Quotes about expression
page 16

“As for comics, one has only to turn to the characteristic output of Marvel Comics, for the period from about 1961 to about 1975, to find not an expression of base and cynical impulses but of good, old-fashioned liberal humanism of a kind that may strike us today, God help us, as quaint, but which nevertheless appealed, in story after story, to ideals such as tolerance, technological optimism, and self-sacrifice for the benefit of others.”

Michael Chabon (1963) Novelist, short story writer, essayist

Unpublished Letter of Complaint to The New York Review of Books

God, Fashion, Optimism, Help

“People say they have to express their emotions. I’m sick of that. Photography doesn’t teach you how to express your emotions; it teaches you how to see.”

Berenice Abbott (1898–1991) American photographer

Art News, January 1981.

People

“There are, of course, good happy endings as well as bad ones, but surely they are of a kind that in some way expresses happiness rather than glibly promises it.”

Louis Kronenberger (1904–1980) American critic and writer

http://books.google.com/books?id=cI1KAAAAMAAJ&q=%22There+are+of+course+good+happy+endings+as+well+as+bad+ones+but+surely+they+are+of+a+kind+that+in+some+way+expresses+happiness+rather+than+glibly+promises+it%22&pg=PA74#v=onepage
The Cart and the Horse (1964)

Happiness, Way

“Not believing in something is not in itself a belief or a philosophy: it is the 'ism' at the end that tends to cause the trouble. Both atheists and believers can be as arrogant and witless as each other in frustrated debate, and people may choose strong and unapologetic words to raise awareness of the agenda. But despite the name-calling, it is still a fair point that to not believe in God is no more a 'belief in itself' than to not believe in the Loch Ness Monster, Poseidon or anything else one might personally consider far-fetched. Beyond that, there is only how you choose to express yourself.”

Derren Brown (1971) British illusionist

Books, Tricks of the Mind (2006)

God, People, Strong, Personality

“The drug hit him like an express train, a white-hot column of light mounting his spine from the region of his prostate, illuminating the sutures of his skull with x-rays of short-circuited sexual energy. His teeth sang in their individual sockets like tuning forks, each one pitch-perfect and clear as ethanol. His bones, beneath the hazy envelope of flesh, were chromed and polished, the joints lubricated with a film of silicone. Sandstorms raged across the scoured floor of his skull, generating waves of high thin static that broke behind his eyes, spheres of purest crystal, expanding…The anger was expanding, relentless, exponential, riding out behind the betaphenethylamine rush like a carrier wave, a seismic fluid, rich and corrosive.”

William Gibson book Neuromancer

Neuromancer (1984)

Light, Rage, Perfection, Training

“After all human beings have to live dogs too so as not to know that time is passing, that is the whole business of living to go on so they will not know that time is passing, that is why they get drunk that is why they like to go to war, during a war there is the most complete absence of the sense that time is passing a year of war lasts so much longer than any other year. After all that is what life is and that is the reason there is no Utopia, little or big young or old dog or man everybody wants every minute so filled that they are not conscious of that minute passing. It's just as well they do not think about it you have to be a genius to live in it and know it to exist in it and express it to accept it and deny it by creating it.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

Source: Everybody’s Autobiography (1937), Ch. 4

Life, War, Dogs, Business

“Now as there are, according to Humboldt, one hundred and seventy words in common between the languages of the new and old continents, and many of these are expressive of the most primitive ideas, there is, by Dr Young's calculation, overpowering proof of the original connection of the American and other human families.”

Robert Chambers (publisher, born 1802) book Vestiges of the Natural History of Creation

Source: Vestiges of the Natural History of Creation (1844), p. 294

Family, Idea

“I am not interested in the kind of expression that you have when you paint a painting with brush strokes. It's all right, but it's already done and I want to do something new. I didn't want to get into something which is played out and narrow. I want to do as I like, invent my own interests. Of course, that doesn't mean that people who, like Newman, still paint are worn out. But I think that's a particular kind of experience involving a certain immediacy between you and the canvass, you and the particular kind of experience of that particular moment. I think what I'm trying to deal with is something more long range than that in a way, more obscure perhaps, more involved with things that happen over a longer time perhaps. At least it's another area of experience.”

Donald Judd (1928–1994) artist

Quoted in: Donald Jud http://www.theartstory.org/artist-judd-donald.htm at theartstory.org, 2014 1960s, "Oral history interview with Donald Judd," 1965

People, Way, Thinking, Time

“What is lost when the private realm is abolished are many of the attributes typically associated with quality of life. Most people have experienced how privacy enables liberation from constraint. And we’ve all, conversely, had the experience of engaging in private behavior when we thought we were alone – dancing, confessing, exploring sexual expression, sharing untested ideas – only to feel shame at having been seen by others.”

Glenn Greenwald book No Place to Hide

Penguin Books 2015 edition, pages 173-174.
No Place to Hide (2014)

Life, People, Behavior, Feeling

“An artist worthy of the name should express all the truth of nature, not only the exterior truth, but also, and above all, the inner truth.
When a good sculptor models a torso, he not only represents the muscles, but the life which animates them — more than the life, the force that fashioned them and communicated to them, it may be, grace or strength, or amorous charm, or indomitable will.
In the works of Michael Angelo, the creative force seems to rumble; in those of Luca della Robbia it smiles divinely. So each sculptor, following his temperament, lends to nature a soul either terrible or gentle.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. Mystery in Art, p. 178

Life, Truth, Smile, Soul

“At the present we have no adequate scientific method for representing the psychological life span. In accord with the general methods of psychology, the study of environmental influences began with classification and statistics… they gave us excellent descriptions of the home environment. The method of representation is partly akin to that of the novelist i. e., one trying to make as lifelike picture of the situation as possible by choosing expressive words and bringing out significant traits with examples. In general, the descriptions that have been made valuable to science have not been those made by scientific methods. Where theoretical concepts have been introduced with the concrete description, they often stand out as something alien. In stead of scientific descriptions they are nothing more than speculative interpretation.”

Kurt Lewin (1890–1947) German-American psychologist

Source: 1930s, Principles of topological psychology, 1936, p. 12-13.

Life, Home, Study, Science

“For many years, and like many British people, I had little feeling for the most expressive and roughest form of early twentieth century European painting, the expressionism of German artists around the First World War like Kirchner.”

Nicholas Serota (1946) British curator

The Dimbleby Lecture 2000

War, People, World, Feeling

“Modern transcendental idealism, Emersonianism, for instance, also seems to let God evaporate into abstract Ideality. Not a deity in concreto, not a superhuman person, but the immanent divinity in things, the essentially spiritual structure of the universe, is the object of the transcendentalist cult. In that address of the graduating class at Divinity College in 1838 which made Emerson famous, the frank expression of this worship of mere abstract laws was what made the scandal of the performance.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Lecture II, "Circumscription of the Topic"
1900s, The Varieties of Religious Experience (1902)

God, Law, Universe, Personality

“Most persons with an autism-spectrum disorder have never expressed their opinions on someone’s blog and never will. The neurodiverse often reach a vulnerable audience, as many persons on the spectrum have low self-esteem. Neurodiversity provides a tempting escape valve.”

Jonathan Mitchell (1955) American writer and activist

Neurodiversity: Just Say No

Personality

“He fixed his definition thus: reflection is the possibility of the relation, consciousness is the relation, the first form of which is contradiction. He soon noted that, as a result, the categories of reflection are always dichotomous. For example ideality and reality, soul and body, to recognize – the true, to will – the good, to love – the beautiful, God and the world, and so on, these are categories of reflection. In reflection, these touch each other in such a way that a relation becomes possible. The categories of consciousness, on the other hand, are trichotomous, as language itself indicates, for when I say I am conscious of this, I mention a trinity. Consciousness is mind and spirit, and the remarkable thing is that when in the world of mind or spirit one is divided, it always becomes three and never two. Consciousness, therefore, presupposes reflection. If this were not true it would be impossible to explain doubt. True, language seems to contest this, since in most languages, as far as he knew, the word ‘doubt’ is etymologically related to the word ‘two’. Yet in his opinion this only indicated the presupposition of doubt, especially because it was clear to him that as soon as I, as spirit, become two, I am eo ipso three. If there were nothing but dichotomies, doubt would not exist, for the possibility of doubt lies precisely in that third which places the two in relation to each other. One cannot therefore say that reflection produces doubt, unless one expressed oneself backwards; one must say that doubt presupposes reflection, though not in a temporal sense. Doubt arises through a relation between two, but for this to take place the two must exist, although doubt, as a higher expression, comes before rather than afterwards.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Johannes Climacus (1841) p. 80-81
1840s, Johannes Climacus (1841)

Love, God, World, Beauty

“There is a world of visual beauty open to the one willing to undergo the practice and striving necessary to the understanding of its language.
This world is a important as culturally as is the world of words or of music. My ideal is to form and to paint as Schubert sings his songs and as Beethoven creates his world in sounds. That is to say, creation of one’s own inner world through the same human and artistic discipline.
An inner sensation can find external expression only through spiritual realization.”

Hans Hofmann (1880–1966) American artist

'Painting and Culture' p. 58
Search for the Real and Other Essays (1948)

World, Beauty, Music, Understanding

“I don't know what to write Feneon about the theory of 'passages'. I will write him what seems to me to be the truth of the matter, that I am at this moment looking for some substitute for the dot [which was the 'heart of [w:Neo-Impressionism|Neo-Impressionist]] painting]; so far I have not found what I want, the actual execution does not seem to me to be rapid enough and does not follow sensation with enough inevitability, but it would be best not to speak of this. The fact is I would be hard put to express my meaning clearly, although I am completely aware of what I lack.”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, in a letter, Paris, 20 February 1889, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 134-135
Rewald: 'This data was doubtless for an article in preparation. While the question of the 'passage', which was going to separate Camille Pissarro from pointillism and thus from Divisionism, was then the main preoccupation of the artist, Pissarro was still unable to express himself with precision on it.'
1880's

Truth, Heart, Painting

“(on his inability to read music) "If someone lays the notes on a page in front of me, it's meaningless…because to me you can't express the rhythms properly like that. It's a very ineffective way of doing it, so I've never really bothered picking it up."”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

source http://www.geocities.com/SunsetStrip/Stage/9346/RAAmain.html

Music, Way, Reading

“Don't lose sight of the essential objectives of painting, which are expression, emotion, delectation; to understand the means, to paint decoratively, to exalt form and color.”

Maurice Denis (1870–1943) French painter

Quote from Denis' Journal, 1930; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [43] 1921 and later

Color, Understanding, Painting

“The seventeenth century witnessed the birth of modern science as we know it today. The science was something new, based on a direct confrontation of nature by experiment and observation. But there was another feature of the new science—a dependence on numbers, on real numbers of actual experience.
…The ancients knew a few numerical laws… But prior to the Scientific Revolution, the goal of science (or the study of nature) was not to seek laws of nature expressed in terms of numbers or number relations. …the new science …not only found laws based on numbers but they were also willing to express these laws in terms of higher powers of numbers—squares and cubes.”

I. Bernard Cohen (1914–2003) American historian of science

The Triumph of Numbers: How Counting Shaped Modern Life (2005)

Law, Birth, Nature, Study

“We need to fully feel and express our emotions without worrying that they are likely to cause harm to another. But intensely and obsessively brooding on one's anger or resentment is not a good thing to do.”

Starhawk (1951) American author, activist and Neopagan

The Spiral Dance: A Rebirth of the Ancient Religion of the Goddess (1979)

Feeling, Anger

“English language training is one of the primary preconditions and instruments to provide the implementation of Armenia's Armed Forces reforms. Therefore we highly value the role of English language classrooms within Armenian Armed Forces. Furthermore, the increasing number of English classrooms within Armenian Armed Forces is the brilliant example of Armenian-British effective defence cooperation. In the end, I wish to express my word of appreciation to the Ambassador of the UK to Armenia Anthony Cantor and to the entire personnel of the Peacekeeping English Project in the person of the project coordinator in Armenia Mr. Tony Crocker. I am convinced that cooperation between the Ministry of Defence of RA and the British Council will enhance and develop in the upcoming future.”

Mikael Harutyunyan (1946) Armenian general

Quoted in 2007 article and on Quoteid.com. [May 22, 2007]

Future, Personality, Training

“Miro came of age as an artist just at the time World War 1. ended. With the end of the war came the end of all the new pre-war art conceptions. A young painter could not start as a Cubist or a Futurist, and Dada was the only manifestation at the moment. Miro began by painting farm scenes from the countryside of Barcelona, his native land... A few years later he came to Paris [circa 1914] and found himself among the Dadaists who were, at that time, transmuting into Surrealism. In spite of this contact Miró kept aloof from any direct influence and showed a series of canvases in which form submitted to strong colouring expressed a new two-dimensional cosmogony, in no way related to abstraction.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote in: 'Appreciations of other artists': Joan Miro (painter, sculptor author) 1946, by Marcel Duchamp; as cited in Catalog, Collection of the Societé Anonyme, eds. Michel Sanouillet / Elmer Peterson, London 1975, pp. 143- 159
1921 - 1950

War, Age, World, Art

“There can be no difference anywhere that doesn't make a difference elsewhere - no difference in abstract truth that doesn't express itself in a difference in concrete fact and in conduct consequent upon that fact, imposed on somebody, somehow, somewhere and somewhen.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Lecture II, What Pragmatism Means
1900s, Pragmatism: A New Name for Some Old Ways of Thinking (1907)

Truth

“We [The Futurists] stand for a use of colour free from the imitation of objects and things as coloured objects. We stand for an aerial vision in which the material of colour is expressed in all of the manifold possibilities our subjectivity can create.”

Carlo Carrà (1881–1966) Italian painter

Carlo Carrà's art statement on Futurism in 1913, as quoted in Abstract Art Anna Moszynska, Thames and Hudson 1990, p. 26
1910's

“Appolinaire [spokesman of French Cubism ] told me about a book of his on the Cubists that's about to come out. He divides the Cubists into Physical Cubists, (Gleize) [sic], who add some dramatic elements to their expression of external realities; Scientific Cubists (Picasso, Metzinger) and 'Orphiques' [sic]. (I give you [ Umberto Boccioni ] this last classification in French because I don't know how to translate it); in Appolinaire's opinion the 'Orphiques' [sic] seek new elements of expressing abstract realities; and we Futurists belong with the latter.”

Gino Severini (1883–1966) Italian painter

Gino Severini, in a letter to Umberto Boccioni, Paris, 29 October 1912; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 55

Books, Reality

“Many an attack of depression is nothing but the expression of regret at having to be virtuous.”

Wilhelm Stekel (1868–1940) Austrian physician and psychologist

As quoted in Sigmund Says : And Other Psychotherapists' Quotes (2006) by Bernard Nisenholz, p. 94

“The philosophy of the soul of my people appears to me as an expression of an inward tragedy analogous to the tragedy of the soul of Don Quixote, as the expression of conflict between what the world is as scientific reason shows it to be and what we wish that it might be, as our religious faith affirms it to be. And in this philosophy is to be found the explanation of what is usually said about us — namely, that we are fundamentally irreducible to Kultur — or in other words, that we refuse to submit to it. No, Don Quixote does not resign himself either to the world, or to science or logic, or to art or esthetics, or to morality or ethics.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

People, World, Faith, Art

“No, I don’t mean love, when I say patriotism. I mean fear. The fear of the other. And its expressions are political, not poetical: hate, rivalry, aggression. It grows in us, that fear. It grows in us year by year.”

Ursula K. Le Guin Hainish Cycle

Source: Hainish Cycle, The Left Hand of Darkness (1969), Chapter 1 “A Parade in Ehrenrang” (p. 18)

Love, Hate, Fear

“After defining semantical concepts like logical truth and related ones, I proposed to interpret the modalities as those properties of propositions which correspond to certain semantical properties of the sentences expressing the propositions. For example, a proposition is logically necessary if and only if a sentence expressing it is logically true.”

Rudolf Carnap (1891–1970) German philosopher

Source: Carnap’s intellectual biography (1963), p. 62

Truth

“.. a demand which will never be fulfilled as long as artists use individualistic means. 'Unity can only result from disciplining the means, for it is this discipline which produces more generalized means'. The objectification of the means will lead towards elementary, monumental plastic expression. It would be ridiculous to maintain that none of this relates to creative activity. If that were true, art would not be subject to logical discipline.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's text 'Towards elementary plastic expression', as cited in Material zur elementaren Gestaltung, G-1, July 1923; as quoted in 'Theo van Doesburg', Joost Baljeu, Studio Vista, London 1974, p. 141
1920 – 1926

Art

“For all human beings, love is a constant preoccupation—a never-ending central theme. Indeed, the ultimate motivation behind interactions among people is often the desire to experience some form of love. The fact that love is so important has major implications for leadership. In particular, the degree to which leaders acknowledge the value of love in their own lives and in the lives of others can determine the success or failure of their undertakings. Far from being irrelevant or impractical, the intention to express love is fundamental for effective leadership. This is so because in the final analysis, a leader’s motivation is communicated to others in countless subtle ways. Leaders whose actions are perceived as self-serving often create disharmony, resentment, and disloyalty. On the other hand, those who base their behavior upon a genuine empathy and concern for others can gain loyalty and support that make the attainment of even difficult goals possible.”

Bhakti Tirtha Swami (1950–2005) American Hindu writer

Source: Books, Leadership For An Age of Higher Consciousness, Volume 1: Administration from a Metaphysical Perspective (Hari-Nama Press, 1996), Chapter 1: The Phenomenon of Love

Love, People, Way, Behavior

“Love, though it expends itself in generosity and thoughtfulness, though it gives birth to visions and to great poetry, remains among the sharpest expressions of self-interest. Not until it has passed through a long servitude, through its own self-hatred, through mockery, through great doubts, can it take its place among the loyalties.”

Thornton Wilder (1897–1975) American playwright and novelist

As quoted in "The Notation of the Heart" by Edmund Fuller, in The American Scholar Reader (1960) edited by Hiram Hayden and Betsy Saunders

Love, Birth, Loyalty

“The practice of all my predecessors imposes on me an obligation I cheerfully fulfill—to accompany the first and solemn act of my public trust with an avowal of the principles that will guide me in performing it and an expression of my feelings on assuming a charge so responsible and vast.”

Martin Van Buren (1782–1862) American politician, 8th President of the United States (in office from 1837 to 1841)

Inaugural address (1837)

Feeling

“It was the desire for living, vital expression.... which built Gothic cathedrals, which created Mozart sonatas. I believe it is going to stay that way for long time to come.”

August Macke (1887–1914) German painter of the expressionist group Der Blaue Reiter

In 'The New Program' (1914) - first appeared in Das neue Program, Kunst und Künstler 12. (March 1914)

Way, Time

“To countless generations of religious thinkers, the fundamental maxim of Christian social ethics had seemed to be expressed in the words of St. Paul to Timothy: "Having food and raiment, let us be therewith content. For the love of money is the root of all evil." Now, while, as always, the world battered at the gate, a new standard was raised within the citadel by its own defenders. The garrison had discovered that the invading host of economic appetites was, not an enemy, but an ally. Not sufficiency to the needs of daily life, but limitless increase and expansion, became the goal of the Christian's efforts.”

R. H. Tawney (1880–1962) English philosopher

Part IV, Ch. 4
Religion and the Rise of Capitalism (1926)

Love, Life, Money, World

“Gradually disbelief became respectable. It acquired a moral character. By the mere fact that it was an integral part of the consciousness of a class—of the bourgeoisie—it became bourgeois. From an individual phenomenon, or a phenomenon confined to certain isolated groups, it became an expression of collective life.”

Bernard Groethuysen (1880–1946) French literary historian, translator and writer

Source: The Bourgeois: Catholicism vs. Capitalism in Eighteenth-Century France (1927), p. 24

Life, Parting

“Year-end financial statements … express a truth about office life which is no less irrefutable—yet also, in the end, no less irrelevant or irritating—than an evolutionary biologist’s proud reminder that the purpose of existence lies in the propagation of our genes.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), pp. 259-260.

Life, Truth

“Expressed egotism is, of course, no reason necessarily to disregard someone’s work, but it is a warning signal. If someone can evaluate his work so poorly, is the work itself likely to be better? In many of his areas of intellectual interest, Popper’s work is wanting.
Hayek did more to advance Popper professionally early in his career than anyone else, and Popper remembered his personal debt to Hayek. Over the years, he wrote him a number of appreciative letters.”

Alan O. Ebenstein (1959) American political scientist, educator and author

Hayek's Journey: The Mind of Friedrich Hayek (2003)

Personality

“When closed societies collapse but fail to make the transition to openness the reason need not be that they languish in anarchy or suffer a return to dictatorship. It may be that they adopt an illiberal form of democracy. Along with the liberal democratic tradition that goes back to Locke and the English civil war there is a tradition, originating in the French Revolution and formulated theoretically by Rousseau, which understands democracy as the expression of popular will. The elective theocracy that is emerging in much of post-Saddam Iraq is a democratic polity in the latter sense, as is the current regime in Iran; so is the Hamas government in Palestine… To be sure, these regimes often lack freedom of information and expression and legal limitations on government power, which are essential features of democracy in the liberal tradition. In these respects they are closed societies, but they are not dictatorships. It is often forgotten that democracy, defined chiefly by elections and the exercise of power in the name of the majority, can be as repressive of individual freedom and minority rights as dictatorship - sometimes more so.”

John Gray (1948) British philosopher

'George Soros and the Open Society' (p.116-7)
Gray's Anatomy: Selected Writings (2009)

War, Exercises, Democracy, Understanding

“People who suffer beyond the formulas of expression,— who are crushed into silence, and beyond pain,— want no display of emotion,— no bleeding heart,— no weeping at the foot of the Cross,— no hysterics,— no phrases! They want to see God, and to know that he is watching over his own.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

God, Pain, People, Silence

“The spiritual quest is the expression of the deepest longing to connect with the Whole.”

Varadaraja V. Raman (1932) American physicist

page 172
Truth and Tension in Science and Religion

“…above all, I must recommend to you the Care of the Navy, the Strength and Glory of this Nation, that you will put it into such a Condition, as may make us considered and respected Abroad. I cannot express My Concern upon this Occasion more suitable to My own Thoughts of it, than by assuring you I have a true English Heart, as jealous of the Honour of the Nation as you can be. And I please Myself with the Hopes, that, by GOD'S Blessing and your Assistance, I may carry the Reputation of it yet higher in the World, than ever it has been in the Time of any of My Ancestors.”

James II of England (1633–1701) King of England, Scotland and Ireland

Speech to Parliament http://www.british-history.ac.uk/report.aspx?compid=12935 (30 May 1685).

God, World, Hope, Time

“Immediate reality is outside that window; so big it is, so much of it, everything entangled in everything else… What large thought Sabbath was struggling to express? Is he asking, "Whatever did happen to my own true life?" Was it taking place elsewhere? But how then can looking out of this window be so gigantically real? Well, that is the difference between the true and the real. We don't get to live in the truth. That's why Nikki ran away. She was an idealist, an innocent, touching, talented illusionist who wanted to live in the truth. Well, if you found it, kid, you're the first. In my experience the direction of life is toward incoherence—precisely what you would never confront. Maybe that was the only coherent thing you could think to do: die to deny incoherence.”

Philip Roth book Sabbath's Theater

Sabbath's Theater (1995)

Life, Truth, Thinking, Reality

“Is it responsible to camouflage one of America's most remarkable machines as a piece of gaudy merchandise? Form, which should be the clean- cut expression of mechanical excellence has become sensuous and organic.”

Raymond Loewy (1893–1986) industrial designer

Raymond Loewy 1950s, cited in: Karal Ann Marling, ‎Donald J. Bush, ‎Walker Art Center (1989) Autoeroticism. p. 16
Loewy commented on the new generation automobiles, after having designed the Studebaker of 1953, which according to Loewy looked like "jukeboxes on wheels."

“The Church, the organized expression of the religious life of the past, is one of the most potent institutions and forces in Western civilization. …It cannot help throwing its immense weight on one side or the other. If it tries not to act, it thereby acts; and in any case its choice will be decisive for its own future.”

Walter Rauschenbusch (1861–1918) United States Baptist theologian

Source: Christianity and the Social Crisis (1907), Introduction, p.xii

Life, Decision, Past, Future

“Meantime I say to both sides of industry, 'Please don't support us with general expressions of good will and kind words, and then undermine us through unjustified wage increases or price increases. Either back us or sack us.”

James Callaghan (1912–2005) Prime Minister of the United Kingdom; 1976-1979

Speech to the Labour Party Conference in Brighton (5 October 1977), quoted in Labour Party Annual Conference Report 1977, p. 217
Prime Minister

Support

“These selfish professors of religion [monks] grudged every act of munificence that was not applied to themselves, or their monasteries; and could not behold the good fortune of the minstrels without expressing their indignation; which they often did in terms of scurrilous abuse, calling them janglers, mimics, buffoons, monsters of men, and comtemptible scoffers. They also severely censured the nobility for patronizing and rewarding such a shameless set of sordid flatterers, and the populace for frequenting their exhibitions, and being delighted with their performances, which diverted them from more serious pursuits, and corrupted their morals. On the other hand, the minstrels appear to have been ready enough to give them ample occasion for censure; and, indeed, I apprehend that their own immorality and insolence contributed more to their downfal, than all the defamatory declamations of their opponents.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 192
The Sports and Pastimes of the People of England (1801), Minstrels

Men, Religion, Appearance, Selfishness

Rajiv Malhotra book The Battle for Sanskrit

The Battle for Sanskrit (2016)

People, Education, Study, Freedom

“It is in this way that all my books have been composed. They were always written at least twice over; a first draft of the entire work was completed to the very end of the subject, then the whole begun again de novo; but incorporating, in the second writing, all sentences and parts of sentences of the old draft, which appeared as suitable to my purpose as anything which I could write in lieu of them. I have found great advantages in this system of double redaction. It combines, better than any other mode of composition, the freshness and vigour of the first conception, with the superior precision and completeness resulting from prolonged thought. In my own case, moreover, I have found that the patience necessary for a careful elaboration of the details of composition and expression, costs much less effort after the entire subject has been once gone through, and the substance of all that I find to say has in some manner, however imperfect, been got upon paper.”

John Stuart Mill book Autobiography

Source: Autobiography (1873)
Source: https://archive.org/details/autobiography01mill/page/222/mode/1up p. 222

Books, Way, Effort, Appearance

“What we call objective reality is, in the last analysis, what is common to many thinking beings, and could be common to all; this common part, we shall see, can only be the harmony expressed by mathematical laws. It is this harmony then which is the sole objective reality, the only truth we can attain; and when I add that the universal harmony of the world is the source of all beauty, it will be understood what price we should attach to the slow and difficult progress which little by little enables us to know it better.”

Henri Poincaré book The Value of Science

Introduction, p. 14
The Value of Science (1905)

Truth, World, Law, Beauty

“I have always had a special regard for the General Assembly and its members. This is the place - and you are the people - that do so much to give expression to the heart of Scotland.”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Scotland in the World Forum (February 4, 2008), Church of Scotland (May 25, 2009)

People, Heart

“But when we have reached this conclusive conviction that the roots of our experience and our experimental knowledge are parts of our own spontaneous life, we then readily come to see, further, that the system of our several elements of consciousness a priori is precisely what we must really understand by our unifying or enwholing self, — is exactly what we try to express when we say we have a soul, and that this soul possesses real knowledge; that is, a hold upon eternal things. The realm of the eternal, in short, then becomes for us just the realm of our self-active intelligence; and this it is which, if we can show its reality in detail, will prove to be the clue to our immortal being.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), Human Immortality: its Positive Argument, p.298

Life, Soul, Intelligence, Understanding

“The expression often used by Mr. Herbert Spencer of the Survival of the Fittest is more accurate, and is sometimes equally convenient.”

Charles Darwin book On the Origin of Species (1859)

Compare: "This survival of the fittest, which I have here sought to express in mechanical terms, is that which Mr Darwin has called 'natural selection, or the preservation of favoured races in the struggle for life.' ", Herbert Spencer, The Principles of Biology (1864) volume 1, part III: "The Evolution of Life", chapter XII, "Indirect Equilibration", pages 444-445. Source: On the Origin of Species (1859), chapter III: "Struggle For Existence", page 72 http://darwin-online.org.uk/content/frameset?pageseq=101&itemID=F387&viewtype=image, in the fifth (1869) and sixth (1872) editions

“Individuality is a cultural achievement rather than a gift of nature. During the 19th century it was rather common for people to believe they were expressing their individuality by being "natural."”

Everett Dean Martin (1880–1941)

Source: The Conflict of the Individual and the Mass in the Modern World (1932), pp. 9-10

People, Nature

“The working-class woman shows me much more than the ladies who are totally limited by conventional behavior. The working-class woman shows me her hands, her feet, and her hair. She lets me see the shape and form of her body through her clothes. She presents herself and the expression of her feelings openly, without disguises.”

Käthe Kollwitz (1867–1945) German artist

Quoted in Käthe Kollwitz: Woman and Artist (1976) by Martha Kearns The Feminist Press, ISBN 0-912-67015-0, p. 82.
Other Quotes

Behavior, Feeling, Clothes

“Expressions are many
but Thy loveliness is one;
Each of us refers
to that single Beauty.”

Fakhruddin 'Iraqi (1213–1289) Persian philosopher

Lama’at (Divine Flashes)

Beauty

“[B]y Natura naturans we must understand what is in itself and is conceived through itself, or such attributes of substance as express an eternal and infinite essence, that is … God, insofar as he is considered as a free cause.
But by Natura naturata I understand whatever follows from the necessity of God's nature, or from God's attributes, that is, all the modes of God's attributes insofar as they are considered as things which are in God, and can neither be nor be conceived without God.”

Baruch Spinoza book Ethics

Part I, Prop. XXIX, Scholium (trans: Edwin Curley, London: Penguin, 1996)
Ethics (1677)

God, Understanding, Nature

“True realism, materialist realism lies in the search for the expression of forms faithful to their content. But there is no content detached from human interest.”

Asger Jorn (1914–1973) Danish artist

As quoted in Aftermath France, 1945-54: New Images of Man: An Exhibition (1982), p. 107
1959 - 1973, Various sources

Faith, Search

“Is not the reason of the confidence of the positive, critical, experimental scientists, and of the reverent attitude of the crowd towards their doctrines, still the same? At first it seems strange how the theory of evolution (which, like the redemption in theology, serves the majority as a popular expression of the whole new creed) can justify people in their injustice, and it seems as if the scientific theory dealt only with facts and did nothing but observe facts. But that only seems so. It seemed just the same in the case of theological doctrine: theology, it seemed, was only occupied with dogmas and had no relation to people's lives, and it seemed the same with regard to philosophy, which appeared to be occupied solely with transcendental reasonings. But that only seemed so. It was just the same with the Hegelian doctrine on a large scale and with the particular case of the Malthusian teaching.”

Leo Tolstoy (1828–1910) Russian writer

What then must we do? (1886)

People, Confidence, Appearance

“How can anyone believe that you can "learn" how to feel and learn how to express it? How can anyone teach another person how to laugh and how to cry? How to be cheerful and how to be sad? Teach them what pain is, and despair, and desire, and passion? Hate and love? How can anyone waste their own and somebody else's time with that idiocy? But far worse than the morons who think they can learn these things are the people who claim they can teach them. In the end, they teach bad manners. If one of their trained poodles sits down in public, he doesn't sit, he slouches - which is supposed to mean that his behavior is "natural." He or she scratches his or her head then picks his or her nose, which is supposed to mean that he or she has no complexes and acts very spontaneously. So this is what New York talk shows look like.”

Klaus Kinski (1926–1991) German actor

On method acting. p. 313
Kinski Uncut : The Autobiography of Klaus Kinski (1996)

Love, Pain, Hate, People

“It is a big mistake to think that the best way to express yourself is to do whatever you want, acting as you please. This is not expressing yourself. If you know what to do exactly, and you do it, then you can express yourself fully.”

Shunryu Suzuki (1904–1971) Japanese Buddhist missionary

Express Yourself Fully (page 8)
Not Always So, practicing the true spirit of Zen (2002)

Way, Thinking

“The plastic expression of space is inconceivable without light. Light and space complete one another. In architecture light represents an element of plastic expression – in fact, the most important one. An organic relationship between 'space' and 'material' is possible only with the aid of light. The highest achievements in architecture can be accomplished only if light also is treated as plastic form.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote in van Doesburg's article: 'Space – time and colour' in 'De Stijl', Aubette Issue, series xv, 87-9, 1928, pp. 26–27
1926 – 1931

Light

“"You've killed me. Why'd you want to kill me," he said, and died. The expression of hurt surprise and wounded reproach and sheer inability to understand stayed on his face like a forgotten suitcase left at the station, and gradually hardened there. Prew stood looking down at him, still shocked by the reproving question.”

James Jones book From Here to Eternity

From Here to Eternity (1951)

Understanding, Question, Hurt

“[There still remains the question whether] he who discovers a new world in the depths of the invisible would not do wisely to plant on it a flag known to himself alone, and, like Achilles, "devour his heart in secret;" whether the greatest problems which have ever been guessed on earth had not better have remained buried in the brain which had found the key to them, and whether the deepest thinkers — those whose hand has been boldest in drawing aside the veil, and their eye keenest in fathoming the mysteries beyond it — had not better, like the prophetess of Ilion, have kept for heaven, and heaven only, secrets and mysteries which human tongue cannot truly express, nor human intelligence conceive.”

Henri-Frédéric Amiel (1821–1881) Swiss philosopher and poet

Review of L'Art Chrétien by Alexis-François Rio in the Bibliothèque Universelle de Genève. (1842)
Journal Intime (1882), Quotes used in the Introduction by Ward

Secret, World, Intelligence, Question

“The "meaning" in the title of the book acknowledges the close and familiar connection between intentionality and meaning. The connection holds between the meaning of the sentence Smith utters when he utters "Bigmouth has struck again" and his belief that Bigmouth has struck again. The idea of this close relation is not intended to convey the obvious falsehood that the meanings of the sentences which an agent utters always express the contents of his beliefs. Utterances which are lies or metaphors, for instance, spoil the generality of that relation. Rather, the relation is conveyed by the fact that a sincere, non-self-deceived, utterance of (or assent to) a sentence by an agent is an utterance of something whose literal meaning gives the content of the belief that is expressed by that utterance. The fact that sentences are often not uttered this way does not spoil the connection between belief and meaning, though it obviously makes it necessary to produce an appropriately nuanced formulation of the connection for those utterances. The underlying effect of acknowledging the connection, of course, is to make the study of an agent's mind integral to the study of his meanings, and vice versa.”

Akeel Bilgrami (1950) Indian philosopher

Source: Belief and Meaning (1992), Ch. 1 : Belief, Meaning, and the External World

Books, Way, Idea, Study

“The excursus upon the origin of Odysseus’ scar is not basically different from the many passages in which a newly introduced character, or even a newly appearing object or implement, though it be in the thick of a battle, is described as to its nature and origin; or in which, upon the appearance of a god, we are told where he last was, what he was doing there, and by what road he reached the scene; indeed, even the Homeric epithets seem to me in the final analysis to be traceable to the same need for an externalization of phenomena in terms perceptible to the senses. Here is the scar, which comes up in the course of the narrative; and Homer’s feeling simply will not permit him to see it appear out of the darkness of an unilluminated past; it must be set in full light, and with it a portion of the hero’s boyhood. … To be sure, the aesthetic effect thus produced was soon noticed and thereafter consciously sought; but the more original cause must have lain in the basic impulse of the Homeric style: to represent phenomena in a fully externalized form, visible and palpable in all their parts, and completely fixed in their spatial and temporal relations. Nor do psychological processes receive any other treatment: here too nothing must remain hidden and unexpressed. With the utmost fullness, with an orderliness which even passion does not disturb, Homer’s personages vent their inmost hearts in speech; what they do not say to others, they speak in their own minds, so that the reader is informed of it. Much that is terrible takes place in the Homeric poems, but it seldom takes place wordlessly: Polyphemus talks to Odysseus; Odysseus talks to the suitors when he begins to kill them; Hector and Achilles talk at length, before battle and after; and no speech is so filled with anger or scorn that the particles which express logical and grammatical connections are lacking or out of place.”

Erich Auerbach Mimesis: The Representation of Reality in Western Literature

Source: Mimesis: The Representation of Reality in Western Literature (1946), p. 5

God, Feeling, Nature, Sense

“The purpose of art is expression. Of course this short sentence raises many questions. By itself it is uninformative. One should specify what art can and cannot express. One should specify what art should and should not express. These questions cannot be answered without having some notion of the nature of man. Here it is presupposed that God created man as essentially a rational being. This implies that man’s most valuable expressions are rational and intellectual. Therefore, although man can express emotion, by screaming “Ouch,” art becomes more human and valuable in proportion to its intellectual content. This does not deny that excellent technique may express triviality, evil, and insanity. It asserts, however, that what should be expressed is rational and intelligent.”

Gordon H. Clark (1902–1985) American philosopher and Calvinist theologian

“Christian Aesthetics,” The Trinity Review, May 1989.

God, Art, Intelligence, Question

“The Buddha Fa” is an insight into all mysteries. It encompasses everything and leaves out nothing—from particles and molecules to the universe, from the even smaller to the even greater. It is an exposition of the characteristic of the universe, “Zhen-Shan-Ren,” (Truthfulness-Compassion-Forbearance) expressed at different levels with different layers of meaning. It is also what the Tao School calls the “Tao,” or what the Buddha School calls the “Fa.””

Li Hongzhi (1951) Chinese religious leader and dissident

Truth, School, Universe

“Free will is critical in a loving relationship because there cannot be love without the opportunity to oppose that love. There cannot be an appreciation without the opportunity to express it through choice. If we are made in the image of the Divine, then just as God has free will, we must also have it. The difficulty arises in our inability to understand, or accept, that it is not beneficial to try to use our free will separate from God. This is because we are part and parcel of God, a tiny fragment of the whole, but we are not the complete whole. As part of the whole, our function is to serve the whole. The whole is certainly not meant to serve the part. For example, imagine if your stomach tried to eat on its own and told your mouth, "I'm tired of you always taking the food first. I think I should get it first."”

Bhakti Tirtha Swami (1950–2005) American Hindu writer

This would be impossible. A part cannot properly function separately from the whole. This is the natural order of the universe.
Source: Books, Spiritual Warrior, Volume I: Uncovering Spiritual Truths in Psychic Phenomena (Hari-Nama Press, 1996), Chapter 4: Fire and Brimstone, Horns and Tail, p. 66-67

Love, God, Food, Imagination

“I have joined, once and for all, the ranks of the intellectual experimentalists. I can hardly bear the sound of the words "expressionism," "emotionalism," "personality," and such, because they imply the wish to express personal life, and I prefer to have no personal life. Personal art is for me a matter of spiritual indelicacy.”

Marsden Hartley (1877–1943) American artist

n.p.
1921 - 1930, Art and the Personal Life', Marsden Hartley, 1928

Life, Art, Personality

“Reflection upon the historical place of dogmatic concepts and the related identifying and relative weighting of the essential themes of Christian doctrine are indispensable to an impartial judgment of their fitness and scope in expressing the universal significance of the history and person of Jesus Christ.”

Wolfhart Pannenberg (1928–2014) German theologian

Foreword
Systematic Theology

History, Universe, Christ, Personality

“(Gabriël advises her to make both big studies and small ones) [and small studies, ].. for throwing in three curses and a sigh - forgive me that corny expression - impressions and transient effects on the canvas. Observe especially the hue of every occurring moment.”

Paul Gabriël (1828–1903) painter (1828-1903)

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: ..gaat stil uw gang en hebt vertrouwen in hetgeen ik U zeg, vraag nimmer hoe een ander het deed of doet, tracht de natuur te doorgronden, opserveer alles, tracht te leren zien en zoekt U zelve de gemakkelijkste weg om die weer te geven; men kan uit de natuur verschillende keuzen doen, volgt die het hart u zegt, waarvoor gij het meeste voeld.. ..zoek datgeene waar effect in zit, iets wat duidelijk iets zeggen wil.
(Gabriël raadde haar aan zowel grote studies te maken als kleine:) [en de kleine studies,] ..om in drie vloeken en een zucht, vergeeft mij die banale uitdrukking, indrukken, voorbijgaande effecten, op het doek te werpen. Opserveerd vooral goed de toon van elk voorkomend oogenblik.
2 quotes of Paul Gabriël, from his letter in 1882, to Geesje van Calcar, as cited in Geesje van Calcar. Een echte Mesdag, R. en W. Vetter; Schipluiden 2001, p. 18-22
1880's + 1890's

Forgiveness, Study

“There is always the right of the strong to take the weak and the rich to take the poor and the powerful to take those who have no power. UrLeyn may have written down our laws and changed a few of them, but the laws that still bind us to the animals cut the deepest. Men compete for power, they strut and parade and they impress their fellows with their possessions and they take the women they can. None of that has changed. They may use weapons other than their hands and teeth, they may use other men and they may express their dominance in money, not other symbols of power and glamour, but…”

Iain Banks Culture series

Source: Culture series, Inversions (1998), Chapter 20 (p. 335)

Women, Men, Money, Law

“It remains true that Michelangelo's intensely personal use of the nude greatly altered its character. He changed it from a means of embodying ideas to a means of expressing emotions; he transformed it from the world of living to the world of becoming. And he projected his world of the imagination with such unequaled artistic power that its shadow fell on every male nude in art for three hundred and fifty years. Painters either imitated his heroic poses and proportions or they reacted against them self-consciously and sought a new repertoire of attitudes in the art of fifth-century Greece. In the nineteenth century the ghost of Michelangelo was still posing the models in art schools.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Nude: A Study in Ideal Form (1951), Ch. V: Energy

World, School, Art, Imagination

“Poetry achieves its pinnacle when it is the perfection and mastery of expression (creation, perception) as Art (arrangement).”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Cosmos as a Poem (2010)

Art, Perfection

“A successful attempt to express logical propositions by symbols, the laws of whose combinations should be founded upon the laws of the mental processes which they represent, would, so far, be a step towards a philosophical language.”

George Boole (1815–1864) English mathematician, philosopher and logician

Source: 1840s, The Mathematical Analysis of Logic, 1847, p. 5

Law, Success

“For the modernist, in contrast, the past is largely irrelevant. The nation is a modern phenomenon, the product of nationalist ideologies, which themselves are the expression of modern, industrial society. The nationalist is free to use ethnic heritages, but nation-building can proceed without the aid of an ethnic past. Hence, nations are phenomena of a particular stage of history, and embedded in purely modern conditions.”

Anthony D. Smith (1939–2016) British academic

As cited by Eric G.E. Zuelow " Anthony D. Smith, Nationalism and the Reconstruction of Nations http://www.nationalismproject.org/what/smith1.htm" on nationalismproject.org. 1999-2007. Gastronomy or Geology? The Role of Nationalism in the Reconstruction of Nations. (1994)

History, Past

“The people who live here [in and around Davos] are proud. The hard work, which is done with great love, the way they treat animals (you very seldom see an animal being mishandled) entitle them to be proud. In most cases, work here has reached the ideal standard of being done with love. You can see it in the movements of their hands. And that, in turn, ennobles the facial expression and imbues all personal contacts with a great delicacy.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Quote, c. 1920; as cited by Kornfield, E. W.; Stauffer, Christine E. Stauffer (1992), Biography Ernst Ludwig Kirchner, Kirchner Museum Davos. Retrieved March 21, 2016; from Wikipedia: Kirchner
1920's

Love, People, Way, Animals

“Only those who have experienced the elation and despair which comes from the attempt to express their feelings about vision in oil paint will know that it is impossible to speak with complete impartiality about art.”

Roger Fry (1866–1934) English artist and art critic

Characteristics of French Art' 1931.
Art Quotes

Art, Feeling, Painting, Despair

“The task of a theory of class is to identify the existing conditions for potential collective struggle and express them as a political proposition.”

Antonio Negri book Multitude: War and Democracy in the Age of Empire

104
Multitude: War and Democracy in the Age of Empire

“Nothing is harder to understand than a symbolic work. A symbol always transcends the one who makes use of it and makes him say in reality more than he is aware of expressing.”

Albert Camus book The Myth of Sisyphus

"Hope and the Absurd in the work of Franz Kafka"
The Myth of Sisyphus (1942)

Understanding, Reality

“The Mass is Idolatry. All worshipping, honouring, or service invented by the brain of man in the religion of God, without his own express commandment, is idolatry. The Mass is invented by the brain of man, without any commandment of God; therefore it is idolatry.”

John Knox (1514–1572) Scottish clergyman, writer and historian

John Knox, A Vindication of the Doctrine that the Sacrifice of the Mass is Idolatry http://www.swrb.com/newslett/actualNLs/vindicat.htm, 1550; as quoted in Selected Writings of John Knox: Public Epistles, Treatises, and Expositions to the Year 1559

God, Religion

“Disarmament conference. Many times I have expressed my desire to see the work of the Washington Conference on Limitation of Armaments appropriately supplemented by further agreements for a further reduction M for the purpose of diminishing the menace and waste of the competition in preparing instruments of international war. It has been and is my expectation that we might hopefully approach other great powers for further conference on this subject as soon as the carrying out of the present reparation plan as the established and settled policy of Europe has created a favorable opportunity. But on account of proposals which have already been made by other governments for a European conference, it will be necessary to wait to see what the outcome of their actions may be. I should not wish to propose or have representatives attend a conference which would contemplate commitments opposed to the freedom of action we desire to maintain unimpaired with respect to our purely domestic policies.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Second State of the Union Address (1924)

War, Freedom, Time, Waiting

“A programming language is for thinking of programs, not for expressing programs you've already thought of.”

Paul Graham (1964) English programmer, venture capitalist, and essayist

"Hackers and Painters" http://www.paulgraham.com/hp.html, May 2003

Thinking

“Humor and pathos, tears and laughter are, in the highest expression of human character and achievement, inseparable.”

James Thurber (1894–1961) American cartoonist, author, journalist, playwright

"The Case for Comedy", Lanterns & Lances http://books.google.com/books?id=m0RZAAAAYAAJ&q=%22humor+and+pathos+tears+and+laughter+are+in+the+highest+expression+of+human+character+and+achievement+inseparable%22&pg=PA143#v=onepage (1961); previously appeared in The Atlantic Monthly November 1960 http://books.google.com/books?id=6q8GAQAAIAAJ&q=%22and+pathos+tears+and+laughter+are+in+the+highest+expression+of+human+character+and+achievement+inseparable%22&pg=PA98#v=onepage From Lanterns and Lances‎

Tear, Laughter

“Climbing the bole of the tree, a man clings with all his arms and legs, and lays hold of every knob and sliver. When he mounts amongst the branches, it should be with a more easy alacrity. A man will often be apt at the one operation, yet awkward at the other. Nor is it, indeed, common to meet with a man of such a character as can be carried from a low condition of life through successive ascents, with an aptitude for every condition into which he passes; and thus it is that men who rise well will often stand infirmly. But for want of due consideration being given to the nature of men and circumstances, it is a usual thing to hear, not only regret but surprise expressed, when a man who has attained an elevated position in life exhibits in that position those very defects of character through which he is there.”

Henry Taylor (1800–1886) English playwright and poet

Source: The Statesman (1836), Ch. 14. p. 91

Life, Men, Nature, Tree

“The problems of hunger and food, unemployment, a growing and crushing price rise in the commodities needed for one’s day-to-day subsistence have naturally found angry expressions, sometimes violent expression in many parts of the country. Corruption and falling standard in administration and public life have added to their dimension.”

V. V. Giri (1894–1980) Indian politician and 4th president of India

Source: Presidents of India, 1950-2003, P.83

Life, Hunger, Food, Nature

“I must learn how to express the gentle vibration of things, their roughened textures, their intricacies. I have to find an expression for that in my drawing, too, in the way I sketched my nudes here in Paris, only more original, more subtly observed. The strange quality of expectation that hovers over muted things [skin, Otto's Otto Modersohn forehead, fabrics, flowers]; I must try to get hold of the great and simple beauty of all that. In general, I must strive for the utmost simplicity united with the most intimate power of observation. That's where greatness lies.”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, Paris, 1898; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, pp. 197-198
1898

Beauty, Way, Flowers, Learning

“Wittgenstein expressed more than once the fear that his writings would be destroyed by fire. He related with horror how the great historian, Mommsen, had lost a manuscript volume of his History of Rome in that way.”

Norman Malcolm (1911–1990) American philosopher

Ludwig Wittgenstein: A Memoir, 1958

Fear, Way, History

“There, up on deck, standing in the very entrance to his cabin and silhouetted dimly against the snow, was the figure of a man with shaven head and bare feet, wrapped in a large cape made of crimson felt. The figure knelt down and bowed to Jia Zheng, who did not recognize the features and hurried out on deck, intending to raise him up and ask him his name. The man bowed four times, and now stood upright, pressing his palms together in monkish greeting. Jia Zheng was about to reciprocate with a respectful bow of the head when he looked into the man's eyes and with a sudden shock recognized him as Bao-yu.
'Are you not my son?' he asked.
The man was silent and an expression that seemed to contain both joy and sorrow played on his face. Jia Zheng asked again:
'If you are Bao-yu, why are you dressed like this? And what brings you to this place?'
Before Bao-yu could reply two other men appeared on the deck, a Buddhist monk and a Taoist, and holding him between them they said:
'Come, your earthly karma is complete. Tarry no longer.'
The three of them mounted the bank and strode off into the snow. Jia Zheng went chasing after them along the slippery track, but although he could spy them ahead of him, somehow they always remained just out of reach.”

John Minford (1946) New Zealand sinologist

Source: Translations, The Story of the Stone, Vol. 5: 'The Dreamer Wakes' (1986), Chapter 120

Men, Appearance, Time, Joy

“For summer tourists to handle these intricate problems in a theological spirit would be altogether absurd; but for us these great theologians were also architects who undertook to build a Church Intellectual, corresponding bit by bit to the Church Administrative, both expressing — and expressed by — the Church Architectural. Alexander Hales, Albert the Great, Thomas Aquinas, Duns Scotus, and the rest, were artists.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Problem, Summer

“Modern man - although a unity of body, mind, and soul - exhibits a changed consciousness: every expression of his life has today a different aspect, that is, an aspect more positively abstract.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

Life, Soul, Change

“Any work of architecture which does not express serenity is a mistake.”

Luis Barragán (1902–1988) Mexican architect

Contemporary Architects, St. Martins Press.

“Robert Motherwell: Would you say that a fair statement of your position is that the 'meaning' of a work of art consists of the relations among the elements, and not the elements themselves?
Hofmann: Yes, that I would definitely say. You make a thin line and a thick line. It is the same with geometrical shapes. It is all relationship. Without all these relationships it is not possible to express higher art.”

Hans Hofmann (1880–1966) American artist

Interview in Modern Artists in America, First Series (1952), ed. R. Motherwell, Ad Reinhardt, and B. Karpel, p. 19, 39
1950s

Art

“Humbly, I seek the blessing of the Lord. I am overwhelmed with a sense of inadaquacy. I feel shaken. I'd like to express appreciation to my father, who lies critically ill. No son ever had a better father. I'd like to express appreciation to my mother. I say these things, because I'd like to make the point that all of us in our various situations are the result, largely, of the lives that touch ours. And today, I feel profoundly grateful for all who have touched mine.”

Gordon B. Hinckley (1910–2008) President of The Church of Jesus Christ of Latter-day Saints

General Conference, October, 1958

Feeling, Sense

“Man bears in his bodily structure clear traces of his descent from some lower form; but it may be urged that, as man differs so greatly in his mental power from all other animals, there must be some error in this conclusion. No doubt the difference in this respect is enormous, even if we compare the mind of one of the lowest savages, who has no words to express any number higher than four, and who uses no abstract terms for the commonest objects or affections, with that of the most highly organised ape.”

Charles Darwin book The Descent of Man, and Selection in Relation to Sex

volume I, chapter II: "Comparison of the Mental Powers of Man and the Lower Animals", page 34 http://darwin-online.org.uk/content/frameset?pageseq=47&itemID=F937.1&viewtype=image The Descent of Man (1871)

Error, Animals

“The impulse of nature, fused through the personality of the artist by laws arising from the particular nature of the medium, produces the rhythm and the personal expression of a work. Then the life of the composition becomes a spiritual unity.”

Hans Hofmann (1880–1966) American artist

'Painting and Culture' p. 58
Search for the Real and Other Essays (1948)

Life, Law, Nature, Personality

“If the gist of the controversy were to be expressed in a single sentence, one might say that the mechanists represented the opposition of the natural sciences to philosophic interference, while the dialecticians stood for the supremacy of philosophy over the sciences and thus reflected the characteristic tendency of Soviet ideological development. The mechanists’ outlook might be called negative, while the dialecticians ascribed immense importance to philosophy and regarded themselves as specialists. The mechanists, however, had a much better idea of what science was about. The dialecticians were ignoramuses in this sphere and confined themselves to general formulas about the philosophical need to "generalize" and unify the sciences; on the other hand, they knew more than the mechanists about the history of philosophy.”

Leszek Kolakowski (1927–2009) Philosopher, historian of ideas

Eventually the party condemned both camps, and created a dialectical synthesis of both forms of ignorance.
pg. 64
Main Currents Of Marxism (1978), Three Volume edition, Volume III: The Breakdown

History, Idea, Nature, Science

“It may indeed be true that in order to act we need a certain amount of self-confidence and intellectual self-assurance. It may also be true that the very form of expression, in which we clothe our thoughts, tends to impose upon them an absolute tone.”

Karl Mannheim (1893–1947) Hungarian sociologist

Ideology and Utopia (1929)

Confidence, Self-confidence, Clothes

Quotes about expression page 16

Quotes about expression
page 16