Quotes about first
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Michele Bachmann photo
Marshall McLuhan photo

“The anguish of the third dimension is given its first verbal manifestation in poetic history in King Lear.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 18

Orson Welles photo
P.G. Wodehouse photo
Robert Fisk photo
Jean-Baptiste Say photo

“One product is always ultimately bought with another, even when paid for in the first instance with money.”

Jean-Baptiste Say (1767–1832) French economist and businessman

Source: A Treatise On Political Economy (Fourth Edition) (1832), Book II, On Distribution, Chapter IV, 306

Thomas Carlyle photo
Letitia Elizabeth Landon photo
Allen West (politician) photo
Sri Aurobindo photo
Sam Raimi photo

“I didn’t at first because horror movies scared me too much, but I really do love the genre and it’s a playground where you can really be artistic and create ideas in the minds of the audience and portray the unreal. It’s very cool experimentation ground for a filmmaker.”

Sam Raimi (1959) American film director, producer, writer and actor

Interview: Sam Raimi on ASH VS. EVIL DEAD, DARKMAN and THE LAST OF US https://www.comingsoon.net/horror/news/747524-interview-sam-raimi-ash-vs-evil-dead-darkman-last-us#/slide/1 (October 26, 2015)

Fritjof Capra photo
Christian David Ginsburg photo
Logan Pearsall Smith photo
Emily Dickinson photo
William Morris photo

“I too
Will go, remembering what I said to you,
When any land, the first to which we came
Seemed that we sought, and set your hearts aflame,
And all seemed won to you: but still I think,
Perchance years hence, the fount of life to drink,
Unless by some ill chance I first am slain.
But boundless risk must pay for boundless gain.”

William Morris (1834–1896) author, designer, and craftsman

"Prologue : The Wanderers"; the last line here may be related to far older expressions such as: "Naught venture, naught have" by Thomas Tusser.
The Earthly Paradise (1868-70)

Alexander Maclaren photo
Margaret Thatcher photo
Allie (wrestler) photo
Aneurin Bevan photo
Elfriede Jelinek photo
David Bentley Hart photo
Ayaan Hirsi Ali photo
Jeet Thayil photo
Philip K. Dick photo
Peter Greenaway photo
F. J. Duarte photo

“Regardless of the prophetic value of Dirac’s description [on interference] his was probably the first discussion… including a coherent beam of light. In other words, Dirac wrote the first chapter in laser optics.”

F. J. Duarte (1954) Chilean-American physicist

in Introduction to Lasers, [F. J. Duarte, Tunable Laser Optics, Elsevier Academic, 2003, 0-12-222696-8, 3]

Benjamin Boretz photo
Roger Ebert photo

“Here is how [life] happens. We find something we want to do, if we are lucky, or something we need to do, if we are like most people. We use it as a way to obtain food, shelter, clothing, mates, comfort, a first folio of Shakespeare, model airplanes, American Girl dolls, a handful of rice, sex, solitude, a trip to Venice, Nikes, drinking water, plastic surgery, child care, dogs, medicine, education, cars, spiritual solace -- whatever we think we need. To do this, we enact the role we call "me," trying to brand ourselves as a person who can and should obtain these things.In the process, we place the people in our lives into compartments and define how they should behave to our advantage. Because we cannot force them to follow our desires, we deal with projections of them created in our minds. But they will be contrary and have wills of their own. Eventually new projections of us are dealing with new projections of them. Sometimes versions of ourselves disagree. We succumb to temptation — but, oh, father, what else was I gonna do? I feel like hell. I repent. I'll do it again… This has not been a conventional review. There is no need to name the characters, name the actors, assign adjectives to their acting. Look at who is in this cast. You know what I think of them. This film must not have seemed strange to them. It's what they do all day, especially waiting around for the director to make up his mind.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/synecdoche-new-york-2008 of Synecdoche, New York (5 November 2008)
Reviews, Four star reviews

Roy Jenkins photo

“First, there is really no sign at all of any significant reduction in unemployment without a major change in policy…Unemployment has probably levelled out but at a totally unacceptable figure. Secondly, contrary to what the Secretary of State said, the post-oil surplus prospect—not merely the post-oil prospect, because the oil will take a long time to go, but the surplus, the big balance of payments surplus, which is beginning to decline quite quickly—still looks devastating…our balance of payments is now overwhelmingly dependent on this highly temporary and massive oil surplus. Our manufacturing industry is shrunken and what remains is uncompetitive…We have a manufacturing trade deficit of approximately £11 billion, all of which has built up in the past three to four years. This is containable by oil and by nothing else. Invisibles can take care of about £4 billion or £5 billion but they cannot do the whole job. As soon as oil goes into a neutral position we are in deep trouble. Should it go into a negative position, the situation would be catastrophic…To sell off a chunk of capital assets and to use the proceeds for capital investment in the rest of the public sector might just be acceptable. However, that is not what is proposed, and what is proposed cannot be justified on any reputable theory of public finance; and when it is accompanied by a Minister using the oil—which might itself be regarded as a capital asset; certainly it is not renewable—almost entirely for current purposes, it amounts to improvident finance on a scale that makes the Prime Minister's old friend General Galtieri almost Gladstonian.”

Roy Jenkins (1920–2003) British politician, historian and writer

Speech http://hansard.millbanksystems.com/commons/1985/nov/12/industry-and-employment in the House of Commons (12 November 1985).
1980s

Paula Modersohn-Becker photo
Nyanaponika Thera photo
Tina Fey photo

“Well, today in New York, after months of build up and anticipation, Star Jones made history and became the first person ever to get married.”

Tina Fey (1970) American comedian, writer, producer and actress

http://snltranscripts.jt.org/04/04eupdate.phtml

Kwame Nkrumah photo

“To the true African journalist, his newspaper is a collective organizer, a collective instrument of mobilization and a collective educator—a weapon, first and foremost, to overthrow colonialism and imperialism and to assist total African independence and unity.”

Kwame Nkrumah (1909–1972) Pan Africanist and First Prime Minister and President of Ghana

At the Second Conference of African Journalists; Accra, November 11, 1963. http://nkrumahinfobank.org/article.php?id=441&c=51

“Alfie was an organizer. He would telephone the other kids a week before that first practice session (which he euphemistically called spring training), and he would knock on their doors the morning of, and they would look out the windows and say, "Hey, it's snowing," and he would say, "It's not snowing all that hard. See you in a half-hour." So we would gather our tired, cold bodies together, throw on our baseball clothes—old shirts, old pants, sneakers, old baseball gloves—and grab a couple of bats and scuffed-up balls, and we would pile onto the subway and ride to Van Cortland Park. We would run to make sure we'd be first to claim a ball field. Of course we were first. Nobody else was that crazy. My brother would direct practice for a couple of hours, batting practice, catching fungoes, fielding, practicing our curves and drops on the sidelines, fingers aching from contact with batted or thrown baseballs. We threw ourselves across that hard bone of a field so we would be ready when the spring suns finally thawed the ground at our feet. If the still-awake dreams of hunting lions in Africa were the peak moments of my night life, those frozen ball fields of February were the highlights of my days.”

Arnold Hano (1922) American writer

Recalling his late brother, from "Life with Alfie," https://books.google.com/books?id=PWEEAAAAMBAJ&pg=PA233&dq=%22Alfie+was+an+organizer%22&hl=en&sa=X&ved=0CBQQ6AEwAGoVChMIiqWJ2oHaxwIVipANCh2Utw2g#v=onepage&q=%22Alfie%20was%20an%20organizer%22&f=false in Orange Coast Magazine (November 1990), pp. 233–234
Other Topics

Jeremy Waldron photo
Percy Bysshe Shelley photo

“I arise from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

The Indian Serenade http://www.poetry-archive.com/s/the_indian_serenade.html (1819), st. 1

Benoît Mandelbrot photo
James Nasmyth photo

“My first essay at making a steam engine was when I was fifteen. I then made a real working; steam-engine, 1 3/4 diameter cylinder, and 8 in. stroke, which not only could act, but really did some useful work; for I made it grind the oil colours which my father required for his painting. Steam engine models, now so common, were exceedingly scarce in those days, and very difficult to be had; and as the demand for them arose, I found it both delightful and profitable to make them; as well as sectional models of steam engines, which I introduced for the purpose of exhibiting the movements of all the parts, both exterior and interior. With the results of the sale of such models I was enabled to pay the price of tickets of admission to the lectures on natural philosophy and chemistry delivered in the University of Edinburgh. About the same time (1826) I was so happy as to be employed by Professor Leslie in making models and portions of apparatus required by him for his lectures and philosophical investigations, and I had also the inestimable good fortune to secure his friendship. His admirably clear manner of communicating a knowledge of the fundamental principles of mechanical science rendered my intercourse with him of the utmost importance to myself. A hearty, cheerful, earnest desire to toil in his service, caused him to take pleasure in instructing me by occasional explanations of what might otherwise have remained obscure.”

James Nasmyth (1808–1890) Scottish mechanical engineer and inventor

James Nasmyth in: Industrial Biography: Iron-workers and Tool-makers https://books.google.nl/books?id=ZMJLAAAAMAAJ, Ticknor and Fields, 1864. p. 337

Albert Jay Nock photo
Paul Klee photo
Henry Adams photo
Mukesh Ambani photo
Dwight D. Eisenhower photo

“I was against it on two counts. First, the Japanese were ready to surrender, and it wasn't necessary to hit them with that awful thing. Second, I hated to see our country be the first to use such a weapon.”

Dwight D. Eisenhower (1890–1969) American general and politician, 34th president of the United States (in office from 1953 to 1961)

On his stated opposition to the use of the atomic bomb against the Japanese at the end of World War II, as quoted in Newsweek (11 November 1963), p. 107
1960s

Miguel de Unamuno photo

“Windelband, the historian of philosophy, in his essay on the meaning of philosophy (Was ist Philosophie? in the first volume of his Präludien) tells us that "the history of the word 'philosophy' is the history of the cultural significance of science." He continues: "When scientific thought attains an independent existence as a desire for knowledge, it takes the name of philosophy; when subsequently knowledge as a whole divides into its various branches, philosophy is the general knowledge of the world that embraces all other knowledge. As soon as scientific thought stoops again to becoming a means to ethics or religious contemplation, philosophy is transformed into an art of life or into a formulation of religious beliefs. And when afterwards the scientific life regains its liberty, philosophy acquires once again its character as an independent knowledge of the world, and in so far as it abandons the attempt to solve this problem, it is changed into a theory of knowledge itself." Here you have a brief recapitulation of the history of philosophy from Thales to Kant, including the medieval scholasticism upon which it endeavored to establish religious beliefs. But has philosophy no other office to perform, and may not its office be to reflect upon the tragic sense of life itself, such as we have been studying it, to formulate this conflict between reason and faith, between science and religion, and deliberately to perpetuate this conflict?”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

Margaret Mead photo
Timothy Leary photo

“We saw ourselves as anthropologists from the twenty-first century inhabiting a time module set somewhere in the dark ages of the 1960s. On this space colony we were attempting to create a new paganism and a new dedication to life as art.”

Timothy Leary (1920–1996) American psychologist

On the Castalia Institute in Millbrook, New York; quoted in Storming Heaven : LSD and the American Dream (1998) by Jay Stevens, p. 208

Noel Coward photo

“Lord knows I'm not a fool girl
I really shouldn't care
Lord knows I'm not a school girl
In the flurry of her first affair.”

Noel Coward (1899–1973) English playwright, composer, director, actor and singer

Mad About the Boy (1932)

Franz Kafka photo
J. M. Barrie photo
Paulo Coelho photo
Steve Jobs photo

“Playboy: Then for now, aren't you asking home-computer buyers to invest $3000 in what is essentially an act of faith?
Jobs: In the future, it won't be an act of faith. The hard part of what we're up against now is that people ask you about specifics and you can't tell them. A hundred years ago, if somebody had asked Alexander Graham Bell, "What are you going to be able to do with a telephone?" he wouldn't have been able to tell him the ways the telephone would affect the world. He didn't know that people would use the telephone to call up and find out what movies were playing that night or to order some groceries or call a relative on the other side of the globe. But remember that first the public telegraph was inaugurated, in 1844. It was an amazing breakthrough in communications. You could actually send messages from New York to San Francisco in an afternoon. People talked about putting a telegraph on every desk in America to improve productivity. But it wouldn't have worked. It required that people learn this whole sequence of strange incantations, Morse code, dots and dashes, to use the telegraph. It took about 40 hours to learn. The majority of people would never learn how to use it. So, fortunately, in the 1870s, Bell filed the patents for the telephone. It performed basically the same function as the telegraph, but people already knew how to use it. Also, the neatest thing about it was that besides allowing you to communicate with just words, it allowed you to sing.
Playboy: Meaning what?
Jobs: It allowed you to intone your words with meaning beyond the simple linguistics. And we're in the same situation today. Some people are saying that we ought to put an IBM PC on every desk in America to improve productivity. It won't work. The special incantations you have to learn this time are "slash q-zs" and things like that. The manual for WordStar, the most popular word-processing program, is 400 pages thick. To write a novel, you have to read a novel—one that reads like a mystery to most people. They're not going to learn slash q-z any more than they're going to learn Morse code. That is what Macintosh is all about. It's the first "telephone" of our industry. And, besides that, the neatest thing about it, to me, is that the Macintosh lets you sing the way the telephone did. You don't simply communicate words, you have special print styles and the ability to draw and add pictures to express yourself.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Steve Jobs, Playboy, Feb 1985, as quoted in “Steve Jobs Imagines 'Nationwide' Internet in 1985 Interview” https://paleofuture.gizmodo.com/steve-jobs-imagines-nationwide-internet-in-1985-intervi-1671246589, Matt Novak, 12/15/14 2:20pm Paleofuture, Gizmodo.
1980s

Halldór Laxness photo
Dean Acheson photo
Charles Lamb photo

“I read your letters with my sister, and they give us both abundance of delight. Especially they please us two, when you talk in a religious strain,—not but we are offended occasionally with a certain freedom of expression, a certain air of mysticism, more consonant to the conceits of pagan philosophy, than consistent with the humility of genuine piety. To instance now in your last letter—you say, “it is by the press [sic], that God hath given finite spirits both evil and good (I suppose you mean simply bad men and good men), a portion as it were of His Omnipresence!” Now, high as the human intellect comparatively will soar, and wide as its influence, malign or salutary, can extend, is there not, Coleridge, a distance between the Divine Mind and it, which makes such language blasphemy? Again, in your first fine consolatory epistle you say, “you are a temporary sharer in human misery, that you may be an eternal partaker of the Divine Nature.” What more than this do those men say, who are for exalting the man Christ Jesus into the second person of an unknown Trinity,—men, whom you or I scruple not to call idolaters? Man, full of imperfections, at best, and subject to wants which momentarily remind him of dependence; man, a weak and ignorant being, “servile” from his birth “to all the skiey influences,” with eyes sometimes open to discern the right path, but a head generally too dizzy to pursue it; man, in the pride of speculation, forgetting his nature, and hailing in himself the future God, must make the angels laugh. Be not angry with me, Coleridge; I wish not to cavil; I know I cannot instruct you; I only wish to remind you of that humility which best becometh the Christian character. God, in the New Testament (our best guide), is represented to us in the kind, condescending, amiable, familiar light of a parent: and in my poor mind ’tis best for us so to consider of Him, as our heavenly Father, and our best Friend, without indulging too bold conceptions of His nature. Let us learn to think humbly of ourselves, and rejoice in the appellation of “dear children,” “brethren,” and “co-heirs with Christ of the promises,” seeking to know no further… God love us all, and may He continue to be the father and the friend of the whole human race!”

Charles Lamb (1775–1834) English essayist

Lamb's letter to Coleridge in Oct. 24th, 1796. As quoted in Works of Charles and Mary Lamb (1905). Letter 11.

Paula Modersohn-Becker photo
Alexander Pope photo

“The famous Lord Hallifax (though so much talked of) was rather a pretender to taste, than really possessed of it.—When I had finished the two or three first books of my translation of the Iliad, that lord, "desired to have the pleasure of hearing them read at his house." Addison, Congreve, and Garth, were there at the reading.—In four or five places, Lord Hallifax stopped me very civilly; and with a speech, each time of much the same kind: "I beg your pardon, Mr. Pope, but there is something in that passage that does not quite please me.—Be so good as to mark the place, and consider it a little at your leisure.—I am sure you can give it a little turn."—I returned from Lord Hallifax's with Dr. Garth, in his chariot; and as we were going along, was saying to the doctor, that my lord had laid me under a good deal of difficulty, by such loose and general observations; that I had been thinking over the passages almost ever since, and could not guess at what it was that offended his lordship in either of them.—Garth laughed heartily at my embarrassment; said, I had not been long enough acquainted with Lord Hallifax, to know his way yet: that I need not puzzle myself in looking those places over and over when I got home. "All you need do, (said he) is to leave them just as they are; call on Lord Hallifax two or three months hence, thank him for his kind observations on those passages; and then read them to him as altered. I have known him much longer than you have, and will be answerable for the event."—I followed his advice; waited on Lord Hallifax some time after: said, I hoped he would find his objections to those passages removed[; ] read them to him exactly as they were at first; and his lordship was extremely pleased with them, and cried out, "Ay now, Mr. Pope, they are perfectly right! nothing can be better."”

Alexander Pope (1688–1744) eighteenth century English poet

As quoted in Anecdotes, Observations, and Characters, of Books and Men (1820) by Joseph Spence [published from the original papers; with notes, and a life of the author, by Samuel Weller Singer]; "Spence's Anecdotes", Section IV. pp. 134–136.
Attributed

“Beware! By Allah the son of Abu Quhafah (Abu Bakr) dressed himself with it (the caliphate) and he certainly knew that my position in relation to it was the same as the position of the axis in relation to the hand-mill. The flood water flows down from me and the bird cannot fly upto me. I put a curtain against the caliphate and kept myself detached from it.
Then I began to think whether I should assault or endure calmly the blinding darkness of tribulations wherein the grown up are made feeble and the young grow old and the true believer acts under strain till he meets Allah (on his death). I found that endurance thereon was wiser. So I adopted patience although there was pricking in the eye and suffocation (of mortification) in the throat. I watched the plundering of my inheritance till the first one went his way but handed over the Caliphate to Ibn al-Khattab after himself.
(Then he quoted al-A`sha's verse):
My days are now passed on the camel's back (in difficulty) while there were days (of ease) when I enjoyed the company of Jabir's brother Hayyan.
It is strange that during his lifetime he wished to be released from the caliphate but he confirmed it for the other one after his death. No doubt these two shared its udders strictly among themselves. This one put the Caliphate in a tough enclosure where the utterance was haughty and the touch was rough. Mistakes were in plenty and so also the excuses therefore. One in contact with it was like the rider of an unruly camel. If he pulled up its rein the very nostril would be slit, but if he let it loose he would be thrown. Consequently, by Allah people got involved in recklessness, wickedness, unsteadiness and deviation.
Nevertheless, I remained patient despite length of period and stiffness of trial, till when he went his way (of death) he put the matter (of Caliphate) in a group and regarded me to be one of them. But good Heavens! what had I to do with this "consultation"? Where was any doubt about me with regard to the first of them that I was now considered akin to these ones? But I remained low when they were low and flew high when they flew high. One of them turned against me because of his hatred and the other got inclined the other way due to his in-law relationship and this thing and that thing, till the third man of these people stood up with heaving breasts between his dung and fodder. With him his children of his grand-father, (Umayyah) also stood up swallowing up Allah's wealth like a camel devouring the foliage of spring, till his rope broke down, his actions finished him and his gluttony brought him down prostrate.
At that moment, nothing took me by surprise, but the crowd of people rushing to me. It advanced towards me from every side like the mane of the hyena so much so that Hasan and Husayn were getting crushed and both the ends of my shoulder garment were torn. They collected around me like the herd of sheep and goats. When I took up the reins of government one party broke away and another turned disobedient while the rest began acting wrongfully as if they had not heard the word of Allah saying:
That abode in the hereafter, We assign it for those who intend not to exult themselves in the earth, nor (to make) mischief (therein); and the end is (best) for the pious ones. (Qur'an, 28:83)
Yes, by Allah, they had heard it and understood it but the world appeared glittering in their eyes and its embellishments seduced them. Behold, by Him who split the grain (to grow) and created living beings, if people had not come to me and supporters had not exhausted the argument and if there had been no pledge of Allah with the learned to the effect that they should not acquiesce in the gluttony of the oppressor and the hunger of the oppressed I would have cast the rope of Caliphate on its own shoulders, and would have given the last one the same treatment as to the first one. Then you would have seen that in my view this world of yours is no better than the sneezing of a goat.”

Known as the Sermon of ash-Shiqshiqiyyah (roar of the camel), It is said that when Amir al-mu'minin reached here in his sermon a man of Iraq stood up and handed him over a writing. Amir al-mu'minin began looking at it, when Ibn `Abbas said, "O' Amir al-mu'minin, I wish you resumed your Sermon from where you broke it." Thereupon he replied, "O' Ibn `Abbas it was like the foam of a Camel which gushed out but subsided." Ibn `Abbas says that he never grieved over any utterance as he did over this one because Amir al-mu'minin could not finish it as he wished to.
Nahj al-Balagha

Rosalind Russell photo

“At MGM there was a first wave of top stars, and a second wave to replace them in case they got difficult. I was in the second line of defence, behind Myrna Loy.”

Rosalind Russell (1907–1976) actress from the United States

Halliwell's Who's Who in the Movies (2001 ed): Art. Rosalind Russell p. 383

Henry Moore photo
Tucker Max photo

“The biggest thing I learned was, especially the way I operate and how I am as a person, if I'm going to do a creative endeavor, I need to have full, complete control. Top to bottom. And with my book and website, I always had that. With the website, definitely, with the book, basically, with the movie…I didn't in a lot of ways. Nils and I, we had a lot of control, more control probably than almost any first time movie makers do within a normal studio system. We were in the middle between independent and not, because someone else paid for everything, and they kind of let us do what we wanted, but then once the movie was done creatively, it went in a direction that I did not want it to go, and there was nothing I could really do about it. It's hard enough to swim in that movie current by yourself, but when you've got weights tied to you and someone pulling you in a different direction, it's almost impossible. You need to pick a direction and go with it. If you're going to be a big studio movie, go be that, and if you're going to go be a rogue independent film, go be that. We had different people with different levels of authority on the movie that pulled us in different directions, and it just doesn't work. Either be in control or let someone else do it, but don't…too many chefs. I'm going to be better next time. Failure instructs, failure improves. Failure shouldn't deter you, unless you're just bad at it.”

Tucker Max (1975) Internet personality; blogger; author

http://www.youtube.com/watch?v=ZC6zdVKoNr8 (March 2010).

Neville Chamberlain photo
Vladimir Lenin photo
Manuel Castells photo
Thomas Gainsborough photo
Letitia Elizabeth Landon photo
Sherwood Anderson photo
James Macpherson photo

“All hail, Macpherson! hail to thee, Sire of Ossian! The Phantom was begotten by the suing embrace of all impudent Highlander upon a cloud of tradition—it travelled southward, where it was greeted with acclamation, and the thin Consistence took its course through Europe, upon the breath of popular applause. […] Having had the good fortune to be born and reared in a mountainous country, from my very childhood I have felt the falsehood that pervades the volumes imposed upon the world under the name of Ossian. From what I saw with my own eyes, I knew that the imagery was spurious. In Nature everything is distinct, yet nothing defined into absolute independent singleness. In Macpherson's work, it is exactly the reverse; every thing (that is not stolen) is in this manner defined, insulated, dislocated, deadened,—yet nothing distinct. It will always be so when words are substituted for things. […] Yet, much as those pretended treasures of antiquity have been admired, they have been wholly uninfluential upon the literature of the Country. No succeeding writer appears to have taught from them a ray of inspiration; no author, in the least distinguished, has ventured formally to imitate them—except the boy, Chatterton, on their first appearance. […] This incapacity to amalgamate with the literature of the Island, is, in my estimation, a decisive proof that the book is essentially unnatural; nor should I require any other to demonstrate it to be a forgery, audacious as worthless.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

William Wordsworth, "Essay Supplementary to the Preface" http://spenserians.cath.vt.edu/TextRecord.php?textsid=35963 in Poems by William Wordsworth, Vol. I (1815), pp. 363–365.
Criticism

Vachel Lindsay photo
J. M. Barrie photo
James K. Morrow photo
Margaret Cavendish photo
Francis Place photo
Arthur Scargill photo
Eric Foner photo

“Grant's famous motto, "Let us have peace", adorns the entrance to his tomb in New York City. Brands rightly emphasizes that this was a call not simply for national reconciliation but also for consolidation of what had been won in the war. Union and emancipation. By the time Grant died, the first was secure. It took a long time for the nation to try once again to fulfill the promise of the second.”

Eric Foner (1943) American historian

"The Man Who Saved the Union: Ulysses Grant in War and Peace" https://www.washingtonpost.com/opinions/the-man-who-saved-the-union-ulysses-grant-in-war-and-peace-by-h-w-brands/2012/11/02/154ae6e0-fe79-11e1-8adc-499661afe377_story.html (2 November 2012), The New York Times
2010s

Charles Lyell photo
William H. Rehnquist photo
Ernest Hemingway photo

“[W]hen he came out of the anaesthetic the first thing he said was, 'What a man Ernesto would be if he could only write.”

Ernest Hemingway (1899–1961) American author and journalist

Luis Miguel Dominguin had undergone surgery after being wounded in a bullfight. From the context it is clear that his remark about Hemingway was a joke.
Source: The Dangerous Summer (1985), Ch. 10

Peter L. Berger photo
John Paul Stevens photo
Roberto Clemente photo

“I've had two lives: the first one when I was born in Puerto Rico in 1935 [sic] and the second when I came to Pittsburgh to play baseball in 1955. I have been very lucky and I feel gifted to be able to play well.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Addressing fans at Three Rivers Stadium on Roberto Clemente Day, as quoted in "Pirates, Puerto Rico Pay Clemente Honors" http://www.newspapers.com/newspage/12807951/ by Vito Stellino (UPI), in The El Paso Herald-Post (July 25, 1970)
Other, <big><big>1970s</big></big>, <big>1970</big>

Torquato Tasso photo

“You, Honor, you first veiled
The fountains of delight,
Denying those waves to the thirsting lovers.”

Tu prima, Onor, velasti
La fonte dei diletti,
Negando l'onde a l'amorosa sete.
Act I, Choro, line 358.
Aminta (1573)

Nicolas Chamfort photo

“The only thing that stops God sending a second Flood is that the first one was useless.”

Nicolas Chamfort (1741–1794) French writer

Characters and Anecdotes book, 1771

Will Eisner photo
Christopher Hitchens photo

“You get first crack at the chicken balls if you get there early.”

Radio From Hell (January 10, 2007)

Jack Buck photo
Lytton Strachey photo

“The First Welfare Theorem holds only if all consumers and firms are price takers. If some individuals or firms are price makers (they have the power to affect prices), then the allocation of resources will generally be inefficient.”

Harvey S. Rosen (1949) American economist

Source: Public Finance - International Edition - Sixth Edition, Chapter 3, Tools of Normative Analysis, p. 44

Tony Benn photo

“First they ignore you, then they say you're mad, then dangerous, then there's a pause and then you can't find anyone who disagrees with you.”

Tony Benn (1925–2014) British Labour Party politician

The Columbia Dictionary of Quotations, Robert Andrews, Columbia University Press, 1993, ISBN 0231071949, 9780231071949. A similar quotation is almost invariably attributed to Gandhi, but more likely derives from a 1914 US trade union address:
"And, my friends, in this story you have a history of this entire movement. First they ignore you. Then they ridicule you. And then they attack you and want to burn you. And then they build monuments to you. And that, is what is going to happen to the Amalgamated Clothing Workers of America." General Executive Board Report and Proceedings [of The] Biennial Convention, Amalgamated Clothing Workers of America, 1914. Google Books http://books.google.co.uk/books?id=I-0UAAAAIAAJ&q=%22first+they+ignore+you%22+%22build+monuments%22&dq=%22first+they+ignore+you%22+%22build+monuments%22&lr=&as_brr=0&pgis=1
2000s