Quotes about experiment
page 39

Ingmar Bergman photo

“Winter Light — suppose we discuss that now?… The film is closely connected with a particular piece of music: Stravinski's A Psalm Symphony. I heard it on the radio one morning during Easter, and it struck me I'd like to make a film about a solitary church on the plains of Uppland. Someone goes into the church, locks himself in, goes up to the altar, and says: 'God, I'm staying here until in one way or another You've proved to me You exist. This is going to be the end either of You or of me!' Originally the film was to have been about the days and nights lived through by this solitary person in the locked church, getting hungrier and hungrier, thirstier and thirstier, more and more expectant, more and more filled with his own experiences, his visions, his dreams, mixing up dream and reality, while he's involved in this strange, shadowy wrestling match with God.
We were staying out on Toro, in the Stockholm archipelago. It was the first summer I'd had the sea all around me. I wandered about on the shore and went indoors and wrote, and went out again. The drama turned into something else; into something altogether tangible, something perfectly real, elementary and self-evident.
The film is based on something I'd actually experienced. Something a clergyman up in Dalarna told me: the story of the suicide, the fisherman Persson. One day the clergyman had tried to talk to him; the next, Persson had hanged himself. For the clergyman it was a personal catastrophe.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Jonas Sima interview <!-- pages 173-174 -->
Bergman on Bergman (1970)

George Sand photo

“In the stormy days of our youth, we imagine that solitude is a sure refuge from the assaults of life, a certain balm for the wounds of battle. This is a serious mistake, and experience teaches us that, if we cannot live in peace with our fellow-men, neither romantic raptures nor aesthetic enjoyment will ever fill the abyss gaping at the bottom of our hearts.”

George Sand (1804–1876) French novelist and memoirist; pseudonym of Lucile Aurore Dupin

Dans les jours orageux de la jeunesse, on s'imagine que la solitude est le grand refuge contre les atteintes, le grand remède aux blessures du combat; c'est une grave erreur, et l'expérience de la vie nous apprend que, là ou l'on ne peut vivre en paix avec ses semblables, il n'est point d'admiration poétique ni de jouissances d'art capables de combler l'abîme qui se creuse au fond de l'âme.
Un Hiver à Majorque, pt. 3, ch. 5 (1855); Robert Graves (trans.) Winter in Majorca (Chicago: Academy Press, 1978) p. 165

Philip K. Dick photo
Edward A. Shanken photo
Frank Klepacki photo
Zakir Hussain (politician) photo
Jeremy Corbyn photo
Frances Kellor photo
William Herschel photo
Albert Einstein photo
Joseph Dietzgen photo
Prem Rawat photo
Samuel Smiles photo
John Bright photo

“You say the right hon. baronet [Peel] is a traitor. It would ill become me to attempt his defence after the speech which he delivered last night—a speech, I will venture to say, more powerful and more to be admired than any speech which has been delivered within the memory of any man in this House. I watched the right hon. baronet as he went home last night, and for the first time I envied him his feelings. That speech was circulated by scores of thousands throughout the kingdom and throughout the world; and wherever a man is to be found who loves justice, and wherever there is a labourer whom you have trampled under foot, that speech will bring joy to the heart of the one, and hope to the breast of the other. You chose the right hon. baronet—why? Because he was the ablest man of your party. You always said so, and you will not deny it now. Why was he the ablest? Because he had great experience, profound attainments, and an honest regard for the good of the country. You placed him in office. When a man is in office he is not the same man as when in opposition. The present generation, or posterity, does not deal as mildly with men in government as with those in opposition. There are such things as the responsibilities of office. Look at the population of Lancashire and Yorkshire, and there is not a man among you who would have the valour to take office and raise the standard of Protection, and cry, "Down with the Anti-Corn Law League, and Protection for ever!" There is not a man in your ranks who would dare to sit on that bench as the Prime Minister of England pledged to maintain the existing law. The right hon. baronet took the only, the truest course—he resigned. He told you by that act: "I will no longer do your work. I will not defend your cause. The experience I have had since I came into office renders it impossible for me at once to maintain office and the Corn Laws."”

John Bright (1811–1889) British Radical and Liberal statesman

The right hon. baronet resigned—he was then no longer your Minister. He came back to office as the Minister of his Sovereign and of the people.
Speech in the House of Commons (17 February 1846), quoted in G. M. Trevelyan, The Life of John Bright (London: Constable, 1913), p. 148.
1840s

Albrecht Thaer photo
Barbara Hepworth photo
Brandon Boyd photo

“When we get there,
We're going to fly so far away
Making sure to laugh while we experience
Anti-gravity.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, S.C.I.E.N.C.E. (1997)

Joseph Campbell photo

“As a teenager I had already arranged pieces for the school band in exchange for music lessons. I also played cello, clarinet, and some other instruments regularly. Thanks to that experience, as an arranger I was able to understand the specific sound and tuning of an instrument and to work intuitively.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Clare Fischer: The Best Kept Secret in Jazz" http://www.artistinterviews.eu/?page_id=5&parent_id=22/ by Maarten De Haan, in Artist Interview (1998)

“I would say, on the basis of having observe a thousand people in the experiment and having my own intuition shaped and informed by these experiments, that if a system of death camps were set up in the United States of the sort we had seen in Nazi Germany, one would find sufficient personnel for those camps in any medium-sized American town.”

Stanley Milgram (1933–1984) Social psychologist

Interview on Sixty Minutes (31 March 1979)
Actual quote, which can be heard in Discovery Channel's Curiosity: How Evil Are You?: I would say -- on the basis of having observed a thousand people in the experiment, and having my own intuition shaped and informed by these experiments -- that if a system of death camps were set up in the United States of the sort we had seen in Nazi Germany, one would be able to find sufficient personnel for those camps in any medium-sized American town.

Warren G. Harding photo

“America's present need is not heroics, but healing; not nostrums, but normalcy; not revolution, but restoration; not agitation, but adjustment; not surgery, but serenity; not the dramatic, but the dispassionate; not experiment, but equipoise; not submergence in internationality, but sustainment in triumphant nationality.”

Warren G. Harding (1865–1923) American politician, 29th president of the United States (in office from 1921 to 1923)

Speech in Boston, Massachusetts (24 May 1920); Harding is often thought to have coined the word "normalcy" in this speech, but the word is recorded as early as the 1850s as alternative to "normality".
1920s

Peter F. Drucker photo
Paul Karl Feyerabend photo
Daniel Dennett photo

“The premonition of death may for many be a stimulus to novelty of experience: the imminence of death serves to sweep away the inessential preoccupations for those who do not flee from the thought of death into triviality.”

David Riesman (1909–2002) American Sociologist

“Clinical and Cultural Aspects of the Aging Process,” p. 485
Individualism Reconsidered (1954)

George Holmes Howison photo
Henry Campbell-Bannerman photo
Sam Harris photo
John Zerzan photo
Richard Feynman photo
Friedrich Engels photo

“The slave is outside competition; the proletarian is in it and experiences all its vagaries.”

Friedrich Engels (1820–1895) German social scientist, author, political theorist, and philosopher

(1847)

Larry Bird photo

“I have really enjoyed coaching. It's a great experience. Every player should have the chance to do it. The problem is, I'm not that good at it.”

Larry Bird (1956) basketball player and coach

Peter Vecsey (May 26, 2000) "Looks Like Larry's Indy Mood to Stay", New York Post.

“On May 17, 1969, a show which was to become the seminal exhibition of video art in the U. S. opened at the Howard Wise Gallery in New York City. That exhibition, "TV as a Creative Medium," effectively pointed to the diverse potential of a new art form and social tool. Subsequently, the show became renowned for the inspiration it provided for many artists and future advocates of video. The artists represented in the show, a few of whom are still involved in the medium today, came from varied backgrounds-painting, filmmaking, nuclear physics, avant-garde music and performance, kinetic and light sculpture-and their approaches presented a primer of the directions which video would soon take. Theoretically, they variously saw video as viewer participation, a spiritual and meditative experience, a mirror, an electronic palette, a kinetic sculpture, or acultural machine to be deconstructed. Ripe with ideas and armed with a heady optimism about the future of communications, these artists used video as an information tool and as a means of gaining understanding and control of television, not solely as an art form. In "TV as a Creative Medium" alternative television was presented as a stepping stone to the promised communications utopia.”

Marita Sturken (1957) American academic

Marita Sturken. " TV as a Creative Medium: Howard Wise and Video Art http://www.vasulka.org/archive/4-30c/AfterImageMay84(1004).pdf," in: Afterimage, May 1984

Paul Gauguin photo

“Painting is the most beautiful of all arts. In it, all sensations are condensed, at its aspect everyone may create romance at the will of his imagination, and at a glance have his soul invaded by the most profound memories, no efforts of memory, everything summed up in one moment. Complete art which sums up all the others and completes them. Like music, it acts on the soul through the intermediary of the senses, the harmonious tones corresponding to the harmonies of sounds, but in painting, a unity is obtained which is not possible in music, where the accords follow one another, and the judgement experiences a continuous fatigue if one wants to reunite the end and the beginning. In the main, the ear is an inferior sense to the eye. The hearing can only grasp a single sound at one time, whereas the sight takes in everything and at the same time simplifies at its will.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

La peinture est le plus beau de tous les arts; en lui se résument toutes les sensations, à son aspect chacun peut, au gré de son imagination, créer le roman, d'un seul coup d'œil avoir l'âme envahie par les plus profonds souvenirs; point d'effort de mémoire, tout résumé en un seul instant. — Art complet qui résume tous les autres et les complète. — Comme la musique, il agit sur l'âme par l'intermédiaire des sens, les tons harmonieux correspondant aux harmonies des sons; mais en peinture on obtient une unité impossible en musique où les accords viennent les uns après les autres, et le jugement éprouve alors une fatigue incessante s'il veut réunir la fin au commencement. En somme, l'oreille est un sens inférieur à celui de l'œil. L'ouïe ne peut servir qu'à un seul son à la fois, tandis que la vue embrasse tout, en même temps qu'à son gré elle simplifie.
Quote of Gauguin from: Notes Synthéthiques (ca. 1884-1885), ed. Henri Mahaut, in Vers et prose (July-September 1910), p. 52; translation from John Rewald, Gauguin (Hyperion Press, 1938), p. 161.
1870s - 1880s

Henrik Ibsen photo

“It is inexcusable for scientists to torture animals; let them make their experiments on journalists and politicians.”

Henrik Ibsen (1828–1906) Norwegian playwright, theatre director, and poet

As quoted in The Book of Poisonous Quotes (1993) edited by Colin Jarman, p. 232.

Alain de Botton photo

“Life is near-death experience.”

Alain de Botton (1969) Swiss writer

As quoted in de Botton's School of Life lecture, 'On Pessimism' https://www.youtube.com/watch?v=Aw1oLtuJOXQ,
[transcript] https://docs.google.com/document/d/1BcpQlEBiGT6sYmMY8wz0F1rqoWjfC6J-40vhHQZFxxY/edit?pli=1

Francis Galton photo
Fernand Léger photo

“The concept of Abstract painting is not a passing abstraction, good only for a few initiates, [but] the total expression of a new generation whose necessities it experiences and to all of whose aspirations it constitutes a response.”

Fernand Léger (1881–1955) French painter

quote, 1920
Quote of Leger in: Abstract Painting, Michel Seuphor, Dell Publishing Co., 1964, p. 16
Quotes of Fernand Leger, 1920's

Michelle Obama photo
Lewis Pugh photo
Yogi Berra photo

“He's learning me all of his experience.”

Yogi Berra (1925–2015) American baseball player, manager, coach

Regarding Bill Dickey, circa spring 1949, paraphrased in "Yogi, His Autobiography: Dickey Hired as Mask Tutor" https://news.google.com/newspapers?id=Ep5RAAAAIBAJ&sjid=PmwDAAAAIBAJ&pg=7202%2C853227 by Berra, with Ed Fitzgerald, in The Pittsburgh Post-Gazette (Sunday, March 5, 1961), Section 3, Page 4.
Yogiisms

Karel Appel photo

“The experience of the moment is what's important, and somehow the image, the 'thing' is left over.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Karel Appel – the complete sculptures,' (1990) not-paged

Calvin Coolidge photo

“One of the most natural of reactions during the war was intolerance. But the inevitable disregard for the opinions and feelings of minorities is none the less a disturbing product of war psychology. The slow and difficult advances which tolerance and liberalism have made through long periods of development are dissipated almost in a night when the necessary war-time habits of thought hold the minds of the people. The necessity for a common purpose and a united intellectual front becomes paramount to everything else. But when the need for such a solidarity is past there should be a quick and generous readiness to revert to the old and normal habits of thought. There should be an intellectual demobilization as well as a military demobilization. Progress depends very largely on the encouragement of variety. Whatever tends to standardize the community, to establish fixed and rigid modes of thought, tends to fossilize society. If we all believed the same thing and thought the same thoughts and applied the same valuations to all the occurrences about us, we should reach a state of equilibrium closely akin to an intellectual and spiritual paralysis. It is the ferment of ideas, the clash of disagreeing judgments, the privilege of the individual to develop his own thoughts and shape his own character, that makes progress possible. It is not possible to learn much from those who uniformly agree with us. But many useful things are learned from those who disagree with us; and even when we can gain nothing our differences are likely to do us no harm. In this period of after-war rigidity, suspicion, and intolerance our own country has not been exempt from unfortunate experiences. Thanks to our comparative isolation, we have known less of the international frictions and rivalries than some other countries less fortunately situated. But among some of the varying racial, religious, and social groups of our people there have been manifestations of an intolerance of opinion, a narrowness to outlook, a fixity of judgment, against which we may well be warned. It is not easy to conceive of anything that would be more unfortunate in a community based upon the ideals of which Americans boast than any considerable development of intolerance as regards religion. To a great extent this country owes its beginnings to the determination of our hardy ancestors to maintain complete freedom in religion. Instead of a state church we have decreed that every citizen shall be free to follow the dictates of his own conscience as to his religious beliefs and affiliations. Under that guaranty we have erected a system which certainly is justified by its fruits. Under no other could we have dared to invite the peoples of all countries and creeds to come here and unite with us in creating the State of which we are all citizens.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Toleration and Liberalism (1925)

Prem Rawat photo
Karen Handel photo
Roberto Mangabeira Unger photo
Emile Coué photo
Bill Engvall photo
Burt Rutan photo
Mary McCarthy photo
Viktor Schauberger photo
Matthieu Ricard photo
Robert Boyle photo
Ramanuja photo

“The individual self is subject to beginningless nescience, which has brought about an accumulation of karma, of the nature of both merit and demerit. The flood of such karma causes his entry into four kinds of bodies — heavenly, human, animal and plant beginning with that of Brahma downwards. This ingression into bodies produces the delusion of identity with those respective bodies (and the consequent attachments and aversions). This delusion inevitably brings about all the fears inherent in the state of worldly existence. The entire body of Vedanta aims at the annihilation of these fears. To accomplish their annihilation they teach the following:
(1) The essential nature of the individual self as transcending the body.
(2) The attributes of the individual self.
(3) The essential nature of the Supreme that is the inmost controller of both the material universe and the individual selves.
(4) The attributes of the Supreme.
(5) The devout meditation upon the Supreme.
(6) The goal to which such meditation, leads.
The Vedanta aims at making known the goal attainable through such a life of meditation, the goal being the realization, of the real nature of the individual self and after and through that realization, the direct experience of Brahman, which is of the nature of bliss infinite and perfect.”

Ramanuja (1017–1137) Hindu philosopher, exegete of Vishishtadvaita Vedanta school

Source: Vedartha Sangraham, 11th century, p. 9-10.

Henry Adams photo
Raúl González photo
Calvin Coolidge photo

“Gurdjieff said, “Change depends on you, and it will not come about through study. You can know everything and yet remain where you are. It is like a man who knows all about money and the laws of banking, but has no money of his own in the bank. What does all his knowledge do for him?”

Here Gurdjieff suddenly changed his manner of speaking, and looking at me very directly he said: “You have the possibility of changing, but I must warn you that it will not be easy. You are still full of the idea that you can do what you like. In spite of all your study of free will and determinism, you have not yet understood that so long as you remain in this place, you can do nothing at all. Within this sphere there is no freedom. Neither your knowledge nor all your activity will give you freedom. This is because you have no …” Gurdjieff found it difficult to express what he wanted in Turkish. He used the word varlik, which means roughly the quality of being present. I thought he was referring to the experience of being separated from one’s body.

Neither I nor the Prince [Sabaheddin] could understand what Gurdjieff wished to convey. I felt sad, because his manner of speaking left me in no doubt that he was telling me something of great importance. I answered, rather lamely, that I knew that knowledge was not enough, but what else was there to do but study?…”

John G. Bennett (1897–1974) British mathematician and author

Source: Witness: the Story of a Search (1962), p. 46–48 cited in: "Gurdjieff’s Temple Dances by John G. Bennett", Gurdjieff International Review, on gurdjieff.org; About Constantinople 1920

John Desmond Bernal photo

“At different stages in the educational process different changes are required. In schools the chief need is for a general change in the attitude towards science, which should be from the beginning an integral part and not a mere addition, often an optional addition, to the curriculum. Science should be taught not merely as a subject but should come into all subjects. Its importance in history and in modern life should be pointed out and illustrated. The old contrast, often amounting to hostility, between scientific and humane subjects need to be broken down and replaced by a scientific humanism. At the same time, the teaching of science proper requires to be humanized. The dry and factual presentation requires to be transformed, not by any appeal to mystical theory, but by emphasizing the living and dramatic character of scientific advance itself. Here the teaching of the history of science, not isolated as at present, but in close relation to general history teaching, would serve to correct the existing atmosphere of scientific dogmatism. It would show at the same time how secure are the conquests of science in the control they give over natural processes and how insecure and provisional, however necessary, are the rational interpretations, the theories and hypotheses put forward at each stage. Past history by itself is not enough, the latest developments of science should not be excluded because they have not yet passed the test of time. It is absolutely necessary to emphasize the fact that science not only has changed but is continually changing, that it is an activity and not merely a body of facts. Throughout, the social implications of science, the powers that it puts into men's hands, the uses they could make of them and those which they in fact do, should be brought out and made real by a reference to immediate experience of ordinary life.”

John Desmond Bernal (1901–1971) British scientist

Source: The Social Function of Science (1939), p. 246 : How such a method of teaching could become an integral part of general education is sketched by H. G. Wells' British Association address, "The Informative Content of Education," reprinted in World Brain (Mathuen, 1938).

Sam Harris photo
Amit Chaudhuri photo
Rensis Likert photo
Paul Cézanne photo
Doris Lessing photo

“I do not think writers ought ever to sit down and think they must write about some cause, or theme… If they write about their own experiences, something true is going to emerge.”

Doris Lessing (1919–2013) British novelist, poet, playwright, librettist, biographer and short story writer

"Literature Nobel Awarded to Writer Doris Lessing" http://www.npr.org/templates/story/story.php?storyId=15195588 All Things Considered NPR (11 October 2007)

Shelley Winters photo
Parmenides photo

“Do not let habit, born from experience, force you along this road, directing aimless eye and echoing ear and tongue; but judge by reason the much contested proof which I have spoken.”

Parmenides (-501–-470 BC) ancient Greek philosopher

Frag. B 7.3-8.1, quoted by Sextus Empiricus, Against the Mathematicians, vii. 3

William Stanley Jevons photo
Julie Taymor photo
Colin Wilson photo
Caterina Davinio photo
Oliver Lodge photo

“Motion and force are our primary objects of experience and consciousness; and in terms of them all other less familiar occurrences may conceivably be studied and grasped.”

Oliver Lodge (1851–1940) British physicist

The Ether of Space https://books.google.com/books?id=ycgEAAAAYAAJ&pg=PA15, p. 15
The Ether of Space (1909)

Roberto Mangabeira Unger photo
Al Franken photo

“The first thing I want to do is apologize: to Leeann, to everyone else who was part of that tour, to everyone who has worked for me, to everyone I represent, and to everyone who counts on me to be an ally and supporter and champion of women. There's more I want to say, but the first and most important thing—and if it's the only thing you care to hear, that's fine—is: I'm sorry.
I respect women. I don't respect men who don't. And the fact that my own actions have given people a good reason to doubt that makes me feel ashamed.
But I want to say something else, too. Over the last few months, all of us—including and especially men who respect women—have been forced to take a good, hard look at our own actions and think (perhaps, shamefully, for the first time) about how those actions have affected women.
For instance, that picture [when Franken appears to grope the breasts of a sleeping Leeann Tweeden, while simultaneously smiling towards the photographer] I don't know what was in my head when I took that picture, and it doesn't matter. There's no excuse. I look at it now and I feel disgusted with myself. It isn't funny. It's completely inappropriate. It's obvious how Leeann would feel violated by that picture. And, what's more, I can see how millions of other women would feel violated by it—women who have had similar experiences in their own lives, women who fear having those experiences, women who look up to me, women who have counted on me.”

Al Franken (1951) American comedian and politician

November 2017 statement https://www.wdio.com/news/al-franken-statement-leeann-tweeden/4672510/ in response to allegations of sexual harassment and groping made by Leeann Tweeden against Franken.

Joseph von Fraunhofer photo
Bonnie Koppell photo

“The aim of preaching is not the elucidation of a subject, but the transformation of a person … Our task is … the sharing of intense faith and experience.”

Halford E. Luccock (1885–1960) American Methodist minister

As quoted in "Religion : Go Ye and Relax?" in TIME magazine (20 April 1953)

Anaïs Nin photo

“I say quotations are literary. They are good only when dealing with ideas, not with experience. Experience should be pure, unique.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

June 5, 1936 Fire
Diary entries (1914 - 1974)

Norman Mailer photo

“Kennedy's most characteristic quality is the remote and private air of a man who has traversed some lonely terrain of experience, of loss and gain, of nearness to death, which leaves him isolated from the mass of others.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Superman Comes to the Supermarket (1960)

Laraine Day photo