Quotes about foam

A collection of quotes on the topic of foam, sea, likeness, wind.

Quotes about foam

Dante Alighieri photo
Lee Child photo
Richard Henry Dana Jr. photo
W.B. Yeats photo
Paul Valéry photo

“What grace of light, what pure toil goes to form
The manifold diamond of the elusive foam!
What peace I feel begotten at that source!
When sunlight rests upon a profound sea,
Time's air is sparkling, dream is certainty —
Pure artifice both of an eternal Cause.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Quel pur travail de fins éclairs consume
Maint diamant d'imperceptible écume,
Et quelle paix semble se concevoir!
Quand sur l'abîme un soleil se repose,
Ouvrages purs d'une éternelle cause,
Le temps scintille et le songe est savoir.
As translated by by C. Day Lewis
Charmes ou poèmes (1922)

James Baldwin photo
Algernon Charles Swinburne photo
Jules Verne photo

“The undulation of these infinite numbers of mountains, whose snowy summits make them look as if covered by foam, recalled to my remembrance the surface of a storm-beaten ocean. If I looked towards the west, the ocean lay before me in all its majestic grandeur, a continuation as it were, of these fleecy hilltops. Where the earth ended and the sea began it was impossible for the eye to distinguish.

I soon felt that strange and mysterious sensation which is awakened in the mind when looking down from lofty hilltops, and now I was able to do so without any feeling of nervousness, having fortunately hardened myself to that kind of sublime contemplation. I wholly forgot who I was, and where I was. I became intoxicated with a sense of lofty sublimity, without thought of the abysses into which my daring was soon about to plunge me.”

<p>Les ondulations de ces montagnes infinies, que leurs couches de neige semblaient rendre écumantes, rappelaient à mon souvenir la surface d'une mer agitée. Si je me retournais vers l'ouest, l'Océan s'y développait dans sa majestueuse étendue, comme une continuation de ces sommets moutonneux. Où finissait la terre, où commençaient les flots, mon oeil le distinguait à peine.</p><p>Je me plongeais ainsi dans cette prestigieuse extase que donnent les hautes cimes, et cette fois, sans vertige, car je m'accoutumais enfin à ces sublimes contemplations. Mes regards éblouis se baignaient dans la transparente irradiation des rayons solaires, j'oubliais qui j'étais, où j'étais, pour vivre de la vie des elfes ou des sylphes, imaginaires habitants de la mythologie scandinave; je m'enivrais de la volupté des hauteurs, sans songer aux abîmes dans lesquels ma destinée allait me plonger avant peu.</p>
Source: Journey to the Center of the Earth (1864), Ch. XVI: Boldly down the crater

W.B. Yeats photo

“Down the mountain walls
From where pan’s cavern is
Intolerable music falls.
Foul goat-head, brutal arm appear,
Belly, shoulder, bum,
Flash fishlike; nymphs and satyrs
Copulate in the foam.”

W.B. Yeats (1865–1939) Irish poet and playwright

News for the Delphic Oracle http://poetry.poetryx.com/poems/1546/, st. 3
Last Poems (1936-1939)

Mikhail Lermontov photo
Samuel Taylor Coleridge photo
Raymond Chandler photo
Hugo Claus photo
Bret Easton Ellis photo
Alan Moore photo
Wally Lamb photo
Ralph Waldo Emerson photo

“Poetry must be new as foam, and as old as the rock.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

March 1845
1820s, Journals (1822–1863)

Brigham Young photo
Arthur Rimbaud photo

“My sad heart foams at the stern.”

Arthur Rimbaud (1854–1891) French Decadent and Symbolist poet

Mon triste coeur bave à la poupe.
Le Coeur Volé http://www.mag4.net/Rimbaud/poesies/Stolen.html (The Stolen Heart, st. 1

Robert Seymour Bridges photo
George William Russell photo
Martin Buber photo
Stephen Crane photo
Esaias Tegnér photo

“Autumn has come;
Storming now heaveth the deep sea with foam,
Yet would I gratefully lie there,
Willingly die there.”

Esaias Tegnér (1782–1846) Swedish poet, professor and bishop

"Ingeborg's Lament".
Fridthjof's Saga (1820-1825)

Hans Christian Andersen photo
Letitia Elizabeth Landon photo
Anaïs Nin photo

“Electric flesh-arrows traversing the body. A rainbow of color strikes the eyelids. A foam of music falls over the ears. It is the gong of the orgasm.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

As quoted in French Writers of the Past (2000) by Carol A. Dingle, p. 126

Statius photo

“As a mariner caught in a winter sea, to whom neither lazy Wain nor Moon with friendly radiance shows directions, stands clueless in mid commotion of land and sea, expecting every moment rocks sunk in treacherous shallows, or foaming cliffs with spiky tops to run upon the rearing prow.”
Ac velut hiberno deprensus navita ponto, cui neque Temo piger neque amico sidere monstrat Luna vias, medio caeli pelagique tumultu stat rationis inops, jam jamque aut saxa malignis expectat summersa vadis aut vertice acuto spumantes scopulos erectae incurrere prorae.

Source: Thebaid, Book I, Line 370

John Denham photo
William Wordsworth photo

“Yon foaming flood seems motionless as ice;
Its dizzy turbulence eludes the eye,
Frozen by distance.”

William Wordsworth (1770–1850) English Romantic poet

Address to Kilchurn Castle.
Bartlett's Familiar Quotations, 10th ed. (1919)

Silius Italicus photo

“Then the shouting of the sailors, which had long been rising from the open sea, filled all the shore with its sound; and, when the rowers all together brought the oars back sharply to their breasts, the sea foamed under the stroke of a hundred blades.”
At patulo surgens iam dudum ex aequore late nauticus implebat resonantia litora clamor, et simul adductis percussa ad pectora tonsis centeno fractus spumabat verbere pontus.

Book XI, lines 487–490
Punica

Théodore Guérin photo
Ralph Waldo Emerson photo

“I wiped away the weeds and foam,
And fetched my sea-born treasures home;
But the poor, unsightly, noisome things
Had left their beauty on the shore
With the sun, and the sand, and the wild uproar.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Each and All, st. 3
1840s, Poems (1847)
Variant: I wiped away the weeds and foam,
And fetched my sea-born treasures home;
But the poor, unsightly, noisome things
Had left their beauty on the shore
With the sun, and the sand, and the wild uproar.

Thomas Carew photo
Anne Brontë photo
Lee Smolin photo

“Spacetime… turns out to be discrete, described by a structure called spin foam.”

Lee Smolin (1955) American cosmologist

"Loop Quantum Gravity," The New Humanists: Science at the Edge (2003)

Matthew Arnold photo

“On the breast of that huge Mississippi of falsehood called History, a foam-bell more or less is no consequence.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

Literary Influence of Academies, p. 69
Essays in Criticism (1865)

John Updike photo

“[Harry listening to car radio] …he resents being made to realise, this late, that the songs of his life were as moronic as the rock the brainless kids now feed on, or the Sixties and Seventies stuff that Nelson gobbled up – all of it designed for empty heads and overheated hormones, an ocean white with foam, and listening to it now is like trying to eat a double banana split the way he used to. It's all disposable, cooked up to turn a quick profit. They lead us down the garden path, the music manufacturers, then turn around and lead the next generation down with a slightly different flavour of glop.
Rabbit feels betrayed. He was reared in a world where war was not strange but change was: the world stood still so you could grow up in it. He knows when the bottom fell out. When they closed down Kroll's, Kroll's that had stood in the centre of Brewer all those years, bigger than a church, older than a courthouse, right at the head of Weiser Square there,… […] So when the system just upped one summer and decided to close Kroll's down, just because shoppers had stopped coming in because the downtown had become frightening to white people, Rabbit realised the world was not solid and benign, it was a shabby set of temporary arrangements rigged up for the time being, all for the sake of money. You just passed through, and they milked you for what you were worth, mostly when you were young and gullible. If Kroll's could go, the courthouse could go, the banks could go. When the money stopped, they could close down God himself.”

Rabbit at Rest (1990)

Noel Coward photo
Wallace Stevens photo
Arthur Symons photo
Charles Kingsley photo

“O Mary, go and call the cattle home,
And call the cattle home,
And call the cattle home
Across the sands of Dee;
The western wind was wild and dank with foam,
And all alone went she.”

Charles Kingsley (1819–1875) English clergyman, historian and novelist

The Sands of Dee http://www.bartleby.com/42/654.html (1849), st. 1.

John Gardiner Calkins Brainard photo

“Far beneath the tainted foam
That frets above our peaceful home,
We dream in joy and wake in love
Nor know the rage that yells above.”

John Gardiner Calkins Brainard (1795–1828) American writer

The Deep, reported in Bartlett's Familiar Quotations, 10th ed. (1919). See also Harriet Beecher Stowe, When winds are raging o'er the upper ocean.

Charles Stuart Calverley photo
James Burke (science historian) photo
Clara Jessup Moore photo

“Just as a vessel caught by the Pleiads on the foaming deep and kept safe only by its anxious helmsman’s care cleaves unharmed the sea that contending winds make boisterous, so Pollux warily watches the blows.”
Spumanti qualis in alto Pliade capta ratis, trepidi quam sola magistri cura tenet, rapidum ventis certantibus aequor intemerata secat, Pollux sic providus ictus servat.

Source: Argonautica, Book IV, Lines 268–272

Rudyard Kipling photo
Algernon Charles Swinburne photo
Enoch Powell photo

“As I look ahead, I am filled with foreboding. Like the Roman, I seem to see "the River Tiber foaming with much blood."”

Enoch Powell (1912–1998) British politician

Alluding to Virgil's report of the Sybil's prophesy, from the Aeneid, Book 6, line 87: "Et Thybrim multo spumantem sanguine cerno." This is one of the concluding lines that gave the speech its common title.
The 'Rivers of Blood' speech

“But on her side the Colchian ceases not to foam with hellish poisons and to sprinkle all the silences of Lethe's bough: exerting her spells she constrains his reluctant eyes, exhausting all her Stygian power of hand and tongue.”
Contra Tartareis Colchis spumare venenis cunctaque Lethaei quassare silentia rami perstat et adverso luctantia lumina cantu obruit atque omnem linguaque manuque fatigat vim Stygiam.

Source: Argonautica, Book VIII, Lines 83–87

George William Russell photo

“Its edges foamed with amethyst and rose,
Withers once more the old blue flower of day:
There where the ether like a diamond glows
Its petals fade away.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Alexander Smith photo
Letitia Elizabeth Landon photo
Walter Scott photo

“Like the dew on the mountain,
Like the foam on the river,
Like the bubble on the fountain,
Thou art gone, and forever!”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Canto III, stanza 16 (Coronach, stanza 3).
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

Letitia Elizabeth Landon photo
Charles Kingsley photo
Nikos Kazantzakis photo
Charles Mackay photo

“Some love to roam o’er the dark sea’s foam,
Where the shrill winds whistle free.”

Charles Mackay (1814–1889) British writer

"Some Love to Roam".
Legends of the Isles and Other Poems (1851)

Walter de la Mare photo
William Gibson photo
William James photo

“The bubbles on the foam which coats a stormy sea are floating episodes, made and unmade by the forces of the wind and water. Our private selves are like those bubbles—epiphenomena”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Lecture XX, "Conclusions"
1900s, The Varieties of Religious Experience (1902)
Context: Science... has ended by utterly repudiating the personal point of view. She catalogues her elements and records her laws indifferent as to what purpose may be shown forth by them, and constructs her theories quite careless of their bearing on human anxieties and fates. Though the scientist may individually nourish a religion, and be a theist in his irresponsible hours, the days are over when it could be said that for Science herself the heavens declare the glory of God and the firmament showeth his handiwork. Our solar system, with its harmonies, is seen now as but one passing case of a certain sort of moving equilibrium in the heavens, realized by a local accident in an appalling wilderness of worlds where no life can exist. In a span of time which as a cosmic interval will count but as an hour, it will have ceased to be. The Darwinian notion of chance production, and subsequent destruction, speedy or deferred, applies to the largest as well as to the smallest facts. It is impossible, in the present temper of the scientific imagination, to find in the driftings of the cosmic atoms, whether they work on the universal or on the particular scale, anything but a kind of aimless weather, doing and undoing, achieving no proper history, and leaving no result. Nature has no one distinguishable ultimate tendency with which it is possible to feel a sympathy. In the vast rhythm of her processes... she appears to cancel herself. The books of natural theology which satisfied the intellects of our grandfathers seem to us quite grotesque, representing, as they did, a God who conformed the largest things of nature to the paltriest of our private wants. The God whom science recognizes must be a God of universal laws exclusively, a God who does a wholesale, not a retail business. He cannot accommodate his processes to the convenience of individuals. The bubbles on the foam which coats a stormy sea are floating episodes, made and unmade by the forces of the wind and water. Our private selves are like those bubbles—epiphenomena, as Clifford, I believe, ingeniously called them; their destinies weigh nothing and determine nothing in the world's irremediable currents of events.

Taliesin photo
Simone de Beauvoir photo

“In horror, in terror, she accepted the metamorphosis — gnat, foam, ant, until death.”

Simone de Beauvoir (1908–1986) French writer, intellectual, existentialist philosopher, political activist, feminist, and social theorist

Last lines
All Men are Mortal (1946)
Context: In horror, in terror, she accepted the metamorphosis — gnat, foam, ant, until death. And it's only the beginning, she thought. She stood motionless, as if it were possible to play tricks with time, possible to stop it from following its course. But her hands stiffened against her quivering lips.
When the bells began to sound the hour she let out the first scream.

Alfred, Lord Tennyson photo
Thomas Bailey Aldrich photo

“What is lovely never dies, but passes into other loveliness, star-dust, or sea-foam, flower or winged air.”

Thomas Bailey Aldrich (1836–1907) American poet, novelist, editor

Source: "A Shadow of the Night", p. 26 note: Unguarded Gates and Other Poems (1895)

Vimalakirti photo
William Faulkner photo
Jack Vance photo

“Humanity many times has had sad experience of superpowerful police forces…As soon as (the police) slip out from under the firm thumb of a suspicious local tribune, they become arbitrary, merciless, a law unto themselves. They think no more of justice, but only of establishing themselves as a privileged and envied elite. They mistake the attitude of natural caution and uncertainty of the civilian population as admiration and respect, and presently they start to swagger back and forth, jingling their weapons in megalomaniac euphoria. People thereupon become not masters, but servants. Such a police force becomes merely an aggregate of uniformed criminals, the more baneful in that their position is unchallenged and sanctioned by law. The police mentality cannot regard a human being in terms other than as an item or object to be processed as expeditiously as possible. Public convenience or dignity means nothing; police prerogatives assume the status of divine law. Submissiveness is demanded. If a police officer kills a civilian, it is a regrettable circumstance: the officer was possibly overzealous. If a civilian kills a police officer all hell breaks loose. The police foam at the mouth. All other business comes to a standstill until the perpetrator of this most dastardly act is found out. Inevitably, when apprehended, he is beaten or otherwise tortured for his intolerable presumption. The police complain that they cannot function efficiently, that criminals escape them. Better a hundred unchecked criminals than the despotism of one unbridled police force.”

Source: Demon Princes (1964-1981), The Star King (1964), Chapter 3 (pp. 32-33)

Jack Youngblood photo
Jim Henson photo
William Cobbett photo
Jack Vance photo
Norman Lindsay photo