Quotes about dress
page 6

Alan Charles Kors photo
River Phoenix photo
Leo Tolstoy photo
Sarah Jessica Parker photo
Madeleine Stowe photo
David Lloyd George photo
Anthony Crosland photo
Eugène Delacroix photo
Pat Conroy photo
Richard Matheson photo
Ben Jonson photo

“It is an art to have so much judgment as to apparel a lie well, to give it a good dressing.”

Ben Jonson (1572–1637) English writer

The Works of Ben Jonson, Second Folio (1640), Timber: or Discoveries

Chuck Berry photo
Conor McGregor photo
Antoine Bethea photo

“Not everybody likes to get really dressed up, but everybody wears shorts and T-shirts. … A dress and a skirt, you definitely won’t see me in. Other than that, I’m pretty much open.”

Antoine Bethea (1984) American football player, defensive back, safety

"Antoine Bethea sportswear makes a statement with inspirational sayings" https://www.sfchronicle.com/style/article/Antoine-Bethea-sportswear-makes-a-statement-with-6497263.php, interview with the San Francisco Chronicle (10 September 2015).

Cyrano de Bergerac photo
Guillaume de Salluste Du Bartas photo

“Yielding more wholesome food than all the messes
That now taste-curious wanton plenty dresses.”

Guillaume de Salluste Du Bartas (1544–1590) French writer

Second Week, First Day, Part i. Compare: "Herbs, and other country messes, Which the neat-handed Phillis dresses", John Milton, L'Allegro, line 85.
La Seconde Semaine (1584)

M.I.A. photo
Mika Waltari photo
Margaret Atwood photo

“You cannot make a pair of croak-voiced Daleks appear benevolent, even if you dress one of them in an Armani suit and call the other Marmaduke.”

Dennis Potter (1935–1994) English television dramatist, screenwriter and journalist

"Occupying Powers," The Guardian (28 August 1993); the quote is from the James MacTaggart Memorial Lecture at the Edinburgh Television Festival (27 August 1993) and refers to John Birt and Marmaduke Hussey, who were then Director-General and Chairman of the BBC.

Bruno Schulz photo
Bob Dylan photo
Brad Paisley photo
Neal Stephenson photo
John Milton photo

“Herbs, and other country messes,
Which the neat-handed Phillis dresses.”

John Milton (1608–1674) English epic poet

Source: L'Allegro (1631), Line 85

Jeanette Winterson photo
Antonio Gramsci photo

“It is all a matter of comparing one’s own life with something worse and consoling oneself with the relativity of human fortunes. When I was eight or nine I had an experience which came clearly to mind when I read your advice. I used to know a family in a little village near mine: father, mother and sons: they were small landowners and had an inn. Very energetic people, especially the woman. I knew (I had heard) that besides the sons we knew, this woman had another son nobody had seen, who was spoken of in whispers, as if he were a great disgrace for the mother, an idiot, a monster or worse. I remember that my mother referred to this woman often as a martyr, who made great sacrifices for this son, and put up with great sorrows. One Sunday morning about ten, I was sent to this woman’s: I had to deliver some crocheting and get the money. I found her shutting the door, dressed up to go out to mass, she had a hamper under her arm. On seeing me she hesitated then decided. She told me to accompany her to a certain place, and that she would take delivery and give me the money on our return. She took me out of the village, into an orchard filled with rubbish and plaster; in one corner there was a sort of pig sty, about four feet high, and windowless, with only a strong door. She opened the door and I could hear an animal-like howling. Inside was her son, a robust boy of 18, who couldn’t stand up and hence scraped along on his seat to the door, as far as he was permitted to move by a chain linked to his waist and attached to the ring in the wall. He was covered with filth, and his eyes shone red, like those of a nocturnal animal. His mother dumped the contents of her basket – a mixed mess of household leftovers – into a stone trough. She filled another trough with water, and we left. I said nothing to my mother about what I had seen, so great an impression it had made on me, and so convinced was I that nobody would believe me. Nor when I later heard of the misery which had befallen that poor mother, did I interrupt to talk of the misery of the poor human wreck who had such a mother.”

Antonio Gramsci (1891–1937) Italian writer, politician, theorist, sociologist and linguist

Gramsci, 1965, p. 737 cited in Davidson, 1977, p. 35.

Hayley Jensen photo
Orson Scott Card photo
Karl Kraus photo

“Women at least have elegant dresses. But what can men use to cover their emptiness?”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

V. V. S. Laxman photo
Donald Barthelme photo
Vanna Bonta photo
George E. P. Box photo
George Hendrik Breitner photo

“Recently I dreamed of you [of the artist Herman van der Weele and his wife] and that you two were very rich and lived in a beautiful place and that I sat in your room with you and Herman, with beautiful fabrics and wallpapers that I couldn't stop looking to them and you wore black glasses, just like me now [to protect his eyes], but they [black glasses] were so amazingly beautiful and they suited you so well, as is only possible in a dream, and your dress was beautifully deep red blue black with exotic figures woven into it and the walls were yellow and pink. Anyway it was all a miracle of beauty and I wished that.... my eyes were healthy again and that we each could spent hundred thousand guilders a week, then we had built a beautiful yacht and we all sailed to the country of the Mikado [Japan], to have a look there.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch / citaat uit de brief van Breitner, in het Nederlands: Laatst heb ik van jelui [de kunstenaar Herman van der Weele en zijn vrouw] gedroomd en dat jelui heel rijk waren en prachtig woonden en dat ik met U en Herman in een vertrek daarvan zat, met zulke prachtige stoffen en behangen, dat ik mij niet kan verzadigen er naar te kijken en gij hadt een zwarte bril op net als ik nu, maar die was zo verbazend mooi en stond U zoo goed, als dat alleen maar in een droom mogelijk is en uw costuum was prachtig diep rood blauw zwart met exotische figuren daarin geweven en de wanden waren geel en rose, enfin het was een wonder van pracht en ik wou dat.. ..mijn oogen weer heel waren en dat we ieder honderdduizend gld in de week te verteren hadden, dan lieten we een mooi jacht bouwen en zeilden allemaal naar het land van den Mikado, om daar eens te kijken.
Quote of Breitner, in a letter to Herman van der Weele, c. 1892-96; as cited in Meisjes in kimono. Schilderijen, tekeningen en foto's van George Hendrik Breitner (1857-1923) en zijn Japanse tijdgenoten, J.H.G. Bergsma & H. Shimoyama; Hotei Publishing, Leiden 2001, pp. 15-16
1890 - 1900

Timothy McVeigh photo
Sher Shah Suri photo

“"Sher Shah gave to many of his kindred who came from Roh money and property far exceeding their expectations."… "To every pious Afghan who came into his presence from Afghanistan, Sher Shah used to give money to an amount exceeding his expectations, and he would say, 'This is your share of the kingdom of Hind, which has fallen into my hands, this is assigned to you, come every year to receive it.'" And to his own tribe and family of Sur, who dwelt in the land of Roh, he sent an annual stipend of money, in proportion to the members of his family and retainers; and during the period of his dominion no Afghan, whether in Hind or Roh was in want, but all became men of substance. It was the custom of the Afghans during the time of sultans Bahlul and Sikandar, and as long as the dominions of the Afghans lasted, that if any Afghan received a sum of money or a dress of honour, "that sum of money or dress of honour was regularly apportioned to him, and he received it every year". Sher Shah Suri too said, "It is incumbent upon kings to give grants to imams; for the prosperity and populousment of the cities of Hind are dependent on the imams and holy men… whoever wishes that God Almighty should make him great, should cherish Ulama and pious persons, that he may obtain honour in this world and felicity in the next."”

Sher Shah Suri (1486–1545) founder of Sur Empire in Northern India

Abbas Sarwani, Tarikh-i-Sher Shahi, trs. E.D. vol. IV, pp. 390, 424. quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 5

Charles Cooley photo
Slim Burna photo

“Don't judge me from my looks or the way I dress, judge me wit what I do, cuz I don't impress people!!”

Slim Burna (1988) Nigerian singer and record producer

Slim Burna on his Twitter http://twitter.com/slimburna1/status/377151400725467136, @Slimburna1 (September 9th, 2013)

Christopher Hitchens photo
James Thomson (poet) photo

“The death of Black Jade coincided with the wedding hour of Pao-yu and Precious Virtue. Shortly after Snow Duck was taken to the wedding chambers, Black Jade had regained consciousness. During this lucid moment, which was not unlike the afterglow of the setting sun, she took Purple Cuckoo's hand and said to her with an effort, "My hour is here. You have served me for many years, and I had hoped that we should be together the rest of our lives… but I am afraid…"
The effort exhausted her and she fell back, panting. She still held Purple Cuckoo's hand and continued after a while, "Mei-mei, I have only one wish. I have no attachment here. After my death, tell them to send my body back to the south––"
She stopped again, and her eyes closed slowly. Purple Cuckoo felt her mistress' hand tighten over hers. Knowing this was a sign of the approaching end, she sent for Li Huan, who had gone back to her own apartment for a brief rest. When the latter returned with Quest Spring, Black Jade's hands were already cold and her eyes dull. They suppressed their sobs and hastened to dress her. Suddenly Black Jade cried, "Pao-yu, Pao-yu, how––" Those were her last words.
Above their own lamentations, Li Huan, Purple Cuckoo, and Quest Spring thought they heard the soft notes of an ethereal music in the sky. They went out to see what it was, but all they could hear was the rustling of the wind through the bamboos and all they could see was the shadow of the moon creeping down the western wall.”

Wang Chi-chen (1899–2001)

Source: Dream of the Red Chamber (1958), p. 307

Hilaire Belloc photo
Thomas Gainsborough photo
Dave Matthews photo

“There's often a lot of stupid ideas like "you all dress as fruits and pretend you're selling underpants" or "we'll put you on a bed of nails and drive a truck over the top and photograph you" for the cover.”

Dave Matthews (1967) American singer-songwriter, musician and actor

Q&A: The Dave Matthews Band, interview by Richard Deitsch on CNN.com http://sportsillustrated.cnn.com/2005/writers/richard_deitsch/07/21/media.circus/index.html

Donald Barthelme photo
Joseph Strutt photo
Michel Sabbah photo

“Nobody can tell us Christians how to dress, how to live or how to pray.”

Michel Sabbah (1933) Latin Patriarchs of Jerusalem

Christmas under Hamas rule, BBC News, 22 December 2007 http://news.bbc.co.uk/1/hi/programmes/from_our_own_correspondent/7154134.stm, Quote from a statement made during his visit to Gaza City on possible implementation of Islamic fundamentalist internal policies like mandatory hijab and other measures

Paul Newman photo

“Twenty-five years ago I couldn't walk down the street without being recognized. Now I can put a cap on, walk anywhere and no one pays me any attention. They don't ask me about my movies and they don't ask me about my salad dressing because they don't know who I am. Am I happy about this? You bet.”

Paul Newman (1925–2008) American actor and film director

Quoted in Geoff Pevere, "Getting noticed: the spooky side of celebrity," http://www.toronto.com/movies/article/525796 toronto.com (2007-08-10)

John Stuart Mill photo
Christiaan Huygens photo
Kent Hovind photo

“God's commandments are not grievous. God put them in the garden, said "You can eat of any tree except that one tree, The Knowledge of Good and Evil." It's real simple, Adam. Enjoy the garden, have lots of kids, and don't learn about evil. […] Parents, don't teach your kids about all the evil things. Don't have drug education classes where you show them, "Hey, this is marijuana. This is how you smoke it. Now don't you do that." Duh. Don't put them in sex ed classes in seventh grade, it's a plumbing class at that time. Don't do that, okay? Let them be ignorant. Let them learn it from mom and dad, not from some heathen, okay? It's real simple Adam. Enjoy the world and have lots of kids and don't learn about evil. Don't learn all that stuff. The Lord said, "Hey, have you eaten off that tree I told you not to eat from?" God is not asking for information. He's asking for a confession. And the man said, "The woman (he passed the buck) whom thou gavest to be with me. Now God, this is really your fault, you know. If you hadn't given her to me I wouldn't have this problem." He said to the woman, "Have you done this?" She said, "Well, the snake that you made…." We still do the same thing, nothing changes, okay? Fear God, keep his commandments. Just like the taking of life is very important in any culture. Murder is serious. Giving life is important. That's why God put certain rules down for reproduction, okay? Follow his rules. "Thou shalt not commit adultery. Whoremongers and adulterers God will judge." Don't even look and lust or you've committed adultery already in your heart. By the way, ladies, that's why it's important how you dress, okay? My daddy always said, "If you're not in business, don't advertise."”

Kent Hovind (1953) American young Earth creationist

Women should dress in modest apparel. That's what the Bible says, alright.
Creation seminars (2003-2005), The dangers of evolution

Richard Pryor photo
William H. McNeill photo
John Berger photo
Ron White photo

“She got convinced in her crazy head that I had sex with this girl in Columbus, Ohio…and I did, and I'll tell you why. When you enter into a monogamous relationship with somebody, you usually do it at a point in the relationship when you're having a lot of sex. So you're willing to sign the papers. "I'll only have sex with you, ever-ever-ever…ever." Well, if that person stops having sex altogether… why, you find yourself in quite a pickle. I'm a pretty good dog, but if you don't pet me every once in awhile, it's hard to keep me under the porch. I'm not as flexible as real dog. And I'll tell you what happened, too. I was in Columbus, Ohio, and I haven't been laid in three months. Three months! You can't go three months without having sex with me. I'll go have sex with somebody else. I know, I've seen me do it. I did a show one night. I came offstage, there's gorgeous woman, maybe 35, 40 years old, long black dress, slit up to her waist, GORGEOUS. Gimme a second. Just…And I walk off stage, she goes, "I thought you were hilarious. I wanna buy you a drink." I'm like, "I can't do that, I'm married." And she says, "I didn't ask if you wanna have sex, big boy. I asked if you wanna have a drink at my place."…Alright. Now, you know of that little guy that sits on your shoulder and reminds you of your prior commitments and your moral fortitude? I didn't hear a peep out of that guy. He hadn't been laid in 3 months either. He was speechless for like 20 minutes then he was like, "Suck her titty!"…"I was gonna!" I was having a 3-way with my conscience. Soon as the whole thing's over, he's back at his post, saying, "That was wrong, mister!" "Hey! 15 minutes ago, you were beating off on my shoulder, monkey boy!"”

Ron White (1956) American comedian

I hate him. He smokes pot. He burned a hole in my other jacket.
They Call Me Tater Salad

Bashō Matsuo photo

“Sabi is the color of the poem. It does not necessarily refer to the poem that describes a lonely scene. If a man goes to war wearing stout armor or to a party dressed up in gay clothes, and if this man happens to be an old man, there is something lonely about him. Sabi is something like that.”

Bashō Matsuo (1644–1694) Japanese poet

sabi wa ku no iro nari. kanjaku naru ku wo iu ni arazu. tatoeba, roujin no katchuu wo taishi senjou ni hataraki, kinshuu wo kazari goen ni haberitemo, oi no sugata aru ga gotoshi.
Classical Japanese Database, Translation #42 http://carlsensei.com/classical/index.php/translation/view/42 (Translation: Robert Hass)
Statements

Ambrose Bierce photo

“Strive not for singularity in dress; Fools have the more and men of sense the less. To look original is not worth while, But be in mind a little out of style.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: Epigrams, p. 345

Psy photo

“I try to dress classy and dance cheesy.”

Psy (1977) South Korean singer

Ibid.
Variant: The mindset of this dance is 'dress classy and dance cheesy'.

Dinesh D'Souza photo

“Scaring the children: for Halloween last night, I dressed as a Democrat and when kids came to my door, I took half of their candy!”

Dinesh D'Souza (1961) Indian-American political commentator, filmmaker, author

Facebook post https://www.facebook.com/DSouzaDinesh/photos/a.279556495404346.96395.216709768355686/985875871439068/ (1 November 2014).

Bert McCracken photo
Joe Hill photo
Maajid Nawaz photo
Davey Havok photo
Fred Astaire photo

“(Cary Grant) is, along with Fred Astaire, the best-dressed actor in American movies”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Benjamin Schwarz in " Becoming Cary Grant http://www.theatlantic.com/magazine/archive/2007/01/becoming-cary-grant/5548/" The Atlantic, January/February 2007

Bruce Springsteen photo
John Rupert Firth photo
Jadunath Sarkar photo
Courtney Love photo

“Sister ectoplasma she's incredulous
Just like a pro she takes off her dress
And she kicks you down in her snow white pumps
Just remember it was me who found the lumps”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

"Mrs. Jones"
Song lyrics, Pretty on the Inside (1991)

Coco Chanel photo
Eugène Delacroix photo
Stephen Vincent Benét photo
Alice A. Bailey photo
Park Chung-hee photo

“A year ago on this day around 9:45 a. m. you came downstairs dressed in an orange Korean dress and we left together for the ceremonies. You were leaving the Blue House for the last time in your life. This day a year ago was the longest of my life, the most painful and sad. My mind went blank with grief and despair. I felt as though I had lost everything in the world. All things became a burden and I lost my courage and will. A year has passed since then. And during that year I have cried alone in secret too many times to count.”

Park Chung-hee (1917–1979) Korean Army general and the leader of South Korea from 1961 to 1979

Diary entry (15 August 1975), as quoted in The Two Koreas: A Contemporary History Revised and Updated http://books.google.com/books?id=yJZKpYXh2SAC&printsec=frontcover&dq=The+Two+Koreas:+A+Contemporary+History+revised+updated&hl=en&sa=X&ei=X-xvU5TRFPOisQSa34CIBA&ved=0CCsQ6AEwAA#v=onepage&q=already%20into%20the%20last%20week&f=false (2001), by Don Oberdorfer, p. 56.
1970s

Conor Oberst photo

“Now, there is a genuine social justice which proceeds not from the principle of equality, but from the principle: Suum cuique — to each his own. It is true that to deprive the workman of his just wage is not only a sin, but a sin that cries to heaven for vengeance. When one hinders social advance by putting barriers in the way of the diligent and the talented, one not only commits a personal injustice, but damages the common good of the whole nation, which always requires a genuine elite of ability and the contribution of extraordinary brainpower in every walk of life. And it would be socially unjust if a few individuals or certain groups had so much material wealth that, in consequence of this concentration of property and income, other classes had to live not only in povery, but in misery. Whoever lives in real abundance has a Christian duty to assist those living in wrechedness. Before we proceed, however, let us affirm that the notion of misery is different from that of poverty. Péguy has already drawn the distinction between pauvreté and misère. To live in misery means to suffer genuine physical privation: to know cold and hunger, to have no proper dwelling, to be dressed in rags, to be unable to secure medical attention. The poor, by contrast, have the necessities of life, but scarcely any more. They can borrow books, no doubt, but cannot buy them; they can hear music on the radio, but cannot afford a ticket to a concert; they cannot indulge in little extras of food and drink, but should, by self-discipline, be able to save a little. The poor have, therefore, the normal material preconditions for happiness — unless plagued by acquisitiveness or even envy, which has become a political force in the same measure as people have lost their faith. The fact that there are happy poor (alongside unhappy rich people) is beside the point. Demagogues know how to stir up terrible and murderous unrest even among the happy poor, as has been demonstrated clearly by the history of the left from Marat to Marx to Lenin to Hitler.”

Erik von Kuehnelt-Leddihn (1909–1999) Austrian noble and political theorist

Pgs 53-54
The Timeless Christian (1969)

Anne Morrow Lindbergh photo
Douglas Coupland photo
Adam Mickiewicz photo

“Sound as a burrow'd marmot he slept
On the straw where he'd tumbled fully-dressed that night.”

Book Four: Tadeusz' Awakening (trans. Christopher Adam Zakrzewski).
Pan Tadeusz (Sir Thaddeus) http://www.ap.krakow.pl/nkja/literature/polpoet/mic_pan.htm

Kenneth Grahame photo

“When one of Feuerbach’s friends attempts to get him an academic position, Feuerbach writes to him: “The more people make of me, the less I am, and vice versa. I am … something only so long as I am nothing.” Hegel felt himself free in the midst of bourgeois restriction. For him, it was by no means impossible as an ordinary official … to be something and at the same time be himself. … In the third epoch of the spirit, that is, since the beginning of the “modern” world, he says … philosophers no longer comprise a separate class; they are what they are, in perfectly ordinary relationship to the state: officially appointed teachers of philosophy. Hegel interprets this transformation as the “reconciliation of the worldly principle with itself.” It is open to each and every one to construct his own “inner world” independent of the force of circumstances which has materialized. The philosopher can now entrust the “external” side of his existence to the “order,” just as the modern man allows fashion to dictate the way he will dress. … The important thing, Hegel concludes, is “to remain true to one’s purpose” within the context of the normal life of a citizen. To be free for truth and at the same time dependent on the state—to him, these two things seemed quite consistent with each other.”

From Hegel to Nietzsche, D. Green, trans. (1964), pp. 68-69.

Robert Louis Stevenson photo
Anita Sarkeesian photo
Augustus De Morgan photo
Conor Oberst photo
Lewis Black photo

“If you are an adult, and you are planning to dress up on Halloween…don't. I will find you. I will hurt you.”

Lewis Black (1948) American stand-up comedian, author, playwright, social critic and actor

The Carnegie Hall Performance (2006)

Pat Condell photo

“This guy (Pat Robertson) obviously wants to be a prophet so bad. I wonder if he walks around at home dressed up in a bed sheet, talking Aramaic, maybe parting the waters in the bathtub occasionally, just to keep in practice?”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"Hook, line and rapture" (8 January 2008) http://youtube.com/watch?v=HXdwcIWIB_o
2008

Ray Comfort photo
Gino Severini photo

“[the] circular rhythmic movement of a dancer, the folds of whose dress are held out by means of a hoop. These folds preserve their exterior form, modified in a uniform manner through the rotary movement. In order the better to convey the notion of relief, I have attempted to model the essential portions in a manner almost sculptural. Light and ambiance act simultaneously on the forms in movement.”

Gino Severini (1883–1966) Italian painter

from Severini's text, in the entry for the Marlborough Gallery exhibition; as cited by Daniela Fonti, Gino Severini Catalogo Ragionato, Milan: Edizione Phillipe Daverio, 1988, p. 130
Severine is describing here his painting 'Dancer at Pigalle' https://theartstack.com/artist/gino-severini-1/dancer-pigalle, 1912