Quotes about ear
page 6

“The commonest and cheapest sounds, as the barking of a dog, produce the same effect on fresh and healthy ears that the rarest music does. It depends on your appetite for sound. Just as a crust is sweeter to a healthy appetite than confectionery to a pampered or diseased one.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

December 27, 1857
Journals (1838-1859)

Disease, Dogs, Music, Dependency

“A general policy towards Hindu temples was proclaimed in April 1669. Maasir-i-alamgiri records: "On the 17th of Zil Kada 1079 (9th April 1669) it reached the ears of His Majesty, the protector of the faith, that in the province of Thatta, Multan, and Benares, but especially in the latter, foolish Brahmans were in the habit of expounding frivolous books in their schools, and that students and learners, Muslims as well as Hindus, went there, even from long distances, led by a desire to become acquainted with the wicked sciences they taught. The Director of the Faith, consequently, issued orders to all governors of provinces to destroy with a willing hand the schools and temples of the infidels and they were strictly enjoined to put an entire stop to the teaching and practising of idolatrous forms of worship. On the 15th Rabiul-akhir (end September) it was reported to his religious Majesty, leader of the unitarians, that in obedience to order, the government officers had destroyed the temple of Bishnath at Benares."….”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Goel, Sita Ram (2001). The story of Islamic imperialism in India. ISBN 9788185990231 Ch. 7.
Quotes from late medieval histories, 1660s

Books, School, Faith, Science

“Create myself down south.
Impress all the women.
Pretend I'm Samuel Clemens.
ear seersucker and white linens.”

Tom Petty (1950–2017) American musician

Down South
Lyrics, Highway Companion (2006)

Women

“Someone should put together a ballet under the title Guantanamo, Guantanamo! A corps of prisoners, their ankles shackled together, thick felt mittens on their hands, muffs over their ears, black hoods over their heads, do the dances of the persecuted and the desperate. Around them, guards in olive green uniforms prance with demonic energy and glee, cattle prods and billy-clubs at the ready. They touch the prisoners with the prods and the prisoners leap; they wrestle prisoners to the ground and shove the clubs up their anuses and the prisoners go into spasms. In a corner, a man on stilts in a Donald Rumsfeld mask alternately writes at his lectern and dances ecstatic little jigs.
One day it will be done, though not by me. It may even be a hit in London and Berlin and New York. It will have absolutely no effect on the people it targets, who could not care less what ballet audiences think of them.”

J.M. Coetzee book Diary of a Bad Year

Diary of a Bad Year (2007)

People, Thinking, Dance

“With ravished ears
The monarch hears;
Assumes the god,
Affects the nod,
And seems to shake the spheres.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Source: Alexander’s Feast http://www.bartleby.com/40/265.html (1697), l. 37–41.

God

“Now if I lived in my land, which I do, if I lived in Iceland, if I lived in Greensland I'd still have Chinese children, but out of my ears my little grey baby hears.”

Devendra Banhart (1981) American folk singer

-Chinese Children
From Cripple Crow

Children, Baby

“Civilization gives the barbarian or tribal man an eye for an ear and is now at odds with the electronic world.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 30

World

“Never praise a sister to a sister, in the hope of your compliments reaching the proper ears, and so preparing the way for you later on. Sisters are women first, and sisters afterwards; and you will find that you do yourself harm.”

Rudyard Kipling book Plain Tales from the Hills

False Dawn.
Plain Tales from the Hills (1888)

Women, Hope, Way, Sister

“If you say to someone who has ears to hear: "What you are doing to me is not just," you may touch and awaken at its source the spirit of attention and love. But it is not the same with words like, "I have the right…" or "you have no right to…" They evoke a latent war and awaken the spirit of contention.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Simone Weil : An Anthology (1986), Human Personality (1943), p. 63

Love, War

“Once we have surrendered our senses and nervous systems to the private manipulation of those who would try to benefit from taking a lease on our eyes and ears and nerves, we don't really have any rights left. Leasing our eyes and ears and nerves to commercial interests is like handing over the common speech to a private corporation, or like giving the earth's atmosphere to a company as a monopoly.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Understanding Media (1964), p.73 of the 1966 Signet paperback edition

Sense

“the streams buck like rams in a tent
whips crack and from the hills come the crookedly combed
shadows of the shepherds.
black eggs and fools' bells fall from the trees.
thunder drums and kettledrums beat upon the ears of the donkeys.
wings brush against flowers.
fountains spring up in the eyes of the wild boar.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Dada poetry lines from his poem 'Der Vogel Selbdritt', Jean / Hans Arp - first published in 1920; as quoted in Gesammelte Gedichte I (transl. Herbert Read), p. 41
1910-20s

Fools, Spring, Flowers, Tree

“Another important point which you so very accurately sensed concerns the idea that the glass in actual fact is not meant to be looked at (with 'aesthetic' eyes). It should be accompanied by a 'literary' text, as amorphous as possible, which never took shape. And the two elements, glass for the eyes, text for the ears and understanding, should complement each other and above all prevent one or the other from taking on an aesthetic-plastic or literary form. All in all, I am hugely indebted to you for having stripped bare my Bride stripped bare”

Marcel Duchamp (1887–1968) French painter and sculptor

the complete title is: The Bride Stripped Bare by her Bachelors, Even (The Large Glass), c. 1915 – 1923
Quote from a letter to fr:Jean Suquet (art historian), New York 25 December 1949; as quoted in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 p. 163
1921 - 1950

Idea, Understanding, Sense

“Ordinary human motives will appeal in vain to the ears which have heard the tones of the heavenly music; and all the pomp of life will show poor and tawdry to the sight that has gazed on the vision of the great white throne and the crystal sea.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 104.

Life, Music, Motivation, Sea

“My experience of the original Edison phonograph goes back to the period when it was first introduced into this country. In fact, I have good reason to believe that I was among the very first persons in London to make a vocal record, though I never received a copy of it, and if I did it got lost long ago. It must have been in 1881 or 1882, and the place where the deed was done was on the first floor of a shop in Hatton Garden, where I had been invited to listen to the wonderful new invention. To begin with, I heard pieces both in song and speech produced by the friction of a needle against a revolving cylinder, or spool, fixed in what looked like a musical box. It sounded to my ear like someone singing about half a mile away, or talking at the other end of a big hall; but the effect was rather pleasant, save for a peculiar nasal quality wholly due to the mechanism, though there was little of the scratching which later was a prominent feature of the flat disc. Recording for that primitive machine was a comparatively simple matter. I had to keep my mouth about six inches away from the horn and remember not to make my voice too loud if I wanted anything approximating to a clear reproduction; that was all. When it was played over to me and I heard my own voice for the first time, one or two friends who were present said that it sounded rather like mine; others declared that they would never have recognised it. I daresay both opinions were correct.”

Herman Klein (1856–1934) British musical critic journalist and singing teacher

The Gramophone magazine, December 1933

Music, Singing, Time, Personality

“I've found that people with flexible ears are the least rigid in life. Best way to find yourself a perfect partner may be as easy as squeezing their ears.”

Siddharth Katragadda (1972) Indian writer

page 9
The Other Wife (2003)

Life, People, Way, Perfection

“Harsh words, though pertinent, uncouth appear:
None please the fancy, who offend the ear.”

Samuel Garth (1661–1719) British writer

The Dispensary, Canto IV, line 204.

Appearance

“Alas! the praise given to the ear
Ne'er was nor e'er can be sincere—
And does but waste away the mind
On which it preys: in vain
Would they in whom its poison lurks
A worthier state attain.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

 Poetical Portrait III
The Venetian Bracelet (1829)

Sincerity

“Are you going to come along quietly, or am I going to have to use ear plugs?”

Spike Milligan (1918–2002) British-Irish comedian, writer, musician, poet, playwright, soldier and actor

The Goon Show, Season 9, Episode 12: "The Call of the West" (January 20, 1959)
Alternative: "Are you going to come along quietly, or do you want musical accompaniment?"

“This paper will serve instead of a confidential friend into whose ear I might pour forth the overflowings of my heart. It will not sympathise with my distresses, but then it will not laugh at them, and, if I keep it close, it cannot tell again; so it is, perhaps, the best friend I could have for the purpose.”

Anne Brontë book The Tenant of Wildfell Hall

Source: The Tenant of Wildfell Hall (1848), Ch. XVIII : The Miniature; Helen Graham

Heart

“So you think I need some discipline, well, I had my share. I have been sent to my room. I've been sat in a chair. I held my tongue. I didn't plug my ears. No, I got a good talking to. And now I don't know why, but I still try to smile when they talk at me like I'm just a child. Well, I'm not a child. No, I am much younger than that. And now I have read some books and have grown quite brave. If only I could just speak up I think I would say that there is no truth. There is only you and what you make the truth.”

Conor Oberst (1980) American musician

Don't Know When But A Day is Gonna Come
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)

Truth, Books, Smile, Thinking

“I encouraged my infidel subjects to embrace the religion of the prophet, and I proclaimed that every one who repeated the creed and became a Musalman should be exempt from the jizya or poll-tax. Information of this came to the ears of the people at large, and great numbers of Hindus presented themselves, and were admitted to the honour of Islam. Thus they came forward day by day from every quarter, and, adopting the faith, were exonerated from the jizya, and were favoured with presents and honours.”

Firuz Shah Tughlaq (1309–1388) Tughluq sultan

Vincent Arthur Smith, The Oxford History of India: From the Earliest Times to the End of 1911 (Clarendon Press, 1920), as quoted in Spencer, Robert (2018). The history of Jihad: From Muhammad to ISIS.
Quotes from the Futuhat-i-Firuz Shahi

People, Faith, Religion

“The words of malicious slander should not be allowed to enter the ear. A defensive voice should not be allowed to come out of the mouth. The want to gravely injure people should not be allowed to exist in the heart. If this is accomplished, though there be people who cynically expose others, they would be without people who would align with them.”

Mozi (-470–-391 BC) Chinese political philosopher and religious reformer of the Warring States period

Book 1; Self-culfivation
Mozi

People, Heart

“Sound is defined as the result of a succession of regular and periodic vibrations. Noise is instead caused by motions that are irregular, as much in time as in intensity. 'A musical sensation,' says Helmholtz 'appears to the ear as a perfectly stable, uniform, and invariable sound.' But the quality of continuity that sound has with respect to noise, which seems instead fragmentary and irregular, is not an element sufficient to make a sharp distinction between sound and noise. We know that the production of sound requires not only that a body vibrate regularly but also that these vibrations persist in the auditory nerve until the following vibration has arrived, so that the periodic vibrations blend to form a continuous musical sound. At least sixteen vibrations per second are needed for this. Now, if I succeed in producing a noise with this speed. I will get a sound made up of the totality of so many noises--or better, noise whose successive repetitions will be sufficiently rapid to give a sensation of continuity like that of sound.”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Russolo. English trans. Barclay Brown (1986: 37).
undated quotes

Music, Appearance, Time, Success

“I've seen the demonstrations on the Internet about how you can find another person using a Zune and give them a song they can play three times. It takes forever. By the time you've gone through all that, the girl's got up and left! You're much better off to take one of your earbuds out and put it in her ear. Then you're connected with about two feet of headphone cable.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

When asked whether he was concerned over Microsoft Zune's wireless capability, as a product competing with Apple's iPod, as quoted in Newsweek (14 October 2006)
2000s

Girl, Time, Personality

“It is also worth noting that it is extremely difficult to be a great buyer of complementary competencies if you do not have any knowledge about the stuff you are acquiring. Friedrich Nietzsche pointed out that a man has no ears for that to which experience has given him no access. We need knowledge to be able to outsource knowledge.”

Jonas Ridderstråle (1966) Swedish business theorist

Source: Karaoke Capitalism, 2005, p. 233

Knowledge

“The learning of the gentleman enters through his ears, fastens to his heart, spreads through his four limbs, and manifests itself in his actions. … The learning of the petty person enters through his ears and passes out his mouth. From mouth to ears is only four inches—how could it be enough to improve a whole body much larger than that?”

Xun Zi (-313–-238 BC) Ancient Chinese philosopher

Readings in Classical Chinese Philosophy (2001), p. 259
An Exhortation to Learning

Learning, Heart, Personality

“Mostly, brothers and sisters, we become the victims of our own wrong desires. Moreover, we live in an age when many simply refuse to feel responsible for themselves. Thus, a crystal-clear understanding of the doctrines pertaining to desire is so vital because of the spreading effluent oozing out of so many unjustified excuses by so many. This is like a sludge which is sweeping society along toward "the gulf of misery and endless wo". Feeding that same flow is the selfish philosophy of "no fault," which is replacing the meek and apologetic "my fault." We listen with eager ear to hear genuine pleas for forgiveness instead of the ritualistic "Sorry. I hope I can forgive myself."”

Neal A. Maxwell (1926–2004) Mormon leader

According to the Desire of [Our] Hearts, Ensign, Nov. 1996, p. 21 Ensign http://www.lds.org/ldsorg/v/index.jsp?vgnextoid=2354fccf2b7db010VgnVCM1000004d82620aRCRD&locale=0&sourceId=57acdbdcc370c010VgnVCM1000004d82620a____&hideNav=1

Age, Hope, Feeling, Forgiveness

“And oft with holy hymns he charm'd their ears, And music more melodious than the spheres.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Music

“We may have an excellent Ear in Musick, without being able to perform in any kind. We may judg well of Poetry, without being Poets, or possessing the least of a Poetick Vein: But we can have no tolerable Notion of Goodness, without being tolerably good.”

Anthony Ashley-Cooper, 3rd Earl of Shaftesbury (1671–1713) English politician and Earl

Vol. 1, p. 26; "A Letter Concerning Enthusiasm".
Characteristicks of Men, Manners, Opinions, Times (1711)

“To look at the paper is to raise a seashell to one’s ear and to be overwhelmed by the roar of humanity.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 237.

“Music so wishes to be heard that sometimes it calls on unlikely characters to give it voice, and ears. This wishing-to-be heard calls into existence the Performance Event; where music, musician and audience may come together as one, in communion. This communion has six different forms of being and experiencing itself (plus an invisible seventh); and these forms, or principles, are simultaneously present within the Performance.
I - When people get together with music, something happens.
II - In a performance, things come together, mysteriously; and go better than we might anticipate; and better than we deserve.
III - A performance can take on a life and character of its own.
IV - Any one performance is a multiplicity of performances.
V - The possible is possible.
VI - The impossible is possible.
The Seventh Principle resides within Silence.
Trust the event.”

Robert Fripp (1946) English guitarist, composer and record producer

The Six Principles of the Performance Event

Life, People, Music, Silence

“As in poetry and music, even the unskilled ear may be offended by a mistake in measure, without discerning the cause, may not also a mistake in the harmony of dimensions unconsciously offend us in design?”

Ernest Flagg (1857–1947) American architect

Source: Small Houses: Their Economic Design and Construction (1922), Ch. II

Music

“"Vanitas vanitatum" has rung in the ears
Of gentle and simple for thousands of years;
The wail still is heard, yet its notes never scare
Either simple or gentle from Vanity Fair.”

Frederick Locker-Lampson (1821–1895) British poet

Vanity Fair; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“Overhead, capricious spring clouds began to scud across the sky in mackerel shapes, promising more rain. Garraty turned up his collar and listened to the sound of his feet pounding the pavement. There was a trick to that, a subtle mental adjustment, like having better night vision the longer you were in the dark. This morning the sound of his feet had been lost to him. They had been lost in the tramp of ninety-nine other pairs, not to mention the rumble of the halftrack. But now he heard them easily. His own particular stride, and the way his left foot scraped the pavement every now and then. It seemed to him that the sound of his footfalls had become as loud to his ears as the sound of his own heartbeat. Vital, life and death sound.”

Stephen King book The Long Walk

The Long Walk (1979)

Life, Death, Way, Spring

“Poetry may be written on paper, but it’s an oral art. A good poem satisfies the ear. It creates a story or picture that grabs you.”

John Hollander (1929–2013) American poet

Quoted in 'Venerable Poets :Words to Pop Music beat 'by Cynthia Wolfe Boyton.

Art

“In the New Testament sense, to be a Christian is, in an upward sense, as different from being a man as, in a downward sense, to be a man is different from being a beast. A Christian in the sense of the New Testament, although he stands suffering in the midst of life’s reality, has yet become completely a stranger to this life; in the words of the Scripture and also of the Collects (which still are read-O bloody satire!-by the sort of priests we now have, and in the ears of the sort of Christians that now live) he is a stranger and a pilgrim-just think, for example of the late Bishop Mynster intoning, “We are strangers and pilgrims in this world”! A Christian in the New Testament sense is literally a stranger and a pilgrim, he feels himself a stranger, and everyone involuntarily feels that this man is a stranger to him.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Attack Upon Christianity, The Instant, No. 7, Søren Kierkegaard, 1854-1855, Walter Lowrie 1944, 1968
1850s, Attack upon Christendom (1855)

Life, World, Feeling, Thinking

“He resembled a minor prophet who had been hit behind the ear with a stuffed eel-skin.”

P.G. Wodehouse (1881–1975) English author

Ukridge (1924)

“I have all my life been an indweller of the town, and I frankly confess, for a constant residence, I like it better than all the pastoral charms that ever made the morality of an essay, or gave grace to poetry; still there is that about the country to which the heart always turns with a feeling of freshness and renovation. The moonlight walk through the green wood, would come back upon the memory with a spell which would not belong to a lamp-lighted ramble. The green-leaf would give its freshness, the wild-flower its sweetness; on the ear would arise the murmur of the wind in the boughs — or the song of the brook singing like a child for very gladness.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Literary Remains

Life, Feeling, Flowers, Light

“It is my own personal psychosis that it is only by the background that you can see what is in front of you. Only be accepting all that surrounds you can you be totally self-visualized. And at the same time, your self-visualization is a reflection of your surroundings. Albers was right about that. That's why I like Cezanne so much. Matisse said, you have to read between the lines. When he would stop a line, say, at the ear, and beginning it again at the neck, he was really exercising the viewer's mind to fill in the blanks”

Robert Rauschenberg (1925–2008) American artist

parts
Quote from an interview with Barbara Rose, 1987, in Rauschenberg, Avedon Vintage, Random House, New York 1987, p. 72
1980's

Exercises, Time, Reading, Parting

“A devout and serious Christian, she was often bothered by what she read of socialists because she could not, instantly and absolutely, see where they were so wrong. To her horrified ear, they kept sounding as though they had ideas rather like Christ's.”

Claud Cockburn (1904–1981) Irish journalist

Pages 11-12
A Discord of Trumpets (1956)

Idea, Reading, Christ

“We have classical associations and great names of our own which we can confidently oppose to the most splendid of ancient times. Senate has not to our ears a sound so venerable as Parliament. We respect the Great Charter more than the laws of Solon. The Capitol and the Forum impress us with less awe than our own Westminster Hall and Westminster Abbey…The list of warriors and statesmen by whom our constitution was founded or preserved, from De Montfort down to Fox, may well stand a comparison with the Fasti of Rome. The dying thanksgiving of Sydney is as noble as the libation which Thrasea poured to Liberating Jove: and we think with far less pleasure of Cato tearing out his entrails than of Russell saying, as he turned away from his wife, that the bitterness of death was past.”

Thomas Babington Macaulay, 1st Baron Macaulay (1800–1859) British historian and Whig politician

' History https://www.gutenberg.org/files/55901/55901-h/55901-h.htm', Edinburgh Review (May 1828)

Death, Pleasure, Law, Confidence

“But where was it when I first heard that sweet sound of humility?
It came to my ears in the goddamn loveliest melody!
How grateful I was, then, to be part of the mystery,
To love, and to be loved!
Let’s just hope that is enough.”

Conor Oberst (1980) American musician

Let's Not Shit Ourselves (To Love and to Be Loved)
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)

Love, Hope, Parting

“Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.”

Richard Rodríguez (1944) American journalist and essayist

Darling: A Spiritual Autobiography (2013)
Variant: Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.

Way, Star, Wine, Time

“Decade Blending: In clothing: the indiscriminate combination of two or more items from various decades to create a personal mood: Sheila = Mary Quant earrings (1960s) + cork wedgie platform shoes (1970s) + black leather jacket (1950s and 1980s).”

Douglas Coupland (1961) Canadian novelist, short story writer, playwright, and graphic designer

Definitions

Shoe, Mood, Personality, Clothes

“Ambassadors are the eye and ear of states.”

Francesco Guicciardini (1483–1540) Italian writer, historian and politician

Gli ambasciadori sono l'occhio e l'orecchio degli stati.
Storia d' Italia (1537-1540)

“Hitchcock was a character. In one particularly scary scene I had to sneak down a dark corridor. When I got to the end there was Mr. Hitchcock, sticking out his tongue and flapping his hands in the back of his ears. I didn't dare laugh, because the cameras were turning. But he certainly eliminated any tension I felt.”

Laraine Day (1920–2007) American actress

The Independent, Obituaries, Laraine Day, November 13, 2007.

“We're already in honk up to, above our ears. You can't continue to run these fiscal deficits. It has to be eliminated!”

Michael O'Leary (businessman) (1961) businessman, CEO of Ryanair

Newsnight Interview (February 24, 2011)

“oh nothin, i was just buying some ear medication for my sick uncle… *LOWERS SHADES TO LOOK YOU DEAD IN THE EYE* who's a Model by the way”

Dril Twitter user

[ Link to tweet https://twitter.com/dril/status/197502223226384387] <br class="br">Tweets by year, 2012

Way, Dead

“Summa, "the eye hath not seen, the ear hath not heard, neither hath it entered into the heart of man," that they shall then inherit and most surely enjoy; although here they be tormented, prisoned, burned, solicited of Satan, tempted of the flesh, and entangled with the world; wherethrough they are enforced to cry, "Thy kingdom come:" come, Lord.”

John Bradford (1510–1555) English Protestant Reformer and martyr

A Meditation on the Coming of Christ to Judgment, And of the Reward Both of the Faithful and Un-Faithful.
Sermon on Repentence

World, Heart, Cry

“The three-martini lunch is the epitome of American efficiency. Where else can you get an earful, a bellyful and a snootful at the same time?”

Gerald Ford (1913–2006) American politician, 38th President of the United States (in office from 1974 to 1977)

Remarks to the National Restaurant Association, in Chicago, Illinois (28 May 1978)
1970s

Time

“Naturally, the next question was: “How accurate is the nuclear data you used in your calculation?” As only Edward Teller is capable of doing, he replied, with a smirk-smile going from ear to ear: “Well, it’s possible that the data might be off by a factor of ten.” Which way, he didn’t profess to know, but I suspect that much of the audience didn’t sleep too well that night. (If you’re beginning to worry that you might not be sleeping too well from now on, I have to tell you that as it turned out, after careful nuclear measurements and detailed calculations were made, we were safe by far more than a factor of ten. It simply couldn’t happen.)”

Samuel T. Cohen (1921–2010) American physicist

F*** You! Mr. President: Confessions of the Father of the Neutron Bomb (2006)

Smile, Way, Question, Nature

“Always fatuity, vulgarity, as soon as human passion is touched. […] Just as some poetry is of the eye (form, colour) and some of the ear, so Keats is of the palate. Not only has he constant reference to its pleasures, but the general sensation after reading him is one of tasting. 'What's the harm?' Well, taste for some reason or the other can't carry one far into the world of beauty—that reason being perhaps that though you don't want comradership there you do want the possibility of comradership, and A cannot swallow B's mouthful by any possibility:…. and this exclusiveness (to maunder on) also attaches to the physical side of sex though not the least to the spiritual.”

E.M. Forster (1879–1970) English novelist

Letter 162, to Malcolm Darling, 1 December 1916
Selected Letters (1983-1985)

Pleasure, World, Beauty, Sex

“I try and keep an ear out and keep an open mind and enjoy something where I don't know what the hell is going on inside of it. That's what I really get out of it. Because to me it's new. That's what I get out of it. That joyful feeling of you don't know what's going to happen next.”

Joe Strummer (1952–2002) British musician, singer, actor and songwriter

7 Questions with Joe Strummer (15 August 2001)

Feeling, Hell

“You can't make a silk purse out of a sow's ear, and you can't change human nature from intelligent self-interest into pure idealism—not in this life; and if you could, what would be left for paradise?”

Joseph Gurney Cannon (1836–1926) American politician

Maxim quoted in a tribute to Cannon on his retirement, reported in The Sun, Baltimore, Maryland (March 4, 1923); Congressional Record (March 4, 1923), vol. 64, p. 5714.

Life, Intelligence, Nature, Change

“Reader, you may ask this question; in fact, you must ask this question: Is it ridiculous for a very small, sickly, big-eared mouse to fall in love with a beautiful human princess named Pea?
The answer is… yes. Of course, it's ridiculous.
Love is ridiculous.”

Kate DiCamillo book The Tale of Despereaux

The Tale of Despereaux (2004)

Love, Beauty, Question, Princess

“The darkness crumbles away.
It is the same old druid Time as ever,
Only a live thing leaps my hand,
A queer sardonic rat,
As I pull the parapet's poppy
To stick behind my ear.
Droll rat, they would shoot you if they knew
Your cosmopolitan sympathies.
Now you have touched this English hand
You will do the same to a German
Soon, no doubt, if it be your pleasure
To cross the sleeping green between.
It seems you inwardly grin as you pass
Strong eyes, fine limbs, haughty athletes,
Less chanced than you for life,
Bonds to the whims of murder,
Sprawled in the bowels of the earth,
The torn fields of France.
What do you see in our eyes
At the shrieking iron and flame
Hurled through still heavens?
What quaver--what heart aghast?
Poppies whose roots are in man's veins
Drop, and are ever dropping;
But mine in my ear is safe--
Just a little white with the dust.”

Isaac Rosenberg (1890–1918) English poet

On Receiving News of the War (1914), Break of Day in the Trenches (1916)

Life, Pleasure, Sleep, Strong

“I was seized with a strong desire to write poetry, so strong, in fact, that in imagination I thought I heard a voice crying in my ears –"Write! Write"I wondered what could be the matter with me, and I began to walk backwards and forwards in a great fit of excitement, saying to myself– "I know nothing about poetry."”

William McGonagall (1825–1902) weaver, actor, poet

"The Autobiography of Sir William Topaz McGonagall".
Other works

Imagination, Strong, Cry

“Tiny, nonfunctional wings, a dangerous appendix, eyes that can’t see, and silly ear muscles simply don’t make sense if you think that species were specially created.”

Jerry Coyne (1949) American biologist

Source: Why Evolution is True (2009), p. 64

Thinking, Sense

“Women's scars and rituals involved beauty (piercing ears and noses, binding feet, and wearing corsets); men's involved protecting women. In cultures in which physical strength is still the best way to protect women, as among the Dodos in Uganda, each time a man kills a man, he is awarded a ritual scar; the more scars, the more he is considered eligible.”

Warren Farrell book The Myth of Male Power

Source: The Myth of Male Power (1993), Part 1: The Myth of Male Power, p. 72.

Women, Men, Beauty, Way

“What though no real voice nor sound
Amid their radiant orbs be found;
In reason's ear they all rejoice,
And utter forth a glorious voice,
Forever singing as they shine,
"The Hand that made us divine."”

Joseph Addison (1672–1719) politician, writer and playwright

No. 465, Ode (23 August 1712).
The Spectator (1711–1714)

Singing

“Somewhere deep in the middle of the night,
Lovers hold each other tight.
Whisper in their anxious ears,
Words of love that disappear.”

Tom Petty (1950–2017) American musician

A Thing About You
Lyrics, Hard Promises (1981)

Love, Lovers, Night

“Titus is seven. His confines, Gormenghast. Suckled on shadows; weaned, as it were, on webs of ritual: for his ears, echoes, for his eyes, a labyrinth of stone: and yet within his body something other – other than this umbrageous legacy. For first and ever foremost he is child.
A ritual, more compelling than ever devised, is fighting anchored darkness. A ritual of the blood; of the jumping blood. These quicks of sentience owe nothing to his forebears, but to those feckless hosts, a trillion deep, of the globe’s childhood.
The gift of the bright blood. Of blood that laughs when the tenets mutter ‘Weep’. Of blood that mourns when the sere laws croak ‘Rejoice!’ O little revolution in great shades!”

Mervyn Peake (1911–1968) English writer, artist, poet and illustrator

Source: Gormenghast (1950), Chapter 1, section 1 (p. 399; opening words)

Law, Fight, Childhood

“Karna inclined his beautiful head and listened. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun. The young mother loved her first-born son deeply, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhiratha, a charioteer. And named Karna.”

Kunti character from Indian epic Mahabharata

Kunti in p. 232.
The God of Small Things

Love, God, Secret, Youth

“Hey, you!
Heaven!
Off with your hat!
I am coming!

Not a sound.

The universe sleeps,
its huge paw curled
upon a star-infested ear.”

Vladimir Mayakovsky (1893–1930) Russian and Soviet poet, playwright, artist and stage and film actor

Page 109.
The Cloud in Trousers (1915)

Star, Sleep, Universe

“Now everything is clear.
I admit my defeat. The tongue
of my ravings in my ear
is the tongue of a stranger.”

Anna Akhmatova (1889–1966) Russian modernist poet

Requiem; 1935-1940 (1963; 1987)

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Life, God, War, Health

“The needs of man, if life is to survive, are usually said to be four -- air, water, food, and in the severe climates, protection. But it is becoming clear today that the human organism has another absolute necessity… This fifth need is the need for novelty -- the need, throughout our waking life, for continuous variety in the external stimulation of our eyes, ears, sense organs, and all our nervous network.”

John R. Platt (1918–1992) American physicist

John Radar Platt (1959) "The Fifth Need of Man," in: Horizon 1 (July 1959), p. 109. Cited in: W. B. Willers (1991) Learning to Listen to the Land. p. 184

Life, Food, Sense, Water

“Current evidence suggests that teosinte was first tended for its green ears and sugary pith by hunter-gatherers as an occasional rainy-season food in small “garden” populations away from its homeland, and not for its abundant grain-containing, hard fruitcases, which easily mass-collected but useless as food, are as yet unknown from the archeological record. A rare grain-liberating teosinte mutation (probably expressed in only one “founder” plant, a mazoid “Eve”), which exposed the encased grain for easy harvest, was soon recognized as useful, collected and planted (or self-planted). Thus maize was started on its way to a unique horticultural domestication that is not comparable to that of the temperate Old World mass-selected agricultural grains.”

Hugh Iltis (1925–2016) Czech-American botanist and environmentalist

[January 2000, Homeotic Sexual Translocations and the Origin of Maize (Zea mays, Poaceae): A New Look at an Old Problem, Economic Botany, 54, 1, 7–42, 10.1007/BF02866598] (quote from p. 7)

World, Food, Way, Season

“I pointed to the side of the road and then I pulled over and parked. When the guy got out of the car he was stripped to the waist. A typical young macho stud. He put his face within two inches of mine, and he was telling me what I was and what he was going to do to me. So I did the natural thing. I reached in and got a headlock on him, and I had him very firmly while he thrashed around. I felt I was doing just fine because I had stopped what was going on, but his girlfriend decided that he wasn't doing very well. So she ran and jumped on us. They both fell on top of me and my head crashed into the pavement. I landed on my left ear, got a hairline fracture and concussion.
[…]
It was like some kind of nether world. Most of the time I didn't know where I was. Like I'd wake up and find I. V. units in my arm, and I'd rip 'em out and say, "What kind of a hotel is this? You tell them I'm never coming here again."
[…]
When I came home from the hospital I was having terrible nightmares every night, sometimes to the point where I started not wanting to go to sleep. And I still have occasional migraines, dry eyes and short-term memory loss.
[…]
If I discovered anything in that strange, 10-month period of recovery, it's that music is the one thing that makes me sane.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Fischer: A Ferocious Teddy Bear" http://articles.latimes.com/1992-07-03/entertainment/ca-1426_1_teddy-bear

World, Music, Cars, Guy

“For the longest time, I didn't know the name of anyone in Led Zeppelin. I didn't care about what they looked like or ate. I wanted to listen, not read about them. I've always had that philosophy. I never started playing drums to get chicks or money or anything else. Long before I had concepts of those things, I wanted to be a drummer. That's the basic concept of what I do. I'm a drummer. I play drums. We are artists as drummers, and people should realize that. Not everyone can sit down and use all four of your limbs simultaneously to create something out of wood and plastic. We're creating something beautiful, and it may not sound pretty, but if you listen with the right ear, it sounds very pretty. If you try and listen to a song without drums, you haven't got anything.”

John Dolmayan (1973) Lebanese-born Armenian–American songwriter and drummer

[Artist Features: Steal This Article: John Dolmayan, Weiss, David, May 2003, http://drummagazine.com/html/modules.php?op=modload&name=News&file=article&sid=241, 2007-01-08]

Money, People, Beauty, Time

“But music is a mystery, and viewless
Even when present, and is less man's act,
And less within his order; for the hand
That can call forth the tones, yet cannot tell
Whither they go, or if they live or die,
When floated once beyond his feeble ear;”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Erinna
The Golden Violet (1827)

Music

“In the meantime, to all suits, to all entreaties, to all letters, to all tricks, I will be deaf as an adder, blind as a beetle, lay mine ear to the ground, and lock mine eyes i' my hand against all temptations.”

Ben Jonson Eastward Hoe

Act v, scene ii, lines 68-70
Eastward Hoe (1605)

“We lack but open eye and ear
To find the Orient's marvels here;
The still small voice in autumn's hush,
Yon maple wood the burning bush.”

John Greenleaf Whittier (1807–1892) American Quaker poet and advocate of the abolition of slavery

The Chapel of the Hermits; comparable to Mrs. Browning, Aurora Leigh, Book vii

Autumn

“I guess it's true what they say, the third time's a charm
I grabbed the game and let it die in my arms
Then resurrected it
Changed clothes, same flow, perfected it
They know Swain though they still won't respect the kid
But I ain't slowin' up
This time, blowin' up
Sponsors, concerts, everybody showin' up
Know enough tricks of the trade to get a record deal:
Fresh kicks, press kits, sex appeal
Had to mail my demo out 'cause I ain't had enough bus pass
To take the bus first class
So frustrated, had to puff-puff-pass
Sent my CD out to Puff, Puff passed
Must've had enough trash on his desk this year
Sent one to So So Def, but it fell on so so deaf ears
I never once shed tears, this must be a test here”

Danny! (1983) American rapper

"Charm"
Albums, Charm (2006)

Sex, Game, Tear, Time

“He eats corned beef and kosher meat with equal nonchalance, and it’s all the same to him whether he takes off his hat in the church or pulls it down over his ears in the synagogue. p. 48”

George Washington Plunkitt (1842–1924) New York State Senator

Plunkitt of Tammany Hall, Chapter 11, Tammany Leaders Not Bookworms

“I am neither a Hindu nor a nationalist. And I don’t need to belong to those or to any specific ideological categories in order to use my eyes and ears.”

Koenraad Elst (1959) orientalist, writer

Source: From an interview with Dr. Ramesh Rao (2002) at sulekha.com http://koenraadelst.bharatvani.org/interviews/sulekha.html

“For the old great, mighty Germany, which was the epitome of the yearning of our ancestors and our pride when one could still hold one's head high at being a German, is going under. One cannot say: it is long gone because it is not long at all but already it sounds to our ears like a fairy tale from a distant time.”

Gustav Stresemann (1878–1929) German politician, statesman, and Nobel Peace Prize laureate

Letter to his sons (21 June 1919), quoted in Jonathan Wright, Gustav Stresemann: Weimar's Greatest Statesman (Oxford University Press, 2004), pp. 135-136
1910s

Distant, Time

“The hollow sea-shell, which for years hath stood
On dusty shelves, when held against the ear
Proclaims its stormy parent, and we hear
The faint, far murmur of the breaking flood.
We hear the sea. The Sea? It is the blood
In our own veins, impetuous and near.”

Eugene Lee-Hamilton (1845–1907) English poet and translator

Sonnet. Sea-shell Murmurs, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Gather a shell from the strewn beach / And listen at its lips: they sigh / The same desire and mystery, / The echo of the whole sea's speech", Dante Gabriel Rossetti, The Sea Hints; "I send thee a shell from the ocean-beach; But listen thou well, for my shell hath speech. Hold to thine ear / And plain thou'lt hear / Tales of ships", Charles Henry Webb, With a Nantucket Shell.

Parent, Sea

“The original story that I sold [Morgan Creek] (and that I shot) ended with Kinderman blowing away Patient X. There was no exorcism. But it was a Mexican stand-off between me and the studio. I was entitled to one preview, then they could go and do what they wanted with the picture. They gave me a preview but it was the lowest end preview audience I have ever seen in my life. They dragged in zombies from Haiti to watch this film. It was unbelievable. But I decided, better I should do it than anyone else. I foolishly thought: I can do a good exorcism, I’ll turn this pig’s ear into a silk purse. So I did it”

William Peter Blatty book The Exorcist

The Exorcist: Out of the Shadows (Omnibus Press, 1999)

Life

“Can the ear hear a thirteen-syllable line as consisting of thirteen syllables? I don't think so, but I think that a series of thirteen-syllable lines (supposing that was the length chosen) would, after a while, begin to have a characteristic resemblance. For the most part, though, counting the syllables seems to be something that works, if it works, for the poet. It is a private method of organization.”

James Fenton (1949) poet

Source: An Introduction to English Poetry (2002), Ch. 18: Syllabics (p. 99)

Thinking, Parting

“This short book, where joy and sadness are twins, like the ears of Platero, was written for … I have no idea for whom! … For whomever lyric poets write …”

Juan Ramón Jimenéz (1881–1958) Spanish poet

"A NOTE TO THOSE GROWNUPS WHO MIGHT READ THIS BOOK TO CHILDREN", as translated by Antonio T. de Nicolas (1985), p. xv.
‪Platero and I‬ (1917)

Books, Sadness, Idea, Joy

“The mouth is not satisfied by speaking, and the ears are not satisfied by hearing. The eyes are not satisfied by seeing-each organ seeks out one sensory quality. The hunger of the hungry is not appeased; by mere words, hunger is not relieved. O Nanak, hunger is relieved only when one utters the Glorious Praises of the Praiseworthy Lord.”

Guru Angad Dev (1504–1552) The second Guru of Sikhism

Guru Granth Sahib p. 147

Hunger

“Music should be directed by the ear, poetry by the imagination”

Marianne Moore (1887–1972) American poet and writer

Review -Jean Gaingne -New & Selected Poems 1967
Prose

Music, Imagination

“We have also sound houses, where we practice and demonstrate all sounds and their generation. We have harmonies which you have not, of quarter sounds and lesser slides of sounds. Divers instruments of music likewise to you unknown, some sweeter than any you have; together with bells and rings that are dainty and sweet. We represent small sounds as great and deep; likewise divers trembling and warblings of sounds, which in their original are entire. We represent and imitate all articulate sounds and letters, and the voices of beasts and birds. We have certain helps which set to the ear to do further the hearing greatly. We have also divers strange and artificial echoes, reflecting the voice many times, and as if it were tossing it; and some that give back the voice louder than it came, some shriller and some deeper; yea, some rendering the voice, differing in the letters or articulate sound from that they receive. We have also means to convey sounds in tubes and pipes, in strange lines and distances…”

Francis Bacon (1561–1626) English philosopher, statesman, scientist, jurist, and author

New Atlantis http://www.constitution.org/bacon/new_atlantis.htm (1627)

Music, Bird, Time, Help

“We are all gifted of the mouth, retarded of the ear.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Women Can't Hear What Men Don't Say (2000), p. 40.

“That ear - I mean, Jesus, he's got to will that to the Smithsonian.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

In reference to Brian Wilson, Newsweek (1997)

“Duluth! The word fell upon my ear with a peculiar and indescribable charm, like the gentle murmur of a low fountain stealing forth in the midst of roses, or the soft sweet accent of an angel’s whisper in the bright, joyous dream of sleeping innocence. ’T was the name for which my soul had panted for years, as the hart panteth for the water-brooks.”

J. Proctor Knott (1830–1911) American politician

Speech on the St. Croix and Bayfield Railroad Bill, Jan. 27, 1871; Knott made this satirical speech, sometimes titled as Duluth! or The Untold Delights of Duluth, while serving in the United States House of Representatives; the speech lampooned Western boosterism by portraying Duluth, Minnesota, in fantastical and glowing language.

Dreams, Angels, Soul, Sleep

“This was not long desired before it was realized. The Lord, who is rich in mercy, and ever willing to answer the consistent prayer of the humble, after we had called upon Him in a fervent manner, aside from the abodes of men, condescended to manifest to us His will. On a sudden, as from the midst of eternity, the voice of the Redeemer spake peace to us, while the veil was parted and the angel of God came down clothed with glory, and delivered the anxiously looked for message, and the keys of the Gospel of repentance. What joy! what wonder! what amazement! While the world was racked and distracted—while millions were groping as the blind for the wall, and while all men were resting upon uncertainty, as a general mass, our eyes beheld, our ears heard, as in the ‘blaze of day’; yes, more—above the glitter of the May sunbeam, which then shed its brilliancy over the face of nature! Then his voice, though mild, pierced to the center, and his words, ‘I am thy fellow-servant,’ dispelled every fear. We listened, we gazed, we admired! ’Twas the voice of an angel from glory, ’twas a message from the Most High! And as we heard we rejoiced, while His love enkindled upon our souls, and we were wrapped in the vision of the Almighty! Where was room for doubt? Nowhere; uncertainty had fled, doubt had sunk no more to rise, while fiction and deception had fled forever!”

Oliver Cowdery (1806–1850) American Mormon leader

Love, Men, God, World

“To the man with an ear for verbal delicacies — the man who searches painfully for the perfect word, and puts the way of saying a thing above the thing said — there is in writing the constant joy of sudden discovery, of happy accident.”

H.L. Mencken (1880–1956) American journalist and writer

Source: 1910s, A Book of Prefaces (1917), Ch. 2

Happiness, Way, Search, Joy

“She said to her, "Grandmother, what great arms you have!"
"That's to embrace you the better, my child."
"Grandmother, what great legs you have!"
"That's to run the better, my child."
"Grandmother, what great ears you have!"
"That's to hear the better, my child."
"Grandmother, what great teeth you have!"
"That's for to eat you."
And upon saying these words, this naughty Wolf threw himself upon Little Red Riding Hood, and ate her.”

Charles Perrault (1628–1703) French author

Tales of Mother Goose, 1727, "Little Red Riding Hood"

Wolf

“Speak for the ear and write for the memory.”

Joseph Joubert (1754–1824) French moralist and essayist

Memory

“If the heart of a man is depressed with cares,
The mist is dispell'd when a woman appears;
Like the notes of a fiddle, she sweetly, sweetly
Raises the spirits, and charms our ears.”

John Gay (1685–1732) English poet and playwright

Act II, sc. iii, air 21
The Beggar's Opera (1728)

Appearance, Heart

“And silence sounds no worse than cheers
After earth has stopped the ears.”

A.E. Housman book A Shropshire Lad

No. 19 ("To an Athlete Dying Young"), st. 4.
A Shropshire Lad (1896)

Silence

“We live in an age that makes truth pass for treason, and as I dare not say anything against it, so the ears of those that are about me will probably be found too tender to hear it. This my trial and condemnation do sufficiently evidence.”

Algernon Sidney (1623–1683) British politician and political theorist

Scaffold speech (1683)

Truth, Age

“No honest mind can exclude doubt, or ignore criticism, or shut its ears against reason. And if we could do these things we should be left, not with faith, but with a head-in-the-sand superstition.”

Leslie Weatherhead (1893–1976) English theologian

Source: The Christian Agnostic (1965), p.225

Faith

“We can say what we like without favour or fear
and what we can't say we can breathe in your ear”

Peter Weiss Marat/Sade

Singers, act 2, scene 33 (p. 100)
Marat/Sade (1963)

Fear

“Who ever hears of fat men heading a riot, or herding together in turbulent mobs? — No — no, ‘tis your lean, hungry men who are continually worrying society, and setting the whole community by the ears.”

Washington Irving (1783–1859) writer, historian and diplomat from the United States

Book III, ch. 2 This derives from a statement by William Shakespeare in the play Julius Caesar where Caesar declares: <br class="br"> Knickerbocker's History of New York http://www.gutenberg.org/etext/13042 (1809)

Men, Communication