Quotes about immortal
page 6

George William Russell photo

“We go on our enchanted way
And deem our hours immortal hours,
Who are but shadow kings that play
With mirrored majesties and powers.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

By Still Waters (1906)

Ella Wheeler Wilcox photo
James Mackintosh photo

“Diffused knowledge immortalizes itself.”

James Mackintosh (1765–1832) British politician

Vindiciæ Gallicæ (1791).

Tivadar Csontváry Kosztka photo
Miguel de Unamuno photo
Henryk Sienkiewicz photo
Auguste Rodin photo

“The landscape painter, perhaps, goes even further. It is not only in living beings that he sees the reflection of the universal soul; it is in the trees, the bushes, the valleys, the hills. What to other men is only wood and earth appears to the great landscapist like the face of a great being. Corot saw kindness abroad in the trunks of the trees, in the grass of the fields, in the mirroring water of the lakes. But there Millet read suffering and resignation.
Everywhere the great artist hears spirit answer to his spirit. Where, then, can you find a more religious man?
Does not the sculptor perform his act of adoration when he perceives the majestic character of the forms that he studies? — when, from the midst of fleeting lines, he knows how to extricate the eternal type of each being? — when he seems to discern in the very breast of the divinity the immutable models on which all living creatures are moulded? Study, for example, the masterpieces of the Egyptian sculptors, either human or animal figures, and tell me if the accentuation of the essential lines does not produce the effect of a sacred hymn. Every artist who has the gift of generalizing forms, that is to say, of accenting their logic without depriving them of their living reality, provokes the same religious emotion; for he communicates to us the thrill he himself felt before the immortal verities.”

Auguste Rodin (1840–1917) French sculptor

Art, 1912, Ch. Mystery in Art

Jon Courtenay Grimwood photo
Adi Shankara photo
William Pitt, 1st Earl of Chatham photo

“I know that the conquest of English America is an impossibility. You cannot, I venture to say it, you CANNOT conquer America… As to conquest, therefore, my Lords, I repeat, it is impossible. You may swell every expense, and every effort, still more extravagantly; pile and accumulate every assistance you can buy or borrow; traffic and barter with every little pitiful German Prince, that sells and sends his subjects to the shambles of a foreign country; your efforts are for ever vain and impotent— doubly so from this mercenary aid on which you rely; for it irritates, to an incurable resentment, the minds of your enemies— to overrun them with the sordid sons of rapine and plunder; devoting them and their possessions to the rapacity of hireling cruelty! If I were an American, as I am an Englishman, while a foreign troop was landed in my country, I never would lay down my arms, never! never! never!… I call upon the honour of your Lordships to reverence the dignity of your ancestors, and to maintain your own. I call upon the spirit and humanity of my country to vindicate the national character. I invoke the genius of the constitution. From the tapestry that adorns these walls, the immortal ancestor of this noble Lord frowns with indignation at THE DISGRACE OF HIS COUNTRY! In vain he led your victorious fleets against the boasted Armada of Spain; in vain he defended and established the honour, the liberties, the religion, the Protestant religion of his country, against the arbitrary cruelties of Popery and the Inquisition.”

William Pitt, 1st Earl of Chatham (1708–1778) British politician

Speech in the House of Lords (18 November, 1777), responding to a speech by Henry Howard, 12th Earl of Suffolk, who spoke in favour of the war against the American colonists. Suffolk was a descendant of Howard of Effingham, who led the English navy against the Spanish Armada. Effingham had commissioned a series of tapestries on the defeat of the Armada, and sold them to King James I. Since 1650 they were hung in the House of Lords, where they remained until destroyed by fire in 1834.
William Pitt, The Speeches of the Right Honourable the Earl of Chatham in the Houses of Lords and Commons: With a Biographical Memoir and Introductions and Explanatory Notes to the Speeches (London: Aylott & Jones, 1848), pp. 150-6.

Rob Enderle photo

“I firmly believe that companies should be designed to be immortal. … Dell's future is bright largely due to the power of a founder who can think strategically and doesn't milk his company for personal gain. In the current environment that is a unique and powerful advantage.”

Rob Enderle (1954) American financial analyst

Michael Dell Interview: How Dell Is Being Reborn http://itbusinessedge.com/cm/blogs/enderle/michael-dell-interview-how-dell-is-being-reborn/?cs=50238 in IT Business Edge (17 April 2012)

Scott Carpenter photo
Masiela Lusha photo

“So we remain, forever more,
Immortal and Found.”

Masiela Lusha (1985) Albanian actress, writer, author

from the poem, This Child Desires Spring http://www.masielalushafoundation.org/board.php

Joseph McCabe photo
Robert Hall photo

“Wisdom and truth, the offspring of the sky, are immortal; while cunning and deception, the meteors of the earth, after glittering for a moment, must pass away.”

Robert Hall (1764–1831) British Baptist pastor

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 241.

Edward Everett photo
Nick Cave photo
Revilo P. Oliver photo
Homér photo
Ernst Bloch photo
John Dryden photo

“And heaven had wanted one immortal song.
But wild Ambition loves to slide, not stand,
And Fortune's ice prefers to Virtue's land.”

Pt. I, lines 197–199. Compare Knolles, History (under a portrait of Mustapha I): "Greatnesse on Goodnesse loves to slide, not stand,/ And leaves, for Fortune’s ice, Vertue’s ferme land".
Absalom and Achitophel (1681)

Jorge Luis Borges photo

“My undertaking is not difficult, essentially… I should only have to be immortal to carry it out.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

"Pierre Menard, Author of the Quixote" ["Pierre Menard, autor del Quijote"]
The Garden of Forking Paths (1942)

Matthew Arnold photo
Clifford D. Simak photo
Louis Antoine de Saint-Just photo

“The French people recognize the Supreme Being and the immortality of the soul. The first day of every month is to be dedicated to the eternal.”

Louis Antoine de Saint-Just (1767–1794) military and political leader

Fragment 10 (1794). [Source: Saint-Just, Fragments sur les institutions républicaines]

Sri Aurobindo photo
George Holmes Howison photo
Robin Sloan photo

“There is no immortality that is not built on friendship and work done with care.”

Robin Sloan (1979) American writer

Source: Mr. Penumbra's 24-Hour Bookstore (2012), Chapter 31 “Epilogue” (p. 288)

Marco Girolamo Vida photo

“But ne'er the subject of your work proclaim
In its own colors and its genuine name;
Let it by distant tokens be conveyed,
And wrapped in other words, and covered in their shade.
At last the subject from the friendly shroud
Bursts out, and shines the brighter from the cloud;
Then the dissolving darkness breaks away,
And every object glares in open day.
Thus great Ulysses' toils were I to choose
For the main theme that should employ my Muse,
By his long labors of immortal fame
Should shine my hero, but conceal his name;
As one who, lost at sea, had nations seen,
And marked their towns, their manners, and their men,
Since Troy was leveled to the dust by Greece—
Till a few lines epitomized the piece.”

Jam vero cum rem propones, nomine nunquam Prodere conveniet manifesto: semper opertis Indiciis, longe et verborum ambage petita Significant, umbraque obducunt: inde tamen, ceu Sublustri e nebula, rerum tralucet imago Clarius, et certis datur omnia cernere signis. Hinc si dura mihi passus dicendus Ulysses, Non ilium vero memorabo nomine, sed qui Et mores hominum multorum vidit et urbes Naufragus, eversae post saeva incendia Trojae, Addam alia, angustis complectens omnia dictis.

Marco Girolamo Vida (1485–1566) Italian bishop

Book II, line 40
De Arte Poetica (1527)

Alexander Maclaren photo
Marcus Tullius Cicero photo

“O immortal gods! Men do not realize how great a revenue parsimony can be!”
O di immortales! non intellegunt homines, quam magnum vectigal sit parsimonia.

Paradoxa Stoicorum; Paradox VI, 49

Gottfried Leibniz photo
Ali Al-Wardi photo
John Marshall photo

“A constitution is framed for ages to come, and is designed to approach immortality as nearly as human institutions can approach it.”

John Marshall (1755–1835) fourth Chief Justice of the United States

Cohens v. Virginia, 19 U.S. (6 Wheaton) 264, 387 (1821)

Miguel de Unamuno photo
Max Beckmann photo
George Sarton photo

“From the humanistic point of view every human achievement is unforgettable and immortal in its essence, even if it is replaced by a "better" one.”

George Sarton (1884–1956) American historian of science

Preface.
A History of Science Vol.1 Ancient Science Through the Golden Age of Greece (1952)

William Hazlitt photo

“There is a feeling of Eternity in youth which makes us amends for everything. To be young is to be as one of the Immortals.”

William Hazlitt (1778–1830) English writer

"On the Feeling of Immortality in Youth"
Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

Benito Mussolini photo
Henry David Thoreau photo
Douglas Hofstadter photo
Erasmus Darwin photo
Yehuda Ashlag photo
Jorge Luis Borges photo

“There is nothing very remarkable about being immortal; with the exception of mankind, all creatures are immortal, for they know nothing of death. What is divine, terrible, and incomprehensible is to know oneself immortal.”

"The Immortal", § IV, in The Aleph (1949); tr. Andrew Hurley, Collected Fictions (1998)
Variant: To be immortal is commonplace; except for man, all creatures are immortal, for they are ignorant of death; what is divine, terrible, incomprehensible, is to know that one is immortal.

Edward O. Wilson photo
Ursula K. Le Guin photo
Kim Jong-il photo
Simone Weil photo
E.E. Cummings photo

“Able to save to the uttermost, "Lord to whom shall we go; Thou hast the words of eternal life?" Thou who hast abolished death, upon whom else shall we suspend our immortality?”

Henry Melvill (1798–1871) British academic

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 231.

Jeet Thayil photo
Margaret Atwood photo
Simone Weil photo

“We should desire neither the immortality nor the death of any human being, whoever he may be, with whom we have to do.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Simone Weil : An Anthology (1986), Detachment (1947), p. 260

James Ryder Randall photo
Robert Hall photo
Swami Vivekananda photo

“India is immortal if she persists in her search for God. But if she goes in for politics and social conflict, she will die.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

A few hours before his death, as quoted in Bulletin of the Ramakrishna Mission Institute of Culture, Volume 14 (1963), p. 469

Chuck Palahniuk photo

“I need to take a break from this life as a human for 45 minutes and go experience a little bit of immortality.”

D.M. Turner (1962–1996) American drug researcher

Interview with Elizabeth Gips http://www.tripzine.com/articles.asp?id=dmturnergips

Henry Wadsworth Longfellow photo

“And in the wreck of noble lives
Something immortal still survives.”

Source: The Building of the Ship (1849), Lines 375-376.

André Maurois photo
Fyodor Dostoyevsky photo

“Neither a person nor a nation can exist without some higher idea. And there is only one higher idea on earth, and it is the idea of the immortality of the human soul, for all other "higher" ideas of life by which humans might live derive from that idea alone.”

Fyodor Dostoyevsky (1821–1881) Russian author

A Writer's Diary, Volume 1: 1873-1876 (1994), p. 734 http://books.google.com.br/books?id=38xQHS4h0yEC&printsec=frontcover&hl=pt-BR&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false

Wassily Kandinsky photo

“[Their] things [works of Die Brücke-artists] must be exhibited. But I think it is incorrect to immortalize them in the document [Almanac] of our modern art (and, this is what our book ought to be) or as a more or less decisive, leading factor. At any rate I am against large reproductions”

Wassily Kandinsky (1866–1944) Russian painter

of Die Brücke paintings in The Blaue Reiter Almanac
Quote from his letter to Franz Marc, 2 Febr. 1912, as cited in 'Lankheit 20'; quoted in Movement, Manifesto, Melee: The Modernist Group, 1910-1914, Milton A. Cohen, Lexington Books, Sep 14, 2004, p. 71
1910 - 1915

Robert Charles Wilson photo
Arthur Schopenhauer photo
Marie-Louise von Franz photo
Sarojini Naidu photo

“As a theory of [satyagraha] which must of necessity grow and expand because it carries within itself the immortal function of life. The fire of satyagrha had been kindled in the temple or ashrama where Mahatma Gandhi is the high priest or guru.”

Sarojini Naidu (1879–1949) Indian politician, governor of the United Provinces of Agra and Oudh from 1947 to 1949

In "Sarojini Naidu: An Introduction to Her Life, Work and Poetry", pp=62-63

Maximilien Robespierre photo
Robert G. Ingersoll photo
George Holmes Howison photo

“Not in its statement of God as the All-in-all, taken by itself, but in its consequent denial of the reality of man — his freedom and immortal growth in goodness — is it that pantheism betrays its insufficiency to meet the needs of the human spirit.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), Modern Science and Pantheism, p.77

James Beattie photo

“And beauty immortal awakes from the tomb.”

James Beattie (1735–1803) Scottish poet, moralist and philosopher

The Hermit

Percy Bysshe Shelley photo
Harriet Beecher Stowe photo
Charles Lindbergh photo
Joseph Addison photo
Diogenes Laërtius photo
John Gray photo
Friedrich Gottlieb Klopstock photo
Cora L. V. Scott photo
Hesiod photo
Edward Herbert, 1st Baron Herbert of Cherbury photo

“Let then no doubt, Celinda, touch,
Much less your fairest mind invade:
Were not our souls immortal made
Our equal loves can make them such.”

Edward Herbert, 1st Baron Herbert of Cherbury (1583–1648) Anglo-Welsh soldier, diplomat, historian, poet and religious philosopher

"An Ode Upon a Question Moved Whether Love Should Continue for Ever", line 121

Anne Rice photo
Heinrich Heine photo

“Although the Protestant Church is accused of much disastrous bigotry, one claim to immortal fame must be granted it: by permitting freedom of inquiry in the Christian faith and by liberating the minds of men from the yoke of authority, it enabled freedom of inquiry in general to take root in Germany, and made it possible for science to develop independently. German philosophy, though it now puts itself on an equal basis with the Protestant Church or even above it, is nonetheless only its daughter; as such it always owes the mother a forbearing reverence.”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

Wenn man auch der protestantischen Kirche manche fatale Engsinnigkeit vorwirft, so muß man doch zu ihrem unsterblichen Ruhme bekennen: indem durch sie die freie Forschung in der christlichen Religion erlaubt und die Geister vom Joche der Autorität befreit wurden, hat die freie Forschung überhaupt in Deutschland Wurzel schlagen und die Wissenschaft sich selbständig entwickeln können. Die deutsche Philosophie, obgleich sie sich jetzt neben die protestantische Kirche stellt, ja sich über sie heben will, ist doch immer nur ihre Tochter; als solche ist sie immer in betreff der Mutter zu einer schonenden Pietät verpflichtet.
Source: The Romantic School (1836), p. 24

John Quincy Adams photo

“In the seventh century of the Christian era, a wandering Arab of the lineage of Hagar, the Egyptian, combining the powers of transcendent genius, with the preternatural energy of a fanatic, and the fraudulent spirit of an impostor, proclaimed himself as a messenger from Heaven, and spread desolation and delusion over an extensive portion of the earth. Adopting from the sublime conception of the Mosaic law, the doctrine of one omnipotent God; he connected indissolubly with it, the audacious falsehood, that he was himself his prophet and apostle. Adopting from the new Revelation of Jesus, the faith and hope of immortal life, and of future retribution, he humbled it to the dust by adapting all the rewards and sanctions of his religion to the gratification of the sexual passion. He poisoned the sources of human felicity at the fountain, by degrading the condition of the female sex, and the allowance of polygamy; and he declared undistinguishing and exterminating war, as a part of his religion, against all the rest of mankind. THE ESSENCE OF HIS DOCTRINE WAS VIOLENCE AND LUST : TO EXALT THE BRUTAL OVER THE SPIRITUAL PART OF HUMAN NATURE.
Between these two religions, thus contrasted in their characters, a war of twelve hundred years has already raged. That war is yet flagrant; nor can it cease but by the extinction of that imposture, which has been permitted by Providence to prolong the degeneracy of man. While the merciless and dissolute dogmas of the false prophet shall furnish motives to human action, there can never be peace upon earth, and good will towards men. The hand of Ishmael will be against every man, and every man's hand against him.”

John Quincy Adams (1767–1848) American politician, 6th president of the United States (in office from 1825 to 1829)

Passage on Muhammad by an anonymous author in The American Annual Register for the Years 1827-8-9 (1830), edited by Joseph Blunt, Ch. X, p. 269. Robert Spencerattributed the authorship to Adams in The Politically Incorrect Guide to Islam (and the Crusades) (2005), p. 83, but provided no clear documentation as to why this attribution was made.
Disputed

“It's bad to use words like 'genius' unless you are talking about the late Jean-Michel Basquiat, the black Chatterton of the 80s who, during a picturesque career as sexual hustler, addict and juvenile art-star, made a superficial mark on the cultural surface by folding the conventions of street graffiti into those of art brut before killing himself with an overdose at the age of twenty-seven. The first stage of Basquiat's fate, in the mid-80s, was to be effusively welcomed by an art industry so trivialized by fashion and blinded by money that it couldn't tell a scribble from a Leonardo. Its second stage was to be dropped by the same audience, when the novelty of his work wore off. The third was an attempt at apotheosis four years after his death, with a large retrospective at the Whitney Museum designed to sanitise his short, frantic life and position him as a kind of all-purpose, inflatable martyr-figure, thus restoring the dollar value of his oeuvre in a time of collapsing prices for American contemporary art. One contributor to the catalogue proclaimed that "Jean remains wrapped in the silent purple toga of immortality"; another opined that "he is as close to Goya as American painting has ever produced." A third, not to be outdone, extolled Basquiat's "punishing regime of self-abuse" as part of "the disciplines imposed by the principle of inverse ascetism to which he was so resolutely committed."”

Robert Hughes (1938–2012) Australian critic, historian, writer

These disciplines of inverse ascetism, one sees, mean shooting smack until you drop dead.
Page 195
Culture of Complaint (1993)

Swami Vivekananda photo

“That man has reached immortality who is disturbed by nothing material.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Pearls of Wisdom

Huston Smith photo
Giorgio de Chirico photo

“Painting is the magic art, the fire set alight on the windows of the rich dwelling, as on those of the humble hovel, from the last rays of the setting sun, it is the long mark, the humid mark, the fluent and still mark that the dying wave etches on the hot sand, it is the darting of the immortal lizard on the rock burnt by the midday heat, it is the rainbow of conciliation, on sad May afternoons, after the storm has passed, down there, making a dark backdrop to the almond trees in flower, to the gardens with their washed colours, to the ploughmen's huts, smiling and tranquil, it is the livid cloud chased by the vehement blowing of Aeolus enraged, it is the nebulous disk of the fleeting moon behind the ripped-open funereal curtain of a disturbed sky in the deep of night, it is the blood of the bull stabbed in the arena, of the warrior fallen in the heat of battle, of Adonis' immaculate thigh wounded by the obstinate boar's curved tusk, it is the sail swollen with the winds of distant seas, it is the centuries-old tree browned in the autumn..”

Giorgio de Chirico (1888–1978) Italian artist

Quote from the first lines in De Cirico's essay 'Painting', 1938; from http://www.fondazionedechirico.org/wp-content/uploads/211_Painting_1938_Metaphysical_Art.pdf 'Painting', 1938 - G. de Chirico, presentation to the catalogue of his solo exhibition Mostra personale del pittore Giorgio de Chirico, Galleria Rotta, Genoa, May 1938], p. 211
1920s and later

Gene Wolfe photo

“We can dive to the bottom of the sea and some say NASA will fly us to the stars, and I have known men to plunge into the past—or the future—and drown. But there's one place where we can't go. We can't go where we are already. We can't go home, because our minds, and our hearts, and our immortal souls are already there there.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

"Kevin Malone", New Terrors (1980), ed. Ramsey Campbell, Reprinted in Gene Wolfe, Endangered Species (1989), Reprinted in Gene Wolfe, The Best of Gene Wolfe (2009)
Fiction

“For their doctrine is this: That bodies are corruptible, and that the matter they are made of is not permanent; but that the souls are immortal, and continue forever; and that they come out of the most subtile air, and are united to their bodies as to prisons, into which they are drawn by a certain natural enticement; but that when they are set free from the bonds of the flesh, they then, as released from a long bondage, rejoice and mount upward. And this is like the opinions of the Greeks, that good souls have their habitations beyond the ocean, in a region that is neither oppressed with storms of rain or snow, or with intense heat, but that this place is such as is refreshed by the gentle breathing of a west wind, that is perpetually blowing from the ocean; while they allot to bad souls a dark and tempestuous den, full of never-ceasing punishments. And indeed the Greeks seem to me to have followed the same notion, when they allot the islands of the blessed to their brave men, whom they call heroes and demi-gods; and to the souls of the wicked, the region of the ungodly, in Hades, where their fables relate that certain persons, such as Sisyphus, and Tantalus, and Ixion, and Tityus, are punished; which is built on this first supposition, that souls are immortal; and thence are those exhortations to virtue and dehortations from wickedness collected; whereby good men are bettered in the conduct of their life by the hope they have of reward after their death; and whereby the vehement inclinations of bad men to vice are restrained, by the fear and expectation they are in, that although they should lie concealed in this life, they should suffer immortal punishment after their death. These are the Divine doctrines of the Essens about the soul, which lay an unavoidable bait for such as have once had a taste of their philosophy.”

Jewish War

George William Russell photo