Quotes about exile

A collection of quotes on the topic of exile, people, other, likeness.

Quotes about exile

Knut Hamsun photo
Emil M. Cioran photo

“Is it possible that existence is our exile and nothingness our home?”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Source: Tears and Saints (1937)

Joseph Massad photo
Barack Obama photo
Edmund Burke photo
Amir Taheri photo
Diogenes of Sinope photo

“When some one reminded him that the people of Sinope had sentenced him to exile, he said, "And I sentenced them to stay at home."”

Diogenes of Sinope (-404–-322 BC) ancient Greek philosopher, one of the founders of the Cynic philosophy

Diogenes Laërtius, vi. 49
Quoted by Diogenes Laërtius

Camille Paglia photo
Andrea Dworkin photo
George Orwell photo
Martin Buber photo

“Everyone must come out of his Exile in his own way.”

Martin Buber (1878–1965) German Jewish Existentialist philosopher and theologian
Abraham Lincoln photo

“Congressmen who willfully take actions during wartime that damage morale and undermine the military are saboteurs and should be arrested, exiled, or hanged.”

Abraham Lincoln (1809–1865) 16th President of the United States

This was the lead sentence in an article "Democrats Usher in An Age of Treason" by conservative author J. Michael Waller in Insight magazine (23 December 2003) which a copyeditor (http://www.factcheck.org/misquoting_lincoln.html) mistakenly put quotation marks around, making it seem a quote of Lincoln.
Misattributed

Barack Obama photo
Farah Pahlavi photo
John Howard Payne photo

“An exile from home splendour dazzles in vain,
Oh give me my lowly thatched cottage again;
The birds singing gayly, that came at my call,
Give me them, and that peace of mind dearer than all.”

John Howard Payne (1791–1852) American actor and writer

Home, Sweet Home (1822), from the opera of "Clari, the Maid of Milan", reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Isaac Bashevis Singer photo
Eduardo Galeano photo
Thomas Campbell photo
Augustus photo
Ursula K. Le Guin photo

“My imagination makes me human and makes me a fool; it gives me all the world, and exiles me from it.”

Ursula K. Le Guin (1929–2018) American writer

"The Creatures on My Mind" in Unlocking the Air and Other Stories (1996), p. 65

Socrates photo
Thomas Paine photo
Emil M. Cioran photo
Babur photo
Epictetus photo
Napoleon I of France photo

“Bonaparte robs a nation of its independence: deposed as emperor, he is sent into exile, where the world’s anxiety still does not think him safely enough imprisoned, guarded by the Ocean.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

François-René de Chateaubriand, in Mémoires d'outre-tombe (1848 – 1850), Book VI, Ch. 8 : Comparison of Washington and Bonaparte
About
Context: Bonaparte robs a nation of its independence: deposed as emperor, he is sent into exile, where the world’s anxiety still does not think him safely enough imprisoned, guarded by the Ocean. He dies: the news proclaimed on the door of the palace in front of which the conqueror had announced so many funerals, neither detains nor astonishes the passer-by: what have the citizens to mourn?
Washington's Republic lives on; Bonaparte’s empire is destroyed. Washington and Bonaparte emerged from the womb of democracy: both of them born to liberty, the former remained faithful to her, the latter betrayed her.

William Shakespeare photo
John Piper photo
Stephen King photo
Sylvia Plath photo
Francesco Petrarca photo
Gillian Flynn photo
Alexis De Tocqueville photo
Jack Kerouac photo
Arthur Rimbaud photo

“Is it in these bottomless nights that you sleep in exile?”

Arthur Rimbaud (1854–1891) French Decadent and Symbolist poet

Source: A Season in Hell/The Drunken Boat

Annie Dillard photo
Rick Riordan photo
Salman Rushdie photo
Elie Wiesel photo
Edwidge Danticat photo
Edmund Burke photo

“Society is indeed a contract. Subordinate contracts for objects of mere occasional interest may be dissolved at pleasure — but the state ought not to be considered as nothing better than a partnership agreement in a trade of pepper and coffee, calico or tobacco, or some other such low concern, to be taken up for a little temporary interest, and to be dissolved by the fancy of the parties. It is to be looked on with other reverence; because it is not a partnership in things subservient only to the gross animal existence of a temporary and perishable nature. It is a partnership in all science; a partnership in all art; a partnership in every virtue, and in all perfection. As the ends of such a partnership cannot be obtained in many generations, it becomes a partnership not only between those who are living, but between those who are to be born. Each contract of each particular state is but a clause in the great primaeval contract of eternal society, linking the lower with the higher natures, connecting the visible and the invisible world, according to a fixed compact sanctioned by the inviolable oath which holds all physical and all moral natures, each in their appointed place. This law is not subject to the will of those, who by an obligation above them, and infinitely superior, are bound to submit their will to that law. The municipal corporations of that universal kingdom are not morally at liberty at their pleasure, and on their speculations of a contingent improvement, wholly to separate and tear asunder the bands of their subordinate community, and to dissolve it into an unsocial, uncivil, unconnected chaos of elementary principles. It is the first and supreme necessity only, a necessity that is not chosen, but chooses, a necessity paramount to deliberation, that admits no discussion, and demands no evidence, which alone can justify a resort to anarchy. This necessity is no exception to the rule; because this necessity itself is a part too of that moral and physical disposition of things, to which man must be obedient by consent or force: but if that which is only submission to necessity should be made the object of choice, the law is broken, nature is disobeyed, and the rebellious are outlawed, cast forth, and exiled, from this world of reason, and order, and peace, and virtue, and fruitful penitence, into the antagonist world of madness, discord, vice, confusion, and unavailing sorrow.”

Reflections on the Revolution in France (1790)

Geert Wilders photo
Edmund White photo
Immanuel Kant photo

“The Palestinians living among us have, for the most part, earned a not unfounded reputation for being cheaters, because of their spirit of usury since their exile. Certainly, it seems strange to conceive of a nation of cheaters; but it is just as odd to think of a nation of merchants, the great majority of whom, bound by an ancient superstition that is recognized by the State they live in, seek no civil dignity and try to make up for this loss by the advantage of duping the people among whom they find refuge, and even one another. The situation could not be otherwise, given a whole nation of merchants, as non-productive members of society”

Immanuel Kant (1724–1804) German philosopher

for example, the Jews in Poland

page 77 of 6 December 2012 publication by Springer Science & Business Media https://books.google.ca/books?id=nRArBgAAQBAJ&pg=PA77, translation by Mary J. Gregor (The Hague: Martinus Nijhoff, 1974)

page 238 of "Cosmopolitics: Thinking and Feeling Beyond the Nation" https://books.google.ca/books?id=4EmqLCWUFvEC&pg=PA238 in 1998, page 221 of "Acts of Religion" https://books.google.ca/books?id=c_kgAmFbvP0C&pg=PA221 in 2002, page 235 of "Spinoza's Modernity: Mendelssohn, Lessing, and Heine" https://books.google.ca/books?id=CYcOfkrduWYC&pg=PA235 in 2004, page 44 of "Friedrich Schleiermacher: Between Enlightenment and Romanticism" https://books.google.ca/books?id=IYVDMuOFN20C&pg=PA44 in 2005, page 8 of "The Jewish Odyssey of George Eliot" https://books.google.ca/books?id=juCYcPWdqccC&pg=PA8 in 2010, page 155 of "Inhumanities: Nazi Interpretations of Western Culture" https://books.google.ca/books?id=YMIsYMw0ES0C&pg=PA155 in 2012, page 75 of "Romanticism/Judaica: A Convergence of Cultures" https://books.google.ca/books?id=4svsCwAAQBAJ&pg=PT75 in 2016 and page 39 of "Cosmopolitanisms and the Jews" https://books.google.ca/books?id=6kk_DwAAQBAJ&pg=PA39 in 2017 also quote this.
Anthropology from a Pragmatic Point of View (1798)

Norodom Sihanouk photo
Lyndon B. Johnson photo
Charles Baudelaire photo

“It is at once by way of poetry and through poetry, as with music, that the soul glimpses splendors from beyond the tomb; and when an exquisite poem brings one’s eyes to the point of tears, those tears are not evidence of an excess of joy, they are witness far more to an exacerbated melancholy, a disposition of the nerves, a nature exiled among imperfect things, which would like to possess, without delay, a paradise revealed on this very same earth.”

Charles Baudelaire (1821–1867) French poet

C'est à la fois par la poésie et à travers la poésie, par et à travers la musique, que l'âme entrevoit les splendeurs situées derrière le tombeau; et, quand un poème exquis amène les larmes au bord des yeux, ces larmes ne sont pas la preuve d'un excès de jouissance, elles sont bien plutôt le témoignage d'une mélancolie irritée, d'une postulation des nerfs, d'une nature exilée dans l'imparfait et qui voudrait s'emparer immédiatement, sur cette terre même, d'un paradis révélé.
XI: "Notes nouvelles sur Edgar Poe III," IV
L'art romantique (1869)

“Almost everywhere and at all times the saying of St. Augustine aptly described the situation: "et paupera et inops est ecclesia — the Church is poor and helpless." The Church was powerful only when the state wanted it to be so or when pious laymen had a burning desire to make it so. In the Middle Ages especially the Church was sedulously oppressed: Popes were frequently imprisoned, made the pawns of secular rulers, persecuted, ridiculed, besieged, plundered, exiled, imprisoned and insulted. What about Canossa? People forget how the story ended, and the words of Gregory VII on his death-bed in exile: "Dilexi iustitiam et odi iniquitatem, propterea morior in exilio [I loved justice and hated injustice, therefore I die in exile]." Finally there came the Babylonian Captivity at Avignon. It is true that all of this looks quite different in the elementary schools of Kazachstan, in McKinley High and to our intellectuals, whose grasp of history is almost nil.
The situation altered very little in the nineteenth century. Once again there was a prisoner in the Vatican, Pius IX, whose body the mob yelling "Al fiume la carogna!" wanted to throw into the Tiber. This brings us to the twentieth century: Mexico City, Moabit, Dachau, Plötzensee, Auschwitz, Struthof, Carcel Modelo, Andrássy-út 66, Sremska Mitrovica, Vorkuta, Karaganda, Magadan, Lubyanka, Ocnele Mare — these are the modern Stations of the Cross of our clergy. (Pg 128)”

Erik von Kuehnelt-Leddihn (1909–1999) Austrian noble and political theorist

The Timeless Christian (1969)

Isaac Leib Peretz photo

“In the second and third exiles we have served as a living protest against greed and hate, against physical force, against "might makes right!"”

Isaac Leib Peretz (1852–1915) Yiddish language author and playwright

Preface to Idishé Bibliotek, i. 1890.

Michael Swanwick photo
James Tod photo

“Those who expect from a people like the Hindus a species of composition of precisely the same character as the historical works of Greece and Rome commit the very gregarious error of overlooking the peculiarities which distinguish the natives of India from all other races, and which strongly discriminate their intellectual productions of every kind from those of the West. Their philosophy, their poetry, their architecture, are marked with traits of originality; and the same may be expected to pervade their history, which, like the arts enumerated, took a character from its intimate association with the religion of the people. It must be recollected, moreover,… that the chronicles of all the polished nations of Europe, were, at a much more recent date, as crude, as wild, and as barren, as those of the early Rajputs.” … “My own animadversions upon the defective condition of the annals of Rajwarra have more than once been checked by a very just remark: ‘When our princes were in exile, driven from hold to hold, and compelled to dwell in the clefts of the mountains, often doubtful whether they would not be forced to abandon the very meal preparing for them, was that a time to think of historical records?’ ”… “If we consider the political changes and convulsions which have happened in Hindustan since Mahmood’s invasion, and the intolerant bigotry of many of his successors, we shall be able to account for the paucity of its national works on history, without being driven to the improbable conclusion, that the Hindus were ignorant of an art which has been cultivated in other countries from almost the earliest ages. Is it to be imagined that a nation so highly civilized as the Hindus, amongst whom the exact sciences flourished in perfection, by whom the fine arts, architecture, sculpture, poetry, music, were not only cultivated, but taught and defined by the nicest and most elaborate rules, were totally unacquainted with the simple art of recording the events of their history, the character of their princes and the acts of their reigns?”

James Tod (1782–1835) 1782-1835, English officer of the British East India Company and an Oriental scholar

[The fact appears to be that] “After eight centuries of galling subjection to conquerors totally ignorant of the classical language of the Hindus; after every capital city had been repeatedly stormed and sacked by barbarous, bigoted, and exasperated foes; it is too much to expect that the literature of the country should not have sustained, in common with other interests, irretrievable losses.”
James Tod, Annals and Antiquities of Rajasthan, Routledge and Kegan Paul (London,l829,1957), 2 vols., I quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 3

Hans Urs Von Balthasar photo
Will Eisner photo
Charles Baudelaire photo

“O wise among all Angels ordinate,
God foiled of glory, god betrayed by fate,
Satan, O pity my long wretchedness!
O Prince of Exile doomed to heinous wrong,
Who, vanquished, riseth ever stark and strong,
Satan, O pity my long wretchedness!
Thou knowest all, proud king of occult things,
Familiar healer of man's sufferings,
Satan, O pity my long wretchedness!
Thy love wakes thirst for Heaven in one and all:
Leper, pimp, outcast, fool and criminal,
Satan, O pity my long wretchedness!”

<p>Ô toi, le plus savant et le plus beau des Anges,
Dieu trahi par le sort et privé de louanges,</p><p>Ô Satan, prends pitié de ma longue misère!</p><p>Ô Prince de l'exil, à qui l'on a fait tort
Et qui, vaincu, toujours te redresses plus fort,</p><p>Ô Satan, prends pitié de ma longue misère!</p><p>Toi qui sais tout, grand roi des choses souterraines,
Guérisseur familier des angoisses humaines,</p><p>Ô Satan, prends pitié de ma longue misère!</p><p>Toi qui, même aux lépreux, aux parias maudits,
Enseignes par l'amour le goût du Paradis,</p><p>Ô Satan, prends pitié de ma longue misère!
"Les Litanies de Satan" [Litanies of Satan] http://fr.wikisource.org/wiki/Les_Litanies_de_Satan
Les fleurs du mal (Flowers of Evil) (1857)

Philip Roth photo

“Each year she taught him the names of the flowers in her language and in his, and from one year to the next he could not even remember the English. For nearly thirty years Sabbath had been exiled in these mountains, and still he could name hardly anything. They didn't have this stuff where he came from. All these things growing were beside the point there. He was from the shore. There was sand and ocean, horizon and sky, daytime and nighttime - the light, the dark, the tide, the stars, the boats, the sun, the mists, the gulls. There were the jetties, the piers, the boardwalk, the booming, silent, limitless sea. Where he grew up they had the Atlantic. You could touch with your toes where America began. They lived in a stucco bungalow two short streets from the edge of America. The house. The porch. The screens. The icebox. The tub. The linoleum. The broom. The pantry. The ants. The sofa. The radio. The garage. The outside shower with the slatted wooden floor Morty had built and the drain that always clogged. In summer, the salty sea breeze and the dazling light; in September, the hurricanes; in January, the storms. They had January, February, March, April, May, June, July, August, September, November, December. And then January. And then again January, no end to the stockpile of Januaries, of Mays, of Marches. August, December, April - name a month, and they had it in spades. They'd had endlessness. He had grown up on endlessness and his mother - in the beginning they were the same thing. His mother, his mother, his mother, his mother, his mother… and then there was his mother, his father, Grandma, Morty, and the Atlantic at the end of the street. The ocean, the beach, the first two streets in America, then the house, and in the house a mother who never stopped whistlîg until December 1944. If Morty had come alive, if the endlessness had ended naturally instead of with the telegram, if after the war Morty had started doing electrical work and plumbing for people, had become a builder at the shore, gone into the construction business just as the boom in Monmouth County was beginning…Didn't matter. Take your pick. Get betrayed by the fantasy of endlessness or by the fact of finitude. No, Sabbath could only have wound up Sabbath, begging for what he was begging, bound to what he was bound, saying what he did not wish to stop himself from saying.”

Sabbath's Theater (1995)

T. H. White photo
Albert Camus photo

“We have exiled beauty; the Greeks took up arms for her.”

Albert Camus (1913–1960) French author and journalist

"Helen's Exile" (1948)

Richard Pipes photo

“We cannot determine whether or not he had met Lenin during their common exile in Switzerland; Mussolini once cryptically remarked: ‘Lenin knew me better than I knew him.”

Richard Pipes (1923–2018) American historian

Source: Three “Whys” of the Russian Revolution (1995), p. 37

John F. Kennedy photo
Lois McMaster Bujold photo

“Exile, for no other motive than ease, would be the last defeat, with no seed of future victory in it.”

Source: Vorkosigan Saga, Shards of Honor (1986), Chapter 8 (p. 132; Vorkosigan to Cordelia; she quotes it back to him on p. 236)

George Curzon, 1st Marquess Curzon of Kedleston photo
Ralph Waldo Emerson photo
Willa Cather photo
Alan Hirsch photo
Saint Patrick photo
José Martí photo
Muhammad photo

“Though Latin long held sway in Court and bureaucratic circles, the cultural cement of the empire’s core populations was Greek and its education was in the Greek classics and tongue. Imperial tradition, Christian Orthodoxy and Greek culture became even more the bases of Byzantium and her Hellenic community, after she had lost most of her western and Asiatic possessions in the seventh century — to Visigoths and then Arabs m Spain and North Africa, to the Lombards in much of Italy, to the Slavs in the Balkans and to Muslim armies in Egypt and the Near East. Political circumstances, and the resilience of Greek culture and Greek education, made her predominantly Greek in speech and character. After the sack of Constantinople in 1204 and the establishment of a Latin empire under Venetian auspices, the rivalry of the Greek empires based on Nicaea, Epirus and Trebizond to realize the patriotic Hellenic dream of recapturing the former capital further stimulated Greek ethnic sentiment against Latin usurpation. W1cn in the face of Turkith threats, the fifteenth-century Byzantine emperor, Michael Palaeologus, tried to place the Orthodox Church under the Papacy and hence Western protection; an inflamed Greek sentiment vigorously opposed his policy. The city’s populace in the fourteenth and fifteenth centuries, their Hellenic sentiments fanned by monks, priests and the Orthodox party against the Latin policies of the government, actually preferred the Turkish turban to the Latin mitre and attacked the urban wealthy classes. But the Turkish conquest and the demise of Byzantium did not spell the end of the Orthodox Greek community and its ethnic sentiment. tinder its Church and Patriarch, and organized as a recognized milliet of the Ottoman empire, the Greek community flourished in exile, the upper classes of its Diaspora assuming privileged economic and bureaucratic positions in the empire. So Byzantine bureaucratic incorporation had paradoxical effects: as in Egypt, it helped to sunder the mass of the Greek community from the state and its Court and bureaucratic imperial myths and culture in favour of a more demotic Greek Orthodoxy; but, unlike Egypt, the demise of the state served to strengthen that Orthodoxy and reattach to it the old dynastic Messianic symbolism of a restored Byzantine empire in opposition to Turkish oppression.”

Anthony D. Smith (1939–2016) British academic

The Ethnic Origins of Nations (1987)

Letitia Elizabeth Landon photo
Farah Pahlavi photo

“I never thought that a person's worth came from birth or wealth, and much later when I was queen, and then in exile, I had ample proof of it.”

Farah Pahlavi (1938) Empress of Iran

Page 91
Publications, An Enduring Love: My Life with the Shah (2004)

Albert Camus photo
Felicia Hemans photo

“And the heavy night hung dark,
The hills and waters o'er,
When a band of exiles moored their bark
On the wild New England shore.”

Felicia Hemans (1793–1835) English poet

Stanza 2.
The Landing of the Pilgrim Fathers http://www.poetry-archive.com/h/landing_of_the_pilgrim_fathers.html (1826)

Narendra Modi photo
Ai Weiwei photo

“What can they do besides exile [me] or make me disappear? They have no imagination or creativity.”

Ai Weiwei (1957) Chinese concept artist

Ai Weiwei Twitter feed: @AiWW (5:41 p.m. November 19, 2009)
2000-09, Twitter feeds, 2009

Anthony Burgess photo
Anthony Burgess photo
Thomas Francis Meagher photo
Emil M. Cioran photo
Raymond Cattell photo
Deendayal Upadhyaya photo
Gloria Estefan photo

“However long we live here, however much I feel at home in Miami, I -- like everyone else -- am an exile, an exile who cannot go home.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

cubanet.org (May 15, 2000)
2007, 2008

Kurt Schuschnigg photo
Whittaker Chambers photo
Gloria Estefan photo
Enoch Powell photo

“I am one of what must be an increasing number who find the portentous moralisings of A. Solzhenitsyn a bore and an irritation. Scarcely any aspect of life in the countries where he passes his voluntary exile has failed to incur his pessimistic censure. Coming from Russia, where freedom of the press has been not so much unknown as uncomprehended since long before the Revolution, he is shocked to discover that a free press disseminated all kinds of false, partial and invented information and that journalists contradict themselves from one day to the next without shame and without apology. Only a Russian would find all that surprising, or fail to understand that freedom which is not misused is not freedom at all.

Like all travellers he misunderstands what he observes. It simply is not true that ‘within the Western countries the press has become more powerful than the legislative power, the executive and the judiciary’. The British electorate regularly disprove this by electing governments in the teeth of the hostility and misrepresentation of virtually the whole of the press. Our modern Munchhausen has, however, found a more remarkable mare’s nest still: he has discovered the ‘false slogan, characteristic of a false era, that everyone is entitled to know everything’. Excited by this discovery he announces a novel and profound moral principle, a new addendum to the catalogue of human rights. ‘People,’ he says, ‘have a right not to know, and it is a more valuable one.’ Not merely morality but theology illuminates the theme: people have, say Solzhenitsyn, ‘the right not to have their divine souls’ burdened with ‘the excessive flow of information’.

Just so. Whatever may be the case in Russia, we in the degenerate West can switch off the radio or television, or not buy a newspaper, or not read such parts of it as we do not wish to. I can assure Solzhenitsyn that the method works admirably, ‘right’ or ‘no right’. I know, because I have applied it with complete success to his own speeches and writings.”

Enoch Powell (1912–1998) British politician

Letter in answer to Solzhenitsyn's Harvard statement (21 June 1978), from Reflections of a Statesman. The Writings and Speeches of Enoch Powell (London: Bellew, 1991), p. 577
1970s

Lord Dunsany photo
Gabriel García Márquez photo