Quotes about eye

page 55

1961, The City upon a Hill speech
Context: During the last sixty days, I have been at the task of constructing an administration. It has been a long and deliberate process. Some have counseled greater speed. Others have counseled more expedient tests. But I have been guided by the standard John Winthrop set before his shipmates on the flagship Arbella three hundred and thirty-one years ago, as they, too, faced the task of building a new government on a perilous frontier. "We must always consider," he said, "that we shall be as a city upon a hill — the eyes of all people are upon us." Today the eyes of all people are truly upon us — and our governments, in every branch, at every level, national, state and local, must be as a city upon a hill — constructed and inhabited by men aware of their great trust and their great responsibilities. For we are setting out upon a voyage in 1961 no less hazardous than that undertaken by the Arbella in 1630. We are committing ourselves to tasks of statecraft no less awesome than that of governing the Massachusetts Bay Colony, beset as it was then by terror without and disorder within. History will not judge our endeavors — and a government cannot be selected — merely on the basis of color or creed or even party affiliation. Neither will competence and loyalty and stature, while essential to the utmost, suffice in times such as these.

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXII : Grand Master Architect, p. 193
Context: Life is what we make it, and the world is what we make it. The eyes of the cheerful and of the melancholy man are fixed upon the same creation; but very different are the aspects which it bears to them. To the one, it is all beauty and gladness; the waves of ocean roll in light, and the mountains are covered with day. Life, to him, flashes, rejoicing, upon every flower and every tree that trembles in the breeze. There is more to him, everywhere, than the eye sees; a presence of profound joy, on hill and valley, and bright, dancing water. The other idly or mournfully gazes at the same scene, and everything wears a dull, dim, and sickly aspect. The murmuring of the brooks is a discord to him, the great roar of the sea has an angry and threatening emphasis, the solemn music of the pines sings the requiem of his departed happiness, the cheerful light shines garishly upon his eyes and offends him. The great train of the seasons passes before him like a funeral procession; and he sighs, and turns impatiently away. The eye makes that which it looks upon; the ear makes its own melodies and discords: the world without reflects the world within.

" The Beggar Maid http://home.att.net/%7ETennysonPoetry/tbm.htm", st. 2 (1842)

A Vision of the Last Judgment
Context: I assert, for myself, that I do not behold the outward creation, and that to me it is hindrance and not action. "What!" it will be questioned, "when the sun rises, do you not see a round disc of fire somewhat like a guinea!" Oh! no, no! I see an innumerable company of the heavenly host crying "Holy, holy, holy is the Lord God Almighty!" I question not my corporeal eye any more than I would question a window concerning a sight. I look through it, and not with it.

Faliero, Act III, Sc. 1.
Marino Faliero (1885)
Context: So be it the wind and sun
That reared thy limbs and lit thy veins with life
Have blown and shone upon thee not for nought—
If these have fed and fired thy spirit as mine
With love, with faith that casts out fear, with joy,
With trust in truth and pride in trust — if thou
Be theirs indeed as theirs am I, with me
Shalt thou take part and with my sea-folk — aye,
Make thine eyes wide and give God wondering thanks
That grace like ours is given thee — thou shalt bear
Part of our praise for ever.

Japan, the Beautiful and Myself (1969)
Context: The Zen disciple sits for long hours silent and motionless, with his eyes closed. Presently he enters a state of impassivity, free from all ideas and all thoughts. He departs from the self and enters the realm of nothingness. This is not the nothingness or the emptiness of the West. It is rather the reverse, a universe of the spirit in which everything communicates freely with everything, transcending bounds, limitless. There are of course masters of Zen, and the disciple is brought toward enlightenment by exchanging questions and answers with his master, and he studies the scriptures. The disciple must, however, always be lord of his own thoughts, and must attain enlightenment through his own efforts. And the emphasis is less upon reason and argument than upon intuition, immediate feeling. Enlightenment comes not from teaching but through the eye awakened inwardly. Truth is in "the discarding of words", it lies "outside words". And so we have the extreme of "silence like thunder", in the Vimalakirti Nirdesa Sutra.

Biomedical Ethics and Jewish Law http://www.myjewishlearning.com/ideas_belief/bioethics/Bioethics_Euthanasia_TO/Bioethics_EuthanMedi_Rosner.htm, published by KTAV http://www.ktav.com/
Context: One who is in a dying condition is regarded as a living person in all respects. It is not permitted to bind his jaws, to stop up the organs of the lower extremities, or to place metallic or cooling vessels upon his navel in order to prevent swelling. He is not to be rubbed or washed, nor is sand or salt to be put upon him until he expires. He who touches him is guilty of shedding blood. To what may he be compared? To a flickering flame, which is extinguished as soon as one touches it. Whoever closes the eyes of the dying while the soul is about to depart is shedding blood. One should wait a while; perhaps he is only in a swoon.

Main Street and Other Poems (1917), Apology
Context: Lord Byron and Shelley and Plunkett,
McDonough and Hunt and Pearse
See now why their hatred of tyrants
Was so insistently fierce.
Is Freedom only a Will-o'-the-wisp
To cheat a poet's eye?
Be it phantom or fact, it's a noble cause
In which to sing and to die!

The Kasîdah of Hâjî Abdû El-Yezdî (1870), Note I : Hâjî Abdû, The Man
Context: He looks with impartial eye upon the endless variety of systems, maintained with equal confidence and self-sufficiency, by men of equal ability and honesty. He is weary of wandering over the world, and of finding every petty race wedded to its own opinions; claiming the monopoly of Truth; holding all others to be in error, and raising disputes whose violence, acerbity and virulence are in inverse ratio to the importance of the disputed matter. A peculiarly active and acute observation taught him that many of these jarring families, especially those of the same blood, are par in the intellectual processes of perception and reflection; that in the business of the visible working world they are confessedly by no means superior to one another; whereas in abstruse matters of mere Faith, not admitting direct and sensual evidence, one in a hundred will claim to be right, and immodestly charge the other ninety-nine with being wrong.
Thus he seeks to discover a system which will prove them all right, and all wrong; which will reconcile their differences; will unite past creeds; will account for the present, and will anticipate the future with a continuous and uninterrupted development; this, too, by a process, not negative and distinctive, but, on the contrary, intensely positive and constructive. I am not called upon to sit in the seat of judgment; but I may say that it would be singular if the attempt succeeded. Such a system would be all-comprehensive, because not limited by space, time, or race; its principle would be extensive as Matter itself, and, consequently, eternal. Meanwhile he satisfies himself, — the main point.

Source: The Persians (472 BC), lines 168–169 (tr. Christopher Collard)

Address to the United Nations (1964)
Context: We speak out to put the world on guard against what is happening in South Africa. The brutal policy of apartheid is applied before the eyes of the nations of the world. The peoples of Africa are compelled to endure the fact that on the African continent the superiority of one race over another remains official policy, and that in the name of this racial superiority murder is committed with impunity. Can the United Nations do nothing to stop this?

" Oenone http://www.sc.edu/library/spcoll/britlit/tenn/oenone.html", st. 3 (1832)

Letter to F.W Weber (1950); as quoted in Maxfield Parrish by Coy Ludwig (1997)
Context: It is generally admitted that the most beautiful qualities of a color are in its transparent state, applied over a white ground with the light shining through the color. A modern Kodachrome is a delight when held up to the light with color luminous like stained glass. So many ask what is meant by transparent color, as though it were some special make. Most all color an artist uses is transparent: only a few are opaque, such as vermillion, cerulean blue, emerald green, the ochres and most yellows, etc. Colors are applied just as they come from the tube, the original purity and quality is never lost: a purple is pure rose madder glowing through a glaze of pure blue over glaze, or vice versa, the quality of each is never vitiated by mixing them together. Mix a rose madder with white, let us say, and you get a pink, quite different from the original madder, and the result is a surface color instead of a transparent one, a color you look on instead of into. One does not paint long out of doors before it becomes apparent that a green tree has a lot of red in it. You may not see the red because your eye is blinded by the strong green, but it is there never the less. So if you mix a red with the green you get a sort of mud, each color killing the other. But by the other method. when the green is dry and a rose madder glazed over it you are apt to get what is wanted, and have a richness and glow of one color shining through the other, not to be had by mixing. Imagine a Rembrandt if his magic browns were mixed together instead of glazed. The result would be a kind of chocolate. Then too, by this method of keeping colors by themselves some can be used which are taboo in mixtures.

The Wild Ass’s Skin (1831), Part II: A Woman Without a Heart
Context: A penniless man who has no ties to bind him is master of himself at any rate, but a luckless wretch who is in love no longer belongs to himself, and may not take his own life. Love makes us almost sacred in our own eyes; it is the life of another that we revere within us; then and so begins for us the cruelest trouble of all.

"The Greater Cats"
Kings Daughter (1929)
Context: The greater cats with golden eyes
Stare out between the bars.
Deserts are there, and the different skies,
And night with different stars.
They prowl the aromatic hill,
And mate as fiercely as they kill,
To roam, to live, to drink their fill;
But this beyond their wit know I:
Man loves a little, and for long shall die.

2000s, 2009, Farewell speech to the nation (January 2009)
Context: President Thomas Jefferson once wrote, "I like the dreams of the future better than the history of the past." As I leave the house he occupied two centuries ago, I share that optimism. America is a young country, full of vitality, constantly growing and renewing itself. And even in the toughest times, we lift our eyes to the broad horizon ahead.

The Lords and the New Creatures: Poems (1969), The Lords: Notes on Vision
Context: The Lords. Events take place beyond our knowledge or control. Our lives are lived for us. We can only try to enslave others. But gradually, special perceptions are being developed. The idea of the "Lords" is beginning to form in some minds. We should enlist them into bands of perceivers to tour the labyrinth during their mysterious nocturnal appearances. The Lords have secret entrances and they know disguises. But they give themselves away in minor ways. Too much glint of light in the eye. A wrong gesture. Too long and curious a glance.

The Lifted Veil (1859); Eliot here quotes the Latin epitaph of Jonathan Swift, translated as "Where savage indignation can lacerate his heart no more" · The Lifted Veil online at Wikisource
Context: I wish to use my last hours of ease and strength in telling the strange story of my experience. I have never fully unbosomed myself to any human being; I have never been encouraged to trust much in the sympathy of my fellow-men. But we have all a chance of meeting with some pity, some tenderness, some charity, when we are dead: it is the living only who cannot be forgiven — the living only from whom men's indulgence and reverence are held off, like the rain by the hard east wind. While the heart beats, bruise it — it is your only opportunity; while the eye can still turn towards you with moist, timid entreaty, freeze it with an icy unanswering gaze; while the ear, that delicate messenger to the inmost sanctuary of the soul, can still take in the tones of kindness, put it off with hard civility, or sneering compliment, or envious affectation of indifference; while the creative brain can still throb with the sense of injustice, with the yearning for brotherly recognition — make haste — oppress it with your ill-considered judgements, your trivial comparisons, your careless misrepresentations. The heart will by and by be still — "ubi saeva indignatio ulterius cor lacerare nequit" the eye will cease to entreat; the ear will be deaf; the brain will have ceased from all wants as well as from all work. Then your charitable speeches may find vent; then you may remember and pity the toil and the struggle and the failure; then you may give due honour to the work achieved; then you may find extenuation for errors, and may consent to bury them.

Ch 29
A Canticle for Leibowitz (1959), Fiat Voluntas Tua
Context: The image of those cool green eyes lingered with him as long as life. He did not ask why God would choose to raise up a creature of primal innocence from the shoulder of Mrs. Grales, or why God gave to it the preternatural gifts of Eden — these gifts which Man had been trying to seize by brute force again from Heaven since first he lost them. He had seen primal innocence in those eyes, and a promise of resurrection. One glimpse had been a bounty, and he wept in gratitude. Afterwards he lay with his face in the wet dirt and waited.
Nothing else ever came — nothing that he saw, or felt, or heard.

"Introduction"
The Defendant (1901)
Context: There runs a strange law through the length of human history — that men are continually tending to undervalue their environment, to undervalue their happiness, to undervalue themselves. The great sin of mankind, the sin typified by the fall of Adam, is the tendency, not towards pride, but towards this weird and horrible humility.
This is the great fall, the fall by which the fish forgets the sea, the ox forgets the meadow, the clerk forgets the city, every man forgets his environment and, in the fullest and most literal sense, forgets himself. This is the real fall of Adam, and it is a spiritual fall. It is a strange thing that many truly spiritual men, such as General Gordon, have actually spent some hours in speculating upon the precise location of the Garden of Eden. Most probably we are in Eden still. It is only our eyes that have changed.

"Continent's End" in Tamar and Other Poems (1924)
Context: The long migrations meet across you and it is nothing to you, you have forgotten us, mother.
You were much younger when we crawled out of the womb and lay in the sun’s eye on the tideline. It was long and long ago; we have grown proud since then and you have grown bitter; life retains
Your mobile soft unquiet strength; and envies hardness, the insolent quietness of stone.

The Departure, st. 3
The Day-Dream (1842)

The Conspiracy of Kings (1792)
Context: Once draw the sword; its burning point shall bring
To thy quick nerves a never-ending sting;
The blood they shed thy weight of wo shall swell,
And their grim ghosts for ever with thee dwell. Learn hence, ye tyrants, ere ye learn too late,
Of all your craft th' inevitable fate.
The hour is come, the world's unclosing eyes
Discern with rapture where its wisdom lies;
From western heav'ns th' inverted Orient springs,
The morn of man, the dreadful night of kings.
Dim, like the day-struck owl, ye grope in light,
No arm for combat, no resource in sight;
If on your guards your lingering hopes repose,
Your guards are men, and men you've made your foes;
If to your rocky ramparts ye repair,
De Launay's fate can tell your fortune there.
No turn, no shift, no courtly arts avail,
Each mask is broken, all illusions fail;
Driv'n to your last retreat of shame and fear,
One counsel waits you, one relief is near :
By worth internal, rise to self-wrought fame,
Your equal rank, your human kindred claim;
'Tis Reason's choice, 'tis Wisdom's final plan,
To drop the monarch and assume the man.

A Man From Lebanon: Nineteen Centuries Afterward
Jesus, The Son of Man (1928)
Context: Master, Master Poet,
Master of words sung and spoken,
They have builded temples to house your name,
And upon every height they have raised your cross,
A sign and a symbol to guide their wayward feet,
But not unto your joy.
Your joy is a hill beyond their vision,
And it does not comfort them.
They would honour the man unknown to them.
And what consolation is there in a man like themselves, a man whose
kindliness is like their own kindliness,
A god whose love is like their own love,
And whose mercy is in their own mercy?
They honour not the man, the living man,
The first man who opened His eyes and gazed at the sun
With eyelids unquivering.
Nay, they do not know Him, and they would not be like Him.

"Free Hope" p. 128.
Summer on the Lakes, in 1843 (1844)
Context: I never lived, that I remember, what you call a common natural day. All my days are touched by the supernatural, for I feel the pressure of hidden causes, and the presence, sometimes the communion, of unseen powers. It needs not that I should ask the clairvoyant whether "a spirit-world projects into ours." As to the specific evidence, I would not tarnish my mind by hasty reception. The mind is not, I know, a highway, but a temple, and its doors should not be carelessly left open. Yet it were sin, if indolence or coldness excluded what had a claim to enter; and I doubt whether, in the eyes of pure intelligence, an ill-grounded hasty rejection be not a greater sign of weakness than an ill-grounded and hasty faith.

Nets to Catch the Wind (1921), A Crowded Trolley Car
Context: Orchard of the strangest fruits
Hanging from the skies;
Brothers, yet insensate brutes
Who fear each others’ eyes.

Haiku: This Other World (1998)

Address to the Society for Psychical Research (1897)
Context: Popular imagination presupposes spiritual beings to be utterly independent of gravitation, while retaining shapes and proportions which gravitation originally determined, and only gravitation seems likely to maintain.
When and if spiritual beings make themselves visible either to our bodily eyes or to our inward vision, their object would be thwarted were they not to appear in a recognizable form; so that their appearance would take the shape of the body and clothing to which we have been accustomed. Materiality, form, and space, I am constrained to believe, are temporary conditions of our present existence. It is difficult to conceive the idea of a spiritual being having a body like ours, conditioned by the exact gravitating force exerted by the earth, and with organs which presuppose the need for food and necessity for the removal of waste products. It is equally difficult, hemmed in and bound round as we are by materialistic ideas, to think of intelligence, thought, and will existing without form or matter and untrammeled by gravitation or space.

Ch 29
A Canticle for Leibowitz (1959), Fiat Voluntas Tua
Context: He received the Wafer from her hand. She replaced the lid of the ciborium and set the vessel in a more protected spot under a jutting rock. She used no conventional gestures, but the reverence with which she had handled it convinced him of one thing: she sensed the Presence under the veils. She who could not yet use words nor understand them, had done what she had as if by direct instruction, in response to his attempt at conditional baptism. He tried to refocus his eyes to get another look at the face of this being, who by gestures alone had said to him: I do not need your first Sacrament, Man, but I am worthy to convey to you this Sacrament of Life. Now he knew what she was, and he sobbed faintly when he could not again force his eyes to focus on those cool, green, and untroubled eyes of one born free.

A Pluralistic Universe (1909) http://www.gutenberg.org/files/11984/11984-8.txt, Lecture I
1900s
Context: Reduced to their most pregnant difference, empiricism means the habit of explaining wholes by parts, and rationalism means the habit of explaining parts by wholes. Rationalism thus preserves affinities with monism, since wholeness goes with union, while empiricism inclines to pluralistic views. No philosophy can ever be anything but a summary sketch, a picture of the world in abridgment, a foreshortened bird's-eye view of the perspective of events. And the first thing to notice is this, that the only material we have at our disposal for making a picture of the whole world is supplied by the various portions of that world of which we have already had experience. We can invent no new forms of conception, applicable to the whole exclusively, and not suggested originally by the parts. All philosophers, accordingly, have conceived of the whole world after the analogy of some particular feature of it which has particularly captivated their attention. Thus, the theists take their cue from manufacture, the pantheists from growth. For one man, the world is like a thought or a grammatical sentence in which a thought is expressed. For such a philosopher, the whole must logically be prior to the parts; for letters would never have been invented without syllables to spell, or syllables without words to utter.
Another man, struck by the disconnectedness and mutual accidentality of so many of the world's details, takes the universe as a whole to have been such a disconnectedness originally, and supposes order to have been superinduced upon it in the second instance, possibly by attrition and the gradual wearing away by internal friction of portions that originally interfered.
Another will conceive the order as only a statistical appearance, and the universe will be for him like a vast grab-bag with black and white balls in it, of which we guess the quantities only probably, by the frequency with which we experience their egress.
For another, again, there is no really inherent order, but it is we who project order into the world by selecting objects and tracing relations so as to gratify our intellectual interests. We carve out order by leaving the disorderly parts out; and the world is conceived thus after the analogy of a forest or a block of marble from which parks or statues may be produced by eliminating irrelevant trees or chips of stone.
Some thinkers follow suggestions from human life, and treat the universe as if it were essentially a place in which ideals are realized. Others are more struck by its lower features, and for them, brute necessities express its character better.
All follow one analogy or another; and all the analogies are with some one or other of the universe's subdivisions. Every one is nevertheless prone to claim that his conclusions are the only logical ones, that they are necessities of universal reason, they being all the while, at bottom, accidents more or less of personal vision which had far better be avowed as such; for one man's vision may be much more valuable than another's, and our visions are usually not only our most interesting but our most respectable contributions to the world in which we play our part. What was reason given to men for, said some eighteenth century writer, except to enable them to find reasons for what they want to think and do?—and I think the history of philosophy largely bears him out, "The aim of knowledge," says Hegel, "is to divest the objective world of its strangeness, and to make us more at home in it." Different men find their minds more at home in very different fragments of the world.

Major rerum mihi nascitur ordo;
Majus opus moveo.
Source: Aeneid (29–19 BC), Book VII, Lines 44–45 (tr. Robert Fitzgerald)

"Experience"
The Still Centre (1939)
Context: What the eye delights in, no longer dictates
My greed to enjoy: boys, grass, the fenced-off
deer.
It leaves those figures that distantly play
On the horizon's rim: they sign their peace, in games.

Source: The Devil and Daniel Webster (1937)
Context: Then he turned to Jabez Stone and showed him as he was — an ordinary man who'd had hard luck and wanted to change it. And, because he'd wanted to change it, now he was going to be punished for all eternity. And yet there was good in Jabez Stone, and he showed that good. He was hard and mean, in some ways, but he was a man. There was sadness in being a man, but it was a proud thing too. And he showed what the pride of it was till you couldn't help feeling it. Yes, even in hell, if a man was a man, you'd know it. And he wasn't pleading for any one person any more, though his voice rang like an organ. He was telling the story and the failures and the endless journey of mankind. They got tricked and trapped and bamboozled, but it was a great journey. And no demon that was ever foaled could know the inwardness of it — it took a man to do that.
The fire began to die on the hearth and the wind before morning to blow. The light was getting gray in the room when Dan'l Webster finished. And his words came back at the end to New Hampshire ground, and the one spot of land that each man loves and clings to. He painted a picture of that, and to each one of that jury he spoke of things long forgotten. For his voice could search the heart, and that was his gift and his strength. And to one, his voice was like the forest and its secrecy, and to another like the sea and the storms of the sea; and one heard the cry of his lost nation in it, and another saw a little harmless scene he hadn't remembered for years. But each saw something. And when Dan'l Webster finished he didn't know whether or not he'd saved Jabez Stone. But he knew he'd done a miracle. For the glitter was gone from the eyes of the judge and jury, and, for the moment, they were men again, and knew they were men.

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There
Context: Once more I felt myself rising through space. It was even as the Sphere had said. The further we receded from the object we beheld, the larger became the field of vision. My native city, with the interior of every house and every creature therein, lay open to my view in miniature. We mounted higher, and lo, the secrets of the earth, the depths of mines and inmost caverns of the hills, were bared before me.Awestruck at the sight of the mysteries of the earth, thus unveiled before my unworthy eye, I said to my Companion, "Behold, I am become as a God. For the wise men in our country say that to see all things, or as they express it, OMNIVIDENCE, is the attribute of God alone." There was something of scorn in the voice of my Teacher as he made answer: "Is it so indeed? Then the very pick-pockets and cut-throats of my country are to be worshiped by your wise men as being Gods: for there is not one of them that does not see as much as you see now. But trust me, your wise men are wrong."

1963, Ich bin ein Berliner
Context: What is true of this city is true of Germany — real, lasting peace in Europe can never be assured as long as one German out of four is denied the elementary right of free men, and that is to make a free choice. In 18 years of peace and good faith, this generation of Germans has earned the right to be free, including the right to unite their families and their nation in lasting peace, with good will to all people. You live in a defended island of freedom, but your life is part of the main. So let me ask you as I close, to lift your eyes beyond the dangers of today, to the hopes of tomorrow, beyond the freedom merely of this city of Berlin, or your country of Germany, to the advance of freedom everywhere, beyond the wall to the day of peace with justice, beyond yourselves and ourselves to all mankind.

I Am the Only Being (1836)
Context: I am the only being whose doom
No tongue would ask no eye would mourn
I never caused a thought of gloom
A smile of joy since I was born
In secret pleasure — secret tears
This changeful life has slipped away
As friendless after eighteen years
As lone as on my natal day

More Worlds Than One: The Creed of the Philosopher and the Hope of the Christian (1856), "Religious Difficulties", p. 152-153
Context: Amid the destructive convulsions of the physical world, even pious minds may have for an instant questioned the superintending providence of God. In the midst of famine, or pestilence, or war, they may have stood horror- struck at the scene. In the triumphs of fraud, oppression, and injustice, over honesty, and liberty, and law. Faith may have wavered, and Hope despaired; but in no condition, either of the physical or the moral world, does the mind question the POWER of its Maker. The omnipotence of the Creator, and the exertion of it in every corner of space, — His care over the falling sparrow, and His guidance of the gigantic planet, are the earliest of our acquired truths, and the very first that observation and experience confirm. When Reason gives wisdom to our perceptions, omnipotence is the grand truth which they inculcate. Whatever the eye sees, or the ear hears, or the fingers touch, — every motion of our body, every function it performs, every structure in its fabric, impresses on the mind, and fixes in the heart the conviction, that the Creator is all-powerful as well as all-wise. Omnipotence, in short, is the only attribute of God which is universally appreciated, which skepticism never unsettles, and which we believe as firmly when under the influence of our corrupt passions, as when we are looking devoutly to heaven. All the other attributes of God are inferences. His omnipresence, His omniscience, His justice, mercy, and truth, are the deductions of reason, and, however true and demonstrable, they exercise little influence over the mind; but the attribute of omnipotence predominates over them all, and no mind responsive to its power will ever be disturbed by the ideas which it suggests of infinity of time, infinity of space, and infinity of life.

Black Boy (1945)

Card I : The Magician http://www.sacred-texts.com/tarot/sot/sot02.htm
The Symbolism of the Tarot (1913)
Context: I Saw the Man.
His figure reached from earth to heaven and was clad in a purple mantle. He stood deep in foliage and flowers and his head, on which was the head-band of an initiate, seemed to disappear mysteriously in infinity.
Before him on a cube-shaped altar were four symbols of magic — the sceptre, the cup, the sword and the pentacle.
His right hand pointed to heaven, his left to earth. Under his mantle he wore a white tunic girded with a serpent swallowing its tail.
His face was luminous and serene, and, when his eyes met mine, I felt that he saw most intimate recesses of my soul. I saw myself reflected in him as in a mirror and in his eyes I seemed to look upon myself.
And I heard a voice saying:
—"Look, this is the Great Magician!

"Of Love" as translated in The Infinite in Giordano Bruno : With a Translation of His Dialogue, Concerning the Cause, Principle, and One (1978) by Sidney Thomas Greenburg, p. 89
Variant translation:
Cause, Principle and One, the Sempiterne,
On whom all being, motion, life, depend.
From whom, in length, breadth, depth, their paths extend
As far as heaven, earth, hell their faces turn :
With sense, with mind, with reason, I discern
That not, rule, reckoning, may not comprehend
That power and bulk and multitude which tend
Beyond all lower, middle, and superne. <p> Blind error, ruthless time, ungentle doom,
Deaf envy, villain madness, zeal unwise,
Hard heart, unholy craft, bold deeds begun,
Shall never fill for one the air with gloom,
Or ever thrust a veil before these eyes,
Or ever hide from me my glorious sun.
As quoted in "Giordano Bruno" by Thomas Davidson, The Index Vol. VI. No. 36 (4 March 1886), p. 429
Cause, Principle, and Unity (1584)
Context: Cause, Principle, and One eternal
From whom being, life, and movement are suspended,
And which extends itself in length, breadth, and depth,
To whatever is in Heaven, on Earth, and Hell;
With sense, with reason, with mind, I discern,
That there is no act, measure, nor calculation, which can comprehend
That force, that vastness and that number,
Which exceeds whatever is inferior, middle, and highest;
Blind error, avaricious time, adverse fortune,
Deaf envy, vile madness, jealous iniquity,
Crude heart, perverse spirit, insane audacity,
Will not be sufficient to obscure the air for me,
Will not place the veil before my eyes,
Will never bring it about that I shall not
Contemplate my beautiful Sun.

Statement as president of the Air Council, War Office Departmental Minute (1919-05-12); Churchill Papers 16/16, Churchill Archives Centre, Cambridge.
Early career years (1898–1929)
Context: I do not understand this squeamishness about the use of gas. We have definitely adopted the position at the Peace Conference of arguing in favour of the retention of gas as a permanent method of warfare. It is sheer affectation to lacerate a man with the poisonous fragment of a bursting shell and to boggle at making his eyes water by means of lachrymatory gas. I am strongly in favour of using poisoned gas against uncivilised tribes. The moral effect should be so good that the loss of life should be reduced to a minimum. It is not necessary to use only the most deadly gases: gases can be used which cause great inconvenience and would spread a lively terror and yet would leave no serious permanent effects on most of those affected … We cannot, in any circumstances acquiesce to the non-utilisation of any weapons which are available to procure a speedy termination of the disorder which prevails on the frontier.

"A Painful Case"
Dubliners (1914)
Context: But there was no harshness in the eyes which, looking at the world from under their tawny eyebrows, gave the impression of a man ever alert to greet a redeeming instinct in others but often disappointed. He lived at a little distance from his body, regarding his own acts with doubtful side-glances. He had an odd autobiographical habit which led him to compose in his mind from time to time a short sentence about himself containing a subject in the third person and a predicate in the past tense.

"In Railway Halls, on Pavements Near the Traffic"
Context: In railway halls, on pavements near the traffic,
They beg, their eyes made big by empty staring
And only measuring Time, like the blank clock. No, I shall weave no tracery of pen-ornament
To make them birds upon my singing tree:
Time merely drives these lives which do not live
As tides push rotten stuff along the shore.

An Old Man's Thoughts on Many Things, Of Education I
Context: Some distinguished philosophers think that boys' eyes should be taught or trained to the examination of objects: in other words, that boys should be taught to observe things and to see likeness and difference. It is done to some extent by all boys: their games teach them something, and they know a cake from an apple. But the power of careful, patient looking at a thing is not fully acquired without some pains on the part of a teacher. When a boy reads aloud, he must look carefully at the words and letters, or he will blunder. This is an instance of observation. But the philosophers mean, I believe, that we should introduce certain things called sciences into school teaching.

"Blueprint" 45
White Man, Listen! (1957)

"A Dissertation on the Doctrine of Ideas, &c." Footnote: see second book of Aristotle's Metaphysics.
The Philosophical and Mathematical Commentaries of Proclus on the First Book of Euclid's Elements Vol. 1 (1788)

On Russian Federation President Vladimir Putin, in a press conference with Putin http://georgewbush-whitehouse.archives.gov/news/releases/2001/06/20010618.html (16 June 2001)
2000s, 2001
Context: I looked the man in the eye. I found him to be very straightforward and trustworthy. We had a very good dialogue. I was able to get a sense of his soul; a man deeply committed to his country and the best interests of his country. And I appreciated so very much the frank dialogue.

Life Without and Life Within (1859), The Captured Wild Horse
Context: p>On the boundless plain careering
By an unseen compass steering, Wildly flying, reappearing, —
With untamed fire their broad eyes glowing
In every step a grand pride showing,
Of no servile moment knowing, —Happy as the trees and flowers, In their instinct cradled hours,
Happier in fuller powers, —See the wild herd nobly ranging,
Nature varying, not changing,
Lawful in their lawless ranging.</p

An Old Man's Thoughts on Many Things, Of Education I
Context: Could not a boy be taught the elements of astronomy at the sole cost of using his eyes and his brain; taught slowly, certainly, and not wearied with too much at once? Some would learn more than others; but all would learn something. This is real science, real knowledge, which will make a boy wiser, and probably better too. He will learn to observe carefully, and not to be deceived, as we sometimes are, by appearances.

Young Adventure (1918), The Quality of Courage
Context: p>Was it not better so to lie?
The fight was done. Even gods tire
Of fighting... My way was the wrong.
Now I should drift and drift along
To endless quiet, golden peace...
And let the tortured body cease.And then a light winked like an eye.
... And very many miles away
A girl stood at a warm, lit door,
Holding a lamp. Ray upon ray
It cloaked the snow with perfect light.
And where she was there was no night
Nor could be, ever. God is sure,
And in his hands are things secure.</p

Preface to Villa Rubein and Other Stories (1923)
Context: Writing not long ago to my oldest literary friend, I expressed in a moment of heedless sentiment the wish that we might have again one of our talks of long-past days, over the purposes and methods of our art. And my friend, wiser than I, as he has always been, replied with this doubting phrase "Could we recapture the zest of that old time?"
I would not like to believe that our faith in the value of imaginative art has diminished, that we think it less worth while to struggle for glimpses of truth and for the words which may pass them on to other eyes; or that we can no longer discern the star we tried to follow; but I do fear, with him, that half a lifetime of endeavour has dulled the exuberance which kept one up till morning discussing the ways and means of aesthetic achievement. We have discovered, perhaps with a certain finality, that by no talk can a writer add a cubit to his stature, or change the temperament which moulds and colours the vision of life he sets before the few who will pause to look at it. And so — the rest is silence, and what of work we may still do will be done in that dogged muteness which is the lot of advancing years.
Other times, other men and modes, but not other truth. Truth, though essentially relative, like Einstein's theory, will never lose its ever-new and unique quality — perfect proportion; for Truth, to the human consciousness at least, is but that vitally just relation of part to whole which is the very condition of life itself. And the task before the imaginative writer, whether at the end of the last century or all these aeons later, is the presentation of a vision which to eye and ear and mind has the implicit proportions of Truth.

Mysticism and Philosophical Analysis (1978) by Steven T. Katz, p. 92; four centuries later the Christian mystic Meister Eckhart would make a very similar assertion: "The eye with which I see God is the same with which God sees me. My eye and God's eye is one eye, and one sight, and one knowledge, and one love."
Variant translations:
I saw my Lord with the eye of the heart. I asked: Who art Thou? <br/> He answered: Thou.
As quoted in Sufism : The Mystical Doctrines and Methods of Islam (1976) by William Stoddart , p. 83
I saw my Lord with the eye of the heart
And said: "Who are you?" He answered: "You!
As quoted in In the Company of Friends : Dreamwork Within a Sufi Group (1994) by Llewellyn Vaughan-Lee, p. 86
I saw my Lord with the eye of the heart, and I said "Who are you?" and he said "Your Self."
As quoted in The Modern Alchemist : A Guide to Personal Transformation (1994) by Iona Miller, p. 119
I saw my Lord with the Eye of my heart,<br/> And I said: Truly there is no doubt that it is You.<br/> It is You that I see in everything;<br/> And I do not see You through anything (but You).
As quoted in "Husayn ibn Mansur al-Hallaj" at Sidi Muhammad Press http://www.sufimaster.org/teachings/husayn.htm

1 October 1849; Amiel is here actually quoting Meister Eckhart, not Angelus Silesius as he supposed.
Journal Intime (1882), Journal entries
Context: Redemption, eternal life, divinity, humanity, propitiation, incarnation, judgment, Satan, heaven and hell — all these beliefs have been so materialized and coarsened, that with a strange irony they present to us the spectacle of things having a profound meaning and yet carnally interpreted. Christian boldness and Christian liberty must be reconquered; it is the church which is heretical, the church whose sight is troubled and her heart timid. Whether we will or no, there is an esoteric doctrine, there is a relative revelation; each man enters into God so much as God enters into him, or as Angelus, I think, said, "the eye by which I see God is the same eye by which He sees me."

"Are You Happy Now?"
2000s, Hotel Paper (2003)
Context: Now, don't just walk away. Pretending everything's okay, and you don't care about me. And I know there's just no use, when all your lies become your truths and I don't care. Could you look me in the eye? And tell me that you're happy now? Would you tell it to my face? Or have I been erased? Are you happy now? Are you happy now?

IV. That the species of myth are five, with examples of each.
On the Gods and the Cosmos

“Iran: From Theocracy to Democracy” http://www.rezapahlavi.org/details_article.php?article=441&page=1, George Washington University, April 13, 2010.
Speeches, 2010

VIII. On Mind and Soul, and that the latter is immortal.
On the Gods and the Cosmos
Context: There is a certain force, less primary than being but more primary than the soul, which draws its existence from being and completes the soul as the sun completes the eyes. Of souls some are rational and immortal, some irrational and mortal. The former are derived from the first Gods, the latter from the secondary.

Diary of an unfinished journey (2012), Page 56, verse I-II.

Enquiry Concerning Political Justice (1793)

S.K. Chatterjee quoted in Aziz Ahmad, Studies In Islamic Culture in the Indian Environment, Oxford. 1964, pp. 252-55. https://archive.org/details/StudiesInIslamicCultureInTheIndianE

Government and Parliament: A Survey from the Inside (Oxford University Press, 1959), p. 194

No. 225
The Tatler (1711–1714)

Speech to the 1900 Club at Grosvenor House, London (10 June 1936) on the Italo-Abyssinian War, quoted in The Times (11 June 1936), p. 10
Chancellor of the Exchequer

Introductory
The Grammar of Science (1900)

Black God's Kiss (1934); p. 23
Short fiction, Jirel of Joiry (1969)

Black Thirst (1934); p. 63
Short fiction, Northwest of Earth (1954)

On how he transitioned into filmmaking in “Culture Clash’s Richard Montoya becomes a movie multitasker” https://www.sacbee.com/entertainment/movies-news-reviews/article18414926.html in The Sacramento Bee (2015 Apr 13)

Ante-Nicene Christian Library, Volume 6: Hippolytus, Bishop Of Rome, Volume 1 P. 90
Refutation of All Heresies

On the tropes that she employs often in “AN Interview with Elizabeth Acevedo” https://www.washingtonsquarereview.com/new-page-21 in Washington Square Review

116
Leaves of Morya’s Garden: Book One (The Call) (1924)

"Letter from Abroad" (June 6, 1941)
1940's

The Robot Who Looked Like Me (p. 3)
Short fiction, The Robot Who Looked Like Me (1978)

On racism and being lighter-skinned in “‘Either Hyper-Visible or Invisible’: An Interview with Jaquira Díaz” https://lareviewofbooks.org/article/either-hyper-visible-or-invisible-an-interview-with-jaquira-diaz/ in Los Angeles Review of Books (2019 Oct 29)

Source: Light in August (1932), Chapter 2

1790s, Letter to Revd. Dr. Trusler (1799)

Cagliostro: the Splendour And Misery of a Master of Magic by W.R.H. Trowbridge, (William Rutherford Hayes), (August 1910) https://onlinebooks.library.upenn.edu/webbin/book/lookupname?key=Trowbridge%2c%20W%2e%20R%2e%20H%2e%20%28William%20Rutherford%20Hayes%29%2c%201866%2d1938

Cagliostro’s Letter to the English People (1787)

Preface to Second Edition (1989)
The Selfish Gene (1976, 1989)

On one of the inspirations behind his play Living Sculpture in “SIN MUROS: INTERVIEW WITH “LIVING SCULPTURE” PLAYWRIGHT MANDO ALVARADO” https://thetheatretimes.com/sin-muros-interview-living-sculpture-playwright-mando-alvarado/ in The Theatre Times

Disputed, Give me liberty, or give me death! (1775)

Source: Caliban's War (2012), Chapter 42 (p. 459)

Account of his famous dream of the benzene structure, as quoted in A Life of Magic Chemistry : Autobiographical Reflections of a Nobel Prize Winner (2001) by George A. Olah, p. 54

Him (1927)

2000s, Ayodhya, the Finale (2003)

Worst of all, I felt that every day that passed riveted another link to the chain of habit which was binding our life into a fixed shape, that our emotions, ceasing to be spontaneous, were being subordinated to the even, passionless flow of time… ‘It’s all very well … ‘ I thought, ‘it’s all very well to do good and lead upright lives, as he says, but we’ll have plenty of time for that later, and there are other things for which the time is now or never.’ I wanted, not what I had got, but a life of challenge; I wanted feeling to guide us in life, and not life to guide us in feeling.
Family Happiness (1859)

Interview with Chairman Gonzalo

Virginia Woolf

Sophie Heawood from 23 June, 2016 article on The Guardian.

Munich - Speech of April 12, 1922 https://archive.org/stream/TheSpeechesOfAdolfHitler19211941/hitler-speeches-collection_djvu.txt
1920s

On Japanese anime in “Comic-Con 2001: An Interview With Cary-Hiroyuki Tagawa” http://fanboyplanet.com/comic-con-2001-an-interview-with-cary-hiroyuki-tagawa/ in Fanboy Planet (2001 Jul 27)