Quotes about hall
page 3

Letitia Elizabeth Landon photo
Harry V. Jaffa photo
George Washington Plunkitt photo
Martin Luther King, Jr. photo
Thomas Babington Macaulay, 1st Baron Macaulay photo
Calvin Coolidge photo
Paul A. Samuelson photo

“What sex is to the biology classroom, stocks and investment riskiness is to the sophomore economics lecture hall.”

Paul A. Samuelson (1915–2009) American economist

Samuelson's Economics at Fifty: Remarks on the Occasion of the Anniversary of Publication (1998)
1980s–1990s

Mike Oldfield photo
John Bright photo

“Working men in this hall…I…say to you, and through the Press to all the working men of this kingdom, that the accession to office of Lord Derby is a declaration of war against the working classes…They reckon nothing of the Constitution of their country—a Constitution which has not more regard to the Crown or to the aristocracy than it has to the people; a Constitution which regards the House of Commons fairly representing the nation as important a part of the Government system of the kingdom as the House of Lords or the Throne itself…Now, what is the Derby principle? It is the shutting out of much more than three-fourths, five-sixths, and even more than five-sixths, of the people from the exercise of constitutional rights…What is it that we are come to in this country that what is being rapidly conceded in all parts of the world is being persistently and obstinately refused here in England, the home of freedom, the mother of Parliaments…Stretch out your hand to your countrymen in every portion of the three kingdoms, and ask them to join in a great and righteous effort on behalf of that freedom which has so long been the boast of Englishmen, but which the majority of Englishmen have never yet possessed…Remember the great object for which we strive, care not for calumnies and for lies, our object is this—to restore the British Constitution and with all its freedom to the British people.”

John Bright (1811–1889) British Radical and Liberal statesman

Speech in Birmingham (27 August 1866), quoted in The Times (28 August 1866), p. 4.
1860s

John F. Kennedy photo
Van Morrison photo
Albert Einstein photo

“Numerous are the academic chairs, but rare are wise and noble teachers. Numerous and large are the lecture halls, but far from numerous the young men who genuinely thirst for truth and justice. Numerous are the wares that nature produces by the dozen, but her choice products are few.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Zahlreich sind die Lehrkanzeln, aber selten die weisen und edlen Lehrer. Zahlreich und groß sind die Hörsäle, doch wenig zahlreich die jungen Menschen, die ehrlich nach Wahrheit und Gerechtigkeit dürsten. Zahlreich spendet die Natur ihre Dutzendware, aber das Feinere erzeugt sie selten.
1930s, Mein Weltbild (My World-view) (1931)

Carlo Carrà photo

“[paintings as] the plastic equivalent of the sounds, noises and smells found in theaters, music-halls, cinemas, brothels, railways station, ports.”

Carlo Carrà (1881–1966) Italian painter

1910's
Source: 'Piani plastici come espanzione sferica nello spazio', Carrà, March 1913

Theodore L. Cuyler photo
Donald Barthelme photo
John McCain photo
Harry Chapin photo
Léon Foucault photo

“You are invited to come to see the Earth turn, tomorrow, from three to five, at Meridian Hall of the Paris Observatory.”

Léon Foucault (1819–1868) French physicist

Invitation cards which he sent out to the scientists of Paris, to witness his famous pendulum experiment on 3 February 1851, as quoted in Pendulum : Léon Foucault and the Triumph of Science (2003) by Amir D. Aczel

Theodor Mommsen photo

“The fall of the patriciate by no means divested the Roman commonwealth of its aristocratic character. We have already indicated that the plebeian party carried within it that character from the first as well as, and in some sense still more decidedly than, the patriciate; for, while in the old body of burgesses an absolute equality of rights prevailed, the new constitution set out from a distinction between the senatorial houses who were privileged in point of burgess rights and of burgess usufructs, and the mass of the other citizens. Immediately, therefore, on the abolition of the patriciate and the formal establishment of civic equality, a new aristocracy and a corresponding opposition were formed; and we have already shown how the former engrafted itself as it were on the fallen patriciate, and how, accordingly, the first movements of the new party of progress were mixed up with the last movements of the old opposition between the orders. The formation of these new parties began in the fifth century, but they assumed their definite shape only in the century which followed. The development of this internal change is, as it were, drowned amidst the noise of the great wars and victories, and not merely so, but the process of formation is in this case more withdrawn from view than any other in Roman history. Like a crust of ice gathering imperceptibly over the surface of a stream and imperceptibly confining it more and more, this new Roman aristocracy silently arose; and not less imperceptibly, like the current concealing itself beneath and slowly extending, there arose in opposition to it the new party of progress. It is very difficult to sum up in a general historical view the several, individually insignificant, traces of these two antagonistic movements, which do not for the present yield their historical product in any distinct actual catastrophe. But the freedom hitherto enjoyed in the commonwealth was undermined, and the foundation for future revolutions was laid, during this epoch; and the delineation of these as well as of the development of Rome in general would remain imperfect, if we should fail to give some idea of the strength of that encrusting ice, of the growth of the current beneath, and of the fearful moaning and cracking that foretold the mighty breaking up which was at hand. The Roman nobility attached itself, in form, to earlier institutions belonging to the times of the patriciate. Persons who once had filled the highest ordinary magistracies of the state not only, as a matter of course, practically enjoyed all along a higher honour, but also had at an early period certain honorary privileges associated with their position. The most ancient of these was doubtless the permission given to the descendants of such magistrates to place the wax images of these illustrious ancestors after their death in the family hall, along the wall where the pedigree was painted, and to have these images carried, on occasion of the death of members of the family, in the funeral procession.. the honouring of images was regarded in the Italo-Hellenic view as unrepublican, and on that account the Roman state-police did not at all tolerate the exhibition of effigies of the living, and strictly superintended that of effigies of the dead. With this privilege were associated various external insignia, reserved by law or custom for such magistrates and their descendants:--the golden finger-ring of the men, the silver-mounted trappings of the youths, the purple border on the toga and the golden amulet-case of the boys--trifling matters, but still important in a community where civic equality even in external appearance was so strictly adhered to, and where, even during the second Punic war, a burgess was arrested and kept for years in prison because he had appeared in public, in a manner not sanctioned by law, with a garland of roses upon his head.(6) These distinctions may perhaps have already existed partially in the time of the patrician government, and, so long as families of higher and humbler rank were distinguished within the patriciate, may have served as external insignia for the former; but they certainly only acquired political importance in consequence of the change of constitution in 387, by which the plebeian families that attained the consulate were placed on a footing of equal privilege with the patrician families, all of whom were now probably entitled to carry images of their ancestors. Moreover, it was now settled that the offices of state to which these hereditary privileges were attached should include neither the lower nor the extraordinary magistracies nor the tribunate of the plebs, but merely the consulship, the praetorship which stood on the same level with it,(7) and the curule aedileship, which bore a part in the administration of public justice and consequently in the exercise of the sovereign powers of the state.(8) Although this plebeian nobility, in the strict sense of the term, could only be formed after the curule offices were opened to plebeians, yet it exhibited in a short time, if not at the very first, a certain compactness of organization--doubtless because such a nobility had long been prefigured in the old senatorial plebeian families. The result of the Licinian laws in reality therefore amounted nearly to what we should now call the creation of a batch of peers. Now that the plebeian families ennobled by their curule ancestors were united into one body with the patrician families and acquired a distinctive position and distinguished power in the commonwealth, the Romans had again arrived at the point whence they had started; there was once more not merely a governing aristocracy and a hereditary nobility--both of which in fact had never disappeared--but there was a governing hereditary nobility, and the feud between the gentes in possession of the government and the commons rising in revolt against the gentes could not but begin afresh. And matters very soon reached that stage. The nobility was not content with its honorary privileges which were matters of comparative indifference, but strove after separate and sole political power, and sought to convert the most important institutions of the state--the senate and the equestrian order--from organs of the commonwealth into organs of the plebeio-patrician aristocracy.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History of Rome - Volume 2

Dave Chappelle photo

“Never in a million years will you hear somebody on the radio say "I'm up for runnin' up on them crackers in city hall."”

Dave Chappelle (1973) American comedian

About Dead Prez
Film, Dave Chappelle's Block Party (2005)

Erick Avari photo
Robert E. Howard photo
William Julius Mickle photo
David Lange photo

“After that, whenever I drove past Mangakahia, I would empty my ashtray — and I was a heavy smoker in those days — on the road outside the hall.”

David Lange (1942–2005) New Zealand politician and 32nd Prime Minister of New Zealand

Lange had been invited during the election campaign to speak with local farmers in the Mangakahia hall. The meeting lasted well over three hours, with many questions and vigorous displays of support. However on election day, of the 88 votes cast in Mangakahia, none were for Lange's labour party.
Source: Dominion, 4 October 1993, p. 10.

Ahad Ha'am photo
"Weird Al" Yankovic photo

“I think my chances of getting into the Rock 'N' Roll Hall Of Fame are about as good as Milli Vanilli's.”

"Weird Al" Yankovic (1959) American singer-songwriter, music producer, accordionist, actor, comedian, writer, satirist, and parodist

Ask Al Archives: August 2003 http://www.weirdal.com/aaarchive.htm#081503.

W.E.B. Du Bois photo
Walker Percy photo
Zia Haider Rahman photo
Walter Scott photo

“Such is the custom of Branksome Hall.”

Canto I, stanza 7.
The Lay of the Last Minstrel (1805)

William Kristol photo

“The town hall has the spirit of representative democracy, the rally of autocracy.”

William Kristol (1952) American writer

Twitter post https://twitter.com/BillKristol/status/1036709871025049600 (3 September 2018)
2010s, 2018

Arthur Symons photo
Ernest Flagg photo

“Style… the very hall-mark of great art… there is little use in trying to define style.”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)

David Coburn (politician) photo
Carson Cistulli photo
George W. Bush photo
Bud Selig photo
Philip Pullman photo

“Her dæmon's name was Pantalaimon, and he was currently in the form of a moth, a dark brown one so as not to show up in the darkness of the hall.”

Introducing Pantalaimon, also called Pan, in Ch. 1 : The Decanter of Tokay
His Dark Materials, The Golden Compass (1995)

“I can never forget how June's present husband, Harry Evans, suddenly came clomping down the hall of her apartment in his Army boots, fresh from the German front, around September 1945, and he was appalled to see us, six fullgrown people, all high on Benny sprawled and sitting and cat-legged on that vast double-doublebed of 'skepticism' and 'decadence', discussing the nothingness of values, pale-faced, weak bodies, Gad the poor guy said: 'This is what I fought for?”

Joan Vollmer (1923–1951) Common-law wife of William S. Burroughs

His wife told him to come down from his 'character heights' or some such.
In Jack Kerouac's last work (The Vanity of Duluoz), he describes the scene in the 119th street apartment as "a year of low, evil decadence", beginning near the close of 1944:
About

Steve Shutt photo

“When you're playing, you don't worry about being in the Hall of Fame. When they come up and say, 'Hey, you've been inducted,' it was a thrill for everybody. You're being acknowledged by your peers and the people within the industry, and that's impressive because they're the hardest ones to convince. That, more than anything, gave me the greatest satisfaction.”

Steve Shutt (1952) ice hockey player

Quoted in Kevin Shea, "One on One with Steve Shutt," http://www.legendsofhockey.net/html/spot_oneononep199303.htm Legends of Hockey.net (2004-01-10)
Shutt comments about being elected to the Hockey Hall of Fame.

Daniel Webster photo

“I shall defer my visit to Faneuil Hall, the cradle of American liberty, until its doors shall fly open on golden hinges to lovers of Union as well as lovers of liberty.”

Daniel Webster (1782–1852) Leading American senator and statesman. January 18, 1782 – October 24, 1852. Served as the Secretary of Sta…

Letter (April 1851)

Toni Morrison photo

“Edward the Confessor
Slept under the dresser.
When that began to pall,
He slept in the hall.”

Edmund Clerihew Bentley (1875–1956) British writer

Clerihews: Biography for Beginners (1905)

Robert Benchley photo

“Instead of ideologically synchronizing contradictions, or assigning them to separate halls of the academy, critical theory seeks to articulate them.”

Russell Jacoby (1945) American historian

Source: Social Amnesia: A Critique of Conformist Psychology from Adler to Laing (1975), p. 73

John Bright photo
Shulgi photo

“To strut about in the E-kur is a glory for Bird, as its singing is sweet. … It shall utter its cries in the temple of the great gods. The Anuna gods rejoice at its voice. It is suitable for banquets in the great dining hall of the gods.”

In Debate between Bird and Fish, early 2nd millennium BCE. Text online http://etcsl.orinst.ox.ac.uk/section5/tr535.htm at The Electronic Text Corpus of Sumerian Literature.

John F. Kennedy photo
André Maurois photo
George Raymond Richard Martin photo
Cédric Villani photo

“If paparazzi specialized in mathematical celebrities they'd camp outside the dining hall at the IAS and come away with a new batch of pictures every day.”

[Cédric Villani, Birth of a Theorem: A Mathematical Adventure, https://books.google.com/books?id=aN8tBQAAQBAJ&pg=PT70, 5 March 2015, Random House, 978-1-4481-5657-3, 70]

Omid Djalili photo
Nikolai Gogol photo
James Macpherson photo
Mike Scott photo
Anni-Frid Lyngstad photo

“The moment on the town hall balcony was very heartfelt and I was moved to tears by the fantastic welcome from all the people in the street looking up on us where we stood. We felt like royalty at that moment, waving to them all down there.”

Anni-Frid Lyngstad (1945) Swedish female singer

What Made Australians The World's Most Feverish ABBA Fans? by Neil McMahon, published by The Sydney Morning Herald. 17 February 2017 http://www.smh.com.au/good-weekend/what-made-australians-the-worlds-most-feverish-abba-fans-20170215-gue00r.html
Sydney Morning Herald interview (2017)

Joseph Strutt photo
Hermann Hesse photo
Daisy Ashford photo
James Macpherson photo

“Hail, Carril of other times! Thy voice is like the harp in the halls of Tura.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

Book V
The Poems of Ossian, Fingal, an ancient Epic Poem

Benjamin J. Davis Jr. photo
Walter Scott photo

“And darest thou then
To beard the lion in his den,
The Douglas in his hall?”

Canto VI, st. 14.
Marmion (1808)

Halldór Laxness photo
George Macaulay Trevelyan photo
Matthew Arnold photo

“Her cabin’d, ample Spirit,
It flutter’d and fail’d for breath.
To-night it doth inherit
The vasty Hall of Death.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

"Requiescat" (1853), st. 4

Carl Rowan photo
Charlton Heston photo

“NRA members are in city hall, Fort Carson, NORAD, the Air Force Academy and the Olympic Training Center. And yes, NRA members are surely among the police and fire and SWAT team heroes who risked their lives to rescue the students at Columbine. "Don't come here"? We're already here. This community is our home. Every community in America is our home.”

Charlton Heston (1923–2008) American actor

NRA annual meeting opening remarks http://www.nrawinningteam.com/meeting99/hestsp1.html, Denver, Colorado, 1999-05-01
Mayor Webb asked the NRA not to hold this meeting, which fell shortly after the Columbine High School massacre on 1999-04-20.
In

Glen Cook photo
Martin Luther King, Jr. photo
John F. Kennedy photo

“Five score years ago the ground on which we here stand shuddered under the clash of arms and was consecrated for all time by the blood of American manhood. Abraham Lincoln, in dedicating this great battlefield, has expressed, in words too eloquent for paraphrase or summary, why this sacrifice was necessary. Today, we meet not to add to his words nor to amend his sentiment but to recapture the feeling of awe that comes when contemplating a memorial to so many who placed their lives at hazard for right, as God gave them to see right. Among those who fought here were young men who but a short time before were pursuing truth in the peaceful halls of the then new University of Notre Dame. Since that time men of Notre Dame have proven, on a hundred battlefields, that the words, "For God, For Country, and For Notre Dame," are full of meaning. Let us pray that God may grant us the wisdom to find and to follow a path that will enable the men of Notre Dame and all of our young men to seek truth in the halls of study rather than on the field of battle."”

John F. Kennedy (1917–1963) 35th president of the United States of America

"Message from the President on the Occasion of Field Mass at Gettysburg, delivered by John S. Gleason, Jr." (29 June 1963) http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx; Box 10, President's Outgoing Executive Correspondence, White House Central Chronological Files, Papers of John F. Kennedy, John F. Kennedy Presidential Library
1963

William Cullen Bryant photo
Edward German photo
Max Beckmann photo

“And the evening of the big Vanity Fair arrived... Perre Rathbone and innumerable people received me in enormous halls. The reporter shot pictures and Mrs. Beckmann [Quappi, his wife] grinned – - o-la-La.... The whole story is a monumental caprice of my situation in Germany before the Nazi's.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

IBeckmann's diary-notes, Saint Louis, 6 October 1947; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 89
1940s

Cyril Connolly photo

“There is no more sombre enemy of good art than the pram in the hall.”

Source: Enemies of Promise (1938), Part 2: The Charlock’s Shade, Ch. 14: The Charlock’s Shade (p. 116)

Hugh Macmillan, Baron Macmillan photo
Jane Austen photo
Stephen King photo

“T is merry in hall
Where beards wag all.”

Thomas Tusser (1524–1580) English poet

"August's Abstract". Compare: "Merry swithe it is in halle, When the beards waveth alle", Life of Alexander, 1312; (author unknown, but earlier wrongly attributed to Adam Davie, who had elsewhere written "Swithe mury hit is in halle, When burdes waiven alle").
A Hundred Points of Good Husbandry (1557)

Rembrandt van Rijn photo

“Autograph inscription on Rembrandt's drawing of the old City hall of Amsterdam, 9 July 1652; Benesch 1278 (translation from the original Dutch: Anne Porcelijn)”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

Rembrandt made this drawing two days after the old Town-hall at Dam square in Amsterdam was burned out; the spotlight attracted a lot of attention and various artists have drawn the remains of the historic building. Two days after the fire, Rembrandt laid down the ruins of the building in a drawing. He made the sketch on the spot, standing or seated at (or in) the old daring building on the Dam, as he himself wrote in the inscription. http://remdoc.huygens.knaw.nl/#/document/remdoc/e1643
1640 - 1670

Neil Gaiman photo
Jeff Foxworthy photo
Jacoba van Heemskerck photo

“On the whole [the alignment of a series of stained glass windows with the interior of a villa in The Hague] I have thought about all the time... I want to focus more on the architecture of the interior in general and that should we do together [with architect Buys]... Now I was already thinking, the enormous color effect that the window will generate - and that will certainly become powerful - must be accompanied with strong colors - the hall -, otherwise the window itself will be too much isolated. For instance the staircase, could it be painted in strong colors and not [in] oak.... deep ultramarine blue or green, with a beautiful colorful carpet.... I feel I must make designs for carpets, to create in that way a beautiful unity with the stained glass as a whole.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jacoba van Heemskerck, in het Nederlands: Over het geheel [de afstemming van een serie aan Jacoba opgedragen glasramen met het interieur van een villa in Den Haag] heb ik steeds loopen denken.. ..ik wil mij veel meer op de architectuur van het binnenhuis in het algemeen toeleggen en dat moeten wij samen doen [met architect Buys].. .Nu heb ik al gedacht het enorme kleur-effekt dat het raam zal maken en dat zal zeker machtig werken, moet gedragen worden door sterke kleuren - de hal - anders staat het teveel alleen; zou de trap b.v. in de verf een sterke kleur kunnen krijgen en niet [in] eikenhout.. ..diep ultramarijn blauw of groen en dan een prachtige kleurige loper.. ..ik voel dat ik ontwerpen voor tapijten moet maken om zoo met het glas in lood een mooi geheel te hebben.
Quote in een brief van Jacoba aan architect J. Buys, 28 April 1920 in archief N.D.B., Amsterdam; as cited by Herbert Henkels, in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 42
1920's

“I dreamt that I dwelt in marble halls,
With vassals and serfs at my side.”

Alfred Bunn (1796–1860) British businessman, librettist

"I Dreamt I Dwelt In Marble Halls", The Bohemian Girl, Act 2 (1843), set to music by Michael William Balfe.

Neal Stephenson photo
Woody Guthrie photo
Clive Staples Lewis photo
Letitia Elizabeth Landon photo
Anish Kapoor photo

“This is a terror of a space, probably much more difficult than the Turbine Hall. It's three times the size, huge horizontally and vertically and above all the light is a killer. It's almost brighter than it is outside.”

Anish Kapoor (1954) British contemporary artist of Indian birth

On the Levithian which Anish dedicated in Ai Weiwe
Anish Kapoor dedicates Leviathan sculpture to Ai Weiwei

J. M. Barrie photo
John Muir photo