Quotes about metaphor (393 quotes, page 4)

“A thrown-stone trajectory is a good metaphor for so many phenomena: the curve of an event, any event; the curve of a life, any life; the curve of a hypothesis; the curve experienced in the manufacture of a work of art; the curve of interest experienced in the manufacture of a catalogue.”

Peter Greenaway (1942) British film director

Flying Out of This World

Life , Art

“Jeanette [Armstrong, "a traditional Okanagan Indian"] said, 'Attitudes about the species communication are the primary difference between western and indigenous philosophies. Even the most progressive western philosophers still generally believe that listening to the land is a metaphor.' She paused, then continued emphatically, 'It's not a metaphor. It's how the world is.'”

Derrick Jensen book A Language Older Than Words

Source: A Language Older Than Words (2000), p. 24

World , Communication

“Dialectic functions by converting everything it touches into figure but metaphor is a means of perceiving one thing in terms of another.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 298

“We consider the notion of "system" as an organising concept, before going on to look in detail at various systemic metaphors that may be used as a basis for structuring thinking about organisations and problem situations.”

Robert L. Flood (1959) British organizational scientist

Source: Creative Problem Solving (1991), p. 2.

Problem , Thinking

“ Every individual word in a passage or poetry can no more be said to denote some specific referent than does every brush mark, every line in a painting have its counterpart in reality. The writer or speaker does not communicate his thoughts to us; he communicates a representation for carrying out, this function under the severe discipline of using the only materials he has, sound and gesture. Speech is like painting, a representation made out of given materials -- sound or paint. The function of speech is to stimulate and set up thoughts in us having correspondence with the speaker's desires; he has then communicated with us. But he has not transmitted a copy of his thoughts, a photograph, but only a stream of speech -- a substitute made from the unpromising material of sound. The artist, the sculptor, the caricaturist, the composer are akin in this [fact that they have not transmitted a copy of their thoughts], that they express (make representations of) their thoughts using chosen, limited materials. They make the "best" representations, within these self-imposed constraints. A child who builds models of a house, or a train, using only a few colored bricks, is essentially engaged in the same creative task.* Metaphors can play a most forceful role, by importing ideas through a vehicle language, setting up what are purely linguistic associations (we speak of "heavy burden of taxation," "being in a rut"). The imported concepts are, to some extent, artificial in their contexts, and they are by no means universal among different cultures. For instance, the concepts of cleanliness and washing are used within Christendom to imply "freedom from sin." We Westerners speak of the mind's eye, but this idea is unknown amongst the Chinese. that is, we are looking at it with the eyes of our English-speaking culture. A grammar book may help us to decipher the text more thoroughly, and help us comprehend something of the language structure, but we may never fully understand if we are not bred in the culture and society that has modeled and shaped the language. (p. 74)”

Colin Cherry (1914–1979) British scientist

See Gombrich in reference 348
On Human Communication (1957), Language: Science and Aesthetics

Books , Color , Communication , Idea

“A metaphor for what happens to men living in a secure peace of plenty like your own, the bonobo way looks eerily familiar. Aren't most men today spoiled momma's boys without father figures, without hunting or fighting or brother-bonds, whose only masculine outlet is promiscuous sex?”

Jack Donovan (1974) American activist, editor and writer

pg 118
The Way of Men (2012)

Men , Peace , Sex , Way

“The new philosopher does not put metaphor to rhetorical use but subordinates it … to the strategic objective of using non-stereotyped metaphors in order to unmask the metaphors which constitute every concept.”

Sarah Kofman (1934–1994) philosopher from France

Source: Nietzsche et la métaphore (1972), p. 18

“This is the point at which the "rape of nature" ceases to be a metaphor. It is an accurate depiction… rape stems from a compulsive need to control, to control completely. …From …inadequacy flow fear, anger, the need to punish and subjugate. …the objective is… to dominate this elusive, troubling female so that she will do what she is ordered to do. …that requires the objectification of the other; she must become what he wants her to become.”

Theodore Roszak (1933–2011) American social historian, social critic, writer

Source: The Gendered Atom: Reflections on the Sexual Psychology of Science (1999), Ch.7 The Rape of Nature

Fear , Nature , Anger

“In televisionland we are all sophisticated enough now to realize that every statistic has an equal and opposite statistic somewhere in the universe. It is not a candidate's favorite statistic per se that engages us, but the assurance with which he can use it.
We are testing the candidates for self-confidence, for "Presidentiality" in statistical bombardment. It doesn't really matter if their statistics be homemade. What settles the business is the cool with which they are dropped.
And so, as the second half hour treads the decimaled path toward the third hour, we become aware of being locked in a tacit conspiracy with the candidates. We know their statistics go to nothing of importance, and they know we know, and we know they know we know.
There is total but unspoken agreement that the "debate," the arguments which are being mustered here, are of only the slightest importance.
As in some primitive ritual, we all agree — candidates and onlookers — to pretend we are involved in a debate, although the real exercise is a test of style and manners. Which of the competitors can better execute the intricate maneuvers prescribed by a largely irrelevant ritual?
This accounts for the curious lack of passion in both performers. Even when Ford accuses Carter of inconsistency, it is done in a flat, emotionless, game-playing style. The delivery has the tuneless ring of an old press release from the Republican National Committee. Just so, when Carter has an opportunity to set pulses pounding by denouncing the Nixon pardon, he dances delicately around the invitation like a maiden skirting a bog.
We judge that both men judge us to be drained of desire for passion in public life, to be looking for Presidents who are cool and noninflammable. They present themselves as passionless technocrats using an English singularly devoid of poetry, metaphor and even coherent forthright declaration.
Caught up in the conspiracy, we watch their coolness with fine technical understanding and, in the final half hour, begin asking each other for technical judgments. How well is Carter exploiting the event to improve our image of him? Is Ford's television manner sufficiently self-confident to make us sense him as "Presidential"?
It is quite extraordinary. Here we are, fully aware that we are being manipulated by image projectionists, yet happily asking ourselves how obligingly we are submitting to the manipulation. It is as though a rat running a maze were more interested in the psychologist's charts on his behavior than in getting the cheese at the goal line.”

Russell Baker (1925–2019) writer and satirst from the United States

"And All of Us So Cool" (p.340)
There's a Country in My Cellar (1990)

Life , Men , Behavior , Exercises

“We often attribute "understanding" and other cognitive predicates by metaphor and analogy to cars, adding machines, and other artifacts, but nothing is proved by such attributions.”

John Rogers Searle (1932) American philosopher

Minds, Brains and Programs (1980)

Cars , Understanding

“For the translator of poetry, there is no activity that brings you into a closer, more intimate contact with language, both the second language and your own language, which translation allows you to experience freshly. Of course, translation is the impossible art which is why it attracts often the best minds, at least those driven by difficulty. The best metaphor I know for translation is from my friend Eamon Grennan, who translated the poems of Leopardi. It's like walking in a clear mountain stream, looking at colorful stones in the water. You find one so gorgeous, you put it in your pocket, take it home and put it on a shelf. In the morning you are surprised that the stone looks so dull and without luster. You have the stone, but you have removed it from the water of its home language so it has lost its luster.”

Billy Collins (1941) American poet

Interview with Kritya: In the Name of Poetry

Art , Color , Home , Mountain

“For me, reason is the natural organ of truth; but imagination is the organ of meaning. Imagination, producing new metaphors or revivifying old, is not the cause of truth, but its condition.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

"Bluspels and Flalansferes: A Semantic Nightmare", Rehabilitations and Other Essays (1939)

Truth , Imagination , Nature

“Software engineering concerns methods and techniques to develop large software systems. The engineering metaphor is used to emphasize a systematic approach to develop systems that satisfy organizational requirements and constraints.”

Hans van Vliet (1949) Dutch computer scientist

Source: Software Engineering: Principles and Practice, 2007, p. 2

“Jesus told his disciples they were a little flock. All his comparisons tend to show that the disciples will necessarily be small in number and weak: the leaven in the dough, the salt in the soup, the sheep among wolves, and many other metaphors. Jesus does not seem to have had a vision of a triumphant and triumphal church encircling the globe. He always depicts for us a secret force that modifies things from within.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

Source: The Subversion of Christianity (1984), p. 35

Secret

“You speak metaphorically, I hope,” said Peggy.
“I hope not,” said Becca. “Metaphors have a way of holding the most truth in the least space.”

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Alvin Journeyman (1995), Chapter 3.

Truth , Hope , Way

“My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.”

Saul Bass (1920–1996) American graphic designer and filmmaker

Haskins, Pamela (Autumn 1996). "Saul, Can You Make Me a Title? Interview with Saul Bass". Film Quarterly. pp. 12–13.

Way , Mood

“The marvelous is of necessity a lie, a distortion. At best it is a metaphor which leads to the truth. I think that I know what causes the World’s Pain, lady. Or at least I think I know what contributes to that Pain.”
“And what would that be, Ulrich von Bek?”
“By telling a single lie to oneself or to another, by denying a single fact of the world as it has been created, one adds to the World’s Pain. And pain, lady, creates pain. And one must not seek to become saint or sinner, God or Devil. One must seek to become human and to love the fact of one’s humanity.”
I became embarrassed. “That is all I have learned, lady.”

Michael Moorcock (1939) English writer, editor, critic

“It is all that Heaven demands,” she said.
Source: The von Bek family, The War Hound and the World's Pain (1981), Chapter 16 (p. 158)

Love , God , Pain , Truth

“A metaphor for seeing God's signature in the world.”

Mike Scott (1958) songwriter, musician

An indication of what he meant by the term "The Big Music" of a Waterboys song, a phrase which came to be applied to the group's early musical style, and that of a few other bands, as quoted in "Pieces of eighties" by John Robinson, in The Guardian (23 April 2004) http://www.theguardian.com/music/2004/apr/24/popandrock1
Variant:
A metaphor for seeing God's vision in the world.
As quoted in "The Making Of... The Waterboys’ The Whole Of The Moon", in Uncut (June 2013) http://www.uncut.co.uk/the-waterboys/the-making-of-the-waterboys-the-whole-of-the-moon-feature

God , World

“Since most subjects studied in school consist largely of theories… language education must include not only the serious study of what truth and falsehood mean in the context of a subject, but also what is meant by a fact, an inference, an assumption, a judgment, a generalization… In this way students will be learning both the language of a subject and the methods of inquiry in that subject, since inquiry consists of nothing else but the generation of questions, the invention of definitions and metaphors, the separation of facts from inferences, the forming of generalizations…”

Neil Postman (1931–2003) American writer and academic

Language Education in a Knowledge Context (1980)

Truth , Education , School , Way

“Cute,” she said, smiling. “If the liberal arts do nothing else they provide engaging metaphors for the thinking they displace.”

Roger Zelazny (1937–1995) American speculative fiction writer

Home is the Hangman (1975)

Smile , Art , Thinking

“Organizations are complex and paradoxical phenomena that can be understood in many different ways. Many of our taken-for-granted ideas about organizations are metaphorical, even though we may not recognize them as such. For example, we frequently talk about organizations as if they were machines designed to achieve predetermined goals and objectives, and which should operate smoothly and efficiently. And as a result of this kind of thinking, we often attempt to organize and manage them in a mechanistic way, forcing their human qualities into a background role. By using different metaphors to understand the complex and paradoxical character of organizational life, we are able to manage and design organizations in ways that we may not have thought possible before.”

Gareth Morgan book Images of Organization

Source: Images of Organization (1986), p. 13; Cited in: Morgen Witzel (2011) Fifty key figures management, p. 205

Life , Way , Idea , Understanding

“[Indra's Net is a metaphor for] the profound cosmology and outlook that permeates Hinduism. Indra's Net symbolizes the universe as a web of connections and interdependences […] I seek to revive it as the foundation for Vedic cosmology and show how it went on to become the central principle of Buddhism, and from there spread into mainstream Western discourse across several disciplines.”

Rajiv Malhotra book Indra's Net

Indra's Net (2014)

Universe

“It appears to me that the subject of music, from Machaut to Boulez, has always been its construction. Melodies of 12-tone rows just don't happen. They must be constructed…. To demonstrate any formal idea in music, whether structure or stricture, is a matter of construction, in which the methodology is the controlling metaphor of the composition…Only by 'unfixing' the elements traditionally used to construct a piece of music could the sounds exist in themselves--not as symbols, or memories which were memories of other music to begin with.”

Morton Feldman (1926–1987) American avant-garde composer

quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812

Music , Idea , Appearance , Memory

“Speak to any small man of a high, majestic Reformation, of a high majestic Luther; and forthwith he sets about “accounting” for it; how the “circumstances of the time” called for such a character, and found him, we suppose, standing girt and road-ready, to do its errand; how the “circumstances of the time” created, fashioned, floated him quietly along into the result; how, in short, this small man, had he been there, could have per formed the like himself! For it is the “force of circumstances” that does everything; the force of one man can do nothing. Now all this is grounded on little more than a metaphor. We figure Society as a “Machine,” and that mind is opposed to mind, as body is to body; whereby two, or at most ten, little minds must be stronger than one great mind. Notable absurdity! For the plain truth, very plain, we think is, that minds are opposed to minds in quite a different way; and one man that has a higher Wisdom, a hitherto unknown spiritual Truth in him, is stronger, not than ten men that have it not, or than ten thousand, but than all men that have it not; and stands among them with a quite ethereal, angelic power, as with a sword out of Heaven's own armory, sky-tempered, which no buckler, and no tower of brass, will finally withstand.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1820s, Signs of the Times (1829)

Wisdom , Men , Truth , Angels

“The metaphor suggests that different environments favor different species of organizations based on different methods of organizing and that congruence with the environment is the key to success.”

Gareth Morgan book Images of Organization

Source: Images of Organization (1986), p. 35 (Morgan, 1998)

Success

“"Is that true," I asked, "that song?"
"It is a metaphor," said Mrs. Davis, "it has metaphorical truth."
"And the end of the mechanical age," I said, "is that a metaphor?"
"The end of the mechanical age," said Mrs. Davis, "is in my judgment an actuality straining to become a metaphor. One must wish it luck, I suppose. One must cheer it on. Intellectual rigor demands that we give these damned metaphors every chance, even if they are inimical to personal well-being and comfort. We have a duty to understand everything, whether we like it or not–a duty I would scant if I could." At that moment the water jumped into the boat and sank us.”

Donald Barthelme book Sixty Stories

"At The End Of The Mechanical Age".
Sixty Stories (1981)

Truth , Age , Understanding , Water

“This history of walking is an amateur history, just as walking is an amateur act. To use a walking metaphor, it trespasses through everybody else’s field—through anatomy, anthropology, architecture, gardening, geography, political and cultural history, literature, sexuality, religious studies—and doesn’t stop in any of them on its long route.”

Rebecca Solnit (1961) Author and essayist from United States

Wanderlust: A History of Walking (2001)

History , Literature , Study

“He had gone beyond the world of metaphor and simile into the place of things that are, and it was changing him.”

Neil Gaiman book Neverwhere

Source: Neverwhere (1996), Chapter 16

World , Change

“The Greeks, who were apparently strong on visual aids, originated the term stigma to refer to bodily signs designed to expose something unusual and bad about the moral status of the signifier. The signs were cut or burnt into the body and advertised that the bearer was a slave, a criminal, or a traitor — a blemished person, ritually polluted, to be avoided, especially in public places. Later, in Christian times, two layers of metaphor were added to the term : the first referred to bodily signs of holy grace that took the form of eruptive blossoms on the skin; the second, a medical allusion to this religious allusion, referred to bodily signs of physical disorder. Today the term is widely used in something like the original literal sense, but is applied more to the disgrace itself than to the bodily evidence of it. Furthermore, shifts have occurred in the kinds of disgrace that arouse concern. Students, however, have made little effort to describe the structural preconditions of stigma, or even to provide a definition of the concept itself. It seems necessary, therefore, to try at the beginning to sketch in some very general assumptions and definitions.”

Erving Goffman book Stigma

Source: 1950s-1960s, Stigma, 1963, p. 1-2 Lead paragraph

Sense , Effort , Strong , Time

“The Buddhists maintain that there is no Creator but an infinitude of creative powers, which collectively form the one eternal substance, the essence of which is inscrutable — hence not a subject for speculation for any true philosopher. Socrates invariably refused to argue upon the mystery of universal being, yet no one would ever have thought of charging him with atheism, except those who were bent upon his destruction. Upon inaugurating an active period, says the Secret Doctrine, an expansion of this Divine essence, from within outwardly, occurs in obedience to eternal and immutable law, and the phenomenal or visible universe is the ultimate result of the long chain of cosmical forces thus progressively set in motion. In like manner, when the passive condition is resumed, a contraction of the Divine essence takes place, and the previous work of creation is gradually and progressively undone. The visible universe becomes disintegrated, its material dispersed; and "darkness," solitary and alone, broods once more over the face of the "deep." To use a metaphor which will convey the idea still more clearly, an outbreathing of the "unknown essence" produces the world; and an inhalation causes it to disappear. This process has been going on from all eternity, and our present universe is but one of an infinite series which had no beginning and will have no end.”

Helena Petrovna Blavatsky book Isis Unveiled

Source: Isis Unveiled (1877), Volume II, Chapter VI

Secret , World , Law , Idea

“I present, for what it is worth, and may prove to be worth, the following bill of axioms or aphorisms on public administration, as fitting this important occasion.
# The continuous and fairly efficient discharge of certain functions by government, central and local, is a necessary condition for the existence of any great society.
# As a society becomes more complicated, as its division of labor ramifies more widely, as its commerce extends, as technology takes the place of handicrafts and local self-sufficiency, the functions of government increase in number and in their vital relationships to the fortunes of society and individuals.
# Any government in such a complicated society, consequently any such society itself, is strong in proportion to its capacity to administer the functions that are brought into being.
# Legislation respecting these functions, difficult as it is, is relatively easy as compared with the enforcement of legislation, that is, the effective discharge of these functions in their most minute ramifications and for the public welfare.
# When a form of government, such as ours, provides for legal changes, by the process of discussion and open decision, to fit social changes, then effective and wise administration becomes the central prerequisite for the perdurance of government and society — to use a metaphor, becomes a foundation of government as a going concern.
# Unless the members of an administrative system are drawn from various classes and regions, unless careers are open in it to talents, unless the way is prepared by an appropriate scheme of general education, unless public officials are subjected to internal and external criticism of a constructive nature, then the public personnel will become a bureaucracy dangerous to society and to popular government.
# Unless, as David Lilienthal has recently pointed out in an address on the Tennessee Valley Authority, an administrative system is so constructed and operated as to keep alive local and individual responsibilities, it is likely to destroy the basic well-springs of activity, hope, and enthusiasm necessary to popular government and to the following of a democratic civilization.”

Charles A. Beard (1874–1948) American historian

Administration, A Foundation of Government (1940)

Education , Hope , Way , Spring

“We have said that consciousness is an operation rather than a thing, a repository, or a function. It operates by way of analogy, by way of constructing an analog space with an analog ‘I’ that can observe that space, and move metaphorically in it. It operates on any reactivity, excerpts relevant aspects, narratizes and conciliates them together in a metaphorical space where such meanings can be manipulated like things in space.”

Julian Jaynes book The Origin of Consciousness in the Breakdown of the Bicameral Mind

Book I, Chapter 2, p. 65-66
The Origin of Consciousness in the Breakdown of the Bicameral Mind (1976)

Way

“Metaphor is the language of immanence; metonymy of transcendence.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

11C.21
"Quotes", Notebooks

“At the millennium we partied like it was 1999. And then we had a 10 year bathtub tequila hangover, man. Just hugging the metaphorical toilet on a daily basis.”

Christopher Titus (1964) actor, writer, podcaster

Neverlution (2011)

“However useful it is for pedagogical purposes, the biological metaphor of style as a sequence of life-stages was historically misleading, for it bestowed upon the flux of events the shapes and behavior of organisms.”

George Kubler (1912–1996) American art historian

Source: The Shape of Time, 1982, p. 8 as cited in: Pamela M. Lee, " " Ultramoderne": Or, How George Kubler Stole the Time in Sixties Art. http://xenopraxis.net/readings/lee_ultramoderne.pdf" Grey Room (2001): 55.

Life , Behavior

“It is so good that as men looked at it they said this is too good for man: nothing but the inspiration of God could have given this. Likely enough men should say so; but what might be admired as a metaphor became petrified into a doctrine, and perhaps the world has never witnessed any more grotesque idol-worship than what has resulted from it in modern Bibliolatry.”

James Anthony Froude book The Nemesis of Faith

Letter III
The Nemesis of Faith (1849)
Context: The Mahometans say their Koran was written by God. The Hindoos say the Vedas were; we say the Bible was, and we are but interested witnesses in deciding absolutely and exclusively for ourselves. If it be immeasurably the highest of the three, it is because it is not the most divine but the most human. It does not differ from them in kind; and it seems to me that in ascribing it to God we are doing a double dishonour; to ourselves for want of faith in our soul's strength, and to God in making Him responsible for our weakness. There is nothing in it but what men might have written; much, oh much, which it would drive me mad to think any but men, and most mistaken men, had written. Yet still, as a whole, it is by far the noblest collection of sacred books in the world; the outpouring of the mind of a people in whom a larger share of God's spirit was for many centuries working than in any other of mankind, or who at least most clearly caught and carried home to themselves the idea of the direct and immediate dependence of the world upon Him. It is so good that as men looked at it they said this is too good for man: nothing but the inspiration of God could have given this. Likely enough men should say so; but what might be admired as a metaphor became petrified into a doctrine, and perhaps the world has never witnessed any more grotesque idol-worship than what has resulted from it in modern Bibliolatry. And yet they say we are not Christians, we cannot be religious teachers, nay, we are without religion, we are infidels, unless we believe with them. We have not yet found the liberty with which Christ has made us free. Infidels, Arthur! Ah, it is a hard word! The only infidelity I know is to distrust God, to distrust his care of us, his love for us. And yet that word! How words cling to us, and like an accursed spell force us to become what they say we have become.

Men , God , World

“Since movement is a metaphor for change, the best thing will be to say: nonchange is (always) change. It would appear that I have finally arrived at the desired disequilibrium.”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 4
Context: Since movement is a metaphor for change, the best thing will be to say: nonchange is (always) change. It would appear that I have finally arrived at the desired disequilibrium. Nonetheless, change is not the primordial, original word that I am searching for: it is a form of becoming. When becoming is substituted for change, the relation between the two terms is altered, so that I am obliged to replace nonchange by permanence, which is a metaphor for fixity, as becoming is for coming-to-be, which in turn is a metaphor for time in all its ceaseless transformations…. There is no beginning, no original word: each one is a metaphor for another word which is a metaphor for yet another, and so on. All of them are translations of translations. A transparency in which the obverse is the reverse: fixity is always momentary.
I begin all over again: if it does not make sense to say that fixity is always momentary, the same may not be true if I say that it never is.

Appearance , Change

“So I want to have monsters as a metaphor but I also want monsters because monsters are cool.”

China Miéville (1972) English writer

interview with 3am
Context: The thing about good pulp is that you trust the reader and you know that the mind is a machine to process metaphors so of course all those connections will be there. But you've also granted the fantastic its own dynamic and allowed that awe. There's no contradiction. So I want to have monsters as a metaphor but I also want monsters because monsters are cool. There's no contradiction.

“In several respects, I consider my father as one of the most interesting men I have known. He was a man of perhaps the very largest natural endowment of any it has been my lot to converse with. None of us will ever forget that bold glowing style of his, flowing free from his untutored soul, full of metaphors (though he knew not what a metaphor was) with, all manner of potent words which he appropriated and applied with a surprising accuracy you often would not guess whence; brief, energetic, and which I should say conveyed the most perfect picture — definite, clear, not in ambitious colors, but in full white sunliglit — of all the dialects I have ever listened to.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1880s, Reminiscences (1881)
Context: In several respects, I consider my father as one of the most interesting men I have known. He was a man of perhaps the very largest natural endowment of any it has been my lot to converse with. None of us will ever forget that bold glowing style of his, flowing free from his untutored soul, full of metaphors (though he knew not what a metaphor was) with, all manner of potent words which he appropriated and applied with a surprising accuracy you often would not guess whence; brief, energetic, and which I should say conveyed the most perfect picture — definite, clear, not in ambitious colors, but in full white sunliglit — of all the dialects I have ever listened to. Nothing did I ever hear him undertake to render visible which, did not become almost ocularly so. Never shall we again hear such speech as that was. The whole district knew of it and laughed joyfully over it, not knowing how other-wise to express the feeling it gave them; emphatic I have heard him beyond all men. In anger he had no need of oaths, his words were like sharp arrows that smote into the very heart. The fault was that he exaggerated (which tendency I also inherit), yet only in description and for the sake chiefly of humorous effect.

Men , Color , Soul , Nature

“Are the ravishments of truth, so fatal to
The truth itself, the first idea becomes
The hermit in a poet’s metaphors”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Be Abstract
Context: p>So poisonousAre the ravishments of truth, so fatal to
The truth itself, the first idea becomes
The hermit in a poet’s metaphors,Who comes and goes and comes and goes all day.</p

Truth , Idea

“Every poem that works is like a metaphor of the whole mind writing, the solution of all the oppositions and imbalances going on at that time.”

Ted Hughes (1930–1998) English poet and children's writer

The Paris Review interview
Context: Every poem that works is like a metaphor of the whole mind writing, the solution of all the oppositions and imbalances going on at that time. When the mind finds the balance of all those things and projects it, that’s a poem. It’s a kind of hologram of the mental condition at that moment, which then immediately changes and moves on to some other sort of balance and rearrangement. What counts is that it be a symbol of that momentary wholeness. That’s how I see it.

Time

“It's a brilliant metaphor. What I meant to say was, when you see a monkey masturbating at the zoo…”

Jon Stewart (1962) American political satirist, writer, television host, actor, media critic and stand-up comedian

C-SPAN interview, October 14, 2004, when asked about the above quote.

“For this reason, great theological scholars gave instruction in all such matters only by means of metaphors and allegories.”

Maimónides book The Guide for the Perplexed

Guide for the Perplexed (c. 1190), Introduction
Context: You must know that if a person, who has attained a certain degree of perfection, wishes to impart to others, either orally or in writing, any portion of the knowledge which he has acquired of these subjects, he is utterly unable to be as systematic and explicit as he could be in a science of which the method is well known. The same difficulties which he encountered when investigating the subject for himself will attend him when endeavouring to instruct others: viz., at one time the explanation will appear lucid, at another time, obscure: this property of the subject appears to remain the same both to the advanced scholar and to the beginner. For this reason, great theological scholars gave instruction in all such matters only by means of metaphors and allegories.

“Sound is the motion of that which is able to be moved, after the manner in which those things are moved, that rebound from smooth bodies, when any one strikes them. Not every thing… sounds… but it is necessary, that the body which is struck should be equable, that the air may collectively rebound, and be shaken. The differences, however, of bodies which sound, are manifested in the sound, which is in energy; for, as colours are not perceived without light, so neither are the sharp and the flat perceived without sound. But these things are asserted metaphorically, from those which pertain to the touch; for the sharp moves the sense much in a short time, but the flat a little in a long time. The sharp, therefore, is not rapid, and the flat slow; but such a motion is produced of the one, on account of celerity, and of the other on account of slowness, that, also, which is perceived in the touch, appears to be analogous to the acute and obtuse, for the acute, as it were, stings; but the obtuse, as it were, impels: because the one moves in a short, but the other in a long time. Hence it happens that the one is swift but the other slow. Let it therefore be thus determined concerning sound.”

Aristotle book On the Soul

Book II : On the soul; In: Aristotle (1808). Works, Vol. 4. p. 62 (412a-424b)
De Anima

Sense , Light , Appearance , Time

“There is no beginning, no original word: each one is a metaphor for another word which is a metaphor for yet another, and so on. All of them are translations of translations. A transparency in which the obverse is the reverse: fixity is always momentary.”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 4
Context: Since movement is a metaphor for change, the best thing will be to say: nonchange is (always) change. It would appear that I have finally arrived at the desired disequilibrium. Nonetheless, change is not the primordial, original word that I am searching for: it is a form of becoming. When becoming is substituted for change, the relation between the two terms is altered, so that I am obliged to replace nonchange by permanence, which is a metaphor for fixity, as becoming is for coming-to-be, which in turn is a metaphor for time in all its ceaseless transformations…. There is no beginning, no original word: each one is a metaphor for another word which is a metaphor for yet another, and so on. All of them are translations of translations. A transparency in which the obverse is the reverse: fixity is always momentary.
I begin all over again: if it does not make sense to say that fixity is always momentary, the same may not be true if I say that it never is.

“On the most basic level, computers in my books are simply a metaphor for human memory: I'm interested in the hows and whys of memory, the ways it defines who and what we are, in how easily memory is subject to revision.”

William Gibson (1948) American-Canadian speculative fiction novelist and founder of the cyberpunk subgenre

Interview with Larry McCaffery in Storming the Reality Studio : A Casebook of Cyberpunk and Postmodern Science Fiction, Duke University Press (December 1991)
Context: On the most basic level, computers in my books are simply a metaphor for human memory: I'm interested in the hows and whys of memory, the ways it defines who and what we are, in how easily memory is subject to revision. When I was writing Neuromancer, it was wonderful to be able to tie a lot of these interests into the computer metaphor. It wasn't until I could finally afford a computer of my own that I found out there's a drive mechanism inside — this little thing that spins around. I'd been expecting an exotic crystalline thing, a cyberspace deck or something, and what I got was a little piece of a Victorian engine that made noises like a scratchy old record player. That noise took away some of the mystique for me; it made computers less sexy. My ignorance had allowed me to romanticize them.

Books , Way , Memory

“Definitions, like questions and metaphors, are instruments for thinking. Their authority rests entirely on their usefulness, not their correctness. We use definitions in order to delineate problems we wish to investigate, or to further interests we wish to promote. In other words, we invent definitions and discard them as suits our purposes.”

Neil Postman (1931–2003) American writer and academic

Language Education in a Knowledge Context (1980)
Context: Definitions, like questions and metaphors, are instruments for thinking. Their authority rests entirely on their usefulness, not their correctness. We use definitions in order to delineate problems we wish to investigate, or to further interests we wish to promote. In other words, we invent definitions and discard them as suits our purposes. And yet, one gets the impression that... God has provided us with definitions from which we depart at the risk of losing our immortal souls. This is the belief that I have elsewhere called "definition tyranny," which may be defined... as the process of accepting without criticism someone else's definition of a word or a problem or a situation. I can think of no better method of freeing students from this obstruction of the mind than to provide them with alternative definitions of every concept and term with which they must deal in a subject. Whether it be "molecule," "fact," "law," "art," "wealth," "gene," or whatever, it is essential that students understand that definitions are hypotheses, and that embedded in them is a particular philosophical, sociological, or epistemological point of view.

Question , Problem , Thinking

“But the greatest thing by far is to have a command of metaphor. This alone cannot be imparted by another; it is the mark of genius, for to make good metaphors implies an eye for resemblances.”

Aristotle book Poetics

1459a.4
Poetics

“No algorithm exists for the metaphor, nor can a metaphor be produced by means of a computer's precise instructions, no matter what the volume of organized information to be fed in.”

Umberto Eco book Semiotics and the Philosophy of Language

[3] Metaphor, 3.12. Conclusions
Semiotics and the Philosophy of Language (1984)
Context: No algorithm exists for the metaphor, nor can a metaphor be produced by means of a computer's precise instructions, no matter what the volume of organized information to be fed in. The success of a metaphor is a function of the sociocultural format of the interpreting subjects' encyclopedia. In this perspective, metaphors are produced solely on the basis of a rich cultural framework, on the basis, that is, of a universe of content that is already organized into networks of interpretants, which decide (semiotically) the identities and differences of properties. At the same time, content universe, whose format postulates itself not as rigidly hierarchized but, rather, according to Model Q, alone derives from the metaphorical production and interpretation the opportunity to restructure itself into new nodes of similarity and dissimilarity.

“The last level of metaphor in the Alice books is this: that life, viewed rationally and without illusion, appears to be a nonsense tale told by an idiot mathematician.”

Martin Gardner (1914–2010) recreational mathematician and philosopher

Introduction to The Annotated Alice (1960) // The Annotated Alice. The Definitive Edition (1999), by Lewis Carroll (Author, Christ Church College, Oxford), John Tenniel (Illustrated by), Martin Gardner (Editor, Introduction and notes by), page viii
Context: The last level of metaphor in the Alice books is this: that life, viewed rationally and without illusion, appears to be a nonsense tale told by an idiot mathematician. At the heart of things science finds only a mad, never-ending quadrille of Mock Turtle Waves and Gryphon Particles. For a moment the waves and particles dance in grotesque, inconceivably complex patterns capable of reflecting on their own absurdity.

Life , Books , Appearance

“Half the wrong conclusions at which mankind arrive are reached by the abuse of metaphors, or by mistaking general resemblance or imaginary similarity for real identity.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Letter to H. L. Bulwer (1 Sept. 1839), quoted in Sir Henry Lytton Bulwer's Life of Palmerston (Philadelphia: J. B. Lipppincott, 1871), vol. 2, pp. 261-62. (Palmerston was criticizing descriptions of the Ottoman Empire as "decaying," etc.)
1830s
Context: Half the wrong conclusions at which mankind arrive are reached by the abuse of metaphors, or by mistaking general resemblance or imaginary similarity for real identity. Thus, people compare an ancient monarchy with an old building, an old tree, or an old man, and because the building, tree, or man must, from the nature of things, crumble, or decay, or die, they imagine that the same thing holds good with a community, and that the same laws which govern inanimate matter, or vegetable or animal life, govern also nations and states.

“This is not about classic left-vs-right anymore. (As if that metaphor ever held cogent meaning.)”

David Brin (1950) novelist, short story writer

A rant about stupidity... and the coming civil war... (2009)
Context: This is not about classic left-vs-right anymore. (As if that metaphor ever held cogent meaning.) Not when every measure of national health that conservatives ought to care about — from budget balancing to small business startups, to military readiness, to States' Rights, to the economy, to individual liberty, to control over immigration at our borders — does vastly and demonstrably better under democrats. With nearly 100% perfection.
(Fact avoidance is even worse when you encompass ALL of history. Ask today's conservatives which force destroyed more freedom and nearly every competitive market, across 5,000 years. Which foe of liberty and enterprise did Adam Smith despise? Hint: it wasn't "socialism" or "government bureaucrats.")
No. Given their lack of any other tangible accomplishments across the last fifteen years, one must to conclude that the core agenda of Rush Limbaugh, Rupert Murdoch and their petroprince backers really is quite simple.
To find out just how far they can push "culture war" toward a repeat of 1861.

“The history of metaphysics, like the history of the West, is the history of these metaphors and metonymies. It’s matrix—If you will pardon me for demonstrating so little and for being elliptical in order to come more quickly to my principle theme—is the determination of Being as presence in all sense of this word.”

Jacques Derrida book Writing and Difference

Structure, Sign and Play
Writing and Difference (1978)

History , Sense

“The interpretation of metaphors shifts from the univocality of catachreses to the open possibilities offered by inventive metaphors.”

Umberto Eco book Semiotics and the Philosophy of Language

[O] : Introduction, 0.2
Semiotics and the Philosophy of Language (1984)
Context: The principle of interpretation says that "a sign is something by knowing which we know something more" (Peirce). The Peircean idea of semiosis is the idea of an infinite process of interpretation. It seems that the symbolic mode is the paramount example of this possibility.
However, interpretation is not reducible to the responses elicited by the textual strategies accorded to the symbolic mode. The interpretation of metaphors shifts from the univocality of catachreses to the open possibilities offered by inventive metaphors. Many texts have undoubtedly many possible senses, but it is still possible to decide which one has to be selected if one approaches the text in the light of a given topic, as well as it is possible to tell of certain texts how many isotopies they display.

“Our set of questions is best regarded as a metaphor of our sense of relevance.”

Neil Postman (1931–2003) American writer and academic

[1] Will your questions increase the learner's will as well as capacity to learn? Will they help to give him a sense of joy in learning? Will they help to provide the learner with confidence in his ability to learn?
[2] In order to get answers, will the learner be required to make inquiries? (Ask further questions, clarify terms, make observations, classify data, etc?)
[3] Does each question allow for alternative answers (which implies alternative modes of inquiry)?
[4] Will the process of answering the questions tend to stress the uniqueness of the learner?
[6] Would the answers help the learner to sense and understand the universals in the human condition and so enhance his ability to draw closer to other people?
Teaching as a Subversive Activity (1969)
Context: These questions are not intended to represent a catechism for the new education. These are samples and illustrations of the kind of questions we think worth answering. Our set of questions is best regarded as a metaphor of our sense of relevance. If you took the trouble to list your own questions, it is quite possible that you prefer many or them to ours. Good enough. The new education is a process and will not suffer from the applied imaginations of all who wish to be a part of it. But in evaluating your own questions, as well as ours, bear in mind that there are certain standards that must be used. These standards must also be stated in the form of questions:

Question , Sense

“Witchcraft offers the model of a religion of poetry, not theology. It presents metaphors, not doctrines, and leaves open the possibility of reconciliation of science and religion, of many ways of knowing.”

Starhawk (1951) American author, activist and Neopagan

The Spiral Dance: A Rebirth of the Ancient Religion of the Goddess (1979)
Context: Witchcraft offers the model of a religion of poetry, not theology. It presents metaphors, not doctrines, and leaves open the possibility of reconciliation of science and religion, of many ways of knowing. <!-- p. 209

Religion , Way , Science

“They’ve been mystified by their own metaphors. Like the market, the state is an activity, not an entity.”

Bob Black (1951) American anarchist

The Libertarian as Conservative (1984)
Context: Libertarians complain that the state is parasitic, an excrescence on society. They think it’s like a tumor you could cut out, leaving the patient just as he was, only healthier. They’ve been mystified by their own metaphors. Like the market, the state is an activity, not an entity. The only way to abolish the state is to change the way of life it forms a part of. That way of life, if you call that living, revolves around work and takes in bureaucracy, moralism, schooling, money, and more. Libertarians are conservatives because they avowedly want to maintain most of this mess and so unwittingly perpetuate the rest of the racket. But they’re bad conservatives because they’ve forgotten the reality of institutional and ideological interconnection which was the original insight of the historical conservatives. Entirely out of touch with the real currents of contemporary resistance, they denounce practical opposition to the system as “nihilism,” “Luddism,” and other big words they don’t understand. A glance at the world confirms that their utopian capitalism just can’t compete with the state. With enemies like libertarians, the state doesn’t need friends.

“The metaphor alone furnishes an escape; between the real things, it lets emerge imaginary reefs, a crop of floating islands.”

José Ortega Y Gasset (1883–1955) Spanish liberal philosopher and essayist

"Taboo and Metaphor"
The Dehumanization of Art and Ideas about the Novel (1925)
Context: The metaphor is perhaps one of man's most fruitful potentialities. Its efficacy verges on magic, and it seems a tool for creation which God forgot inside one of His creatures when He made him. All our other faculties keep us within the realm of the real, of what is already there. The most we can do is to combine things or to break them up. The metaphor alone furnishes an escape; between the real things, it lets emerge imaginary reefs, a crop of floating islands. A strange thing, indeed, the existence in man of this mental activity which substitutes one thing for another — from an urge not so much to get at the first as to get rid of the second.

“The great religions are all metaphor.”

Ray Bradbury (1920–2012) American writer

The Paris Review interview (2010)
Context: Do you know why teachers use me? Because I speak in tongues. I write metaphors. Every one of my stories is a metaphor you can remember. The great religions are all metaphor. We appreciate things like Daniel and the lion’s den, and the Tower of Babel. People remember these metaphors because they are so vivid you can’t get free of them and that’s what kids like in school. <!-- They read about rocket ships and encounters in space, tales of dinosaurs. All my life I’ve been running through the fields and picking up bright objects. I turn one over and say, Yeah, there’s a story. And that’s what kids like. Today, my stories are in a thousand anthologies. And I’m in good company. The other writers are quite often dead people who wrote in metaphors: Edgar Allan Poe, Herman Melville, Washington Irving, Nathaniel Hawthorne. All these people wrote for children. They may have pretended not to, but they did.

Religion

“Metaphors in law are to be narrowly watched, for starting as devices to liberate thought, they end often by enslaving it.”

Benjamin N. Cardozo (1870–1938) United States federal judge

Berkey v. Third Avenue Railway, 244 N.Y. 84, 94, 155 N.E. 58, 61 (N.Y. 1926). Sometimes misquoted as referring to "figures of speech" rather than metaphors, or with other minor variations.
Judicial opinions
Context: The whole problem of the relation between parent and subsidiary corporations is one that is still enveloped in the mists of metaphor. Metaphors in law are to be narrowly watched, for starting as devices to liberate thought, they end often by enslaving it. We say at times that the corporate entity will be ignored when the parent corporation operates a business through a subsidiary which is characterized as an 'alias' or a 'dummy.'... Dominion may be so complete, interference so obtrusive, that by the general rules of agency the parent will be a principal and the subsidiary an agent.

Law

“I do not know what degree of skepticism or disbelief in a religious representation amounts to actionable fraud. James points out that "Faith means belief in something concerning which doubt is theoretically possible." Belief in what one may demonstrate to the senses is not faith. All schools of religious thought make enormous assumptions, generally on the basis of revelations authenticated by some sign or miracle. The appeal in such matters is to a very different plane of credibility than is invoked by representations of secular fact in commerce. Some who profess belief in the Bible read literally what others read as allegory or metaphor, as they read Aesop's fables. Religious symbolism is even used by some with the same mental reservations one has in teaching of Santa Claus or Uncle Sam or Easter bunnies or dispassionate judges. It is hard in matters so mystical to say how literally one is bound to believe the doctrine he teaches, and even more difficult to say how far it is reliance upon a teacher's literal belief which induces followers to give him money.”

Robert H. Jackson (1892–1954) American judge

78 U.S. 93-94
Judicial opinions, United States v. Ballard (1944)

Money , School , Faith , Fraud

“The art of Salvador Dalí, an extreme metaphor at a time when only the extreme will do, constitutes a body of prophecy about ourselves unequaled in accuracy since Freud's "Civilization And Its Discontents".”

J. G. Ballard (1930–2009) British writer

"Introduction" to Diary of a Genius (1974) by Salvador Dalí
Context: The uneasy marriage of reason and nightmare which has dominated the 20th century has given birth to an increasingly surreal world. More and more, we see that the events of our own times make sense in terms of surrealism rather than any other view — whether the grim facts of the death-camps, Hiroshima and Viet Nam, or our far more ambiguous unease at organ transplant surgery and the extra-uterine foetus, the confusions of the media landscape with its emphasis on the glossy, lurid and bizarre, its hunger for the irrational and sensational. The art of Salvador Dalí, an extreme metaphor at a time when only the extreme will do, constitutes a body of prophecy about ourselves unequaled in accuracy since Freud's "Civilization And Its Discontents". Voyeurism, self-disgust, the infantile basis of our fears and longings, and our need to pursue our own psychopathologies as a game — these diseases of the psyche Dali has diagnosed with dismaying accuracy. His paintings not only anticipate the psychic crisis which produced our glaucous paradise, but document the uncertain pleasures of living within it. The great twin leitmotifs of the 20th century — sex and paranoia — preside over his life, as over ours.

Art , Time

“Intuitions Comes First, Strategic Reasoning Second
Central Metaphor
The mind is divided, like a rider on a elephant, and the rider's job is to serve the elephant.”

Jonathan Haidt book The Righteous Mind

The Righteous Mind (2012)

“A metaphor is a sign of desperation when we need another world to describe what we are feeling. Metaphors are about desperation and safety. We call out to metaphor because a metaphor makes us feel safe.”

Jericho Brown (1976) American writer

On how he employs metaphors in “Jericho Brown: ‘Poetry is a veil in front of a heart beating at a fast pace” https://www.theguardian.com/books/2018/jul/28/jericho-brown-book-interview-q-and-a-new-testament-poetry in The Guardian (2018 Jul 28)

World , Making love , Feeling

“The Other Place, the astral plane, the land of dreams—it’s not a real place like, say, Walsall. But it’s a metaphor for a mathematical abstraction, a manifold containing an n-dimensional space where everything is the product of geometrical transformations, including mass and energy and time. Leakage between dimensions occurs there: it’s how we summon demons from the vasty deep, communicate with aliens, and try to extract our tax codes from the Inland Revenue.”

Charles Stross The Laundry Files

Source: The Laundry Files, The Apocalypse Codex (2012), Chapter 14, “Appointment in Samarra” (p. 283)

Dreams , Mathematics , Time , Communication

“Ray is clearly anguished, Persephone realizes; he believes this stuff with all his soul and all his guts. He believes in the viral metaphor of a bronze-age rabble-rouser from the Levant, as interpreted by his syncretist followers scattered throughout the Roman Empire. He believes in heaven and hell as real, literally existing destinations you can book an airline ticket to. He believes salvation is a deterministic, card-punching exercise in holding faith in the right god; believes that there’s a coming End of Time in which his godhead will return to Earth, reading minds and separating the sheep from the goats. No need to ask why his God might prescribe eternal torture for the unbelievers, no need to engage with the problem of free will—Schiller’s eschatology is either brutally truncated or sublimely simple, depending on viewpoint. One thing it isn’t is nuanced.”

Charles Stross The Laundry Files

Source: The Laundry Files, The Apocalypse Codex (2012), Chapter 9, “Speaking in Tongues” (p. 159)

God , Faith , Time , Soul

“He who loves God is also able to accept life and to love it. This is not the same as to love God. For many pious people in all generations the love of God is the other side of the hatred for life. And there is much hostility towards life in all of us, even in those who have completely surrendered to life. Our hostility towards life is manifested in cynicism and disgust, in bitterness and continuous accusations against life. We feel rejected by life, not so much because of its objective darkness and threats and horrors, but because of our estrangement from its power and meaning. He who is reunited with God, the creative Ground of life, the power of life in everything that lives, is reunited with life. He feels accepted by it and he can love it. He understands that the greater love is, the greater the estrangement which is conquered by it. In metaphorical language I should like to say to those who feel deeply their hostility towards life: Life accepts you; life loves you as a separated part of itself; life wants to reunite you with itself, even when it seems to destroy you.”

Paul Tillich (1886–1965) German-American theologian and philosopher

Chap. 1: "To Whom Much is Forgiven..."
The New Being (1955)

God , Hostility , Understanding , People

“The second doctrine of the Perennial Philosophy — that it is possible to know the Divine Ground by a direct intuition higher than discursive reasoning — is to be found in all the great religions of the world. A philosopher who is content merely to know about the ultimate Reality — theoretically and by hearsay — is compared by Buddha to a herdsman of other men’s cows. Mohammed uses an even homelier barnyard metaphor. For him the philosopher who has not realized his metaphysics is just an ass bearing a load of books. Christian, Hindu, Taoist teachers wrote no less emphatically about the absurd pretensions of mere learning and analytic reasoning.”

Aldous Huxley (1894–1963) English writer

Introduction to the Bhagavad-Gita (1944)

Religion , Learning , Teachers , Books

“When you understand the basic change taking place in any one major area, it is easier to make sense of the others. This discovery of a new pattern transcends explanation. The shift is qual-itative, sudden, the result of neurological processes too rapid and complex to be tracked by the conscious mind. Although logical explanations can be laid out up to a point, the seeing of a pattern is not sequential but all-at-once. If a new concept does not click into place for you on first encounter, read on. As you move through the book you will come upon many related ideas, connections, examples, metaphors, analogies, and illustrative stories. In time, patterns will emerge, the shifts will occur. From the new perspective, old questions may seem suddenly irrelevant.”

Marilyn Ferguson (1938–2008) American writer

The Aquarian Conspiracy (1980), Chapter One, The Conspiracy

Time , Reading , Understanding , Question

“Summarizing his deficiencies, Karl Marx was neither progressive nor enlightened; he was a racist, anti-Semite, a German nationalist, a warmonger, autocratic, anti-freedom proponent, Machiavellian, pro-Black slavery, petty, homophobic, megalomaniac, a bully and slanderer, anti-choice, and a reactionary against liberalism and industrial capitalism. In almost every sense, Marx fit the quintessential image of Hitler like a tight glove, both appearing almost indistinguishable. Like father and son, Marx and Hitler were two social justice warriors, determined to weaponize intolerance, racism, and nationalism for what they call the greater good. In so many ways, considering their almost identical political and social makeup, metaphorically speaking, Hitler could easily be regarded as the son of Marx.”

L. K. Samuels (1951) American writer

Source: Killing History: The False Left-Right Political Spectrum and the Battle between the ‘Free Left’ and the ‘Statist Left', (2019), p. 361

Justice , Freedom , Appearance , Sense

“The modern world has largely forgotten, and our educational systems ignore, the primary importance, in the evolution of man, of various types of symbolic communication—the communication embodied in gesture, ritual, dance, music myth, and poetic metaphor. All these modes of expression constitute a language of feeling, a non-discursive form of thought, absolutely essential to our individual development and to the unity of social life.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Selected Writings—Poetry and Criticism. (1964).
Other Quotes

Communication , Music , Dance , World

“As long as you want to keep playing whack-a-mole from hell, it is my solemn promise that I will keep picking up the metaphorical hammer to slam you back down and remind you that you have not yet done anything to earn our forgiveness. So take your millions of dollars and pay a therapist to care about how tough it’s been to get caught being an abuser because honestly, I don’t give a shit.”

Samantha Bee (1969) Canadian comedic actress and author

Full Frontal, May 9, 2018, as quoted in "Samantha Bee Checks in With #MeToo, This Time With Zero F***s Left to Give for These Men" https://www.themarysue.com/samantha-bee-schneiderman-eff-off/, by Vivian Kane, The Mary Sue, May 10th, 2018

Forgiveness , Hell

“Your collection is not a woman. That’s only a metaphor—an abstraction! You’ll be dying for nothing, for a principle that nobody else can even comprehend.”

Michael Swanwick book The Iron Dragon's Daughter

As she spoke, Jane became convinced that she herself would never willingly die for a principle. She might feel guilty about it, but she’d smile and lie, knuckle under, pretend, anything, in order to survive. It made her feel a little sad to realize this, but also, at the same time, very adult.
Source: The Iron Dragon's Daughter (1993), Chapter 15 (p. 263)

“Sarojini Naidu writes instant poetry where images and metaphors come rolling ready on the hot plates of imagination. Her poetry is intensely emotionally, at times passionate to the point of eroticism and always has a spring.”

Sarojini Naidu (1879–1949) Indian politician, governor of the United Provinces of Agra and Oudh from 1947 to 1949

View by H.R. Prasad quoted in [Critical Response To Indian Poetry In English, http://books.google.com/books?id=4NcHdrqUJpYC&pg=PA11, 1 January 2008, Sarup & Sons, 978-81-7625-825-8, 11–]

Passion , Imagination , Time , Spring

“The grimaces on these mocking distorted faces signalize disobedience, opposition and turmoil, as well as a kind of childlike autonomy in the depraved world of adults. The grin found on the faces of ill-treated children, a grotesque picture puzzle which includes both the martyrdom and subversion of mankind is entirely Helnwein’s invention. It is manifested in the metamorphic images of injured bodies. It is an obsessive pattern which is repeated in Helnwein’s pictoral representation of the world and in his staged artistic actions, serving as a metaphor for the invulnerability and invincibility deeply seated in man.”

Gottfried Helnwein (1948) Austrian photographer and painter

Peter Gorsen, about the depiction of wounded children in Helnwein's work, Albertina Museum catalogue, Gottfried Helnwein solo-exhibition, 1985, www.gottfried-helnwein-child.com http:////www.gottfried-helnwein-child.com/index.html

World , Children

“Yeah, our view of reality, the one we conventionally take, is one among many. It’s pretty much a fact that our entire universe is a mental construct. We don’t actually deal with reality directly. We simply compose a picture of reality from what’s going on in our retinas, in the timpani of our ears, and in our nerve endings. We perceive our own perception, and that perception is to us the entirety of the universe. I believe magic is, on one level, the willful attempt to alter those perceptions. Using your metaphor of an aperture, you would be widening that window or changing the angle consciously, and seeing what new vistas it affords you.”

Alan Moore (1953) English writer primarily known for his work in comic books

The Believer interview (2013)

Universe , Reality , Change

“If you take the idea of God in the Bible as a metaphor for any nascent, formative just-created intelligence, is that not how we all create the universe. We divide the firmament up from the waters of the abyss, and the key to how to do this is in the first line: in the beginning, there was the word. By giving sky one word, the ground into another, we break the universe down into manageable things that we can interact with through language.”

Alan Moore (1953) English writer primarily known for his work in comic books

De Abaitua interview (1998)

God , Intelligence , Universe , Water

“Poetry begins in trivial metaphors, pretty metaphors, "grace" metaphors, and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, "Why don’t you say what you mean?"”

Robert Frost (1874–1963) American poet

We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections — whether from diffidence or some other instinct.
" Education by Poetry http://www.en.utexas.edu/amlit/amlitprivate/scans/edbypo.html", speech delivered at Amherst College and subsequently revised for publication in the Amherst Graduates’ Quarterly (February 1931)
General sources

Way , Thinking , People

“Perhaps the physical and the metaphorical meanings are clumsy ways of understanding what happens when two beings need, not just to be close together, but to become so totally ductile that each becomes the other. To be who I am because of you. To be who he was because of me. To be in his mouth while he was in mine and no longer know whose it was, his cock or mine, that was in my mouth. He was my secret conduit to myself—like a catalyst that allows us to become who we are [...].”

André Aciman book Call Me By Your Name

Part 2, p. 143
Call Me By Your Name (2007)

Way , Secret , Understanding

“I have always been amazed that it seems to come as a shock to people that Mexicans are human beings. And on a philosophical level, I always remind interviewers that “the border” has nothing to do being Mexican or not. The border is simply a metaphor for what divides and wounds us as people – and I mean that “border” between any group of people, gay-straight, black-white, Muslim-Jewish, etc…”

Luis Alberto Urrea (1955) Mexican-American poet

On how the term border may be applied to other social divides in “Interview with Pulitzer Prize Finalist Luis Alberto Urrea” https://www.latinobookreview.com/interview-with-pulitzer-prize-finalist-luis-alberto-urrea--latino-book-review.html in Latino Book Review (2018 Feb 25)

People

“Always, the vision of evolution toward the light. Light is the oldest and most pervasive metaphor in spiritual experience. We speak of enlightenment, the city of light, the Light of the World, children of light, the "white-light experience."”

Marilyn Ferguson (1938–2008) American writer

The Aquarian Conspiracy (1980), Chapter Eleven, Spiritual Adventure: Connection to the Source

Light , World , Children

“I like ghosts as a metaphor for the outsider. I wish they were real; that would be my preferred afterlife plan. I'd love to observe and haunt with little involvement—I guess that's what being a writer is.”

Porochista Khakpour (1978) American writer

On the appearance of ghosts in Sick in “'THIS BOOK KEPT ME ALIVE': A CONVERSATION WITH POROCHISTA KHAKPOUR” https://psmag.com/social-justice/this-book-kept-me-alive-a-conversation-with-porochista-khakpour in Pacific Standard (2018 Jun 5)

Love , Making love

“Metaphors are the beginning of the democratic system of envy. They look for what is dissimilar and try to make it similar. Everything that is similar cuts the edge of what is unique.”

Giannina Braschi (1953) Puerto Rican writer

Envy , Making love

“The task of unveiling the hidden truth demands some knowledge of Cosmogenesis, of the emanation of the Universe from the Absolute, the finite from the Infinite, and of the successive cycles, major and minor, of involution and evolution. In addition, both knowledge of the Symbolical Language, its purposes, methods and classical symbols, and the faculty of analysing and interpreting historical metaphors, are necessary to open the casket containing the treasures of concealed wisdom—the Holy Bible itself.”

Geoffrey Hodson (1886–1983) New Zealand occultist

Source: The Hidden Wisdom In The Holy Bible (1963)

Success , Knowledge , Truth , Universe

“I try to think about ways to draw the public to the story of the planet, and seashells are something we’ve always wanted to listen to. It’s sort of irresistible to pick a shell up to the ear and listen to what it’s trying to tell us — and they are telling us a profound story about what we’re doing to the ocean. The tiniest shells are beginning to disintegrate in the acidifying sea. It really is a metaphor for something much bigger.”

Cynthia Barnett (1966) American journalist

Source: https://www.jou.ufl.edu/2019/01/30/cynthia-barnett-we-can-change-and-its-up-to-us-to-do-so/

Way , Sea , Drawing , Thinking

“The Bible as a whole is not written systematically, however, but is a collection of books of history, historical metaphor, biography, law and poetry, all leading into one another without an apparent plan. The Books of the Prophets include both historical narrative and an anthology of Divine revelations. Those of Joshua, Judges, Samuel and Kings tell the history of the Jewish people from Joshua’s conquest of the Holy Land to the destruction of the first temple by Nebuchadnezzar of Babylon in 586 B.C. These Hebrew prophets were the conscience of the people; for in the face of powerful priests and raving multitudes they spoke up with one chief purpose in mind—to teach man “to do justly, and to love mercy, and to walk humbly with thy God.””

Geoffrey Hodson (1886–1983) New Zealand occultist

(Micah 6: 8). Isaiah writes with dignity and power, condemning social systems which forget the needs of the poor. Amos, a “herdman and a gatherer of sycamore fruit” (Amos, 7: 14), declared God’s judgment upon the nations and upon Israel, also foretelling Israel’s restoration. Jeremiah dedicated himself to God, but was despised and persecuted by the people. He called for peace when nations prepared for war, and demanded an inward religion of sincerity at a time when priests were enforcing their orthodox codes.
The Hidden Wisdom In The Holy Bible (1963), Volume II

God , History , Law , People