
The Notebooks of Leonardo Da Vinci (1938), I Philosophy
The Notebooks of Leonardo Da Vinci (1938), I Philosophy
Newsday staff (September 13, 2002) "START / Fast Chat Matthew Perry", Newsday, Newsday Inc., p. D03.
1850s, The House Divided speech (1858)
“The truth sometimes not sought for comes forth to the light.”
The Girl Who Gets Flogged, fragment 422.
2014, Review of Signals Intelligence Speech (June 2014)
Niels Bohr, "Atomic Physics and the Description of Nature" (1934)
Query 21
Opticks (1704)
Track 5: "Candidacy" The Past Didn't go Anywhere, Righteous Babe Records (1996)
"Be Strong".
Legends and Lyrics: A Book of Verses (1858)
Reply upon being asked how he made his discoveries, as quoted in " Biographia Britannica: Or the Lives of the Most Eminent Persons who Have Flourished in Great Britain from the Earliest Ages Down to the Present Times, Volume 5 http://books.google.es/books?id=rYhDAAAAcAAJ&pg=PA3241&dq=I+keep+the+subject+constantly+before+me+and+wait+till+the+first+dawnings+open+little+by+little+into+the+full+light.&hl=es&sa=X&ei=ZBsMUpiLDpPU8wTEkYGAAQ&ved=0CEMQ6AEwAg#v=onepage&q=I%20keep%20the%20subject%20constantly%20before%20me%20and%20wait%20till%20the%20first%20dawnings%20open%20little%20by%20little%20into%20the%20full%20light.&f=false", by W. Innys, (1760), p. 3241.
Je vais t'entretenir de moindres aventures,
Te tracer en ces vers de légères peintures;
Et si de t'agréer je n'emporte le prix,
J'aurai du moins d'honneur de l'avoir entrepris.
Book I (1668), Dedication "To Monseigneur the Dauphin".
Fables (1668–1679)
A Path to Freedom (2010), p. 64
Un Art de Vivre (The Art of Living) (1939), The Art of Family Life
Original: (ru) Человечество не останется вечно на земле, но в погоне за светом и пространством сначала робко проникнет за пределы атмосферы, а затем завоюет себе все околосолнечное пространство
Source: from Воздухоплавание в наше время // Современный мир. — 1912. — № 7. — С. 260. (and His epitaph)
Source: Mentioned in Beyond the Planet Earth, by K. Tsiolkovsky (1920), translated by K. Syers (1960), reviewed by M. G. Whillans, Journal of the Royal Astronomical Society of Canada, Vol. 55 (1961), p. 144 http://articles.adsabs.harvard.edu//full/seri/JRASC/0055//0000144.000.html
“Science is spectral analysis. Art is light synthesis.”
Half-Truths and One-And-A-Half Truths (1976)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 601.
The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations
Query 5
Opticks (1704)
Source: Gamasutra.com (members only)
Perennial fashion — Jazz, as quoted in The Sociology of Rock (1978) by Simon Frith,
<span class="plainlinks"> In Midnight Street http://www.prachyareview.com/poems-by-suman-pokhrel/</span>
From Poetry
“Too late, you're in the express line!”
"Metaphorical Reasons", Live Songs and Stories (What Are Records?, 2002)
The Notebooks of Leonardo da Vinci (1883), XX Humorous Writings
Original: (de) Wir wollen stille sein und warten, bis ein Stern vom Himmel fällt. Siehst du, wie oben Licht an Licht sich zündet zu einem Dom! Wir sitzen im Schweigen und falten die Hände zum Gebet. Wir wollen stille sein und warten bis ein Stern vom Himmel fällt.
Source: Michael: a German fate in diary notes (1926)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 148.
Srimad Bhagavatam, Bhaktivedanta Book Trust, 1999. Canto 5, Chapter 24, verse 3, purport. Vedabase http://www.vedabase.com/en/sb/5/24/3
Quotes from Books: Loving God, Quotes from Books: Regression of Science
Das Lichtmikroskop öffnete das erste Tor zum Mikrokosmos. Das Elektronenmikroskop öffnete das zweite Tor zum Mikrokosmos. Was werden wir finden wenn wir das dritte Tor öffnen?
as quoted by Nan Yao, director of the Imaging and Analysis Center at the Princeton Materials Institute, in the Princeton Weekly Bulletin, February 26, 2001, Vol. 90, No. 18 http://www.princeton.edu/~iac/pwb2_26b.html.
“It is no advantage to be near the light if the eyes are closed.”
Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 607
Mendel makes several allusions to biblical verses, including John 20:15, Matthew 25:26 and John 10:10.
Sermon on Easter
Original: Jesus erschien den Jüngern nach der Auferstehung in verschiedener Gestalt. Der Maria Magdalena erschien er so, daß sie ihn für einen Gärtner halten mochte. Sehr sinnreich sind diese Erscheinungen Jesu und unser Verstand vermag sie schwer zu durchdringen. (Er erscheint) als Gärtner. Dieser pflanzt den Samen in den zubereiteten Boden. Das Erdreich muss physikalisch-chemisch Einwirkung ausüben, damit der Same aufgeht. Doch reicht das nicht hin, es muß noch Sonnenwärme und Licht hinzukommen nebst Regen, damit das Gedeihen zustandekommt. Das übernatürliche Leben in seinem Keim, der heiligmachenden Gnade wird in die von der Sünde gereinigte, also vorbereitete Seele des Menschen hineingesenkt und es muß der Mensch durch seine guten Werke dieses Leben zu erhalten suchen. Es muss noch die übernatürliche Nahrung dazukommen, der Leib des Herrn, der das Leben weiter erhält, entwickelt und zur Vollendung bringt. So muss Natur und Übernatur sich vereinigen, um das Zustandekommen der Heiligkeit des Menschen. Der Mensch muß sein Scherflein Arbeit hinzugeben, und Gott gibt das Gedeihen. Es ist wahr, den Samen, das Talent, die Gnade gibt der liebe Gott, und der Mensch hat bloß die Arbeit, den Samen aufzunehmen, das Geld zu Wechslern zu tragen. Damit wir »das Leben haben und im Überflusse haben.
“To send light into the depths of the human heart -- this is the artist's calling!”
Quotes in: John Sullivan Dwight (1856) Dwight's Journal of Music, Vol. 7-8, p. 12
Original: Licht senden in die Tiefen des menschlichen Herzens -- des Künstlers Beruf!; Quoted in E.W. Fritzsch (1884) Musikalisches Wochenblatt, Volume 15
Query 4
Opticks (1704)
Mais qu’un marchand de chameaux excite une sédition dans sa bourgade; qu’associé à quelques malheureux coracites il leur persuade qu’il s’entretient avec l’ange Gabriel; qu’il se vante d’avoir été ravi au ciel, et d’y avoir reçu une partie de ce livre inintelligible qui fait frémir le sens commun à chaque page; que, pour faire respecter ce livre, il porte dans sa patrie le fer et la flamme; qu’il égorge les pères, qu’il ravisse les filles, qu’il donne aux vaincus le choix de sa religion ou de la mort, c’est assurément ce que nul homme ne peut excuser, à moins qu’il ne soit né Turc, et que la superstition n’étouffe en lui toute lumière naturelle.
Referring to Muhammad, in a letter to Frederick II of Prussia (December 1740), published in Oeuvres complètes de Voltaire, Vol. 7 (1869), edited by Georges Avenel, p. 105
Citas
A Death in the Desert (1864)
Query 1
Opticks (1704)
Confusion of Feelings or Confusion: The Private Papers of Privy Councillor R. Von D (1927)
Song, reported in Bartlett's Familiar Quotations, 10th ed. (1919). This song was written and composed by Linley for Mr. Augustus Braham, and sung by him. It is not known when it was written,—probably about 1830. Another song, entitled "Though lost to Sight, to Memory dear," was published in London in 1880, purporting to have been written by Ruthven Jenkyns in 1703 and published in the "Magazine for Mariners". That magazine, however, never existed, and the composer of the music acknowledged, in a private letter, that he copied the words from an American newspaper. The reputed author, Ruthven Jenkyns, was living, under another name, in California in 1882.
Four Riddles, no. III
Rhyme? and Reason? (1883)
[50-innovation-quotes-from-spacex-founder-elon-musk, https://www.inc.com/larry-kim/50-innovation-amp;-success-quotes-from-spacex-founder-elon-musk.html?mc_cid=9410b2edd6&mc_eid=6e846ba3e0]
Periods of 25 Variable Stars in the Small Magellanic Cloud http://adsabs.harvard.edu/abs/1912HarCi.173....1L (1912)
“Shakespeare probably wrote a poem on that light bill, Mrs. Wingfield.”
Jim, Scene Seven
The Glass Menagerie (1944)
The Pillar of the Cloud http://www.bartleby.com/236/75.html, st. 1 (1833).
“The sun and its light, the ocean and the wave, the singer and his song — not one. Not two.”
Identity
One Minute Wisdom (1989)
The Telling of Me, by Me (1981)
Source: Meditations in Wall Street (1940), p. 80
“It is time that we steered by the stars, not by the lights of each passing ship.”
Statement (31 May 1948), quoted in An Inconvenient Truth : The Planetary Emergency Of Global Warming And What We Can Do About It (2006) by Al Gore
The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade
"The Transmission of Electric Energy Without Wires" in Electrical World and Engineer (5 March 1904)
Quel pur travail de fins éclairs consume
Maint diamant d'imperceptible écume,
Et quelle paix semble se concevoir!
Quand sur l'abîme un soleil se repose,
Ouvrages purs d'une éternelle cause,
Le temps scintille et le songe est savoir.
As translated by by C. Day Lewis
Charmes ou poèmes (1922)
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Quote from Friedrich's Diary-note, 1803; as cited by C. D. Eberlein in C. D. Friedrich - Bekenntnisse, pp. 72-73; translated and quoted by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 45
1794 - 1840
America, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
“Light propagates and spreads not only directly, through refraction, and reflection, but also by a fourth mode, diffraction.”
Lumen propagatur seu diffunditur non solum Directe, Refracte, ac Reflexe, sed etiam alio quodam quarto modo, Diffracte.
Physico-mathesis de lumine, coloribus, et iride, aliisque adnexis libri duo: opus posthumum, published in Bologna (1665), http://books.google.com/books?id=FzYVAAAAQAAJ&printsec=frontcover&source=gbs_summary_r&cad=0#PPP27,M1 Proposition I.
An Outline of Philosophy Ch.15 The Nature of our Knowledge of Physics (1927)
1920s
Richard Carrier, "Bad Science, Worse Philosophy", Addendum B, http://www.infidels.org/library/modern/richard_carrier/addendaB.html#et_al at The Secular Web (Internet Infidels: 2000)
About
“Before, beside us, and above
The firefly lights his lamp of love.”
Tour Through Ceylon; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 273.
Hymns
The Wondrous Tale of Alroy, pt. 5, ch. 5 (1833).
Books
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting
Travaillons enfin pour le bonheur du peuple, et que les legislateurs qui doivent éclairer le monde prennent leur course d'un pied hardi, comme le soleil.
Speech to the National Convention (December 27, 1792). [Source: Oeuvres Complètes de Saint-Just, Vol. 1 (2 vols., Paris, 1908), p. 383]
The Crisis No. I.
1770s, The American Crisis (1776–1783)
"Hypothesis explaining the Properties of Light" (1675)
The Notebooks of Leonardo da Vinci (1883), XVII Topographical Notes
1770s, African Slavery in America (March 1775)
Alwin Mittasch, as cited in: Ralph Edward Oesper, "Alwin Mittasch," Journal of Chemical Education (1948), 25, 532.
Delia http://www.luminarium.org/renlit/delia45.htm (1592), Sonnet XLV.
Reported in Mollie Hetherington, Famous Australians (1983), p. 252.
The Notebooks of Leonardo da Vinci (1883), VI Perspective of Colour and Aerial Perspective
"Hypothesis explaining the Properties of Light" (1675)
To Leon Goldensohn, July 20, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004 - Page 37
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting
Source: The Real Frank Zappa Book (1989), p. 239.
“Truth is the light
So you never give up the fight.”
Final jamming of Live at the Roxy (recorded 1976)
Song lyrics
War is a racket (1935)
Source: Common Sense, Vol. 4, No. 11 (November, 1935), p. 8. Quoted in 'I Might Have Given Al Capone a Few Hints' https://www.nytimes.com/1987/09/10/opinion/l-i-might-have-given-al-capone-a-few-hints-023587.html, The New York Times, September 10, 1987.
Ah a frescura na face de não cumprir um dever!
Faltar é positivamente estar no campo!
Que refúgio o não se poder ter confiança em nós!
Respiro melhor agora que passaram as horas dos encontros,
Faltei a todos, com uma deliberação do desleixo,
Fiquei esperando a vontade de ir para lá, que'eu saberia que não vinha.
Sou livre, contra a sociedade organizada e vestida.
Estou nu, e mergulho na água da minha imaginação.
E tarde para eu estar em qualquer dos dois pontos onde estaria à mesma hora,
Deliberadamente à mesma hora...
Está bem, ficarei aqui sonhando versos e sorrindo em itálico.
É tão engraçada esta parte assistente da vida!
Até não consigo acender o cigarro seguinte... Se é um gesto,
Fique com os outros, que me esperam, no desencontro que é a vida.
Álvaro de Campos (heteronym), "A Frescura" (1929), in Fernando Pessoa & Co: Selected Poems, trans. Richard Zenith (Grove Press, 1998)
Epitaph for his daughter, Olivia Susan Clemens (1896), this is actually a slight adaptation of the poem "Annette" by Robert Richardson; more details are available at "The Poem on Susy Clemens' Headstone" http://www.twainquotes.com/headstone.html
Misattributed
Socrates, p. 107. Ellipsis in original.
Eupalinos ou l'architecte (1921)