Quotes about face
page 36

Chris Jericho photo

“Is the little girl gonna get shot in the face?! (on "Freak on a Leash" by Korn)”

Chris Jericho (1970) American professional wrestler, musician, television host, podcast host and author

July 16, 2006 - Video on Trial

Estes Kefauver photo
András Petőcz photo

“Those we loved, they’re dead.
Faces behind hands, shy
shawls dropped, modestly awry.
Those we love, they’re married.”

András Petőcz (1959) Hungarian writer

A BANAL POEM, SUBJECT: LOVE http://www.c3.hu/~mediumar/PETVERS1.HTM (1984).
András Petőcz: In Praise of the Sea (1999, ISBN 963 9101 51 6).
Poems

Noel Gallagher photo
Margaret Sanger photo
Dwight D. Eisenhower photo
Christopher Hitchens photo
Rezā Shāh photo

“I know you can be strong, but I want you always to be strong for your brother. Stay close to him and tell him to stand firm in the face of dangers of any kind.”

Rezā Shāh (1878–1944) Shah of the Imperial State of Iran

Ashraf Pahlavi (1980), "Faces in a mirror: Memoirs from Exile", Prentice-Hall
Reza Shah to his daughter Ashraf, during his exile

James Branch Cabell photo

“Good and evil keep very exact accounts… and the face of every man is their ledger.”

James Branch Cabell (1879–1958) American author

Ch. 5 : Requirements of Bread and Butter http://xroads.virginia.edu/~HYPER/CABELL/ch05.htm
Jurgen (1919)

Jorge Luis Borges photo

“A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.”

Un hombre se propone la tarea de dibujar el mundo. A lo largo de los años puebla un espacio con imágenes de provincias, de reinos, de montañas, de bahías, de naves, de islas, de peces, de habitaciones, de instrumentos, de astros, de caballos y de personas. Poco antes de morir, descubre que ese paciente laberinto de líneas traza la imagen de su cara.
Epilogue
Variant translation: A man sets himself the task of portraying the world. Through the years he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and people. Shortly before his death, he discovers that that patient labyrinth of lines traces the image of his face.
Dreamtigers (1960)

Hugo Chávez photo

“Some games teach you to kill. They once put my face on a game, 'You've got to find Chavez to kill him.”

Hugo Chávez (1954–2013) 48th President of Venezuela

Chávez referring to the videogame Mercenaries 2: World in Flames where the player has to kill a Venezuelan general. Quoted in Chavez Sets His Sights On Banks And Barbie http://news.sky.com/home/world-news/article/15530090
2010

Sergei Biriuzov photo
Letitia Elizabeth Landon photo
Learned Hand photo

“[W]hat seems fair enough against a squalid huckster of bad liquor may take on a different face, if used by a government determined to suppress political opposition under the guise of sedition.”

Learned Hand (1872–1961) American legal scholar, Court of Appeals judge

U.S. v. Kirschenblatt, 16 F.2d 202, 203 (2d Cir. 1926).
Judicial opinions

Shahrukh Khan photo

“Don't be negative. It shows on your face.”

Shahrukh Khan (1965) Indian actor, producer and television personality

From interview with Malavika Sangghvi

Umberto Boccioni photo
Neil Diamond photo

“Then I saw her face
Now I'm a believer
Not a trace of doubt in my mind
I'm in love
I'm a believer
I couldn't leave her if I tried.”

Neil Diamond (1941) American singer-songwriter

I'm a Believer
Song lyrics, Just for You (1967)

“Click. The spare camera was now focussed and working. The lead mare—Barb Nose's—saw the drop. She cut her stride and wheeled and ran along the dangerous edge. Barb Nose ran in the vanguard, protecting the rear, driving the foals ahead of him. Blaze Face had long since cut and run, taking his beaten stallion flesh off to be nursed, to wait for another day, another elder to challenge. The other mares expertly and instinctively followed the leader as she rimmed the mesa, heading for the foothills of the El Gatos. One foal, too, made the cut, on stick-like legs, frightened but blindly following. The second foal had truly been blinded by panic. He strode to the drop-off and never stopped. He was a wild horse, and he had to run, and now he would run free forever. Plunging headlong over the drop, body whirling, his legs still flailing, as he fell through the desert air and past the serrated rock walls of the mesa, he knew nothing of time. He knew nothing of the eons that had gone before him, building this mesa of bluff and sandstone and archean rock. He fell through layers of time, to timelessness, a living thing for so little time. Once a living work of art, now a broken artifact. One foal. Dead. Murdered by man. Murdered by time. The drumbeat of the earth was lessened by one horse's tiny hooves. And all of us were lessened by this new silence. Click.”

Arnold Hano (1922) American writer

From Running Wild, pp. 14-15
Other Topics

Phil Brooks photo

“Punk: I'm not gonna have you sit here and belittle me. Say I've lost sight? I've lost sight of things, John? The reason I say I'm gonna take that and walk out is because I don't fit a certain mold. Because I am the underdog, and that's exactly what you've lost sight of. Earlier in this ring, you mentioned great wrestlers like Eddie Guerrero and you said they used to look at you and say that the kid couldn't hang. And now you stand here and look at me as the kid that can't hang. John, I was hanging off of your gangster car, WrestleMania 22, as it rolled down in Chicago, Illinois, and I stood there in a suit looking as ridiculous as [points to Vince McMahon] that man looks right now in his suit, holding a phony Tommy gun, and I said to myself someday, I'm not gonna be standing out there watching you in the ring; I was gonna be in the ring watching you go down to CM Punk. And now here we are in your hometown of Boston. And now next week, we'll be back there in my hometown—Chicago, Illinois. And this… this is the part where I talk 'em into the building. See, you are the one that's lost sight, and I apologize for raising my voice because I'm not that guy. But when you stand here and tell me that I've lost sight, when you, the 10-time Champion who stands for hustle, loyalty and respect; who, from Boston, Massachusetts, lives and breathes these red colors, the same colors as your beloved Red Sox, who also portray themselves as the underdog, I'm sure just like the Bruins portray themselves as the underdog. Just like the Patriots think they're the underdog! Hey, how about those Celtics? Are they the underdogs too? Here's what you've lost sight of, John, and I'm really happy that your father and your wife are sitting in the front row so they can hear it!
John Cena: That's the last time I'm gonna tell you, man, ease up.
Punk: What you've lost sight of is what you are, and what you are is what you hate. You're the 10-time WWE Champion! You're the man! You, like the Red Sox, like Boston, are no longer the underdog! You're a dynasty. You are what you hate. You have become the New York Yankees! [John immediately punches Punk, who scoots out of the ring, grabs the contract, and goes up the ramp. Points respectively to Vince and John] You're Steinbrenner, and you might as well be Jeter! Mr. 3000, I'm the underdog! [John's music plays for fourteen seconds] Turn it off! Turn the music off because I have something to say, and I'm positive that everybody here wants to hear it, and everybody sitting at home has their DVRs fired up because they wanna hear it! I'm glad you just punched me in the face, John. I'm glad it went down this way because it hit me like a bolt of lightning—exactly why I no longer wanna be here, why I wanna leave. It's because I'm tired of this. I'm tired of you. I'm just tired. So ladies and gentlemen of the WWE Universe, Vince, John, Sunday night, say goodbye to the WWE Title, say goodbye to John Cena, and say goodbye to CM Punk! [Rips up the contract] I'll go be the best in the world somewhere else.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

July 11, 2011
WWE Raw

Boyko Borissov photo

“What is the basis of our population at the moment — one million Roma, 700 000 Turks, 2,5 million retirees. This is what GERB is facing. And what about you — a million-and-a-half who ran away?… The human material that we are left with as voters and as a pool for recruiting staff — it is really not that big. It is easy to say: 'we rely on you.”

Boyko Borissov (1959) Bulgarian politician

Speaking to Bulgarian expatriates in Chicago, as quoted in "Mayor of Sofia insinuates that Roma, Turks and retirees are 'bad human material'" in The Telegraph (6 February 2009) http://www.telegraph.co.uk/news/worldnews/europe/bulgaria/4531391/Mayor-of-Sofia-brands-Roma-Turks-and-retirees-bad-human-material.html

Henry Wadsworth Longfellow photo
Rumi photo
Kazimir Malevich photo
Narendra Modi photo
Mohammed bin Rashid al-Maktoum photo

“We are proud of our past and our present and we face the future with unflagging determination.”

Mohammed bin Rashid al-Maktoum (1949) Emirati politician

Quotes on Life and its challenges, http://www.sheikhmohammed.co.ae/vgn-ext-templating/v/index.jsp?vgnextoid=ab878960a5a11310VgnVCM1000004d64a8c0RCRD&appInstanceName=default, sheikhmohammed.ae.

Primo Levi photo

“We who survived the Camps are not true witnesses. We are those who, through prevarication, skill or luck, never touched bottom. Those who have, and who have seen the face of the Gorgon, did not return, or returned wordless.”

Primo Levi (1918–1987) Italian chemist, memoirist, short story writer, novelist, essayist

As quoted in The Age of Extremes: The Short Twentieth Century, 1914-1991 (1994) by Eric J. Hobsbawm

Tom Petty photo
William Julius Mickle photo

“When nature's happiest touch could add no more,
Heaven lent an angel's beauty to her face.”

William Julius Mickle (1734–1788) British writer

Mary, Queen of Scots: an Elegy (1770)

Miho Mosulishvili photo
Mitt Romney photo
George W. Bush photo
Linus Torvalds photo
Thomas Merton photo
Pat Cadigan photo
Gordon B. Hinckley photo
Joni Madraiwiwi photo
Margaret Thatcher photo
Homér photo
Oliver Goldsmith photo

“Well had the boding tremblers learn'd to trace
The day's disasters in his morning face;
Full well they laugh'd with counterfeited glee
At all his jokes, for many a joke had he;
Full well the busy whisper circling round
Convey'd the dismal tidings when he frown'd.
Yet was he kind, or if severe in aught,
The love he bore to learning was in fault;
The village all declar'd how much he knew,
'T was certain he could write and cipher too.”

Variant: A man severe he was, and stern to view;
I knew him well, and every truant knew:
Well had the boding tremblers learned to trace
The day's disasters in his morning face;
Full well they laughed with counterfeited glee,
At all his jokes, for many a joke had he;
Full well the bust whisper, circling round,
Conveyed the dismal tidings when he frowned;
Yet he was kind; or if severe in aught,
The love he bore to learning was in fault;
The village all declared how much he knew;
'Twas certain he could write, and cipher too.
Source: The Deserted Village (1770), Line 199.

Phil Brooks photo
Claude McKay photo
Pauline Kael photo
Donald Barthelme photo
William S. Burroughs photo
Viktor Yushchenko photo
Statius photo

“Dries his wet face with her soft hair.”
Umida siccat mollibus ora comis.

Source: Thebaid, Book IX, Line 374

“Our most terrifying fears and our innermost secret desires for extermination are reflected in this elegant and profound book, without any sort of leniency to attenuate the disgust and hopelessness we feel when faced with a humanity constantly atrophied by a series of values and practices that lead to chaos.”

Albert Caraco (1919–1971) French-Uruguayan philosopher

Albert Caraco, Rodrigo Santos Rivera. Breviario del caos Editorial Sexto Piso, 2006. Editorial text
Original: En este pequeño libro escrito con elegancia y profundidad vemos reflejados nuestros más terribles temores y nuestros más inconfesados deseos de exterminio, sin ningún tipo de lenitivo que pudiera atenuar el asco y la desesperanza frente a una humanidad cada vez más atrofiada por una serie de valores y prácticas que irremediablemente se dirigen al caos.

Auguste Rodin photo

“The landscape painter, perhaps, goes even further. It is not only in living beings that he sees the reflection of the universal soul; it is in the trees, the bushes, the valleys, the hills. What to other men is only wood and earth appears to the great landscapist like the face of a great being. Corot saw kindness abroad in the trunks of the trees, in the grass of the fields, in the mirroring water of the lakes. But there Millet read suffering and resignation.
Everywhere the great artist hears spirit answer to his spirit. Where, then, can you find a more religious man?
Does not the sculptor perform his act of adoration when he perceives the majestic character of the forms that he studies? — when, from the midst of fleeting lines, he knows how to extricate the eternal type of each being? — when he seems to discern in the very breast of the divinity the immutable models on which all living creatures are moulded? Study, for example, the masterpieces of the Egyptian sculptors, either human or animal figures, and tell me if the accentuation of the essential lines does not produce the effect of a sacred hymn. Every artist who has the gift of generalizing forms, that is to say, of accenting their logic without depriving them of their living reality, provokes the same religious emotion; for he communicates to us the thrill he himself felt before the immortal verities.”

Auguste Rodin (1840–1917) French sculptor

Art, 1912, Ch. Mystery in Art

Harry Belafonte photo

“In the face of all the inhumanity, their humanity feeds the capacity to endure and continue to pursue honorable solutions to our pain.”

Harry Belafonte (1927) American singer

Harry Belafonte and ‘The Long Road to Freedom’ YES! Magazine (2002) https://www.yesmagazine.org/issues/what-does-it-mean-to-be-an-american-now/harry-belafonte-and-the-long-road-to-freedom-20180828

Stephen Vincent Benét photo

“Eventually every man gotta face the problem of tryin' to figger if it’s worthwhile to prove that he is himself.”

Walt Kelly (1913–1973) American cartoonist

Pogo comic strip (1948 - 1975), Porky Pine

Frederic G. Kenyon photo
Timothy McVeigh photo

“Being face to face with these people, you realize, they're just people like you.”

Timothy McVeigh (1968–2001) American army soldier, security guard, terrorist

Interview http://listenonrepeat.com/watch/?v=mHscpPZLwWg#Timothy_McVeigh_talks_about_the_Gulf_War.

Arthur Schopenhauer photo
Benito Mussolini photo

“Socialism has to remain a terrifying and a majestic thing. If we follow this line, we shall be able to face our enemies.”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

As quoted in Il Duce: The Life and Work of Benito Mussolini, L. Kemechey, New York: NY, Richard R. Smith (1930) p. 54. Written just before taking editorship of the Italian Socialist Party newspaper Avanti in 1912.
1910s

Jimmy Carter photo

“The government and the church are two different realms of service, and those in political office have to face a subtle but important difference between the implementation of the high ideals of religious faith and public duty.”

Jimmy Carter (1924) American politician, 39th president of the United States (in office from 1977 to 1981)

Pages 57-58
Post-Presidency, Our Endangered Values (2005)

Joe Haldeman photo

“I have always valued quiet, and the eternity of it that I face is no more dreadful than the eternity of quiet that preceded my birth.”

Joe Haldeman (1943) American science fiction writer

Source: For White Hill (1995), p. 257

Michael McIntyre photo
Zooey Deschanel photo

“You never tried facing the sting
Walking all in circles, take it all in stride
Faces are not what they seem,
I always dream
lost in the tide”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

"I'm Gonna Make It Better".
Volume Two (2010)

Loujain al-Hathloul photo
Agatha Christie photo
Phil Brooks photo

“I've come out here tonight to challenge you… challenge you, the WWE Universe, into seeing things my way and to learn how to just say "no." See, because the people who cheer for Jeff Hardy are just slaves to the vices associated with his (with quote fingers) "living in the moment." I feel bad for you, I really do. You walk around almost blind and you wear your prescriptions proudly on your sleeves like they were badges of honor. What was it the doctor told you? 'Just take one… every four hours,' right? Aside from myself, there's not a person in this arena who hasn't abused prescription medication or taken a recreational drug. And I know, trust me, it's hard being straight-edge, it's hard to live a straight-edge lifestyle. It's extremely difficult to be me, but what concerns me now is that none of you realize how much more difficult it is to live the life… that you all live. I'm positive nobody in here takes into account the long-term consequences of alcohol on your liver. (Smattering of cheers from audience) See, and you cheer that. That's nothing to cheer. You drink because it's fun, right? (Audience cheers a little louder) Eventually, it's not gonna be fun anymore when it spirals out of control and its no longer… it's no longer fun. Sooner or later, you're just drinking to feel normal. And then there's the smokers. You know, I don't know what's more disgusting–is watching a smoker pollute his/her lungs with over 4,000 foreign chemicals, or having to listen to the smoker convince themselves that they can quit whenever they want to. It's… it's hard to quit, I know, it takes a very strong person to quit, but an even stronger person never would've started smoking in the first place. (Audience boos and chants "Hardy") I didn't want to come out here and be the bearer of bad news, but let's face facts: chances are pretty slim that any of you here will ever get the monkey off your back. You'll never be able to pry the cigarette from your lips, or find the self-control to pour your drink from your glass, or the self-respect to take the pill out of your mouth. See, it starts, and it can't happen without learning how to say "no" to temptation, and that's why I'm out here. I'm out here to challenge you before it's too late. Please, learn how to say "no" to temptation, learn how to say "no" to your vices, learn how to control yourself.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

July 24, 2009
Friday Night SmackDown

Thomas Carlyle photo

“I purpose now, while the impression is more pure and clear within me, to mark down the main things I can recollect of my father. To myself, if I live to after-years, it may be instructive and interesting, as the past grows ever holier the farther we leave it. My mind is calm enough to do it deliberately, and to do it truly. The thought of that pale earnest face which even now lies stiffened into death in that bed at Scotsbrig, with the Infinite all of worlds looking down on it, will certainly impel me. It is good to know how a true spirit will vindicate itself with truth and freedom through what obstructions soever; how the acorn cast carelessly into the wilder-ness will make room for itself and grow to be an oak. This is one of the cases belonging to that class, "the lives of remarkable men," in which it has been said, "paper and ink should least of all be spared." I call a man remarkable who becomes a true workman in this vineyard of the Highest. Be his work that of palace-building and kingdom-founding, or only of delving and ditching, to me it is no matter, or next to none. All human work is transitory, small in itself, contemptible. Only the worker thereof, and the spirit that dwelt in him, is significant. I proceed without order, or almost any forethought, anxious only to save what I have left and mark it as it lies in me.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1880s, Reminiscences (1881)

Zooey Deschanel photo

“Saw your face,
My hand you took
Just like in a story book,
And you got me
Yeah, you‘ve got me”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

"Got Me".
She & Him : Volume One (2008)

Irina Bokova photo
Kunti photo
St. Vincent (musician) photo

“Your lips are red
My face is red from reading your red lips”

St. Vincent (musician) (1982) American singer-songwriter

"Your Lips Are Red"
Marry Me (2007)

Dennis Ross photo
Isaac Rosenberg photo
Tony Gonzalez photo
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo

“Half a century ago, the first feeling of all Englishmen was for England. Now, the sympathies of a powerful party are instinctively given to whatever is against England. It may be Boers or Baboos, or Russians or Affghans, or only French speculators – the treatment these all receive in their controversies with England is the same: whatever else my fail them, they can always count on the sympathies of the political a party from whom during the last half century the rulers of England have been mainly chosen…It is striking, though by no means a solitary indication of how low, in the present temper of English politics, our sympathy with our own countrymen has fallen. Of course, we shall be told that a conscience of exalted sensibility, which is the special attribute of the Liberal party, has enabled them to discover, what English statesmen had never discovered before, that the cause to which our countrymen are opposed is generally the just one…For ourselves, we are rather disposed to think that patriotism has become in some breasts so very reasonable an emotion, because it is ceasing to be an emotion at all; and that these superior scruples, to which our fathers were insensible, and which always make the balance of justice lean to the side of abandoning either our territory or our countrymen, indicate that the national impulses which used to make Englishmen cling together in face of every external trouble are beginning to disappear.”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

‘Disintegration’, Quarterly Review, no. 312; October 1883, reprinted in Paul Smith (ed.), Lord Salisbury on Politics. A selection from his articles in the Quaterly Review, 1860-1883 (Cambridge University Press, 1972), pp. 342-343
1880s

Max Weber photo
Vincent Massey photo

“In fact, in the far North one sees the northern lights facing south!”

Vincent Massey (1887–1967) Governor General of Canada

Address to the Annual Dinner of the Canadian Press, Toronto, April 18, 1956
Speaking Of Canada - (1959)

Roger Federer photo

“You gotta be careful about how you phrase that. You don't want to be rude to the other players, because you gotta face them; I don't have to face them. Yeah, I don't ask them stupid questions like that (laughing)…Um, I think there a lot of good players on the tour.”

Roger Federer (1981) Swiss tennis player

Press conference at the 2016 Australian Open after semi-final loss to Novak Djokovic, after reporter's suggestion that the victor's dominance may be greater than any other in history due to 'there being no great opponents in the future.' http://www.dailymail.co.uk/news/article-3420985/Cranky-Roger-Federer-loses-reporter-asks-quality-current-players-crushing-defeat-hands-Novak-Djokovic-Australian-Open-semi-final.html

Michael Chabon photo
Winston S. Churchill photo
George F. Kennan photo

“We must be very careful when we speak of exercising "leadership" in Asia. We are deceiving ourselves and others when we pretend to have answers to the problems, which agitate many of these Asiatic peoples. Furthermore, we have about 50% of the world's wealth but only 6.3 of its population. This disparity is particularly great as between ourselves and the peoples of Asia. In this situation, we cannot fail to be the object of envy and resentment. Our real task in the coming period is to devise a pattern of relationships, which will permit us to maintain this position of disparity without positive detriment to our national security. To do so we will have to dispense with all sentimentality and daydreaming; and our attention will have to be concentrated everywhere on our immediate national objectives. We need not deceive ourselves that we can afford today the luxury of altruism and world benefaction…
In the face of this situation we would be better off to dispense now with a number of the concepts which have underlined our thinking with regard to the Far East. We should dispense with the aspiration to 'be liked' or to be regarded as the repository of a high-minded international altruism. We should stop putting ourselves in the position of being our brothers' keeper and refrain from offering moral and ideological advice. We should cease to talk about vague — and for the Far East — unreal objectives such as human rights, the raising of the living standards, and democratization. The day is not far off when we are going to have to deal in straight power concepts. The less we are hampered by idealistic slogans, the better.”

George F. Kennan (1904–2005) American advisor, diplomat, political scientist and historian

VII. Far East
Memo PPS23 (1948)

Dashiell Hammett photo

“Spade pulled his hand out of hers. He no longer either smiled or grimaced. His wet yellow face was set hard and deeply lined. His eyes burned madly. He said: "Listen. This isn't a damned bit of good. You'll never understand me, but I'll try once more and then we'll give it up. Listen. When a man's partner is killed he's supposed to do something about it. It doesn't make any difference what you thought of him. He was your partner and you're supposed to do something about it. Then it happens we were in the detective business. Well, when one of your organization gets killed it's bad business to let the killer get away with it. It's bad all around – bad for that one organization, bad for every detective everywhere. Third, I'm a detective and expecting me to run criminals down and then let them go free is like asking a dog to catch a rabbit and let it go. It can be done, all right, and sometimes it is done, but it's not the natural thing. The only way I could have let you go was by letting Gutman and Cairo and the kid go. … Fourth, no matter what I wanted to do now it would be absolutely impossible for me to let you go without having myself dragged to the gallows with the others. Next, I've no reason in God's world to think I can trust you and if I did this and got away with it you'd have something on me that you could use whenever you happened to want to. That's five of them. The sixth would be that, since I've got something on you, I couldn't be sure you wouldn't decide to shoot a hole in *me* some day. Seventh, I don't even like the idea of thinking that there might be one chance in a hundred that you'd played me for a sucker. And eighth – but that's enough. All those on one side. Maybe some of them are unimportant. I won't argue about that. But look at the number of them. Now on the other side we've got what? All we've got is the fact that maybe you love me and maybe I love you." … "But suppose I do? What of it? Maybe next month I won't. I've been through it before – when it lasted that long. Then what? Then I'll think I played the sap. And if I did it and got sent over then I'd be sure I was the sap. Well, if I send you over I'll be sorry as hell – I'll have some rotten nights – but that'll pass. Listen." He took her by the shoulders and bent her back, leaning over her. "If that doesn't mean anything to you forget it and we'll make it this: I won't because all of me wants to – wants to say to hell with the consequences and do it -- and because – God damn you – you've counted on that with me the same as you counted on that with the others. … Don't be too sure I'm as crooked as I'm supposed to be. That kind of reputation might be good business – bringing in high-priced jobs and making it easier to deal with the enemy. … Well, a lot of money would have been at least one more item on the other side of the scales."”

… Spade set the edges of his teeth together and said through them: "I won't play the sap for you."
Chap. 20, "If They Hang You"
spoken by the character "Sam Spade" to "Brigid O'Shaughnessy."
The Maltese Falcon (1930)

Phil Brooks photo

“Punk: Don't stop on account of me. [Starts singing "Happy Birthday" to Rey's daughter, who is scared]. Rey, you look scared, but I assure you I'm not out here to hurt you, and I'm not out here to hurt your family. In fact, I'm happy that we're all here – my family and yours. And today's a big day, we all need to celebrate the occasion, and it doesn't get any bigger that WrestleMania, Rey, so that's exactly why I wanna challenge you to a match at WrestleMania. I also wanna challenge you to a match tonight. And I don't mean later in the show, Rey. I mean now. I mean, as in, right now!
Rey: Come on Punk. This ain't the time
Punk: Don't be sad. Aaliyah, since it's your birthday, sweet, innocent little Aaliyah, I'll tell you what. As my birthday present to you, I'll let you shut your eyes while I reduce your daddy to tears and make him beg for my mercy. And Dominik. You're such… you're all grown up now, aren't you? We watched you grow up before our very eyes, but I don't think you ever heard your father squeal like a pig from somebody repeatedly stomping his surgically repaired knees, so it's okay if you plug your ears. And beautiful, voluptuous Angie. Now I'm sure you and your loving husband Rey have shared the best of times. But look at me. I promise you, after I do what I'm going to do to your husband, it will be the worst of times. So feel free to cup your hand over your mouth to muffle the screams. What's the matter, Rey? Don't you wanna fight me in front of your family? No? Are you afraid that your family's gonna watch you get hurt? You're a coward! I know it; deep down inside, Dominik knows it; your wife has always known; and now on her 9th birthday, your sweet innocent little Aaliyah knows it. All these people here know it, Rey, you're a coward! What's it gonna take? Huh, Rey? Where's Giant-Killer Rey Mysterio at? [Crowd chants "619"] Where's your 619, huh, Rey? Where's the ultimate underdog, Rey? Rey, where's your machismo? Where's your machismo, Rey?! I'll tell you where, Rey. Your machismo, your courage – you never had it. What's it gonna take, Rey? Huh? Rey, I'll even drop down to your level, Rey. [Gets down on his knees] Come on, Rey! So, you're turning me down? You won't fight me? What's it gonna take, Rey? [Gets up] What's it gonna take, Rey?! Not now?! Not now?! [Slaps Rey across the face] [Rey then walks away very frustrated with his family. ] Come on, Rey! Come on, now! There he is, ladies and gentlemen! There's your superhero!
Striker: He's got no alternative but to protect his family.
Punk: Watch him take his walk of shame! But one more thing, sweet little princess Aaliyah… [Sings "Happy Birthday" to her in a disturbing type way. ]”

Phil Brooks (1978) American professional wrestler and mixed martial artist

March 12, 2010
Friday Night SmackDown

Miguel de Unamuno photo

“The greatest height of heroism to which an individual, like a people, can attain is to know how to face ridicule; better still, to know how to make oneself ridiculous and not to shrink from the ridicule.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

Maumoon Abdul Gayoom photo

“Yes, because that conceals their character. You don't know who you are talking to. Who you are dealing with. So, the face should be seen. That is even in Islam, even during the time of the holy Prophet Mohammed, women used to have bare faces. I mean women did not cover their faces.”

Maumoon Abdul Gayoom (1937) Maldivian politician, 3rd president of the Maldives

When asked by al jazeera journalist, Juliana Ruhfus (in an interview on 8 August 2007) that there is a law (in Maldives) that women are not allowed to wear a dress that only shows the eyes.
2007

Charles, Prince of Wales photo

“Instead of designing an extension to the elegant facade of the National Gallery which complements it and continues the concept of columns and domes, it looks as if we may be presented with a kind of municipal fire station, complete with the sort of tower that contains the siren. I would understand better this type of high-tech approach if you demolished the whole of Trafalgar Square and started again with a single architect responsible for the entire layout, but what is proposed is like a monstrous carbuncle on the face of a much-loved and elegant friend.”

Charles, Prince of Wales (1948) son of Queen Elizabeth II of the United Kingdom

Prince of Wales' website http://www.princeofwales.gov.uk/speechesandarticles/a_speech_by_hrh_the_prince_of_wales_at_the_150th_anniversary_1876801621.html
Speech at the 150th anniversary of the Royal Institute of British Architects, Royal Gala Evening at Hampton Court Palace, 30 May, 1984.
The Prince had undoubtedly read "The Spencers on Spas" written the previous year by his step-mother-in-law, Raine, Countess Spencer, which included on page 14 the observation that "Monstrous carbuncles of concrete have erupted in gentle Georgian Squares".
1990s

John Hennigan photo
Thomas Jefferson photo

“They might need a preparatory discourse on the text of 'prove all things, hold fast that which is good,' in order to unlearn the lesson that reason is an unlawful guide in religion. They might startle on being first awaked from the dreams of the night, but they would rub their eyes at once, and look the spectres boldly in the face.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to Benjamin Waterhouse (19 July 1822), published in The Works of Thomas Jefferson in Twelve Volumes http://oll.libertyfund.org/ToC/0054.php, Federal Edition, Paul Leicester Ford, ed., New York: G. P. Putnam's Sons, 1904, Vol. 12 http://oll.libertyfund.org/Texts/Jefferson0136/Works/0054-12_Bk.pdf, p. 244
1820s

“It is the duty of the humor of any given nation in time of high crisis to attack the catastrophe that faces it in such a manner as to cause the people to laugh at it in such a way that they cannot die before they are killed.”

Lord Buckley (1906–1960) American actor and comedian

Lord Buckley, "H-Bomb" (comic monologue), 1960. Reported in Stephen Holden, It's Comedy! From Skit To Song To Satire http://query.nytimes.com/gst/fullpage.html?res=950DE7DB173EF934A15753C1A96F948260 (October 27, 1989) The New York Times.

Richard Holbrooke photo

“Dayton shook the leadership elite of post-Cold War Europe. The Europeans were grateful to the United States for the leading the effort that finally ended the war in Bosnia, but some European officials were embarassed that American involvement had been necessary. Jacque Poos's 1991 assertion that Europe's "hour had dawned" lay in history's dustbin, alongside James Baker's view that we had no dog in that fight. "One cannot call it an American peace", French Foreign Minister de Charette told the press, "even if President Clinton and the Americans have tried to pull the blanket over to their side. The fact is that the Americans looked at this affair in ex-Yugoslavia from a great distance for nearly four years and basically blocked the progression of things." But de Charette also acknowledged that "Europe as such was not present, and this, it is true, was a failure of the European Union." Prime Minister Alain Juppé, after praising the Dayton agreement, could not resist adding, "Of course, it resembles like a twin the European plan we presented eighteen months ago" - when he was Foreign Minister. Agence France-Presse reported that many European diplomats were "left smarting" at Dayton. In an article clearly inspired by someone at the French Foreign Ministry, Le Figaro said that "Richard Holbrooke, the American mediator, did not leave his European collegues with good memories from the air base at Dayton." They quoted an unnamed Franch diplomat as saying, "He flatters, he lies, he humiliates: he is a sort of brutal and schizophrenic Mazarin." President Chirac's national security assistant, Jean-David Levitte, called to apologize for this comment, saying it did not represent the views of his boss. I replied that such minidramas were inevitable given the pressures and frustrations we faced at Dayton and were inconsequential considering that the war was over.”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), p. 318

Richard Savage photo

“He lives to build, not boast, a generous race;
No tenth transmitter of a foolish face.”

Richard Savage (1697–1743) English poet

The Bastard (1728), line 7, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Henri Lefebvre photo

“[U]p until now 'progress' has affected existing social realities only secondarily, modifying them as little as possible, according to the strict dictates of capitalist profitability. The important thing is that human beings are profitable, not that their lives be changed. As far as is possible, capitalism respects the pre-existing shape and contours of people's lives. Only grudgingly, so to speak, does it bring about any change. Criticism of capitalism as a contradictory 'mode of production' which is dying as a result of its contradictions is strengthened by criticism of capitalism as the distributor of the wealth and 'progress' it has produced.
And so, constantly staring us in the face, mundane and therefore generally unnoticed - whereas in the future it will be seen as a characteristic and scandalous trait of our era, the era of the decadent bourgeoisie - is this fact: that life is lagging behind what is possible, that it is retarded. What incredible backwardness. This has up until now been constantly increasing; it parallels the growing disparity between the knowledge of the contemporary physicist and that of the 'average' man, or between that of the Marxist sociologist and that of the bourgeois politician.
Once pointed out, the contrast becomes staggeringly obvious, blinding; it is to be found everywhere, whichever way we turn, and never ceases to amaze.”

Henri Lefebvre (1901–1991) French philosopher

From Critique of Everyday Life: Volume 1 (1947/1991)

Paul Cézanne photo
Paul Theroux photo

“I can never forget how June's present husband, Harry Evans, suddenly came clomping down the hall of her apartment in his Army boots, fresh from the German front, around September 1945, and he was appalled to see us, six fullgrown people, all high on Benny sprawled and sitting and cat-legged on that vast double-doublebed of 'skepticism' and 'decadence', discussing the nothingness of values, pale-faced, weak bodies, Gad the poor guy said: 'This is what I fought for?”

Joan Vollmer (1923–1951) Common-law wife of William S. Burroughs

His wife told him to come down from his 'character heights' or some such.
In Jack Kerouac's last work (The Vanity of Duluoz), he describes the scene in the 119th street apartment as "a year of low, evil decadence", beginning near the close of 1944:
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