Ad Reinhardt (1913–1967) American painter
Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 155
Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona
Ad Reinhardt (1913–1967) American painter
Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 155
H. Havelock Ellis (1859–1939) British physician, writer, and social reformer
Source: The Dance of Life http://www.gutenberg.net.au/ebooks03/0300671.txt (1923), Ch. 2
Andrei Tarkovsky book Sculpting in Time
Source: Sculpting in Time (1986), p. 192
Context: Art must must carry man's craving for the ideal, must be an expression of his reaching out towards it; that art must give man hope and faith. And the more hopeless the world in the artist's version, the more clearly perhaps must we see the ideal that stands in opposition — otherwise life becomes impossible! Art symbolises the meaning of our existence.
Ralph Vaughan Williams (1872–1958) English composer
"Who Wants the English Composer?" (1912); cited from Ursula Vaughan Williams RVW (1964) pp. 101-2.
Wolf Vostell (1932–1998) German painter and sculptor
Wolf Vostell (1961), cited in: Cultures, Vol. 5. (1978), p. 142
Original: Kunst ist Leben, Leben ist Kunst.
Joseph Kosuth (1945) American conceptual artist
note: Without this understanding a 'conceptual' form of presentation is little more than a manufactured stylehood, and such art we have with increasing abundance.
'Joseph Kosuth: Introductory note by the American editor', in Art-Language Vol.1 Nr.2, Art & Language Press, Chipping Norton (February 1970), p.3.
Julie Taymor (1952) American film and theatre director
Bill Moyers interview (2002)
Context: I used to say that arts were talked about in the arts and leisure page. Now, why would it be arts and leisure? Why do we think that arts are leisure? Why isn't it arts and science or arts and the most important thing in your life? I think that art has become a big scarlet letter in our culture.
It's a big "A." And it says, you are an elitist, you're effete, or whatever those things... do you know what I mean? It means you don't connect. And I don't believe that. I think we've patronized our audiences long enough.
You can do things that would bring people to another place and still get someone on a very daily mundane moving level but you don't have to separate art from the masses.