“For the translator of poetry, there is no activity that brings you into a closer, more intimate contact with language, both the second language and your own language, which translation allows you to experience freshly. Of course, translation is the impossible art which is why it attracts often the best minds, at least those driven by difficulty. The best metaphor I know for translation is from my friend Eamon Grennan, who translated the poems of Leopardi. It's like walking in a clear mountain stream, looking at colorful stones in the water. You find one so gorgeous, you put it in your pocket, take it home and put it on a shelf. In the morning you are surprised that the stone looks so dull and without luster. You have the stone, but you have removed it from the water of its home language so it has lost its luster.”

Interview with Kritya: In the Name of Poetry

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Billy Collins9

American poet 1941

Media Kashigar (1956–2017) Iranian translator, writer and poet

Source: The best critic of a translation is its second translation, Center for the Great Islamic Encyclopedia, 2013 https://www.cgie.org.ir/fa/news/3001

“Literary translation may be considered as rivalry between two languages (or even between two cultures) which vie to express the original idea better. It should be faithful to the original at least, and beautiful at best. A literary translator should exploit the advantage of the target language, that is to say, make the fullest possible use of the best expressions of the target language in order to make the reader understand, enjoy and delight in the translated text.”

Xu Yuanchong (1921) Translator of Chinese poetry

"New Translation Theories of the New Age" http://en.cnki.com.cn/Article_en/CJFDTOTAL-ZGFY200003000.htm, Chinese Translators Journal, 2000, issue 3, p. 2

“Translations [into the German language], even the best ones, proceed from a mistaken premise. They want to turn Hindi, Greek, English into German instead of turning German into Hindi, Greek, English. … The basic error of the translator is that he preserves the state in which his own language happens to be instead of allowing his language to be powerfully affected by the foreign tongue.”

Rudolf Pannwitz (1881–1969) German writer and philosopher

Unsere übertragungen, auch die besten, gehen von einem falschen grundsatz aus, sie wollen das indische, griechische, englische verdeutschen, anstatt das deutsche zu verindischen, vergriechischen, verenglischen. ... Der grundsätzliche irrtum des übertragenden ist, daß er den zufälligen stand der eigenen sprache festhält, anstatt sie durch die fremde gewaltig bewegen zu lassen.
Die Krisis der europäischen Kultur (1917), as translated in Walter Benjamin, Selected Writings: Volume 1, 1913-1926 (1996), pp. 261-262

“The language of Europe is translation.”

Umberto Eco (1932–2016) Italian semiotician, essayist, philosopher, literary critic, and novelist

Statement in a lecture at the Assises de la Traduction littéraire in Arles (14 November 1993) http://www.eutrio.be/language-europe-translation

“On translating text into the new language as it is in source language, there is a chance of it being emerged as an absurd sentence in the target language making no sense at all. In the attempt to make the translation meaningful to the target language, there exists a risk of the original work getting meddled by the translator’s style.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span> <br class="br">From Prose

“The best critic of a translation is its second translation and nothing else. The person who translates a text should have something to say about that.”

Media Kashigar (1956–2017) Iranian translator, writer and poet

Source: The best critic of a translation is its second translation, Center for the Great Islamic Encyclopedia, 2013 https://www.cgie.org.ir/fa/news/3001

“Chance of source language influencing the target language and that of the translator intervening onto the style of original writer are major challenges in literary translation.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist