Quotes about instinct
page 7

Chrissie Hynde photo
Max Scheler photo

“But this instinctive falsification of the world view is only of limited effectiveness. Again and again the ressentiment man encounters happiness, power, beauty, wit, goodness, and other phenomena of positive life. They exist and impose themselves, however much he may shake his fist against them and try to explain them away. He cannot escape the tormenting conflict between desire and impotence. Averting his eyes is sometimes impossible and in the long run ineffective. When such a quality irresistibly forces itself upon his attention, the very sight suffices to produce an impulse of hatred against its bearer, who has never harmed or insulted him. Dwarfs and cripples, who already feel humiliated by the outward appearance of the others, often show this peculiar hatred—this hyena-like and ever-ready ferocity. Precisely because this kind of hostility is not caused by the “enemy's” actions and behavior, it is deeper and more irreconcilable than any other. It is not directed against transitory attributes, but against the other person's very essence and being. Goethe has this type of “enemy” in mind when he writes: “Why complain about enemies?—Could those become your friends—To whom your very existence—Is an eternal silent reproach?” (West-Eastern Divan). The very existence of this “being,” his mere appearance, becomes a silent, unadmitted “reproach.””

Max Scheler (1874–1928) German philosopher

Other disputes can be settled, but not this! Goethe knew, for his rich and great existence was the ideal target of ressentiment. His very appearance was bound to make the poison flow.
Das Ressentiment im Aufbau der Moralen (1912)

Amit Chaudhuri photo

“Tagore claims that the first time he experienced the thrill of poetry was when he encountered the children’s rhyme ‘Jal pare/pata nare’ (‘Rain falls / The leaf trembles') in Iswarchandra Vidyasagar’s Bengali primer Barna Parichay (Introducing the Alphabet). There are at least two revealing things about this citation. The first is that, as Bengali scholars have remarked, Tagore’s memory, and predilection, lead him to misquote and rewrite the lines. The actual rhyme is in sadhu bhasha, or ‘high’ Bengali: ‘Jal paritechhe / pata naritechhe’ (‘Rain falleth / the leaf trembleth’). This is precisely the sort of diction that Tagore chose for the English Gitanjali, which, with its thees and thous, has so tried our patience. Yet, as a Bengali poet, Tagore’s instinct was to simplify, and to draw language closer to speech. The other reason the lines of the rhyme are noteworthy, especially with regard to Tagore, is – despite their deceptively logical progression – their non-consecutive character. ‘Rain falls’ and ‘the leaf trembles’ are two independent, stand-alone observations: they don’t necessarily have to follow each other. It’s a feature of poetry commented upon by William Empson in Some Versions of Pastoral: that it’s a genre that can get away with seamlessly joining two lines which are linked, otherwise, tenuously.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

On Tagore: Reading the Poet Today (2012)

Tom Baker photo
Geoffrey Howe photo
George Steiner photo
Henry L. Benning photo

“My next proposition is that the North is in the course of acquiring this power to abolish slavery. Is that true? I say, gentlemen, the North is acquiring that power by two processes, one of which is operating with great rapidity-that is by the admission of new States. The public territory is capable of forming from twenty to thirty States of larger size than the average of the States now in the Union. The public territory is peculiarly Northern territory, and every State that comes into the Union will be a free State. We may rest assured, sit, that that is a fixed fact. The events in Kansas should satisfy every one of the truth of that. If causes now in operation are allowed to continue, the admission of new States will go on until a sufficient number shall have been secured to give the necessary preponderance to change the Constitution. There is a process going on by which some of our own slave States are becoming free States already. It is true, that in some of the slave States the slave population is actually on the decrease, and, I believe it is true of all of them that it is relatively to the white population on the decrease. The census shows that slaves are decreasing in Delaware and Maryland; and it shows that in the other States in the same parallel, the relative state of the decrease and increase is against the slave population. It is not wonderful that this should be so. The anti-slavery feeling has got to be so great at the North that the owners of slave property in these States have a presentiment that it is a doomed institution, and the instincts of self-interest impels them to get rid of that property which is doomed. The consequence is, that it will go down lower and. lower, until it all gets to the Cotton States-until it gets to the bottom. There is the weight of a continent upon it forcing it down. Now, I say, sir, that under this weight it is bound to go down unto the Cotton States, one of which I have the honor to represent here. When that time comes, sir, the free States in consequence of the manifest decrease, will urge the process with additional vigor, and I fear that the day is not distant when the Cotton States, as they are called, will be the only slave States. When that time comes, the time will have arrived when the North will have the power to amend the Constitution, and say that slavery shall be abolished, and if the master refuses to yield to this policy, he shall doubtless be hung for his disobedience.”

Henry L. Benning (1814–1875) Confederate Army general

Speech to the Virginia Convention (1861)

Pauline Kael photo
Joseph Conrad photo

“Egoism, which is the moving force of the world, and altruism, which is its morality, these two contradictory instincts, of which one is so plain and the other so mysterious, cannot serve us unless in the incomprehensible alliance of their irreconcilable antagonism.”

Joseph Conrad (1857–1924) Polish-British writer

Letter to the editor of The New York Times Saturday Book Review (August 1901), as quoted in Joseph Conrad: A Life (2007) by Zdzisław Najder, translated by Halina Najder, p. 315

Anthony Eden photo
Neil Strauss photo
Cyrano de Bergerac photo
Joanna MacGregor photo
Antoni Tàpies photo
M. C. Escher photo

“Now, I should like to say something else to you about the connection with music, primarily that of Bach, i. e. the Fugue or, put more simply, the canon... It has a great deal in common with my own motifs, which I make turn on various axes too. Nowadays I have such a powerful sense of relationship, of affinity, that when I am listening to Bach I frequently get inspired and feel an overwhelming instinct for his insistent rhythm, a cadence seeking something of the infinite. In the Fugue everything is based on a single motif, often consisting of just a few notes. In my work, too, everything revolves around a single closed contour..”

M. C. Escher (1898–1972) Dutch graphic artist

version in original Dutch (origineel citaat van M.C. Escher, in het Nederlands): 'Nu wou ik je nog wat zeggen over het verband met muziek, en wel in hoofdzaak met die van Bach, d.w.z. de Fuga, of eenvoudiger canon.. .Het heeft heel veel van mijn motieven, die ik ook om verschillende assen laat draaien. Ik heb dat gevoel van relatie, verwantschap, tegenwoordig zoo sterk, dat ik tijdens het luisteren naar Bach, dikwijls geïnspireerd word en een sterke drang naar zijn dwingende ritme voel, een cadans die iets van de eindeloosheid zoekt. In de Fuga is alles gebaseerd op een enkel motief, dikwijls maar van enkele noten. Bij mij draait ook alles om een enkele gesloten contour..
Quote from Escher’s letter, 1940 to his friend Hein 's-Gravezande; as cited (and translated!) on the website of museum 'Escher in the Palace', The Hague: dutch original text https://www.escherinhetpaleis.nl/escher-vandaag and english translation https://www.escherinhetpaleis.nl/escher-today/?lang=en
1940's

Charles Krauthammer photo

“I'm not a global warming believer. I'm not a global warming denier. I'm a global warming agnostic who believes instinctively that it can't be very good to pump lots of CO2 into the atmosphere but is equally convinced that those who presume to know exactly where that leads are talking through their hats.”

Charles Krauthammer (1950–2018) American journalist

Column, May 30, 2008, "Carbon Chastity: The First Commandment of the Church of the Environment" http://jewishworldreview.com/cols/krauthammer053008.php3 at jewishworldreview.com.
Krauthammer’s column of February 20, 2014, published in The Washington Post under the title “The Myth of ‘Settled Science” http://www.washingtonpost.com/opinions/charles-krauthammer-the-myth-of-settled-science/2014/02/20/c1f8d994-9a75-11e3-b931-0204122c514b_story.html, begins with almost the same words.
2000s, 2008

Géza Révész photo

“Ebbinghaus: Language is a system of conventional signs that can be voluntarily produced at any time.
Croce: Language is articulated, limited sound organized for the purpose of expression.
Dittrich: Language is the totality of expressive abilities of individual human beings and animals capable of being understood by at least one other individual.
Eisler: Language is any expression of experiences by a creature with a soul.
B. Erdmann: Language is not a kind of communication of ideas but a kind of thinking: stated or formulated thinking. Language is a tool, and in fact a tool or organ of thinking that is unique to us as human beings.
Forbes: Language is an ordered sequence of words by which a speaker expresses his thoughts with the intention of making them known to a hearer.
J. Harris : Words are the symbols of ideas both general and particular: of the general, primarily, essentially and immediately; of the particular, only secondarily, accidentally and mediately.
Hegel: Language is the act of theoretical intelligence in its true sense, for it is its outward expression.
Jespersen: Language is human activity which has the aim of communicating ideas and emotions.
Jodl: Verbal language is the ability of man to fashion, by means of combined tones and sounds based on a limited numbers of elements, the total stock of his perceptions and conceptions in this natural tone material in such a way that this psychological process is clear and comprehensible to others to its least detail.
Kainz : Language is a structure of signs, with the help of which the representation of ideas and facts may be effected, so that things that are not present, even things that are completely imperceptible to the senses, may be represented.
De Laguna: Speech is the great medium through which human co-operation is brought about.
Marty: Language is any intentional utterance of sounds as a sign of a psychic state.
Pillsbury-Meader: Language is a means or instrument for the communication of thought, including ideas and emotions.
De Saussure: Language is a system of signs expressive of ideas.
Schuchardt. The essence of language lies in communication.
Sapir: Language is a purely human and non-instinctive method of communicating ideas, emotions and desires by means of a system of voluntarily produced symbols.”

Géza Révész (1878–1955) Hungarian psychologist and musicologist

Footnote at pp. 126-127; As cited in: Adam Schaff (1962). Introduction to semantics, p. 313-314
The Origins and Prehistory of Language, 1956

Gustave de Molinari photo
Johann Gottlieb Fichte photo
Robert A. Heinlein photo

“So-called instincts are instructive, Felix. They point to survival values.”

Source: Beyond This Horizon (1948; originally serialized in 1942), Chapter 7, “Burn him down at once—”, p. 76

Evelyn Waugh photo
Halldór Laxness photo
Michael Moorcock photo
John Maynard Keynes photo
James Comey photo
Herbert Beerbohm Tree photo
Hermann Hesse photo
Neville Chamberlain photo
Sir Alexander Cockburn, 12th Baronet photo
Calvin Coolidge photo

“So there is little cause for the fear that our journalism, merely because it is prosperous, is likely to betray us. But it calls for additional effort to avoid even the appearance of the evil of selfishness. In every worthy profession, of course, there will always be a minority who will appeal to the baser instinct. There always have been, and probably always will be some who will feel that their own temporary interest may be furthered by betraying the interest of others. But these are becoming constantly a less numerous and less potential element in the community. Their influence, whatever it may seem at a particular moment, is always ephemeral. They will not long interfere with the progress of the race which is determined to go its own forward and upward way. They may at times somewhat retard and delay its progress, but in the end their opposition will be overcome. They have no permanent effect. They accomplish no permanent result. The race is not traveling in that direction. The power of the spirit always prevails over the power of the flesh. These furnish us no justification for interfering with the freedom of the press, because all freedom, though it may sometime tend toward excesses, bears within it those remedies which will finally effect a cure for its own disorders.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Press Under a Free Government (1925)

Ralph Waldo Emerson photo
Camille Pissarro photo

“I can quite understand the effort he is making; it is a very good thing not to want to go on repeating oneself. But he has concentrated all his attention on line; the figures stand out against each other without any sort of relationship, and so the whole thing is meaningless. Renoir is no draughtman, and without the lovely colours he used to use so instinctively, he is incoherent.”

Camille Pissarro (1830–1903) French painter

In a letter to his son w:Lucien Pissarro, 14th May 1887, as quoted in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 188
Pissarro's critical quote on Renoir's painting art
1880's

Georg Brandes photo
John Galsworthy photo
Philip K. Dick photo
John Burroughs photo
Marianne von Werefkin photo
John Galsworthy photo
Aung San Suu Kyi photo
Maurice de Vlaminck photo

“.. translated by instinct, without any method, not merely an artistic truth but above all a human one.”

Maurice de Vlaminck (1876–1958) French painter

Quote of De Vlaminck; as cited in Les Fauves, The Museum of Modern Art; Simon & Schuster, New York, 1952; quoted in 'Becoming an Artist' on Widewalls https://www.widewalls.ch/artist/maurice-de-vlaminck/
Quotes undated

Phillip Guston photo
Honoré de Balzac photo

“Sufferings predispose the mind to devotion, and nearly all young girls, impelled by instinctive tenderness, are inclined to mysticism, the deepest aspect of religion.”

Les souffrances disposent à la dévotion, et presque toutes les jeunes filles, poussées par une tendresse instinctive, inclinent au mysticisme, le côté profond de la religion.
Source: Pierrette (1840), Ch. V: History of Poor Cousins in the Home of Rich Ones.

Warren Farrell photo

“The first instinctive response to any criticism is a defensive response. (The quicker the response, the more defensive.)”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Women Can't Hear What Men Don't Say (2000), p. 40.

Enoch Powell photo
Rod Serling photo
Paul Bourget photo
Patrick Matthew photo
Gwyneth Paltrow photo

“I've learned so much from being a mom about the kind of person I want to be, the kind of woman I want to be. Motherhood has taught me mindfulness. If you just parent on instinct, you'll screw your kid up for life. You have to be so mindful.”

Gwyneth Paltrow (1972) American actress, singer, and food writer

Interview with Gwyneth Paltrow, Good Housekeeping http://www.goodhousekeeping.com/family/celebrity-interviews/gwyneth-paltrow-interview-country-strong (2010)

Wilfred Thesiger photo
Ilana Mercer photo
Elfriede Jelinek photo
Matt Ridley photo

“…conditioning usually reinforces instinct rather than overrides it.”

Matt Ridley (1958) economist

Source: The Red Queen (1993), Ch. 6

Hannah Arendt photo
Lafcadio Hearn photo
Karel Čapek photo
Alfred Binet photo
Henry Adams photo
Juan Donoso Cortés photo
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo
James Branch Cabell photo
Ravachol photo

“I worked to live and to make a living for my own; as long as neither myself nor my own suffered too much, I remained that which you call honest. Then work got scarce and with unemployment came hunger. It was then that that great law of nature, that imperious voice that allows no retort: the instinct of survival, pushed me to commit some of the crimes and offences that you accuse me of and that I recognise being the author of.”

Ravachol (1859–1892) French anarchist

J'ai travaillé pour vivre et faire vivre les miens ; tant que ni moi ni les miens n'avons trop souffert, je suis resté ce que vous appelez honnête. Puis le travail a manqué, et avec le chômage est venue la faim. C'est alors que cette grande loi de la nature, cette voix impérieuse qui n'admet pas de réplique : l'instinct de la conservation, me poussa à commettre certains des crimes et délits que vous me reprochez et dont je reconnais être l'auteur.
Trial statement

Dorothy L. Sayers photo
Roger Ebert photo
H. Havelock Ellis photo
Margaret Cho photo
John McCain photo
Max Scheler photo

“Impulses of revenge lead to ressentiment the more they change into actual *vindictiveness*, the more their direction shifts toward indeterminate groups of objects which need only share one common characteristic, and the less they are satisfied by vengeance taken on a specific object. If the desire for revenge remains permanently unsatisfied, and especially if the feeling of “being right (lacking in an outburst of rage, but an integral part of revenge) is intensified into the idea of a “duty,” the individual may actually wither away and die. The vindictive person is instinctively and without a conscious act of volition drawn toward events which may give rise to vengefulness, or he tends to see injurious intentions in all kinds of perfectly innocent actions and remarks of others. Great touchiness is indeed frequently a symptom of a vengeful character. The vindictive person is always in search of objects, and in fact he attacks—in the belief that he is simply wreaking vengeance. This vengeance restores his damaged feeling of personal value, his injured “honor,” or it brings “satisfaction” for the wrongs he has endured. When it is repressed, vindictiveness leads to ressentiment, a process which is intensified when the *imagination* of vengeance, too, is repressed—and finally the very emotion of revenge itself. Only then does this *state of mind* become associated with the tendency to detract from the other person's value, which brings an illusory easing of the tension."”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Jonah Goldberg photo
Max Born photo
George Meredith photo
Revilo P. Oliver photo
Aleister Crowley photo
Colin Wilson photo
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo

“Political equality is not merely a folly – it is a chimera. It is idle to discuss whether it ought to exist; for, as a matter of fact, it never does. Whatever may be the written text of a Constitution, the multitude always will have leaders among them, and those leaders not selected by themselves. They may set up the pretence of political equality, if they will, and delude themselves with a belief of its existence. But the only consequences will be, that they will have bad leaders instead of good. Every community has natural leaders, to whom, if they are not misled by the insane passion for equality, they will instinctively defer. Always wealth, in some countries by birth, in all intellectual power and culture, mark out the men whom, in a healthy state of feeling, a community looks to undertake its government. They have the leisure for the task, and can give it the close attention and the preparatory study which it needs. Fortune enables them to do it for the most part gratuitously, so that the struggles of ambition are not defiled by the taint of sordid greed. They occupy a position of sufficient prominence among their neighbours to feel that their course is closely watched, and they belong to a class brought up apart from temptations to the meaner kinds of crime, and therefore it is no praise to them if, in such matters, their moral code stands high. But even if they be at bottom no better than others who have passed though greater vicissitudes of fortune, they have at least this inestimable advantage – that, when higher motives fail, their virtue has all the support which human respect can give. They are the aristocracy of a country in the original and best sense of the word. Whether a few of them are decorated by honorary titles or enjoy hereditary privileges, is a matter of secondary moment. The important point is, that the rulers of the country should be taken from among them, and that with them should be the political preponderance to which they have every right that superior fitness can confer. Unlimited power would be as ill-bestowed upon them as upon any other set of men. They must be checked by constitutional forms and watched by an active public opinion, lest their rightful pre-eminence should degenerate into the domination of a class. But woe to the community that deposes them altogether!”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

Quarterly Review, 112, 1862, pp. 547-548
1860s

Revilo P. Oliver photo
Rudyard Kipling photo
Gino Severini photo
Maurice de Vlaminck photo
Amit Chaudhuri photo
Frank Lloyd Wright photo
Asger Jorn photo
Robert Ardrey photo
Philip Kapleau photo
John Updike photo
Hilaire Belloc photo

“All men have an instinct for conflict: at least, all healthy men.”

Hilaire Belloc (1870–1953) writer

The Silence of the Sea (1940)

André Maurois photo
Carl Sagan photo