Quotes about form
page 32

Burkard Schliessmann photo

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

José Martí photo
Robert Delaunay photo
Martin Heidegger photo
Ryū Murakami photo
Ignatius of Loyola photo

“Dire agonies, wild terrors swarm,
And Death glares grim in many a form.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book II, p. 55

Koenraad Elst photo
Philip Pullman photo
Talcott Parsons photo
Frances Kellor photo
Nisargadatta Maharaj photo
William Winwood Reade photo

“If we look into ourselves we discover propensities which declare that our intellects have arisen from a lower form; could our minds be made visible we should find them tailed.”

William Winwood Reade (1838–1875) British historian

Source: The Martyrdom of Man (1872), Chapter III, "Liberty", p. 314.

Florence Earle Coates photo
Thomas Jefferson photo

“The republican is the only form of government which is not eternally at open or secret war with the rights of mankind.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to William Hunter (11 March 1790)
1790s

Frederic G. Kenyon photo

“Throughout, the work of Tyndale formed the foundation, and more than anyone else he established the rhythms and furnished much of the language which is familiar to us in the Authorised Version.”

Frederic G. Kenyon (1863–1952) British palaeographer and biblical and classical scholar

Source: The Story Of The Bible, Chapter V, The English Bible, p. 49

Henry Moore photo

“The Negroes.... their unique claim for admiration is their power to produce form completely in the round... Negro sculpture is completely in the round, fully-conceived air-surrounded form.”

Henry Moore (1898–1986) English artist

Quote of Henri Moore in 'Unpublished notes', c. 1925-1926, HMF archive; as cited in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, p. 96
1925 - 1940

William H. McNeill photo
Rudolf Höss photo
Glen Cook photo
Joseph Beuys photo
Allen C. Guelzo photo

“[R]eligious commitment formed the backbone of much of the North's hostility to slavery.”

Allen C. Guelzo (1953) American historian

Source: 2010s, Fateful Lightning: A New History of the Civil War and Reconstruction (2012), Chapter One

Amir Taheri photo

“Islam in its most violent form is already part of Europe just as much as a cancer belongs to the body it attacks.”

Amir Taheri (1942) Iranian journalist

"Brussels is what happens when liberals don’t push immigrants to integrate" http://nypost.com/2016/03/27/brussels-is-what-happens-when-liberals-dont-push-immigrants-to-integrate/ New York Post (March 27, 2016).
New York Post

George Henry Lewes photo
William Winwood Reade photo
William Winwood Reade photo
Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

El Lissitsky photo
Louis Brandeis photo
George William Russell photo

“Who would think this quiet breather
From the world had taken flight?
Yet within the form we see there
Wakes the golden King to-night.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

By Still Waters (1906)

Charlotte Brontë photo
Randy Alcorn photo

“Morphogenesis will refer to those processes which tend to elaborate or change a system's given form, structure, or state.”

Walter F. Buckley (1922–2006) American sociologist

Source: Sociology and modern systems theory (1967), p. 58.

J. M. Barrie photo
A. James Gregor photo

“Mussolini insisted that Fascism was the only form of ‘socialism’ appropriate to the ‘proletarian nations’ of the twentieth century.”

A. James Gregor (1929–2019) American political scientist

Source: The Phoenix: Fascism in Our Time, (1999), p. 191 (footnote 26).

Vannevar Bush photo
Karl Barth photo
Yehuda Ashlag photo

“Because there is no difference or disparity of form between them (…) "The Torah and the Creator and Israel are one."”

Yehuda Ashlag (1886–1954) Orthodox Jewish Rabbi and Kabbalist

Assorted Themes, On Torah

Max Beckmann photo
Amy Lowell photo
George Holmes Howison photo
Carlos Drummond de Andrade photo

“p>I'm making a song
where my mother and all mothers
will see themselves mirrored,
a song that speaks like two eyes.I'm walking on a road
that runs through many countries.
They may not see me, but I see
and salute old friends.I'm spreading a secret
like a man who loves or smiles.
Affection seeks affection
in the most natural way.My life, our lives,
form a single diamond.
I've learned new words
and made others more beautiful.I'm making a song
for waking up men
and putting children to sleep.”

Carlos Drummond de Andrade (1902–1987) Brazilian poet

<p>Eu preparo uma canção
em que minha mãe se reconheça,
todas as mães se reconheçam,
e que fale como dois olhos.</p><p>Caminho por uma rua
que passa em muitos países.
Se não me vêem, eu vejo
e saúdo velhos amigos.</p><p>Eu distribuo um segredo
como quem ama ou sorri.
No jeito mais natural
dois carinhos se procuram.</p><p>Minha vida, nossas vidas
formam um só diamante.
Aprendi novas palavras
e tornei outras mais belas.</p><p>Eu preparo uma canção
que faça acordar os homens
e adormecer as crianças.</p>
"Canção amiga" ["I'm Making a Song"]
Novos Poemas [New Poems] (1948)

Danish Kaneria photo
Allan Kaprow photo
Nathanael Greene photo
Philip Massinger photo

“The oath in any way or form you please,
I stand resolv'd to take it.”

Philip Massinger (1583–1640) English writer

Duke of Milan (1623), Act I, scene iii.

Robert Chambers (publisher, born 1802) photo
Simon Hill photo

“He just turned 36, but whats the old saying? Form is temporary, class is permanent”

Simon Hill (1967) Australian television presenter

15th of August 2009, A-League Coverage on Foxsports Melbourne Victory vs. Brisbane Roar
Quotes from His time at Foxsports

Pauline Kael photo
Harold Wilson photo
Kage Baker photo

“As it had been explained to David long ago, genetic diversity was very, very important. The more diverse the human gene pool was, the better were humanity’s chances of adapting to any new and unexpected conditions it might encounter, now that it was beginning to push outward into Space, to say nothing of surviving any unexpected natural disasters such as polar shifts or meteor strikes on Earth.
Unfortunately, humanity had been both unlucky and foolish. Out of the dozens of races that had once lived in the world, only a handful had survived into modern times. Some ancient races had been rendered extinct by war. Some had been simply crowded out, retreating into remote regions and forced to breed amongst themselves, which killed them off with lethal recessives.
That had been the bad luck. The foolishness had come when people began to form theories about the process of Evolution. They got it all wrong: most people interpreted the concept of “survival of the fittest” to mean they ought to narrow the gene pool, reducing it in size. So this was done, in genocidal wars and eugenics programs, and how surprised people were when lethal recessives began to occur more frequently! To say nothing of the populations who died in droves when diseases swept through them, because they were all so genetically similar there were none among them with natural immunities.”

Source: The Machine's Child (2006), Chapter 29, “Still Another Morning in 500,000 BCE” (p. 330)

William Cowper photo
Letitia Elizabeth Landon photo
Thomas Guthrie photo
Henry John Stephen Smith photo
Swami Vivekananda photo
Walter Scott photo

“And ne'er did Grecian chisel trace
A Nymph, a Naiad, or a Grace
Of finer form or lovelier face.”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Canto I, stanza 18.
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

Jeremy Clarkson photo
Willem de Sitter photo
David Crystal photo

“Human suffering, while it is asleep, is shapeless. If it is wakened it takes the form of the waker.”

Antonio Porchia (1885–1968) Italian Argentinian poet

La pena humana, durmiendo, no tiene forma. Si la despiertan, toma la forma de quien la despierta,
Voces (1943)

Gino Severini photo

“The metaphysical forms which compose our futurist pictures are the result of realities conceived and realities created entirely by the artist. These last are inspired by the emotion or intuition and dependent on atmosphere-ambience.”

Gino Severini (1883–1966) Italian painter

Quote of Severine 1913, from the opening paragraphs of his text 'Art du fantastique dans le sacre', as cited in Gino Severini Ecrits sur l'art, (1913-1962), with a preface by Serge Fauchereau, (Paris: Editions Cercle d'Art, 1987), p. 47
Severini opens 'Art du fantastique' with a theoretical explanation of the concept, form and content of a Futurist work

Fritjof Capra photo
Sukarno photo
George William Curtis photo

“That is to say, within less than twenty years after the Constitution was formed, and in obedience to that general opinion of the time which condemned slavery as a sin in morals and a blunder in economy, eight of the States had abolished it by law — four of them having already done so when the instrument was framed; and Mr. Douglas might as justly quote the fact that there were slaves in New York up to 1827 as proof that the public opinion of the State sanctioned slavery, as to try to make an argument of the fact that there were slave laws upon the statute-books of the original States. He forgets that there was not in all the colonial legislation of America one single law which recognized the rightfulness of slavery in the abstract; that in 1774 Virginia stigmatized the slave-trade as 'wicked, cruel, and unnatural'; that in the same year Congress protested against it 'under the sacred ties of virtue, honor, and love of country'; that in 1775 the same Congress denied that God intended one man to own another as a slave; that the new Discipline of the Methodist Church, in 1784, and the Pastoral Letter of the Presbyterian Church, in 1788, denounced slavery; that abolition societies existed in slave States, and that it was hardly the interest even of the cotton-growing States, where it took a slave a day to clean a pound of cotton, to uphold the system. Mr. Douglas incessantly forgets to tell us that Jefferson, in his address to the Virginia Legislature of 1774, says that 'the abolition of domestic slavery is the greatest object of desire in these colonies, where it was unhappily introduced in their infant state'; and while he constantly remembers to remind us that the Jeffersonian prohibition of slavery in the territories was lost in 1784, he forgets to add that it was lost, not by a majority of votes — for there were sixteen in its favor to seven against it — but because the sixteen votes did not represent two thirds of the States; and he also incessantly forgets to tell us that this Jeffersonian prohibition was restored by the Congress of 1785, and erected into the famous Northwest Ordinance of 1787, which was re-enacted by the first Congress of the United States and approved by the first President.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Mike Tyson photo
Thomas Warton photo
Laxmi Prasad Devkota photo
Hans Arp photo
Charles Dickens photo
Jean Baudrillard photo
Eric Hobsbawm photo
John Constable photo

“My observations on clouds and skies are on scraps and bits of paper, and I have never yet put them together so as to form a lecture, which I shall do.... next summer.”

John Constable (1776–1837) English Romantic painter

1836
Quoted in Leslie Parris and Ian Fleming-Williams, Constable, (Tate Gallery Publications, London, 1993), p. 37
1830s

Alan Guth photo
William L. Shirer photo
Arthur C. Clarke photo

“It is not easy to see how the more extreme forms of nationalism can long survive when men have seen the Earth in its true perspective as a single small globe against the stars.”

Arthur C. Clarke (1917–2008) British science fiction writer, science writer, inventor, undersea explorer, and television series host

The Exploration of Space (1951), p. 187
1950s

Leszek Kolakowski photo
Joseph Strutt photo

“A number of little birds, to the amount, I believe, of twelve or fourteen, being taken from different cages, were placed upon a table in the presence of the spectators; and there they formed themselves into ranks like a company of soldiers: small cones of paper bearing some resemblance to grenadiers caps were put upon their heads, and diminutive imitations of muskets made with wood, secured under their left wings. Thus equipped, they marched to and fro several times; when a single bird was brought forward, supposed to be a deserter, and set between six of the musketeers, three in a row, who conducted him from the top to the bottom of the table, on the middle of which a small brass cannon charged with a little gunpowder had been previously placed, and the deserter was situated in the front part of the cannon; his guards then divided, three retiring on one side, and three on the other, and he was left standing by himself. Another bird was immediately produced; and, a lighted match being put into one of his claws, he hopped boldly on the other to the tail of the cannon, and, applying the match to the priming, discharged the piece without the least appearance of fear or agitation. The moment the explosion took place, the deserter fell down, and lay, apparently motionless, like a dead bird; but, at the command of his tutor he rose again; and the cages being brought, the feathered soldiers were stripped of their ornaments, and returned into them in perfect order.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 250
The Sports and Pastimes of the People of England (1801), Public entertainment

“There is a lot of model making in my work, also because I am the son of a sculptor Giannino Castiglioni and I always saw my father working with his hands and shaping material into the desired form.”

Achille Castiglioni (1918–2002) Italian designers and architect

Achille Castiglioni, 1960 - Lierna (Lago di Como), 1971. Scultore. in: Domus Magazine, Achille Effect, Laura Bossi, 13 April 2010, ( Domusweb online https://www.domusweb.it/en/news/2010/04/13/achille-effect.html)

Max Frisch photo
Fyodor Dostoyevsky photo

“A man who lies to himself, and believes his own lies, becomes unable to recognize truth, either in himself or in anyone else, and he ends up losing respect for himself and for others. When he has no respect for anyone, he can no longer love, and in him, he yields to his impulses, indulges in the lowest form of pleasure, and behaves in the end like an animal in satisfying his vices. And it all comes from lying — to others and to yourself.”

Fyodor Dostoyevsky (1821–1881) Russian author

Variant translations:
Above all, do not lie to yourself. A man who lies to himself and listens to his own lie comes to a point where he does not discern any truth either in himself or anywhere around him, and thus falls into disrespect towards himself and others. Not respecting anyone, he ceases to love, and having no love, he gives himself up to passions and coarse pleasures, in order to occupy and amuse himself, and in his vices reaches complete bestiality, and it all comes from lying continually to others and to himself. A man who lies to himself is often the first to take offense. It sometimes feels very good to take offense, doesn't it? And surely he knows that no one has offended him, and that he himself has invented the offense and told lies just for the beauty of it, that he has exaggerated for the sake of effect, that he has picked on a word and made a mountain out of a pea — he knows all of that, and still he is the first to take offense, he likes feeling offended, it gives him great pleasure, and thus he reaches the point of real hostility… Do get up from your knees and sit down, I beg you, these posturings are false, too.
Part I, Book I: A Nice Little Family, Ch. 2 : The Old Buffoon; as translated by Richard Pevear and Larissa Volokhonsky, p. 44
The Brothers Karamazov (1879–1880)

Homér photo

“In form of Stentor of the brazen voice,
Whose shout was as the shout of fifty men.”

V. 785–786 (tr. Lord Derby).
Iliad (c. 750 BC)

Pope Benedict XVI photo
Wilhelm Reich photo
Burkard Schliessmann photo