Quotes about mine

page 3

After Death in Arabia.

Sample of Bradwardine devotional writing quoted by James Burnes, The Church of England Magazine under the superintendence of clergymen of the United Church of England and Ireland Vol. IV (January to June 1838)

Boisgeloup, winter 1934
Richard Friendenthal (1963, p. 256).
Quotes, 1930's, "Conversations avec Picasso," 1934–35

1830s
Variant: Yes, I am a Jew, and when the ancestors of the right honorable gentleman were brutal savages in an unknown island, mine were priests in the temple of Solomon
Source: Reply to a taunt by Daniel O'Connell http://www.victorianweb.org/history/pms/dizzy.html
Source: Early appearance in The Russian Mephistopheles, Hunterberg, Max, 105-106, 1909, Glasgow, John J. Rae https://archive.org/details/russianmephistop00huntiala/page/106/mode/2up,

Book XIII, 361–369; translation by Frank Justus Miller https://archive.org/details/metamorphoseswit02oviduoft
Metamorphoses (Transformations)

Letter to Reinhardt Kleiner (7 March 1920), in Selected Letters I, 1911-1924 edited by August Derleth and Donald Wandrei, p. 110
Non-Fiction, Letters

Joanna Denny (2006) Anne Boleyn: A New Life of England's Tragic Queen, Da Capo Press, ISBN 0306814749, p. 175.

First words of his speech accepting the Juno Award for Best Male Vocalist in Canada (1992)

"I Choose You"
Written by Bareilles, Jason Blynn, and Pete Harper
Lyrics, The Blessed Unrest (2013)

Republican National Convention http://65.126.3.86/reagan/html/reagan08_17_92.shtml (17 August 1992); (statement modeled after Lloyd Bentsen's jibe at Dan Quayle during debate in 1988)
Post-presidency (1989–2004)

Black Boy (1945)

Reply to Oliver P. Morton at Indianapolis, Indiana http://quod.lib.umich.edu/l/lincoln/lincoln4/1:312?rgn=div1;singlegenre=All;sort=occur;subview=detail;type=simple;view=fulltext;q1=shall+the+union+and+shall+the+liberties (February 11, 1861); published in The Collected Works of Abraham Lincoln (1953) by Roy P. Basler, vol. 4, p. 202, p. 193-194
1860s
Context: While I do not expect, upon this occasion, or on any occasion, till after I get to Washington, to attempt any lengthy speech, I will only say that to the salvation of this Union there needs but one single thing — the hearts of a people like yours. When the people rise in masses in behalf of the Union and the liberties of their country, truly may it be said, "the gates of hell shall not prevail against it." In all the trying positions in which I shall be placed, and doubtless I shall be placed in many trying ones, my reliance will be placed upon you and the people of the United States — and I wish you to remember now and forever, that it is your business, and not mine; that if the union of these States, and the liberties of this people, shall be lost, it is but little to any one man of fifty-two years of age, but a great deal to the thirty millions of people who inhabit these United States, and to their posterity in all coming time. It is your business to rise up and preserve the Union and liberty, for yourselves, and not for me. I desire they shall be constitutionally preserved. I, as already intimated, am but an accidental instrument, temporary, and to serve but for a limited time, but I appeal to you again to constantly bear in mind that with you, and not with politicians, not with Presidents, not with office-seekers, but with you, is the question, ``Shall the Union and shall the liberties of this country be preserved to the latest generation? ``

1910s, Address to the Knights of Columbus (1915)
Context: We cannot afford to continue to use hundreds of thousands of immigrants merely as industrial assets while they remain social outcasts and menaces any more than fifty years ago we could afford to keep the black man merely as an industrial asset and not as a human being. We cannot afford to build a big industrial plant and herd men and women about it without care for their welfare. We cannot afford to permit squalid overcrowding or the kind of living system which makes impossible the decencies and necessities of life. We cannot afford the low wage rates and the merely seasonal industries which mean the sacrifice of both individual and family life and morals to the industrial machinery. We cannot afford to leave American mines, munitions plants, and general resources in the hands of alien workmen, alien to America and even likely to be made hostile to America by machinations such as have recently been provided in the case of the two foreign embassies in Washington. We cannot afford to run the risk of having in time of war men working on our railways or working in our munition plants who would in the name of duty to their own foreign countries bring destruction to us. Recent events have shown us that incitements to sabotage and strikes are in the view of at least two of the great foreign powers of Europe within their definition of neutral practices. What would be done to us in the name of war if these things are done to us in the name of neutrality?

http://www.slideshare.net/hazman/frank-sinatra-2436159

Letter to Moritz von Egidy (c. January 1894) - Original German text online http://www.lilienthal-museum.de/olma/l1852.htm
Context: I, too, have made it a lifelong task of mine to add a cultural element to my work, which should result in uniting countries and reconciling their people. Our experience of today's civilisation suffers from the fact that it only happens on the surface of the earth. We have invented barricades between our countries, custom regulations and constraints and complicated traffic laws and these are only possible because we are not in control of the 'kingdom of the air', and not as 'free as a bird'.
Numerous technicians in every state are doing their utmost to achieve the dream of free, unlimited flight and it is precisely here where changes can be made which would have a radical effect on our whole way of life. The borders between countries would lose their significance, because they could not be closed off from each other. Linguistic differences would disappear, as human mobility increased. National defence would cease to devour the best resources of nations as it would become impossible in itself. And the necessity of resolving disagreements among nations in some other way than by bloody battles would, in its turn, lead us to eternal peace.
We are getting closer to this goal. When we will reach it, I do not know.

Song, To Celia, lines 1-16; this poem was inspired by "Letter XXIV" of Philostratus, which in translation reads: "Drink to me with your eyes alone…. And if you will, take the cup to your lips and fill it with kisses, and give it so to me".
The Works of Ben Jonson, First Folio (1616), The Forest
Context: Drink to me only with thine eyes,
And I will pledge with mine;
Or leave a kiss but in the cup
And I'll not look for wine.
The thirst that from the soul doth rise
Doth ask a drink divine;
But might I of Jove's nectar sup,
I would not change for thine.
I sent thee late a rosy wreath,
Not so much honoring thee
As giving it a hope that there
It could not withered be.
But thou thereon didst only breathe,
And sent'st it back to me;
Since when it grows and smells, I swear,
Not of itself, but thee.

The Inferno (1917), Ch. XVI
Context: I went out on the street like an exile, I who am an everyday man, who resemble everybody else so much, too much. I went through the streets and crossed the squares with my eyes fixed upon things without seeing them. I was walking, but I seemed to be falling from dream to dream, from desire to desire. A door ajar, an open window gave me a pang. A woman passing by grazed against me, a woman who told me nothing of what she might have told me. I dreamed of her tragedy and of mine. She entered a house, she disappeared, she was dead.

Japan, The Ambiguous, and Myself (1994)
Context: "The voice of a crying and dark soul" is beautiful, and his act of expressing it in music cures him of his dark sorrow in an act of recovery. Furthermore, his music has been accepted as one that cures and restores his contemporary listeners as well. Herein I find the grounds for believing in the exquisite healing power of art.
This belief of mine has not been fully proved. 'Weak person' though I am, with the aid of this unverifiable belief, I would like to "suffer dully all the wrongs" accumulated throughout the twentieth century as a result of the monstrous development of technology and transport. As one with a peripheral, marginal and off-centre existence in the world I would like to seek how — with what I hope is a modest decent and humanist contribution — I can be of some use in a cure and reconciliation of mankind.

Act II, Scene i
The Foresters, Robin Hood and Maid Marion (1892)

"Preface"
Between Time and Timbuktu (1972)
Context: I have become an enthusiast for the printed word again. I have to be that, I now understand, because I want to be a character in all of my works. I can do that in print. In a movie, somehow, the author always vanishes. Everything of mine which has been filmed so far has been one character short, and that character is me.

1960s, I've Been to the Mountaintop (1968)
Context: Well, I don't know what will happen now. We've got some difficult days ahead. But it doesn't matter with me now. Because I've been to the mountaintop. And I don't mind. Like any man, I would like to live a long life. Longevity has its place. But I'm not concerned about that now. I just want to do God's will. And He's allowed me to go up to the mountain. And I've looked over. And I've seen the promised land. I may not get there with you. But I want you to know tonight, that we, as a people will get to the promised land. And I'm happy, tonight. I'm not worried about anything. I'm not fearing any man. Mine eyes have seen the glory of the coming of the Lord.

And both epithets will be false. After all this, is life worth the trouble? And yet we live - out of curiosity! We expect something new... How absurd, and yet how vexatious!
A Hero of Our Time (1840; rev. 1841)

"Physicist, Purge Thyself" in the Chicago Tribune Magazine (22 June 1969)
Various interviews
Context: I sometimes wondered what the use of any of the arts was. The best thing I could come up with was what I call the canary in the coal mine theory of the arts. This theory says that artists are useful to society because they are so sensitive. They are super-sensitive. They keel over like canaries in poison coal mines long before more robust types realize that there is any danger whatsoever.

Letter to Mrs. Bixby in Boston (21 November 1864); some scholars suggest that John Hay, a secretary of President Lincoln's, actually wrote this letter. The Files of the war department were inaccurate: Mrs. Bixby lost two sons.
1860s
Context: Dear Madam, I have been shown in the files of the War Department a statement of the Adjutant-General of Massachusetts, that you are the mother of five sons who have died gloriously on the field of battle. I feel how weak and fruitless must be any words of mine which should attempt to beguile you from the grief of a loss so overwhelming. But I cannot refrain from tendering to you the consolation that may be found in the thanks of the Republic they died to save. I pray that our Heavenly Father may assuage the anguish of your bereavement, and leave you only the cherished memory of the loved and lost, and the solemn pride that must be yours, to have laid so costly a sacrifice upon the altar of Freedom. Yours, very sincerely and respectfully, Abraham Lincoln

Addressing the dead Hellenes (the Athenean and Thebean Greeks) of the Battle of Chaeronea, as quoted in Historiae Alexandri Magni by Quintus Curtius Rufus

Gleanings from the Writings of Bahá'u'lláh
Context: Man is the supreme Talisman. Lack of a proper education hath, however, deprived him of that which he doth inherently possess. Through a word proceeding out of the mouth of God he was called into being; by one word more he was guided to recognize the Source of his education; by yet another word his station and destiny were safeguarded. The Great Being saith: Regard man as a mine rich in gems of inestimable value. Education can, alone, cause it to reveal its treasures, and enable mankind to benefit therefrom. <!-- CXXII, pp. 259-260

Catherine Linton (Ch. XXIV).
Wuthering Heights (1847)
Context: One time, however, we were near quarrelling. He said the pleasantest manner of spending a hot July day was lying from morning till evening on a bank of heath in the middle of the moors, with the bees humming dreamily about among the bloom, and the larks singing high up overhead, and the blue sky and bright sun shining steadily and cloudlessly. That was his most perfect idea of heaven's happiness — mine was rocking in a rustling green tree, with a west wind blowing, and bright white clouds flitting rapidly above; and not only larks, but throstles, and blackbirds, and linnets, and cuckoos pouring out music on every side, and the moors seen at a distance, broken into cool dusky dells; but close by great swells of long grass undulating in waves to the breeze; and woods and sounding water, and the whole world awake and wild with joy. He wanted all to lie in an ecstasy of peace; I wanted all to sparkle and dance in a glorious jubilee. I said his heaven would be only half alive, and he said mine would be drunk; I said I should fall asleep in his, and he said he could not breathe in mine.

Sādhanā : The Realisation of Life http://www.spiritualbee.com/spiritual-book-by-tagore/ (1916)
Context: This "I" of mine toils hard, day and night, for a home which it knows as its own. Alas, there will be no end of its sufferings so long as it is not able to call this home thine. Till then it will struggle on, and its heart will ever cry, "Ferryman, lead me across." When this home of mine is made thine, that very moment is it taken across, even while its old walls enclose it. This "I" is restless. It is working for a gain which can never be assimilated with its spirit, which it never can hold and retain. In its efforts to clasp in its own arms that which is for all, it hurts others and is hurt in its turn, and cries, "Lead me across". But as soon as it is able to say, "All my work is thine," everything remains the same, only it is taken across.
Where can I meet thee unless in this mine home made thine? Where can I join thee unless in this my work transformed into thy work? If I leave my home I shall not reach thy home; if I cease my work I can never join thee in thy work. For thou dwellest in me and I in thee. Thou without me or I without thee are nothing.

Source: Dramatis Personae (1864), Rabbi Ben Ezra, Line 12.
Context: Mine be some figured flame which blends, transcends them all!
Not for such hopes and fears
Annulling youth's brief years,
Do I remonstrate: folly wide the mark!
Rather I prize the doubt
Low kinds exist without,
Finished and finite clods, untroubled by a spark.
Poor vaunt of life indeed,
Were man but formed to feed
On joy, to solely seek and find and feast;
Such feasting ended, then
As sure an end to men.

Invitation to the Journey
Journey Within (1947)
Context: Never do I hesitate to look squarely at the unexpected face that every passing hour unveils to us, and to sacrifice the false images of it formed in advance, however dear they may be. In me, the love of life in general predominates over love of my own life (that, indeed, would never have sufficed to bear me up). May life herself speak! However inadequate I may be in listening to her, and in repeating her words, I shall try to record them, even if they contradict my most secret desires. In all that I write, may her will, not mine, be done!

1790s, Farewell Address (1796)
Context: Interwoven as is the love of liberty with every ligament of your hearts, no recommendation of mine is necessary to fortify or confirm the attachment.
The unity of Government, which constitutes you one people, is also now dear to you. It is justly so; for it is a main pillar in the edifice of your real independence, the support of your tranquillity at home, your peace abroad; of your safety; of your prosperity; of that very Liberty, which you so highly prize.

On the Gary Soto Literary Museum in Fresno, California in “Jo Ellen Misakian Interviews Author Gary Soto on His New Books, Writing & the Gary Soto Literary Museum” https://cynthialeitichsmith.com/2011/10/jo-ellen-misakian-interviews-author/ (Cynthia Leitich Smith site)

William Wilson (1839)

William Wilson (1839)

Source: Mahayana, Vimalakirti Sutra, Chapter I, as translated by Burton Watson, Columbia University Press, 2000, ISBN: 0231106572.

As quoted in "Ronald Reagan and Race" https://www.nationalreview.com/2019/08/ronald-reagan-and-race-richard-nixon-tape/ (August 2019), by Jay Nordlinger, National Review
1980s, First term of office (1981–1985)

"Conservation" (c. 1938); Published in Round River, Luna B. Leopold (ed.), Oxford University Press, 1966, p. 145-146.
1930s

As quoted in The Crosswinds of Freedom, 1932-1988, p. 636, by James MacGregor Burns (2012)

"Andrea del Sarto", line 70
"Less is more" is often misattributed to architects Buckminster Fuller or Ludwig Mies van der Rohe. It is something of a motto for minimalist philosophy. It was used in 1774 by Christoph Martin Wieland.
Men and Women (1855)

P. 108.

Source: on Twitter https://twitter.com/officialmcafee/status/1316801215083225096, 16 October 2020

Source: As quoted in No Easy Answers: The Truth Behind Death at Columbine https://books.google.com/books?id=kI4YwhBD7FgC&pg=PA149 (2002), by Brooks Brown and Rob Merritt, New York: Lantern Books, p. 149

Source: The Story of My Life: With Her Letters (1887 1901) and a Supplementary Account of Her Education Including Passages from the Reports and Letters of Her Teacher Anne Mansfield Sullivan by John Albert Macy

Source: Evermore

Source: Along for the Ride

Source: Tiny Beautiful Things: Advice on Love and Life from Dear Sugar

Source: Entwined with You

Source: River Secrets

Variant: When someone is in your heart, they're never truly gone. They can come back to you, even at unlikely times.
Source: For One More Day

Source: Seizure

Source: It's Not Summer Without You

Source: Dreams of a Dark Warrior

Source: Beastly

Source: Sweet Persuasion

Source: A Visit from the Goon Squad

Source: Ever After

Source: Eleven Minutes

Source: You Don't Have to Say You Love Me

Source: Will Grayson, Will Grayson

Source: No Mercy

Source: What-the-Dickens: The Story of a Rogue Tooth Fairy

Source: The Prime of Miss Jean Brodie

Source: Smooth Talking Stranger

Source: Ulysses

Source: We Were Liars

Source: The Darkest Seduction

Source: The Alchemist

Source: City of Lost Souls

Source: Captivated by You

Source: The Perennial Philosophy

Source: Dark Prince

Source: The Kitchen God's Wife (1991), p. 9
Source: The Hundred Secret Senses

Source: The Red Pyramid

Act IV, scene ii.
Duchess of Malfi (1623)
Source: The Duchess of Malfi

Source: Dragonfly in Amber

Source: Keep a Quiet Heart

Source: Ghost Town

Source: Bared to You

Source: Catching Fire

Source: Shadow Kiss

Variant: I've given up on you... Love fades. Mine has.
Source: Spirit Bound

Source: You Get So Alone at Times That it Just Makes Sense

No. 19, To His Mistress Going to Bed
Elegies
Source: The Complete English Poems

Source: Skeleton Key

Source: Dear John

"Je suis le plus malade des Surrealistes"
Source: Under a Glass Bell (1944)
Context: I love your silences, they are like mine. You are the only being before whom I am not distressed by my own silences. You have a vehement silence, one feels it is charged with essences, it is a strangely alive silence, like a trap open over a well, from which one can hear the secret murmur of the earth itself.

Source: Words of Radiance

Source: What Happened to Goodbye

Source: A Walk to Remember

Source: The Dark Highlander