Quotes about lighting
page 6

as quoted in Discovering Art, – The life time and work of the World’s greatest Artists, MONET; K.E. Sullivan, Brockhamptonpress, London 2004, p. 10
after Monet's death

This quotation, often attributed on the Internet to Plato, cannot be found in any of Plato's writings, nor can it be found in any published work anywhere until recent years. If it really were a quotation by Plato, then some author in the recorded literature of the last several centuries would have mentioned that quote, but they did not. The sentiment isn't new, however. The ancient Roman Seneca, in his work on "Morals," quoted an earlier Roman writer, Lucretius (who wrote about the year 50 B.C.), as saying "we are as much afraid in the light as children in the dark." (Seneca was paraphrasing a longer passage by Lucretius from De Rerum Natura (On the Nature of Things), Book II, lines 56 et seq.)
Misattributed

Letter to Reinhardt Kleiner (14 September 1919), in Selected Letters I, 1911-1924 edited by August Derleth and Donald Wandrei, pp. 86-87
Non-Fiction, Letters

“A University should be a place of light, of liberty, and of learning.”
Source: Speech http://hansard.millbanksystems.com/commons/1873/mar/11/second-reading-adjourned-debate in the House of Commons (11 March 1873).

interviewed on the Danish Monitor radio programme 2005-11-30

<p>À dolorosa luz das grandes lâmpadas eléctricas da fábrica
Tenho febre e escrevo.
Escrevo rangendo os dentes, fera para a beleza disto,
Para a beleza disto totalmente desconhecida dos antigos.</p><p>Ó rodas, ó engrenagens, r-r-r-r-r-r-r eterno!
Forte espasmo retido dos maquinismos em fúria!
Em fúria fora e dentro de mim,
Por todos os meus nervos dissecados fora,
Por todas as papilas fora de tudo com que eu sinto!
Tenho os lábios secos, ó grandes ruídos modernos,
De vos ouvir demasiadamente de perto,
E arde-me a cabeça de vos querer cantar com um excesso
De expressão de todas as minhas sensações,
Com um excesso contemporâneo de vós, ó máquinas!</p>
Álvaro de Campos (heteronym), Ode Triunfal ["Triumphal Ode"] (1914), in A Little Larger Than the Entire Universe, trans. Richard Zenith (Penguin, 2006)

“For the spiritual power of a sacrament is like light in this way: it is both received pure by those to be enlightened, and if it passes through the impure it is not defiled.”
Spiritalis enim virtus Sacramenti ita est ut lux: et ab illuminandis pura excipitur, et si per immundos transeat, non inquinatur.
Tractates on the Gospel of John; tractate V on John 1:33, §15; translation by R. Willems
Compare:
The sun, too, shines into cesspools and is not polluted.
Diogenes Laërtius, Lib. vi. section 63
A very weighty argument is this — namely, that neither does the light which descends from thence, chiefly upon the world, mix itself with anything, nor admit of dirtiness or pollution, but remains entirely, and in all things that are, free from defilement, admixture, and suffering.
Julian, in Upon the Sovereign Sun http://www.tertullian.org/fathers/julian_apostate_1_sun.htm, (c. December 362), as translated by C. W. King in Julian the Emperor (1888) - Full text online http://www.archive.org/details/julianemperorco00juligoog
The sun, which passeth through pollutions and itself remains as pure as before.
Francis Bacon, Advancement of Learning, Book II (1605)

"On Light And Other High Frequency Phenomena" A lecture delivered before the Franklin Institute, Philadelphia (24 February 1893), and before the National Electric Light Association, St. Louis (1 March 1893), published in The Electrical review (9 June 1893), p. Page 683; also in The Inventions, Researches And Writings of Nikola Tesla (1894)

Confessions of Jean-Jacques Rousseau (1765-1770; published 1782), On the musicians of the Ospedale della Pieta (book VII)

1790s, Discourse to the Theophilanthropists (1798)

Then clap your wings, mount to heaven, and there laugh them to scorn, for ye have made your refuge God, and shall find a most secure abode.
"No. 17: Joseph Attacked by the Archers (Genesis 49:23–24, delivered on Sunday 1855-04-01)" pp.130
Sermons delivered in Exeter Hall, Strand, during the enlargement of New Park Street Chapel, Southmark (1855)

“14. Just as the sun gives light to the moon this heart bestows the effulgence on the mind.”
The Science of the Heart

Source: Joseph Nechvatal. in: " Origins of Virtualism: An Interview with Frank Popper http://www.mediaarthistory.org/refresh/Programmatic%20key%20texts/pdfs/Popper.pdf," in: Media Art History, 2004.

Bridge of Light, written by Pink and Billy Mann, from the soundtrack to Happy Feet Two (2011)
Song lyrics

The Light Has Gone Out (1948)

The Notebooks of Leonardo da Vinci (1883), IV Perspective of Disappearance

"Two Essays in Analytical Psychology" In CW 7: P. 188 (1967)

Query 21
Opticks (1704)

Letter to Edith, as quoted in J. R. R. Tolkien: a biography (1977) by Humphrey Carpenter, p. 66

“Amidst all of these flashing lights I pray The Fame wont take my life.”
Performing "Paparazzi" in MTV VMA'S '09.

Bhagavad-Gita As It Is, Bhaktivedanta Book Trust, 1972. Chapter 10, verse 21, purport. Vedabase http://www.vedabase.com/en/bg/10/21
Quotes from Books: Loving God, Quotes from Books: Regression of Science

"License of the Press", an address before the Monday Evening Club, Hartford (1873)

Note to Stanza 28 part 4
Spiritual Canticle of The Soul and The Bridegroom, Notes to the Stanzas

Falsely attributed to Darwin, but actually from The Clansman: An Historical Romance of the Ku Klux Klan (1905) by Thomas Dixon, page 134 http://www.freefictionbooks.org/books/c/11773-the-clansman-by-thomas-dixon?start=133.
Misattributed

Query 20
Opticks (1704)

Fly not yet.
Bartlett's Familiar Quotations, 10th ed. (1919)

“Excuse me while I light my spliff, good God I gotta take a lift.”
Easy Skanking, from the album Kaya (1978)
Song lyrics

St. 8
Song: Rarely, Rarely, Comest Thou http://www.poetryconnection.net/poets/Percy_Bysshe_Shelley/17889 (1821)

The Practice of Psychotherapy, p. 364 (1953)

Source: Consciencism (1964), Philosophy In Retrospect, pp. 5-6.

Aber wie verändert sich plötzlich jene eben so düster geschilderte Wildniss unserer ermüdeten Cultur, wenn sie der dionysische Zauber berührt! Ein Sturmwind packt alles Abgelebte, Morsche, Zerbrochne, Verkümmerte, hüllt es wirbelnd in eine rothe Staubwolke und trägt es wie ein Geier in die Lüfte. Verwirrt suchen unsere Blicke nach dem Entschwundenen: denn was sie sehen, ist wie aus einer Versenkung an's goldne Licht gestiegen, so voll und grün, so üppig lebendig, so sehnsuchtsvoll unermesslich. Die Tragödie sitzt inmitten dieses Ueberflusses an Leben, Leid und Lust, in erhabener Entzückung, sie horcht einem fernen schwermüthigen Gesange - er erzählt von den Müttern des Seins, deren Namen lauten: Wahn, Wille, Wehe.
Ja, meine Freunde, glaubt mit mir an das dionysische Leben und an die Wiedergeburt der Tragödie. Die Zeit des sokratischen Menschen ist vorüber: kränzt euch mit Epheu, nehmt den Thyrsusstab zur Hand und wundert euch nicht, wenn Tiger und Panther sich schmeichelnd zu euren Knien niederlegen. Jetzt wagt es nur, tragische Menschen zu sein: denn ihr sollt erlöst werden. Ihr sollt den dionysischen Festzug von Indien nach Griechenland geleiten! Rüstet euch zu hartem Streite, aber glaubt an die Wunder eures Gottes!
Source: The Birth of Tragedy (1872), p. 98

Variants:
A good traveller has no fixed plan and is not intent on arriving.
As quoted in In Search of King Solomon's Mines (2003) by Tahir Shah, p. 217
A true traveller has no fixed plan, and is not intent on arriving.
Source: Tao Te Ching, Ch. 27, as interpreted by Stephen Mitchell (1992)

As quoted in Mother Teresa: Come Be My Light (2007) http://www.awakin.org/read/view.php?tid=189 by Brian Kolodiejchuk <!-- *If I ever become a saint, I will surely be one of 'darkness'. I will be absent from heaven for those in darkness on earth.
-->
2000s

Thomas J. Sargent, "The Ends of Four Big Inflations" (1981).

“Light was first
Through the Lord's word Named day:
Beauteous, bright creation!”
Creation. The First Day (c. 670).

Herbart (1982b, p. 22), as cited in: Norbert Hilgenheger, "Johann Friedrich Herbart (1776-1841)." Kwartalnik Pedagogiczny 3-4 (1999): 5-26.

“It started out as a light romance, but he became demanding and possessive.”
On her relationship with Roman Polanski, as quoted in Cameron Docherty, Interview: Nastassja Kinski - Still a daddy's girl, The Independent, September 26, 1997

"Repentance and Impenitence" p. 368
Lectures on Systematic Theology (1878)

“My best birth control now is just to leave the lights on.”
As quoted in On Being Blonde (2004), by P. Munier, p. 84

The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade

"Nationalism in the West", 1917. Reprinted in Rabindranath Tagore and Mohit K. Ray, Essays (2007, p. 489). Also cited in Parmanand Parashar, Nationalism: Its Theory and Principles in India (1996, p. 213-14).

On First Principles, Bk. 2, ch. 11; vol. 1, p. 148
On First Principles

Lady Gaga Says 'Judas' Video 'Celebrates Faith' in MTV News (26 Apr 26 2011) http://www.mtv.com/news/articles/1662707/lady-gaga-judas-music-video.jhtml.

The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting

Art of the 20th century, Part 1 by Karl Ruhrberg, Klaus Honnef, Manfred Schneckenburger, Ingo F. Walther, Christiane Fricke (2000) p. 627.

Source: Striking Thoughts (2000), p. 23

Return to Tipasa (1954)
Variant translation: In the depths of winter, I finally learned that within me there lay an invincible summer.
As translated in Lyrical and Critical Essays (1968), p. 169; also in The Unquiet Vision : Mirrors of Man in Existentialism (1969) by Nathan A. Scott, p. 116

“To say the truth, whatever improvement private study may produce, there is still a peculiar advantage attendant on our appearance in the forum, where the light is different and there is an appearance of real responsibility quite different from the fictitious cases of the schools. If we estimate the two separately, practice without learning will be of more avail than learning without practice.”
Et hercule quantumlibet secreta studia contulerint, est tamen proprius quidam fori profectus, alia lux, alia veri discriminis facies, plusque, si separes, usus sine doctrina quam citra usum doctrina valeat.
Book XII, Chapter VI, 4; translation by Rev. John Selby Watson
De Institutione Oratoria (c. 95 AD)

The Discipline Of Transcendence (1978)

“All in the waning light she stood,
The star of perfect womanhood.”
Three Sunsets (1861), st. 1
Three Sunsets and Other Poems (1898)

The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade

The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting

First Homily, as translated by John Burnaby (1955), p. 262
Ten Homilies on the First Epistle of John (414)
“By candle-light nobody would have taken you for above five-and-twenty.”
The Maide of the Mill (1765), Act i, scene 2.

Quote from his writings Thoughts on Art, Caspar David Friedrich; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 33-34
undated
Song Pack Up Your Troubles in Your Old Kit Bag (1915).

Section 253
2010s, 2013, Evangelii Gaudium · The Joy of the Gospel

Cited in Awake! magazine, 1995, 8/22; article: The Evils of Nazism Exposed.
In 1933, The Golden Age carried the first of many reports of the existence of concentration camps in Germany. In 1938, Jehovah’s Witnesses published the book Crusade Against Christianity, in French, German, and Polish. It carefully documented the vicious Nazi attacks on the Witnesses and included diagrams of the Sachsenhausen and Esterwegen concentration camps.

2009, First Inaugural Address (January 2009)

“I can no longer work outside because of the intensity of the light.”
in the Summer of 1920, to Gustave Geffroy. Monet in the 20th Century, by Paul Hayes Tucker.
1920 - 1926

Das Zentrum der geistigen Selbstdisziplin als solcher ist in Zersetzung begriffen. Die Tabus, die den geistigen Rang eines Menschen ausmachen, oftmals sedimentierte Erfahrungen und unartikulierte Erkenntnisse, richten sich stets gegen eigene Regungen, die er verdammen lernte, die aber so stark sind, daß nur eine fraglose und unbefragte Instanz ihnen Einhalt gebieten kann. Was fürs Triebleben gilt, gilt fürs geistige nicht minder: der Maler und Komponist, der diese und jene Farbenzusammenstellung oder Akkordverbindung als kitschig sich untersagt, der Schriftsteller, dem sprachliche Konfigurationen als banal oder pedantisch auf die Nerven gehen, reagiert so heftig gegen sie, weil in ihm selber Schichten sind, die es dorthin lockt. Die Absage ans herrschende Unwesen der Kultur setzt voraus, daß man an diesem selber genug teilhat, um es gleichsam in den eigenen Fingern zucken zu fühlen, daß man aber zugleich aus dieser Teilhabe Kräfte zog, sie zu kündigen. Diese Kräfte, die als solche des individuellen Widerstands in Erscheinung treten, sind darum doch keineswegs selber bloß individueller Art. Das intellektuelle Gewissen, in dem sie sich zusammenfassen, hat ein gesellschaftliches Moment so gut wie das moralische Überich. Es bildet sich an einer Vorstellung von der richtigen Gesellschaft und deren Bürgern. Läßt einmal diese Vorstellung nach—und wer könnte noch blind vertrauend ihr sich überlassen—, so verliert der intellektuelle Drang nach unten seine Hemmung, und aller Unrat, den die barbarische Kultur im Individuum zurückgelassen hat, Halbbildung, sich Gehenlassen, plumpe Vertraulichkeit, Ungeschliffenheit, kommt zum Vorschein. Meist rationalisiert es sich auch noch als Humanität, als den Willen, anderen Menschen sich verständlich zu machen, als welterfahrene Verantwortlichkeit. Aber das Opfer der intellektuellen Selbstdisziplin fällt dem, der es auf sich nimmt, viel zu leicht, als daß man ihm glauben dürfte, daß es eines ist.
E. Jephcott, trans. (1974), § 8
Minima Moralia (1951)

Sample of Bradwardine devotional writing quoted by James Burnes, The Church of England Magazine under the superintendence of clergymen of the United Church of England and Ireland Vol. IV (January to June 1838)

Source: What I Saw At Shiloh (1881), V

“No ray of Light can shine
if severed from its source.
Without my inner Light
I lose my course.”
The Cherubinic Wanderer

The Notebooks of Leonardo da Vinci (1883), IV Perspective of Disappearance

Quote, Jan. 1921, to journalist Marcel Pays. Monet in the 20th Century, by Paul Hayes Tucker.
1920 - 1926

Commentarius in Posteriorum Analyticorum Libros (c. 1217-1220)

Letter to Elizabeth Toldridge (9 October 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 423
Non-Fiction, Letters
From Quintin Jardine’s blog, ‘The Kindle threat’, September 29, 2010.

“The immediate facts are what we must relate to. Darkness and light, beginning and end.”
Source: The Last Messiah (1933), To Be a Human Being https://www.youtube.com/watch?v=u4m6vvaY-Wo&t=1110s (1989–90)

In a statement about Jesus Christ. While exiled on the rock of St. Helena, Napoleon called Count Montholon to his side and asked him, "Can you tell me who Jesus Christ was?" Upon the Count declining to respond Napoleon countered. Ravi Zacharias, Jesus Among Other Gods http://books.google.com/books?id=jSI9HnMHdPsC&pg=PA149&lpg=PA149&dq=napoleon+jesus+among+gods&source=bl&ots=CdsDSjamnm&sig=K3l7Ek972r7pyEFT681lbf3PVSQ&hl=en&sa=X&ei=nBqhUf3RL4au9AS37ICwCQ&ved=0CBYQ6AEwAA, p. 149, in Henry Parry Liddon (1868) The Divinity of Our Lord and Saviour Jesus Christ; Eight Lectures. New edition. https://books.google.com/books?id=IcINAAAAYAAJ&pg=PA148&dq#v=onepage&q&f=false pp. 147-148, and in Henry Parry Liddon (1869) The Divinity of Our Lord and Saviour Jesus Christ; Eight Lectures. Fourth edition. https://ia800203.us.archive.org/15/items/divinityofourlord00libbrich/divinityofourlord00libbrich.pdf pp. 147-148.
Attributed

Quote of Munch from: T 2770, (1890); as cited in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, pp. 83-84
1880 - 1895

Interviewed on the Danish Monitor radio programme 2005-11-30

Claude Monet, 1891; as cited in: National Gallery of Australia, Michael Lloyd, Michael Desmond (1992), European and American paintings and sculptures 1870-1970 in the Australian National Gallery, p. 75
1890 - 1900

1900s, Letter to Winfield T. Durbin (1903)

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective

Source: The Autobiography of Malcolm X (1965), p. 418

Source: 1960s, Continuities in Cultural Evolution (1964), p. 338