Poems Composed or Suggested During a Tour in the Summer of 1833, "There!" said a Stripling, l. 10 (1833).
Quotes about flower
page 7
Source: Art, 1912, Ch. II. To the artist, all in nature is beautiful, p. 48
Letter to his wife, Maria Bicknell (20 April 1821); as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 28
1820s
Ensi fu ceste bataille desconfite que vous avés oy, qui fu ès camps de Maupetruis à deux liewes de le cité de Poitiers, le vingt unième jour dou mois de septembre, l'an de grasce Nostre Signeur mil trois cens cinquante six. Si commença environ heure de prime, et fu toute passée à none; mès encores n'estoient point tout li Englès qui caciet avoient, retourné de leur cace et remis ensamble…Et fu là morte, si com on recordoit adonc pour le temps, toute li fleur de la chevalerie de France: de quoi li nobles royaumes fu durement afoiblis, et en grant misère et tribulation eschei, ensi que vous orés recorder chi après.
Book 1, pp. 142-3.
Chroniques (1369–1400)
"The Sensual World"; The lyrics of this song are derived from the last lines of Ulysses by James Joyce. Kate had initially wanted to set much of Molly Bloom's Soliloquy to music, just as Joyce had written it, but when the Joyce estate refused, she altered it enough as to not infringe on copyright. As she explained it in an interview: "The song was saying "Yes, Yes" and when I asked for permission they said "No! No!".
Song lyrics, The Sensual World (1989)
The Golden Violet - title poem - introduction
The Golden Violet (1827)
"Poetry For Supper"
Poetry For Supper (1958)
(7th June 1834) The History of the Lily
(25th October 1834) The Exile. See under Translations from the French
(1835) For Versions from the German, see under Translations from the German
The London Literary Gazette, 1833-1835
Oh, come with old Khayyam, and leave the Wise
To talk; one thing is certain, that Life flies;
One thing is certain, and the Rest is Lies;
The Flower that once has blown for ever dies.
FitzGerald's first edition (1859).
The Rubaiyat (1120)
No. 35, "Light Shining out of Darkness".
Olney Hymns (1779)
“When you have a full bouquet you can't sit back and smell each flower.”
Artist Pages.
excerpt of her Journal (1897); as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 196
1897
Creating a World without Poverty: Social Business and the Future of Capitalism (2007)
as in Surrealism or in 'Pittura Metafisica' of De Chirico
Source: 1945 - 1964, Interview, 1960, pp. 106-107
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 26.
Page 50
Trout Fishing In America
The Origin of Species: 150th Anniversary Edition (2009)
To Mistress Margaret Hussey, lines 26-34, probably published c. 1511, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
L'amour est une source naïve, partie de son lit de cresson, de fleurs, de gravier, qui rivière, qui fleuve, change de nature et d'aspect à chaque flot, et se jette dans un incommensurable océan où les esprits incomplets voient la monotonie, où les grandes âmes s'abîment en de perpétuelles contemplations.
The Wild Ass’s Skin (1831), Part II: A Woman Without a Heart
“Flowers are the sweetest things God ever made and forgot to put a soul into.”
Life Thoughts (1858)
Source: Translations, The Aeneid of Virgil (1866), Book IX, p. 324
The Banks o' Doon, st. 1
Johnson's The Scots Musical Museum (1787-1796)
"How oft in schoolboy-days" lines 1–6, Poems, 1860
“True glory strikes root, and even extends itself; all false pretensions fall as do flowers, nor can anything feigned be lasting.”
Vera gloria radices agit atque etiam propagatur, ficta omnia celeriter tamquam flosculi decidunt nec simulatum potest quicquam esse diuturnum.
Book II, section 43
De Officiis – On Duties (44 BC)
“He was, she thought, as beautiful as a young god, lying on his side among the grass and flowers”
The Raven Warrior
Fantasies, inscribed to T. Crofton Croker, Esq.
The Venetian Bracelet (1829)
" The Force That Through the Green Fuse Drives the Flower http://www.internal.org/view_poem.phtml?poemID=266" (1934), st. 1
Poem If I should go before the rest of you
1950s, Rediscovering Lost Values (1954)
“Love not the flower they pluck and know it not,
And all their botany is Latin names.”
Blight
Bartlett's Familiar Quotations, 10th ed. (1919)
The Teares of an Affectionate Shepheard Sicke for Love, or the Complaint of Daphnis for the Love of Ganimede.
The Affectionate Shepheard http://www.gutenberg.org/etext/19902 (1594)
St. 1
On the Death of a Favourite Cat http://www.thomasgray.org/cgi-bin/display.cgi?textodfc (1747)
“Life is a stream
On which we strew
Petal by petal the flower of our heart.”
"Petals," from Dome of Many-Coloured Glass (1912).
TV Interview for Channel 4 A plus 4 (15 October 1984) http://www.margaretthatcher.org/speeches/displaydocument.asp?docid=105764, referring to the Brighton bombing in which the IRA attempted to assassinate her.
Second term as Prime Minister
Barry Mazur, [Number Theory as Gadfly, Amer. Math. Monthly, 98, 1991, 593–610, http://www.maa.org/programs/maa-awards/writing-awards/number-theory-as-gadfly]
Source: The Shoes of Happiness, and Other Poems (1913), The Crowning Hour, III
"Roger writes to readers" Chicago Sun Times (11 October 2006)
To C.S. Adama van Scheltema (1906); in Dirk van Dalen (ed.) The Selected Correspondence of L.E.J. Brouwer (2011), p. 23
Source: The Tales of Alvin Maker, Seventh Son (1987), Chapter 10.
(18th May 1822) Poetic Sketches. Second Series - Sketch the Third. Rosalie
25th May 1822) St. George’s Hospital, Hyde Park Corner see The Improvisatrice (1824
The London Literary Gazette, 1821-1822
“Strength and beauty are the blessings of youth; temperance, however, is the flower of old age.”
Fragment quoted in H. Diels and W. Kranz (eds.) Die Fragmente der Vorsokratiker, Vol. II (1952), no. 294; reference taken from Webster's New World Dictionary of Quotations (2005), p. 261
Quote was introduced with the phrase:
In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes
Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143
The Secret of Arcady. Compare Henry Cuyler Bunner, The Way to Arcady.
Bartlett's Familiar Quotations, 10th ed. (1919)
VII: On "Let a Hundred Flowers Blossom Let a Hundred Schools of Thought Content" and "Long Term Coexistence and Mutual Supervision"
On the Correct Handling of Contradictions Among the People
“The flowers anew returning seasons bring!
But beauty faded has no second spring.”
Lobbing, The First Pastoral (1709), line 55.
Broken Lights Letters 1951-59.
“The flowers of the forest are a’ wide awae.”
The Flowers of the Forest. Note: This line appears in the “Flowers of the Forest,” part second, a later poem by Alison Cockburn. See Dyce’s “Specimens of British Poetesses,” p. 374.
Wen Jiabao (2007) cited in: China's Wen seeks to charm Japan as ties thaw http://www.reuters.com/article/worldNews/idUST32494820070413?pageNumber=2 13 April 2007
Source: Shōgun (1975), Ch. 43
“To me, our destinies seem flower and fruit
Born of an ever-generating root…”
Life Without and Life Within (1859), The One In All
"Joseph and His Brothers"; first published in The Saturday Review of Literature (6 June 1936)
Not Under Forty (1936)
Chinese Poetry in English Verse http://library.umac.mo/ebooks/b25541080.pdf, Dedication (dated October 1898)
“Hail hero, hail hero, child of the sun
All covered with flowers still having your fun”
Theme song of Hail, Hero! (1969), co-written with Jerome Moross
"He sendeth Sun, he sendeth Shower", reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 282; and in Bartlett's Familiar Quotations, 10th ed. (1919).
1870s, The Unknown Loyal Dead (1871)
Our Suburb http://rpo.library.utoronto.ca/poem/3075.html
"The Shock of Inclusion" http://www.edge.org/q2010/q10_1.html#shirky, in The Edge Annual Question — 2010: How Is the Internet Changing the Way You Think? http://www.edge.org/q2010/q10_index.html, January 2010
Dada poetry lines from his poem 'Der Vogel Selbdritt', Jean / Hans Arp - first published in 1920; as quoted in Gesammelte Gedichte I (transl. Herbert Read), p. 41
1910-20s
Source: The Way to Life: Sermons (1862), P. 107 (The Unchangeable Word).
"Early Encounters" (p. 20)
Quoted by Vollard who came to invite Degas for dinner, that evening
posthumous quotes, Degas: An Intimate Portrait' (1927)
"Dawn"
By Still Waters (1906)
Source: The Induction (1563), Line 50, p. 311
Untitled (1810); titled "Love's Rose" by William Michael Rossetti in Complete Poetical Works of Percy Bysshe Shelley (1870)
The poor Man's , reported in Bartlett's Familiar Quotations, 10th ed. (1919).
“Buttercups and Daisies—
Oh, the pretty flowers,
Coming ere the spring time,
To tell of sunny hours.”
"Buttercups and Daisies," http://books.google.com/books?id=jrwkAAAAMAAJ&q=%22Buttercups+and+daisies+Oh+the+pretty+flowers+Coming+ere+the+Spring+time+To+tell+of+sunny+hours%22&pg=PA119#v=onepage The Christmas Library: Birds and flowers and other country things, Volume 1 http://books.google.com/books?id=ezkGfAEACAAJ&q=%22Buttercups+and+daisies+Oh+the+pretty+flowers+Coming+ere+the+Spring+time+To+tell+of+sunny+hours%22 (1837).
On the death of her child (1852), reported in The Life and Letters of Elizabeth Prentiss (1882), p. 138.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 277.
(J. Hudson Taylor. Dwelling in Him. Robesonia: Overseas Missionary Fellowship).
Conversation 5
1970s, The Urgency of Change (1970)
Eros http://rpo.library.utoronto.ca/poem/2933.html, st. 1 (1899).
Poetry
excerpt of her Journal, Paris, 1898; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, pp. 197-198
1898
A Wrinkle in Time (1962)
Source: Story of a Soul (1897), Ch. I: Alençon, 1873–1877. As translated by Fr. John Clarke (Washington, D.C.: ICS Publications, 1976), p. 15.
Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 13 (at page 118)