Quotes about morning
page 15

Derren Brown photo
Neil Diamond photo
Oliver Cromwell photo

“If the remonstrance had been rejected I would have sold all I had the next morning and never have seen England more, and I know there are many other modest men of the same resolution.”

Oliver Cromwell (1599–1658) English military and political leader

On the passing of the revolutionary Grand Remonstrance of November 1641 listing Parliament's grievances against King Charles I, as quoted in A History of the Rebellion (first published 1702 – 1704) by Edward Hyde, Earl of Clarendon (1609 - 1674)

Bouck White photo
Lana Turner photo
Philippe Starck photo
Meng Haoran photo
Vikram Seth photo
John Green photo

“Good morning Hank. I know what you're thinking. You're thinking: 'My older brother really needs a haircut!' Well, Hank, I've got one thing to say to that. Never!”

John Green (1977) American author and vlogger

The Puff Pwns Gravity http://www.youtube.com/watch?v=YY4LZRBHtvc
YouTube

Nathanael Greene photo
Guy De Maupassant photo
Derren Brown photo

“When everything is done, the mornings are sad.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Cuando todo está hecho, las mañanas son tristes.
Voces (1943)

Letitia Elizabeth Landon photo
Louise Bourgeois photo

“I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way.”

Louise Bourgeois (1911–2010) American and French sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007:

Percy Bysshe Shelley photo
Gaston Bachelard photo
Paul Cézanne photo
Orson Scott Card photo
Alistair Cooke photo
George Eliot photo
Ingmar Bergman photo

“Winter Light — suppose we discuss that now?… The film is closely connected with a particular piece of music: Stravinski's A Psalm Symphony. I heard it on the radio one morning during Easter, and it struck me I'd like to make a film about a solitary church on the plains of Uppland. Someone goes into the church, locks himself in, goes up to the altar, and says: 'God, I'm staying here until in one way or another You've proved to me You exist. This is going to be the end either of You or of me!' Originally the film was to have been about the days and nights lived through by this solitary person in the locked church, getting hungrier and hungrier, thirstier and thirstier, more and more expectant, more and more filled with his own experiences, his visions, his dreams, mixing up dream and reality, while he's involved in this strange, shadowy wrestling match with God.
We were staying out on Toro, in the Stockholm archipelago. It was the first summer I'd had the sea all around me. I wandered about on the shore and went indoors and wrote, and went out again. The drama turned into something else; into something altogether tangible, something perfectly real, elementary and self-evident.
The film is based on something I'd actually experienced. Something a clergyman up in Dalarna told me: the story of the suicide, the fisherman Persson. One day the clergyman had tried to talk to him; the next, Persson had hanged himself. For the clergyman it was a personal catastrophe.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Jonas Sima interview <!-- pages 173-174 -->
Bergman on Bergman (1970)

Don DeLillo photo
Letitia Elizabeth Landon photo
Woody Allen photo
Georgia O'Keeffe photo

“[Pelsaert laments] “the utter subjection and poverty of the common people-poverty so great and miserable that the life of the people can be depicted or accurately described only as the home of stark want and the dwelling place of bitter woe.” He continues: “There are three classes of people who are indeed nominally free, but whose status differs very little from voluntary slavery-workmen, peons or servants and shopkeepers. For the workmen there are two scourges, the first of which is low wages. Goldsmiths, painters (of cloth or chintz), embroiderers, carpet makers, cotton or silk weavers, black-smiths, copper-smiths, tailors, masons, builders, stone-cutters, a hundred crafts in all-any of these working from morning to night can earn only 5 or 6 tackas (tankahs), that is 4 or 5 strivers in wages. The second (scourge) is (the oppression of) the Governor, the nobles, the Diwan, the Kotwal, the Bakshi, and other royal officers. If any of these wants a workman, the man is not asked if he is willing to come, but is seized in the house or in the street, well beaten if he should dare to raise any objection, and in the evening paid half his wages, or nothing at all. From these facts the nature of their food can be easily inferred… For their monotonous daily food they have nothing but a little khichri… in the day time, they munch a little parched pulse or other grain, which they say suffices for their lean stomachs… Their houses are built of mud with thatched roofs. Furniture there is little or none, except some earthenware pots to hold water and for cooking… Their bedclothes are scanty, merely a sheet or perhaps two… this is sufficient in the hot weather, but the bitter cold nights are miserable indeed, and they try to keep warm over little cowdung fires… the smoke from these fires all over the city is so great that the eyes run, and the throat seems to be choked.””

Francisco Pelsaert (1591–1630) Dutch merchant, commander of the ship Batavia

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 7
Jahangir’s India

Ben Gibbard photo
William Julius Mickle photo
Warren Zevon photo
Paul Cézanne photo

“I've ripped it to pieces; your portrait, you know. I tried to work on it this morning, but it went from bad to worse, so I destroyed it..”

Paul Cézanne (1839–1906) French painter

Quote of Cezanne, from his letter to Emile Zola, ca 1861; as quoted in Cezanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 23
Quotes of Paul Cezanne, 1860s - 1870s

Plutarch photo
Isaac Rosenberg photo
Elton John photo
Halle Berry photo

“I don't buy into that pressure to be glamorous all the time. It's impossible, I mean, you get a pimple in the morning, you wake up with bags under your eyes, you see if you can use it in your work, maybe incorporate it into your character.”

Halle Berry (1966) American actress

Mike Szymanski (July 23, 2004 ) "Halle Berry: 'Catwoman for the new century' is in control", The Seattle Times, p. H20.

Georges St. Pierre photo
Theresa May photo
Thomas Campbell photo

“There shall he love when genial morn appears,
Like pensive Beauty smiling in her tears.”

Thomas Campbell (1777–1844) British writer

Part II, line 95
Pleasures of Hope (1799)

Michelle Obama photo
Roger Ebert photo
Regina Spektor photo
John Dos Passos photo
Bill Gates photo
Ono no Komachi photo

“Autumn nights, it seems,
are long by repute alone:
scarcely had we met
when morning's first light appeared,
leaving everything unsaid.”

Ono no Komachi (825–900) Japanese poet

Source: Helen Craig McCullough's translations, Kokin Wakashū: The First Imperial Anthology of Japanese Poetry (1985), p. 142

Stella Vine photo

“My working hours are not that conventional. I often get up about two in the morning and do a painting, and then I'll have a bath, and then I often feel very hungry around 4am, so I'll go into Soho and have a meal somewhere like Balans. That's what I love about living here - there's always life around me.”

Stella Vine (1969) English artist

Williams-Akoto. "My Home: Stella Vine, artist" http://www.independent.co.uk/life-style/house-and-home/property/my-home-stella-vine-artist-517456.html, The Independent, (2005-11-30)
On working in London.

“Some critics think the way I write is somehow disrespectful to food. But how can you write a restaurant column without being entertaining? You might as well not get up in the morning. People complain my sense of humour is puerile but the reason I have a job is because my sense of humour is puerile.”

Giles Coren (1969) British food critic, television presenter and novelist

Jewish Chronicle, 23 February 2007 http://website.thejc.com/home.aspx?AId50455&ATypeId1&searchtrue2&srchstrGiles%20Coren&srchtxt0&srchhead1&srchauthor0&srchsandp0&scsrch0

C. A. R. Hoare photo
George Carlin photo
Evelyn Waugh photo
Ash Carter photo
David Sedaris photo
AnnaSophia Robb photo
Ernst Ludwig Kirchner photo

“There was such a wonderful setting of the moon this morning, the yellow moon against little pink clouds, and the mountains a pure deep blue [viewed from his Swiss farmhouse], quite glorious, I would so have liked to paint. But it was cold, even my window was frozen, although I had kept the fire in all night.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

In a letter from Frauenkirch, Jan. 1919; as quoted in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 48
Some time later Kirchner would made a colored wood-cut: 'Moonlit Winter Night' https://upload.wikimedia.org/wikipedia/commons/2/25/Kirchner_-_Wintermondnacht.jpg
1916 - 1919

Robert Hunter photo
Henry Fielding photo
Robert Graves photo
Joseph Gordon-Levitt photo
George W. Bush photo
Martin Luther King, Jr. photo
Max Pechstein photo
Jaco Pastorius photo
John Keats photo
John Lancaster Spalding photo
Wallace Stevens photo

“The day of the sun is like the day of a king. It is a promenade in the morning, a sitting on the throne at noon, a pageant in the evening.”

Wallace Stevens (1879–1955) American poet

Journal entry (20 April 1920); as published in Souvenirs and Prophecies: the Young Wallace Stevens (1977) edited by Holly Stevens, Ch. 6

Charles Dickens photo

“That vague kind of penitence which holidays awaken next morning.”

Source: The Old Curiosity Shop (1841), Ch. 40

Pete Doherty photo
Hoyt Axton photo

“And I dream in the morning that she brings me water
And I dream in the evening that she brings me wine
Just a poor man's daughter from Puerta Piñasco
South of the border, in old Mexico.”

Hoyt Axton (1938–1999) American country singer

"Evangelina" on Fearless (1976) · Stage performance by Axton http://www.youtube.com/watch?v=O53wg24FAT0

Jason Mewes photo
Daniel Handler photo
Leo Tolstoy photo
Letitia Elizabeth Landon photo
Jacopone da Todi photo

“Now, a new creature, I in Christ am born,
The old man stripped away; -- I am new-made;
And mounting in me, like the sun at morn,
Love breaks my heart, even as a broken blade:
Christ, First and Only Fair, from me hath shorn
My will, my wits, and all that in me stayed,
I in His arms am laid,
I cry and call --
O Thou my All,
O let me die of Love!”

Jacopone da Todi (1236–1306) Italian Franciscan mystic

From All Saints: Daily Reflections on Saints, Prophets, and Witnesses for Our Time, As air becomes the medium for light when the sun rises, and as wax melts from the heat of fire, so the soul drawn to that light is resplendent, feels self melt awayby Robert Ellsberg

Willem Maris photo

“As far as I can remember, it was before my twelfth year that I was sketching cows in the mornings before and afternoons after school, and because my brothers were 4 and 6 years older than me – naturally I got from them my first teachings in drawing and later in painting.”

Willem Maris (1844–1910) Dutch landscape painter of the Hague School (1844-1910)

translation from original Dutch, Fons Heijnsbroek, 2018
version in original Dutch / origineel citaat van Willem Maris: Voor zover ik mij herinneren kan, was ik voor mijn twaalfde jaar 's Morgens voor, en 's middags na schooltijd al in de weilanden aan 't teekenen van koeien en daar mijn broers 4 en 6 jaar ouder waren als ik - genoot ik natuurlijk van hen het eerste onderwijs in het teekenen en later in het schilderen.
Quote of Willem Maris, in his letter in 1901; as cited in 'Zó Hollands - Het Hollandse landschap in de Nederlandse kunst sinds 1850', Antoon Erftemeijer https://www.franshalsmuseum.nl/wp-content/uploads/2017/12/zohollands_eindversie_def_1.pdf; Frans Hals museum | De Hallen, Haarlem 2011, p. 36

Prem Rawat photo
Roger Federer photo
James McNeill Whistler photo
Anne Ross Cousin photo
Emo Philips photo

“Some mornings it just doesn't seem worth it to gnaw through the leather straps.”

Emo Philips (1956) American comedian

As quoted in The Fourth — And By Far The Most Recent — 637 Best Things Anybody Ever Said : Many Given Heightened Piquancy by Nineteenth-Century Line Cuts (1990) edited by Robert Byrne, 32

Thomas Chatterton photo
William Morley Punshon photo
Nick Cave photo
Hereward Carrington photo
Peter Cook photo
Ogden Nash photo

“Miranda in Miranda's sight
Is old and gray and dirty;
Twenty-nine she was last night;
This morning she is thirty.”

Ogden Nash (1902–1971) American poet

Many Long Years Ago (1945), A Lady Thinks She Is Thirty

Amitabh Bachchan photo
Du Fu photo
Charles Kingsley photo

“Changeless march the stars above,
Changeless morn succeeds to even;
And the everlasting hills,
Changeless watch the changeless heaven.”

Charles Kingsley (1819–1875) English clergyman, historian and novelist

The Saint's Tragedy (1848), Act II, scene 2.

Emily Dickinson photo

“To Whom the Mornings stand for Nights,
What must the Midnights — be!”

1095: To Whom the Mornings stand for Nights,
The Complete Poems of Emily Dickinson (1960)

Bill Engvall photo