Quotes about flower
page 8

Sarada Devi photo
Anne Lynch Botta photo
Anna Akhmatova photo
Thomas Chalmers photo
Pete Doherty photo
William Wordsworth photo

“Soft is the music that would charm forever;
The flower of sweetest smell is shy and lowly.”

William Wordsworth (1770–1850) English Romantic poet

Not Love, not War.
Bartlett's Familiar Quotations, 10th ed. (1919)
Variant: The flower of sweetest smell is shy and lowly.

Ted Malloch photo

“Discipline is the virtue that begins in obedience and flowers in self-control.”

Ted Malloch (1952) American businessman

Source: Doing Virtuous Business (Thomas Nelson, 2011), p. 32.

Aldous Huxley photo
John Dryden photo

“I have found the most beautiful side of the flowers in the fallen flowers.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Voces (1943)

John Clare photo
Letitia Elizabeth Landon photo
George Frisbie Hoar photo
William Cullen Bryant photo

“And the blue gentian flower, that, in the breeze,
Nods lonely, of her beauteous race the last.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

November. A Sonnet http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page74 (1824)

Gildas photo

“[Description of Britain] Its plains are spacious, its hills are pleasantly situated, adapted for superior tillage, and its mountains are admirably calculated for the alternate pasturage of cattle, where flowers of various colours, trodden by the feet of man, give it the appearance of a lovely picture. It is decked, like a man's chosen bride, with divers jewels, with lucid fountains and abundant brooks wandering over the snow white sands; with transparent rivers, flowing in gentle murmurs, and offering a sweet pledge of slumber to those who recline upon their banks, whilst it is irrigated by abundant lakes, which pour forth cool torrents of refreshing water.”
[Descriptio Britanniae] Campis late pansis collibusque amoeno situ locatis, praepollenti culturae aptis, montibus alternandis animalium pastibus maxime covenientibus, quorum diversorum colorum flores humanis gressibus pulsati non indecentem ceu picturam eisdem imprimebant, electa veluti sponsa monilibus diversis ornata, fontibus lucidis crebris undis niveas veluti glareas pellentibus, pernitidisque rivis leni murmure serpentibus ipsorumque in ripis accubantibus suavis soporis pignus praetendentibus, et lacubus frigidum aquae torrentem vivae exundantibus irrigua.

Section 3.
De Excidio Britanniae (On the Ruin of Britain)

Edward St. Aubyn photo
Isaac Watts photo

“A flower may fade before 'tis noon,
And I this day may lose my breath.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

Song 13: "The Danger of Delay".
1710s, Divine Songs Attempted in the Easy Language of Children (1715)

Nikos Kazantzakis photo
Henry David Thoreau photo
John Muir photo

“If April showers
Should come your way,
They bring the flowers
That bloom in May.”

Buddy de Sylva (1895–1950) American musician

Song: April Showers

Mata Amritanandamayi photo
Herrick Johnson photo
Hans Christian Andersen photo
Isaac Watts photo

“Let me be dressed fine as I will,
Flies, worms, and flowers, exceed me still.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

Song 22: "Against Pride in Clothes".
1710s, Divine Songs Attempted in the Easy Language of Children (1715)

Ko Un photo

“That flower
seen as I went down—
as I was coming up
I couldn't see it”

Ko Un (1933) korean poet

Flowers of a Moment (2006), p. 46

Charles Stuart Calverley photo

“T was ever thus from childhood’s hour!
My fondest hopes would not decay:
I never loved a tree or flower
Which was the first to fade away.”

Charles Stuart Calverley (1831–1884) British poet

Disaster; reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare:
Oh, ever thus, from childhood’s hour,
I ’ve seen my fondest hopes decay;
I never loved a tree or flower
But ’t was the first to fade away.
- Thomas Moore, The Fire Worshippers, p. 26.

John Lancaster Spalding photo
Letitia Elizabeth Landon photo
Arshile Gorky photo
Harriet Beecher Stowe photo
Frederick Douglass photo
Ono no Komachi photo

“Imperceptible
It withers in the world,
This flower-like human heart.”

Ono no Komachi (825–900) Japanese poet

Source: Kenneth Rexroth's translations, One Hundred Poems from the Japanese (1955), p. 46

Jean Giraudoux photo
Letitia Elizabeth Landon photo
Fernando Sabino photo
Adair Turner, Baron Turner of Ecchinswell photo
William Wordsworth photo

“And 't is my faith, that every flower
Enjoys the air it breathes.”

William Wordsworth (1770–1850) English Romantic poet

Source: Bartlett's Familiar Quotations, 10th ed. (1919), Lines written in Early Spring.

Percy Bysshe Shelley photo
Letitia Elizabeth Landon photo

“When one flowers dies, another is born.”

Edmund Cooper (1926–1982) British writer

The Tenth Planet (1973)

Jonathan Edwards photo
Charlotte Brontë photo

“The cloning of humans is on most of the lists of things to worry about from Science, along with behavior control, genetic engineering, transplanted heads, computer poetry and the unrestrained growth of plastic flowers.”

Lewis Thomas (1913–1993) American physician, poet and educator

"On Cloning a Human Being", p. 52
The Medusa and the Snail: More Notes of a Biology Watcher (1979)

Torquato Tasso photo

“About the hill lay other islands small,
Where other rocks, crags, cliffs, and mountains stood,
The Isles Fortunate these elder time did call,
To which high Heaven they reigned so kind and good,
And of his blessings rich so liberal,
That without tillage earth gives corn for food,
And grapes that swell with sweet and precious wine
There without pruning yields the fertile vine.The olive fat there ever buds and flowers,
The honey-drops from hollow oaks distil,
The falling brook her silver streams downpours
With gentle murmur from their native hill,
The western blast tempereth with dews and showers
The sunny rays, lest heat the blossoms kill,
The fields Elysian, as fond heathen sain,
Were there, where souls of men in bliss remain.”

Torquato Tasso (1544–1595) Italian poet

Ecco altre isole insieme, altre pendíci
Scoprian alfin men erte ed elevate.
Ed eran queste l'isole felici;
Così le nominò la prisca etate,
A cui tanto stimava i Cieli amici,
Che credea volontarie, e non arate
Quì partorir le terre, e in più graditi
Frutti, non culte, germogliar le viti.<p>Quì non fallaci mai fiorir gli olivi,
E 'l mel dicea stillar dall'elci cave:
E scender giù da lor montagne i rivi
Con acque dolci, e mormorio soave:
E zefiri e rugiade i raggj estivi
Temprarvi sì, che nullo ardor v'è grave:
E quì gli Elisj campi, e le famose
Stanze delle beate anime pose.
Canto XV, stanzas 35–36 (tr. Fairfax)
Gerusalemme Liberata (1581)

Thomas Moore photo
Sören Kierkegaard photo
Karl Wilhelm Friedrich Schlegel photo

“The Kantians’ conception of duty relates to the commandment of honor, the voice of God and one’s calling in us, as the dried plant to the fresh flower on the living stem.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Die Pflicht der Kantianer verhält sich zu dem Gebot der Ehre, der Stimme des Berufs und der Gottheit in uns, wie die getrocknete Pflanze zur frischen Blume am lebenden Stamme.
“Ideas,” Lucinde and the Fragments, P. Firchow, trans. (1991), § 39

Cristoforo Colombo photo
John Keats photo
Henry Howard, Earl of Surrey photo
Leo Buscaglia photo
Fritz Leiber photo
Arthur Symons photo
Tom Baker photo
James McNeill Whistler photo
Mata Amritanandamayi photo
Yasunari Kawabata photo
John Milton photo
Michel De Montaigne photo

“I have gathered a posy of other men’s flowers, and nothing but the thread that binds them is mine own.”

J'ai seulement fait ici un amas de fleurs étrangères, n'y ayant fourni du mien que le filet à les lier.
Book III, Ch. 12 : Of Physiognomy
Essais (1595), Book III

Evelyn Waugh photo
Emil Nolde photo

“It was in mid-summer [1906]. The colors of the flowers attracted me irresistibly and almost sudden I was painting. My first small gardens paintings were born.”

Emil Nolde (1867–1956) German artist

Quote of Nolde, 1906 in Jahre der Kämpfe (The years of struggles); as cited by Francesco Mazzaferro in 'The Diaries of Paul Klee' - Part Three: Klee as a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html
1900 - 1920

Pietro Metastasio photo

“The canker which the trunk conceals is revealed by the leaves, the fruit, or the flower.”

Pietro Metastasio (1698–1782) Italian poet and librettist (born 3 January 1698, died 12 April 1782)

D'ogni pianta palesa l'aspetto
Il difetto, che il tronco nasconde
Per le fronde, dal frutto, o dal fior.
Part I.
Giuseppe Riconosciuto (1733)

Letitia Elizabeth Landon photo
Ellsworth Kelly photo

“T is but a little faded flower,
But oh, how fondly dear!
'T will bring me back one golden hour,
Through many a weary year.”

Ellen Clementine Howarth (1827–1899) American writer

'Tis but a Little, Faded Flower, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Harry Chapin photo

“A fly is a fly, and a flower is a flower, but a hornet is an organization.”

Henry Schriver (1914–2011) American politician

Cows, Kids, and Co-ops

Aldo Leopold photo
Francesco Dall'Ongaro photo

“Poor is he who in traitor doth confide :
Never shall snow-clad land good grain provide.
Poor she who in deserter faith doth show :
Never shall flowers on withered branches grow.”

Francesco Dall'Ongaro (1808–1873) Italian poet, playwright and librettist

Povero chi si fida ad un marrano:
Terra nevosa non mena più grano.
Povera chi si fida a un disertore :
Di ramo seco non germoglia fiore.
Stornelli Politici, "Il Disertore".
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 395.

Joan Miró photo
Bill Engvall photo
Helen Hunt Jackson photo
Carl von Clausewitz photo
Erica Jong photo

“Pain is not love. Love flowers; love gives without taking; love is serene and calm.”

Erica Jong (1942) Novelist, poet, memoirist, critic

Becoming Light: Poems New and Selected (1991)

John Constable photo

“I have likewise made many 'skies' and effects — for I wish it could be said of me as Fuselli says of Rembrandt, 'he followed nature in her calmest abodes and could pluck a flower on every hedge — yet he was born to cast a steadfast eye on the bolder phenomena of nature'… We have had noble clouds & effects of light & dark & color.”

John Constable (1776–1837) English Romantic painter

Quote from a letter to Rev. John Fisher in 1821 on his oil-sketches of stormy weather, as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London 1993), p. 222
1820s

Samuel Taylor Coleridge photo

“Ye living flowers that skirt the eternal frost.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

"Hymn in the Vale of Chamouni" (1802)

Judith Sheindlin photo

“You pulled out a gun, and you shot the gun over FLOWERS! Are you a MORON?!! … You should be hiding under a rock, not acting as plaintiff in a lawsuit!”

Judith Sheindlin (1942) American lawyer, judge, television personality, and author

http://www.youtube.com/watch?v=u1cYWq1bm_Q
Quotes from Judge Judy cases, Dismissing a statement or case

Stanley Baldwin photo

“Those of us who love the country and country things feel in our bones the urbanisation of our land and the need that something should be done to preserve our birds and our flowers.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech at the unveiling of the Hudson Memorial in Hyde Park (19 May 1925), quoted in On England, and Other Addresses (1926), p. 129.
1925

Letitia Elizabeth Landon photo

“Oh never another dream can be
Like that early dream of ours,
When the fairy Hope lay down to sleep,
Like a child, among the flowers.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Song: Oh never another dream can be
The Venetian Bracelet (1829)

Sarah Doudney photo
Frederick II of Prussia photo
James McNeill Whistler photo
Statius photo

“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis Aethiopasque alios, nulli penetrabilis astro, lucus iners, subterque cavis graue rupibus antrum it uacuum in montem, qua desidis atria Somni securumque larem segnis Natura locavit. limen opaca Quies et pigra Oblivio servant et numquam vigili torpens Ignauia vultu. Otia vestibulo pressisque Silentia pennis muta sedent abiguntque truces a culmine ventos et ramos errare vetant et murmura demunt alitibus. non hic pelagi, licet omnia clament litora, non ullus caeli fragor; ipse profundis vallibus effugiens speluncae proximus amnis saxa inter scopulosque tacet: nigrantia circum armenta omne solo recubat pecus, et nova marcent germina, terrarumque inclinat spiritus herbas. mille intus simulacra dei caelaverat ardens Mulciber: hic haeret lateri redimita Voluptas, hic comes in requiem vergens Labor, est ubi Baccho, est ubi Martigenae socium puluinar Amori obtinet. interius tecti in penetralibus altis et cum Morte jacet, nullique ea tristis imago cernitur. hae species. ipse autem umentia subter antra soporifero stipatos flore tapetas incubat; exhalant vestes et corpore pigro strata calent, supraque torum niger efflat anhelo ore vapor; manus haec fusos a tempore laevo sustentat crines, haec cornu oblita remisit.

Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)

Samuel Johnson photo

“Catch then, O! catch the transient hour,
Improve each moment as it flies;
Life's a short Summer — man a flower,
He dies — alas! how soon he dies!”

Samuel Johnson (1709–1784) English writer

Winter, An Ode. The works of Samuel Johnson, LL.D. (1787), p. 355

Rosanna Eleanor Leprohon photo

“…the wild flowers blooming in hushed solitude
Start not at the whispering, 'tis but the breeze”

Rosanna Eleanor Leprohon (1829–1879) Canadian writer

from A Canadian Summer Evening

Ben Jonson photo
Luther Burbank photo
Coventry Patmore photo

“The flower of olden sanctities.”

Coventry Patmore (1823–1896) English poet

1867, p. 123.
The Unknown Eros and Other Poems (1877)

Robert M. Pirsig photo
Lupe Fiasco photo

“Flowers she would pick like guitar strings, for a real good whiff of how how life behind par seems.”

Lupe Fiasco (1982) rapper

"Life, Death, And Love in San Fransisco"
Mixtapes, Friend of the People: I Fight Evil (2011)