Quotes about ivory

A collection of quotes on the topic of ivory, tower, likeness, people.

Quotes about ivory

Oscar Wilde photo
Christopher Paolini photo
Thomas Mann photo
Ellen Kushner photo
Jodi Picoult photo
Janet Fitch photo
Chelsea Handler photo

“Ivory's the kind of girl who gets drunk and immediately starts slurring. I have a lot of friends like that, and I think it's because it makes me look 'more together.”

Chelsea Handler (1975) American comedian, actress, author and talk show host

Source: My Horizontal Life: A Collection of One-Night Stands

Langston Hughes photo
Varadaraja V. Raman photo
Jasper Fforde photo
Marcus Manilius photo

“It is easy to spread the sails to propitious winds, and to cultivate in different ways a rich soil, and to give lustre to gold and ivory, when the very raw material itself shines.”
Facile est ventis dare vela secundis, Fecundumque solum varias agitare per artes, Auroque atque ebori decus addere, cum rudis ipsa Materies niteat.

Book III, line 26.
Astronomica

Sueton photo

“His wastefulness showed most of all in the architectural projects. He built a palace, stretching from the Palatine to the Esquiline, which he called…"The Golden House". The following details will give some notion of its size and magnificence. The entrance-hall was large enough to contain a huge statue of himself, 120 feet high…Parts of the house were overlaid with gold and studded with precious stones and mother-of pearl. All the dining-rooms had ceilings of fretted ivory, the panels of which could slide back and let a rain of flowers, or of perfume from hidden sprinklers, shower upon his guests. The main dining-room was circular, and its roof revolved, day and night, in time with the sky. Sea water, or sulphur water, was always on tap in the baths. When the palace had been decorated throughout in this lavish style, Nero dedicated it, and condescended to remark: "Good, now I can at last begin to live like a human being!"”
Non in alia re tamen damnosior quam in aedificando domum a Palatio Esquilias usque fecit, quam…Auream nominavit. De cuius spatio atque cultu suffecerit haec rettulisse. Vestibulum eius fuit, in quo colossus CXX pedum staret ipsius effigie…In ceteris partibus cuncta auro lita, distincta gemmis unionumque conchis erant; cenationes laqueatae tabulis eburneis versatilibus, ut flores, fistulatis, ut unguenta desuper spargerentur; praecipua cenationum rotunda, quae perpetuo diebus ac noctibus vice mundi circumageretur; balineae marinis et albulis fluentes aquis. Eius modi domum cum absolutam dedicaret, hactenus comprobavit, ut se diceret quasi hominem tandem habitare coepisse.

Source: The Twelve Caesars, Nero, Ch. 31

Edgar Froese photo
Alison Bechdel photo
Francisco De Goya photo
Isidore Isou photo
Conor McGregor photo

“Of course I want that gold belt. Don’t tell me that gold belt sitting up here right now on this table would not look great along side this ivory, elephant-trunk suit that I have got on me right now. It would look perfect.”

Conor McGregor (1988) Irish mixed martial artist and boxer

UFC 178 post-event press conference https://www.youtube.com/watch?v=zAAC34JzxS0 (September 2014), Ultimate Fighting Championship, Zuffa, LLC
2010s, 2014

Theo van Doesburg photo
Robert Hayden photo

“Standing to America, bringing home
black gold, black ivory, black seed.”

Robert Hayden (1913–1980) American writer and academic

Middle Passage (lines 15-16), from Collected Poems (1985)

Stanley Baldwin photo
George Lippard photo
Jacques Barzun photo
Lal Bahadur Shastri photo
Jayant Narlikar photo
Cyril Connolly photo

“So wrote Pater, calling an art-for-art's sake muezzin to the faithful from the topmost turret of the ivory tower.”

Source: Enemies of Promise (1938), Part 1: Predicament, Ch. 5: Anatomy of Dandyism (p. 37)

Bryan Caplan photo
Vikram Sarabhai photo

“We look down on our scientists if they engage in outside consultation. We implicitly promote the ivory tower.”

Vikram Sarabhai (1919–1971) (1919-1971), Indian physicist

Quoted in Quotations by 60 Greatest Indians, Dhirubhai Ambani Institute of Information and Communication Technology http://resourcecentre.daiict.ac.in/eresources/iresources/quotations.html,

Adlai Stevenson photo

“The elephant has a thick skin, a head full of ivory, and as everyone who has seen a circus parade knows, proceeds best by grasping the tail of its predecessor.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Comment on the 1960 Richard Nixon presidential campaign and the Republican symbol, in news summaries (30 August 1960), as quoted in The New Language of Politics: An Anecdotal Dictionary of Catchwords, Slogans and Political Usage (1968) by William Safire

John F. Kennedy photo

“We have all seen these circus elephants complete with tusks, ivory in their head and thick skins, who move around the circus ring and grab the tail of the elephant ahead of them.”

John F. Kennedy (1917–1963) 35th president of the United States of America

Comments on members of the Republican party, in Remarks at the Cow Palace, San Francisco, California (2 November 1960) http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx; Box 914, Senate Speech Files, John F. Kennedy Papers, Pre-Presidential Papers, John F. Kennedy Presidential Library
1960

Thomas Browne photo
Van Morrison photo

“When you come down
From your Ivory Tower
You will see how it really must be
To be like me, to see like me,
To feel like me.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Ivory Tower
Song lyrics, No Guru (1986)

“The nature of this trade, certainly not the most honourable in the world, affords room for much investigation and remark in a moral or humane point of view: in a political or commercial light it is perhaps less conspicuously an object of attention. It consists chiefly of commodities that are considered as holding a first rate place in the animal and the mineral world, for which in return the Africans receive the most rascally articles that the ingenuity of Europeans has found means to produce. In return to our fellow creatures, for gold, and for ivory, we exchange the basest of those articles that are suited to the taste or the fancy of a despicable set of barbarians. Whether the spirituous liquirs or the fire-arms that are sent there are most calculated for the destruction of the purchasers, might become a question not very easy to determine. The noxious quality of the one is at least equalled by the danger of attending the use of the other. There does not seem to be that regard to honour in this trade, which ought to make part of the nice character of the English merchant, unimpeachable, unimpeached, upon the 'Change of London or of Amsterdam. It seems as if we kept our honour for ourselves, and that with those barbarians (who are more our inferiors in address and cunning, than perhaps in any thing else) no honour, humanity, or equity, were at all necessary.”

William Playfair (1758–1824) British mathematician, engineer and political economist

Observations on the Trade to Africa, Chart XVI, page 65.
The Commercial and Political Atlas, 3rd Edition

Benoît Mandelbrot photo
Logan Pearsall Smith photo

“When they come downstairs from their Ivory Towers, Idealists are very apt to walk straight into the gutter.”

Logan Pearsall Smith (1865–1946) British American-born writer

Other People.
Afterthoughts (1931)

Rudy Rucker photo

“My real speciality is the mathematical analysis of Hilbert Space operators. But this was no time to come on like an ivory-tower idealist.”

Rudy Rucker (1946) American mathematician, computer scientist, science fiction author and philosopher

Source: The Sex Sphere (1983), p. 18

Thomas Fuller photo

“But our captain counts the image of God—nevertheless his image—cut in ebony as if done in ivory, and in the blackest Moors he sees the representation of the King of Heaven.”

Thomas Fuller (1608–1661) English churchman and historian

The Good Sea-Captain.
The Holy State and the Profane State (1642)

Ernesto Che Guevara photo
Jonas Salk photo
Diogenes Laërtius photo
Margaret Cho photo
Anthony Burgess photo

“God, say some philosophers, manifests himself in the sublunary world in particular beauties, truths and acts of benevolence; properly, the values should be conjoined to shadow their identity in the godhead, but this happens so infrequently that one must suppose divinity condones a kind of diabolic fracture or else, and perhaps my book is already giving some hint of this, he demonstrates his ineffable freedom through contriving at times a wanton inconsistency. If this is so, we need not wonder at Messalina’s failure to match her beauty with a love of truth and goodness. She was a chronic liar and she was thoroughly bad. But her beauty, we are told, was a miracle. The symmetry of her body obeyed all the golden rules of the mystical architects, her skin was without even the most minuscule flaw and it glowed as though gold had been inlaid behind translucent ivory, her breasts were full and yet pertly disdained earth’s pull, the nipples nearly always erect, and visibly so beneath her byssinos, as in a state of perpetual sexual excitation, the areolas delicately pigmented to a kind of russet. The sight of her weaving bare white arms was enough, it is said, to make a man grit his teeth with desire to be encircled by them; the smooth plain of her back, tapering to slenderness only to expand lusciously to the opulence of her perfect buttocks, demanded unending caresses.”

Anthony Burgess (1917–1993) English writer

Fiction, The Kingdom of the Wicked (1985)

Will Cuppy photo
Joyce Kilmer photo
Homér photo

“Two gates there are for our evanescent dreams,
one is made of ivory, the other made of horn.
Those that pass through the ivory cleanly carved
are will-o'-the-wisps, their message bears no fruit.
The dreams that pass through the gates of polished horn
are fraught with truth, for the dreamer who can see them.”

Δοιαὶ γάρ τε πύλαι ἀμενηνῶν εἰσὶν ὀνείρων·
αἱ μὲν γὰρ κεράεσσι τετεύχαται, αἱ δ' ἐλέφαντι.
οἵ ῥ' ἐλεφαίρονται, ἔπε' ἀκράαντα φέροντες·
οἳ δὲ διὰ ξεστῶν κεράων ἔλθωσι θύραζε,
οἵ ῥ' ἔτυμα κραίνουσι, βροτῶν ὅτε κέν τις ἴδηται.
XIX. 563–568 (tr. Robert Fagles); spoken by Penelope.
Odyssey (c. 725 BC)

Philip Pullman photo
Joyce Kilmer photo
Jane Austen photo
Norman Mailer photo
Peter Greenaway photo
Jonathan Safran Foer photo
Marco Girolamo Vida photo

“I sing the form of war, the bloodless plain,
Armies of ivory, and a mock campaign;
How two bold kings in different armour veil'd,
One black, one white, for conquest fought the field.”

Ludimus effigiem belli, simulataque veris Praelia, buxo acies fictas, et ludicra regna, Ut gemini inter se reges albusque, nigerque Pro laude oppositi certent bicoloribus armis.

Vida's Game of Chess https://books.google.com/books?id=IGMIAAAAQAAJ, opening lines
Compare:
Of armies on the chequer'd field array'd,
And guiltless war in pleasing form display'd;
When two bold kings contend with vain alarms,
In ivory this, and that in ebon arms.
William Jones, Caïssa; Or, The Game of Chess.
Scacchia Ludus (1527)

Martin Luther King, Jr. photo
Arundhati Roy photo
Philip Roth photo
Pete Doherty photo
Simon LeVay photo
Letitia Elizabeth Landon photo
John Masefield photo
Raymond Kethledge photo
Paulo Freire photo
Theo van Doesburg photo
Heather Brooke photo
Paul Krugman photo
Terry Eagleton photo

“Ivory towers are as rare as bowling alleys in tribal cultures.”

Terry Eagleton (1943) British writer, academic and educator

Source: 2010s, Why Marx Was Right (2011), Chapter 6, p. 134

“Violence, contrary to popular belief, is not part of the anarchist philosophy. It has repeatedly been pointed out by anarchist thinkers that the revolution can neither be won, nor the anarchist society established and maintained, by armed violence. Recourse to violence then is an indication of weakness, not of strength, and the revolution with the greatest possibilities of a successful outcome will undoubtedly be the one in which there is no violence, or in which violence is reduced to a minimum, for such a revolution would indicate the near unanimity of the population in the objectives of the revolution. … Violence as a means breeds violence; the cult of personalities as a means breeds dictators--big and small--and servile masses; government--even with the collaboration of socialists and anarchists--breeds more government. Surely then, freedom as a means breeds more freedom, possibly even the Free Society! To Those who say this condemns one to political sterility and the Ivory Tower our reply is that 'realism' and their 'circumstantialism' invariably lead to disaster. We believe there is something more real, more positive and more revolutionary to resisting war than in participation in it; that it is more civilised and more revolutionary to defend the right of a fascist to live than to support the Tribunals which have the legal power to shoot him; that it is more realistic to talk to the people from the gutter than from government benches; that in the long run it is more rewarding to influence minds by discussion than to mould them by coercion.”

Vernon Richards (1915–2001) British activist

"Anarchism and violence" in What Is Anarchism?: An Introduction by Donald Rooum, ed. (London: Freedom Press, 1992, 1995) pp. 50-51.

Sueton photo

“To prevent Incitatus, his favourite horse, from being disturbed he always picketed the neighbourhood with troops on the day before the races, ordering them to enforce absolute silence. Incitatus owned a marble stable, an ivory stall, purple blankets, and a jewelled collar; also a house, a team of slaves, and furniture – to provide suitable entertainment for guests whom Gaius invited in its name. It is said that he even planned to award Incitatus a consulship.”
Incitato equo, cuius causa pridie circenses, ne inquietaretur, viciniae silentium per milites indicere solebat, praeter equile marmoreum et praesaepe eburneum praeterque purpurea tegumenta ac monilia e gemmis domum etiam et familiam et supellectilem dedit, quo lautius nomine eius invitati acciperentur; consulatum quoque traditur destinasse.

Source: The Twelve Caesars, Gaius Caligula, Ch. 55

Lord Dunsany photo

“It was quite dark when he went by the towers of Tor, where archers shoot ivory arrows at strangers lest any foreigner should alter their laws, which are bad, but not to be altered by mere aliens.”

Lord Dunsany (1878–1957) Irish writer and dramatist

The Book of Wonder http://www.gutenberg.org/dirs/etext05/8wond10.txt, Distressing Tale of Thangobrind the Jeweller

Dejan Stojanovic photo

“If you could have walked on the planet before humans lived here, maybe the Ivory Coast would have seemed more beautiful than La Côte d'Azur.”

Dejan Stojanovic (1959) poet, writer, and businessman

“Virus of the Soul,” p. 93
The Sun Watches the Sun (1999), Sequence: “A Game”

Sylvia Plath photo
Virgil photo

“There are twin Gates of Sleep.
One, they say, is called the Gate of Horn
and it offers easy passage to all true shades.
The other glistens with ivory, radiant, flawless,
but through it the dead send false dreams up toward the sky.”

Sunt geminae Somni portae, quarum altera fertur Cornea, qua veris facilis datur exitus umbris, Altera candenti perfecta nitens elephanto, Sed falsa ad caelum mittunt insomnia Manes.

Source: Aeneid (29–19 BC), Book VI, Lines 893–896 (tr. Fagles); the gates of horn and ivory.

G. K. Chesterton photo

“Ivory may not be so white as snow, but the whole Arctic continent does not make ivory black.”

"Introduction"
The Defendant (1901)
Context: Let me explain a little: Certain things are bad so far as they go, such as pain, and no one, not even a lunatic, calls a tooth-ache good in itself; but a knife which cuts clumsily and with difficulty is called a bad knife, which it certainly is not. It is only not so good as other knives to which men have grown accustomed. A knife is never bad except on such rare occasions as that in which it is neatly and scientifically planted in the middle of one's back. The coarsest and bluntest knife which ever broke a pencil into pieces instead of sharpening it is a good thing in so far as it is a knife. It would have appeared a miracle in the Stone Age. What we call a bad knife is a good knife not good enough for us; what we call a bad hat is a good hat not good enough for us; what we call bad cookery is good cookery not good enough for us; what we call a bad civilization is a good civilization not good enough for us. We choose to call the great mass of the history of mankind bad, not because it is bad, but because we are better. This is palpably an unfair principle. Ivory may not be so white as snow, but the whole Arctic continent does not make ivory black.

T.S. Eliot photo
Tippu Tip photo

“Have you not subdued the whole district, and could you not have taken a few hundred strong men as slaves to have carried all your superfluous stock and the small ivory, and put your one hundred guns in charge?”

Tippu Tip (1837–1905) Swahili slave trader

Source: Five Years with the Congo Cannibals, Page 175 https://archive.org/details/fiveyearswithco00wardgoog/page/n188/mode/2up