p. 12

Help

“One of the most important elements of Christian religion is the idea that justice is an essential quality of God. Since God is the absolute, his justice must be absolute justice, that is to say, eternal and unchangeable. Only a religion whose deity is supposed to be just can play a role in social life. To attribute justice to the deity in order to make religion applicable to human relations implies a certain tendency of rationalizing something which, by its very nature, is irrational-the transcendental being, the religious authority, and its absolute qualities.”

Hans Kelsen (1881–1973) Austrian lawyer

"The Idea of Justice in the Holy Scriptures", Rivista Juridicade la Universidadde Puerto Rico, Sept., 1952-April, 1953., published in What is Justice? (1957)

Life, God, Religion, Justice

“Several years after Wilt stopped playing, he toyed with the idea of a comeback. On the day he visited the Knicks' offices in Madison Square Garden, he talked to Red Holzman, then strode out to the elevator. When it opened, two deliverymen were struggling with a dolly piled high with boxes of office supplies, mostly letterheads and envelopes. The load was so heavy, the elevator had stopped maybe four inches below the floor level and now the deliverymen were huffing and puffing, but they couldn't raise the dolly high enough to get it on the floor level. After maybe two minutes of the deliverymen's huffing and puffing, Wilt, his biceps bulging in a tank top, peered down at them and intoned, "Gentlemen, maybe I can help." They stepped back, he stepped into the elevator, grabbed each end of the rope slung under the dolly and without much exertion, quickly lifted the dolly onto the floor level. Looking up in awe, the deliverymen said, "Thank you." Wilt said, "You're welcome." Wilt stepped into the elevator and rode down to the street level as another witness followed the two deliverymen toward the Knick offices and asked, "How much does all this weigh?"”

Wilt Chamberlain (1936–1999) basketball player

They quickly surveyed the stack of big boxes of office supplies. "Close to 600 pounds," one said.
The Good Natured Giant Wasn't Belligerent, Sports of the Times; Oct 13, 1999; Dave Anderson
Strength

Idea, Help, Box