Quotes about pen
page 2

Garth Brooks photo

“Mama was a looker,
Lord, how she shined.
Papa was a good'n,
But the jealous kind.
Papa loved Mama;
Mama loved men.
Mama's in the graveyard;
Papa's in the pen.”

Garth Brooks (1962) American country music artist

Papa Loved Mama, written by Kim Williams and G. Brooks.
Song lyrics, Ropin' the Wind (1991)

“With just the sweep of a pen, Thomas, you can change the world, all of it.”

Patricia Reilly Giff (1935) American children's writer

Source: Water Street (2006), Prologue, p. 3; spoken by an unknown woman

“I bought a $7 pen because I always lose pens and I got sick of not caring.”

Mitch Hedberg (1968–2005) American stand-up comedian

Strategic Grill Locations

Donald Barthelme photo
Tony Martin (comedian) photo
Gloria Allred photo

“In 1973, the United States Supreme Court handed down Roe v. Wade. In the sweep of a pen, the Supreme Court promised all American women that there would never again be another Jane Roe, beginning distant courts for the basic human right to decide for herself whether to terminate a pernancy. Never again, the Court promised, may the State presume to intrude on a decision so intimate and significant that it may well determine the remainder of a young woman's life.”

Gloria Allred (1941) American civil rights lawyer

Gloria Allred. 1990 Gloria Allred testimony before United States Senate Committee on the Judiciary. Publication Title: Hearings on the Nomination of David H. Souter to be Associate Justice of the Supreme Court of the United States, September 13, 14, 17, 18, and 19, 1990. Category: Congressional Committee Materials. Collection: Additional Government Publications. Publication name: Supreme Court Nomination Hearings. Date issued: September 13, 1990. Congress. 101st Congress, 2nd Session. www.gpo.gov http://www.gpo.gov/fdsys/pkg/GPO-CHRG-SOUTER/pdf/GPO-CHRG-SOUTER-5-2-1.pdf, more info at S. Hrg. 101-1263 at www.gpo.gov http://www.gpo.gov/fdsys/granule/GPO-CHRG-SOUTER/GPO-CHRG-SOUTER-2-4-1-5-3

Brandon Boyd photo
Amir Taheri photo

“When I asked Bhutto what he thought of Assad, he described the Syrian leader as “The Levanter.” Knowing that, like himself, I was a keen reader of thrillers, the Pakistani Prime Minister knew that I would get the message. However, it was only months later when, having read Eric Ambler’s 1972 novel The Levanter that I understood Bhutto’s one-word pen portrayal of Hafez Al-Assad. In The Levanter the hero, or anti-hero if you prefer, is a British businessman who, having lived in Syria for years, has almost “gone native” and become a man of uncertain identity. He is a bit of this and a bit of that, and a bit of everything else, in a region that is a mosaic of minorities. He doesn’t believe in anything and is loyal to no one. He could be your friend in the morning but betray you in the evening. He has only two goals in life: to survive and to make money… Today, Bashar Al-Assad is playing the role of the son of the Levanter, offering his services to any would-be buyer through interviews with whoever passes through the corner of Damascus where he is hiding. At first glance, the Levanter may appear attractive to those engaged in sordid games. In the end, however, the Levanter must betray his existing paymaster in order to begin serving a new one. Four years ago, Bashar switched to the Tehran-Moscow axis and is now trying to switch back to the Tel-Aviv-Washington one that he and his father served for decades. However, if the story has one lesson to teach, it is that the Levanter is always the source of the problem, rather than part of the solution. ISIS is there because almost half a century of repression by the Assads produced the conditions for its emergence. What is needed is a policy based on the truth of the situation in which both Assad and ISIS are parts of the same problem.”

Amir Taheri (1942) Iranian journalist

Opinion: Like Father, Like Son http://www.aawsat.net/2015/02/article55341622/opinion-like-father-like-son, Ashraq Al-Awsat (February 20, 2015).

Robert Musil photo
Francis Escudero photo
Geert Wilders photo
Harold Innis photo
Trey Gowdy photo
James Burke (science historian) photo
Jean-Baptiste Say photo
Walter Scott photo
Cao Xueqin photo
Statius photo

“Like is he to a wolf that has forced an entrance to a rich fold of sheep, and now, his breast all clotted with foul corruption and his gaping bristly mouth unsightly with blood-stained wool, hies him from the pens, turning this way and that his troubled gaze, should the angry shepherds find out their loss and follow in pursuit, and flees all conscious of his bold deed.”
Ille velut pecoris lupus expugnator opimi, pectora tabenti sanie grauis hirtaque saetis ora cruentata deformis hiantia lana, decedit stabulis huc illuc turbida versans lumina, si duri comperta clade sequantur pastores, magnique fugit non inscius ausi.

Source: Thebaid, Book IV, Line 363 (tr. J. H. Mozley)

Pearl S.  Buck photo
Max Frisch photo
Willa Cather photo
Pat Conroy photo
Michael Moorcock photo

“It is many years since I have wielded a weapon larger than a pen, borne anything weightier than a difficult problem in philosophy.”

Book 3, Chapter 5 “Five Heroes and a Heroine” (p. 467)
The Runestaff (1969)

Georg Christoph Lichtenberg photo

“With a pen in my hand I have successfully stormed bulwarks from which others armed with sword and excommunication have been repulsed.”

Georg Christoph Lichtenberg (1742–1799) German scientist, satirist

E 76
Aphorisms (1765-1799), Notebook E (1775 - 1776)

William Penn photo
J.M. Coetzee photo
Camille Pissarro photo
Frederick Douglass photo
Russell Crowe photo
Henry Howard, Earl of Surrey photo

“Surrey, the Granville of a former age:
Matchless his pen, victorious was his lance;
Bold in the lists, and graceful in the dance.”

Henry Howard, Earl of Surrey (1516–1547) English Earl

Alexander Pope "Windsor-Forest" (1713), line 292
Criticism

Gore Vidal photo
Leonid Kantorovich photo
Henry Adams photo
Charlotte Brontë photo
Edward Carpenter photo

“Law represents from age to age the code of the dominant or ruling class, slowly accumulated, no doubt, and slowly modified, but always added to and always administered by the ruling class. Today the code of the dominant class may perhaps best be denoted by the word Respectability—and if we ask why this code has to a great extent overwhelmed the codes of the other classes and got the law on its side (so far that in the main it characterises those classes who do not conform to it as the criminal classes), the answer can only be: Because it is the code of the classes who are in power. Respectability is the code of those who have the wealth and the command, and as these have also the fluent pens and tongues, it is the standard of modern literature and the press. It is not necessarily a better standard than others, but it is the one that happens to be in the ascendant; it is the code of the classes that chiefly represent modern society; it is the code of the Bourgeoisie. It is different from the Feudal code of the past, of the knightly classes, and of Chivalry; it is different from the Democratic code of the future—of brotherhood and of equality; it is the code of the Commercial age and its distinctive watchword is—property.
The Respectability of today is the respectability of property. There is nothing so respectable as being well-off.”

Edward Carpenter (1844–1929) British poet and academic

Defence of Criminals: A Criticism of Morality (1889)

Anthony Kennedy photo

“Dignitary wounds cannot always be healed with the stroke of a pen.”

Anthony Kennedy (1936) Associate Justice of the Supreme Court of the United States

Obergefell v. Hodges, 576 U. S. ____, (2015), majority opinion.

Thomas Young (scientist) photo
Peter Weiss photo
John Millington Synge photo

“I’m a good scholar when it comes to reading but a blotting kind of writer when you give me a pen.”

John Millington Synge (1871–1909) Irish playwright, poet, prose writer, and collector of folklore

Draft of a preface in “Notebook 16”; Quoted in The Collected Works of J.M. Synge, vol. 1, Introduction.

Bai Chongxi photo

“This is because all my time is taken up by the war. You should keep in mind that there are times when the rifle is more important than the pen.”

Bai Chongxi (1893–1966) Chinese general

Bai Chongxi cited in " China’s Muslim General http://www.shanghai1937.com/chinas-muslim-general" on Shanghai 1937, 26 February 2013

Cotton Mather photo

“Your Knowledge has Qualified You to make those Reflections on the following Relations, which few can Think, and tis not fit that all should See. How far the Platonic Notions of Demons which were, it may be, much more espoused by those primitive Christians and Scholars that we call The Fathers, than they see countenanced in the ensuing Narratives, are to be allowed by a serious man, your Scriptural Divinity, join'd with Your most Rational Philosphy, will help You to Judge at an uncommon rate. Had I on the Occasion before me handled the Doctrin of Demons, or launced forth into Speculations about magical Mysteries, I might have made some Ostentation, that I have read something and thought a little in my time; but it would neither have been Convenient for me, nor Profitable for those plain Folkes, whose Edification I have all along aimed at. I have therefore here but briefly touch't every thing with an American Pen; a Pen which your Desert likewise has further Entitled You to the utmost Expressions of Respect and Honor from. Though I have no Commission, yet I am sure I shall meet with no Crimination, if I here publickly wish You all manner of Happiness, in the Name of the great Multitudes whom you have laid under everlasting Obligations. Wherefore in the name of the many hundred Sick people, whom your charitable and skilful Hands have most freely dispens'd your no less generous than secret Medicines to; and in the name of Your whole Countrey, which hath long had cause to believe that you will succeed Your Honourable Father and Grandfather in successful Endeavours for our Welfare; I say, In their Name, I now do wish you all the Prosperity of them that love Jerusalem. And whereas it hath been sometimes observed, That the Genius of an Author is commonly Discovered in the Dedicatory Epistle, I shall be content if this Dedicatory Epistle of mine, have now discovered me to be,
(Sir) Your sincere and very humble Servant,
C. Mather.”

Cotton Mather (1663–1728) American religious minister and scientific writer
Charles Reade photo
Auguste Rodin photo
John Adams photo

“A pen is certainly an excellent instrument to fix a man's attention and to inflame his ambition.”

John Adams (1735–1826) 2nd President of the United States

14 November 1760
1750s, Diaries (1750s-1790s)

Peter Greenaway photo

“This is where I begin to do the writing. I am now going to be the pen and not the paper.”

Peter Greenaway (1942) British film director

Nagiko
The Pillow Book

Ta-Nehisi Coates photo

“In, but from Wright he learned that there was an entire shadow canon, a tradition of writers who grabbed the pen, not out of leisure but to break the chain.”

Ta-Nehisi Coates (1975) writer, journalist, and educator

Source: The Beautiful Struggle: A Memoir (2008), p. 72.

Hermann Rauschning photo
George William Curtis photo
David Cross photo
Terry Eagleton photo
Shamini Flint photo
Sarah Bakewell photo
Harry Turtledove photo
J.M. Coetzee photo
Seamus Heaney photo
Albert Einstein photo

“Jesus is too colossal for the pen of phrasemongers, however artful. No man can dispose of Christianity with a bon mot.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

1920s, Viereck interview (1929)

Peter Greenaway photo

“Perhaps. I need writing. Don't ask me why -- just take out your pen and write your name on my arm -- go on.”

Peter Greenaway (1942) British film director

Jerome and Nagiko
The Pillow Book

Luís de Camões photo

“To this old song:
Partridge lost his quill,
there's no harm won't befall him.

Partridge, whose winged fancy
aspired to a high estate,
lost a feather in his flight
and won the pen of despondency.
He finds in the breeze no buoyancy
for his pennants to haul him:
there's no harm won't befall him.

He wished to soar to a high tower
but found his plumage clipped,
and, observing himself plucked,
pines away in despair.
If he cries out for succor,
stoke the fire to forestall him:
there's no harm won't befall him.”

Luís de Camões (1524–1580) Portuguese poet

<p>Perdigão perdeu a pena
Não há mal que lhe não venha.</p><p>Perdigão que o pensamento
Subiu a um alto lugar,
Perde a pena do voar,
Ganha a pena do tormento.
Não tem no ar nem no vento
Asas com que se sustenha:
Não há mal que lhe não venha.</p><p>Quis voar a üa alta torre,
Mas achou-se desasado;
E, vendo-se depenado,
De puro penado morre.
Se a queixumes se socorre,
Lança no fogo mais lenha:
Não há mal que lhe não venha.</p>
"Perdigão que o pensamento", tr. Landeg White in The Collected Lyric Poems of Luis de Camoes (2016), p. 251
Listen to the poem in Portuguese https://www.youtube.com/watch?v=5P4_2W-ZwV8&feature=youtu.be&t=10m31s
Lyric poetry, Songs (redondilhas)

Thomas Hobbes photo
Camille Paglia photo
Charles Fillmore photo
Logan Pearsall Smith photo

“The disconcerting fact may first be pointed out that if you write badly about good writing, however profound may be your convictions or emphatic your expression of them, your style has a tiresome trick (as a wit once pointed out) of whispering: ‘Don’t listen!’ in your readers’ ears. And it is possible also to suggest that the promulgation of new-fangled aesthetic dogmas in unwieldy sentences may be accounted for—not perhaps unspitefully—by a certain deficiency in aesthetic sensibility; as being due to a lack of that delicate, unreasoned, prompt delight in all the varied and subtle manifestations in which beauty may enchant us.
Or, if the controversy is to be carried further; and if, to place it on a more modern basis, we adopt the materialistic method of interpreting aesthetic phenomena now in fashion, may we not find reason to believe that the antagonism between journalist critics and the fine writers they disapprove of is due in its ultimate analysis to what we may designate as economic causes? Are not the authors who earn their livings by their pens, and those who, by what some regard as a social injustice, have been more or less freed from this necessity—are not these two classes of authors in a sort of natural opposition to each other? He who writes at his leisure, with the desire to master his difficult art, can hardly help envying the profits of money-making authors.”

Logan Pearsall Smith (1865–1946) British American-born writer

criticizing the Cambridge School of criticism, e.g. John Middleton Murry and Herbert Read, “Fine Writing,” pp. 306-307
Reperusals and Recollections (1936)

Charles Dickens photo

“If the people at large be not already convinced that a sufficient general case has been made out for Administrative Reform, I think they never can be, and they never will be…. Ages ago a savage mode of keeping accounts on notched sticks was introduced into the Court of Exchequer, and the accounts were kept, much as Robinson Crusoe kept his calendar on the desert island. In the course of considerable revolutions of time, the celebrated Cocker was born, and died; Walkinghame, of the Tutor's Assistant, and well versed in figures, was also born, and died; a multitude of accountants, book-keepers and actuaries, were born, and died. Still official routine inclined to these notched sticks, as if they were pillars of the constitution, and still the Exchequer accounts continued to be kept on certain splints of elm wood called "tallies." In the reign of George III an inquiry was made by some revolutionary spirit, whether pens, ink, and paper, slates and pencils, being in existence, this obstinate adherence to an obsolete custom ought to be continued, and whether a change ought not to be effected.
All the red tape in the country grew redder at the bare mention of this bold and original conception, and it took till 1826 to get these sticks abolished. In 1834 it was found that there was a considerable accumulation of them; and the question then arose, what was to be done with such worn-out, worm-eaten, rotten old bits of wood? I dare say there was a vast amount of minuting, memoranduming, and despatch-boxing on this mighty subject. The sticks were housed at Westminster, and it would naturally occur to any intelligent person that nothing could be easier than to allow them to be carried away for fire-wood by the miserable people who live in that neighbourhood. However, they never had been useful, and official routine required that they never should be, and so the order went forth that they were to be privately and confidentially burnt. It came to pass that they were burnt in a stove in the House of Lords. The stove, overgorged with these preposterous sticks, set fire to the panelling; the panelling set fire to the House of Lords; the House of Lords set fire to the House of Commons; the two houses were reduced to ashes; architects were called in to build others; we are now in the second million of the cost thereof, the national pig is not nearly over the stile yet; and the little old woman, Britannia, hasn't got home to-night…. The great, broad, and true cause that our public progress is far behind our private progress, and that we are not more remarkable for our private wisdom and success in matters of business than we are for our public folly and failure, I take to be as clearly established as the sun, moon, and stars.”

Charles Dickens (1812–1870) English writer and social critic and a Journalist

"Administrative Reform" (June 27, 1855) Theatre Royal, Drury Lane Speeches Literary and Social by Charles Dickens https://books.google.com/books?id=bT5WAAAAcAAJ (1870) pp. 133-134

Borís Pasternak photo
Graham Greene photo

“My two fingers on a typewriter have never connected with my brain. My hand on a pen does. A fountain pen, of course. Ball-point pens are only good for filling out forms on a plane.”

Graham Greene (1904–1991) English writer, playwright and literary critic

International Herald Tribune (October 7, 1977)

Abbie Hoffman photo
William Blake photo

“And I made a rural pen,
And I stained the water clear,
And I wrote my happy songs
Every child may joy to hear.”

William Blake (1757–1827) English Romantic poet and artist

Introduction, st. 5
1780s, Songs of Innocence (1789–1790)

P.G. Wodehouse photo
Norman Mailer photo

“But so far as the Hindus are concerned, this period was a prolonged spell of darkness which ended only when the Marathas and the Jats and the Sikhs broke the back of Islamic imperialism in the middle of the 18th century. The situation of the Hindus under Muslim rule is summed up by the author of Tãrîkh-i-Wassãf in the following words: “The vein of the zeal of religion beat high for the subjection of infidelity and destruction of idols… The Mohammadan forces began to kill and slaughter, on the right and the left unmercifully, throughout the impure land, for the sake of Islãm, and blood flowed in torrents. They plundered gold and silver to an extent greater than can be conceived, and an immense number of precious stones as well as a great variety of cloths… They took captive a great number of handsome and elegant maidens and children of both sexes, more than pen can enumerate… In short, the Mohammadan army brought the country to utter ruin and destroyed the lives of the inhabitants and plundered the cities, and captured their off-springs, so that many temples were deserted and the idols were broken and trodden under foot, the largest of which was Somnãt. The fragments were conveyed to Dehlî and the entrance of the Jãmi‘ Masjid was paved with them so that people might remember and talk of this brilliant victory… Praise be to Allah the lord of the worlds.””

The Story of Islamic Imperialism in India (1994)

Henry Rollins photo
Thomas Jefferson photo

“The judiciary of the United States is the subtle corps of sappers and miners constantly working under ground to undermine the foundations of our confederated fabric. They are construing our constitution from a co-ordination of a general and special government to a general and supreme one alone. This will lay all things at their feet, and they are too well versed in English law to forget the maxim, boni judicis est ampliare juris-dictionem. We shall see if they are bold enough to take the daring stride their five lawyers have lately taken. If they do, then, with the editor of our book, in his address to the public, I will say, that "against this every man should raise his voice," and more, should uplift his arm. Who wrote this admirable address? Sound, luminous, strong, not a word too much, nor one which can be changed but for the worse. That pen should go on, lay bare these wounds of our constitution, expose the decisions seriatim, and arouse, as it is able, the attention of the nation to these bold speculators on its patience. Having found, from experience, that impeachment is an impracticable thing, a mere scare-crow, they consider themselves secure for life; they sculk from responsibility to public opinion, the only remaining hold on them, under a practice first introduced into England by Lord Mansfield. An opinion is huddled up in conclave, perhaps by a majority of one, delivered as if unanimous, and with the silent acquiescence of lazy or timid associates, by a crafty chief judge, who sophisticates the law to his mind, by the turn of his own reasoning”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter http://books.google.com/books?vid=0Fz_zz_wSWAiVg9LI1&id=vvVVhCadyK4C&pg=PA192&vq=%22impeachment+is+an+impracticable+thing%22&dq=%22jeffersons+works%22 to Thomas Ritchie (25 December 1820)
1820s

Charles Mackay photo

“Aid the dawning, tongue and pen;
Aid it, hopes of honest men!”

Charles Mackay (1814–1889) British writer

"Clear the Way".
Legends of the Isles and Other Poems (1851)

Michael Drayton photo

“Oh, when shall English men
With such acts fill a pen,
Or England breed again
Such a King Harry?”

Michael Drayton (1563–1631) English poet

Source: To the Cambro-Britons and Their Harp, his Ballad of Agincourt (1627), Lines 117-120.

“What unseen pen etched eternal things
on the hearts of human kind
but never let them in our minds?”

My Exit, Unfair.
Catch For Us The Foxes (2004)

John Byrne photo

“This guy should have been taken out of the croc pen, had his kids taken from him, and been thrown in the deepest, darkest, dankest pit the Australian judicial system has to offer. Preferably after being skinned alive. Asshole is too good a word.”

John Byrne (1950) American author and artist of comic books

2006
http://www.byrnerobotics.com/forum/forum_posts.asp?TID=14104&PN=1&TPN=3
On the death of Steve Irwin, "The Crocodile Hunter"

Taslima Nasrin photo

“Politicians are all on the same platform when it comes down to me. I think it’s because they think that if they can satisfy the Muslim fundamentalists they will get votes. I believe I am a victim of votebank politics. This also shows that how weak the democracy is and politicians ask votes by banning a writer … Even though I am not staying there, she (Banerjee) has not allowed my book ‘Nirbasan’ to be published. Also, she has stopped the broadcast of a TV serial scripted by me after Muslim fundamentalists objected to it. She is not allowing me to enter the state… This is a dangerous opposition … I wrote to Mamata Banerjee. But there was no response to that… No I am not going to write to her again. I do not think she will consider my request. I feel very hopeless because I expected something positive. I think when it comes down to me, she has similar vision like that of the Left leaders…. I do not consider India as a foreign country. The history of this country is my history. It’s the country of my forefathers. I love this country and in Kolkata, I feel at home because I can relate that place to my homeland. … I have sacrificed my freedom and have been sacrificing for a big cause… All these (problems) are because of my writings. I could have stopped writing against fundamentalists and possibly the bans would have been removed and I had got back my freedom and allowed to enter my motherland again. But I will never do that. … I have spoken of humanism and equal rights for women and secularism stating that religion and nation should be treated separately. One should not get confused with nation and religion. Rules should be made based on equality, and not on religion. … I know that only by writing I will not be able to change an entire society. The laws need to be changed. Equal rights cannot be established in a short time, it requires a long time and huge efforts … I have got many awards but the best is when people come forward and tell me that my writings have help them change their vision,… I do not think I would have been treated in the same manner if I was born there (Europe). I am a writer, not an activist… I write with a pen and if you have any problem why do not you pick up a pen to protest…. The surprising thing in this part of the world is that they have picked up arms against me because I have expressed my views. I have never enforced my thoughts on anybody ever, then why they are trying to kill me. I am not a supporter of violence.”

Taslima Nasrin (1962) Poet, columnist, novelist

Taslima Nasrin about Mamata, Indian Express https://indianexpress.com/article/india/mamata-banerjee-turned-out-harsher-than-left-in-my-case-taslima-nasreen-4486028/

Julia Ward Howe photo

“The strokes of the pen need deliberation as much as the sword needs swiftness.”

Julia Ward Howe (1819–1910) American abolitionist, social activist, and poet

As quoted in Stories Behind the Hymns That Inspire America: Songs That Unite Our Nation (2003) by Ace Collins, p. 36.

Rob Pike photo
Terence V. Powderly photo

“In later life I was charged by many with being an agitator; some of my friends in defending me against assault denied that I was an agitator; they were wrong, I was an agitator and as such did all that lay in my power with voice and pen to agitate against the injustices practices on workingmen and women.”

Terence V. Powderly (1849–1924) American mayor

[Powderly, Terence, 'The Path I Trod: The Autobiography of Terence V. Powderly, 1940, Columbia University Press, 9781163178164, https://archive.org/stream/pathitrodautobio00powdrich, 38]

Ai Weiwei photo

“But censorship by itself doesn’t work. It is, as Mao said, about the pen and the gun.”

Ai Weiwei (1957) Chinese concept artist

2010-, China’s Censorship Can Never Defeat the Internet, 2012

Max Beerbohm photo

“To give an accurate and exhaustive account of that period would need a far less brilliant pen than mine.”

Max Beerbohm (1872–1956) English writer

"1880" (1895) from The Works of Max Beerbohm (1896) http://www.gutenberg.org/dirs/etext99/twomb10.txt

James Graham, 1st Marquess of Montrose photo

“I ’ll make thee glorious by my pen,
And famous by my sword.”

James Graham, 1st Marquess of Montrose (1612–1650) Scottish nobleman, poet and soldier of the Wars of the Three Kingdoms

My Dear and only Love. Compare: "I ’ll make thee famous by my pen, And glorious by my sword", Sir Walter Scott, Legend of Montrose, chap. xv.

Eminem photo

“My pen and paper cause a chain reaction, to get your brain relaxing.”

Eminem (1972) American rapper and actor

"Infinite"
1990s, Infinite (1996)

Mickey Spillane photo
Robert W. Service photo

“There's the wretched rent to pay,
Yet I glower at pen and ink:
Oh, inspire me, Muse, I pray,
It is later than you think!”

Ballads of a Bohemian (1921), It is later than you think http://plagiarist.com/poetry/4052/

Newton Lee photo