Quotes about everything
page 10

Voltaire photo

“"If God did not exist, he would have to be invented." But all nature cries aloud that he does exist: that there is a supreme intelligence, an immense power, an admirable order, and everything teaches us our own dependence on it.”

Voltaire (1694–1778) French writer, historian, and philosopher

"Si Dieu n'existait pas, il faudrait l'inventer."
Mais toute la nature nous crie qu'il existe; qu'il y a une intelligence suprême, un pouvoir immense, un ordre admirable, et tout nous instruit de notre dépendance.
Voltaire quoting himself in his Letter to Prince Frederick William of Prussia (28 November 1770), translated by S.G. Tallentyre, Voltaire in His Letters (1919)
Citas

Emil M. Cioran photo
Emile Zola photo
Jean Jacques Rousseau photo
Bertrand Russell photo
Malcolm X photo

“Never have I witnessed such sincere hospitality and the overwhelming spirit of true brotherhood as is practiced by people of all colors and races here in this ancient Holy Land, the House of Abraham, Muhammad, and all the other Prophets of the Holy Scriptures. For the past week, I have been utterly speechless and spellbound by the graciousness I see displayed all around me by people of all colors....
You may be shocked by these words coming from me. But on this pilgrimage, what I have seen, and experienced, has forced me to rearrange much of my thought-patterns previously held, and to toss aside some of my previous conclusions. This was not too difficult for me. Despite my firm convictions, I have always been a man who tries to face facts, and to accept the reality of life as new experience and new knowledge unfolds it. I have always kept an open mind, which necessary to the flexibility that must go hand in hand with every form of intelligent search for truth.

During the past eleven days here in the Muslim world, I have eaten from the same plate, drunk from the same glass, and slept in the same bed (or on the same rug) -- while praying to the same God -- with fellow Muslims, whose eyes were the bluest of blue, whose hair was the blondest of blond, and whose skin was the whitest of white. And in the words and in the actions and in the deeds of the "white" Muslims, I felt the same sincerity that I felt among the black African Muslims of Nigeria, Sudan, and Ghana.

We were truly all the same (brothers) -- because their belief in one God had removed the "white" from their minds, the 'white' from their behavior, and the 'white' from their attitude.

I could see from this, that perhaps if white Americans could accept the Oneness of God, then perhaps, too, they could accept in reality the Oneness of Man -- and cease to measure, and hinder, and harm others in terms of their "differences" in color.

With racism plaguing America like an incurable cancer, the so-called "Christian" white American heart should be more receptive to a proven solution to such a destructive problem. Perhaps it could be in time to save America from imminent disaster -- the same destruction brought upon Germany by racism that eventually destroyed the Germans themselves.

They asked me what about the Hajj had impressed me the most.... I said, "The brotherhood! The people of all races, color, from all over the world coming to gether as one! It has proved to me the power of the One God.... All ate as one, and slept as one. Everything about the pilgrimage atmosphere accented the Oneness of Man under One God.”

Malcolm X (1925–1965) American human rights activist

Text of a letter written following his Hajj (1964)

Adolf Hitler photo
Benjamin Disraeli photo
Jordan Peterson photo
Lawrence M. Krauss photo
Ozzy Osbourne photo
Edward Snowden photo

“Hi and Merry Christmas. I’m honored to have a chance to speak with you and your family this year. Recently we learned that our governments, working in concert, have created a system of worldwide system of mass surveillance watching everything we do. Great Britain’s George Orwell warned us of the danger of this kind of information.”

Edward Snowden (1983) American whistleblower and former National Security Agency contractor

Source: http://www.washingtonpost.com/world/national-security/edward-snowden-after-months-of-nsa-revelations-says-his-missions-accomplished/2013/12/23/49fc36de-6c1c-11e3-a523-fe73f0ff6b8d_story.html 2013 Christmas Message

Mario Vargas Llosa photo
Emil M. Cioran photo

“The moment we believe we've understood everything grants us the look of a murderer.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

All Gall Is Divided (1952)

Osamu Tezuka photo
Emil M. Cioran photo

“Even when nothing happens, everything seems too much for me. What can be said, then, in the presence of an event, any event?”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Drawn and Quartered (1983)

John Dryden photo

“A man so various, that he seemed to be
Not one, but all mankind's epitome;
Stiff in opinions, always in the wrong,
Was everything by starts, and nothing long;
But, in the course of one revolving moon,
Was chemist, fiddler, statesman, and buffoon.”

Pt. I, lines 545–550.
Absalom and Achitophel (1681)
Variant: A man so various, that he seemed to be
Not one, but all mankind's epitome;
Stiff in opinions, always in the wrong,
Was everything by starts, and nothing long;
But, in the course of one revolving moon,
Was chemist, fiddler, statesman, and buffoon.

Mark Twain photo
Emil M. Cioran photo
Rousas John Rushdoony photo
Kurt Vonnegut photo
Kenzaburō Ōe photo
Rainer Maria Rilke photo
Ayrton Senna photo
Henry Miller photo

“She was to me, and still is, the greatest person I have known - one who can truly be called a "devoted" soul. I owe her everything.”

Henry Miller (1891–1980) American novelist

Letters of Henry Miller and Wallace Fowlie (1975)

Angela of Foligno photo
José Antonio Primo de Rivera photo
José Saramago photo
Jean Vanier photo
Karl Marx photo

“So long as the product is sold, everything is taking its regular course from the standpoint of the capitalist producer.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Vol. II, Ch. II, p. 78.
(Buch II) (1893)

Theodor W. Adorno photo
Pablo Picasso photo

“You have got to be able to picture side by side everything Matisse and I were doing at that time. No one has ever looked at Matisse's painting more carefully than I; and no one has looked at mine more carefully than he.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Quote by old Picasso (1960's); as quoted in 'Matisse & Picasso', Paul Trachtman, Smithsonian Magazine, February 2003, p 1
1960s

Barack Obama photo

“I said very early on, as a senator, and continued to believe as a presidential candidate and now as president that we can absorb a terrorist attack. We'll do everything we can to prevent it, but even a 9/11, even the, the biggest attack that ever took place on our soil, we absorbed it and we are stronger. This is a strong, powerful country that we live in and our people are incredibly resilient.”

Barack Obama (1961) 44th President of the United States of America

July 2010 interview with Bob Woodward, recounted on World News with Diane Sawyer http://www6.lexisnexis.com/publisher/EndUser?Action=UserDisplayFullDocument&orgId=574&topicId=100007216&docId=l:1271804831&isRss=true (27 September 2010)
2010

Friedrich Nietzsche photo
Ian Smith photo
Henrik Ibsen photo

“Everything I touch seems destined to turn into something mean and farcical.”

Henrik Ibsen (1828–1906) Norwegian playwright, theatre director, and poet

Hedda, Act IV
Hedda Gabler (1890)

Swami Vivekananda photo
Ludwig Wittgenstein photo
Frank Zappa photo

“When God created Republicans, he gave up on everything else.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

Appearance on Thicke of the Night (28 April 1984).

V.S. Naipaul photo
Rainer Maria Rilke photo

“How shall I hold on to my soul, so that
it does not touch yours? How shall I lift
it gently up over you on to other things?
I would so very much like to tuck it away
among long lost objects in the dark,
in some quiet, unknown place, somewhere
which remains motionless when your depths resound.
And yet everything which touches us, you and me,
takes us together like a single bow,
drawing out from two strings but one voice.
On which instrument are we strung?
And which violinist holds us in his hand?
O sweetest of songs.”

Wie soll ich meine Seele halten, daß
sie nicht an deine rührt? Wie soll ich sie
hinheben über dich zu andern Dingen?
Ach gerne möchte ich sie bei irgendetwas
Verlorenem im Dunkel unterbringen
an einer fremden stillen Stelle, die
nicht weiterschwingt, wenn diene Tiefen schwingen.
Doch alles, was uns anrührt, dich und mich,
nimmt uns zusammen wie ein Bogenstrich,
die aus zwei Saiten eine Stimme zieht.
Auf welches Instrument sind wir gespannt?
Und welcher Geiger hat uns in der Hand?
O süßes Lied.
Liebes-Lied (Love Song) (as translated by Cliff Crego)
Neue Gedichte (New Poems) (1907)

Emil M. Cioran photo

“Music is everything. God himself is nothing more than an acoustic hallucination.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Tears and Saints (1937)

Galileo Galilei photo

“Persisting in their original resolve to destroy me and everything mine by any means they can think of, these men are aware of my views in astronomy and philosophy. They know that as to the arrangement of the parts of the universe, I hold the sun to be situated motionless in the center of the revolution of the celestial orbs while the earth revolves about the sun. They know also that I support this position not only by refuting the arguments of Ptolemy and Aristotle, but by producing many counter-arguments; in particular, some which relate to physical effects whose causes can perhaps be assigned in no other way. In addition there are astronomical arguments derived from many things in my new celestial discoveries that plainly confute the Ptolemaic system while admirably agreeing with and confirming the contrary hypothesis.”

Variant translation: I hold that the Sun is located at the centre of the revolutions of the heavenly orbs and does not change place, and that the Earth rotates on itself and moves around it. Moreover … I confirm this view not only by refuting Ptolemy's and Aristotle's arguments, but also by producing many for the other side, especially some pertaining to physical effects whose causes perhaps cannot be determined in any other way, and other astronomical discoveries; these discoveries clearly confute the Ptolemaic system, and they agree admirably with this other position and confirm it.
Letter to the Grand Duchess Christina (1615)

Arthur Miller photo
Voltaire photo

“The secret of being a bore is to tell everything.”

Voltaire (1694–1778) French writer, historian, and philosopher

Le secret d'ennuyer est celui de tout dire.
"Sixième discours: sur la nature de l'homme," Sept Discours en Vers sur l'Homme (1738)
Citas

Pablo Picasso photo
Sri Chinmoy photo

“Since life is but a continuous series of experiences, everything ultimately helps me towards my final enlightenment.”

Sri Chinmoy (1931–2007) Indian writer and guru

#4029, Part 41
Ten Thousand Flower Flames Part 1-100 (1979)

Claude Monet photo

“I have not been able to see a bit of sea or any water at all; everything is frozen and covered with snow.”

Claude Monet (1840–1926) French impressionist painter

in a letter from Sandviken to Gustave Geffroy, 26 February 1895 (L. 1274); as cited in: Steven Z. Levine, ‎Claude Monet (1994), Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self. p. 93
1890 - 1900

Albert Schweitzer photo
C.G. Jung photo
Gottfried Leibniz photo

“Every substance is as a world apart, independent of everything else except God.”

Chaque substance est comme un monde à part, indépendant de toute autre chose, hors de Dieu...
Discours de métaphysique (1686)

Nanak photo
Thomas Mann photo
Leigh Hunt photo

“The same people who can deny others everything are famous for refusing themselves nothing.”

Leigh Hunt (1784–1859) English critic, essayist, poet and writer

Table Talk http://books.google.com/books?id=FSw3AAAAIAAJ&q="The+same+people+who+can+deny+others+everything+are+famous+for+refusing+themselves+nothing"&pg=PA62#v=onepage (1851)

Ambrose Bierce photo
Emil M. Cioran photo

“I am displeased with everything. If they made me God, I would immediately resign.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

On the Heights of Despair (1934)

Pierre Beaumarchais photo

“Everything ends with songs.”

Tout finit par des chansons.
Mariage de Figaro, End. Reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 732-33.
The Marriage of Figaro (1778)

Emil M. Cioran photo
Joseph Goebbels photo

“The money pigs of capitalist democracy… Money has made slaves of us… Money is the curse of mankind. It smothers the seed of everything great and good. Every penny is sticky with sweat and blood.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Quoted in The Nazi Party 1919-1945: A Complete History, Dietrich Orlow, New York: NY, Enigma Books, 2012, p 61. Goebbels’ article, “Nationalsozialisten aus Berlin und aus dem Reich”, Voelkischer Beobachter, February 4, 1927
1920s

Joseph Pisani photo
Shreya Ghoshal photo

“I believe without a struggle there is no fun. If everything comes easily to you then there is no sense of satisfaction at having achieved something.”

Shreya Ghoshal (1984) Indian playback singer

Passion and focus http://www.khaleejtimes.com/article/20140716/ARTICLE/307169979/1057

Barack Obama photo
Socrates photo
Heinrich Himmler photo
Katherine Mansfield photo

“Everything in life that we really accept undergoes a change. So suffering must become Love. This is the mystery. This is what I must do.”

Katherine Mansfield (1888–1923) New Zealand author

Journal entry (19 December 1920), published in The Journal of Katherine Mansfield (1927) edited by J. Middleton Murry

Friedrich Nietzsche photo
Leonardo Da Vinci photo

“The eye which turns from a white object in the light of the sun and goes into a less fully lighted place will see everything as dark.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting

James Brown photo

“When you kiss me,
And ya miss me.
You hold me tight,
Make everything all right.
I break out - in a cold sweat heh!”

James Brown (1933–2006) American singer, songwriter, musician, and recording artist

Cold Sweat, written with Alfred "Pee Wee" Ellis (1967)
Song lyrics

H.P. Lovecraft photo

“Your wonderment 'what I have against religion' reminds me of your recent Vagrant essay… To my mind, that essay misses one point altogether. Your "agnostic" has neglected to mention the very crux of all agnosticism—namely that the Judaeo-Christian mythology is NOT TRUE. I can see that in your philosophy truth per se has so small a place, that you can scarcely realise what it is that Galpin and I are insisting upon. In your mind, MAN is the centre of everything, and his exact conformation to certain regulations of conduct HOWEVER EFFECTED, the only problem in the universe. Your world (if you will pardon my saying so) is contracted. All the mental vigour and erudition of the ages fail to disturb your complacent endorsement of empirical doctrines and purely pragmatical notions, because you voluntarily limit your horizon—excluding certain facts, and certain undeniable mental tendencies of mankind. In your eyes, man is torn between only two influences; the degrading instincts of the savage, and the temperate impulses of the philanthropist. To you, men have but two types of emotion—lovers of the self and lovers of the race…. You are forgetting a human impulse which, despite its restriction to a relatively small number of men, has all through history proved itself as real and as vital as hunger—as potent as thirst or greed. I need not say that I refer to that simplest yet most exalted attribute of our species—the acute, persistent, unquenchable craving TO KNOW. Do you realise that to many men it makes a vast and profound difference whether or not the things about them are as they appear?… If TRUTH amounts to nothing, then we must regard the phantasma of our slumbers just as seriously as the events of our daily lives…. I recognise a distinction between dream life and real life, between appearances and actualities. I confess to an over-powering desire to know whether I am asleep or awake—whether the environment and laws which affect me are external and permanent, or the transitory products of my own brain. I admit that I am very much interested in the relation I bear to the things about me—the time relation, the space relation, and the causative relation. I desire to know approximately what my life is in terms of history—human, terrestrial, solar, and cosmical; what my magnitude may be in terms of extension,—terrestrial, solar, and cosmical; and above all, what may be my manner of linkage to the general system—in what way, through what agency, and to what extent, the obvious guiding forces of creation act upon me and govern my existence. And if there be any less obvious forces, I desire to know them and their relation to me as well.”

H.P. Lovecraft (1890–1937) American author

Letter to Maurice W. Moe (15 May 1918), in Selected Letters I, 1911-1924 edited by August Derleth and Donald Wandrei, p. 60
Non-Fiction, Letters

Pythagoras photo

“Holding fast to these things, you will know the worlds of gods and mortals which permeates and governs everything. And you will know, as is right, nature similar in all respects, so that you will neither entertain unreasonable hopes nor be neglectful of anything.”

Pythagoras (-585–-495 BC) ancient Greek mathematician and philosopher

As quoted in Divine Harmony: The Life and Teachings of Pythagoras by John Strohmeier and Peter Westbrook. (1999)
The Golden Verses

Gautama Buddha photo

“To understand everything is to forgive everything.”

Gautama Buddha (-563–-483 BC) philosopher, reformer and the founder of Buddhism

This is generally reported as a French proverb, and one familiar as such in Russia as well, in many 19th and 20th century works; it seems to have first become attributed to Gautama Buddha without citation of sources in Farm Journal, Vol. 34 (1910), p. 417
Misattributed

George Takei photo

“He is a clown in blackface sitting on the Supreme Court. He gets me that angry. He doesn't belong there. And for him to say, slaves have dignity. I mean, doesn't he know that slaves were in chains? That they were whipped on the back. If he saw the movie 12 Years as a Slave, you know, they were raped. And he says they had dignity as slaves or— My parents lost everything that they worked for, in the middle of their lives, in their thirties. His business, my father's business, our home, our freedom and we're supposed to call that dignified? Marched out of our homes at gun point. I mean, this man does not belong on the Supreme Court. He is an embarrassment.”

George Takei (1937) American actor and author

He is a disgrace to America.
Fox 10 News (Phoenix) interview https://www.facebook.com/FOX10Phoenix/videos/868880156493866/,
regarding Clarence Thomas writing "Slaves did not lose their dignity (any more than they lost their humanity) because the government allowed them to be enslaved. Those held in internment camps did not lose their dignity because the government confined them." in his Obergefell v. Hodges dissent,

John Chrysostom photo
Plato photo

“Music is a moral law. It gives a soul to the universe, wings to the mind, flight to the imagination, a charm to sadness, gaiety and life to everything. It is the essence of order, and leads to all that is good, just, and beautiful, of which it is the invisible, but nevertheless dazzling, passionate, and eternal form.”

Plato (-427–-347 BC) Classical Greek philosopher

This quotation is not known to exist in Plato's writings. It apparently first appeared as a quotation attributed to Plato in The Pleasures of Life, Part II by Sir John Lubbock (Macmillan and Company, London and New York), published in 1889.
Misattributed

Maria Callas photo

“[Serafin was] an extraordinary coach, sharp as a vecchio lupo [old wolfe]. He opened a world to me, showed me there was a reason for everything, that even fiorature and trills… have a reason in the composer's mind, that they are the expression of the stato d'animo [state of mind] of the character — that is, the way he feels at the moment, the passing emotions that take hold of him. He would coach us for every little detail, every movement, every word, every breath. One of the things he told me — and this is the basis of bel canto — is never to attack a note from underneath or from above, but always to prepare it in the face. He taught me that pauses are often more important than the music. He explained that there was a rhythm — these are the things you get only from that man! — a measure for the human ear, and that if a note was too long, it was no good after a while. A fermata always must be measured, and if there are two fermate close to one another in the score, you ignore one of them. He taught me the proportions of recitative — how it is elastic, the proportions altering so slightly that only you can understand it…. But in performance he left you on your own. "When I am in the pit, I am there to serve you, because I have to save my performance." he would say. We would look down and feel we had a friend there. He was helping you all the way. He would mouth all the words. If you were not well, he would speed up the tempo, and if you were in top form, he would slow it down to let you breathe, to give you room. He was breathing with you, living the music with you, loving it with you. It was elastic, growing, living.”

Maria Callas (1923–1977) American-born Greek operatic soprano

Callas : The Art and the Life (1974)

Giorgio de Chirico photo

“Everything has two aspects: the current aspect, which we see nearly always and which ordinary men see, and the ghostly and metaphysical aspect, which only rare individuals may see in moments of clairvoyance and metaphysical abstraction.”

Giorgio de Chirico (1888–1978) Italian artist

1919
as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 440
1908 - 1920, On Mystery and Creation, Paris 1913

H.P. Lovecraft photo

“Inconceivable events and conditions form a class apart from all other story elements, and cannot be made convincing by any mere process of casual narration. They have the handicap of incredibility to overcome; and this can be accomplished only through a careful realism in every other phase of the story, plus a gradual atmospheric or emotional build-up of the utmost subtlety. The emphasis, too, must be kept right—hovering always over the wonder of the central abnormality itself. It must be remembered that any violation of what we know as natural law is in itself a far more tremendous thing than any other event or feeling which could possibly affect a human being. Therefore in a story dealing with such a thing we cannot expect to create any sense of life or illusion of reality if we treat the wonder casually and have the characters moving about under ordinary motivations. The characters, though they must be natural, should be subordinated to the central marvel around which they are grouped. The true "hero" of a marvel tale is not any human being, but simply a set of phenomena. Over and above everything else should tower the stark, outrageous monstrousness of the one chosen departure from Nature. The characters should react to it as real people would react to such a thing if it were suddenly to confront them in daily life; displaying the almost soul-shattering amazement which anyone would naturally display instead of the mild, tame, quickly-passed-over emotions prescribed by cheap popular convention. Even when the wonder is one to which the characters are assumed to be used, the sense of awe, marvel, and strangeness which the reader would feel in the presence of such a thing must somehow be suggested by the author.... Atmosphere, not action, is the thing to cultivate in the wonder story. We cannot put stress on the bare events, since the unnatural extravagance of these events makes them sound hollow and absurd when thrown into too high relief. Such events, even when theoretically possible or conceivable in the future, have no counterpart or basis in existing life and human experience, hence can never form the groundwork of an adult tale. All that a marvel story can ever be, in a serious way, is a vivid picture of a certain type of human mood. The moment it tries to be anything else it becomes cheap, puerile, and unconvincing. Therefore a fantastic author should see that his prime emphasis goes into subtle suggestion—the imperceptible hints and touches of selective and associative detail which express shadings of moods and build up a vague illusion of the strange reality of the unreal—instead of into bald catalogues of incredible happenings which can have no substance or meaning apart from a sustaining cloud of colour and mood-symbolism. A serious adult story must be true to something in life. Since marvel tales cannot be true to the events of life, they must shift their emphasis toward something to which they can be true; namely, certain wistful or restless moods of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural laws.”

H.P. Lovecraft (1890–1937) American author

"Some Notes on Interplanetary Fiction", Californian 3, No. 3 (Winter 1935): 39-42. Published in Collected Essays, Volume 2: Literary Criticism edited by S. T. Joshi, p. 178
Non-Fiction

Jean Paul Sartre photo
Oswald Spengler photo

“p>To the new International that is now in the irreversible process of preparation we can contribute the ideas of worldwide organization and the world state; the English can suggest the idea of worldwide exploitation and trusts; the French can offer nothing….
Thus we find two great economic principles opposed to each other in the modern world. The Viking has become a free-tradesman; the Teutonic knight is now an administrative official. There can be no reconciliation. Each of these principles is proclaimed by a German people, Faustian men par excellence. Neither can accept a restriction of its will, and neither can be satisfied until the whole world has succumbed to its particular idea. This being the case, war will be waged until one side gains final victory. Is world economy to be worldwide exploitation, or worldwide organization? Are the Caesars of the coming empire to be billionaires or universal administrators? Shall the population of the earth, so long as this empire of Faustian civilization holds together, be subjected to cartels and trusts, or to men such as those envisioned in the closing pages of Goethe’s Faust, Part II? Truly, the destiny of the world is at stake….
This brings us to the political aspects of the English-Prussian antithesis. Politics is the highest and most powerful dimension of all historical existence. World history is the history of states; the history of states is the history of wars. Ideas, when they press for decisions, assume the form of political units: countries, peoples, or parties. They must be fought over not with words but with weapons. Economic warfare becomes military warfare between countries or within countries. Religious associations such as Jewry and Islam, Huguenots and Mormons, constitute themselves as countries when it becomes a matter of their continued existence or their success. Everything that proceeds from the innermost soul to become flesh or fleshly creation demands a sacrifice of flesh in return. Ideas that have become blood demand blood. War is the eternal pattern of higher human existence, and countries exist for war’s sake; they are signs of readiness for war. And even if a tired and blood-drained humanity desired to do away with war, like the citizens of the Classical world during its final centuries, like the Indians and Chinese of today, it would merely exchange its role of war-wager for that of the object about and with which others would wage war. Even if a Faustian universal harmony could be attained, masterful types on the order of late Roman, late Chinese, or late Egyptian Caesars would battle each other for this Empire—for the possession of it, if its final form were capitalistic; or for the highest rank in it, if it should become socialistic.”

Oswald Spengler (1880–1936) German historian and philosopher

Prussianism and Socialism (1919)

José Mourinho photo
Tivadar Csontváry Kosztka photo
Black Elk photo
Friedrich Nietzsche photo

“I always believed that at some time fate would take from me the terrible effort and duty of educating myself. I believed that, when the time came, I would discover a philosopher to educate me, a true philosopher whom one could follow without any misgiving because one would have more faith in him than one had in oneself. Then I asked myself: what would be the principles by which he would educate you?—and I reflected on what he might say about the two educational maxims which are being hatched in our time. One of them demands that the educator should quickly recognize the real strength of his pupil and then direct all his efforts and energy and heat at them so as to help that one virtue to attain true maturity and fruitfulness. The other maxim, on the contrary, requires that the educator should draw forth and nourish all the forces which exist in his pupil and bring them to a harmonious relationship with one another. … But where do we discover a harmonious whole at all, a simultaneous sounding of many voice in one nature, if not in such men as Cellini, men in whom everything, knowledge, desire, love, hate, strives towards a central point, a root force, and where a harmonious system is constructed through the compelling domination of this living centre? And so perhaps these two maxims are not opposites at all? Perhaps the one simply says that man should have a center and the other than he should also have a periphery? That educating philosopher of whom I dreamed would, I came to think, not only discover the central force, he would also know how to prevent its acting destructively on the other forces: his educational task would, it seemed to me, be to mould the whole man into a living solar and planetary system and to understand its higher laws of motion.”

“Schopenhauer as educator,” § 3.2, R. Hollingdale, trans. (1983), pp. 130-131
Untimely Meditations (1876)

Eckhart Tolle photo
Barack Obama photo
Paul Valéry photo

“The “determinist” swears that if we knew everything we should also be able to deduce and foretell the conduct of every man in every circumstance, and that is obvious enough. But the expression “know everything” means nothing.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: Regards sur le monde actuel [Reflections on the World Today] (1931), p. 42

José Saramago photo
Barack Obama photo

“In the coming days, we will continue to do everything we can to ensure the safety of American citizens and the security of our sources of energy. And we will stand with the people of Japan as they contain this crisis, recover from this hardship, and rebuild their great nation.”

Barack Obama (1961) 44th President of the United States of America

2011, Address on the natural and nuclear energy disasters in Japan (March 2011)
Context: In the midst of economic recovery and global upheaval, disasters like this remind us of the common humanity that we share. We see it in the responders who are risking their lives at Fukushima. We show it through the help that has poured into Japan from 70 countries. And we hear it in the cries of a child, miraculously pulled from the rubble.
In the coming days, we will continue to do everything we can to ensure the safety of American citizens and the security of our sources of energy. And we will stand with the people of Japan as they contain this crisis, recover from this hardship, and rebuild their great nation.

A.C. Bhaktivedanta Swami Prabhupada photo
Tom Kenny photo
Coco Chanel photo

“As long as you know that most men are like children, you know everything.”

Coco Chanel (1883–1971) French fashion designer

As quoted in Thinking Through the Essay (1986) by Judith Barker-Sandbrook and Neil Graham, p. 158

Miley Cyrus photo

“You used to call me your dreamer,
And now I'm living out my dreams;
Oh, how I wish you could see,
Everything that's happening for me.”

Miley Cyrus (1992) American actor and singer-songwriter

I Miss You, her character's guitar piece for Hannah Montana and in reality dedicated to her late grandfather Ron Cyrus
Song lyrics

Emile Zola photo

“Everything is only a dream.”

Emile Zola (1840–1902) French writer (1840-1902)

Le Rêve [The Dream] (1888).

Jacques Ellul photo
Leon Trotsky photo

“We communists know only one possession that is sacred — the life of the working man, the life of the worker, his wife and his children. That is the only possession which is sacred so far as we are concerned, and it gives us the right to do anything and everything.”

Leon Trotsky (1879–1940) Marxist revolutionary from Russia

Into the Fight Against Famine
6. The Kulaks - bulwark and hope of the counter-revolution
How the Revolution Armed (1923)

Nisargadatta Maharaj photo
Frank Zappa photo
Terry Pratchett photo