Quotes about lighting
page 29

Frank McCourt photo
Steve Allen photo
Lydia Maria Child photo

“I will work in my own way, according to the light that is in me.”

Lydia Maria Child (1802–1880) American abolitionist, author and women's rights activist

Letter to Ellis Gray Loring (1843).
1840s

Hillary Clinton photo

“Hark you shadows that in darkness dwell,
Learn to contemn light,
Happy, happy they that in hell
Feel not the world's despite.”

John Dowland (1563–1626) English Renaissance composer, lutenist, and singer

"Flow my tears", line 21, The Second Book of Songs.

Ben Jonson photo
Aleksis Kivi photo
Emily Brontë photo
Stefan Szczesny photo
Letitia Elizabeth Landon photo
Jerry Coyne photo

“After all, by what lights can you see atheism as a “leap of faith”? What is the “faith” there? Failure to accept gods is no more a leap of faith than is doubting the existence of the Loch Ness Monster, Bigfoot, or Santa Claus. It’s not “faith” when you refuse to accept a proposition for which there’s no evidence.”

Jerry Coyne (1949) American biologist

" Self-abasing atheist at the Guardian calls atheism is a “leap of faith” https://whyevolutionistrue.wordpress.com/2015/10/29/self-abasing-atheist-at-the-guardian-says-that-atheism-is-a-leap-of-faith/" October 29, 2015

Sun Ra photo

“Proper evaluations of words and letters in their phonetic and associated sense can bring the people of earth to the clear light of pure cosmic wisdom.”

Sun Ra (1914–1993) American jazz composer and bandleader

Liner notes for Cosmic Tones for Mental Therapy (1966)

André Breton photo
Gregory of Nyssa photo
Letitia Elizabeth Landon photo

“A light compliment was never yet breathed by love.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette, 1821-1822

Emily St. John Mandel photo
Alexis De Tocqueville photo

“As the past has ceased to throw its light upon the future, the mind of man wanders in obscurity.”

Variant translation: When the past no longer illuminates the future, the spirit walks in darkness.
Book Four, Chapter VIII
Democracy in America, Volume II (1840), Book Four

George William Curtis photo
Yehudi Menuhin photo

“We in the Western world have grown to understand matter as imprisoned light, and light as liberated matter, yet this has had no influence on our spiritual thought. In practical terms it only led to the creation of the atom bomb.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Source: Sushama Londhe A Tribute to Hinduism: Thoughts and Wisdom Spanning Continents and Time about India and Her Culture http://books.google.co.in/books?id=G3AMAQAAMAAJ, Pragun Publications, 2008, p. 341

James Anthony Froude photo
Giovanni Schiaparelli photo

“Mercury on its axis turns like the Moon:
One side has lasting day, the other night;
One side in everlasting fire doth swoon;
While th'other hides forever from the light.”

Giovanni Schiaparelli (1835–1910) Italian astronomer and science historian

Originally in Latin; translated by Agnes Mary Clerke (1842–1907)
Quoted in Sky and Telescope, March 2011, p. 33

Joseph Joubert photo
Steve Blank photo

“Light a path for the better angels. The world is counting on you.”

Steve Blank (1953) American businessman

Dalhousie University Commencement Speech (2017)

Conrad Aiken photo
Percy Bysshe Shelley photo

“Chameleons feed on light and air:
Poets' food is love and fame.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

An Exhortation http://www.poetryconnection.net/poets/Percy_Bysshe_Shelley/2579 (1819), st. 1

Henry Ward Beecher photo
Clifford D. Simak photo
William Ellery Channing photo
Samuel Taylor Coleridge photo
Christopher Golden photo
Colette Dowling photo
Peter Gabriel photo
Hesiod photo
Phillip Guston photo
Letitia Elizabeth Landon photo

“For my spirit hath left her earthly home
And found a nobler dwelling,
Where the music of light is that of life,
And the starry harps are swelling.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - Amenaïde
The Golden Violet (1827)

Pietro Metastasio photo

“In the dark a glimmering light is often sufficient for the pilot to find the polar star and to fix his course. To the pilgrim often a single footstep suffices to enable him to find his way across the bewildering plain.”

Fra l' ombre un lampo solo
Basta al nocchier fugace
Che già ritrova il polo,
Già riconosce il mar.
Al pellegrin ben spesso
Basta un vestigio impresso,
Perchè la via fallace
Non l'abbia ad ingannar.
Act I, scene 6.
Achille in Sciro (1736)

Michel Foucault photo

“The image of the lighted ship sliding under the waves, while the band carried on regardless, captured the public’s imagination.”

Steve Turner (1949) British writer

Source: The Band That Played On (Thomas Nelson, 2011), p. 7

Madeleine Stowe photo
José Martí photo
Camille Pissarro photo
Albert Einstein photo
Michael Ende photo

“You were compelled to?' he repeated. 'You mean you weren't sufficiently powerful to resist?'
'In order to seize power,' replied the dictator, 'I had to take it from those that had it, and in order to keep it I had to employ it against those that sought to deprive me of it.'
The chef's hat gave a nod. 'An old, old story. It has been repeated a thousand times, but no one believes it. That's why it will be repeated a thousand times more.'
The dictator felt suddenly exhausted. He would gladly have sat down to rest, but the old man and the children walked on and he followed them.
'What about you?' he blurted out, when he had caught the old man up. 'What do you know of power? Do you seriously believe that anything great can be achieved on earth without it?'
'I?' said the old man. 'I cannot tell great from small.'
'I wanted power so that I could give the world justice,' bellowed the dictator, and blood began to trickle afresh from the wound in his forehead, 'but to get it I had to commit injustice, like anyone who seeks power. I wanted to end oppression, but to do so I had to imprison and execute those who opposed me - I became an oppressor despite myself. To abolish violence we must use it, to eliminate human misery we must inflict it, to render war impossible we must wage it, to save the world we must destroy it. Such is the true nature of power.'
Chest heaving, he had once more barred the old man's path with his pistol ready.'
'Yet you love it still,' the old man said softly.
'Power is the supreme virture!' The dictator's voice quavered and broke. 'But its sole shortcoming is sufficient to spoil the whole: it can never be absolute - that's what makes it so insatiable. The only true form of power is omnipotence, which can never be attained, hence my disenchantment with it. Power has cheated me.'
'And so,' said the old man, 'you have become the very person you set out to fight. It happens again and again. That is why you cannot die.'
The dictator slowly lowered his gun. 'Yes,' he said, 'you're right. What's to be done?'
'Do you know the legend of the Happy Monarch?' asked the old man.

'When the Happy Monarch came to build the huge, mysterious palace whose planning alone had occupied ten whole years of his life, and to which marvelling crowds made pilgrimage long before its completion, he did something strange. No one will ever know for sure what made him do it, whether wisdom or self-hatred, but the night after the foundation stone had been laid, when the site was dark and deserted, he went there in secret and buried a termites' nest in a pit beneath the foundation stone itself. Many decades later - almost a life time had elapsed, and the many vicissitudes of his turbulent reign had long since banished all thought of the termites from his mind - when the unique building was finished at last and he, its architect and author, first set foot on the battlements of the topmost tower, the termites, too, completed their unseen work. We have no record of any last words that might shed light on his motives, because he and all his courtiers were buried in the dust and rubble of the fallen palace, but long-enduring legend has it that, when his almost unmarked body was finally unearthed, his face wore a happy smile.”

Michael Ende (1929–1995) German author

"Mirror in the Mirror", page 193

Antoni Tàpies photo
John Peckham photo

“Light from a concave luminous body is received most powerfully at the centre. The reason for this is that, for every point of a concave body, perpendicular rays, which are stronger than others, converge in the centre. Therefore the virtues of celestial bodies are incident most powerfully in and near the centre of the world.”

John Peckham (1227–1292) Archbishop of Canterbury

Note the assumption that the heavenly sphere is concave with respect to the earth.
Perspectiva communis as quoted in J. D. North, Stars, Mind and Fate: Essays in Ancient and Mediaeval Cosmology (1989) citing D.C. Lindberg, John Pecham and the Science of Optics: Perspectiva communis (1970) p.99

Thomas Moore photo
Henry Adams photo
Ralph Waldo Emerson photo
Kurien Kunnumpuram photo
Béla H. Bánáthy photo
Neil Peart photo
Jerome K. Jerome photo
Muhammad photo
William Pitt, 1st Earl of Chatham photo
St. Vincent (musician) photo

“It's time.
You are light.
I guess you are afraid of what everyone is made of —
Time and Light.”

St. Vincent (musician) (1982) American singer-songwriter

"The Apocalypse Song"
Marry Me (2007)

“The expansion of the whole cosmos was but the shrinkage of all its physical units and of the wavelengths of light.”

Source: Star Maker (1937), Chapter XIII: The Beginning and the End; 3. The Supreme Moment and After (p. 162)

Mikhail Bulgakov photo
Lois McMaster Bujold photo
Thomas Eakins photo
Whittaker Chambers photo
Steven Pressfield photo
Nick Drake photo
Michel Foucault photo
Cormac McCarthy photo
Rembrandt van Rijn photo
Richard Dawkins photo

“Imagine you are God. You’re all-powerful, nothing is beyond you. You’re all-loving. So it is really, really important to you that humans are left in no doubt about your existence and your loving nature, and exactly what they need to do in order to get to heaven and avoid eternity in the fires of hell. It’s really important to you to get that across. So what do you do? Well, if you’re Jehovah, apparently this is what you do. You talk in riddles. You tell stories which on the surface have a different message from the one you apparently want us to understand. You expect us to hear X, and instinctively understand that it needs to be interpreted in the light of Y, which you happen to have said in the course of a completely different story 500-1,000 years earlier. Instead of speaking directly into our heads - which God has presumed the capability of doing so - simply, clearly and straightforwardly in terms which the particular individual being addressed will immediately understand and respond to positively - you steep your messages in symbols, in metaphors. In fact, you choose to convey the most important message in the history of creation in code, as if you aspired to be Umberto Eco or Dan Brown. Anyone would think your top priority was to keep generation after generation after generation of theologians in meaningless employment, rather than communicate an urgent life-or-death message to the creatures you love more than any other.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

FFRF 2012 National Convention, http://www.youtube.com/watch?v=dJTQiChzTNI?t=43m19s

Jayant Narlikar photo
Clive Staples Lewis photo
Jerome K. Jerome photo
Hans Reichenbach photo
Henry Miller photo
Charlotte Perkins Gilman photo
Francis Escudero photo
Margaret Caroline Anderson photo
John Dewey photo
Cat Stevens photo
Susan Cain photo

“Everyone shines, given the right lighting. For some, it’s a Broadway spotlight, for others, a lamplit desk.”

Susan Cain (1968) self-help writer

Manifesto, ThePowerOfIntroverts.com, January 2012 (est).

“I could almost hear him scrabbling about in his brain for a deft, light opening. His Oscar Wilde touch. Martland has only two personalities – Wilde and Eeyore.”

Kyril Bonfiglioli (1928–1985) British art dealer

Source: The Mortdecai Trilogy, Don't Point That Thing At Me (1972), Ch. 1.

Bill Burr photo

“Oh look, an ATM! Ok, here we go! I lost all my money, now what do I do? Get a gun! Rob a casino! Good idea! Look at all the lights! This is beautiful.”

Bill Burr (1968) American actor, comedian and a celebrity podcaster

Premium Blend, episode [2.03], June 20, 1998

Jan Hendrik Weissenbruch photo

“Light and air, that's art! I can never give enough light in my paintings, especially in the skies. The air in a painting, that is really a thing! It is the main thing! Air and light are the great magicians. It is the sky which prescribes the painting. Painters never look enough at the sky. We must get it from above. (translation from Dutch, Fons Heijnsbroek, 2018)”

Jan Hendrik Weissenbruch (1824–1903) Dutch painter of the Hague School (1824-1903)

version in original Dutch / citaat van J. H. Weissenbruch, in het Nederlands: Licht en lucht, dat is de kunst! Ik kan in m'n schilderijen, vooral in de luchten, nooit licht genoeg brengen.. .De lucht op een schilderij, dat is een ding! Een hoofdzaak! Lucht en licht zijn de groote toovenaars. De lucht bepaalt het schilderij. Schilders kunnen nooit genoeg naar de lucht kijken. Wij moeten het van boven hebben.
Quote of J. H. Weissenbruch; as cited in J.H. Weissenbruch 1824-1903, ed. E. Jacobs, H. Janssen & M. van Heteren; exposition-catalog, Museum Jan Cunen / Gemeentemuseum Den Haag, Zwolle 1999, pp. 227-233

Jean Cocteau photo

“Take a commonplace, clean it and polish it, light it so that it produces the same effect of youth and freshness and originality and spontaneity as it did originally, and you have done a poet’s job. The rest is literature.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Mettez un lieu commun en place, nettoyez-le, frottez-le, éclairez-le de telle sorte qu'il frappe avec sa jeunesse et avec la même fraîcheur, le même jet qu'il avait à sa source, vous ferez œuvre de poète. Tout le reste est littérature.
"Le Secret Professionnel" (originally published 1922); later published in Collected Works Vol. 9 (1950)
A Call to Order (1926)

Abigail Scott Duniway photo

“The young women of today, free to study, to speak, to write, to choose their occupation, should remember that every inch of this freedom was bought for them at a great price. It is for them to show their gratitude by helping onward the reforms of their own times, by spreading the light of freedom and of truth still wider. The debt that each generation owes to the past it must pay to the future.”

Abigail Scott Duniway (1834–1915) American suffragist, writer, journalist, pioneer

Abigail Scott Duniway, quoted in Westward the Women https://books.google.com/books?id=Xy50CwAAQBAJ&pg=PT127&lpg=PT127&dq=%22+young+women+of+today,+free+to+study,+to+speak,+to+write%22&source=bl&ots=9gDARyV3TU&sig=qp7E9Zg0u1yJCbJVQ-pqBeu49JE&hl=en&sa=X&ved=0ahUKEwi_zKKCp5zZAhUEyGMKHTdVCcQQ6AEINTAC#v=onepage&q=%22%20young%20women%20of%20today%2C%20free%20to%20study%2C%20to%20speak%2C%20to%20write%22&f=false and by the Hatfield School of Govennment's Center for Women's Leadership https://www.pdx.edu/womens-leadership/abigail-scott-duniway-speaker-series

John Wesley photo

“Tell me how it is that in this room there are three candles and but one light, and I will explain to you the mode of the Divine existence.”

John Wesley (1703–1791) Christian theologian

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 285
General sources

Adam Schiff photo
Thomas Gray photo

“O'er her warm cheek and rising bosom move
The bloom of young Desire and purple light of Love.”

Thomas Gray (1716–1771) English poet, historian

I. 3, Line 16
The Progress of Poesy http://www.thomasgray.org/cgi-bin/display.cgi?text=pppo (1754)

John Ruysbroeck photo

“If every earthly pleasure were melted An intelligence in repose without images, an intuition in the light of God, and a spirit elevated in Purity to the Face of God, these three qualities united constitute the true contemplative life into a single experience and bestowed upon one man,
it would be as nothing when measured by the joy of which I write for here it is God who passes into the depths of us in all His purity,
and the soul is not only filled but overflowing.
This experience is that light that makes manifest to the soul the terrible desolation of such as live divorced from love;
it melts the man utterly; he is no longer master of his joy.
Such possession produces intoxication, the state of the spirit in which its bliss transcends the uttermost bounds of anticipation or desire.
Sometimes the ecstasy pours forth in song, sometimes in tears:
at one moment it finds expression in movement, at others in the intense stillness of burning, voiceless feeling.
Some men knowing this bliss wonder if others feel God as they do; some are assured that no living creature has ever had such experiences as theirs;
there are those who wonder that the world is not set aflame by this joy; and there are others who marvel at its nature, asking whence it comes, and what it is.
The body itself can know no greater pleasure upon earth than to participate in it;
and there are moments when the soul feels that it must shiver to fragments in the poignancy of this experience.”

John Ruysbroeck (1293–1381) Flemish mystic

An Anthology of Mysticism and Philosophy

Sören Kierkegaard photo

“Confession should be only in secret before God, who knows everything anyway, and thus it could remain hidden in one‘s innermost being. But at a dinner – and a woman! A dinner-it is not some hidden, remote place, nor is the lighting dim, nor is the mood like that among graves, nor are the listeners silent or invisibly present.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Three Discourses at Friday Communion November 14, 1849 Hong translation 1997 P. 139
1840s, Three Discourses at the Communion on Fridays (1849)

Koichi Tohei photo
Letitia Elizabeth Landon photo