
61
Gitanjali http://www.spiritualbee.com/gitanjali-poems-of-tagore/ (1912)
61
Gitanjali http://www.spiritualbee.com/gitanjali-poems-of-tagore/ (1912)
śaśāṅke kutaḥ śyāmatā jātā ।
pṛcchati jananīmatikutūhalādbālastribhuvanatrātā ॥
kṛṣṇamṛgastava śarabhayādvidhuṃ yāto naitanmātaḥ ।
kapaṭamṛgaṃ praṇihanmi nāparaṃ tasya vimohakhyātaḥ ॥
daśamukhabhayādbhuvo yātā yā vidhuṃ śyāmatā dṛṣṭā ।
kathaṃ rāhubhītoऽsau pāyānmahī mūḍhatāspṛṣṭā ॥
tvamatha vīkṣya candramasaṃ nijadayitānanarūpasamānam ।
śaśini gato śyāmaḥ kila dṛṣṭaḥ kartuṃ tadadharapānam ॥
nahi mātaḥ pīye tava stanaṃ śrutvā manujendrāṇī ।
sasmitamukhī vismitā jātā cakitā giridharavāṇī ॥
Gītarāmāyaṇam
"The Argument from Design"
1920s, Why I Am Not a Christian (1927)
Theorem III
Monas Hieroglyphica (1564)
The Other World (1657)
Srimad Bhagavatam, Bhaktivedanta Book Trust, 1999. Canto 1, Chapter 15, verse 12, purport. Vedabase http://www.vedabase.com/en/sb/1/15/12
Quotes from Books: Loving God, Quotes from Books: Regression of Science
All from The Vow of the Peacock - First Canto
The Vow of the Peacock (1835)
"Carthon", pp. 163–164
The Poems of Ossian
"The Paradox of Our Age"; these statements were used in World Wide Web hoaxes which attributed them to various authors including George Carlin, a teen who had witnessed the Columbine High School massacre, the Dalai Lama and Anonymous; they are quoted in "The Paradox of Our Time" at Snopes.com http://www.snopes.com/politics/soapbox/paradox.asp
Words Aptly Spoken (1995)
"Night" (1973), p. 9
The Boy who Catches Wasps (2002)
Source: Academy Series - Priscilla "Hutch" Hutchins, Cauldron (2007), Chapter 30 (p. 279)
“And these were the dishes wherein to me, hunger-starven for thee, they served up the sun and the moon.”
Et illa erant fercula, in quibus mihi esurienti te inferebatur sol et luna.
III, 6
Confessions (c. 397)
2017, Farewell Address (January 2017)
The House of Sixty Fathers (1956)
The Other World (1657)
"Moonlit Night" https://allpoetry.com/Moonlit-Night (trans. David Lunde)
Srimad Bhagavatam, Bhaktivedanta Book Trust, 1999. Canto 5, Chapter 16, verse 4, purport. Vedabase http://www.vedabase.com/en/sb/5/16/4
Quotes from Books: Loving God, Quotes from Books: Regression of Science
Srimad Bhagavatam, Bhaktivedanta Book Trust, 1999. Canto 5, Chapter 24, verse 3, purport. Vedabase http://www.vedabase.com/en/sb/5/24/3
Quotes from Books: Loving God, Quotes from Books: Regression of Science
Pt. I, lines 545–550.
Absalom and Achitophel (1681)
Variant: A man so various, that he seemed to be
Not one, but all mankind's epitome;
Stiff in opinions, always in the wrong,
Was everything by starts, and nothing long;
But, in the course of one revolving moon,
Was chemist, fiddler, statesman, and buffoon.
Paragraph 78 (p. 13 of Welcome to the Monkey House)
Welcome to the Monkey House (1968), "Harrison Bergeron" (1961)
“We've gone from looking up at the moon to looking down at Instagram.”
2010s
2016, State of the Union address (January 2016)
Quote of Friedrich, shortly after his return in 1798; as quoted in C. D. Friedrich by H.W. Grohn; Kindlers Malerei Lexicon, Zurich, 1965, II p. 46; as cited & transl. by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 17
Friedrich's quote is referring to the typical landscape and atmosphere of Denmark, he intensively experienced for four years. In 1798 Friedrich left Copenhagen and returned to Germany, to Dresden
1794 - 1840
As quoted in Science Teaching : The Role of History and Philosophy of Science (1994) by Michael R. Matthews, p. 195
This quote should be removed from the disputed section: A Debate with Felix the Manichean{AD 404) para 1709 from The Faith of the Early Fathers: St. Augustine to the end of the patristic age" W.A. Jurgens https://books.google.com/books?id=rkvLsueY_DwC&pg=PA88&lpg=PA88&dq=augustine+a+debate+with+felix+the+manichean&source=bl&ots=hjro48PiBF&sig=ARQdKxrvvOTvzhIZHPqDRnldwWk&hl=en&sa=X&ved=0ahUKEwj8ybaI0oLLAhUM4GMKHUosAaYQ6AEIJzAC#v=onepage&q=augustine%20a%20debate%20with%20felix%20the%20manichean&f=false
Disputed
Under the Cherry Moon
Song lyrics, Parade Under the Cherry Moon (1986)
Srimad Bhagavatam, Bhaktivedanta Book Trust, 1999. Canto 7, Chapter 4, verse 15, purport. Vedabase http://www.vedabase.com/en/sb/7/4/15
Quotes from Books: Loving God, Quotes from Books: Regression of Science
Srimad Bhagavatam, Bhaktivedanta Book Trust, 1999. Canto 7, Chapter 4, verse 5-7, purport. Vedabase http://www.vedabase.com/en/sb/7/4/5-7
Quotes from Books: Loving God, Quotes from Books: Regression of Science
“I know you're all saying I can go to the moon but I can't find Pasadena.”
When Shepard arrived a half-hour late to a book signing of Moon Shot: The Inside Story of America's Race to the Moon — reported in Sun-Sentinel wire services (June 19, 1995) "Astronaut Late to Signing", Sun-Sentinel, p. 2A.
Nahj al-Balagha
“it wont be long now It won't be long
till earth is barren as the moon
and sapless as a mumbled bone”
archy and mehitabel (1927), what the ants are saying
As quoted in Roger D. Launius. 2004. Frontiers of Space Exploration. Greenwood Publishing Group, p. 181. Interview: An American hero returns to space: John Glenn and the Sts-95 Shuttle Mission News Conference on Orbit (5 November 1998).
[The Underground Christian Network, "Benny Hinn and Beyond: Word Faith movements hidden agenda: The Joker, The Guru and the Jack of Spades" http://www.sermonaudio.com/sermoninfo.asp?SID=420067844, CD Edition 1 of 2, SermonAudio.com, 2006-04-21]
Brown Penny http://poetry.poetryx.com/poems/1454/
The Green Helmet and Other Poems (1910)
“14. Just as the sun gives light to the moon this heart bestows the effulgence on the mind.”
The Science of the Heart
Variant: Fruitful earth drinks up the rain, Trees from earth drink that again; The sea too drinks the air, the sun Drinks the sea, and him the moon. Is it reason, then, do ye think, That I should thirst when all else drink?
Source: Odes, 21.
Bhagavad-Gita As It Is, Bhaktivedanta Book Trust, 1972. Chapter 10, verse 21, purport. Vedabase http://www.vedabase.com/en/bg/10/21
Quotes from Books: Loving God, Quotes from Books: Regression of Science
Fly not yet.
Bartlett's Familiar Quotations, 10th ed. (1919)
Je suis le fou de Pampelune,
J'ai peur du rire de la Lune,
Cafarde, avec son crêpe noir...
Horreur ! tout est donc sous un éteignoir.
Heures, http://fr.wikisource.org/wiki/Heures second stanza, from Les Amours jaunes (1873).
(ca. 1716) A Catalogue of the Portsmouth Collection of Books and Papers Written by Or Belonging to Sir Isaac Newton https://books.google.com/books?id=3wcjAAAAMAAJ&pg=PR18 (1888) Preface
Also partially quoted in Sir Sidney Lee (ed.), The Dictionary of National Biography Vol.40 http://books.google.com/books?id=NycJAAAAIAAJ (1894)
Srimad Bhagavatam, Bhaktivedanta Book Trust, 1999. Canto 5, Chapter 17, verse 4, purport. Vedabase http://www.vedabase.com/en/sb/5/17/4
Quotes from Books: Loving God, Quotes from Books: Regression of Science
Srimad Bhagavatam, Bhaktivedanta Book Trust, 1999. Canto 8, Chapter 5, verse 34, purport. Vedabase http://www.vedabase.com/en/sb/8/5/34
Quotes from Books: Loving God, Quotes from Books: Regression of Science
Lecture on Bhagavad-gita, Chapter 7, verse 18; New York; October 12, 1966 PrabhupadaBooks.com http://prabhupadabooks.com/classes/bg/7/18/new_york/october/12/1966?d=1
Quotes from other Sources, Quotes from other Sources: Regression of Science
The Cat And The Moon http://poetry.poetryx.com/poems/1599/
The Wild Swans at Coole (1919)
“Blue Moon,
You saw me standing alone,
Without a dream in my heart,
Without a love of my own.”
"Blue Moon" (1934)
The Song Of Wandering Aengus http://poetry.poetryx.com/poems/1690/
The Wind Among the Reeds (1899)
Srimad Bhagavatam, Bhaktivedanta Book Trust, 1999. Canto 5, Chapter 23, verse 3, purport. Vedabase http://www.vedabase.com/en/sb/5/23/3
Quotes from Books: Loving God, Quotes from Books: Regression of Science
Srimad Bhagavatam, Bhaktivedanta Book Trust, 1999. Canto 6, Chapter 4, verse 6, purport. Vedabase http://www.vedabase.com/en/sb/6/4/6
Quotes from Books: Loving God, Quotes from Books: Regression of Science
The Notebooks of Leonardo da Vinci (1883), IV Perspective of Disappearance
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
“The sun provides the moon with its brightness.”
Fragment in Plutarch De facie in orbe lunae, 929b, as quoted in The Riverside Dictionary of Biography (2005), p. 23
The Sorrow Of Love http://poetry.poetryx.com/poems/1691/, st. 1
The Rose (1893)
À en croire certains esprits bornés, — c'est le qualificatif qui leur convient, — l'humanité serait renfermée dans un cercle de Popilius qu'elle ne saurait franchir, et condamnée à végéter sur ce globe sans jamais pouvoir s'élancer dans les espaces planétaires! Il n'en est rien! On va aller à la Lune, on ira aux planètes, on ira aux étoiles, comme on va aujourd'hui de Liverpool à New York, facilement, rapidement, sûrement, et l'océan atmosphérique sera bientôt traversé comme les océans de la Lune!
Tr. Walter James Miller (1978)
Variant: If we are to believe certain narrow minded people — and what else can we call them? — humanity is confined within a circle of Popilius from which there is no escape, condemned to vegetate upon this globe, never able to venture into interplanetary space! That's not so! We are going to the moon, we shall go to the planets, we shall travel to the stars just as today we go from Liverpool to New York, easily, rapidly, surely, and the oceans of space will be crossed like the seas of the moon.
Source: From the Earth to the Moon (1865), Ch. XIX: A Monster Meeting (Charles Scribner's Sons "Uniform Edition", 1890, p. 93)
“Slowly, silently, now the moon
Walks the night in her silver shoon.”
Silver.
On First Principles, Bk. 4, ch. 2, par 16
On First Principles
The Notebooks of Leonardo da Vinci (1883), IV Perspective of Disappearance
Vol. I, Ch. 2: Of the Prophetic Language
Observations upon the Prophecies of Daniel, and the Apocalypse of St. John (1733)
Context: In the heavens, the Sun and Moon are, by interpreters of dreams, put for the persons of Kings and Queens; but in sacred Prophecy, which regards not single persons, the Sun is put for the whole species and race of Kings, in the kingdom or kingdoms of the world politic, shining with regal power and glory; the Moon for the body of the common people, considered as the King's wife; the Stars for subordinate Princes and great men, or for Bishops and Rulers of the people of God, when the Sun is Christ; light for the glory, truth, and knowledge, wherewith great and good men shine and illuminate others; darkness for obscurity of condition, and for error, blindness and ignorance; darkening, smiting, or setting of the Sun, Moon, and Stars, for the ceasing of a kingdom, or for the desolation thereof, proportional to the darkness; darkening the Sun, turning the Moon into blood, and falling of the Stars, for the same; new Moons, for the return of a dispersed people into a body politic or ecclesiastic.
On the first moon landing, p. 150.
Strong Opinions (1973)
Context: Oh, "impressed" is not the right word! Treading the soil of the moon gives one, I imagine (or rather my projected self imagines), the most remarkable romantic thrill ever experienced in the history of discovery. Of course, I rented a television set to watch every moment of their marvelous adventure. That gentle little minuet that despite their awkward suits the two men danced with such grace to the tune of lunar gravity was a lovely sight. It was also a moment when a flag means to one more than a flag usually does. I am puzzled and pained by the fact that the English weeklies ignored the absolutely overwhelming excitement of the adventure, the strange sensual exhilaration of palpating those precious pebbles, of seeing our marbled globe in the black sky, of feeling along one's spine the shiver and wonder of it. After all, Englishmen should understand that thrill, they who have been the greatest, the purest explorers. Why then drag in such irrelevant matters as wasted dollars and power politics?
Fiction, The Other Gods (1921)
Context: The moon is dark, and the gods dance in the night; there is terror in the sky, for upon the moon hath sunk an eclipse foretold in no books of men or of earth's gods...' There is unknown magic on Hatheg-Kla, for the screams of the frightened gods have turned to laughter, and the slopes of ice shoot up endlessly into the black heavens whither I am plunging... Hei! Hei! At last! In the dim light I behold the gods of earth!
From 1980s onwards, Norie Huddle interview (1981)
Context: This is not a visible revolution and it is not political. You’re dealing with the invisible world of technology.
Politics is absolutely hopeless. That’s why everything has gone wrong. You have ninety-nine percent of the people thinking “politics,” and hollering and yelling. And that won’t get you anywhere. Hollering and yelling won’t get you across the English Channel. It won’t reach from continent to continent; you need electronics for that, and you have to know what you’re doing. Evolution has been at work doing all these things so it is now possible. Nobody has consciously been doing it. The universe is a lot bigger than you and me. We didn’t invent it. If you take all the machinery in the world and dump it in the ocean, within months more than half of all humanity will die and within another six months they’d almost all be gone; if you took all the politicians in the world, put them in a rocket, and sent them to the moon, everyone would get along fine.
Source: In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol. VII: The Past Recaptured (1927), Ch. III: "An Afternoon Party at the House of the Princesse de Guermantes"
Context: By art alone we are able to get outside ourselves, to know what another sees of this universe which for him is not ours, the landscapes of which would remain as unknown to us as those of the moon. Thanks to art, instead of seeing one world, our own, we see it multiplied and as many original artists as there are, so many worlds are at our disposal, differing more widely from each other than those which roll round the infinite and which, whether their name be Rembrandt or Vermeer, send us their unique rays many centuries after the hearth from which they emanate is extinguished.This labour of the artist to discover a means of apprehending beneath matter and experience, beneath words, something different from their appearance, is of an exactly contrary nature to the operation in which pride, passion, intelligence and habit are constantly engaged within us when we spend our lives without self-communion, accumulating as though to hide our true impressions, the terminology for practical ends which we falsely call life.
Par l’art seulement, nous pouvons sortir de nous, savoir ce que voit un autre de cet univers qui n’est pas le même que le nôtre et dont les paysages nous seraient restés aussi inconnus que ceux qu’il peut y avoir dans la lune. Grâce à l’art, au lieu de voir un seul monde, le nôtre, nous le voyons se multiplier, et autant qu’il y a d’artistes originaux, autant nous avons de mondes à notre disposition, plus différents les uns des autres que ceux qui roulent dans l’infini et qui, bien des siècles après qu’est éteint le foyer dont il émanait, qu’il s’appelât Rembrandt ou Vermeer, nous envoient encore leur rayon spécial.<p>Ce travail de l’artiste, de chercher à apercevoir sous la matière, sous de l’expérience, sous des mots, quelque chose de différent, c’est exactement le travail inverse de celui que, à chaque minute, quand nous vivons détourné de nous-même, l’amour-propre, la passion, l’intelligence, et l’habitude aussi accomplissent en nous, quand elles amassent au-dessus de nos impressions vraies, pour nous les cacher entièrement, les nomenclatures, les buts pratiques que nous appelons faussement la vie.
Source: In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol. VII: The Past Recaptured (1927), Ch. III: "An Afternoon Party at the House of the Princesse de Guermantes"
John Lennon, in "Instant Karma!" (written 27 January 1970)
Lyrics
Legacy of the Hegemon (1902)
Diary entry, (17 March 1981), translated from the original Irish, in Skylark Sing your Lonely Song : An Anthology of the Writings of Bobby Sands (1991)
Other writings
Source: We'll go asleep, poems and ballads, "An innocent twist of fate" pg. 46
As quoted, Antony and Cleopatra by William Shakespeare, Act III, (1623)
“Last quarter moon, can you tell me dear.”
da Last Quarter Moon
Source: Bleach, Volume 10
見るところ花にあらずと云ふことなし、
思ふところ月にあらずと云ふことなし。
Miru tokoro hana ni arazu to iu koto nashi,
omou tokoro tsuki ni arazu to iu koto nashi
Classical Japanese Database, Translation #172 http://carlsensei.com/classical/index.php/translation/view/172 (Translation: Reginald Horace Blyth)
Statements
Variant: There is nothing you can see that is not a flower;
There is nothing you can think that is not the moon.
Source: Angus, Thongs and Full-Frontal Snogging
“Harvest moon:
around the pond I wander
and the night is gone.”
Source: The Miracle of Mindfulness: An Introduction to the Practice of Meditation
“I am a cemetery loathed by the moon.”
Je suis un cimetière abhorré de la lune.
"Spleen (II)" http://fr.wikisource.org/wiki/Spleen_%282%29
Les fleurs du mal (Flowers of Evil) (1857)
Source: Paris Spleen
“The sun's gone dim, and the moon's gone black. For I loved him, and he didn't love back.”