1880s, 1884, Letter to Theo (Nuenen, Oct. 1884)
Context: I tell you, if one wants to be active, one must not be afraid of going wrong, one must not be afraid of making mistakes now and then. Many people think that they will become good just by doing no harm - but that's a lie, and you yourself used to call it that. That way lies stagnation, mediocrity.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, You can't do a thing. The canvas has an idiotic stare and mesmerises some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of 'you can't' once and for all.
Life itself, too, is forever turning an infinitely vacant, dispiriting blank side towards man on which nothing appears, any more than it does on a blank canvas. But no matter how vacant and vain, how dead life may appear to be, the man of faith, of energy, of warmth, who knows something, will not be put off so easily. He wades in and does something and stays with it, in short, he violates, "defiles" - they say. Let them talk, those cold theologians.
Quotes about nothing
page 19
“Thou art nothing. And all thy desires and memories and loves and dreams, nothing.”
Source: The Worm Ouroboros (1922), Ch. 28 : Zora Rach Nam Psarrion, p. 427
Context: Thou art nothing. And all thy desires and memories and loves and dreams, nothing. The little dead earth-louse were of greater avail than thou, were it not nothing as thou art nothing. For all is nothing: earth and sky and sea and they that dwell therein. Nor shall this illusion comfort thee, if it might, that when thou art abolished these things shall endure for a season, stars and months return, and men grow old and die, and new men and women live and love and die and be forgotten. For what is it to thee, that shalt be as a blown-out flame? and all things in earth and heaven, and things past and things for to come, and life and death, and the mere elements of space and time, of being and not being, all shall be nothing unto thee; because thou shalt be nothing, for ever.
Source: Instructions to his Son and to Posterity (published 1632), Chapter III
Context: Take care that thou be not made a fool by flatterers, for even the wisest men are abused by these. Know, therefore, that flatterers are the worst kind of traitors; for they will strengthen thy imperfections, encourage thee in all evils, correct thee in nothing; but so shadow and paint all thy vices and follies, as thou shalt never, by their will, discern evil from good, or vice from virtue. And, because all men are apt to flatter themselves, to entertain the additions of other men's praises is most perilous. Do not therefore praise thyself, except thou wilt be counted a vain-glorious fool; neither take delight in the praises of other men, except thou deserve it, and receive it from such as are worthy and honest, and will withal warn thee of thy faults; for flatterers have never any virtue — they are ever base, creeping, cowardly persons. A flatterer is said to be a beast that biteth smiling: it is said by Isaiah in this manner — "My people, they that praise thee, seduce thee, and disorder the paths of thy feet;" and David desired God to cut out the tongue of a flatterer.
But it is hard to know them from friends, they are so obsequious and full of protestations; for as a wolf resembles a dog, so doth a flatterer a friend. A flatterer is compared to an ape, who, because she cannot defend the house like a dog, labour as an ox, or bear burdens as a horse, doth therefore yet play tricks and provoke laughter. Thou mayest be sure, that he that will in private tell thee thy faults is thy friend; for he adventures thy mislike, and doth hazard thy hatred; for there are few men that can endure it, every man for the most part delighting in self-praise, which is one of the most universal follies which bewitcheth mankind.
“All entities move and nothing remains still.”
As quoted by Plato in Cratylus, 401d
Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 26-27
Notes to Sesame and Lilies by John Ruskin, translated by Proust (1906); from Marcel Proust: On Reading Ruskin, trans. Jean Autret and William Burford
Context: A man is not more entitled to be "received in good society," or at least to wish to be, because he is more intelligent and cultivated. This is one of those sophisms that the vanity of intelligent people picks up in the arsenal of their intelligence to justify their basest inclinations. In other words, having become more intelligent creates some rights to be less. Very simply, diverse personalities are to be found in the breast of each of us, and often the life of more than one superior man is nothing but the coexistence of a philosopher and a snob. Actually, there are very few philosophers and artists who are absolutely detached from ambition and respect for power, from "people of position." And among those who are more delicate or more sated, snobism replaces ambition and respect for power in the same way superstition arises on the ruins of religious beliefs. Morality gains nothing there. Between a worldly philosopher and a philosopher intimidated by a minister of state, the second is still the more innocent.
The Analysis of Mind (1921), Lecture IX: Memory, p. 159
1920s
Context: There is no logical impossibility in the hypothesis that the world sprang into being five minutes ago, exactly as it then was, with a population that "remembered" a wholly unreal past. There is no logically necessary connection between events at different times; therefore nothing that is happening now or will happen in the future can disprove the hypothesis that the world began five minutes ago.
1850s, Autobiographical Sketch Written for Jesse W. Fell (1859)
Context: There were some schools, so called, but no qualification was ever required of a teacher beyond "readin', writin', and cipherin' " to the rule of three. If a straggler supposed to understand Latin happened to sojourn in the neighborhood, he was looked upon as a wizard. There was absolutely nothing to excite ambition for education. Of course, when I came of age I did not know much. Still, somehow, I could read, write, and cipher to the rule of three, but that was all. I have not been to school since. The little advance I now have upon this store of education, I have picked up from time to time under the pressure of necessity.
“Nothing is that which fills no space.”
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: Nothing is that which fills no space. If one single point placed in a circle may be the starting point of an infinite number of lines, and the termination of an infinite number of lines, there must be an infinite number of points separable from this point, and these when reunited become one again; whence it follows that the part may be equal to the whole.
"I want everything" in What I Want from Life (1934) edited by Edmund George Cousins, p. 108
Context: The cynic says "blessed is he who expecteth nothing, for he shall not be disappointed." I say "blessed is he who expecteth everything, for he can't always be disappointed."
“There's nothing useless to a man of sense.”
Il n'est rien d'inutile aux personnes de sens.
Book V (1668), fable 19.
Fables (1668–1679)
Quote from "The Awe-Struck Witness" in TIME magazine (28 October 1974) http://www.time.com/time/magazine/article/0,9171,908926-1,00.html and in "On the Brink: The Artist and the Seas" by Eldon N. Van Liere in Poetics of the Elements in the Human Condition: The Sea (1985) ed. Anna-Teresa Tymieniecka
Variant translations:
The artist should not only paint what he sees before him, but also what he sees within him. If, however, he sees nothing within him, then he should also omit to paint that which he sees before him.
As quoted in German Romantic Painting (1994) by William Vaughan, p. 68
undated
Context: The artist should not only paint what he sees before him, but also what he sees in himself. If, however, he sees nothing within him, then he should also refrain from painting what he sees before him. Otherwise his pictures will be like those folding screens behind which one expects to find only the sick or the dead.
Last interview (1980)
Context: I’m 40, I wanna talk to the people my age. I’m happy if the young people like it, and I’m happy if the old people like it, I’m talkin’ to guys and gals that have been through what we went through, together — the sixties group that has survived. Survived the war, the drugs, the politics, the violence on the street – the whole she-bang – that we’ve survived it and we’re here. And I’m talkin’ to them. And the "Woman" song is to Yoko, but it’s to all women. And, because my role in society – or any artist or poet’s role – is to try to express what we all feel. Not to tell people how to feel, not as a preacher, not as a leader, but as a reflection of us all. And it’s like that’s the job of the artist in society, not to... they’re not some alienated being living on the outskirts of town. It’s fine to live on the outskirts of town, but artists must reflect what we all are. That’s what it’s about – artists, or poets or whatever you wanna call it. And that’s what I’m tryin’ to express on behalf of all the men to all the women, through my own feelings about women – when it dawned on me, "God! It is the other half of the sky" as the late-great Chairman MacDougal said, right? I mean, they are the other half of the sky, and without them there is nothing. And without us there’s nothing. There’s only the two together creating children, creating society. So what’s all this B. S. about, you know, "women are this" and "men are that" – we’re all human, man. We’re all human. And, I am tryin’ to say it to Yoko, but to all women, you know? On behalf of all men, in a way. If that’s taken it too much on meself, I feel that artists are that – they’re reflections of society... Mirrors.
1860s, Allow the humblest man an equal chance (1860)
Context: It is exceedingly desirable that all parts of this great Confederacy shall be at peace, and in harmony, one with another. Let us Republicans do our part to have it so. Even though much provoked, let us do nothing through passion and ill temper. Even though the Southern people will not so much as listen to us, let us calmly consider their demands, and yield to them if, in our deliberate view of our duty, we possibly can. [... ] we must not only let them alone, but we must, somehow, convince them that we do let them alone. This, we know by experience is no easy task. We have been so trying to convince them from the very beginning of our organization, but with no success. In all our platforms and speeches, we have constantly protested our purpose to let them alone; but this has had no tendency to convince them, Alike unavailing to convince them is the fact that they have never detected a man of us in any attempt to disturb them.
Essay 1, Section 11
On the Genealogy of Morality (1887)
Context: To be incapable of taking one's enemies, one's accidents, even one's misdeeds seriously for very long—that is the sign of strong, full natures in whom there is an excess of the power to form, to mold, to recuperate and to forget[... ] Such a man shakes off with a single shrug many vermin that eat deep into others; here alone genuine 'love of one's enemies' is possible—supposing it to be possible at all on earth. How much reverence has a noble man for his enemies!—and such reverence is a bridge to love.—For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor!
“Cleverness is serviceable for everything, sufficient for nothing.”
16 February 1868
Journal Intime (1882), Journal entries
Context: Clever men will recognize and tolerate nothing but cleverness; every authority rouses their ridicule, every superstition amuses them, every convention moves them to contradiction. Only force finds favor in their eyes, and they have no toleration for anything that is not purely natural and spontaneous. And yet ten clever men are not worth one man of talent, nor ten men of talent worth one man of genius. And in the individual, feeling is more than cleverness, reason is worth as much as feeling, and conscience has it over reason. If, then, the clever man is not mockable, he may at least be neither loved, nor considered, nor esteemed. He may make himself feared, it is true, and force others to respect his independence; but this negative advantage, which is the result of a negative superiority, brings no happiness with it. Cleverness is serviceable for everything, sufficient for nothing.
Jean-Christophe (1904 - 1912), Journey's End: The Burning Bush (1911)
Context: God was not to him the impassive Creator, a Nero from his tower of brass watching the burning of the City to which he himself has set fire. God was fighting. God was suffering. Fighting and suffering with all who fight and for all who suffer. For God was Life, the drop of light fallen into the darkness, spreading out, reaching out, drinking up the night. But the night is limitless, and the Divine struggle will never cease: and none can know how it will end. It was a heroic symphony wherein the very discords clashed together and mingled and grew into a serene whole! Just as the beech-forest in silence furiously wages war, so Life carries war into the eternal peace.
The wars and the peace rang echoing through Christophe. He was like a shell wherein the ocean roars. Epic shouts passed, and trumpet calls, and tempestuous sounds borne upon sovereign rhythms. For in that sonorous soul everything took shape in sound. It sang of light. It sang of darkness, sang of life and death. It sang for those who were victorious in battle. It sang for himself who was conquered and laid low. It sang. All was song. It was nothing but song.
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Context: Amid the vastness of the things among which we live, the existence of nothingness holds the first place; its function extends over all things that have no existence, and its essence, as regards time, lies precisely between the past and the future, and has nothing in the present. This nothingness has the part equal to the whole, and the whole to the part, the divisible to the indivisible; and the product of the sum is the same whether we divide or multiply, and in addition as in subtraction; as is proved by arithmeticians by their tenth figure which represents zero; and its power has not extension among the things of Nature.
that is such a staggering, elegant, beautiful thing, why would you want to clutter it up with something so messy as a God?”
During his conversation with the Archbishop of Canterbury, Dr. Rowan Williams, as quoted in The Telegraph, in . In " Richard Dawkins: I can't be sure God does not exist http://www.telegraph.co.uk/news/religion/9102740/Richard-Dawkins-I-cant-be-sure-God-does-not-exist.html"
1790s, The Age of Reason, Part I (1794)
Context: But if objects for gratitude and admiration are our desire, do they not present themselves every hour to our eyes? Do we not see a fair creation prepared to receive us the instant we are born — a world furnished to our hands, that cost us nothing? Is it we that light up the sun, that pour down the rain, and fill the earth with abundance? Whether we sleep or wake, the vast machinery of the universe still goes on. Are these things, and the blessings they indicate in future, nothing to us? Can our gross feelings be excited by no other subjects than tragedy and suicide? Or is the gloomy pride of man become so intolerable, that nothing can flatter it but a sacrifice of the Creator?
1850s, Address before the Wisconsin State Agricultural Society (1859)
Context: I suppose, however, I shall not be mistaken, in assuming as a fact, that the people of Wisconsin prefer free labor, with its natural companion, education. This leads to the further reflection, that no other human occupation opens so wide a field for the profitable and agreeable combination of labor with cultivated thought, as agriculture. I know of nothing so pleasant to the mind, as the discovery of anything which is at once new and valuable — nothing which so lightens and sweetens toil, as the hopeful pursuit of such discovery. And how vast, and how varied a field is agriculture, for such discovery. The mind, already trained to thought, in the country school, or higher school, cannot fail to find there an exhaustless source of profitable enjoyment.
Pupils at Sais (1799)
Context: Common Logic is the Grammar of the higher Speech, that is, of Thought; it examines merely the relations of ideas to one another, the Mechanics of Thought, the pure Physiology of ideas. Now logical ideas stand related to one another, like words without thoughts. Logic occupies itself with the mere dead Body of the Science of Thinking. — Metaphysics, again, is the Dynamics of Thought; treats of the primary Powers of Thought; occupies itself with the mere Soul of the Science of Thinking. Metaphysical ideas stand related to one another, like thoughts without words. Men often wondered at the stubborn Incompletibility of these two Sciences; each followed its own business by itself; there was a want everywhere, nothing would suit rightly with either. From the very first, attempts were made to unite them, as everything about them indicated relationship; but every attempt failed; the one or the other Science still suffered in these attempts, and lost its essential character. We had to abide by metaphysical Logic, and logical Metaphysic, but neither of them was as it should be.
Attributed to "Hericletus c. 500 B.C." [sic] in The Tactical Rifle https://books.google.com/books?id=xO7XAAAAMAAJ&dq=%22They+make+the+battle.+Ah+but+the+One%2C+One+of+them+is+a+Warrior%22&focus=searchwithinvolume&q=%22He+will+bring+the+others+back%22 (1999) by Gabriel Suarez; no earlier source has been found.
Misattributed
Novalis (1829)
Context: When we speak of the aim and Art observable in Shakespeare's works, we must not forget that Art belongs to Nature; that it is, so to speak, self-viewing, self-imitating, self-fashioning Nature. The Art of a well-developed genius is far different from the Artfulness of the Understanding, of the merely reasoning mind. Shakspeare was no calculator, no learned thinker; he was a mighty, many-gifted soul, whose feelings and works, like products of Nature, bear the stamp of the same spirit; and in which the last and deepest of observers will still find new harmonies with the infinite structure of the Universe; concurrences with later ideas, affinities with the higher powers and senses of man. They are emblematic, have many meanings, are simple and inexhaustible, like products of Nature; and nothing more unsuitable could be said of them than that they are works of Art, in that narrow mechanical acceptation of the word.
“Nothing is impossible, the word itself says: «I'm possible!»”
This attribution to Voltaire appears in Strauss' Familiar Medical Quotations (1968), p. 394, and in publications as early as 1956 http://books.google.pt/books?id=lCtCAQAAIAAJ&q=%22Doctors+are+men+who+prescribe+medicine+of%22&dq=%22Doctors+are+men+who+prescribe+medicine+of%22&hl=pt-PT&sa=X&ei=mbnWUsvDIfTB7Aaw_YD4Dw&redir_esc=y; the quotation in French does not, however, appear to be original, and is probably a relatively modern invention, only quoted in recent (21st century) published works, which attribute it to "Voltaire" without citing any source.
Original: (fr) Les médecins administrent des médicaments dont ils savent très peu, à des malades dont ils savent moins, pour guérir des maladies dont ils ne savent rien.
“othing ever truly dies. The universe wastes nothing, everything is simply transformed.”
“Nothing that has been thought can ever be taken back.”
“There's nothing wrong with being a loser. It just depends how good you are at it.”
2019, European Economic and Social Committee (February 2019)
But it is, of course, a constant source of consolation and pleasure to me. And, I may say, a piece of singular good fortune, much envied by some of my contemporaries. Wonderful people still buy the book, and to a man 'retired' that is both grateful and comforting.
No. 165: To Houghton Mifflin Co. (30 June, 1955); also quoted in 'Tolkien on Tolkien' in Diplomat magazine (October 1966).
The Letters of J. R. R. Tolkien (1981)
Source: The State in the New Testament (1956), p. 9
As quoted in Grey Wolf: Mustafa Kemal – An intimate study of a dictator (1932) by Harold Courtenay Armstrong, pp. 199-200
Disputed
1910s, Address to the Knights of Columbus (1915)
Soviet Russia: Some Random Sketches and Impressions (1949)
Oriana Fallaci. Interview with Indira Gandhi in New Delhi, February 1972
History as an Art (1954), p. 9
1950s
20 February 2019 https://maps.southfront.org/philip-giraldi-the-growing-anti-semitism-scam/ Stephan Williams of SouthFront attributed this to Tesla, however it was Albert Einstein who wrote that, not Tesla
Misattributed
"The Chronicle of Young Satan" (ca. 1897–1900, unfinished), published posthumously in Mark Twain's Mysterious Stranger Manuscripts (1969), ed. William Merriam Gibson ( pp. 165–166 http://books.google.com/books?id=LDvA2xcYZKcC&pg=PA165 in the 2005 paperback printing, ISBN 0520246950)
Essays and Dialogues (1882), The Song of the Wild Cock
Source: Looking Backward, 2000-1887 http://www.gutenberg.org/ebooks/25439 (1888), Ch. 21.
“Kristin, nothing ever does change.”
I jerked a thumb back at the crowd outside. “You’ll always have morons like that, swallowing belief patterns whole so they don’t have to think for themselves. You’ll always have people like Kawahara and the Bancrofts to push their buttons and cash in on the program. People like you to make sure the game runs smoothly and the rules don’t get broken too often. And when the Meths want to break the rules themselves, they’ll send people like Trepp and me to do it. That’s the truth, Kristin. It’s been the truth since I was born a hundred and fifty years ago, and from what I read in the history books, it’s never been any different. Better get used to it.”
Epilogue (p. 524)
Altered Carbon (2002)
“Anne, my sister Anne, do you see nothing coming?”
"I see nothing but the sun that makes everything dusty, and the grass that grows green."
Tales of Mother Goose, 1727, "Bluebeard"
The Notebooks of Leonardo da Vinci (1883), XIV Anatomy, Zoology and Physiology
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting
Letter to Lambertus Grunnius (August 1516), published in Life and Letters of Erasmus : Lectures delivered at Oxford 1893-4 (1894) http://books.google.com/books?id=ussXAAAAMAAJ&pg=PA180&lpg=PA180&dq=%22is+no+discipline+and+which+are+worse+than+brothels%22&source=bl&ots=PnJjrkSLNB&sig=JPY0PhTf2YgYwJlf3uH2eTvCJeA&hl=en&ei=BGwXTNqTA5XANu6_pJ8L&sa=X&oi=book_result&ct=result&resnum=1&ved=0CBIQ6AEwAA#v=onepage&q=%22is%20no%20discipline%20and%20which%20are%20worse%20than%20brothels%22&f=false edited by James Anthony Froude, p. 180
Original: (la) Μundo morere, ejus insaniam rejiciens: vive Deo, per ipsius cognitionem, veterem generationem repudians. Νοn facti sumus ut moreremur, sed nostra culpa morimur. Perdidit nos libera voluntas: servi facti sumus, qui liberi eramus: per peccatum venditi sumus. Νihil mali factum est a Deo: nos ipsi improbitatem produximus. Εam vero qui produxerunt, denuo repudiare possunt.
Source: Address to the Greeks, Chapter XI, as translated by J. E. Ryland
Remark to the Spanish Ambassador, as quoted in A History of the English-Speaking Peoples, Volume Two: The New World (1956) by Winston Churchill, p. 157
Shi Zhengli (2020) cited in " China denies lab link to coronavirus as questions over origin mount https://www.washingtontimes.com/news/2020/feb/5/china-denies-lab-link-to-coronavirus-as-questions-/" on The Washington Times, 5 February 2020.
1930s, Die verfluchten Hakenkreuzler. Etwas zum Nachdenken (1932)
Jennifer Lopez shades A-list actress peers in resurfaced interview https://nypost.com/2019/09/25/jennifer-lopez-shades-a-list-actress-peers-in-resurfaced-interview/, by Nadine DeNinno, New York Post, September 25, 2019.
Fabricated, The Hidden Tyranny interview
“The last administration left us nothing. We started off with bad, broken tests, and obsolete tests”
Trump explains the lack of tests for the novel coronavirus, as quoted by * 2020-04-30
Trump is blaming Obama for leaving him with “broken tests” for a virus that didn’t exist. Yes, really.
Aaron Rupar
VOX
2020s, 2020, April
Source: https://www.vox.com/2020/4/30/21243117/trump-blames-obama-coronavirus-broken-tests-jim-acosta
Original: (de) "Glaubt mir, des Menschen wahrster Wahn
wird ihm im Traume aufgetan:
all' Dichtkunst und Poeterei
ist nichts als Wahrtraumdeuterei."
Source: Quotes from his operas, Die Meistersinger von Nürnberg, Hans Sachs, Act 3, Scene 2
Original: (de) Gab mir die Mutter Muth,
nicht mag ich ihr doch danken,
daß deiner List sie erlag:
frühalt, fahl und bleich,
hass' ich die Frohen,
freue mich nie!
Source: Quotes from his operas, Götterdämmerung, Hagen, Act 2, Scene 1
Source: Address And Declaration At a Select Meeting Of The Friends Of Universal Peace And Liberty https://thomaspaine.org/essays/french-revolution/address-and-declaration.html (August 20, 1791)
Biography of Uways al-Qarni https://islamqa.info/en/answers/125276/biography-of-uways-al-qarni-may-allah-have-mercy-on-him, Islam Q&A https://islamqa.info/en/about-us (03 July 2015)
“Don't believe that jazz about there's nothing you can do, "turn on and drop out, man"”
because you've got to turn on and drop in, or they're going to drop all over you.
Source: The Beatles Anthology (2000), p. 263
“Nothing records the effects of a sad life so graphically as the human body.”
Source: Palace of Desire
“You ain't seen nothing yet, the best is yet to come.”
“Nothing can stop you when you put your mind to it.”
“Success is nothing more than a few simple disciplines, practiced every day.”