Quotes about pen
page 4

Jopie Huisman photo

“One afternoon I went to visit him. [Jacob, an older and close friend of Jopie - a real freebooter]. I knew he was home, I took pen, ink and my sketchbook with me and did half a liter of gin in my pocket. He lived in the back of an alley and was sitting in his chair by the window.... I told him, 'You will get the whole bottle, but one condition. I want to make a beautiful drawing of you, so first you have to sit still for twenty minutes and look at me closely. If I look at you and you don't look at me, the deal is over....'Okay', he said. I never had a model like him before... Stock-still he sat.... and looked at me without a single blink of his eyes. Within half an hour he was there on the paper - razor-sharp... While I am writing this down, it is as if he is sitting in front of me again..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Op een middag ging ik bij hem op bezoek. [bij Jacob, een oudere en hechte vriend van Jopie en een echte vrijbuiter]. Ik wist dat hij thuis was, nam pen en inkt en mijn schetsboek mee en deed een halve liter jenever in mijn zak. Hij woonde achter in een steegje en zat in zijn stoel bij het raam.. .Ik zei: 'Je krijgt de hele fles van me, onder één voorwaarde. Ik wil een prachtige tekening van je maken en daarvoor moet je eerst twintig minuten doodstil zitten en me strak aankijken. Als ik naar jou kijk en jij kijkt niet naar mij, dan gaat het over.. ..'Afgesproken', zei hij. Ik heb nog nooit zo’n model gehad!.. .Doodstil zat hij.. ..en keek me zonder ook maar één keer met zijn ogen te knipperen strak in mijn gezicht. Binnen een half uur stond hij haarscherp op het papier.. .Terwijl ik dit opschreef was het net alsof hij weer voor me zat.
Source: Jopie de Verteller' (2010) - postumous, p. 58

Samuel Johnson photo

“No man was more foolish when he had not a pen in his hand, or more wise when he had.”

Samuel Johnson (1709–1784) English writer

On Oliver Goldsmith1780
Life of Samuel Johnson (1791), Vol IV

Charlotte Perkins Gilman photo

“For many years I suffered from a severe and continuous nervous breakdown tending to melancholia — and beyond. During about the third year of this trouble I went, in devout faith and some faint stir of hope, to a noted specialist in nervous diseases, the best known in the country. This wise man put me to bed and applied the rest cure, to which a still-good physique responded so promptly that he concluded there was nothing much the matter with me, and sent me home with solemn advice to "live as domestic a life as far as possible," to "have but two hours' intellectual life a day," and "never to touch pen, brush, or pencil again" as long as I lived. This was in 1887.
I went home and obeyed those directions for some three months, and came so near the borderline of utter mental ruin that I could see over.
Then, using the remnants of intelligence that remained, and helped by a wise friend, I cast the noted specialist's advice to the winds and went to work again — work, the normal life of every human being; work, in which is joy and growth and service, without which one is a pauper and a parasite — ultimately recovering some measure of power.
Being naturally moved to rejoicing by this narrow escape, I wrote The Yellow Wallpaper, with its embellishments and additions, to carry out the ideal (I never had hallucinations or objections to my mural decorations) and sent a copy to the physician who so nearly drove me mad. He never acknowledged it.”

Charlotte Perkins Gilman (1860–1935) American feminist, writer, commercial artist, lecturer and social reformer

"Why I Wrote The Yellow Wallpaper" in The Forerunner (October 1913) http://www.library.csi.cuny.edu/dept/history/lavender/whyyw.html

“Your bombs and pens like swords, held high, up to my throat. You have made the cost of blood, as cheap as ink and all I think.”

Dawud Wharnsby (1972) Canadian musician

"What Has Become"
For Whom The Troubadour Sings (2010)

Aurangzeb photo
Jeremiah O'Donovan Rossa photo
Amber Benson photo
Theresa May photo
George Santayana photo
Harry Turtledove photo
William Cobbett photo

“As to the power which money gives, it is that of brute force, it is the power of the bludgeon and the bayonet, and of the bribed press, tongue and pen.”

William Cobbett (1763–1835) English pamphleteer, farmer and journalist

Letter 1, p. 36.
Advice to Young Men (1829)

“We toast the Lisp programmer who pens his thoughts within nests of parentheses.”

Alan Perlis (1922–1990) American computer scientist

Quoted in The Structure and Interpretation of Computer Programs.

Yasunari Kawabata photo

“"Among those who give thoughts to things, is there one who does not think of suicide?" With me was the knowledge that that fellow Ikkyu twice contemplated suicide. I have "that fellow", because the priest Ikkyu is known even to children as a most amusing person, and because anecdotes about his limitlessly eccentric behavior have come down to us in ample numbers. It is said of him that children climbed his knee to stroke his beard, that wild birds took feed from his hand. It would seem from all this that he was the ultimate in mindlessness, that he was an approachable and gentle sort of priest. As a matter of fact he was the most severe and profound of Zen priests. Said to have been the son of an emperor, he entered a temple at the age of six, and early showed his genius as a poetic prodigy. At the same time he was troubled with the deepest of doubts about religion and life. "If there is a god, let him help me. If there is none, let me throw myself to the bottom of the lake and become food for fishes." Leaving behind these words he sought to throw himself into a lake, but was held back. … He gave his collected poetry the title "Collection of the Roiling Clouds", and himself used the expression "Roiling Clouds" as a pen name. In his collection and its successor are poems quite without parallel in the Chinese and especially the Zen poetry of the Japanese middle ages, erotic poems and poems about the secrets of the bedchamber that leave one in utter astonishment. He sought, by eating fish and drinking spirits and having commerce with women, to go beyond the rules and proscriptions of the Zen of his day, and to seek liberation from them, and thus, turning against established religious forms, he sought in the pursuit of Zen the revival and affirmation of the essence of life, of human existence, in a day civil war and moral collapse.”

Yasunari Kawabata (1899–1972) Japanese author, Nobel Prize winner

Japan, the Beautiful and Myself (1969)

David Mitchell photo

“I am not deceived. It is the hardest of worlds to make real. Torturous advances won over generations can be lost by a single stroke of a myopic president’s pen or a vainglorious general’s sword.”

The Pacific Journal of Adam Ewing, Monday, 13th January —, p. 528
Cloud Atlas (2004)
Context: Scholars discern motions in history & formulate these motions into rules that govern the rises & falls of civilizations. My belief runs contrary, however. To wit: history admits no rules; only outcomes.
What precipitates outcomes? Vicious acts & virtuous acts.
What precipitates acts? Belief.
Belief is both prize & battlefield, within the mind & in the mind’s mirror, the world. If we believe humanity is a ladder of tribes, a colosseum of confrontation, exploitation & bestiality, such a humanity is surely brought into being, & history’s Horroxes, Boer-haaves & Gooses shall prevail. You & I, the moneyed, the privileged, the fortunate, shall not fare so badly in this world, provided our luck holds. What of it if our consciences itch? Why undermine the dominance of our race, our gunships, our heritage & our legacy? Why fight the “natural” (oh, weaselly word!) order of things?
Why? Because of this: — one fine day, a purely predatory world shall consume itself. Yes, the Devil shall take the hindmost until the foremost is the hindmost. In an individual, selfishness uglifies the soul; for the human species, selfishness is extinction.
Is this the doom written within our nature?
If we believe that humanity may transcend tooth & claw, if we believe divers races & creeds can share this world as peaceably as the orphans share their candlenut tree, if we believe leaders must be just, violence muzzled, power accountable & the riches of the Earth & its Oceans shared equitably, such a world will come to pass. I am not deceived. It is the hardest of worlds to make real. Torturous advances won over generations can be lost by a single stroke of a myopic president’s pen or a vainglorious general’s sword.

James Joyce photo

“A Place for Everything and Everything in its Place, Is the Pen Mightier than the Sword?”

Page 306
Finnegans Wake (1939)
Context: A Place for Everything and Everything in its Place, Is the Pen Mightier than the Sword? A Successful Career in the Civil Service.

Sri Aurobindo photo

“Interpreting a recondite beauty and bliss
In colour's hieroglyphs of mystic sense,
It wrote the lines of a significant myth
Telling of a greatness of spiritual dawns,
A brilliant code penned with the sky for page.”

Savitri (1918-1950), Book One : The Book Of Beginnings
Context: An instant's visitor the godhead shone.
On life's thin border awhile the Vision stood
And bent over earth's pondering forehead curve.
Interpreting a recondite beauty and bliss
In colour's hieroglyphs of mystic sense,
It wrote the lines of a significant myth
Telling of a greatness of spiritual dawns,
A brilliant code penned with the sky for page.

Chief Joseph photo

“You might as well expect all rivers to run backward as that any man who was born a free man should be contented penned up and denied liberty to go where he pleases.”

Chief Joseph (1840–1904) Nez Percé Chieftain

Lincoln Hall Speech (1879)
Context: Too many misinterpretations have been made; too many misunderstandings have come up between the white men and the Indians. If the white man wants to live in peace with the Indian he can live in peace. There need be no trouble. Treat all men alike. Give them the same laws. Give them all an even chance to live and grow. All men were made by the same Great Spirit Chief. They are all brothers. The earth is the mother of all people, and all people should have equal rights upon it. You might as well expect all rivers to run backward as that any man who was born a free man should be contented penned up and denied liberty to go where he pleases. If you tie a horse to a stake, do you expect he will grow fat? If you pen an Indian up on a small spot of earth and compel him to stay there, he will not be contented nor will he grow and prosper. I have asked some of the Great White Chiefs where they get their authority to say to the Indian that he shall stay in one place, while he sees white men going where they please. They cannot tell me.

R. A. Lafferty photo

“We will not be penned in even a giant's pen. We fly!”

R. A. Lafferty (1914–2002) American writer

Captain Roadstrum, Ch. 2
Space Chantey (1968)
Context: There are skies we have not seen yet! There are whole realms still unvisited by us. We will not be penned in even a giant's pen. We fly!

“This pen's all I have of.”

Tony Harrison (1937) British writer

v, line 121 (Newcastle: Bloodaxe, [1985] 1989).

Manuel Rivera-Ortiz photo

“The people I gravitate to are neither rich nor popular. They do not have the power to boost or end careers at the flick of a pen; nor do they own fancy things or drive fancy cars.”

Manuel Rivera-Ortiz (1968) American photographer

Biographical profile
Official site
Context: I'm more likely to come in after the newspapers and television cameras have long disappeared from the scene post-disaster. The people I gravitate to are neither rich nor popular. They do not have the power to boost or end careers at the flick of a pen; nor do they own fancy things or drive fancy cars. These people live in slums and muddle trough piles of waste and trash on their way home to a little shack, which they share with a throng of other family members. Outside the cacophony of worldwide charitable organizations, their struggles are rarely suitable topic for common everyday talk.

Vachel Lindsay photo

“Whenever I begin to write a poem or draw a picture I am, in imagination, if not in reality, back in my room where I began to draw pen-and-ink pictures and write verses in my seventeenth year.”

Vachel Lindsay (1879–1931) American poet

What It Means to Be a Poet in America (1926)
Context: Whenever I begin to write a poem or draw a picture I am, in imagination, if not in reality, back in my room where I began to draw pen-and-ink pictures and write verses in my seventeenth year. Both windows of the room look down on the great Governor’s Yard of Illinois. This yard is a square block, a beautiful park. Our house is on so high a hill I can always look down upon the governor. Among my very earliest memories are those of seeing old Governor Oglesby leaning on his cane, marching about, calling his children about him.

George Müller photo

“Within the last fifty years, I have found it the most profitable plan to meditate with my pen in my hand, writing down the outlines, as the Word is opened to me.”

George Müller (1805–1898) German-English clergyman

A Narrative of Some of the Lord's Dealings with George Müller Written by Himself, First Part.
First Part of Narrative

Richard Wright photo

“Slowly I would get to pen and paper,
Make my poems for others unseen and unborn.”

Muriel Rukeyser (1913–1980) poet and political activist

"Poem"
The Speed of Darkness (1968)
Context: Slowly I would get to pen and paper,
Make my poems for others unseen and unborn.
In the day I would be reminded of those men and women,
Brave, setting up signals across vast distances,
considering a nameless way of living, of almost unimagined values.

F. Scott Fitzgerald photo

“I simply state that I'm a product of a versatile mind in a restless generation — with every reason to throw my mind and pen in with the radicals.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

Quoted, This Side of Paradise (1920)
Context: I simply state that I'm a product of a versatile mind in a restless generation — with every reason to throw my mind and pen in with the radicals. Even if, deep in my heart, I thought we were all blind atoms in a world as limited as a stroke of a pendulum, I and my sort would struggle against tradition; try, at least, to displace old cants with new ones. I've thought I was right about life at various times, but faith is difficult. One thing I know. If living isn't seeking for the grail it may be a damned amusing game.

Imre Kertész photo

“To live and to write, it's all the same, both together, for the pen is my spade”

Kaddish for a Child Not Born (1990)
Context: To live and to write, it's all the same, both together, for the pen is my spade; when I look ahead I only look back, when I stare at the paper I only see the past: she crossed that bluish green carpet as if she were crossing the sea because she wanted to talk to me, for she found out that I was "B.", author and literary translator, one of whose "works" had read, and which she definitely wanted to discuss with me, she said, and we talked and talked until we talked ourselves into bed — Good God! — and continued to talk even then, uninterrupted.

Francesco Petrarca photo

“There is no lighter burden, nor more agreeable, than a pen. Other pleasures fail us or wound us while they charm, but the pen we take up rejoicing and lay down with satisfaction, for it has the power to advantage not only its lord and master, but many others as well, even though they be far away — sometimes, indeed, though they be not born for thousands of years to come.”

Francesco Petrarca (1304–1374) Italian scholar and poet

Letter to Giovanni Boccaccio (28 April 1373) as quoted in Petrarch : The First Modern Scholar and Man of Letters (1898) edited by James Harvey Robinson and Henry Winchester Rolfe, p. 426
Context: Continued work and application form my soul's nourishment. So soon as I commenced to rest and relax I should cease to live. I know my own powers. I am not fitted for other kinds of work, but my reading and writing, which you would have me discontinue, are easy tasks, nay, they are a delightful rest, and relieve the burden of heavier anxieties. There is no lighter burden, nor more agreeable, than a pen. Other pleasures fail us or wound us while they charm, but the pen we take up rejoicing and lay down with satisfaction, for it has the power to advantage not only its lord and master, but many others as well, even though they be far away — sometimes, indeed, though they be not born for thousands of years to come. I believe I speak but the strict truth when I claim that as there is none among earthly delights more noble than literature, so there is none so lasting, none gentler, or more faithful; there is none which accompanies its possessor through the vicissitudes of life at so small a cost of effort or anxiety.

John Greenleaf Whittier photo

“For of all sad words of tongue or pen,
The saddest are these: "It might have been!"”

Bret Harte wrote a famous parody of this famous poem, "Mrs. Judge Jenkins" in which the Judge marries Maud, and which he ends with the lines:
Maud soon thought the Judge a bore,
With all his learning and all his lore;
And the Judge would have bartered Maud's fair face
For more refinement and social grace.
If, of all words of tongue and pen,
The saddest are, "It might have been,"
More sad are these we daily see:
"It is, but hadn't ought to be".
Maud Muller (1856)
Context: Alas for maiden, alas for Judge,
For rich repiner and household drudge!
God pity them both! and pity us all,
Who vainly the dreams of youth recall;
For of all sad words of tongue or pen,
The saddest are these: "It might have been!"

Ulysses S. Grant photo

“I do not sustain that order. It never would have been issued if it had not been telegraphed the moment penned, without one moment's reflection”

Ulysses S. Grant (1822–1885) 18th President of the United States

To Isaac N. Morris (1868), as quoted in The Papers of Ulysses S. Grant: July 1, 1868–October 31, 1869 https://books.google.com/books?id=JXn2Bq8KpDEC&pg=PA37&dq=%22I+have+no+prejudice+against+sect+or+race,+but+want+each+individual+to+be+judged+by+his+own+merit.%22&hl=en&sa=X&ei=eucJVYHXK4SxggSXj4S4BQ&ved=0CCQQ6AEwAQ#v=onepage&q&f=false, by Ulysses S. Grant, p. 37. Also quoted in Grant http://books.google.com/books?id=TssAXSdPTi4C&printsec=frontcover&dq=GrantJean+E.+Smith&hl=en&sa=X&ei=MVrWU7qCI47lsATyroKADg&ved=0CCcQ6AEwAA#v=onepage&q=prejudice%20against%20sect&f=false (2001), by Jean Edward Smith, pp. 459–460.
1860s, Letter to Isaac N. Morris (1868)
Context: Give Mister Moses assurances that I have no prejudice against sect or race, but want each individual to be judged by his own merit. Order No. 11 does not sustain this statement, I amidt, but then I do not sustain that order. It never would have been issued if it had not been telegraphed the moment penned, without one moment's reflection.

William Westmoreland photo

“Serving one's country as a military man is rewarding experience. It is nevertheless a life of constraint. A military man serves within carefully prescribed limits, be it as enlisted man, junior officer, battalion commander, division commander, even senior field commander in time of war. The freedom to speak out in the manner of the private citizen, journalist, politician, legislator has no part in the assignment. Perhaps this is one reason why generals who have hung up their uniforms traditionally turn to the pen, seek an opportunity for free expression that they have long denied themselves, to report to the people they have served.”

From the Preface
A Soldier Reports (1976)
Context: Serving one's country as a military man is rewarding experience. It is nevertheless a life of constraint. A military man serves within carefully prescribed limits, be it as enlisted man, junior officer, battalion commander, division commander, even senior field commander in time of war. The freedom to speak out in the manner of the private citizen, journalist, politician, legislator has no part in the assignment. Perhaps this is one reason why generals who have hung up their uniforms traditionally turn to the pen, seek an opportunity for free expression that they have long denied themselves, to report to the people they have served. In these pages I have tried to exercise that prerogative that in the end is mine, while at the same time seeking to make an objective and constructive contribution to the history of a dramatic era. In the idiom of the time, I have tried to tell it like it was. This is my personal story, yet inevitably it represents more than that; for my story is inextricably involved with the stories of those who served with me during thirty-six years in the United States Army- from wooden-wheeled artillery to antiballistic missile, from horse to spaceship, from volunteer army to draftee army in three wars and back to volunteer army. My story is particularly involved with the stories of those who served with such valor and sacrifice in the Republic of Vietnam. My hope is that in telling my story I have in some manner done justice to theirs, that I have to some degree contributed to an appreciation by the American people of arduous, imaginative, valiant service in spite of alien environment, hardship, restriction, frustration, misunderstanding, and vocal and demonstrative opposition.

Richard Wright photo
Miguel de Unamuno photo

“And forgive me if I have troubled you more than was needful and inevitable, more than I intended to do when I took up my pen proposing to distract you from your distractions. And may God deny you peace, but give you glory!”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy
Context: I hope, reader, that some time while our tragedy is still playing, in some interval between acts, we shall meet again. And we shall recognize one another. And forgive me if I have troubled you more than was needful and inevitable, more than I intended to do when I took up my pen proposing to distract you from your distractions. And may God deny you peace, but give you glory!

Dinah Craik photo

“Gossip, public, private, social — to fight against it either by word or pen seems, after all, like fighting with shadows.”

Dinah Craik (1826–1887) English novelist and poet

Source: A Woman's Thoughts About Women (1858), Ch. 8
Context: Gossip, public, private, social — to fight against it either by word or pen seems, after all, like fighting with shadows. Everybody laughs at it, protests against it, blames and despises it; yet everybody does it, or at least encourages others in it: quite innocently, unconsciously, in such a small, harmless fashion — yet we do it. We must talk about something, and it is not all of us who can find a rational topic of conversation, or discuss it when found.

Vinayak Damodar Savarkar photo
Alexandria Ocasio-Cortez photo

“No child should ever be separated from their parent. No child should ever taken from their family. No woman should ever be locked up in a pen when they have done no harm to another human being.”

Alexandria Ocasio-Cortez (1989) American politician

AOC quoted by The Hill, Twitter, https://twitter.com/thehill/status/1146082350725337089 (2 July 2019)
Twitter Quotes (2019), July 2019

Narendra Modi photo
Ibn Warraq photo
Zakir Hussain (politician) photo
Peter Beckford photo
Aldo Leopold photo
Chuck Palahniuk photo
Jane Austen photo
June Downey photo
Marilyn Ferguson photo
Chief Joseph photo

“Art is my language, pens and brushes are my armor.”

Frome the Drawings "Angels" and "Epiphany"

Jami photo
Faiz Ahmad Faiz photo
Joe Biden photo

“In another January, on New Year′s Day in 1863, Abraham Lincoln signed the emancipation proclamation. When he put pen to paper, the president said, and I quote, “if my name ever goes down into history, it′ll be for this act, and my whole soul is in it.”“My whole soul is in it.””

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

Today, on this January day, my whole soul is in this: bringing America together, uniting our people, uniting our nation. And I ask every American to join me in this cause.<p>Uniting to fight the foes we face, anger, resentment and hatred, extremism, lawlessness, violence, disease, joblessness and hopelessness. With unity, we can do great things, important things.
2021, January, Presidential Inaugural Address (2021)

Natalie Goldberg photo
Natalie Goldberg photo
Menotti Lerro photo
Geling Yan photo

“My dream is to write with both pens, in English and Chinese. I want to be more truthful and more straightforward when I write in English.”

Geling Yan (1958) Chinese writer and screenwriter

Source: "Chinese writer finds freedom in English" in Reuters https://www.reuters.com/article/us-china-literature-yan-interview/chinese-writer-finds-freedom-in-english-idUSTRE53M00D20090423 (22 April 2009)

Bob Dylan photo

“Come writers and critics
Who prophesize with your pen
And keep your eyes wide
The chance won't come again
And don't speak too soon
For the wheel's still in spin
And there's no tellin' who that it's naming.’
For the loser now will be later to win”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Source: Song lyrics, The Times They Are A-Changin' (1964), The Times They Are A-Changin

Gloria E. Anzaldúa photo

“Write with your eyes like painters, with your ears like musicians, with your feet like dancers. You are the truthsayer with quill and torch. Write with your tongues of fire. Don't let the pen banish you from yourself.”

"Speaking in Tongues: A Letter to Third World Women Writers" (1981)
Source: in This Bridge Called My Back: Writings by Radical Women of Color, p. 171

Edgar Guest photo
Edgar Guest photo
This quote waiting for review.
José Baroja photo

“It must certainly be considered true that once a work leaves our pen, it no longer belongs to us.”

José Baroja (1983) Chilean author and editor

Source: http://letras.mysite.com/jbar050923.html