Quotes about flower
page 7

William Wordsworth photo
Arthur Symons photo
Auguste Rodin photo
John Constable photo
Nathalia Crane photo
Jean Froissart photo

“So that battle was fought as you have heard, in the fields of Maupertuis, six miles from the city of Poitiers, on the nineteenth day of September, 1356. It began in the early morning and was finished by mid-afternoon, although many of the English did not return from the pursuit until late evening…There died that day, it was said, the finest flower of French chivalry, whereby the realm of France was sorely weakened and fell into great misery and affliction, as you will hear later.”

Jean Froissart (1337–1405) French writer

Ensi fu ceste bataille desconfite que vous avés oy, qui fu ès camps de Maupetruis à deux liewes de le cité de Poitiers, le vingt unième jour dou mois de septembre, l'an de grasce Nostre Signeur mil trois cens cinquante six. Si commença environ heure de prime, et fu toute passée à none; mès encores n'estoient point tout li Englès qui caciet avoient, retourné de leur cace et remis ensamble…Et fu là morte, si com on recordoit adonc pour le temps, toute li fleur de la chevalerie de France: de quoi li nobles royaumes fu durement afoiblis, et en grant misère et tribulation eschei, ensi que vous orés recorder chi après.
Book 1, pp. 142-3.
Chroniques (1369–1400)

Kate Bush photo

“He said I was a flower of the mountain, yes,
But now I've powers o'er a woman's body, yes.
Stepping out of the page into the sensual world.
Stepping out…
To where the water and the earth caress
And the down on a peach says mmh, Yes…”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

"The Sensual World"; The lyrics of this song are derived from the last lines of Ulysses by James Joyce. Kate had initially wanted to set much of Molly Bloom's Soliloquy to music, just as Joyce had written it, but when the Joyce estate refused, she altered it enough as to not infringe on copyright. As she explained it in an interview: "The song was saying "Yes, Yes" and when I asked for permission they said "No! No!".
Song lyrics, The Sensual World (1989)

Letitia Elizabeth Landon photo

“But not like this is Nature's face,
Though even she must bear the trace
Of the great curse that clings to all;
Her leaves, her flowers, must spring to fall :”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - title poem - introduction
The Golden Violet (1827)

Conrad Aiken photo
Sarvajna photo
Letitia Elizabeth Landon photo

“And there the lovely Lily grew,
The summer's purest flower,
And many a tiny fairy knew
The shelter of its bower”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(7th June 1834) The History of the Lily
(25th October 1834) The Exile. See under Translations from the French
(1835) For Versions from the German, see under Translations from the German
The London Literary Gazette, 1833-1835

Omar Khayyám photo

“Oh, threats of Hell and Hopes of Paradise!
One thing at least is certain — This Life flies;
One thing is certain and the rest is Lies;
The Flower that once has blown for ever dies.”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

Oh, come with old Khayyam, and leave the Wise
To talk; one thing is certain, that Life flies;
One thing is certain, and the Rest is Lies;
The Flower that once has blown for ever dies.
FitzGerald's first edition (1859).
The Rubaiyat (1120)

William Cowper photo

“His purposes will ripen fast,
Unfolding every hour;
The bud may have a bitter taste,
But sweet will be the flower.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

No. 35, "Light Shining out of Darkness".
Olney Hymns (1779)

Ernest Hemingway photo
Felicia Hemans photo
Paula Modersohn-Becker photo
Aldo Leopold photo
Muhammad Yunus photo
Giorgio Morandi photo
Josiah Gilbert Holland photo
Richard Brautigan photo
Ray Comfort photo
George Eliot photo
John Skelton photo

“Steadfast of thought,
Well made, well wrought,
Far may be sought,
Ere that ye can find
So courteous, so kind
As merry Margaret,
This midsummer flower,
Gentle as falcon
Or hawk of the tower.”

John Skelton (1460–1529) English poet

To Mistress Margaret Hussey, lines 26-34, probably published c. 1511, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Honoré de Balzac photo

“Love is like some fresh spring, that leaves its cresses, its gravel bed and flowers to become first a stream and then a river, changing its aspect and its nature as it flows to plunge itself in some boundless ocean, where restricted natures only find monotony, but where great souls are engulfed in endless contemplation.”

Honoré de Balzac (1799–1850) French writer

L'amour est une source naïve, partie de son lit de cresson, de fleurs, de gravier, qui rivière, qui fleuve, change de nature et d'aspect à chaque flot, et se jette dans un incommensurable océan où les esprits incomplets voient la monotonie, où les grandes âmes s'abîment en de perpétuelles contemplations.
The Wild Ass’s Skin (1831), Part II: A Woman Without a Heart

Henry Ward Beecher photo

“Flowers are the sweetest things God ever made and forgot to put a soul into.”

Henry Ward Beecher (1813–1887) American clergyman and activist

Life Thoughts (1858)

“Thus, severed by the ruthless plough,
Dim fades a purple flower:
Their weary necks so poppies bow,
O'erladen by the shower.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book IX, p. 324

Robert Burns photo
Haruki Murakami photo
Frederick Goddard Tuckerman photo
Marcus Tullius Cicero photo

“True glory strikes root, and even extends itself; all false pretensions fall as do flowers, nor can anything feigned be lasting.”
Vera gloria radices agit atque etiam propagatur, ficta omnia celeriter tamquam flosculi decidunt nec simulatum potest quicquam esse diuturnum.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

Book II, section 43
De Officiis – On Duties (44 BC)

Letitia Elizabeth Landon photo
Dylan Thomas photo

“The force that through the green fuse drives the flower
Drives my green age; that blasts the roots of trees
Is my destroyer.
And I am dumb to tell the crooked rose
My youth is bent by the same wintry fever.”

Dylan Thomas (1914–1953) Welsh poet and writer

" The Force That Through the Green Fuse Drives the Flower http://www.internal.org/view_poem.phtml?poemID=266" (1934), st. 1

Joyce Grenfell photo
William March photo
John Clare photo
Martin Luther King, Jr. photo
Ralph Waldo Emerson photo

“Love not the flower they pluck and know it not,
And all their botany is Latin names.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Blight
Bartlett's Familiar Quotations, 10th ed. (1919)

Thomas Gray photo

“Twas on a lofty vase's side,
Where China's gayest art had dyed
The azure flowers, that blow;
Demurest of the tabby kind,
The pensive Selima reclined,
Gazed on the lake below.”

Thomas Gray (1716–1771) English poet, historian

St. 1
On the Death of a Favourite Cat http://www.thomasgray.org/cgi-bin/display.cgi?textodfc (1747)

Amy Lowell photo

“Life is a stream
On which we strew
Petal by petal the flower of our heart.”

Amy Lowell (1874–1925) US writer

"Petals," from Dome of Many-Coloured Glass (1912).

Margaret Thatcher photo

“It was a lovely morning. We have not had many lovely days. And the sun was just coming through the stained glass windows and falling on some flowers right across the church and it just occurred to me that this was the day I was meant not to see.”

Margaret Thatcher (1925–2013) British stateswoman and politician

TV Interview for Channel 4 A plus 4 (15 October 1984) http://www.margaretthatcher.org/speeches/displaydocument.asp?docid=105764, referring to the Brighton bombing in which the IRA attempted to assassinate her.
Second term as Prime Minister

Barry Mazur photo

“Number theory swarms with bugs, waiting to bite the tempted flower-lovers who, once bitten, are inspired to excesses of effort!”

Barry Mazur (1937) American mathematician

Barry Mazur, [Number Theory as Gadfly, Amer. Math. Monthly, 98, 1991, 593–610, http://www.maa.org/programs/maa-awards/writing-awards/number-theory-as-gadfly]

Edwin Markham photo

“It will all come back — the wasted splendor,
The heart's lost youth like a breaking flower,
The dauntless dare, and the wistful, tender
Touch of the April hour.”

Edwin Markham (1852–1940) American poet

Source: The Shoes of Happiness, and Other Poems (1913), The Crowning Hour, III

Roger Ebert photo
L. E. J. Brouwer photo
Asger Jorn photo
Orson Scott Card photo
Honoré de Balzac photo

“Love has its own instinct, finding the way to the heart, as the feeblest insect finds the way to its flower, with a will which nothing can dismay nor turn aside.”

L'amour a son instinct, il sait trouver le chemin du cœur comme le plus faible insecte marche à sa fleur avec une irrésistible volonté qui ne s'épouvante de rien.
Source: A Woman of Thirty (1842), Ch. III: At Thirty Years.

Letitia Elizabeth Landon photo

“We met in secret : mystery is to love
Like perfume to the flower; the maiden's blush
Looks loveliest when her cheek is pale with fear.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(18th May 1822) Poetic Sketches. Second Series - Sketch the Third. Rosalie
25th May 1822) St. George’s Hospital, Hyde Park Corner see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

Democritus photo

“Strength and beauty are the blessings of youth; temperance, however, is the flower of old age.”

Democritus Ancient Greek philosopher, pupil of Leucippus, founder of the atomic theory

Fragment quoted in H. Diels and W. Kranz (eds.) Die Fragmente der Vorsokratiker, Vol. II (1952), no. 294; reference taken from Webster's New World Dictionary of Quotations (2005), p. 261

Bono photo
William Burges photo

“Nothing is more perishable than worn-out apparel, yet, thanks to documentary evidence, to the custom of burying people of high rank in their robes, and to the practice of wrapping up relics of saints in pieces of precious stuffs, we are enabled to form a veiy good idea of what these stuffs were like and where they came from. In the first instance they appear to have come from Byzantium, and from the East generally; but the manufacture afterwards extended to Sicily, and received great impetus at the Norman conquest of that island; Roger I. even transplanting Greek workmen from the towns sacked by his army, and settling them in Sicily. Of course many of the workers would be Mohammedans, and the old patterns, perhaps with the addition of sundry animals, would still continue in use; hence the frequency of Arabic inscriptions in the borders, the Cufic character being one of the most ornamental ever used. In the Hotel de Clu^ny at Paris are preserved the remains of the vestments of a bishop of Bayonne, found when his sepulchre was opened in 1853, the date of the entombment being the twelfth century. Some of these remains are cloth of gold, but the most remarkable is a very deep border ornamented with blue Cufic letters on a gold ground; the letters are fimbriated with white, and from them issue delicate red scrolls, which end in Arabic sort of flowers: this tissue probably is pure Eastern work. On the contrary, the coronation robes of the German emperors, although of an Eastern pattern, bear inscriptions which tell us very clearly where they were manufactured: thus the Cufic characters on the cope inform us that it was made in the city of Palermo in the year 1133, while the tunic has the date of 1181, but then the inscription is in the Latin language. The practice of putting Cufic inscriptions on precious stuffs was not confined to the Eastern and Sicilian manufactures; in process of time other Italian cities took up the art, and, either because it was the fashion, or because they wished to pass off" their own work as Sicilian or Eastern manufacture, imitations of Arabic characters are continually met with, both on the few examples that have come down to us of the stuffs themselves, or on painted statues or sculptured effigies. These are the inscriptions which used to be the despair of antiquaries, who vainly searched out their meaning until it was discovered that they had no meaning at all, and that they were mere ornaments. Sometimes the inscriptions appear to be imitations of the Greek, and sometimes even of the Hebrew. The celebrated ciborium of Limoges work in the Louvre, known as the work of Magister G. Alpais, bears an ornament around its rim which a French antiquary has discovered to be nothing more than the upper part of a Cufic word repeated and made into a decoration.”

William Burges (1827–1881) English architect

Quote was introduced with the phrase:
In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes
Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143

John Dos Passos photo
Louise Chandler Moulton photo

“I hied me off to Arcady—
The month it was the month of May,
And all along the pleasant way,
The morning birds were mad with glee,
And all the flowers sprang up to see,
As I went on to Arcady.”

Louise Chandler Moulton (1835–1908) American poet, story-writer and critic

The Secret of Arcady. Compare Henry Cuyler Bunner, The Way to Arcady.
Bartlett's Familiar Quotations, 10th ed. (1919)

Mao Zedong photo

“Throughout history new and correct ideas have often failed at the outset to win recognition from the majority of people and have to develop by twists and turns in struggle. Often correct and good things have first been regarded not as fragrant flowers but poisonous weeds.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

VII: On "Let a Hundred Flowers Blossom Let a Hundred Schools of Thought Content" and "Long Term Coexistence and Mutual Supervision"
On the Correct Handling of Contradictions Among the People

Gerald Durrell photo

“Halfway up the slope, guarded by a group of tall, slim, cypress-trees, nestled a small strawberry-pink villa, like some exotic fruit lying in the greenery. The cypress-trees undulated gently in the breeze, as if they were busily painting the sky a still brighter blue for our arrival.
The villa was small and square, standing in its tiny garden with an air of pink-faced determination. Its shutters had been faded by the sun to a delicate creamy-green, cracked and bubbled in places. The garden, surrounded by tall fuschia hedges, had the flower beds worked in complicated geometrical patterns, marked with smooth white stones. The white cobbled paths, scarcely as wide as a rake's head, wound laboriously round beds hardly larger than a big straw hat, beds in the shape of stars, half-moons, triangles, and circles all overgrown with a shaggy tangle of flowers run wild. Roses dropped petals that seemed as big and smooth as saucers, flame-red, moon-white, glossy, and unwrinkled; marigolds like broods of shaggy suns stood watching their parent's progress through the sky. In the low growth the pansies pushed their velvety, innocent faces through the leaves, and the violets drooped sorrowfully under their heart-shaped leaves. The bougainvillaea that sprawled luxuriously over the tiny iron balcony was hung, as though for a carnival, with its lantern-shaped magenta flowers. In the darkness of the fuschia-hedge a thousand ballerina-like blooms quivered expectantly. The warm air was thick with the scent of a hundred dying flowers, and full of the gentle, soothing whisper and murmur of insects.”

My Family and Other Animals (1956)

Ambrose Philips photo

“The flowers anew returning seasons bring!
But beauty faded has no second spring.”

Ambrose Philips (1674–1749) Anglo-Irish poet and politician

Lobbing, The First Pastoral (1709), line 55.

“The flowers of the forest are a’ wide awae.”

The Flowers of the Forest. Note: This line appears in the “Flowers of the Forest,” part second, a later poem by Alison Cockburn. See Dyce’s “Specimens of British Poetesses,” p. 374.

Aldous Huxley photo
Wen Jiabao photo

“Sino-Japanese relations will certainly brighten more in the future and the flowers of friendly Sino-Japanese relations will increase their beauty.”

Wen Jiabao (1942) former Premier of the People's Republic of China

Wen Jiabao (2007) cited in: China's Wen seeks to charm Japan as ties thaw http://www.reuters.com/article/worldNews/idUST32494820070413?pageNumber=2 13 April 2007

Margaret Fuller photo

“To me, our destinies seem flower and fruit
Born of an ever-generating root…”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

Life Without and Life Within (1859), The One In All

Willa Cather photo
Herbert Giles photo
Gordon Lightfoot photo

“Hail hero, hail hero, child of the sun
All covered with flowers still having your fun”

Gordon Lightfoot (1938) Canadian singer-songwriter

Theme song of Hail, Hero! (1969), co-written with Jerome Moross

Abbie Hoffman photo
Sarah Fuller Flower Adams photo

“He sendeth sun, he sendeth shower,-
Alike they’re needful to the flower;
And joys and tears alike are sent
To give the soul fit nourishment.
As comes to me or cloud or sun,
Father! thy will, not mine, be done.”

Sarah Fuller Flower Adams (1805–1848) English poet, hymnwriter

"He sendeth Sun, he sendeth Shower", reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 282; and in Bartlett's Familiar Quotations, 10th ed. (1919).

Corneliu Zelea Codreanu photo
Frederick Douglass photo
Halldór Laxness photo
Helen Keller photo
Arthur Guiterman photo
Clay Shirky photo
Hans Arp photo

“the streams buck like rams in a tent
whips crack and from the hills come the crookedly combed
shadows of the shepherds.
black eggs and fools' bells fall from the trees.
thunder drums and kettledrums beat upon the ears of the donkeys.
wings brush against flowers.
fountains spring up in the eyes of the wild boar.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Dada poetry lines from his poem 'Der Vogel Selbdritt', Jean / Hans Arp - first published in 1920; as quoted in Gesammelte Gedichte I (transl. Herbert Read), p. 41
1910-20s

Thomas Guthrie photo
Edgar Degas photo
George William Russell photo
Thomas Sackville, 1st Earl of Dorset photo
Percy Bysshe Shelley photo

“Age cannot Love destroy,
But perfidy can blast the flower,
Even when in most unwary hour
It blooms in Fancy’s bower.
Age cannot Love destroy,
But perfidy can rend the shrine
In which its vermeil splendours shine.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

Untitled (1810); titled "Love's Rose" by William Michael Rossetti in Complete Poetical Works of Percy Bysshe Shelley (1870)

Mary Howitt photo

“Yes, in the poor man's garden grow
Far more than herbs and flowers—
Kind thoughts, contentment, peace of mind,
And joy for weary hours.”

Mary Howitt (1799–1888) English poet, and author

The poor Man's , reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Jeanette Winterson photo
Mary Howitt photo

“Buttercups and Daisies—
Oh, the pretty flowers,
Coming ere the spring time,
To tell of sunny hours.”

Mary Howitt (1799–1888) English poet, and author

"Buttercups and Daisies," http://books.google.com/books?id=jrwkAAAAMAAJ&q=%22Buttercups+and+daisies+Oh+the+pretty+flowers+Coming+ere+the+Spring+time+To+tell+of+sunny+hours%22&pg=PA119#v=onepage The Christmas Library: Birds and flowers and other country things, Volume 1 http://books.google.com/books?id=ezkGfAEACAAJ&q=%22Buttercups+and+daisies+Oh+the+pretty+flowers+Coming+ere+the+Spring+time+To+tell+of+sunny+hours%22 (1837).

Bruce Springsteen photo
Letitia Elizabeth Landon photo
Elizabeth Prentiss photo
Samuel Rutherford photo
Christopher Pitt photo
James Hudson Taylor photo
Jiddu Krishnamurti photo

“Goodness is not in the backyard of the individual nor in the open field of the collective; goodness flowers only in freedom from both.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Conversation 5
1970s, The Urgency of Change (1970)

Robert Seymour Bridges photo

“Why hast thou nothing in thy face?
Thou idol of the human race,
Thou tyrant of the human heart,
The flower of lovely youth that art.”

Robert Seymour Bridges (1844–1930) British writer

Eros http://rpo.library.utoronto.ca/poem/2933.html, st. 1 (1899).
Poetry

Paula Modersohn-Becker photo
Thérèse of Lisieux photo
George Eliot photo