Quotes about evening
page 51

John Napier photo

“Here then (belove reader) thou hast this work devided into two treatises, the first is the said introduction and reasoning, for investigation of the true sense of every cheife Theological tearme and date contained in the Revelation, whereby, not onely is it opened, explained and interpreted, but also that same explanation and interpretation is proved, confirmed and demonstrated, by evidente proofe and coherence of scriptures, agreeable with the event of histories. The seconde is, the principall treatise, in which the whole Apocalyps, Chapter by chapter, Verse by verse, and Sentence by sentence, is both Paraphrastically expounded and Historically applyed. …And because this whole work of Revelation concerneth most the discoverie of the Antichristian and Papisticall kingdome, I have therefore (for removing of all suspition) in al histories and prophane matters, taken my authorities and cited my places either out of Ethnick auctors, or then papistical writers, whose testimonies by no reason can be refuted against themselves. But in matters of divinitie, doctrine & interpretation of mysteries (leaving all opinions of men) I take me onely to the interpretation and discoverie thereof, by coherence of scripture, and godly reasons following thereupon; which also not only no Papist, but even no Christian may justly refuse. And forasmuch as our scripturs herein are of two fortes, the one our ordinary text, the other extraordinary citations; In our ordinary text, I follow not altogether the vulgar English translation, but the best learned in the Greek tong, so that (for satisfying the Papists) I differ nothing from their vulgar text of S. Jerome, as they cal it, except is such places, where I prove by good reasons, that hee differeth from the Original Greek. In the extraordinary texts of other scriptures cited by me, I followe ever Jeromes latine translation, where any controverse stands betwixt us and the Papists, and that moveth me in divers places to insert his very latine text, for their cause, with the just English thereof, for supply of the unlearned.”

John Napier (1550–1617) Scottish mathematician

A Plaine Discovery of the Whole Revelation of St. John (1593)

“Not even in our most devious dreams could we have designed a surrogate as evil as these real monkey mothers were.”

Harry Harlow (1905–1981) American psychologist

on the parental behavior of monkeys whose social behaviors he had destroyed in their infancy.
as quoted in Love at Goon Park: Harry Harlow and the Science of Affection, by Deborah Blum, Perseus Publishing, 2002

John Fante photo
Nelson Mandela photo
Sam Harris photo
Michael McIntyre photo
Jake Shields photo
Yasunari Kawabata photo
Ray Comfort photo
Letitia Elizabeth Landon photo
Auguste Rodin photo

“The sculptor must learn to reproduce the surface, which means all that vibrates on the surface: spirit, soul, love, passion — life. … Sculpture is thus the art of hollows and mounds, not of smoothness, or even polished planes.”

Auguste Rodin (1840–1917) French sculptor

In; Victor Frisch, ‎Joseph Twadell Shipley (1939). Auguste Rodin. p. 203: About the act of creation.
1900s-1940s

Bobby Fischer photo
Milo Yiannopoulos photo
Antonin Scalia photo
Daniel Dennett photo

“You silly old fool, you don't even know the alphabet of your own silly old business.”

William Henry Maule (1788–1858) British politician

Reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 86. The quotation has been attributed to many others, such as Lord Chief Justice Campbell, Lord Chesterfield, Sir William Harcourt, Lord Pembroke, Lord Westbury, and to an anonymous judge, and said to have been spoken in court to Garter King at Arms, Rouge Dragon Pursuivant, or some other high-ranking herald, who had confused a "bend" with a "bar" or had demanded fees to which he was not entitled. George Bernard Shaw quotes it in Pygmalion (1912) in the form, "The silly people dont [sic] know their own silly business."

Maule cannot be the original source of the quotation, as it is quoted nearly twenty years before his birth in Charles Jenner's The Placid Man: Or, The Memoirs of Sir Charles Beville (1770): "Sir Harry Clayton ... was perhaps far better qualified to have written a Peerage of England than Garter King at Arms, or Rouge Dragon, or any of those parti-coloured officers of the court of honor, who, as a great man complained on a late solemnity, are but too often so silly as not to know their own silly business." "Old Lord Pembroke" (Henry Herbert, 9th Earl of Pembroke) is said by Horace Walpole (in a letter of May 28, 1774 to the Rev. William Cole) to have directed the quip, "Thou silly fellow! Thou dost not know thy own silly business," at John Anstis, Garter King at Arms (though in his 1833 edition of Walpole's letters to Sir Horace Mann, George Agar-Ellis, 1st Baron Dover, attributes the saying to Lord Chesterfield in a footnote, in the form "You foolish man, you do not understand your own foolish business"). Edmund Burke also quotes it ("'Silly man, that dost not know thy own silly trade!' was once well said: but the trade here is not silly.") in a "Speech in the Impeachment of Warren Hastings, Esq." on May 7, 1789 (when Maule was just over a year old). Chesterfield or Pembroke fit best in point of time.
Attributed

Tara Reid photo
Martin Amis photo
G. K. Chesterton photo
Juan Gris photo

“Cubism is not a manner but an aesthetic, and even a state of mind; it is therefore inevitably connected with every manifestation of contemporary thought. It is possible to invent a technique or a manner independently, but one cannot invent the whole complexity of a state of mind.”

Juan Gris (1887–1927) Spanish painter and sculptor

Response to a questionnaire, from "Chez les cubistes," Bulletin de la Vie Artistique, ed. Félix Fénéon, Guillaume Janneau et al (1925-01-01); trans. Daniel-Henry Kahnweiler, Juan Gris, His Life and Work (1947)

Isa Genzken photo
James Anthony Froude photo
Kanō Jigorō photo

“Generally speaking, if we look at sports we find that their strong point is that because they are competitive they are interesting, and young people are likely to be attracted to them. No matter how valuable the method of physical education, if it is not put into practice, it will serve no purpose — therein lies the advantage of sports. But, in this regard there are matters to which we must also give a great deal of consideration. First, so-called sports were not created for the purpose of physical education; one competes for another purpose, namely, to win. Accordingly, the muscles are not necessarily developed in a balanced way, and in some cases the body is pushed too far or even injured. For that reason, while there is no doubt that sports are a good thing, serious consideration must be given to the selection of the sport and the training method. Sports must not be undertaken carelessly, over-zealously, or without restraint. However, it is safe to say that competitive sports are a form of physical education that should be promoted with this advice in mind. The reason I have worked to popularize sports for more than twenty years and that I have strived to bring the Olympic Games to Japan is entirely because I recognize these merits. However, in times like these, when many people are enthusiastic about sports, I would like to remind them of the adverse effects of sports as well. I also urge them to keep in mind the goals of physical education—to develop a sound body that is useful to you in your daily life — and be sure to consider whether or not the method of training is in keeping with the concept of”

Kanō Jigorō (1860–1938) Japanese educator and judoka

http://www.judoinfo.com/seiryoku2.htm seiryoku zenyo
"Judo and Physical Training" in Mind Over Muscle : Writings from the Founder of Judo (2006) edited by Naoki Murata, p. 57

Mark Zuckerberg photo
François Bernier photo

“The Great Mogol is a foreigner in Hindustan, a descendent of Tamerlane, chief of those Mogols from Tartary who, about the year 1401, overran and conquered the Indies. Consequently he finds himself in a hostile country, or nearly so; a country containing hundreds of Gentiles to one Mogol or even to one Mahometan. To maintain himself in such a country… he is under the necessity of keeping up numerous armies, even in the time of peace.”

François Bernier (1620–1688) French physician and traveller

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Also quoted in part in in Islam in India and Pakistan - A Religious History by Dr.Y P Singh, British India by R.W. Frazer
Travels in the Mogul Empire (1656-1668)

Winston S. Churchill photo
Sarojini Naidu photo
Stephen Baxter photo
Louis Auguste Blanqui photo

“Even when the wound is healed, the scar remains.”

Publilio Siro Latin writer

Maxim 236
Sentences, The Moral Sayings of Publius Syrus, a Roman Slave
Variant: Even when there is no law, there is conscience.

Richard Dawkins photo
Herbert Hoover photo

“[Engineering] is a great profession. There is the fascination of watching a figment of the imagination emerge through the aid of science to a plan on paper. Then it moves to realization in stone or metal or energy. Then it brings jobs and homes to men. Then it elevates the standards of living and adds to the comforts of life. That is the engineer’s high privilege.

The great liability of the engineer compared to men of other professions is that his works are out in the open where all can see them. His acts, step by step, are in hard substance. He cannot bury his mistakes in the grave like the doctors. He cannot argue them into thin air or blame the judge like the lawyers. He cannot, like the architects, cover his failures with trees and vines. He cannot, like the politicians, screen his shortcomings by blaming his opponents and hope that the people will forget. The engineer simply cannot deny that he did it. If his works do not work, he is damned. That is the phantasmagoria that haunts his nights and dogs his days. He comes from the job at the end of the day resolved to calculate it again. He wakes in the night in a cold sweat and puts something on paper that looks silly in the morning. All day he shivers at the thought of the bugs which will inevitably appear to jolt its smooth consummation.

On the other hand, unlike the doctor his is not a life among the weak. Unlike the soldier, destruction is not his purpose. Unlike the lawyer, quarrels are not his daily bread. To the engineer falls the job of clothing the bare bones of science with life, comfort, and hope. No doubt as years go by people forget which engineer did it, even if they ever knew. Or some politician puts his name on it. Or they credit it to some promoter who used other people’s money with which to finance it. But the engineer himself looks back at the unending stream of goodness which flows from his successes with satisfactions that few professions may know. And the verdict of his fellow professionals is all the accolades he wants.”

Herbert Hoover (1874–1964) 31st President of the United States of America

Excerpted from Chapter 11 "The Profession of Engineering"
The Memoirs of Herbert Hoover: Years of Adventure, 1874-1929 (1951)

Gordon Tullock photo
Gwendolyn Brooks photo
Wilt Chamberlain photo
Robert Charles Wilson photo

““Don’t tell me. It changed your life.” I was smiling.
She smiled back. “It didn’t even change my mind.””

Robert Charles Wilson (1953) author

Divided by Infinity (p. 180)
The Perseids and Other Stories (2000)

Marvin Bower photo
Peter Kenneth photo

“Even as my name suggests, I am not a tribalist like the others. I am acceptable to all Kenyans and confortable with all. It does not matter whether one is Somali, Borana or Kikuyu because they are all Kenyans.”

Peter Kenneth (1965) politician

Addresing citizens at Isiolo Standard Digital : Go for performers, Kenneth tells voters, Ali, Abdi, standardmedia.co.ke, 2012 [last update http://www.standardmedia.co.ke/?articleID=2000062105&story_title=Go-for-performers,-Kenneth-tells-voters,, 19 July 2012]

José Ortega Y Gasset photo
Georges Bataille photo
Shah Jahan photo
Muhammad of Ghor photo
William Jones photo

“From all the properties of man and of nature, from all the various branches of science, from all the deductions of human reason, the general corollary, admitted by Hindus, Arabs, and Tartars, by Persians, and by Chinese, is the supremacy of an all-creating and all-preserving spirit, infinitely wise, good, and powerful, but infinitely removed from the comprehension of his most exalted creatures; nor are there in any language (the ancient Hebrew always excepted) more pious and sublime addresses to the being of beings, more splendid enumerations of his attributes, or more beautiful descriptions of his visible works, than in Arabick, Persian, and Sanscrit, especially in the Koran, the introductions to the poems of Sadi', Niza'm'i and Firdaus'i, the four Védas, and many parts of the numerous Puránas: but supplication and praise would not satisfy the boundless imagination of the Vedánti and Sufi theologists, who blending uncertain metaphysicks with undoubted principles of religion, have presumed to reason confidently on the very nature and essence of the divine spirit, and asserted in a very remote age, what multitudes of Hindus and Muselmans assert… that all spirit is homogeneous, that the spirit of God is in kind the same with that of man, though differing from it infinitely in degree, and that, as material substance is mere illusion, there exists in this universe only one generick spiritual substance, the sole primary cause, efficient, substantial and formal of all secondary causes and of all appearances whatever, but endued in its highest degree, with a sublime providential wisdom, and proceeding by ways incomprehensible to the spirits which emane from it; an opinion which Gotama never taught, and which we have no authority to believe, but which, as it is grounded on the doctrine of an immaterial creator supremely wise, and a constant preserver supremely benevolent, differs as widely from the pantheism of Spinoza and Toland, as the affirmation of a proposition differs from the negation of it; though the last named professor of that insane philosophy had the baseness to conceal his meaning under the very words of Saint Paul, which are cited by Newton for a purpose totally different, and has even used a phrase, which occurs, indeed, in the Véda, but in a sense diametrically opposite to that, which he would have given it. The passage to which I allude is in a speech of Varuna to his son, where he says, "That spirit, from which these created beings proceed; through which having proceeded from it, they live; toward which they tend and in which they are ultimately absorbed, that spirit study to know; that spirit is the Great One."”

William Jones (1746–1794) Anglo-Welsh philologist and scholar of ancient India

"On the Philosophy of the Asiatics" (1794)

Jim Gaffigan photo

“Of course what makes breakfast in bed so special is you're lying down and eating bacon, the most beautiful thing on Earth. Bacon's the best, even the frying of bacon sounds like an applause. (sizzling sounds) YEAAAA BACON!!!! You wanna hear how good bacon is? To improve other food they wrap it in bacon. If it wasn't for bacon we wouldn't even know what a water chestnut is. "Thank you bacon. Sincerely, Water Chestnut the third". And those bits of bacon, bits of bacon are like the fairy dust of the food community. "you don't want this baked potato," bbbrrriinnnggg! it's now your favorite part of the meal. "not interested in a salad?" bippady boppidy bacon! Just turned it into an entre. And once you put bacon into a salad it's no longer a salad, it just becomes a game of find the bacon in the lettuce. It's like you're panning for gold, hmmmmm, EUREKA! bacon! not many ways to prepare bacon, you can either fry it or get botulism. It's amazing the shrinkage that occurs. You start with a pound you end up with a book mark. You know the only bad part about bacon is it makes you thirsty… for more bacon! I never feel like I get enough bacon. at breakfast it's like they're rationalizing it. "Here's your two strips of bacon." "But I want more! More bacon!" Whenever you're at a brunch buffet and you see that metal tray filled with the four thousand strips of bacon, don't you almost expect a rainbow to be coming out of it? "I found it I found the source of all bacon!"”

Jim Gaffigan (1966) comedian, actor, author

That bacon tray is always at the end of the buffet, you always regret all the stuff on your plate. "What am I doing with all this worthless fruit? I should have waited! If I had known you were here I would've waited...."
King Baby

Northrop Frye photo

“In society's eyes the virtue of saying the right thing at the right time is more important that the virtue of telling the whole truth, or even of telling the truth at all.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 6: The Vocation of Eloquence

Joe Biden photo

“Even the oil companies don't need an incentive of $4 billion to go out and explore. As my grandpop would say, 'They’re doing just fine, thank you.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

Speech to national conference of the National Association of Black Journalists, Washington, D.C. (June 20, 2012), quoted in * 2012-06-20 Biden: 'A gaffe is when you tell the truth' Talia Buford Politico

https://www.politico.com/blogs/politico44/2012/06/biden-a-gaffe-is-when-you-tell-the-truth-126866

Ref: en.wikiquote.org - Joe Biden / Quotes / 2010s / 2012
2012

Mark Satin photo

“Scott wants us each to talk about "the kind of society we'd like to live in." … From the start I am very nervous. Phil goes on about "the redistribution of wealth"; nearly everyone comes out for "socialism" of one kind or another; Brick even hints at "another revolution." When it is my time to speak I am moved to say, "I think people's tolerance is the main issue, even more than socialism. I mean, look at the people who are for the war. Look at the courthouse square."”

Mark Satin (1946) American political theorist, author, and newsletter publisher

I am afraid to go on and say what I don't like about socialism. ...
Pages 93–94. It's the spring of 1965. Satin had dropped out of college to become a volunteer for the Student Nonviolent Coordinating Committee (SNCC) in Holly Springs, Mississippi. The meeting above had been called by SNCC to explore SNCC workers' views.
Confessions of a Young Exile (1976)

Daniel Tosh photo
Fred Hoyle photo
Philip K. Dick photo

“I, for one, bet on science as helping us. I have yet to see how it fundamentally endangers us, even with the H-bomb lurking about. Science has given us more lives than it has taken; we must remember that.”

Philip K. Dick (1928–1982) American author

"Self Portrait" (1968), reprinted in The Shifting Realities of Philip K. Dick (1995), ed. Lawrence Sutin

Andrew Dickson White photo
Thomas Jefferson photo
Max Weber photo

“This naive manner of conceptualizing capitalism by reference to a “pursuit of gain” must be relegated to the kindergarten of cultural history methodology and abandoned once and for all. A fully unconstrained compulsion to acquire goods cannot be understood as synonymous with capitalism, and even less as its “spirit.” On the contrary, capitalism can be identical with the taming of this irrational motivation, or at least with its rational tempering. Nonetheless, capitalism is distinguished by the striving for profit, indeed, profit is pursued in a rational, continuous manner in companies and firms, and then pursued again and again, as is profitability. There are no choices. If the entire economy is organized according to the rules of the open market, any company that fails to orient its activities toward the chance of attaining profit is condemned to bankruptcy.
Let us begin by defining terms in a manner more precise than often occurs. For us, a "capitalist" economic act involves first of all an expectation of profit based on the utilization of opportunities for exchange; that is of (formally) peaceful opportunities for acquisition. Formal and actual acquisition through violence follows its own special laws and hence should best be placed, as much as one may recommend doing so, in a different category. Wherever capitalist acquisition is rationally pursued, action is oriented to calculation in terms of capital. What does this mean?”

Max Weber (1864–1920) German sociologist, philosopher, and political economist

Prefatory Remarks to Collected Essays in the Sociology of Religion (1920)

Umberto Veronesi photo
Nils Funcke photo

“The ideal is a totally free debate where everyone can write what they want so that all opinions can be let out, even uncomfortable or insulting opinions. The alternative, to hide opinions that exist in a democratic society, is too dangerous. For example, today we see that there is an obvious skepticism against immigration in Europe. These opinions exist whether we want it or not. But these thoughts might flourish even more if we do not discuss them. Today there are a number of questions that are "unmentionable."”

Nils Funcke (1953) Swedish writer and journalist

We should take them back. Not until then can we have a constructive debate.
Nils Funcke (Swedish journalist and expert on freedom of expression) in interview with Sanna Trygg, October 2010. http://blogs.lse.ac.uk/polis/files/2012/01/IsCommentFree_PolisLSETrygg.pdf http://blogs.lse.ac.uk/polis/2012/01/19/is-comment-free-new-polis-research-report-on-the-moderation-of-online-news/

Cyrano de Bergerac photo
Greil Marcus photo
Paul Krugman photo

“Many of those who reject the idea of economic models are ill-informed or even (perhaps unconsciously) intellectually dishonest.”

Paul Krugman (1953) American economist

Development, Geography, and Economic Theory (1995), Ch. 3. Models and Metaphors

Lauryn Hill photo
Christopher Hitchens photo
Raymond Radiguet photo

“The uncounscious actions of a pure soul are even more strange than the vice's schemes.”

Raymond Radiguet (1903–1923) French writer

Les manoeuvres inconscientes d'une âme pure sont encore plus singulières que les combinaisons du vice
Raymond Radiguet: Le bal du comte d'Orgel. Paris 1924. P. 1.

Malala Yousafzai photo
Ed Bradley photo
Randal Marlin photo

“It is true that advertising often gives information and is valuable for doing so, but some forms of advertising give precious little information, and even that little is wrong.”

Randal Marlin (1938) Canadian academic

Source: Propaganda & The Ethics Of Persuasion (2002), Chapter Five, Advertising And Public Relations Ethics, p. 176

Phil Brooks photo

“Okay, I get it. You people destroy billions of brain cells on a daily basis with your excess consumption of alcoholic beverages, over-the-counter as well as prescription medication—the latter of which, chances are, aren't even yours—and a veritable laundry list of substances that you shove into your soft little bodies day after day. The reason I bring up your chemically-induced mind is because I think the lot of you have forgotten my accomplishments, so please allow me to jog your ailing memory: I am the only three-time straight-edge World Heavyweight Champion in WWE history, I am the only Superstar in WWE history to win back-to-back Money in the Bank Ladder Matches at WrestleMania, and don't forget I am the man that did you, the WWE Universe, a favor that you didn't even deserve when I got rid of the Charismatic Enabler Jeff Hardy from this company…forever. But that runs a close #2 to my crowning achievement of using my Anaconda Vice and, for the first time, making the Undertaker [makes the motion on his chest] tap out—I did that. Me. I did that, and I did it all without drugs, I did it all without alcohol, and above all else, I did it all without any help from any of you. So I want somebody, anybody in a position of power to come out here right now and treat me with the respect I have earned, not only as the face of SmackDown, but the poster boy of the entire company, and as the choice of a new generation, I deserve to know who my next opponent is now that I have defeated the all-powerful Undertaker. [Waits amidst the boos of the crowd] Oh, that's right. There isn't anybody left!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

September 25, 2009
Friday Night SmackDown

Kuruvilla Pandikattu photo
Chris Cornell photo

“Not really. I don't even have enough time to pursue everything I want to do musically. Also, there's a lot of people out there who spend a lot of time trying to act, so I think most of the good acting jobs should be reserved for those people.”

Chris Cornell (1964–2017) American singer-songwriter, musician

When asked if acting is something he would like to do more after his cameo in Singles ** Interview with Request Magazine, October 1994 http://web.stargate.net/soundgarden/articles/request_10-94.shtml,
Soundgarden Era

Vincent Van Gogh photo

“Your description of Troyon and Rousseau, for instance, is lively enough to give me some idea of which of their manners they are done in. There were other paintings from the time of Troyon's municipal pasture that had a certain 'mood' that one would have to call 'dramatic', even though they aren't figure paintings.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In his letter to Theo, from the Hague, c. 11 July 1883 - original manuscript at Van Gogh Museum, location Amsterdam - inv. nos. b322 a-c V/1962, http://vangoghletters.org/vg/letters/let361/letter.html
At the exhibition 'Les cent chefs d'oeuvre' at Galerie Georges Petit - in Paris, 1883 there were 9 paintings of Troyon. Vincent had asked Theo in Paris to give him a description of the works at this exhibition. Vincent already appreciated Troyon's painting style, which he knew from his Paris' years at art-gallery Goupil where he worked
1880s, 1883

“In the evening I study a fair.... if you could see the pomp and luxury of the merry-go-round and the stands and booths. Everything is decorated in Baroque-style, all gold and silver; there are mirrors, fabrics, and electric lightning. By night the whole thing is fantastic and rowdy. First of all I shall make a small picture and some drawings for illustrations.”

Giacomo Balla (1871–1958) Italian artist

quote c. 1900, in: Giacomo Balla (1871 – 1951), ed. Fagiolo dell'Arco, exh. catalogue, Galleria Nationale d'Arte Moderna, Rome, 1971
Balla studied a fair for his later painting ' Luna park in Paris https://www.wikiart.org/en/giacomo-balla/luna-park-par-s-1900,' he painted in 1900

Calvin Coolidge photo
Fyodor Dostoyevsky photo
William Ewart Gladstone photo

“I am inclined to say that the personal attendance and intervention of women in election proceedings, even apart from any suspicion of the wider objects of many of the promoters of the present movement, would be a practical evil not only of the gravest, but even of an intolerable character.”

William Ewart Gladstone (1809–1898) British Liberal politician and prime minister of the United Kingdom

Speech https://api.parliament.uk/historic-hansard/commons/1871/may/03/second-reading in the House of Commons (3 May 1871) on the Women's Disabilities Bill.
1870s

Errol Morris photo
Karl Barth photo
Giorgio Morandi photo
Edmund Burke photo
Larry Fessenden photo
Jeremy Clarkson photo
Nathaniel Lindley, Baron Lindley photo
Rollo May photo
James Branch Cabell photo
Albert Einstein photo
Rousas John Rushdoony photo
John Galsworthy photo

“Is not the training of an artist a training in the due relation of one thing with another, and in the faculty of expressing that relation clearly; and, even more, a training in the faculty of disengaging from self the very essence of self — and passing that essence into other selves by so delicate means that none shall see how it is done, yet be insensibly unified? Is not the artist, of all men, foe and nullifier of partisanship and parochialism, of distortions and extravagance, the discoverer of that jack-o'-lantern — Truth; for, if Truth be not Spiritual Proportion I know not what it is. Truth it seems to me — is no absolute thing, but always relative, the essential symmetry in the varying relationships of life; and the most perfect truth is but the concrete expression of the most penetrating vision. Life seen throughout as a countless show of the finest works of Art; Life shaped, and purged of the irrelevant, the gross, and the extravagant; Life, as it were, spiritually selected — that is Truth; a thing as multiple, and changing, as subtle, and strange, as Life itself, and as little to be bound by dogma. Truth admits but the one rule: No deficiency, and no excess! Disobedient to that rule — nothing attains full vitality. And secretly fettered by that rule is Art, whose business is the creation of vital things.”

John Galsworthy (1867–1933) English novelist and playwright

Vague Thoughts On Art (1911)

Michael Elmore-Meegan photo

“Her point of view about student work was that of a social worker teaching finger-painting to children or the insane.
I was impressed with how common such an attitude was at Benton: the faculty—insofar as they were real Benton faculty, and not just nomadic barbarians—reasoned with the students, “appreciated their point of view”, used Socratic methods on them, made allowances for them, kept looking into the oven to see if they were done; but there was one allowance they never under any circumstances made—that the students might be right about something, and they wrong. Education, to them, was a psychiatric process: the sign under which they conquered had embroidered at the bottom, in small letters, Canst thou not minister to a mind diseased?—and half of them gave it its Babu paraphrase of Can you wait upon a lunatic? One expected them to refer to former students as psychonanalysts do: “Oh, she’s an old analysand of mine.” They felt that the mind was a delicate plant which, carefully nurtured, judiciously left alone, must inevitably adopt for itself even the slightest of their own beliefs.
One Benton student, a girl noted for her beadth of reading and absence of coöperation, described things in a queer, exaggerated, plausible way. According to her, a professor at an ordinary school tells you “what’s so”, you admit that it is on examination, and what you really believe or come to believe has “that obscurity which is the privilege of young things”. But at Benton, where education was as democratic as in “that book about America by that French writer—de, de—you know the one I mean”; she meant de Tocqueville; there at Benton they wanted you really to believe everything they did, especially if they hadn’t told you what it was. You gave them the facts, the opinions of authorities, what you hoped was their own opinion; but they replied, “That’s not the point. What do you yourself really believe?” If it wasn’t what your professors believed, you and they could go on searching for your real belief forever—unless you stumbled at last upon that primal scene which is, by definition, at the root of anything….
When she said primal scene there was so much youth and knowledge in her face, so much of our first joy in created things, that I could not think of Benton for thinking of life. I suppose she was right: it is as hard to satisfy our elders’ demands of Independence as of Dependence. Harder: how much more complicated and indefinite a rationalization the first usually is!—and in both cases, it is their demands that must be satisfied, not our own. The faculty of Benton had for their students great expectations, and the students shook, sometimes gave, beneath the weight of them. If the intellectual demands were not so great as they might have been, the emotional demands made up for it. Many a girl, about to deliver to one of her teachers a final report on a year’s not-quite-completed project, had wanted to cry out like a child, “Whip me, whip me, Mother, just don’t be Reasonable!””

Source: Pictures from an Institution (1954) [novel], Chapter 3, pp. 81–83

Daniel Dennett photo
Zisi photo

“Therefore the moral man, even when he is not doing anything, is serious; and, even when he does not speak, is truthful.”

Zisi (-481–-402 BC) Chinese philosopher

Source: The Doctrine of the Mean, p. 126

Letitia Elizabeth Landon photo
Henry Thomas Buckle photo
Sun Myung Moon photo
Stephen Harper photo
Woody Allen photo

“I bought her this handkerchief… and I didn't even know her size.”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician

Manhattan Murder Mystery (1993)

Rosa Luxemburg photo
Aron Ra photo