Quotes about mark
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Alexandra Kollontai photo
Guy De Maupassant photo
George Lippard photo
Gerald Durrell photo

“Halfway up the slope, guarded by a group of tall, slim, cypress-trees, nestled a small strawberry-pink villa, like some exotic fruit lying in the greenery. The cypress-trees undulated gently in the breeze, as if they were busily painting the sky a still brighter blue for our arrival.
The villa was small and square, standing in its tiny garden with an air of pink-faced determination. Its shutters had been faded by the sun to a delicate creamy-green, cracked and bubbled in places. The garden, surrounded by tall fuschia hedges, had the flower beds worked in complicated geometrical patterns, marked with smooth white stones. The white cobbled paths, scarcely as wide as a rake's head, wound laboriously round beds hardly larger than a big straw hat, beds in the shape of stars, half-moons, triangles, and circles all overgrown with a shaggy tangle of flowers run wild. Roses dropped petals that seemed as big and smooth as saucers, flame-red, moon-white, glossy, and unwrinkled; marigolds like broods of shaggy suns stood watching their parent's progress through the sky. In the low growth the pansies pushed their velvety, innocent faces through the leaves, and the violets drooped sorrowfully under their heart-shaped leaves. The bougainvillaea that sprawled luxuriously over the tiny iron balcony was hung, as though for a carnival, with its lantern-shaped magenta flowers. In the darkness of the fuschia-hedge a thousand ballerina-like blooms quivered expectantly. The warm air was thick with the scent of a hundred dying flowers, and full of the gentle, soothing whisper and murmur of insects.”

My Family and Other Animals (1956)

Nicholas D. Kristof photo

“Compassion isn’t a sign of weakness, but a mark of civilization.”

Nicholas D. Kristof (1959) journalist, author, columnist

" Where is the Love? http://www.nytimes.com/2013/11/28/opinion/kristof-where-is-the-love.html?src=recg", New York Times, 27 November 2013

Brad Garrett photo

“When I hit the six-foot mark at thirteen, I noticed the majority of the population was in denial with regard to my athletic potential. The townspeople refused to believe that I couldn't play ball.”

Brad Garrett (1960) actor, comedian, voice actor

When the Balls Drop https://books.google.com/books?idlLydBAAAQBAJ&pgPT0 (2015), Chapter 2, "Jews Don't Dribble."

Paul Klee photo

“Van Gogh is congenial to me, 'Vincent' in his letters. Perhaps nature does have something. There is no need, after all, to speak of the smell of earth; it has too peculiar a savor. The words we use to speak about it, I mean, have too peculair a savor. Too bad that the early Van Gogh was so fine a human being, but not so good as a painter, and that the later, wonderful artist is such a marked man. A mean should be found between these four points pf comparison: then, yes!”

Paul Klee (1879–1940) German Swiss painter

Quote (1908), # 808, in The Diaries of Paul Klee; University of California Press, 1964; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee - Part Three' : Klee as a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html
1903 - 1910

Jane Roberts photo
Joan Miró photo
Vātsyāyana photo
Asger Jorn photo
O. Henry photo
Andy Rooney photo

“Since so little is known about the early Macedonians, it is hardly strange that in both ancient and modern times there has been much disagreement on their ethnic identity. The Greeks in general and Demosthenes in particular looked upon them as barbarians, that is, not Greek. Modern scholarship, after many generations of argument, now almost unanimously recognises them as Greeks, a branch of the Dorians and ‘NorthWest Greeks’ who, after long residence in the north Pindus region, migrated eastwards. The Macedonian language has not survived in any written text, but the names of individuals, places, gods, months, and the like suggest strongly that the language was a Greek dialect. Macedonian institutions, both secular and religious, had marked Hellenic characteristics and legends identify or link the people with the Dorians. During their sojourn in the Pindus complex and the long struggle to found a kingdom, however, the Macedonians fought and mingled constantly with Illyrians, Thracians, Paeonians, and probably various Greek tribes. Their language naturally acquired many Illyrian and Thracian loanwords, and some of their customs were surely influenced by their neighbours[…] To the civilised Greek of the fifth and fourth centuries, the Macedonian way of life must have seemed crude and primitive. This backwardness in culture was mainly the result of geographical factors. The Greeks, who had proceeded south in the second millennium, were affected by the many civilising influences of the Mediterranean world, and ultimately they developed that very civilising institution, the polis. The Macedonians, on the other hand, remained in the north and living for centuries in mountainous areas, fighting with Illyrians, Thracians, and amongst themselves as tribe fought tribe, developed a society that may be termed Homeric. The amenities of city-state life were unknown until they began to take root in Lower Macedonia from the end of the fifth century onwards.”

John V.A. Fine (1903–1987) American historian

"The Ancient Greeks: A Critical History", Harvard University Press, 1983, pgs 605-608

Letitia Elizabeth Landon photo
Johann Kaspar Lavater photo
Calvin Coolidge photo
Thomas Young (scientist) photo
Nathaniel Hawthorne photo
Jayant Narlikar photo
Johannes Kepler photo
Edith Hamilton photo
Thomas Gray photo

“Here rests his head upon the lap of Earth
A youth to Fortune and to Fame unknown.
Fair Science frowned not on his humble birth.
And Melancholy marked him for her own.”

Thomas Gray (1716–1771) English poet, historian

The Epitaph, St. 1
Elegy Written in a Country Churchyard http://www.thomasgray.org/cgi-bin/display.cgi?text=elcc (written 1750, publ. 1751)

Ian Hacking photo
Thomas Henry Huxley photo
Henry Adams photo
Ivan Turgenev photo
Jayant Narlikar photo
William Moulton Marston photo

“The talkies are the only art that would attract Leonardo da Vinci were he alive to-day. This art is a baby giant, as clumsy as all babies are…we don't know what the baby will be doing and saying when it grows up. But we are sure it will make its mark in the world.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

Martson, Pitkin, The Art of Sound Pictures (1929), p. vi; Jill Lepore, The Secret History of Wonder Woman (2014), p. 140.

Jean Metzinger photo
Michael Hudson (economist) photo

“The one sure mark of a con, though, is the promise of free money.”

Michael Hudson (economist) (1939) American economist

" The $4.7 trillion pyramid: Why Social Security won't be enough to save Wall Street http://www.harpers.org/archive/2005/04/0080499" in Harper's Magazine (April 2005)

Jane Roberts photo
Phillip Guston photo
Roy Lichtenstein photo

“my work is actually different from comic strips in that every mark is really in a different place, however slight the difference seems to some. The difference is often not great, but it is crucial.”

Roy Lichtenstein (1923–1997) American pop artist

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

John Galsworthy photo

“If a man’s deeds do not outlive him, of what value is a mark in stone?”

Sean Russell (1952) author

Source: World Without End (1995), Chapter 24 (p. 341)

Clive Staples Lewis photo
Jonathan Edwards photo

“To mark all that I say in conversation, merely to beget in others, a good opinion of myself, and examine it.”

Jonathan Edwards (1703–1758) Christian preacher, philosopher, and theologian

Diary (10 November 1724).

Arundhati Roy photo
Agatha Christie photo

“Treasure maps; Czarist bonds; a case of stuffed dodos; Scarlett O'Hara's birth certificate; two flattened and deformed silver bullet heads in an old matchbox; Baedeker's guide to Atlantis (seventeenth edition, 1902); the autograph score of Schubert's Unfinished Symphony, with Das Ende written neatly at the foot of the last page; three boxes of moon rocks; a dumpy, heavy statuette of a bird covered in dull black paint, which reminded him of something but he couldn't remember what; a Norwich Union life policy in the name of Vlad Dracul; a cigar box full of oddly shaped teeth, with CAUTION: DO NOT DROP painted on the lid in hysterical capitals; five or six doll's-house-sized books with titles like Lilliput On $2 A Day; a small slab of green crystal that glowed when he opened the envelope; a thick bundle of love letters bound in blue ribbon, all signed Margaret Roberts; a left-luggage token from North Central railway terminus, Ruritania; Bartholomew's Road Atlas of Oz (one page, with a yellow line smack down the middle); a brown paper bag of solid gold jelly babies; several contracts for the sale and purchase of souls; a fat brown envelope inscribed To Be Opened On My Death: E. A. Presley, unopened; Oxford and Cambridge Board O-level papers in Elvish language and literature, 1969-85; a very old drum in a worm-eaten sea-chest marked F. Drake, Plymouth, in with a load of minute-books and annual accounts of the Winchester Round Table; half a dozen incredibly ugly portraits of major Hollywood film stars; Unicorn-Calling, For Pleasure & Profit by J. R. Hartley; a huge collection of betting slips, on races to be held in the year 2019; all water, as far as Paul was concerned, off a duck's {back]”

Tom Holt (1961) British writer

The Portable Door (2003)

“Those of us who make a mark use someone else's blood.
Our western stain won't wash away; it won't vanish in the flood.”

" The Burning City Smoking https://www.youtube.com/watch?v=u3YmL6Fc3K4," Put Your Ghost to Rest (2006)

François Bernier photo

“Most towns in Hindustan are made up of earth, mud, and other wretched material; that there is no city or town (that) does not bear evident marks of approaching decay.”

François Bernier (1620–1688) French physician and traveller

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan.
Travels in the Mogul Empire (1656-1668)

James A. Garfield photo
Frederick Douglass photo

“We all know what the negro has been as a slave. In this relation we have his experience of two hundred and fifty years before us, and can easily know the character and qualities he has developed and exhibited during this long and severe ordeal. In his new relation to his environments, we see him only in the twilight of twenty years of semi-freedom; for he has scarcely been free long enough to outgrow the marks of the lash on his back and the fetters on his limbs. He stands before us, today, physically, a maimed and mutilated man. His mother was lashed to agony before the birth of her babe, and the bitter anguish of the mother is seen in the countenance of her offspring. Slavery has twisted his limbs, shattered his feet, deformed his body and distorted his features. He remains black, but no longer comely. Sleeping on the dirt floor of the slave cabin in infancy, cold on one side and warm on the other, a forced circulation of blood on the one side and chilled and retarded circulation on the other, it has come to pass that he has not the vertical bearing of a perfect man. His lack of symmetry, caused by no fault of his own, creates a resistance to his progress which cannot well be overestimated, and should be taken into account, when measuring his speed in the new race of life upon which he has now entered.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1880s, The Future of the Colored Race (1886)

Toni Morrison photo
Robinson Jeffers photo
Letitia Elizabeth Landon photo
Hayley Jensen photo
Ralph Waldo Emerson photo

“Beauty is the mark God sets upon virtue.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Source: 1830s, Nature http://www.emersoncentral.com/nature.htm (1836), Ch. 3, Beauty

“Interview, Mark Thwaite, 12th August 2005. 'Ready Steady Book for literature”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Other Quotes

Gordon B. Hinckley photo
Richard Leakey photo
Bruce Fein photo
Georges Braque photo
Étienne Bonnot de Condillac photo

“The tone in which an Englishman expresses anger would, in Italy, be only a mark of surprise.”

Étienne Bonnot de Condillac (1714–1780) French academic

As quoted in David Booth, The principles of English composition (1831), p. 8.

“…Once you entomb mathematics in an artificial language à la Hilbert, once you set up a completely formal axiomatic system, then you can forget that it has any meaning and just look at it as a game that you play with marks on paper that enable you to deduce theorems from axioms. You can forget about the meaning of the game, the game of mathematical reasoning, it's just combinatorial play with symbols! There are certain rules, and you can study these rules and forget that they have any meaning!”

Gregory Chaitin (1947) Argentinian mathematician and computer scientist

1999 Lecture—"A Century of Controversy over the Foundations of Mathematics" at U. Massachusetts at Lowell, quoted in [2012, Conversations with a Mathematician: Math, Art, Science and the Limits of Reason, Springer, https://books.google.com/books?id=DczTBwAAQBAJ&pg=PA15] p. 15

“One of the most clearly marked trends for over twenty years has been the decline in civil liberties.”

Source: The Greening of America (1970), Chapter XI : Revolution By Consciousness, p. 301

Richard Strauss photo

“I hope, most revered Maestro, that these metronome markings, in my opinion wholly unneeded by you, are specific enough. Where they do not fit with your conception, I implore you urgently just to ignore them.”

Richard Strauss (1864–1949) German composer and orchestra director

Letter to Hans Von Bulow, 15th January 1890, in Schuh and Trenner, Hans von Bulow and Richard Strauss: Correspondence, in English Boosey and Hawkes 1955. Von Bulow had asked for metronome markings from Strauss for Don Juan. [Italics Strauss]
Other sources

Oliver Wendell Holmes photo
John F. Kennedy photo

“The green beret' is again becoming a symbol of excellence, a badge of courage, a mark of distinction in the fight for freedom. I know the United States Army will live up to its reputation for imagination, resourcefulness, and spirit as we meet this challenge.”

John F. Kennedy (1917–1963) 35th president of the United States of America

"Letter to the United States Army" (11 April 1962) http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx; Box 5, President's Outgoing Executive Correspondence, White House Central Chronological Files, Papers of John F. Kennedy, John F. Kennedy Presidential Library
1962

John Gray photo
Otto Weininger photo
John Ireland (bishop) photo
Benoît Mandelbrot photo
Timothy Dwight IV photo

“Another one goes, and I'm so underwhelmed that I can't even be bothered to use the obligatory exclamation mark after 'wicket'. All it took was the most rudimentary wicket-to-wicket hustle from Reekers, who is something of a corpulent Ian Austin, and Haq was cleaned up as he played miserably around his pads.”

Rob Smyth (1977) English/Irish rugby league player

Cricket World Cup 2007; Group A: Scotland v Netherlands; Over-by-over: Scotland innings http://sport.guardian.co.uk/cricketworldcup2007/story/0,,2040562,00.html (22 March 2007)

George William Curtis photo

“Mayor Macbeth, of Charleston, told General Howard that he did not believe that a bureau at Washington could manage the social relations of the people from the Potomac to the Rio Grande. But the answer to Mayor Macbeth is that he and his companions have managed those relations at a cost to the country of four years of civil war, three thousand millions of dollars, and hundreds of thousands of lives. The Freedmen's Bureau will hardly be as expensive as that. And while such a bureau merely defends the rights of a certain class under the laws, the aid societies give them that education which in the present state of local feeling would be inevitably withheld. The mighty arch of Sherman, wasting and taming the land, is followed by the noiseless steps of the band of unnamed heroes and heroines who are teaching the people. The soldier drew the furrow, the teacher drops the seed. There is many and many a devoted woman, hidden at this moment in the lowliest cabins of the South, whose name poets will not sing nor historians record, but whose patient toil the eye that marks the sparrow's fall beholds and approves. Not more noble, not more essential, was the work of the bravest and most famous of the heroes who fell in the wild storm of battle, than that of many a woman to us unknown, faithful through privation and exposure and disease, and perishing at the lonely outpost of duty in the act of helping the nation keep its word.”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)

Albert Barnes photo
William Ewart Gladstone photo
Learned Hand photo
Ervin László photo
Ellen G. White photo

“We do not mark out any precise line to be followed in diet; but we do say that in countries where there are fruits, grains, and nuts in abundance, flesh food is not the right food for God's people.”

Ellen G. White (1827–1915) American author and founder/leader of the Seventh-Day Adventist Church

Vol. 9 http://www.whiteestate.org/books/egwhc/EGWHCc27.html#sth6, p. 159
Testimonies for the Church (1855 - 1868)

Doris Lessing photo

“It is the mark of great people to treat trifles as trifles and important matters as important.”

Doris Lessing (1919–2013) British novelist, poet, playwright, librettist, biographer and short story writer

Denn zu einem großen Manne gehört beides: Kleinigkeiten als Kleinigkeiten, und wichtige Dinge als wichtige Dinge zu behandeln.
Gotthold Ephraim Lessing, Hamburgische Dramaturgie (1767 - 1769), Vierunddreißigstes Stück Den 25. August 1767 http://www.gutenberg.org/files/10055/10055-8.txt
Misattributed

Nikolai Gogol photo
Sören Kierkegaard photo

“You have surely noticed among schoolboys, that the one that is regarded by all as the boldest is the one who has no fear of his father, who dares to say to the others, "Do you think I am afraid of him?" On the other hand, if they sense that one of their number is actually and literally afraid of his father, they will readily ridicule him a little. Alas, in men’s fear-ridden rushing together into a crowd (for why indeed does a man rush into a crowd except because he is afraid!) there, too, it is a mark of boldness not to be afraid, not even of God. And if someone notes that there is an individual outside the crowd who is really and truly afraid – not of the crowd, but of God, he is sure to be the target of some ridicule. The ridicule is usually glossed over somewhat and it is said: a man should love God. Yes, to be sure, God knows that man’s highest consolation is that God is love and that man is permitted to love Him. But let us not become too forward, and foolishly, yes, blasphemously, dismiss the tradition of our fathers, established by God Himself: that really and truly a man should fear God. This fear is known to the man who is himself conscious of being an individual, and thereby is conscious of his eternal responsibility before God.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Søren Kierkegaard, Purity of Heart, 1847 Steere translation p. 196-197
1840s, Upbuilding Discourses in Various Spirits (1847), Purity of Heart (1847)

George W. Bush photo
Alan Moore photo
Jeff Flake photo
Nelson Mandela photo
Rudolf Höss photo
Robert Cecil, 1st Viscount Cecil of Chelwood photo
Kent Hovind photo
Warren Farrell photo

“Listening in response to criticism mandates a shift in our internal psyche that marks perhaps the most important single evolutionary shift humans can make.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Women Can't Hear What Men Don't Say (2000), p. 41.

William Cullen Bryant photo

“Vainly the fowler's eye
Might mark thy distant flight to do thee wrong,
As, darkly painted on the crimson sky,
Thy figure floats along.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

To a Waterfowl http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page20, st. 2 (1815)

John Maynard Keynes photo

“The power to become habituated to his surroundings is a marked characteristic of mankind.”

Source: The Economic Consequences of the Peace (1919), Chapter I, p. 3

John Napier photo

“31 Proposition. The visible marks of the Beast, are the abused characters, of λρς and crosses of all kindes, taken out of the number of the first beasts name.”

John Napier (1550–1617) Scottish mathematician

A Plaine Discovery of the Whole Revelation of St. John (1593), The First and Introductory Treatise