Quotes about instinct
page 6

George Steiner photo
Georges Bernanos photo

“Hatred of the priest is one of man's profoundest instincts, as well as one of the least known. That it is as old as the race itself no one doubts, yet our age has raised it to an almost prodigious degree of refinement and excellence. With the decline or disappearance of other powers, the priest, even though appearing so intimately integrated into the life of society, has become a more singular and unclassifiable being than any of those old magicians the ancient world used to keep locked up like sacred animals in the depths of its temples, existing in the intimacy of the gods alone. Priests moreover are all the more singular and unclassifiable in that they do not recognize themselves as such and are nearly always dupes of the most gross outward appearances — whether of the irony of some or the servile deference of others. But that contradiction, by nature more political than religious and used far too long to nurture clerical pride, does, through the growing feeling of their loneliness and to the extent that it is gradually transformed into hostile indifference, throw them unarmed into the heart of social conflicts they naively pride themselves on being able to resolve by using texts. But, then, what does it matter? The hour is coming when, on the ruins of the old Christian order, a new order will be born that will indeed be an order of the world, the order of the Prince of this World, of that prince whose kingdom is of this world. And the hard law of necessity, stronger than any illusions, will then remove the very object for clerical pride so long maintained simply by conventions outlasting any belief. And the footsteps of beggars shall cause the earth to tremble once again.”

Source: Monsieur Ouine, 1943, pp.176–177

Clay Aiken photo

“In my ideal world, no child would suffer. Charitable instincts would prevail. There would be global acceptance of all different types of people.”

Clay Aiken (1978) singer-songwriter, actor, record producer

—Learning To Sing, Page 240
On Charity

Shashi Tharoor photo

“What do I want from this life? What makes you happy is not enough. All the things that satisfy our instincts only satisfy the animal in us. I want to be proud of myself. I want more. I want to look up to myself and when I die, I want to smile because of the things I have done, not cry for the things I haven't done.”

Tom Hurndall (1981–2004) British activist

Diary, (November 2001) Memorial Address by Jocelyn Hurndall (PDF) https://web.archive.org/web/20060108221709/http://www.tomhurndall.co.uk/memorial/Address%20at%20Memorial%20Westminster%20Cathedral%20_2_.pdf

Friedrich Hayek photo

“Life at Cambridge during those war years was to me particularly congenial, and it completed the process of thorough absorption in English life which, from the beginning, I had found very easy. Somehow the whole mood and intellectual atmosphere of the country had at once proved extraordinarily attractive to me, and the conditions of a war in which all my sympathies were with the English greatly speeded up the process of becoming thoroughly at home—much more than in my native Austria from which I had already become somewhat estranged during the conditions of the 1920s. While neither on my early visit to the United States nor during my later stay there or still later in Germany did I feel that I really belonged there, English ways of life seemed so naturally to accord with all my instincts and dispositions that, if it had not been for very special circumstances, I should never have wished to leave the country again. And of all the forms of life, that at one of the colleges of the old universities…still seems to me the most attractive. The evenings at the High Table and the Combinations Room at King's are among the pleasantest recollections of my life, and some of the older men I came then to know well, especially J. H. Clapham, remained, while they lived, dear friends.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

Stephen Kresge and Leif Wenar (eds.), Hayek on Hayek: An Autobiographical Dialogue (London: Routledge, 1994), p. 86
1980s and later

George William Curtis photo
George Gordon Byron photo
Pierre Teilhard De Chardin photo

“However convergent it be, evolution cannot attain to fulfilment on earth except through a point of dissociation. With this we are introduced to a fantastic and inevitable event which now begins to take shape in our perspective, the event which comes nearer with every day that passes: the end of all life on our globe, the death of the planet, the ultimate phase of the phenomenon of man. …
Now when sufficient elements have sufficiently agglomerated, this essentially convergent movement will attain such intensity and such quality that mankind, taken as a whole, will be obliged—as happened to the individual forces of instinct—to reflect upon itself at a single point; that is to say, in this case, to abandon its organo-planetary foothold so as to shift its centre on to the transcendent centre of its increasing concentration. This will be the end and the fulfilment of the spirit of the earth.
The end of the world: the wholesale internal introversion upon itself of the noosphere, which has simultaneously reached the uttermost limit of its complexity and its centrality.
The end of the world: the overthrow of equilibrium, detaching the mind, fulfilled at last, from its material matrix, so that it will henceforth rest with all its weight on God-Omega. …
Are we to foresee man seeking to fulfil himself collectively upon himself, or personally on a greater than himself? Refusal or acceptance of Omega? … Universal love would only vivify and detach finally a fraction of the noosphere so as to consummate it—the part which decided to "cross the threshold", to get outside itself into the other. …
The death of the materially exhausted planet; the split of the noosphere, divided on the form to be given to its unity; and simultaneously (endowing the event with all its significance and with all its value) the liberation of that percentage of the universe which, across time, space and evil, will have succeeded in laboriously synthesising itself to the very end. Not an indefinite progress, which is an hypothesis contradicted by the convergent nature of noogenesis, but an ecstasy transcending the dimensions and the framework of the visible universe.”

pp. 273, 287–289 https://archive.org/stream/ThePhenomenonOfMan/phenomenon-of-man-pierre-teilhard-de-chardin#page/n137/mode/1up/,
The Phenomenon of Man (1955)

Thomas Carlyle photo
Martin Luther King, Jr. photo
Patrick Swift photo
Anaïs Nin photo
Carl Zuckmayer photo
Johann Gottlieb Fichte photo
Cherie Blair photo

“My immediate instinct when faced with the questions from The Mail on Sunday ten days ago was to protect my family's privacy and particularly my son in his first term at university, living away from home.”

Cherie Blair (1954) British barrister and wife of former British Prime Minister Tony Blair

Ibid.
Cherie's voice broke when she referred to her son leaving home.

George D. Herron photo
Richard Cobden photo
Walter Benjamin photo
Georg Brandes photo
Richard Dawkins photo

“Imagine you are God. You’re all-powerful, nothing is beyond you. You’re all-loving. So it is really, really important to you that humans are left in no doubt about your existence and your loving nature, and exactly what they need to do in order to get to heaven and avoid eternity in the fires of hell. It’s really important to you to get that across. So what do you do? Well, if you’re Jehovah, apparently this is what you do. You talk in riddles. You tell stories which on the surface have a different message from the one you apparently want us to understand. You expect us to hear X, and instinctively understand that it needs to be interpreted in the light of Y, which you happen to have said in the course of a completely different story 500-1,000 years earlier. Instead of speaking directly into our heads - which God has presumed the capability of doing so - simply, clearly and straightforwardly in terms which the particular individual being addressed will immediately understand and respond to positively - you steep your messages in symbols, in metaphors. In fact, you choose to convey the most important message in the history of creation in code, as if you aspired to be Umberto Eco or Dan Brown. Anyone would think your top priority was to keep generation after generation after generation of theologians in meaningless employment, rather than communicate an urgent life-or-death message to the creatures you love more than any other.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

FFRF 2012 National Convention, http://www.youtube.com/watch?v=dJTQiChzTNI?t=43m19s

Alex Jones photo

“I believe from history and my own gut, instinct, that if I go ahead and lay it all out here, what we're really facing, you've got courage and you've got will, and you're gonna get angry and stop caring. It begins with not caring about what your slack-jawed knuckle-dragging cowardly pseudo tough-guy football-watching neighbor thinks. Okay? That's where it begins. It begins with not caring what happens to your individual person. And when you have that attitude, when you have that attitude, then the enemy doesn't have anything over you anymore. Stop being gelded domesticated garbage. Stop being weak! And when you see a threat coming down on you, deal with it! Become a human again! Stop being weak! We have a bunch of criminals coming down on us. God, ugh! Murdering scum. I wanna get humanity awake. I wanna get our forces up. And I wanna bring these people to justice. And you know what I mean. You know what I mean! I wanna unleash humanity, not have a bunch of con artist pot-bellied chicken-neck pieces of garbage running our world! More importantly they act like effeminate cowardly chicken necks cuz they want to train you to act like that they want to train you to be weak they want to train you. That's a nasty taste coming up in my mouth. Tastin' those globalists. I can taste their fear and their weakness. I taste metal, I taste blood.”

Alex Jones (1974) American radio host, author, conspiracy theorist and filmmaker

Alex's Bill Gates Chicken-Neck Bastard 'Rant' https://www.youtube.com/watch?v=Vg-5WgcMV_o, September 2011.

André Derain photo
Kristoff St. John photo
Theo van Doesburg photo
Louis Sullivan photo
Winston S. Churchill photo
Samuel Taylor Coleridge photo
Andy Warhol photo
Jaime Pressly photo

“We're both strong, and there's something that all Southern women have in common — the survivor instinct.”

Jaime Pressly (1977) American actress, model, producer

Of her character Joy Turner in My Name Is Earl.
Jaime Pressly Opens Up About Her Divorce And Memoir

Gerhard Richter photo
Joseph Addison photo
Henry Adams photo

“Senators could seldom give a reason for obstruction. In every hundred men, a certain number obstruct by instinct, and try to invent reasons to explain it afterwards.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Irshad Manji photo
Laurette Taylor photo

“Instinct is the direct connection with truth.”

Laurette Taylor (1884–1946) American stage and silent film actress

The Quality You Need Most, from Green Book Magazine (April 1914)

Peter Kropotkin photo
Pete Doherty photo
Georg Brandes photo
Colin Wilson photo
Giovanni della Casa photo
Joseph Joubert photo

“Reason leads man back to his instincts.”

Joseph Joubert (1754–1824) French moralist and essayist
Edgar Rice Burroughs photo
Mario Cuomo photo
Filippo Tommaso Marinetti photo

“It is therefore necessary to prepare the imminent and inevitable identification of man with the motor, facilitating and perfecting an incessant exchange of intuition, rhythm, instinct and metallic discipline, quite utterly unknown to the majority of humanity and only divined by the most lucid mind.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

1910's, Multiplied Man and the Reign of the Machine' 1911
Source: Günter Berghaus (2000) International Futurism in Arts and Literature. p. 318

Charles Grey, 2nd Earl Grey photo

“Grey was an ambitious man who always wished to lead, but his overt ambition during his youth made him unpopular. He lacked the warmth of personality that made Fox revered by his followers. Grey was respected but rarely loved. His achievements were few, but they were significant. He helped to keep liberal principles alive during the years of conflict with revolutionary France, and in 1832 he safeguarded the continuity of the British constitution into an era of increasingly rapid social and political change. In character he was a man of contradictions, headstrong but easily discouraged by failure, imperious but indecisive, cautious and introspective. He was at his best when in office, for he sought fame and reputation: in opposition he often became despondent. He was a man of principle and integrity, though not always successful in execution. His bearing and attitudes were aristocratic, and his instincts were fundamentally conservative. He was a whig of the eighteenth-century school, most at home among his deferential clients, tenants, and labourers at Howick, and he never came to terms with the new industrial society which was coming into being during his later years. It is greatly to his credit that his Reform Act, whatever its conservative purpose, smoothed the path for that new society to establish its dominance without destroying the old.”

Charles Grey, 2nd Earl Grey (1764–1845) Prime Minister of the United Kingdom of Great Britain and Ireland

E. A. Smith, ‘ Grey, Charles, second Earl Grey (1764–1845) http://www.oxforddnb.com/view/article/11526’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, May 2009, accessed 8 Sept 2012.
About

Lewis Pugh photo

“Going against the tide has never been difficult for me. It wasn’t even a conscious decision but the natural consequence of following my own instinct.”

Lewis Pugh (1969) Environmental campaigner, maritime lawyer and endurance swimmer

p 37
Achieving The Impossible (2010)

Frank Stella photo

“When Morris Louis showed in 1958, everybody [like in 'Art News', by Tom Hess ] dismissed his work as thin, merely decorative. They still do. Louis is the really interesting case... In every sense his instincts were Abstract Expressionist, and he was terribly involved with all of that, but he felt he had to move, too.”

Frank Stella (1936) American artist

Frank Stella in: The New York school – the painters & sculptors of the fifties, Irving Sandler, Harper & Row, Publishers, 1978, p. 319 note 68
quote of Stella, 1960's, concerning the position of stain painting
Quotes, 1960 - 1970

Henry Adams photo
Elfriede Jelinek photo
Zane Grey photo

“!-- Recipe for greatness — --> To bear up under loss — to fight the bitterness of defeat and the weakness of grief — to be victor over anger — to smile when tears are close — to resist evil men and base instincts — to hate hate and to love love — to go on when it would seem good to die — to seek ever after the glory and the dream — to look up with unquenchable faith in something evermore about to be — that is what any man can do, and so be great.”

Zane Grey (1872–1939) American novelist

As quoted in The North American Almanac (1931), p. 54, this sometimes published with a prefix "Recipe for greatness —" but this does not appear in the earliest versions of it yet located.<!-- also in 1000 Brilliant Achievement Quotes: Advice from the World's Wisest (2004) by David DeFord, p. 92 -->

Henry Adams photo
Jean Piaget photo
André Maurois photo
Andrew Sullivan photo
Corneliu Zelea Codreanu photo
Eric S. Raymond photo

“Solon was a sort of Athenian Franklin D. Roosevelt… He was an aristocratic reformer who understood instinctively that the aristocracy's monopoly on power had to be loosened and some power given to the lesser orders if social peace was to be shored up.”

Thomas Cahill (1940) American scholar and writer

Source: Sailing the Wine-Dark Sea: Why the Greeks Matter (2003), Ch.IV The Politician and the Playwright: How to Rule

Saki photo
Henry Edward Manning photo
David Brewster photo
Thomas Carlyle photo
Samson Raphael Hirsch photo
John Muir photo
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo
Martin Luther King, Jr. photo
Mickey Spillane photo
Joseph H. Hertz photo

“In spite of the pangs of travail, the longing for motherhood remains the most powerful instinct in woman.”

Joseph H. Hertz (1872–1946) British rabbi

Genesis III, 16 (p. 12)
The Pentateuch and Haftorahs (one-volume edition, 1937, ISBN 0-900689-21-8

Włodzimierz Ptak photo
Emma Goldman photo

“Morals: They’re nothing but a coded survival instinct!”

Source: More Than Human (1953), Chapter 3, p. 175

F. H. Bradley photo
William H. Rehnquist photo

“[Jury selection] is best based upon seat-of-the-pants instincts, which are undoubtedly crudely stereotypical and may in many cases be hopelessly mistaken.”

William H. Rehnquist (1924–2005) Chief Justice of the United States

Batson v. Kentucky, 476 U.S. 79 (1986) (dissenting opinion).
Judicial opinions

Éamon de Valera photo
Auguste Rodin photo

“Gsell: What astonishes me, is that your way is so different from that of other sculptors. They prose the model. Instead of that, you wait till a model has instinctively or accidentally taken an Interesting pose, and thon you reproduce It. Instead of your giving orders to the model, the model gives orders to you.
Rodin: I am not at the model's orders; I am at Nature's. Doubtless my confreres have their reasons for proceeding as they do. But when one constrains Nature in that way and treats human beings as mannikins, one runs a risk of getting nothing but dead, artificial results. A hunter of truth and a trapper of life. I am careful not to follow their example. I seize upon the movements I observe, but I don't dictate them. when a subject requires a predetermined pose, I merely Indicate It. For I want only what reality will afford without being forced. In everything I obey Nature. I never assume to command her. My sole ambition Is a servile fidelity.
Gsell : And yet, you take liberties with nature. You make changes.
Rodin : Not at all. I should be false to myself if I did.
Gsell : But you finished work is never like the plaster sketch
Rodin : That is so, but the sketch is far less true than the finished work. It would Impossible for a model to keep a living attitude during all the time it takes to shape the clay. Still, I retain a general idea of the pose and require the model to conform to it. But this is not all. The sketch reproduces only the exterior. I must next reproduce the spirit, which is every whit as essential a part of Nature. I see the whole truth — not merely the fraction of it that lies upon the surface. I accentuate tho lines that best express the spiritual state I am Interpreting.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

Arshile Gorky photo
Warren Farrell photo

“We cannot be too earnest, too persistent, too determined, about living superior to the herd instinct.”

Henry S. Haskins (1875–1957)

Source: Meditations in Wall Street (1940), p. 79

Georg Christoph Lichtenberg photo

“Click. The spare camera was now focussed and working. The lead mare—Barb Nose's—saw the drop. She cut her stride and wheeled and ran along the dangerous edge. Barb Nose ran in the vanguard, protecting the rear, driving the foals ahead of him. Blaze Face had long since cut and run, taking his beaten stallion flesh off to be nursed, to wait for another day, another elder to challenge. The other mares expertly and instinctively followed the leader as she rimmed the mesa, heading for the foothills of the El Gatos. One foal, too, made the cut, on stick-like legs, frightened but blindly following. The second foal had truly been blinded by panic. He strode to the drop-off and never stopped. He was a wild horse, and he had to run, and now he would run free forever. Plunging headlong over the drop, body whirling, his legs still flailing, as he fell through the desert air and past the serrated rock walls of the mesa, he knew nothing of time. He knew nothing of the eons that had gone before him, building this mesa of bluff and sandstone and archean rock. He fell through layers of time, to timelessness, a living thing for so little time. Once a living work of art, now a broken artifact. One foal. Dead. Murdered by man. Murdered by time. The drumbeat of the earth was lessened by one horse's tiny hooves. And all of us were lessened by this new silence. Click.”

Arnold Hano (1922) American writer

From Running Wild, pp. 14-15
Other Topics

Edward Carpenter photo
Ben Croshaw photo
H. G. Wells photo
Yukteswar Giri photo
Calvin Coolidge photo
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo

“Half a century ago, the first feeling of all Englishmen was for England. Now, the sympathies of a powerful party are instinctively given to whatever is against England. It may be Boers or Baboos, or Russians or Affghans, or only French speculators – the treatment these all receive in their controversies with England is the same: whatever else my fail them, they can always count on the sympathies of the political a party from whom during the last half century the rulers of England have been mainly chosen…It is striking, though by no means a solitary indication of how low, in the present temper of English politics, our sympathy with our own countrymen has fallen. Of course, we shall be told that a conscience of exalted sensibility, which is the special attribute of the Liberal party, has enabled them to discover, what English statesmen had never discovered before, that the cause to which our countrymen are opposed is generally the just one…For ourselves, we are rather disposed to think that patriotism has become in some breasts so very reasonable an emotion, because it is ceasing to be an emotion at all; and that these superior scruples, to which our fathers were insensible, and which always make the balance of justice lean to the side of abandoning either our territory or our countrymen, indicate that the national impulses which used to make Englishmen cling together in face of every external trouble are beginning to disappear.”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

‘Disintegration’, Quarterly Review, no. 312; October 1883, reprinted in Paul Smith (ed.), Lord Salisbury on Politics. A selection from his articles in the Quaterly Review, 1860-1883 (Cambridge University Press, 1972), pp. 342-343
1880s

Paul Cézanne photo

“By any precise definition, Washington is a city of advanced depravity. There one meets and dines with the truly great killers of the age, but only the quirkily fastidious are offended, for the killers are urbane and learned gentlemen who discuss their work with wit and charm and know which tool to use on the escargots.
On New York's East Side one occasionally meets a person so palpably evil as to be fascinatingly irresistible. There is a smell of power and danger on these people, and one may be horrified, exhilarated, disgusted or mesmerized by the awful possibilities they suggest, but never simply depressed.
Depression comes in the presence of depravity that makes no pretense about itself, a kind of depravity that says, "You and I, we are base, ugly, tasteless, cruel and beastly; let's admit it and have a good wallow."
That is how Times Square speaks. And not only Times Square. Few cities in the country lack the same amenities. Pornography, prostitution, massage parlors, hard-core movies, narcotics dealers — all seem to be inescapable and permanent results of an enlightened view of liberty which has expanded the American's right to choose his own method of shaping a life.
Granted such freedom, it was probably inevitable that many of us would yield to the worst instincts, and many do, and not only in New York. Most cities, however, are able to keep the evidence out of the center of town. Under a rock, as it were. In New York, a concatenation of economics, shifting real estate values and subway lines has worked to turn the rock over and put the show on display in the middle of town.
What used to be called "The Crossroads of the World" is now a sprawling testament to the dreariness which liberty can produce when it permits people with no taste whatever to enjoy the same right to depravity as the elegant classes.”

Russell Baker (1925–2019) writer and satirst from the United States

"Cheesy" (p.231)
So This Is Depravity (1980)

Sarah Jessica Parker photo
Hisham Matar photo

“Premeditated details arrive, when you're writing, and my instinct is always to reach for the nearest weapon.”

Hisham Matar (1970) American writer

at 37:50.
Blue Metropolis Festival (2013)

Louis Althusser photo