Quotes about high
page 14

“To the memory of Sir Thomas Denison, Knt., this monument was erected by his afflicted widow. He was an affectionate husband, a generous relation, a sincere friend, a good citizen, an honest man. Skilled in all the learning of the common law, he raised himself to great eminence in his profession; and showed by his practice, that a thorough knowledge of the legal art and form is not litigious, or an instrument of chicane, but the plainest, easiest, and shortest way to the end of strife. For the sake of the public he was pressed, and at the last prevailed upon, to accept the office of a judge in the Court of King's Bench. He discharged the important trust of that high office with unsuspected integrity, and uncommon ability. The clearness of his understanding, and the natural probity of his heart, led him immediately to truth, equity, and justice; the precision and extent of his legal knowledge enabled him always to find the right way of doing what was right. A zealous friend to the constitution of his country, he steadily adhered to the fundamental principle upon which it is built, and by which alone it can be maintained, a religious application of the inflexible rule of law to all questions concerning the power of the crown, and privileges of the subject. He resigned his office February 14, 1765, because from the decay of his health and the loss of his sight, he found himself unable any longer to execute it. He died September 8, 1765, without issue, in the sixty-seventh year of his age. He wished to be buried in his native country, and in this church. He lies here near the Lord Chief Justice Gascoigne, who by a resolute and judicious exertion of authority, supported law and government in a manner which has perpetuated his name, and made him an example famous to posterity.”

Thomas Denison (1699–1765) British judge (1699–1765)

Memorial inscription, reported in Edward Foss, The Judges of England, With Sketches of Their Lives (1864), Volume 8, p. 266-268.
About

Josh Billings photo
John Fante photo
William Carlos Williams photo
Bruce Springsteen photo
Anita Sarkeesian photo

“For this video I tried to get a glimpse of Batman's rear end, but it's as if his cape is a piece of high-tech Wayne-Industries equipment designed to cover up his butt at all costs.”

Anita Sarkeesian (1983) American blogger

<i>Strategic Butt Coverings (Jan 19, 2016)</i>
Tropes vs. Women in Video Games (Feminist Frequency, 2013 - 2015)

Ronald Firbank photo

“Princess: I am always disappointed with mountains. There are no mountains in the world as high as I could wish.
Adrian: No?
Princess: They irritate me invariably. I should like to shake Switzerland.”

Ronald Firbank (1886–1926) British novelist

The Princess Zoubaroff, Act I, sc. iv (1920), cited from Steven Moore (ed.) Complete Plays (Normal, Ill.: Dalkey Archive Press, 1994) p. 55.

Peter Paul Rubens photo

“[on the high seas] the English are increasing their insolence and barbarity. [T]hey cut to pieces the captain of a ship coming from Spain and threw all the crew into the sea for having defended themselves valiantly.”

Peter Paul Rubens (1577–1640) Flemish painter

In a letter to Pierre Dupuy, 7 June 1627; as quoted by Simon Schrama, in Rembrandt's eyes, Alfred A. Knopf - Borzoi Books, New York 1999, p. 244
1625 - 1640

Samuel Taylor Coleridge photo
Hermann Hesse photo
John Hirst photo
Ben Carson photo
Tom Clancy photo
Joseph Addison photo
Ossip Zadkine photo
Mary Wollstonecraft Shelley photo
Vincent Van Gogh photo
Roberto Clemente photo

“Last year when I hurt my shoulder, I couldn't hit high pitches, but they kept throwing me low and away, and I could hit that pitch without much pain. "Look, he gets three hits, but he says he's in pain," they say, but they don't know that I can't go for the high pitch, and I'm not about to tell them!”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Speaking with the San Juan Star in September 1970, as quoted in Clemente! (1973) by Kal Wagenheim, p. 178
Baseball-related, <big><big>1970s</big></big>, <big>1970</big>

John Buchan photo
Ta-Nehisi Coates photo
Kenneth Gärdestad photo

“Sun, wind and water are
The best as I know
But it's on you, I
Think secretly
Sun, wind and water
High mountains and deep sea
That is my dream woven off.”

Kenneth Gärdestad (1948–2018) Swedish song lyricist, architect and lecturer

Sol, vind och vatten är
Det bästa som jag vet
Men det är på dig jag
Tänker I hemlighet
Sol, vind och vatten
Höga berg och djupa hav
Det, är mina drömmar vävda av
"Sol, vind och vatten", lyrics written by Kenneth
Song lyrics, With Ted Gärdestad, Ted (1973)

Gustav Stresemann photo
Robert F. Kennedy photo
Sri Aurobindo photo
Amir Taheri photo
T. H. White photo
David Dixon Porter photo
William Wordsworth photo

“As high as we have mounted in delight,
In our dejection do we sink as low.”

William Wordsworth (1770–1850) English Romantic poet

Stanza 4.
Resolution and Independence (1807)

Ron White photo
Dante Gabriel Rossetti photo
William Hazlitt photo

“The way to secure success, is to be more anxious about obtaining than about deserving it; the surest hindrance to it is to have too high a standard of refinement in our own minds, or too high an opinion of the discernment of the public.”

William Hazlitt (1778–1830) English writer

" On the Qualifications Necessary for Success http://www.blupete.com/Literature/Essays/Hazlitt/Success.htm"
The Plain Speaker (1826)

Joseph Massad photo
Nicolas Bratza photo

“The Strasbourg court has been particularly respectful of decisions emanating from courts in the UK since the coming into effect of the Human Rights Act, and this because of the very high quality of those judgments.”

Nicolas Bratza (1945) British judge

"Britain should be defending European justice, not attacking it", The Independent, Tuesday 24 January 2012 http://www.independent.co.uk/opinion/commentators/nicolas-bratza-britain-should-be-defending-european-justice-not-attacking-it-6293689.html

John Constable photo
Thomas Babington Macaulay, 1st Baron Macaulay photo

“I have travelled across the length and breadth of India and I have not seen one person who is a beggar, who is a thief. Such wealth I have seen in the country, such high moral values, people of such caliber, that I do not think we would conquer this country, unless we break the very backbone of this nation, which is her spiritual and cultural heritage, and therefore, I propose that we replace her old and ancient education system, her culture, for if the Indians think that all that is foreign and English is good and greater than their own, they will lose their self esteem, their native culture and they will become what we want them, a truly dominated nation.”

Thomas Babington Macaulay, 1st Baron Macaulay (1800–1859) British historian and Whig politician

This quotation is commonly said to have been spoken by Macaulay during a speech to the British Parliament in 1835. Since Macaulay was in India at the time, it is more likely to have come from his Minute on Indian Education http://www.columbia.edu/itc/mealac/pritchett/00generallinks/macaulay/txt_minute_education_1835.html. However, these words do not appear in that text. According to Koenraad Elst http://koenraadelst.bharatvani.org/articles/hinduism/macaulay.html, these words were printed in The Awakening Ray, Vol. 4, No. 5, published by the Gnostic Center, preceded by: "His words were to the effect." Burjor Avari cites this misattribution as an example of "tampering with historical evidence" in India: The Ancient Past ISBN 9780415356169, pp. 19–20), writes: "No proof of this statement has been found in any of the volumes containing the writings and speeches of Macaulay. In a journal in which the extract appeared, the writer did not reproduce the exact wording of the Minutes, but merely paraphrased them, using the qualifying phrase: ‘His words were to the effect.:’ This is extremely mischievous, as numerous interpretations can be drawn from the Minutes." For a full discussion, see Koenraad Elst, The Argumentative Hindu (2012) Chapter 3
Misattributed

John Hicks photo

“There have always been those who, though they see tragedy as the outcome of freedom, will nevertheless judge that tragedy is not too high a price to pay.”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

Herodotus: History (p. 45)
Classics Revisited (1968)

John Adams photo

“There are many other evils in our country which are growing, whereas the practice of slavery is fast diminishing, and threaten to bring punishment on our land more immediately than the oppression of the blacks. That sacred regard to truth in which you and I were educated, and which is certainly taught and enjoined from on high, seems to be vanishing from among us. A general relaxation of education and government, a general debauchery as well as dissipation, produced by pestilential philosophical principles of Epicurus, infinitely more than by shows and theatrical entertainments; these are, in my opinion, more serious and threatening evils than even the slavery of the blacks, hateful as that is. I might even add that I have been informed that the condition of the common sort of white people in some of the Southern States, particularly Virginia, is more oppressed, degraded, and miserable, than that of the negroes. These vices and these miseries deserve the serious and compassionate consideration of friends, as well as the slave trade and the degraded state of the blacks. I wish you success in your benevolent endeavors to relieve the distresses of our fellow creatures, and shall always be ready to cooperate with you as far as my means and opportunities can reasonably be expected to extend.”

John Adams (1735–1826) 2nd President of the United States

1800s, Letter to George Churchman and Jacob Lindley (1801)

Abu Bakr al-Baghdadi photo
Antoni Tàpies photo
Phil Brooks photo

“Punk: Wow, everybody, it's John Cena. He comes out here every Monday night, he's excitable, he throws his hat at somebody, everybody loves it. I am so impressed at how you do that. You get all these people to believe you're that friendly, smiling, everyday man, when I know the truth. And the truth, John Cena, is you're thoughtless, you're heartless, and above all else, you are dishonest. I'm sure there's millions of people worldwide, including yourself, that would love to believe this is over a spilled diet soda, but John, this goes way beyond my spilled diet soda. Yeah. John, you were fired from the WWE. You were gone. You gave a very tear-inducing speech in the middle of the ring about how you finally get to see your mom and hang out with your little brother, and you said you were gonna go away. You were gonna be a man of your way, but what happened? You came back later that night, and then you came back the next week, and then you came back the next week, showing all of these people who aren't intelligent to see through your facade what I have known all along—that your word is absolutely worthless. And then there's TLC, you have the man beaten. Wade Barrett, a very tough individual, and you have him beat in a chairs match, but that's not good enough for you. You don't take the high ground, you can't walk off into the sunset with your victory; you drag the man off to the side of the stage and you drop fifteen steel chairs on him, and I wanna know exactly why you think that's acceptable behavior. I wanna know why you think it's okay to show up the next night on Raw and humiliate the poor guy…
Cena: That is balderdash! Fifteen steel chairs? That's insane. It was 23 steel chairs. And in case you forgot, Wade Barrett and the Nexus gave me about five thousand beat-downs, made me their personal slave, and ended my career.
Punk: You wanna talk about ended careers, you hypocrite? This is exactly what I'm talking about. You ended the career of my good friend Dave Batista. John! John, look at me when I'm talking to you. This is a reoccurring pattern with you. Once again, you have the man beaten—last man standing, he verbally submits, how humiliating, the match is won. But, no, you AA him off a car through the very steel ramp that I'm sitting on, which facilitated the end of his career. Now we'll talk about Vickie Guerrero. I'm surprised the lovely Vickie Guerrero doesn't up and quit based on all the abuse you heap on her. It's not just the physical things to the Wade Barretts and the Dave Batistas, but it's the name-calling, it's the mental abuse to somebody as gorgeous and beautiful as Vickie Guerrero.
Cena: "It's the this… it's the that." Okay, CM Punk is gonna play Mr. Fingerpointer. Well…1.—Dave Batista broke my neck; 2.—He showed up on Raw the next night and quit on his own terms. And C—I didn't just single out Vickie Guerrero. In case you haven't been watching for the past… eight years, I talk about everybody. Uh… Michael Cole. Michael Cole has an anonymous fetish with Justin Bieber and has the word "The Miz" man-scaped right below his belly button. Me! Look at me. I look like the crazy sex child of the Incredible Hulk and Grimace. And then there's you.
Punk: Yeah, and then there's me, who happens to not be laughing. I don't know if you noticed that. You're not funny.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

December 27, 2010
WWE Raw

Robert Owen photo
John Ruysbroeck photo
Pierre Trudeau photo
Jean-François Millet photo

“I remember being awakened one morning by voices in the room where I slept. There was a whizzing sound which made itself heard between the voices now and then. It was the sound of spinning-wheels, and the voices were those of women spinning and carding wool. The dust of the room danced in a ray of sunshine which shone through the high narrow window that lighted the room..”

Jean-François Millet (1814–1875) French painter

Quote, c. 1870; as cited by Julia Cartwright in Jean Francois Millet, his Life and Letters, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 12
taken from Millet's youth-memories, he wrote down on request of his friend and later biographer Alfred Sensier, https://fr.wikipedia.org/wiki/Alfred_Sensier]
1870 - 1875

William Cobbett photo

“When, from the top of any high hill, one looks round the country, and sees the multitude of regularly distributed spires, one not only ceases to wonder that order and religion are maintained, but one is astonished that any such thing as disaffection or irreligion should prevail.”

William Cobbett (1763–1835) English pamphleteer, farmer and journalist

Letter to William Windham (27 May 1802), quoted in J. C. D. Clark, English Society. 1688-1832. Ideology, Social Structure and Political Practice during the Ancien Regime (Cambridge: Cambridge University Press, 1985), pp. 89-90.

Raymond Poincaré photo
Harry E. Soyster photo

“Experienced military and intelligence professionals know that torture, in addition to being illegal and immoral, is an unreliable means of extracting information from prisoners. Much is being made of former CIA official John Kiriakou's statement that waterboarding "broke" a high-value terrorist involved in the 9/11 plot. There are always those who, whether out of fear or inexperience, rush to push the panic button instead of relying on what we know works best and most reliably in these situations. I would caution those who would rely on this example. It is far from clear that the information obtained from this prisoner through illegal means could not have been obtained through lawful methods. The FBI was getting good intelligence from this prisoner before the CIA took over. And there are numerous examples of cases where relying on information obtained through torture has disastrous consequences. The reality is that use of torture produces inconsistent results that are an unreliable basis for action and policy. The overwhelming consensus of intelligence professionals is that torture produces unreliable information. And the overwhelming consensus of senior military leaders is that resort to torture is dishonorable. Use of such primitive methods actually puts our own troops and our nation at risk.”

Harry E. Soyster (1935) Recipient of the Purple Heart medal

"Former Director of the Defense Intelligence Agency: Torture Produces Unreliable Information" http://web.archive.org/web/20070629145037/http://www.humanrightsfirst.org/blog/torture/2007/12/former-director-of-defense-intelligence.html, Human Rights First (2007-12-11)

David Lloyd George photo
Tom Robbins photo
Bel Kaufmanová photo
Calvin Coolidge photo
Jay Nordlinger photo
Ramachandra Guha photo
Agnes Repplier photo
Francis Escudero photo
Bran Ferren photo

“It's disgraceful and embarrassing that the highest technology in a typical inner city high school in this country is the metal detector the students pass through at the front door.”

Bran Ferren (1953) American technologist

Metal Front Doors with Glass Like Success, likesuccess.com, 2017-01-16 http://likesuccess.com/img4416163,

Alan Paton photo
Bhakti Tirtha Swami photo
W. Brian Arthur photo
Augustus De Morgan photo
John F. Kennedy photo

“We define successful aging as including three main components: low probability of disease and disease-related disability, high cognitive and physical functional capacity, and active engagement with life.”

Robert L. Kahn (1918–2019) American psychologist

Rowe, John W., and Robert L. Kahn. " Successful aging http://gerontologist.oxfordjournals.org/content/37/4/433.full.pdf." The gerontologist 37.4 (1997): 433-440.

Peter Paul Rubens photo
Aimee Mann photo
Ron Paul photo
George W. Bush photo

“Because of the limited keyboard. This is a very strange thing. When I play the piano, I get clear down to the left edge of the piano. Now, unlike Art Tatum, I don't take runs that go up, that always end up on the extreme high "C". But I really do like the low end. Even as an organist, it has bothered me that the keyboards are five octaves and stop at "C". I've always wished that my pedal board went down to "F". My harmonic thinking gets involved clear down to that "F" and to be cut off at the "C". I can't explain it. It's as if somebody were standing right next to you while you were playing and you just kept having the feeling like: "I can't go there; I can't go there."”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

It does something to me. Whereby [sic] having the full keyboard just opens up a world of things to me.
On his preference for Yamaha's 88-key PF-15 piano over the then prevalent DX7; radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT457&dq=%22because+of+the+limited+keyboard%22&hl=en&sa=X&ved=0ahUKEwjOhaCoxMXRAhXB5iYKHcvbBykQ6AEIGjAA#v=onepage&q&f=false (1992, 2006, 2014)

William Burges photo

“Nothing is more perishable than worn-out apparel, yet, thanks to documentary evidence, to the custom of burying people of high rank in their robes, and to the practice of wrapping up relics of saints in pieces of precious stuffs, we are enabled to form a veiy good idea of what these stuffs were like and where they came from. In the first instance they appear to have come from Byzantium, and from the East generally; but the manufacture afterwards extended to Sicily, and received great impetus at the Norman conquest of that island; Roger I. even transplanting Greek workmen from the towns sacked by his army, and settling them in Sicily. Of course many of the workers would be Mohammedans, and the old patterns, perhaps with the addition of sundry animals, would still continue in use; hence the frequency of Arabic inscriptions in the borders, the Cufic character being one of the most ornamental ever used. In the Hotel de Clu^ny at Paris are preserved the remains of the vestments of a bishop of Bayonne, found when his sepulchre was opened in 1853, the date of the entombment being the twelfth century. Some of these remains are cloth of gold, but the most remarkable is a very deep border ornamented with blue Cufic letters on a gold ground; the letters are fimbriated with white, and from them issue delicate red scrolls, which end in Arabic sort of flowers: this tissue probably is pure Eastern work. On the contrary, the coronation robes of the German emperors, although of an Eastern pattern, bear inscriptions which tell us very clearly where they were manufactured: thus the Cufic characters on the cope inform us that it was made in the city of Palermo in the year 1133, while the tunic has the date of 1181, but then the inscription is in the Latin language. The practice of putting Cufic inscriptions on precious stuffs was not confined to the Eastern and Sicilian manufactures; in process of time other Italian cities took up the art, and, either because it was the fashion, or because they wished to pass off" their own work as Sicilian or Eastern manufacture, imitations of Arabic characters are continually met with, both on the few examples that have come down to us of the stuffs themselves, or on painted statues or sculptured effigies. These are the inscriptions which used to be the despair of antiquaries, who vainly searched out their meaning until it was discovered that they had no meaning at all, and that they were mere ornaments. Sometimes the inscriptions appear to be imitations of the Greek, and sometimes even of the Hebrew. The celebrated ciborium of Limoges work in the Louvre, known as the work of Magister G. Alpais, bears an ornament around its rim which a French antiquary has discovered to be nothing more than the upper part of a Cufic word repeated and made into a decoration.”

William Burges (1827–1881) English architect

Quote was introduced with the phrase:
In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes
Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143

W. Brian Arthur photo
Karl G. Maeser photo
John Maynard Keynes photo
Madison Grant photo
John Scalzi photo

“High in the sky is a bird on a wing
Please carry me with you
Far far away from the mad rushing crowd
Please carry me with you”

Tom Springfield (1934) English musician, songwriter and record producer

Song Island of Dreams.

Frances Farmer photo
Burkard Schliessmann photo
Kate Havnevik photo

“outside
It's another world
When the moon is high”

Kate Havnevik (1975) Norwegian singer-songwriter

Song lyrics

Muammar Gaddafi photo
Frederick Douglass photo
Patrick Nielsen Hayden photo
Courtney Love photo

“Hush your highness, don't you breathe
No, baby, hold me in your arms, I'm shivering
But what's all this for?
If I was the battle, baby, you have won the war”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

"Hold Onto Me"
Song lyrics, America's Sweetheart (2004)

Bal Gangadhar Tilak photo
Bob Keeshan photo

“Children don't drop out of high school when they are 16, they do so in the first grade and wait 10 years to make it official.”

Bob Keeshan (1927–2004) United States Marine

As quoted in "Commentary: Pre-school Rankings" by Susan Hoff KERA Public Newsroom (6 September 2007) http://publicbroadcasting.net/kera/news.newsmain?action=article&ARTICLE_ID=1140255&sectionID=1

Harry Truman photo

“He’s one of the few in the history of this country to run for high office talking out of both sides of his mouth at the same time and lying out of both sides.”

Harry Truman (1884–1972) American politician, 33rd president of the United States (in office from 1945 to 1953)

On Richard Nixon, as quoted Plain Speaking : An Oral Biography of Harry S Truman (1974) by Merle Miller, p. 179

Enoch Powell photo
Wendell Berry photo

“This writing wasn't painful. It was like being high.”

William McKeen (1954) American academic

Source: Outlaw Journalist (2008), Chapter 11, Making A Beast Of Himself, p. 166

Thomas Gray photo

“In glittering arms and glory dressed,
High he rears his ruby crest.
There the thundering strokes begin,
There the press and there the din;
Talymalfra's rocky shore
Echoing to the battle's roar.”

Thomas Gray (1716–1771) English poet, historian

"The Triumphs of Owen. A Fragment", from Mr. Evans's Specimens of the Welch Poetry (1764) http://www.thomasgray.org/cgi-bin/display.cgi?text=trow

Torquato Tasso photo

“Great Carthage low in ashes cold doth lie,
Her ruins poor the herbs in height scant pass,
So cities fall, so perish kingdoms high,
Their pride and pomp lies hid in sand and grass:
Then why should mortal man repine to die,
Whose life, is air; breath, wind; and body, glass?”

Torquato Tasso (1544–1595) Italian poet

Giace l'alta Cartago; appena i segni
Dell'alte sue ruine il lido serba.
Muojono le città, muojono i regni;
Copre i fasti e le pompe arena ed erba;
E l'uomo d'esser mortal par che si sdegni:
O nostra mente cupida e superba!
Canto XV, stanza 20 (tr. Fairfax)
Max Wickert's translation:
: Exalted Carthage lies full low. The signs
of her great ruin fade upon the strand.
So dies each city, so each realm declines,
its pomp and glory lost in scrub and sand,
and mortal man to see it sighs and pines.
(Ah, greed and pride! when will you understand?)
Gerusalemme Liberata (1581)

Anders Fogh Rasmussen photo

“That's what it's like when people have crawled very high up in a tree, then they sometimes need help to get down with ladders and ropes and other instruments.”

Anders Fogh Rasmussen (1953) former Prime Minister of Denmark and NATO secretary general

On potential face-saving deals for Poland on the Lisbon Treaty http://euobserver.com/?aid=24331 (21 June 2007)

“Billy Bennett – I speak of the artist – was forthright, bawdy, and wholesome…[His] grossness had that gusto about it which is like a high wind blowing over a noisome place.”

Billy Bennett (1887–1942) British comedian

James Agate Immoment Toys (New York, [1945] 1969) p. 225.
Criticism