Quotes about expression
page 15

“No, I don’t think it’s correct to define my writing as fables. There are themes, yes, but I’m not trying to offer some categorical cure-it-all to the problematic situation of Man. I’m neither theologian nor a politician. My concern in my first novel, The Zoo, was loss of inner life. After long years of writer’s block, the novel just exploded out of me. Thirty days. All too quickly to really do it justice. With my second novel, The Nihilesthete, I was taken by the spiritual diminishment and the all-pervasive powerlessness that I felt was taking over our culture which in turn prevented and inverted my lead character’s full expression. Such is the motive-force behind almost banal, cerebralized cruelties he harbours upon his arch-enemy, the artist, Brodski.”

Richard Kalich novelist

Richard Kalich in conversation with Lucy Sweeney Byrne - Books Go Social http://booksgosocial.com/2015/01/13/richard-kalich-in-conversation-with-lucy-sweeney-byrne/ January 13, 2015.

Life, Justice, Motivation, Thinking

“He quickly lowered his eyes to his knees again, to conceal the pain in them, to conceal his broken faith in the innate goodness of men, the profound despair of realization that reason might not after all triumph over ignorance.
“Perhaps,” he murmured aloud, “To believe in the inevitable triumph of rationality might, in itself, be no more than another expression of those same superstitions which we deplore in the ignorant. It is apparently an occupational disease, perhaps a fatal one, for the scientist to be too sanguine about eventual rule by reason. There is so little evidence…””

Mark Clifton book They'd Rather Be Right

Source: They'd Rather Be Right (1954), p. 16.

Men, Pain, Disease, Faith

“I cannot refrain… from expressing my surprise that, according to the report in The Times there should be so much complaint about the difficulty of understanding the new theory. It is evident that Einstein's little book "About the Special and the General Theory of Relativity in Plain Terms," did not find its way into England during wartime. Any one reading it will, in my opinion, come to the conclusion that the basic ideas of the theory are really clear and simple; it is only to be regretted that it was impossible to avoid clothing them in pretty involved mathematical terms, but we must not worry about that. …
The Newtonian theory remains in its full value as the first great step, without which one cannot imagine the development of astronomy and without which the second step, that has now been made, would hardly have been possible. It remains, moreover, as the first, and in most cases, sufficient, approximation. It is true that, according to Einstein's theory, because it leaves us entirely free as to the way in which we wish to represent the phenomena, we can imagine an idea of the solar system in which the planets follow paths of peculiar form and the rays of light shine along sharply bent lines—think of a twisted and distorted planetarium—but in every case where we apply it to concrete questions we shall so arrange it that the planets describe almost exact ellipses and the rays of light almost straight lines.
It is not necessary to give up entirely even the ether. …according to the Einstein theory, gravitation itself does not spread instantaneously, but with a velocity that at the first estimate may be compared with that of light. …In my opinion it is not impossible that in the future this road, indeed abandoned at present, will once more be followed with good results, if only because it can lead to the thinking out of new experimental tests. Einstein's theory need not keep us from so doing; only the ideas about the ether must accord with it.”

Hendrik Lorentz (1853–1928) Dutch physicist

Theory of Relativity: A Concise Statement (1920)

Books, Way, Imagination, Mathematics

“Over the past fifty years or so, scientists have allowed the conventions of expression available to them to become entirely too confining.”

David Mermin (1935) American physicist

[N. David Mermin, Boojums all the way through: communicating science in a prosaic age, Cambridge University Press, 1990, 0-521-38880-5, xi]

Past

“All my life, I have lived with the feeling that I have been kept from my true place. If the expression "metaphysical exile" had no meaning, my existence alone would afford it one.”

Emil M. Cioran book The Trouble With Being Born

The Trouble With Being Born (1973)

Life, Feeling

“I saw no reason why you couldn't create a work of pornography that adhered to all the same standards as the best art or literature. The big difference between art and pornography is that art, at its best, makes you feel less alone. You see a painting or read a piece of writing that expresses a thought that you had but didn't express, and you suddenly feel less alone. Pornography, on the other hand, tends to engender feelings of self-disgust, isolation and wretchedness. I wanted to change that.”

Alan Moore (1953) English writer primarily known for his work in comic books

http://www.independent.co.uk/arts-entertainment/books/features/alan-moore-the-reluctant-hero-64407.html

Art, Feeling, Literature, Change

“A poem is one undivided unimpeded expression fallen ripe into literature, and it is undividedly and unimpededly received by those for whom it was matured.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

A Week on the Concord and Merrimack Rivers http://www.gutenberg.org/dirs/etext03/7cncd10.txt (1849), Thursday

Literature

“I believe that the love of freedom and the hatred of oppression under-girds and vitalizes the whole republican movement. The principles of our fathers in regard to human liberty and equality still live in the hearts of their descendants, and will find appropriate expression and suitable exponents.”

Owen Lovejoy (1811–1864) American politician

As quoted in His Brother's Blood: Speeches and Writings, 1838&ndash;64 https://books.google.com/books?id=qMEv8DNXVbIC&pg=PA158 (2004), edited by William Frederick Moore and Jane Ann Moore, p. 158 1850s, Speech at the Joliet Convention in Illinois (June 1858)

Love, Freedom, Heart

“If certain types and degrees of compulsion represent true expressions of brotherly affection, coercion may ennoble personality. If the killing of a brother is an act which in its very essence is alien to and destructive of the family bond, then it is ethically unjustifiable.”

Kirby Page (1890–1957) American clergyman

Individualism and Socialism (1933)

Family, Personality

“[On the death penalty] Seems so absurd to me that the laws, that are the expression of the public will, that hate and punish the murder, make one themselves, and, to dissuade citizens from the murder, order a public murder.”

Cesare Beccaria book On Crimes and Punishments

Source: On Crimes and Punishments (1764), Chapter XXVIII

Death, Hate, Law, Penalty

“Eugenics aims to arouse the enthusiasm or the interest of the people in the welfare of the world fifteen or twenty generations in the future. On its negative side it shows us that we are paying for and even submitting to the dictates of an ever increasing, unceasingly spawning class of human beings who never should have been born at all—that the wealth of individuals and of states is being diverted from the development and the progress of human expression and civilization.”

Margaret Sanger (1879–1966) American birth control activist, educator and nurse

Source: The Pivot of Civilization, 1922, Chapter 8, "Dangers of Cradle Competition"

People, World, Future, Wealth

“Plastic expression in architecture is inconceivable without colour. Colour and light complete one another. Without colour architecture is expressionless, blind... If the Functionalists wish to suppress colour completely, then this merely proves that they never understood the importance of colour as an ‘architectural’ element, as a means of plastic expression, no matter whether used with iron, glass, or concrete.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote in van Doesburg's his article: 'Space – time and colour', in 'De Stijl', Aubette Issue, series xv, 87-9, 1928, pp. 26–27
1926 – 1931

Light

“I want people to see me as an honest person, a person who is actually willing to express what they believe. The way I look at it, if people don't like that, I'd rather not be in office. I don't want to be in office under false pretenses, just saying things people want to hear so I can get elected.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

As quoted in "Carson: I won't tell lies to get elected" http://thehill.com/blogs/ballot-box/presidential-races/256687-carson-i-wont-be-silenced (2015), by Jonathan Easley, The Hill (October 12, 2015).

People, Way, Personality, Falseness

“Something appears midway between order and chaos, these forms, these expressions occupy a middle position.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

1973 - from CF,35; p. 67
Karel Appel, a gesture of colour' (1992/2009)

Appearance

“Depersonalization is a concept difficult to delineate. It can be regarded as a symptom or as a loosely associated group of symptoms that occurs in psychiatric patients. It can be induced experimentally and also occurs spontaneously in normal subjects. A major obstacle to clearer definition of this concept lies in the fact that it refers to exceedingly private events in the individual's experience. These prove very difficult to describe by a language geared to the description of public (consensually validated) events or private events, such as pain, that occur usually in clearly defined social settings. When it comes to describing and conveying something as ineffable as depersonalization or derealization, the subject resorts to metaphors, "as if" expressions, and figures of speech. The result is semantic confusion. Different authors mean different things when they use the term depersonalization.
The concept of depersonalization merges by imperceptible degrees with the concept derealization, the concept of altered body image and self, deja vu, jamais vu, altered time and space perception and so on - the whole gamut of phenomenological description of the experiences of mental patients. Therefore, it is rather difficult to evaluate and to review objectively the psychiatric literature on the phenomena of depersonalization.”

Thaddus E. Weckowicz (1919–2000) Canadian psychologist

Source: Depersonalization, (1970), p. 171

Pain, Literature, Time

“It is not easy to write a familiar style. Many people mistake a familiar for a vulgar style, and suppose that to write without affectation is to write at random. On the contrary, there is nothing that requires more precision, and, if I may so say, purity of expression, than the style I am speaking of. It utterly rejects not only all unmeaning pomp, but all low, cant phrases, and loose, unconnected, slipshod allusions. It is not to take the first word that offers, but the best word in common use; it is not to throw words together in any combinations we please, but to follow and avail ourselves of the true idiom of the language. To write a genuine familiar or truly English style, is to write as anyone would speak in common conversation who had a thorough command and choice of words, or who could discourse with ease, force, and perspicuity, setting aside all pedantic and oratorical flourishes… It is easy to affect a pompous style, to use a word twice as big as the thing you want to express: it is not so easy to pitch upon the very word that exactly fits it, out of eight or ten words equally common, equally intelligible, with nearly equal pretensions, it is a matter of some nicety and discrimination to pick out the very one the preferableness of which is scarcely perceptible, but decisive.”

William Hazlitt (1778–1830) English writer

"On Familiar Style" (1821) Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

People, Intelligence, Decision

“It makes no difference whether a work is naturalistic or abstract; every visual expression follows the same fundamental laws.”

Hans Hofmann (1880–1966) American artist

'Excerpts from the Teaching of Hans Hofmann', p. 61
Search for the Real and Other Essays (1948)

Law

“Love her? You're devoid of all feeling. You lack common decency. You know how to express yourself. You always have just the right words. There's just one thing you haven't the slightest clue about: life itself. You're a craven coward, but a genius at evasions and excuses.”

Ingmar Bergman (1918–2007) Swedish filmmaker

"Martin" (Max von Sydow) in Through a Glass Darkly (1961).
Films

Love, Life, Feeling

“The disconcerting fact may first be pointed out that if you write badly about good writing, however profound may be your convictions or emphatic your expression of them, your style has a tiresome trick (as a wit once pointed out) of whispering: ‘Don’t listen!’ in your readers’ ears. And it is possible also to suggest that the promulgation of new-fangled aesthetic dogmas in unwieldy sentences may be accounted for—not perhaps unspitefully—by a certain deficiency in aesthetic sensibility; as being due to a lack of that delicate, unreasoned, prompt delight in all the varied and subtle manifestations in which beauty may enchant us.
Or, if the controversy is to be carried further; and if, to place it on a more modern basis, we adopt the materialistic method of interpreting aesthetic phenomena now in fashion, may we not find reason to believe that the antagonism between journalist critics and the fine writers they disapprove of is due in its ultimate analysis to what we may designate as economic causes? Are not the authors who earn their livings by their pens, and those who, by what some regard as a social injustice, have been more or less freed from this necessity—are not these two classes of authors in a sort of natural opposition to each other? He who writes at his leisure, with the desire to master his difficult art, can hardly help envying the profits of money-making authors.”

Logan Pearsall Smith (1865–1946) British American-born writer

criticizing the Cambridge School of criticism, e.g. John Middleton Murry and Herbert Read, “Fine Writing,” pp. 306-307
Reperusals and Recollections (1936)

Money, Beauty, Art, Fashion

“Austerity measures constitute retrogression in human rights, in contravention of articles 2 and 5 of the International Covenant on Economic, Social and Cultural Rights, imposed top-down and never legitimized by popular referendum. Moreover, the “bail-out” of the banking system was undemocratic and inequitable because a “private debt” was rescued through public money, namely, by increasing the public debt, at the expense of social justice. The general feeling of malaise was expressed in the statement that Governments seem to have adopted the elitist view that “banks are too big to fail and bankers too big to jail”, concern being expressed about the dangers of privatization of essential services, including water, and the widespread phenomenon of privatizing profit and socializing cost.”

Alfred de Zayas (1947) American United Nations official

United Nations General Assembly - Promotion of a democratic and equitable international order http://www.ohchr.org/Documents/Issues/IntOrder/A-68-284_en.pdf. 2013

Money, Justice, Feeling, Water

“The duty of a lyrical poet is not to express or explain, it is to intensify life.”

James Stephens (1882–1950) Irish writer

Collected Poems (London: Macmillan, 1954) p. xii.

Life

“My ears may have been playing a trick on me, but I thought I heard the gentleman a moment ago say something quote unquote about homos in the military. Was I right in hearing that expression? Was the gentleman referring to the thousands and thousands of gay people who have put their lives on the line in countless wars defending this country? Was that the groups of people that the gentleman was referring to? You have insulted thousands of men and women who have put their lives on the line. I think they are owed an apology.”

Bernie Sanders (1941) American politician, senator for Vermont

Speaking to Representative Duke Cunningham on the floor of the House of Representatives, 11 May 1995, from Watch Bernie Sanders Demolish A Republican Over ‘Homos In The Military’ http://www.huffingtonpost.com/entry/bernie-sanders-duke-cunningham-homophobia_us_56cb75eee4b041136f17dc9f by Zach Carter, The Huffington Post (22 February 2016) 1990s

Women, Men, War, People

“We have rejected reason because we have found another reason that could be called trans-rational, which has its own law, construction and sense... This reason has found a way-Cubism-of expressing the object.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote from Malevich's letter to the composer Matiushin, June 1913; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 266
1910 - 1920

Law, Way, Sense

“I believe that in our period it is definitely necessary that, as far as possible, the paint is applied in pure colours, set next to each other in a pointillist or diffuse manner. This is stated strongly, and yet it relates to the idea which is the basis of meaningful expression in form, as I see it. It seems to me that the clarity of ideas should be accompanied by a clarity of technique.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in Mondrian's letter to Israel Querido, Summer of 1909; published in the weekly magazine 'De Controleur' 23 Oct, 1909; as cited in English translation, in Two Mondrian sketchbooks 1912 - 1914, ed. Robert P. Welsh & J. M. Joosten, Amsterdam 1969 p. 10
1900's

Idea, Painting

“Of all the people insistently expressing their mental vacuity, none has a better excuse for an empty head than the newspaperman: If he pauses to restock his brain, he invites onrushing headlines to trample him flat.”

Russell Baker (1925–2019) writer and satirst from the United States

"Introduction" (p.14)
There's a Country in My Cellar (1990)

People

“We seem to assume that if only someone could find the cure for our disease, some new plan, we should at once see that it was the cure and apply it. We ask for leaders and leadership. But if the right course, which the leader indicates, is regarded by the multitudes sincerely as the wrong one, they will declare that he is no leader but a misleader. Inevitably in a democracy the leader is he who expresses existing convictions in the most vivid way, who possesses, as someone puts it, "the common mind to an uncommon degree."”

Norman Angell (1872–1967) British politician

Peace and the Public Mind (1935)

Disease, Way, Democracy, Sincerity

“Fawning ambition so plainly expressed in the classroom was quite another matter. It wasn’t that I got A’s; other boys got A’s. It was that I wanted my A’s so badly and sought them so blatantly—that’s what everyone saw. Nixon: “I won my share of scholarships, and of speaking and debating prizes in school, not because I was smarter but because I worked longer and harder than some of my more gifted colleagues.””

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

School, Boy

“I believe that into the weakest, saddest heart that opens to receive this Divine Guest, the Father and the Son will come and abide; and the exalted joy that abiding brings, what words can express! The Divine dwelling in the human, the Infinite in the finite, how marvelous! how glorious! This must be the real foretaste of heavenly joy — the truest heaven we can know on earth.”

Arthur Kenney (1776–1855) Irish dean

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 278.

Heart, Joy

“Senator Joker Arroyo will always be known as among the pioneers and champion of human rights advocacy and a freedom fighter. He defended and handled human rights cases. Together with the freedom-loving Filipinos, we express the gratitude of the Filipino nation for his sacrifices and those of his family members offered to make a better Philippines. We cannot repay his sincerity, courage and fortitude and strength amid challenges he had encountered while serving the parliament of the streets and the halls of Congress and Senate.”

Francis Escudero (1969) Filipino politician

Escudero, F. [Francis]. (2015, October 7). Retrieved from Facebook Page of Francis Escudero https://www.facebook.com/senchizescudero/posts/10153623885590610/Official 2015, Facebook

Love, Family, Courage, Freedom

“Individuality of expression is the beginning and end of all art.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Maxim 739, trans. Stopp
Maxims and Reflections (1833)

Art

“We must have a new commitment to excellence and transparency at MU. The leadership of the school failed the students who expected more from the great university they chose to attend. Professor Click, on the grounds of an institution that is supposed to carry the banner of free thought and expression, on a campus with one of the world’s leading journalism schools -- trampled on the First Amendment, the very sacred defender of individual thought. The actions of a rogue professor and rudderless leaders have embarrassed the university and our state. To begin moving forward, it is long past time for the University to remove Professor Click. We must renew our commitment to Mizzou, which really is a commitment to the students, who are the future of our great state.”

Eric Schmitt (1975) American politician, lawyer

Reforming Mizzou: Earning back the taxpayers’ trust http://www.columbiatribune.com/bf4d55bb-fee4-5a97-8341-2824a3baba05.html (January 10, 2016)

World, School, Universe, Time

“It is some improvement that for married couples – or male-female couples in general – the fertility indicator expressing the nation’s demographic situation has risen from 1.2 to 1.44, and this is promising, but 1.44 is still very far from 2. In order to feel safe demographically, the average statistical ratio of children to Hungarian couples should be 2.1. In practice this is hard to implement, but this is the average figure we should have. Until we reach that point, Hungarians must be seen as an endangered species demographically; and the people – but the Government above all – should understand the imperative which is implicit in this.”

Viktor Orbán (1963) Hungarian politician, chairman of Fidesz

Children, People, Feeling, Understanding

“Were a language ever completely "grammatical" it would be a perfect engine of conceptual expression. Unfortunately, or luckily, no language is tyrannically consistent. All grammars leak.”

Edward Sapir (1884–1939) American linguist and anthropologist

Source: Language (1921), p. 39

Perfection

“I shall have to express a very deep conviction: that until we have courage to recognize cruelty for what it is—whether its victim is human or animal—we cannot expect things to be much better in the world. There can be no double standard. We cannot have peace among men whose hearts find delight in killing any living creature. By every act that glorifies or even tolerates such moronic delight in killing, we set back the progress of humanity.”

Rachel Carson (1907–1964) American marine biologist and conservationist

Letter to Fon Boardman; quoted in Rachel Carson: Legacy and Challenge, ed. Lisa H. Sideris and Kathleen Dean Moore (Albany: State University of New York Press, 2008), p. 102 https://books.google.it/books?id=awR4kJrhQK0C&pg=PA102.

Men, World, Peace, Courage

“Italy is only a geographical expression.”

Klemens von Metternich (1773–1859) Austrian diplomat

Astarita, Tommaso (2000). Between Salt Water And Holy Water: A History Of Southern Italy. p. 264.

“The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Introduction'
Essays and reviews, Glued to the Box (1983)

World, Art, Appearance

“When taken as a way of modeling cognitive architecture, connectionism really does represent an approach that is quite different from that of the classical cognitive science that it seeks to replace. Classical models of the mind were derived from the structure of Turing and Von Neumann machines. They are not, of course, committed to the details of these machines as exemplified in Turing's original formulation or in typical commercial computers—only to the basic idea that the kind of computing that is relevant to understanding cognition involves operations on symbols.. In contrast, connectionists propose to design systems that can exhibit intelligent behavior without storing, retrieving, or otherwise operating on structured symbolic expressions. The style of processing carried out in such models is thus strikingly unlike what goes on when conventional machines are computing some function.”

Zenon Pylyshyn (1937) Canadian philosopher

Jerry A. Fodor, and Zenon W. Pylyshyn. "Connectionism and cognitive architecture: A critical analysis." Cognition 28.1-2 (1988): 3-71.

Way, Behavior, Intelligence, Idea

“The free expression of the hopes and aspirations of a people is the greatest and only safety in a sane society.”

Emma Goldman book Living My Life

Living My Life (1931)

People, Hope

“Firstly, I must of necessity express some obvious qualifications about my remarks. Foremost, I can never fully imagine, much less experience, the issues faced by any woman. I was born male in an advanced Western nation, to comfortably well off parents. I have never routinely experienced discrimination in my career, nor the apprehension of violence in my personal life. Far too many women regardless of nationality, religion, or class status have known both. Most benefits of masculinity and patriarchy have accrued to me. Nonetheless, I hope those considerable limitations in my perspective can in part be offset by my sincere intent to support women in my organisation to thrive in the absence of both.”

David Morrison (1956) Australian army general

Address at the International Women's Day Conference (2013)

Life, Women, Religion, Hope

“Poetry, from describing external events objectively, is becoming subjectified into a poetry of personal conscious expression.”

Julian Jaynes book The Origin of Consciousness in the Breakdown of the Bicameral Mind

Book II, Chapter 5, p. 274
The Origin of Consciousness in the Breakdown of the Bicameral Mind (1976)

Personality

“Pollock was terrific. I think he freed himself of all kinds of worry about this world. Ran around and dripped, and then he managed to express ecstasy.”

Agnes Martin (1912–2004) American artist

1980 - 2000, Perfection Is in the Mind', 1995

World, Thinking

“Certainly in Mexico, the Latin American country I know best, white ascends. Certainly, the whitest dinner party I ever attended was a Mexico City dinner party where a Mexican squire of exquisite manner, mustache, and flán-like jowl, expressed himself surprised, so surprised, to learn that I am a writer. One thought he would never get over it. Un escritor... ¿Un escritor...? Turning the word on a lathe of tooth and tongue, until: “You know, in Mexico, I think we do not have writers who look like you,” he said. He meant dark skin, thick lips, Indian nose.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Thinking, Learning, Country

“The reckoning with idealism as a view of life is universal, but it also touches on something central in art-its life's substance. One must understand that it is impossible to distinguish between a picture’s form and its substance. As the flower's structure is governed by the intentional tension (when it loses the sap the form is lost), so also with art the substance creates the tension. Form and substance are one and the same. Form is the life expression and substance the living painting.”

Asger Jorn (1914–1973) Danish artist

1940 - 1948, Intimate Banalities' (1941)

Life, Art, Flowers, Understanding

“[On inspiration]: I think it comes from anxiety. That is to say, either the mind or the body is already rather highly charged and in need of some kind of expression, some way to crystallize and relieve the pressure. And it seems to me that if you’re in that condition and an idea, an insight, an association occurs to you, then that energy is released through the expression of that insight or idea, and after the poem is written, you feel a certain resolution and calmness. Well, I won’t say a “momentary stay against confusion” (Robert Frost’s phrase) but that’s what I mean. I think it comes from that. You know, Bloom says somewhere that poetry is anxiety.”

A.R. Ammons (1926–2001) American poet

Paris Review interview (1996)

Way, Feeling, Idea, Thinking

“In every science, after having analysed the ideas, expressing the more complicated by means of the more simple, one finds a certain number that cannot be reduced among them, and that one can define no further. These are the primitive ideas of the science; it is necessary to acquire them through experience, or through induction; it is impossible to explain them by deduction.”

Giuseppe Peano (1858–1932) Italian mathematician

Notations de Logique Mathématique (1894), p. 173, as quoted in "The Mathematical Philosophy of Giuseppe Peano" by Hubert C. Kennedy, in Philosophy of Science Vol. 30, No. 3 (July 1963)

Idea, Science

“Dada is a farce, a legend, a state of myth. A badly behaved myth whose subterranean survival and capricious manifestation upset everyone... The aesthetic of absolute negativity has been changed into methodical doubt, thanks to which it will finally be able to incarnate new signs... After the NO and the ZERO, there is a third position for the myth; the anti-art gesture of Marcel Duchamp has been charged with positive energy. The Dada spirit identifies itself with a method of appropriation of exterior reality of the modern world... The ready-made is no longer the height of negativity or of polemic, but the basis element of a new expressive repertoire. Such is the New Realism: a direct means for getting one's feet back on the ground but at 40 degree above Dada zero.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 41, note 30

World, Art, Reality, Change

“Polybius is not less express than Thucydides in asserting the principle that accurate representation of facts was the fundamental duty of the historian. He lays down that three things are requisite for performing such a task as his: the study and criticism of sources; autopsy, that is, personal knowledge of lands and places; and thirdly, political experience.”

J. B. Bury (1861–1927) Irish historian and freethinker

p. 197 http://babel.hathitrust.org/cgi/pt?id=coo1.ark:/13960/t2g73zj2z;view=1up;seq=215 The Ancient Greek Historians (1909)

Knowledge, Study, Personality

“With the old ideal of liberty there was a great and urgent passion for freedom of opinion and freedom of speech. In the present day we cared very much less for freedom of opinion as an element in our national life than we did in those days. But we ought always to be on our guard against giving the smallest encouragement to any attempt of any kind of any dominant party to put down the free expression of anything which was not criminal.”

James Bryce, 1st Viscount Bryce (1838–1922) British academic, jurist, historian and Liberal politician

Speech to the Economic Students' Union at the School of Economics and Political Science, London (14 December 1900), quoted in The Times (17 December 1900), p. 13.
1900s

Life, Freedom, Passion

“The most barbarous fact in all christendom is the labor market. The mere term sufficiently expresses the animalism of commercial civilization.
They who buy and they who sell in the labor market are alike dehumanized by the inhuman traffic in the brains and blood and bones of human beings.”

Eugene V. Debs (1855–1926) American labor and political leader

The Socialist Party and the Working Class (1904)

Animals

“It is always understood as an expression of condemnation when anything in Literature or Art is said to be done for effect; and yet to produce an effect is the aim and end of both.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)

Art, Literature

“By 1939 the national debt had reached 37.4 billion marks. The reemployment of millions of jobless and the rearmament of German military forces had been financed by borrowing gigantic sums of money. Even Goebbels, who otherwise mocked the government’s financial experts as narrow-minded misers, expressed concern in his diary about the exploding deficit.”

Götz Aly (1947) German journalist, historian and social scientist

Source: Hitler’s Beneficiaries: Plunder, Racial War, and the Nazi Welfare State (2007), p. 39

Money

“Society is eliminating the prerogatives and privileges of feudal. aristocratic culture together with its content. The fact that the transcending truths of the fine arts, the aesthetics of life and thought, were accessible only to the few wealthy and educated was the fault of a repressive society. But this fault is not corrected by paperbacks, general education, long-playing records, and the abolition of formal dress in the theater and concert hall. The cultural privileges expressed the injustice of freedom, the contradiction between ideology and reality, the separation of intellectual from material productivity; but they also provided a protected realm in which the tabooed truths could survive in abstract integrity—remote from the society which suppressed them.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 64-65

Life, Truth, Education, Art

“Most people suspend their judgment till somebody else has expressed his own and then they repeat it. Common parlance alludes to this weakness in the frequently heard phrase: PEOPLE DO NOT THINK.”

Ernest Dimnet (1866–1954) French writer

Source: The Art of Thinking (1928), p. 139

People, Thinking

“Unity is a truth. The truth is, there's only ultimately one. All this diversity we see - and there's great diversity and great uniqueness! But underlying it, the essence of all of it is conscious spirit. Conscious spirit is what everything is. Spirit is what everything is. Spirit is what's expressing itself. When you look around you, what you're really seeing is the expressions of ineffable spirit. That's what you're seeing. No matter what you see, no matter what you experience, it's really a manifestation of spirit.”

Adyashanti (1962) Spiritual teacher

The Basic Teachings - Part 1: Principles of the Teaching (2009)

Truth

“French, German, English and Spanish are four admirable languages and I manage to express myself in all of them with more or less skill.”

Albert Caraco (1919–1971) French-Uruguayan philosopher

Source: Journal of 1969, p. 45

“The spiraling shapes, and the beautiful contrasts of yellow and blue, that are intuitively felt one evening while living the movements of a girl dancing may be found again later, through a process of plastic preferences or aversions, or through combination of both, in the concentric circling of an aeroplane or in the onrush of an express train”

Gino Severini (1883–1966) Italian painter

In his manifesto 'The Plastic Analogies of Dynamism', c. 1914; as quoted in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 218

Beauty, Girl, Dance, Training

“And then, as you can see, I give greater and greater importance to the materials I use in my work [c. 1936]. A rich and vigorous material seems necessary to me in order to give the viewer that smack in the face that must happen before reflection intervenes. In this way, poetry is expressed through a plastic medium, and it speaks its own language.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

1915 - 1940
Source: 'Où allez-vous Miro?', Georges Duthuit in Cahiers d'Art 11, nos. 8-10, 1936

Way

“The premise of this statement is what one might call the principle of non-indirection. I call “indirection” an indirect operation that makes it possible to arrive at a certain result through two successive actions, the first of which serves only to make the second possible. … This principle is not limited to rational actions. … The principle of non-indirection thus expresses a broader idea of coherence that includes the emotional as well as the rational.”

Jon Elster (1940) Norwegian academic

Reason and Rationality (2009)

Idea, Success

“Even in the act of composition, the poet is in a state in which the reflective elements are subordinated to the intuitive. The vision, however, is not operative for so long as it continues, its very stress acts as a check on expression.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

“Organization begins when people, even if they be only two or more, combine their efforts for a given purpose. We have shown this by the simple illustration of two people uniting their efforts to lift and move some weighty object. This combination, however, is not the first principle of organization. It is only an illustration of organization itself. To find the first principle, let us carry the illustration a step further. The efforts of these two lifters must be coordinated, which means that they must act together. If first one lifted, and then the other, there would be no unity of action, and hence no true organization of effort. Here then we find the first principles of organization.
The next thing to do in order to explain is what we mean when we call coordination the first principle. We mean that this term expresses the principles of organization in toto; nothing less. This does not mean that there are no subordinated principles; it simply means that all the others are contained in this one of co-ordination. The others are simply the principles through which co-ordination operates, and thus becomes effective.”

James D. Mooney (1884–1957) American businessman

Source: Onward Industry!, 1931, p. 19

People, Effort

“Nigel Barton (On TV): I feel I don't belong here, that's my trouble.
Interviewer (on TV): Well, where do you belong? At home?
Harry Barton: Of course!
Nigel Barton (on TV): No, I'm afraid I don't. Now it hurts to say this, of course, but it's the truth. Back at home, in the village, in the workingmen's club, with people I went to school with, I'm so much on the defensive, you see. They suspect me of making qualitative judgments about their environment, you understand, but it's not that I wish to do so. Yet I even find my own father looking at me oddly some times, waiting to pounce on some remark, some expression in my face, watching me like a hawk. I don't feel at home in either place. I don't belong. It's a tightrope between two different worlds, and I'm walking it.
Harry Barton: You're a bloody liar, Nigel!”

Dennis Potter (1935–1994) English television dramatist, screenwriter and journalist

Stand up, Nigel Barton (1965)

People, Truth, World, School

“Every seat in the theater was taken when Philip appeared wearing a white cloak and by his express orders his bodyguard held away from him and followed only at a distance, since he wanted to show publicly that he was protected by the goodwill of all the Greeks, and had no need of a guard of spearmen.”

Diodorus Siculus (-90–-30 BC) Greek historiographer

Histories 16.93.1

Appearance

“There are many ways to practice and make art. There are also various ways to express, such as comedy, sculpture, music, painting etc. Dimensions can be immense even in such small spaces as the head of a pin.”

Eugenio Cruz Vargas (1923–2014) Chilean poet and painter

Quote Source: Famous phrase of Eugenio Cruz Vargas http://www.angelred.com/urls/arte.htm| Source: Sky http://viaf.org/viaf/13641853/| Source: From Library of Congress Name Authority File of U.S.A. http://id.loc.gov/authorities/names/n81126660.html|

Art, Music, Way, Painting

“The word … becomes "one's own" only when the speaker populates it with his own intention, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a neutral and impersonal language (it is not, after all, out of a dictionary that the speaker gets his words!), but rather it exists in other people's mouths, in other people's contexts, serving other people's intentions.”

Mikhail Bakhtin (1895–1975) Philosopher, scholar

Source: "Discourse in the Novel" (1935), pp. 293-294

People

“The aptitudes needed to conduct a real research project are fundamentally different from the ones needed for purposes of scientific vulgarisation (like education). This is because above and beyond a capacity for understanding problems and thinking and expressing oneself clearly – something that every good teacher has –an enormous amount of perseverance and stamina is necessary, and above all a scientific approach rooted in real inventiveness.”

Éric Pichet (1960) economist

Source: The Epistemology of Social Science (2011), p. 87.

Education, Understanding, Problem, Thinking

“It must be emphasized that in seeing a work of art that has been composed by precise means, the viewer does not perceive dominant details. His impression is one of perfect balance to which all the parts contribute, an impression which not only applies to the parts as such, but is transmitted also to the relation existing between the work of art and the viewer. Although it is very difficult to express in words the effect of a work of art, it may be said that the viewer’s deepest impression can best be defined as the achievement of a balance between objective meaning and subjective meaning, both directly penetrated by awareness. He has a sensation of height and of depth which are no longer in any way bound to natural conditions or to spatial dimensions, a sensation which places the viewer in a state of consciousness harmony.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

1922
Quote from 'Grundbegriffe der neuen Gestaltenden Kunst', essay by Van Doesburg (published between 1921-23 in De Stijl) - last Chapter; as quoted in 'Fifty Years of Accomplishment, From Kandinsky to Jackson Pollock', by Michel Seuphor, Dell Publishing Co. 1964, p. 85-86
1920 – 1926

Art, Way, Nature, Parting

“Even insects express anger, terror, jealousy, and love by their stridulation.”

Charles Darwin book The Expression of the Emotions in Man and Animals

Source: The Expression of the Emotions in Man and Animals (1872), chapter XIV: "Concluding Remarks and Summary", page 350

Love, Jealousy, Anger

“Despite the absence of physical equality in nature, political systems engage in grand endeavors to dictate perfection and equality in a universe devoid of both. In their egalitarian and quixotic quest to redistribute wealth, they rob Peter to pay Paul, which only creates a state of dependency, not of equality. Any attempt to impose equality can only bring about more inequality. Rev. William J. H. Boetcker expressed this same insight in 1916, writing, 'You cannot strengthen the weak by weakening the strong.”

L. K. Samuels (1951) American writer

Source: In Defense of Chaos: The Chaology of Politics, Economics and Human Action, (2013), p. 72

Nature, Strong, Universe, Dependency

“The claim of the State Socialists, however, that this right would not be exercised in matters pertaining to the individual in the more intimate and private relations of his life is not borne out by the history of governments. It has ever been the tendency of power to add to itself, to enlarge its sphere, to encroach beyond the limits set for it; and where the habit of resisting such encroachment is not fostered, and the individual is not taught to be jealous of his rights, individuality gradually disappears and the government or State becomes the all-in-all. Control naturally accompanies responsibility. Under the system of State Socialism, therefore, which holds the community responsible for the health, wealth, and wisdom of the individual, it is evident that the community, through its majority expression, will insist more and more in prescribing the conditions of health, wealth, and wisdom, thus impairing and finally destroying individual independence and with it all sense of individual responsibility.”

Benjamin Ricketson Tucker (1854–1939) American journalist and anarchist

¶ 14
State Socialism and Anarchism: How Far They Agree, and Wherin They Differ (1888)

Life, Wisdom, Health, Exercises

“Consequently, in the chain of reactions accompanying the creative act, a link is missing. This gap which represents the inability of the artist to express fully his intention, this difference between what he intended to realize and did realize, is the personal 'art coefficient', contained in the work.”

Marcel Duchamp (1887–1968) French painter and sculptor

1951 - 1968, The Creative Act', 1957

Art, Personality

“The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 59-60

Life, Fate, Pleasure, Truth

“The music of Marian Anderson and other African-American artists has greatly enriched our quality of life and created one of our Nation's most treasured art forms. As universal and original expressions of the human experience, their body of work, both past and present, entertains, inspires, and thrills countless people around the world.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Black Music (June 2001)

Life, People, World, Art

“To our western eyes, the painted images are the most prominent component of a corpus of artistic expression. This Western bias, a particularly Eurocentric bias, has been pervasive and deep. …it has resulted in a lack of attention to, and concern about, prehistoric art of equal and sometimes greater antiquity in eastern and southern Africa.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

Art, Painting

“I find in myself, perhaps, a type of the general feeling of my constituents toward yours. I am sure I feel no hostility to you, senators from the North. I am sure there is not one of you, whatever sharp discussion there may have been between us, to whom I cannot now say, in the presence of my God, I wish you well; and such, I am sure, is the feeling of the people whom I represent toward those whom you represent. I therefore feel that I but express their desire when I say I hope, and they hope, for peaceful relations with you, though we must part. They may be mutually beneficial to us in the future, as they have been in the past, if you so will it. The reverse may bring disaster on every portion of the country; and if you will have it thus, we will invoke the God of our fathers, who delivered them from the power of the lion, to protect us from the ravages of the bear; and thus, putting our trust in God, and in our own firm hearts and strong arms, we will vindicate the right as best we may.”

Jefferson Davis (1808–1889) President of the Confederate States of America

1860s, Speech before the U.S. Senate (1861)

God, Hostility, People, Peace

“The paucity of its vocabulary and syntax is for the Beats essentially expressive of withdrawal from the standard civilization and its learning. On the other hand this paucity gives, instead of opportunities for thought and problem solving, considerable satisfaction in the act and energy of speaking itself, as is true of any simple adopted language, such as pig Latin. But this can have disadvantages. One learns to one’s frustration that they regard talk as an end in itself, as a means of self-expression, without subject matter. In a Beat group it is bad form to assert or deny a proposition as true or false, probable or improbable, or to want to explore its meaning.”

Paul Goodman book Growing Up Absurd

(describing the language of the “Beat” generation, p. 175.
Growing Up Absurd (1956)

Problem, Learning, Falseness

“In all these products, whether iron bridges, locomotives, automobiles, telescopes, cottages, airport-hangars, funicular railways, skyscrapers, or children's toys, the will towards a new style expresses itself. The similarity of these examples to the new creations in art consists in the same striving for clear, pure form which expresses truth in the objects.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from 'The will to Style', in Dutch art-magazine De Stijl February-March 1922; as quoted in 'Theo van Doesburg', Joost Baljeu, Studio Vista, London 1974, p. 123
1920 – 1926

Children, Truth, Art

“"What's your horse's name?""Horse.""Sophia waited for the joke, but it didn't come. "You call your horse 'Horse'?""He doesn't mind.""You should give him a noble name. Like Prince or Chief or something.""It might confuse him now.""Trust me. Anything is better than Horse. It's like naming a dog Dog.""I have a dog named Dog. Australian Cattle Dog." He turned, his expression utterly matter-of-fact. "Great herder.""And your mom didn't complain?""My mom named him."”

Nicholas Sparks (1965) American writer and novelist

Sophia and Luke, Chapter 4 Sophia, p. 64
2009, The Longest Ride (2013)

Dogs, Moms, Waiting, Horse

“The last time I spoke here, I expressed the hope that life would return to normal. In some ways, it has. In others, it never will. Those of us who have lived through these challenging times have been changed by them. We've come to know truths that we will never question: evil is real, and it must be opposed. Beyond all differences of race or creed, we are one country, mourning together and facing danger together. Deep in the American character, there is honor, and it is stronger than cynicism. And many have discovered again that even in tragedy — especially in tragedy — God is near.”

George W. Bush (1946) 43rd President of the United States

2000s, 2002, State of the Union address (January 2002)

Life, God, Truth, Hope

“Writing with a simplified alphabet checked the power of custom of an oral tradition but implied a decline in the power of expression and the creation of grooves which determined the channels of thought of readers and later writers.”

Harold Innis (1894–1952) Canadian professor of political economy

Minerva's Owl p. 11.
The Bias of Communication (1951)

“I know of no 'new programme'... Only that art is forever manifesting itself in new forms, since there are forever new personalities – its essence can never alter, I believe. Perhaps I am wrong. But speaking for myself, I know that I have no programme, only the unaccountable longing to grasp what I see and feel, and to find the purest means of expressing for it.”

Karl Schmidt-Rottluff (1884–1976) German artist

In the periodical 'Kunst und Künstler', 1914; as quoted in Expressionism', de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 20

Art, Feeling, Personality

“Under the old dispensation, before the advent of science, when this little world was all, and the sun, moon, and stars were merely fixtures overhead to give light and warmth, the conception of a being adequate to create and control it all was easier. The storms were expressive of his displeasure, the heavens were his throne, and the earth was his footstool. But in the light of modern astronomy one finds himself looking in vain for the God of his fathers, the magnified man who ruled the ancient world. In his place we have an infinite and eternal Power whose expression is the visible universe, and to whom man is no more and no less than any other creature.”

John Burroughs (1837–1921) American naturalist and essayist

Source: The Light of Day (1900), Ch. XI: Points of View

God, World, Star, Light

“An essential distinction exists between two stages in the process of advancing our knowledge of the laws of physical phenomena; the first stage consists in observing the relations of phenomena, whether of such as occur in the ordinary course of nature, or of such as are artificially produced in experimental investigations, and in expressing the relations so observed by propositions called formal laws. The second stage consists in reducing the formal laws of an entire class of phenomena to the form of a science; that is to say, in discovering the most simple system of principles, from which all the formal laws of the class of phenomena can be deduced as consequences.”

William John Macquorn Rankine (1820–1872) civil engineer

Source: "Outlines of the Science of Energetics," (1855), p. 121; Lead paragraph: Section "What Constitutes A Physical Theory"

Law, Nature, Knowledge, Science

“The surfaces of three-dimensional space are distinguished from each other not only by their curvature but also by certain more general properties. A spherical surface, for instance, differs from a plane not only by its roundness but also by its finiteness. Finiteness is a holistic property. The sphere as a whole has a character different from that of a plane. A spherical surface made from rubber, such as a balloon, can be twisted so that its geometry changes…. but it cannot be distorted in such a way as that it will cover a plane. All surfaces obtained by distortion of the rubber sphere possess the same holistic properties; they are closed and finite. The plane as a whole has the property of being open; its straight lines are not closed. This feature is mathematically expressed as follows. Every surface can be mapped upon another one by the coordination of each point of one surface to a point of the other surface, as illustrated by the projection of a shadow picture by light rays. For surfaces with the same holistic properties it is possible to carry through this transformation uniquely and continuously in all points. Uniquely means: one and only one point of one surface corresponds to a given point of the other surface, and vice versa. Continuously means: neighborhood relations in infinitesimal domains are preserved; no tearing of the surface or shifting of relative positions of points occur at any place. For surfaces with different holistic properties, such a transformation can be carried through locally, but there is no single transformation for the whole surface.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Way, Mathematics, Tear, Light

“Colleges being nothing but grooming schools for the middleclass non-identity which usually finds its perfect expression on the outskirts of the campus in rows of well-to-do houses with lawns and television sets in each living room with everybody looking at the same thing and thinking the same thing at the same time while the Japhies of the world go prowling in the wilderness…”

Jack Kerouac book The Dharma Bums

The Dharma Bums (1958)

World, School, Thinking, Time

“The idea of infinity cannot be expressed in words or even described, but it can be apprehended through art, which makes infinity tangible. The absolute is only attainable through faith and in the creative act.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 39

Faith, Art, Idea

“The fact must be expressed as data, but there is a problem in that the correct data is difficult to catch. So that I always say "When you see the data, doubt it!" "When you see the measurement instrument, doubt it!… For example, if the methods such as sampling, measurement, testing and chemical analysis methods were incorrect, data… to measure true characteristics and in an unavoidable case, using statistical sensory test and express them as data.”

Kaoru Ishikawa (1915–1989) Japanese business theorist

Kaoru Ishikawa in: Annual Quality Congress Transactions, (1981), p. 130

Problem

“The doll? Who decided that the young should rehearse the physical care of infants, so that they know them as objects to be bounced, cuddled, or abandoned when boring before they know their own, real infants as living beings full of the responsiveness anterior to language that is the basis of all expressed reason?”

Samuel R. Delany book Neveryóna

Source: Neveryóna (1983), Chapter 3, “Of Markets, Maps, Cellars, and Cisterns” (p. 62)

“All men, rich and poor, must aid one another materially and personally. The rules vary in detail, but they all maintain the principle of universal mutual aid in the Muslim fraternity. This fraternity is absolute, and it comprises men of all colours and all races… all are the sons of Adam in the flesh and all carry in them spark of the Divine Light. Everyone should strive his best to see that this spark be not extinguished but rather developed to that full "Companionship-on-High" which was the vision expressed in the last words of the Prophet [Muhammad] on his deathbed, the vision of that blessed state which he saw clearly awaiting him.”

Aga Khan III (1877–1957) 48th Imam of the Nizari Ismaili community

Memoirs of Aga Khan: World Enough & Time (1954)

Men, Light, Universe, Personality

“It is true that Donatello, who afterwards did the ornamentation of the other organ opposite this one, displayed much more judgment and skill than Luca, as will be said in the proper place, because he did almost the whole of the work in the rough as it were, not delicately finishing it, so that it should appear much better at a distance than Luca's; as it does, for with all his care and skill the eye cannot appreciate it well because of the very polish and finish, which are lost in the distance, as it can the almost purely rough hewn work of Donato. To this matter artists should devote much attention, because experience shows that all things seen at a distance, whether they be paintings or sculptures or any other like thing, are bolder and more vigorous in appearance if skilfully hewn in the rough than if they are carefully finished. Besides the effect obtained by distance, it often happens that these rough sketches, which are born in an instant in the heat of inspiration, express the idea of their author in a few strokes, while on the other hand too much effort and diligence sometimes sap the vitality and powers of those who never know when to leave off.”

Giorgio Vasari (1511–1574) Italian painter, architect, writer and historian

Volume 2. p. 28
The Lives of the Painters, Sculptors, and Architects, 1900

Idea, Effort, Appearance, Painting

“The more abstract is form, the more clear and direct is its appeal. In any composition the material side may be more or less omitted in proportion as the forms used are more or less material, and for them substituted pure abstractions, or largely dematerialized objects. The more an artist uses these abstracted forms, the deeper and more confidently will he advance into the kingdom of the abstract. And after him will follow the gazer at his pictures, who also will have gradually acquired a greater familiarity with the language of that kingdom.
Must we then abandon utterly all material objects and paint solely in abstractions? The problem of harmonizing the appeal of the material and the non-material shows us the answer to this question. As every word spoken rouses an inner vibration, so likewise does every object represented. To deprive oneself of this possibility is to limit one's powers of expression. That is at any rate the case at present. But besides this answer to the question, there is another, and one which art can always employ to any question beginning with "must": There is no "must" in art, because art is free.”

Wassily Kandinsky (1866–1944) Russian painter

VI. The language of Form and Colour
1910 - 1915, Concerning the Spiritual in Art, 1911

Art, Confidence, Question, Problem

“If it is the drive of our time, after freedom of thought is won, to pursue it to that perfection through which it changes to freedom of the will in order to realize the latter as the principle of a new era, then the final goal of education can no longer be knowledge, but the will born out of knowledge, and the spoken expression of that for which it has to strive is: the personal or free man. Truth consists in nothing other than man's revelation of himself, and thereto belongs the discovery of himself, the liberation from all that is alien, the uttermost abstraction or release from all authority, the re-won naturalness. Such thoroughly true men are not supplied by school; if they are there, they are there in spite of school.”

Max Stirner book The False Principle of our Education

Source: The False Principle of our Education (1842), p. 21

Men, Truth, Education, School

“London goes beyond any boundary or convention. It contains every wish or word ever spoken, every action or gesture ever made, every harsh or noble statement ever expressed. It is illimitable. It is Infinite London.”

Peter Ackroyd (1949) English author

London: The Biography (London: Vintage, [2000] 2001) p. 779.

“…Tibetan prayer wheels: you write a prayer on a paper, put the rolled paper on a wheel, and turn it automatically, without thinking. In this way, the wheel itself is praying for me, instead of me - or more precisely, I myself am praying through the medium of the wheel. The beauty of it all is that in my psychological inferiority I can think about whatever I want, I can yield to the most dirty and obscene fantasies, and it does not matter because - to use a good old Stalinist expression - 'whatever I am thinking, objectively I am praying.”

Slavoj Žižek book The Sublime Object of Ideology

32
The Sublime Object of Ideology (1989)

Beauty, Way, Thinking

“He is the embodiment of greed, ambition, bigotry, and dislike of the marginalized. Of course, all that means is that he simply instantiates in a clear way the values of the GOP, but they don’t like those being so out in the open! Trump is in fact the very product of what Republicans stand for: he’s a monster they created, but now they don’t like it. They want those values, but expressed sotto voce, and by a slicker candidate.”

Jerry Coyne (1949) American biologist

" It’s going to be a bizarre election year https://whyevolutionistrue.wordpress.com/2016/03/09/its-going-to-be-a-bizarre-election-year/" March 9, 2016

Way

“The definition of definition is at bottom just what the maxim of pragmatism expresses.”

Charles Sanders Peirce (1839–1914) American philosopher, logician, mathematician, and scientist

Letter to William James (8 January 1909)

“She often wondered indeed if she ever had been, or ever could be, intimate with anyone. She had an ideal of friendship as well as of several other sentiments, which it failed to seem to her in this case – it had not seemed to her in other cases – that the actual completely expressed.”

Henry James book The Portrait of a Lady

Source: The Portrait of a Lady (1881), Ch. XIX.

Friendship

“The reality of the situation is obscured when population is expressed as a percentage proportion taken over the whole of the United Kingdom. The ethnic minority is geographically concentrated, so that areas in which it forms a majority already exists, and these areas are destined inevitably to grow. It is here that the compatibility of such an ethnic minority with the functioning of parliamentary democracy comes into question. Parliamentary democracy depends at all levels upon the valid acceptance of majority decision, by which the nation as a whole is content to be bound because of the continually available prospect that what one majority has decided another majority can subsequently alter. From this point of view, the political homogeneity of the electorate is crucial. What we do not, as yet, know is whether the voting behaviour of our altered population will be able to use the majority vote as a political instrument and not as a means of self-identification, self-assertion and self-enumeration. It may be that the United Kingdom will escape the political consequences of communalism; but communalism and democracy, as the experience of India demonstrates, are incompatible. That is the spectre which the Conservative party's policy of assisted repatriation in the 1960s aimed to banish; but time and events have swept over and passed the already outdated remedies of the 1960s. We are entering unknown territory where the only certainty for the future is the relative increase of the ethnic minority due to the age structure of that population which has been established.”

Enoch Powell (1912–1998) British politician

Article on the 25th anniversary of his 'Rivers of Blood speech', The Times (20 April 1993), p. 18
1990s

Age, Democracy, Communication, Question

“.. adding Space perception to the perception of Masses, emphasizing it and forming it, we enrich the expression of Mass.... through the contrast between them whereby Mass retains its solidity and Space its extension.”

Naum Gabo (1890–1977) Russian sculptor

Quoted in: 'Naum Gabo, Construction: Stone with a Collar', by Jacky Klein, Aug. 2002; Tate, London http://www.tate.org.uk/art/artworks/gabo-construction-stone-with-a-collar-t06975 1936 - 1977, Sculpture: Carving and Construction in Space' (1937)

“It is India that gave us the ingenious method of expressing all numbers by means of ten symbols, each symbol receiving a value of position as well as an absolute value; a profound and important idea which appears so simple to us now that we ignore its true merit. But its very simplicity and the great ease which it has lent to computations put our arithmetic in the first rank of useful inventions; and we shall appreciate the grandeur of the achievement the more when we remember that it escaped the genius of Archimedes and Apollonius, two of the greatest men produced by antiquity.”

Pierre-Simon Laplace (1749–1827) French mathematician and astronomer

Quoted in H Eves Return to Mathematical Circles (Boston 1988). http://www-groups.dcs.st-and.ac.uk/history/Quotations/Laplace.html

Men, Idea, Appearance

“Art is not the possession of the few who are recognized writers, painters, musicians; it is the authentic expression of any and all individuality. Those who have the gift of creative expression in unusually large measure disclose the meaning of the individuality of others to those others. In participating in the work of art, they become artists in their activity. They learn to know and honor individuality in whatever form it appears. The fountains of creative activity are discovered and released. The free individuality which is the source of art is also the final source of creative development in time.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Time and Individuality (1940)

Art, Learning, Appearance, Time

Quotes about expression page 15

Quotes about expression
page 15