Quotes about drama
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“Man created in the divine image, the protagonist of a great drama in which his soul was at stake, was replaced by man the wealth-seeking and –consuming animal.”

Richard M. Weaver (1910–1963) American scholar

Source: Ideas have Consequences (1948), p. 6.

Soul, Animals, Wealth

“He and Marilyn were lovers, but this was never said in so many words. Explicitness about one’s romantic arrangements had apparently been deemed gauche. In my middle-class teen-age world, the whole apparatus of going steady, exchanging ID bracelets, smooching at dances, fighting, breaking up, submitting to the arbitration of friends — that was the point, the public drama.”

Edmund White (1940) American novelist and LGBT essayist

My Women, The New Yorker, 6 June 2005
Articles and Interviews

Age, World, Lovers, Dance

“I am not doing very much as yet. I am put out by this manner of the Salon. They will end by persuading me that I have produced a veritable fiasco. But I am not yet entirely convinced of it. Some say it is a complete downfall; that the 'Death of Sardanaplus' [Delacroix painted this painting in 1827 after the drama, written by Byron] is that of the Romantics, inasmuch as Romantics do exist; others merely say that I am an 'inganno' [a fraud].... So I say they are all imbeciles, that the picture has its qualities and its defects, and that while there are some things I could wish to be better, there are not a few others that I think myself fortunate to have created, and which I wish them.”

Eugène Delacroix (1798–1863) French painter

Quote in a letter to Delacroix' friend Charles Soulier, 11 March 1828; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 67-68
1815 - 1830

Death, Fraud, Thinking, Painting

“The only thing as bad as bad comedy is bad action. Bad Boys II has plenty of both. In fact, those two things are all it has, unless you count the small helping of bad drama. When it comes to this movie, the word "bad" initially seems highly appropriate. But Bad Boys II isn't just bad — it's a catastrophic violation of every aspect of cinema that I as a film critic hold dear. It seems to have been constructed with terms like "unwatchable" and "godawful" as its slogans. There are motion picture failures every year — the resumes of Hollywood players are littered with them. But, when something this big — a would-be blockbuster with recognizable names in the cast and crew — collapses in such a spectacular fashion, it's worth taking note. Think of how many starving children could have been fed with the money that was poured into [director] Michael Bay's latest sinkhole.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=293 of Bad Boys II (2002). Half-star reviews

Money, Children, Boy, Fashion

“For all of us who are alive, life is the real issue. Yet so often we judge our existence by the things that happen to us—by whether things are going our way or not. Sometimes we feel strong—strong enough to dictate our future. Sometimes we feel that we can make things happen. Then there are times when we feel totally helpless. But through all the dramas and bumps, there is life. There is the very powerful, very existence of every single human being.”

Prem Rawat (1957) controversial spiritual leader

Toronto, Ontario, Canada May 27, 1994
1990s

Life, Way, Feeling, Strong

“Jesus find the same mistake in both the Saducees and the Pharisees, both those who collaborate with the Romans and those who oppose them. In the eyes of Jesus they are both wrong. He will not play any part in the political drama.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

Source: The Subversion of Christianity (1984), p. 115

Parting

“Whether or not there exists a solution to problems troubles only a minority; that the emotions have no outcome, lead to nothing, vanish into themselves — that is the great unconscious drama, the affective insolubility everyone suffers without even thinking about it.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

All Gall Is Divided (1952)

Problem, Thinking, Suffering

“I began my talk by saying that I had not written my plays for purposes of discussion. At once, I felt a ripple of panic run through the hall. I suddenly realised why. To everyone present, discussion was the whole point of drama. That was why the faculty had been endowed — that was why all those buildings had been put up! I had undermined the entire reason for their existence.”

Tom Stoppard (1937) British playwright

"Tom Stoppard," profile by Kenneth Tynan, The New Yorker (1977-12-19).
Interviews and profiles

“Midwinter, and the countryside is so still, it seems almost lifeless. But these trees and bushes and grasses around me are living organisms just like animals. And they have to face very much the same sort of problems as animals face throughout their lives if they're to survive. They have to fight one another, they have to compete for mates, they have to invade new territories. But the reason that we're seldom aware of these dramas is that plants of course live on a different time-scale.”

David Attenborough (1926) British broadcaster and naturalist

Opening words
The Private Life of Plants (1995)

Problem, Tree, Grass, Time

“Is it not odd that the only truly generous person I ever knew who had money enough to be generous with should be a stockbroker? He writes poetry and pastoral dramas and yet knows how to make money, and does make it, and is still generous.”

Horace Smith (1779–1849) English poet and novelist

Percy Bysshe Shelley.
About

Money, Personality

“Architecture as the wall between the inside and the outside becomes the spatial record of this resolution and its drama. And by recognizing the difference between the inside and the outside, architecture opens the door once again to an urbanistic point of view.”

Robert Venturi book Complexity and Contradiction in Architecture

9. The Inside and the Outside
Complexity and Contradiction in Architecture (1966)

“As an art form, opera is a rare and remarkable creation. For me, it expresses aspects of the human drama that cannot be expressed in any other way, or certainly not as beautifully.”

Luciano Pavarotti (1935–2007) Italian operatic tenor

Pavarotti : My World (1995)

Art, Way

“Given that background, I was interested in what Steve Jobs might say about the future of Apple. His survival strategy for Apple, for all its skill and drama, was not going to propel Apple into the future. At that moment in time, Apple had less than 4 percent of the personal computer market. The de facto standard was Windows-Intel and there seemed to be no way for Apple to do more than just hang on to a tiny niche.
In the summer of 1998, I got an opportunity to talk with Jobs again. I said, "Steve, this turnaround at Apple has been impressive. But everything we know about the PC business says that Apple cannot really push beyond a small niche position. The network effects are just too strong to upset the Wintel standard. So what are you trying to do in the longer term? What is the strategy?"”

Richard Rumelt (1942) American economist

He did not attack my argument. He didn’t agree with it, either. He just smiled and said, "I am going to wait for the next big thing."
Source: Good Strategy Bad Strategy, 2011, p. 14; Similar story in Rumelt (2007)

Smile, Way, Business, Strong

“Neurosis was caused by our attempt to separate physical and metaphysical levels, to set them up in opposition to each other, thus engaging in an internecine war. If it is true that we do live on several levels simultaneously- drama and action, past and present, personal and collective- we are given ways to unify them: one by religion, the other by art. Separating such levels is only necessary when they conflict, and separation is a result of conflict. Seeing how these levels can work together in harmony is the task of our contemporary writers.”

Anaïs Nin book The Novel of the Future

The Novel of the Future (1969)

War, Religion, Art, Way

“A generous relationship rarely knows dramas. One is happy when the partner is happy. And one is happy when growing on three levels: on the physical level, which gives love, material things, and protection; on the inner level— through compassion and wisdom—which provides the motivation for development; and on a deep-lying, secret level where both partners enrich themselves with the qualities of the other and increasingly find their center.”

Lama Ole Nydahl (1941) Danish lama

Buddha & Love: Timeless Wisdom for Modern Relationships (2012)

Love, Wisdom, Secret, Lying

“Sometimes I'll turn the channel and there's the movie and I can honestly say that those last few minutes always fascinate me. It's one of the rare instances when image, music, and drama work effectively.”

Madeleine Stowe (1958) American actress

Mohican Press interview (2005)

Music

“War is the supreme drama of a completely mechanized society.”

Lewis Mumford book Technics and Civilization

Source: Technics and Civilization (1934), Ch. 6, sct. 11

War

“Theories of modernisation are cod-scientific projections of Enlightenment values. They tell us nothing about the future. But they do help us to understand the present. They show the lingering power of the Christian faith that history is a moral drama, a tale of progress or redemption, in which - despite everything we know of it - morality rules the world.”

John Gray book Straw Dogs: Thoughts on Humans and Other Animals

Non-Progress: The myth of modernisation (p. 174)
Straw Dogs: Thoughts on Humans and Other Animals (2002)

World, Faith, History, Understanding

“I will recall once more Russia's most recent history.
Above all, we should acknowledge that the collapse of the Soviet Union was a major geopolitical disaster of the century. As for the Russian nation, it became a genuine drama. Tens of millions of our co-citizens and compatriots found themselves outside Russian territory. Moreover, the epidemic of disintegration infected Russia itself.
Individual savings were depreciated, and old ideals destroyed. Many institutions were disbanded or reformed carelessly. Terrorist intervention and the Khasavyurt capitulation that followed damaged the country's integrity. Oligarchic groups — possessing absolute control over information channels — served exclusively their own corporate interests. Mass poverty began to be seen as the norm. And all this was happening against the backdrop of a dramatic economic downturn, unstable finances, and the paralysis of the social sphere.
Many thought or seemed to think at the time that our young democracy was not a continuation of Russian statehood, but its ultimate collapse, the prolonged agony of the Soviet system.
But they were mistaken.
That was precisely the period when the significant developments took place in Russia. Our society was generating not only the energy of self-preservation, but also the will for a new and free life.”

Vladimir Putin (1952) President of Russia, former Prime Minister

Kremlin RU, http://kremlin.ru/eng/speeches/2005/04/25/2031_type70029type82912_87086.shtml (25 April 2005) 2000 - 2005

Life, Democracy, History, Thinking

“The pages of Euclid are like the opening bars of the music of the Grand Opera of Nature's great drama. So to say, they lift the veil and show to our vision a glimpse of a vast world of natural knowledge awaiting study.”

C. V. Raman (1888–1970) Indian physicist

Chandrasekhara Venkata Raman:A Legend of Modern Indian Science, 22 November 2013, Official Government of India's website Vigyan Prasar http://www.vigyanprasar.gov.in/scientists/cvraman/raman1.htm,

World, Music, Nature, Knowledge

“In his Gospel, St. John, through long and deep contemplation, acknowledges Jesus to be the Logos of God. In his epistles he points entirely away from himself toward Christ. Finally, in the Apocalypse, in the vision of the Lamb of God, Old and New Testaments are united, and the whole drama of salvation is summed up.”

Hans Urs Von Balthasar (1905–1988) Swedish Catholic theologian

Hans Urs von Balthasar, Our Task https://books.google.it/books?id=yEjT5yVci2gC&pg=PT0, trans. John Saward, Ignatius Press, 1994. Our Task: A Report and a Plan (1984)

God, Christ

“I suspect Hemsworth may have been cast for his appeal to fangirls, rather like Robert Pattinson in "Twilight." He's a little too tall, blonde, blue-eyed and hunky to be super plausible. He can definitely become a star, but it may be in the Peter O'Toole tradition; I can more easily imagine him in a remake of "Lawrence of Arabia" than as a settled spouse in a domestic drama.”

Liam Hemsworth (1990) Australian actor

Roger Ebert on Hemsworth in The Last Song. —
About

Imagination, Star

“It is said that young men of genius come to London with great poems and dramas in their pockets and find every door closed against them. Chatterton's death perpetuated this legend. But when I, George Moore, came to London in search of literary adventure, I found a ready welcome. Possibly I should not have been accorded any welcome had I been anything but an ordinary person.”

George Moore (novelist) (1852–1933) Irish novelist, short-story writer, poet, art critic, memoirist and dramatist

Source: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 12.

Death, Men, Search, Personality

“Youth instinctively understand the present environment – the electric drama. It lives mythically and in depth.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1960s, The Medium is the Message (1967)

Youth, Understanding

“Negroes could contain their rage when they found the means to force relatively radical changes in their environment. / In the North, on the other hand, street demonstrations were not even a mild expression of militancy. The turmoil of cities absorbs demonstrations as merely transitory drama which is ordinary in city life. Without a more effective tactic for upsetting the status quo, the power structure could maintain its intransigence and hostility.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, The Role of the Behavioral Scientist in the Civil Rights Movement (1967)

Life, Hostility, Rage, Change

“If you understand comedy, you understand life. Drama, death, tragedy – everybody has these. But with humour you've got all these, and the antidote. You have found the answer. It doesn't follow that because you are a good comedy writer, you're a happy fellow. I've got one of the most miserable faces in the world. I am only happy when I am working. If I'm not working, I get screwed up because my time is going, my life is slipping by.”

Eric Sykes (1923–2012) English actor and director

Quoted in The Guardian, Wednesday 4 July 2012 http://www.guardian.co.uk/culture/2012/jul/04/eric-sykes

Life, Death, World, Understanding

“The Socratic demonstration of the ultimate unity of tragic and comic drama is forever lost. But the proof is in the art of Chekhov.”

George Steiner (1929–2020) American writer

Source: The Death of Tragedy (1961), Ch. VIII (p. 302).

Art

“The good die young — but not always. The wicked prevail — but not consistently. I am confused by life, and I feel safe within the confines of the theatre. O'Neil's dramas are slapstick farces, Albee's riddles are simple explanations, Pinter's threatening and threatened anti-heroes are innocent babes — next to life and the living.
I cry out for order and find it only in art.”

Helen Hayes (1900–1993) actress

Source: On Reflection (1968), Ch. 14

Life, Art, Feeling, Cry

“Prose is private drama; poetry is corporate drama.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 275

“It's a different animal. The action movie requires much more physical dedication and focus, you have to be careful because of potential injuries and so it's very hard and you have to be cautious, while the drama taxes the emotions, and so if you're using some past experienced trauma and try to use it for a scene it might move you beyond expectations.”

Wesley Snipes (1962) film actor, Martial artist, film producer

Wesley Snipes, Interview - Wesley Snipes on Blade 2 http://www.iofilm.co.uk/feats/interviews/w/wesley_snipes.shtml, iofilm,

Past, Animals

“For a thousand years, the Bible was almost the only book people read, if they could read at all. The stories that were officially told and portrayed were Biblical and religious stories. That other fount of Western civilization as we know it today — the Greek classics — went largely unknown until the Renaissance. For our purposes, there's a noteworthy difference between these two literatures: in the Bible people are hardly ever said to be mad as such, whereas in Greek drama they go off their rockers with alarming frequency. It was the rediscovery of the classics that stimulated the long procession of literary madpeople of the past four hundred years.”

Margaret Atwood (1939) Canadian writer

Ophelia Has a Lot to Answer For (1997)

People, Books, Literature, Reading

“If heaven is the reason and dieing is the door, than why aren't we all leaving what's the drama for?”

Ralston Bowles (1952) American musician

From the song "Draper" on the album Carwreck Conversations (2004)

“In many of his biographical writings Tolstoy makes clear that, in pursuit of a virtuous life, he had to struggle hard with his own nature, habits, and animal passions, and had to overcome early training and education; but in this drama he shows that, in attempting to be a Christian, he had to battle constantly, often bitterly, with his own family, with the Church, and with all the social, economic, and political conditions and institutions that surrounded him.”

Robert Hunter (author) (1874–1942) American sociologist, author, golf course architect

Source: Why We Fail as Christians (1919), p. 42

Life, Education, Family, Nature

“I think of my pictures as dramas; the shapes in the pictures are the performers. They have been created from the need for a group of actors who are able to move dramatically without embarrassment and execute gestures without shame. Neither the action nor the actors can be anticipated, or described in advance. They begin a an unknown adventure in an unknown space... Ideas and plans that existed in the mind at the start were simply the doorway through which one left the world in which they occur. The great cubist pictures thus transcend and belie the implications of the cubist program.”

Mark Rothko (1903–1970) American painter

Source: after 1970, posthumous, Abstract Expressionism, Creators and Critics', 1990, pp. 167-168

World, Idea, Thinking

“My work is in a complete transformation. Lately, in my studio in Amsterdam, 'beings' re-emerge more and more, but I have repainted all the canvases that I have brought with me [from Amsterdam to Paris]. It is matter itself. On the canvas, no discovery, no personal drama, no submission to a rhythm.... freed from 'Victory Boogiewoogie' [title of the last work of Piet Mondrian, 1944], bepop, bepop, we free ourselves from rhythm, we are not there yet, but it is coming... Now I paint stains, bigger stains, colours endlessly reapplied one upon the other, I scrape and I put down new stains of colour unto nothing remains but one great plane, concentrated and linked at the same time, suddenly a vivid red or yellow and the canvas and being merge.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Quote in a letter of Karel Appel from Paris to Aldo van Eyck, October 1950; as quoted in (MR1-85); Karel Appel, a gesture of colour, Jean-François Lyotard, (original French text of 1992 based upon intensive correspondence with Karel Appel), Christine Buci-Glucksmann, Herman Parret; University Press, Leuven, Belgium, 2009, p. 99

Time, Victory, Painting, Personality

“All those [events in history] were such dramas as we see now, only with different actors.”

Marcus Aurelius book Meditations

X, 27
Meditations (c. 121–180 AD), Book X

History

“Jennifer was great. She is fantastic. Really easy to work with, no drama, really down-to-earth, such a funny girl. Nothing but good things to say about her. She really was great to work with. And it always makes it easier when you’re working with people that you like and you enjoy being around.”

Liam Hemsworth (1990) Australian actor

On life on the movie set with actress Jennifer Lawrence. — November 1, 2012, Q&A: Liam Hemsworth on The Hunger Games and Losing Weight for His Role, Krista Smith, November 8, 2011, Vanity Fair, Conde Nast http://www.vanityfair.com/online/daily/2011/11/Liam-Hunger-Games-Post,

People, Girl

“I really love seeing things go sour, because that’s the way dread creeps into life. A lot of horror films start with a great shock scene. I grew up on that model and it’s great fun, but very perversely, I’m interested in setting up something else, where you’re really engaged with the humanity of the characters — you could be in a normal drama with its own set of problems — and then something else develops. I like this philosophical question: what comes first, reality or your interpretation of it? However interesting that is, and whether it fits in with the horror genre, I don’t know, but I think it makes perfect sense.”

Larry Fessenden (1963) American actor, producer, writer, director, film editor, and cinematographer

Larry Fessenden’s Arty Horror Picture Show Continues with “Wendigo” http://www.indiewire.com/2002/02/interview-larry-fessendens-arty-horror-picture-show-continues-with-wendigo-80532/ (February 14, 2002)

Love, Life, Way, Question

“Tonight, as I see the drama of democracy unfolding around the globe, perhaps—perhaps we are closer to that new world than ever before.”

George H. W. Bush (1924–2018) American politician, 41st President of the United States

September 1991, The Watchtower(3 January 1992)

World, Democracy

“A mother’s life, you see, is one long succession of dramas, now soft and tender, now terrible. Not an hour but has its joys and fears.”

Honoré de Balzac (1799–1850) French writer

La maternité comporte une suite de poésies douces ou terribles. Pas une heure qui n’ait ses joies et ses craintes.
Part I, ch. XLV.
Letters of Two Brides (1841-1842)

Life, Fear, Success, Joy

“"Welcome to the real world", she said to me
Condescendingly.
Take a seat,
Take your life
Plot it out in black and white.
Well I never lived the dreams of the prom kings
And the drama queens.
I'd like to think the best of me
Is still hiding
Up my sleeve.They love to tell you:
Stay inside the lines,
But something's better
On the other side.”

John Mayer (1977) guitarist and singer/songwriter

No Such Thing, written by John Mayer and Clay Cook
Song lyrics, Room for Squares (2001)

Love, Life, World, Dreams

“Life to each individual is a scene of continued feasting in a region of plenty; and when unexpected death arrests its course, it repays with small interest the large debt which it has contracted to the common fund of animal nutrition, from whence the materials of its body have been derived. Thus the great drama of universal life is perpetually sustained; and though the individual actors undergo continual change, the same parts are filled by another and another generation; renewing the face of the earth and the bosom of the deep with endless successions of life and happiness.”

William Buckland (1784–1856) English clergyman, geologist and palaeontologist

Geology and Mineralogy Considered with Reference to Natural Theology (1841), p. 109

Life, Death, Universe, Change

“I like drama. I love being in a drama where I get to be the funny guy. That's what I really love the most.”

John Leguizamo (1964) Colombian and American actor, film producer, voice artist, and comedian

John Leguizamo Talks About "Assault on Precinct 13", January 16, 2005, answering the question, "Is comedy your first love?"

Love, Guy

“Jean-Eugène Robert-Houdin, the extraordinary father of modern conjuring, made the salient point that ‘a magician is an actor playing the part of a magician’. This is a very good description. However, an actor takes for granted how to create drama in every word, movement and look. The average magician is barely aware of its existence.”

Derren Brown (1971) British illusionist

Books, Confessions of a Conjuror (2010)

Parting

“Life's drama of incarnation consists of one's eventual discovery of their inherent destiny. We are a creation of the Supreme Spirit in whose seed of divinity, Godhood, like the Godhood of Jesus, shall come into fruition.”

Flower A. Newhouse (1909–1994) American mystic

The drama of incarnation, 1948
Mysticism

Life

“A moment guess'd — then back behind the Fold
Immerst of Darkness round the Drama roll'd
Which, for the Pastime of Eternity,
He doth Himself contrive, enact, behold.”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

The Rubaiyat (1120)

“Blood: A red substance believed to be capable of supporting life but which in a theatrical drama invariably indicates death.”

Peter Greenaway (1942) British film director

Rosa: The Death of a Composer

Life, Death, Support

“Government by thugs in the Bloody Centuries gave Barrayar many colorful historical incidents, suitable for high drama. I don't think it's a drama we wish to return to in real life.”

Lois McMaster Bujold Vorkosigan Saga

Vorkosigan Saga, A Civil Campaign (1999)

Life, Color, Thinking

“Every drama school in the country turned me down, and so I was lucky to study drama at all, even if it was lowly Birmingham University. But even when I came out with my degree, my mother promptly insisted I go straight to secretarial college to have something to fall back on, just in case – which didn’t exactly fill me with confidence.”

Tamsin Greig (1966) English actress

About studying drama.
From an interview with the Independent on Sunday, "Green Goddess."

School, Confidence, Study, Universe

“Narrative prose is a legal wife, while drama is a posturing, boisterous, cheeky and wearisome mistress.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to A.N. Pleshcheev (January 15, 1889)
Letters

“He [Bhagwan Dass] wasn't the least bit interested in all of the extraordinary dramas that I had collected … He was the first person I couldn't seduce into being interested in all this. He just didn't care.
And yet, I never felt so profound an intimacy with another being. It was as if he were inside of my heart. And what started to blow my mind was that everywhere we went, he was at home.”

Ram Dass book Be Here Now

Be Here Now (1971)

Home, Heart, Personality

“.. the personification of the close-up detail, the individualisation of the fragment, where the drama takes shape, moves and have it being. Film concurs with this aspect for life. The hand is a multiple, transformable object. Before I saw it in a film, I did not know what a hand was! The object in itself is capable of becoming an absolute, moving, tragic thing.”

Fernand Léger (1881–1955) French painter

Quote from: 'L'ésthetique de la Machine - l'Ordre Géometrique et le Vrai', in Propos d’Artistes, 1925
Quotes of Fernand Leger, 1920's

Life

“The drama's done. Why then here does any one step forth? — Because one did survive the wreck.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

Epilogue
Moby-Dick: or, the Whale (1851)

“We are in the world and, before we know where we are, we are on one of the paths which we must traverse in our few score years between birth and death. Moreover, each man's path leads up to the theatre on the one side and down from it on the other. The inexorable manager, Fate, requires that each should go through with his comedy or his drama, if he be judged worthy of a leading part, with his scene or his act in another man's piece, if he be fit only to play the walking gentleman, the dumb footman, or the mechanically trained supernumerary who does duty by turns as soldier, sailor, courtier, husbandman, conspirator or red-capped patriot. A few play well, many play badly, all must appear and the majority are feebly applauded and loudly hissed. He counts himself great who is received with such an uproar of clapping and shout of approval as may drown the voice of the discontented; he is called fortunate who, having missed his cue and broken down in his words, makes his exit in the triumphant train of the greater actor upon whom all eyes are turned; he is deemed happy who, having offended no man, is allowed to depart in peace upon his downward road.”

Francis Marion Crawford (1854–1909) Novelist, short story writer, essayist (1854-1909)

A Cigarette-Maker's Romance (1894)

Death, Fate, World, Peace

“There are no Reconstruction reenactors. And who would want to be? Reconstruction is the disappointing epilogue to the American Civil War, a sort of Grimm fairy tale stepchild of the war and the ugly duckling of American history. Even Abraham Lincoln was uneasy at using the word "reconstruction"--he qualified it with add-ons like "what is called reconstruction" or "a plan of reconstruction (as the phrase goes)"--and preferred to speak of the "re-inauguration of the national authority" or the need to "reinaugurate loyal state governments." Unlike the drama of the war years, Reconstruction has no official starting or ending date. Although we usually bookend the period with the Confederate surrender in 1865 and the withdrawal of federal occupation troops in 1877, people had been talking about "reconstruction" even before the shooting began in 1861, and the federal occupation troops who were withdrawn in 1877 were by that time little more than a corporal's guard. In some sense, Reconstruction ended when Democrats managed to regain control of the House of Representatives in 1874; other parts of it spluttered on…”

Allen C. Guelzo (1953) American historian

2010s, Defending Reconstruction (2017)

War, People, Disappointment, History

“The fifth act of the great drama in Flanders opened on the 22nd October. Enormous masses of ammunition, such as the human mind had never imagined before the war, were hurled upon the bodies of men who passed a miserable existence scattered about in mud-filled shell-holes. The horror of the shell-hole area of Verdun was surpassed. It was no longer life at all. It was mere unspeakable suffering. And through this world of mud the attackers dragged themselves, slowly, but steadily, and in dense masses. Caught in the advanced zone by our hail of fire they often collapsed, and the lonely man in the shell-hole breathed again. Then the mass came on again. Rifle and machine-gun jammed with the mud. Man fought against man, and only too often the mass was successful.”

Erich Ludendorff (1865–1937) German Army officer and later Nazi leader in Adolf Hitler's Beer Hall Putsch

"My War Memories, 1914-1918" - by Erich Ludendorff - 1919

Life, Men, War, World

“Much as I admire Tolkien, and I do admire Tolkien — he’s been a huge influence on me, and his Lord of the Rings is the mountain that leans over every other fantasy written since and shaped all of modern fantasy — there are things about it, the whole concept of the Dark Lord, and good guys battling bad guys, Good versus Evil, while brilliantly handled in Tolkien, in the hands of many Tolkien successors, it has become kind of a cartoon. We don’t need any more Dark Lords, we don’t need any more, ‘Here are the good guys, they’re in white, there are the bad guys, they’re in black. And also, they’re really ugly, the bad guys. It is certainly a genuine, legitimate topic as the core of fantasy, but I think the battle between Good and Evil is waged within the individual human hearts. We all have good in us and we all have evil in us, and we may do a wonderful good act on Tuesday and a horrible, selfish, bad act on Wednesday, and to me, that’s the great human drama of fiction. I believe in gray characters, as I’ve said before. We all have good and evil in us and there are very few pure paragons and there are very few orcs. A villain is a hero of the other side, as someone said once, and I think there’s a great deal of truth to that, and that’s the interesting thing. In the case of war, that kind of situation, so I think some of that is definitely what I’m aiming at.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

AssignmentX interview (June 2011) http://www.assignmentx.com/2011/interview-game-of-thrones-creator-george-r-r-martin-on-the-future-of-the-franchise-part-2/

War, Truth, Guy, Mountain

“In writing Newton's biography, I have attempted, in accordance with my understanding of biography as a literary form, to avoid composing an essay on Newtonian science. At the same time I have sought to make Newton the scientist the central character of my drama.”

Richard S. Westfall (1924–1996) American historian

Preface
Never at Rest (1980)

Understanding, Science, Time

“.. The thought crossed my mind, how society today in its fall, at moments seen against the light of a renewal, stands out as a large, gloomy silhouette. Yes, for me, the drama of storm in nature, the drama of sorrow in life, is the most impressive.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from The Hague, The Netherlands, Summer 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 319) p. 21 1880s, 1883

Life, Nature, Light

“Dogs howled, sensing the drama. Without Seriati(General), the president would never have left the country, it was a coup d’état … helped by secret outside influences.”

Leila Ben Ali (1956) Wife of Tunisian president Zine El Abidine Ben Ali

23 June, 2012. Ben Ali’s wife blames general for Tunisia ‘coup d’état’ http://www.france24.com/en/20120623-ben-ali-wife-leila-blames-general-tunisia-coup-d-etat-saudi-arabia

Secret, Dogs, Sense, Help

“Although the drama of games of strategy is strongly linked with the psychological aspects of the conflict, game theory is not concerned with these aspects. Game theory, so to speak, plays the board. It is concerned only with the logical aspects of strategy.”

Anatol Rapoport (1911–2007) Russian-born American mathematical psychologist

Source: 1960s, "The Use and Misuse of Game Theory," 1962, p. 110

Game

“By the time they first encounter porn, most men have internalized the sexist ideology of our culture, and porn, rather than being an aberration, actually cements and consolidates their ideas about sexuality. And it does this in a way that gives them intense sexual pleasure. This framing of sexist ideology as sexy and hot gives porn a pass to deliver messages about women that in any other form would be seen as completely unacceptable. Imagine what would happen if suddenly we saw a slew of dramas and sitcoms on television where, say, blacks or Jews were repeatedly referred to in a racist or anti-Semitic way, where they got their hair pulled, faces slapped, and choked by white men pushing foreign objects into their mouths. My guess is that there would be an outcry and the images would not be defended on the grounds that they were just fantasy but rather would be seen for what they are: depictions of cruel acts that one group is perpetrating against another group. By wrapping the violence in a sexual cloak, porn renders it invisible, and those of us who protest the violence are consequently defined as anti-sex, not anti-violence.”

Gail Dines (1958) anti-pornography campaigner

Pornland: How Porn Hijacked Our Sexuality, Gail Dines

Women, Men, Pleasure, Sex

“As we all know, the singularity in the art of Bach is the fusion of both levels and lines, the horizontal and vertical line. It’s a real wonder to see that the creation and forming of the horizontal line, the polyphonic structure, also results in this perfect, beautiful vertical line, the harmonic line. As we also know, Bach already used the full harmonic range and radius as no composer before him. My artistic aim of course is to point out the horizontal line in soloistic manner in a dynamically elastic way, but in the same breath to form the harmonic line in a bright field of color (I would call it “harmonic articulation”), to achieve a particular atmosphere of emotions and moods, drama, velocity, vividness, and so on. As we can imagine, these are high demands …”

Burkard Schliessmann classical pianist

Talkings on Bach

Beauty, Art, Color, Way

“One of the most profound and universal realizations of later childhood, a realization that probably is never totally integrated, is the discovery that one's parents are not necessarily representative of the human species, that one has grown up in an idiosyncratically structured family with its own peculiarities and dramas.”

Stephen Mitchell (1946–2000) American psychologist

Relational Concepts in Psychoanalysis (Cambridge, Massachusetts: Harvard University Press, 1988), p. 275

Family, Parent, Universe, Childhood

“...he took his lesson of political morality as learned, his notice to quit as duly served, and supposed his education to be finished.

Everyone thought so, and the whole City was in a turmoil. Any intelligent education ought to end when it is complete. One would then feel fewer hesitations and would handle a surer world. The old-fashioned logical drama required unity and sense; the actual drama is a pointless puzzle, without even an intrigue. When the curtain fell on Gladstone's speech, any student had the right to suppose the drama ended; none could have affirmed that it was about to begin; that one's painful lesson was thrown away.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907), Chapter X Political Morality

Pain, World, Education, Feeling

“Cassidy had been drawn to the crime beat because of its guaranteed drama. It offered murders, kidnappings, armed robbery, and the occasional hostage situation. But predictable it wasn’t.”

Lis Wiehl (1961) American legal scholar

Source: Heart of Ice A Triple Threat Novel with April Henry (Thomas Nelson), p. 193

“The private and serious drama of guilt is not often a useful one for fiction today and its disappearance, following perhaps the disappearance from life, appears as a natural, almost unnoticed relief, like some of the challenging illnesses wiped out by drug and vaccines.”

Elizabeth Hardwick (1916–2007) Novelist, short story writer, literary critic

"Guilt, Character, Possibilities" (p. 227)
American Fictions (1999)

Life, Nature, Appearance

“A few old men began to say there had been a winter like this when they were warriors, and that it was a year of catastrophe and disappointment. But old men will ever spin this wheel. The summers were always hotter and the winters colder in the days of their strength, and the air thick with epic drama and portent.”

Tanith Lee book Vazkor, Son of Vazkor

Book One, Part II “The Warrior”, Chapter 1 (p. 41)
Vazkor, Son of Vazkor (1978)

Men, Disappointment, Winter, Summer

“Adam Warlock, a being who wished nothing more than to spend the rest of his days within the peaceful environment of the Soul Gem. He now possesses the Infinite Power and the responsibility that goes with it. While I, whose entire life was dedicated to the pursuit of power, now find myself scraping out a living from the soil. Irony worthy of the drama.
Yet strangely enough though, I envy not Adam Warlock.
Somehow I feel, that in the long run, Thanos of Titan came out ahead in this particular deal.”

Jim Starlin (1949) Comic creator

Thanos, in The Infinity Gauntlet (1991), Issue 6 : The Final Confrontation

Life, Peace, Feeling, Soul

“So the concept of God began to change as the ego recognized its reliance upon inner reality, but the drama had to be worked out within the current framework. Muhammadanism was basically so violent precisely because Christianity was basically so gentle. Not that Christianity was not mixed with violence, or that Muhammadanism was devoid of love. But the psyche went through its developments and battled with itself, denying some feelings and characteristics and stressing others, so the historic religious exterior dramas represented and followed these inner aspirations, struggles, and searches.”

Jane Roberts (1929–1984) American Writer

Source: Seth Speaks (1972), p. 340-341

Love, God, Feeling, Search

“This was in Milwaukee when I was eleven years old. I went to see my sister give a dramatic reading. She'd been taking drama lessons. I walked into the hall, and there was a little stage at the other end, and maybe 150 people, parents mostly, or children like myself. The lights went down slowly, very slowly. Then it was dark. Spotlights hit the stage, and there was my sister, standing there in the. At that moment I thought, that must be the most beautiful thing in the world, to be able to arrange things so that people have to listen to you. "So, that's why I became an actor. Well, anyway, my analyst says it's better than running naked in Central Park…”

Gene Wilder (1933–2016) American actor

Interview with Roger Ebert (July 11, 1971) INTERVIEW WITH GENE WILDER http://www.rogerebert.com/interviews/interview-with-gene-wilder

Children, People, World, Beauty

“More drama than a junior prom, a shotgun wedding, and a paternity test all rolled into one!”

Rachel Maddow (1973) American journalist

The Rachel Maddow Show, MSNBC (June 8, 2009)

Wedding

“The floorboards point in parallel lines to a vanishing point that does not concern us -- somewhere beyond the opera house, across the streets, across the houses of the suburbs, all the way to a hypothetical single dot… on the sea's horizon. Far from this sour drama.”

Peter Greenaway (1942) British film director

Rosa: The Death of a Composer

Way, Housing, Sea

“The American Revolution and the Civil War were not merely discrete events. They constitute the first and last acts of a single drama. The fourscore and seven years between the Declaration of Independence and the Gettysburg Address comprehended the action of a tremendous world-historical tragedy.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

How to Think about the American Revolution: A Bicentennial Cerebration https://books.google.com/books?id=iKGGAAAAMAAJ (1978) p. 53 Also quoted in Vindicating the Founders https://books.google.com/books?id=DjlpSl-x1gMC, by Thomas G. West, p. 32 1970s

War, World

“The scene has thoroughly changed. The six weeks' march to Paris has come world drama. Mass murder has become a monotonous task, and yet the final solution is not one step nearer. Capitalist rule is caught in its own trap, and cannot ban the spirit that it has Gone is the first mad delirium. Gone are the patriotic street demonstrations, the chase after suspicious-looking automobiles; the false telegrams, the cholera-poisoned wells. Gone the mad stories of Russian students who hurl bombs from every bridge of Berlin, or French men flying over Nuremberg; gone the excesses of spy-hunting populace, the singing through, the coffee shops with their patriotic songs; gone the violent mobs, ready to denounce, ready to persecute women, ready to whip themselves into a delirious frenzy over every wild rumor; gone the atmosphere of ritual murder, the Kishinev air that left the policeman at the corer as the only remaining representative of human dignity.”

Rosa Luxemburg (1871–1919) Polish Marxist theorist, socialist philosopher, and revolutionary

Source: The Junius Pamphlet (1915), Ch.1

Women, Men, World, Coffee

“Every time I watch it, I still see something new, and I’ve seen it a lot as you can imagine. When fans only talk about the scares, they’re not really learning anything, which is a shame because Billy really put a lot of thematic elements in this movie that are supposed to make you think. It wasn’t just about scaring people; it was a family drama that had horrific elements.”

Linda Blair (1959) actress, producer, animal rights activist

Exclusive: Linda Blair Reflects on 40 Years with The Exorcist for FEARnet’s February 17th Five-Film Marathon http://www.dreadcentral.com/news/41504/exclusive-linda-blair-reflects-on-40-years-with-the-exorcist-for-fearnet-s-february-17th-five-film-marathon/ (February 16, 2013)

People, Family, Imagination, Thinking

“I writhe when I see myself on the screen. I'm such a dreadfully clumsy hulking image. I say to myself, "Why doesn't he get off? Why doesn't he get off?" I mean, I look like such an idiot. Some fat awkward thing dredged up from some third-rate drama company. I must stop thinking about it, otherwise I shan't be able to go on working. ”

Peter Sellers (1925–1980) British film actor, comedian and singer

Mr. Strangelove (1999)

Thinking

“One of the satisfactions of fiction, or drama, or poetry from the perpetrator’s point of view is the selective order it imposes upon the confusion of a lived life; out of the daily welter of sensation and impression these few verbal artifacts, these narratives or poems, are salvaged and carefully presented.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Writers on Themselves (1986)

Life

“Evidently one cannot look for long at the Last Supper without ceasing to study it as a composition, and beginning to speak of it as a drama. It is the most literary of all great pictures, one of the few of which the effect may largely be conveyed — can even be enhanced — by description.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: Leonardo da Vinci (1939), Ch. Five: 1485-1496

Study

“The earth, he'd say, is just a big machine. A big processing plant. A factory. That's your big answer. The big truth. Think of a rock polisher, one of those drums, goes round and round, rolls twenty-four/seven, full of water and rocks and gravel. Grinding it all up. Round and round. Polishing those ugly rocks into gemstones. That's the earth. Why it goes round. We're the rocks. And what happens to us--the drama and pain and joy and war and sickness and victory and abuse--why, that's just the water and sand to erode us. Grind us down. To polish us up, nice and bright.”

Chuck Palahniuk book Haunted

Source: Haunted (2005), Chapter 6

Pain, War, Truth, Thinking

“So one time for my disillusioned artists, I hear ya
Two times for the kid that air-guitars in the mirror
Three times for the 9-to-5-in' bus ridin' dudes
And four times for my dreamers, yo I'm just like you
That's why I sing for my queens with their own pair of wings
My brothers flyin' beside me, drama behind me
Mama tried to find me, she inquired emphatically
I was in the sky with all these other ghetto kids, defying gravity, uh”

Danny! (1983) American rapper

"Fly, Pt. 2"
Albums, Danny Is Dead (2007)

Singing, Time

“The tenement – the name derives from a fifteenth-century legal term for a multiple dwelling – always seemed to me a “ship afloat in concrete.” After all didn’t the building carry passengers on a voyage through life? No. 55 sat at the corner of Dropsie avenue near the elevated train, or the elevated as we called it in those days. It was a treasure house of stories that illustrated tenement life as I remembered it, stories that needed to be told before they faded from memory. Within its “railroad flats,” with rooms strung together train-like lived low-paid city employees or laborers and their turbulent families. Most were recent immigrants, intent n their own survival. They kept busy raising children and dreaming of the better lie they knew existed “uptown.” Hallways were filled with a rich stew of cooking aromas, sounds of arguments and the tinny wail from Victrolas. What community spirit there was stemmed from the common hostility of tenants to the landlord or his surrogate superintendent. Typically, the buildings tenants came and went with regularity, depending on the vagaries of their fortunes But many remained for a lifetime, imprisoned by poverty or old age. There was no real privacy or anonymity. Everybody knew about everybody. Human dramas, both good and bad, instantly gathered witness like ants swarming around a piece of dropped food. From window to window or on the stoop below, the tenants analyzed, evaluated and critiqued each happening, following an obligatory admission that it was really none of their business.”

Will Eisner (1917–2005) American cartoonist

XV-XVI, December 2004
A Contract With God (2004)

Life, Hostility, Children, Lie

“And at that point, too, in Buddhist India as in Babylon, in Rome as in our own cities, a man's choice of the woman who is to be, not mother of his children as amongst peasants and primitives, but his own "companion for life", becomes a problem of mentalities. The Ibsen marriage appears, the "higher spiritual affinity" in which both parties are "free"—free, that is, as intelligences, free from the plantlike urge of the blood to continue itself, and it becomes possible for a Shaw to say "that unless Woman repudiates her womanliness, her duty to her husband, to her children, to society, to the law, and to everyone but herself, she cannot emancipate herself." The primary woman, the peasant woman, is mother. The whole vocation towards which she has yearned from childhood is included in that one word. But now emerges the Ibsen woman, the comrade, the heroine of a whole megalopolitan literature from Northern drama to Parisian novel. Instead of children, she has soul-conflicts; marriage is a craft-art for the achievement of "mutual understanding"….
At this level all Civilizations enter upon a stage, which lasts for centuries, of appalling depopulation. The whole pyramid of cultural man vanishes. It crumbles from the summit, first the world-cities, then the provincial forms, and finally the land itself, whose best blood has incontinently poured into the towns, merely to bolster them up awhile. At the last, only the primitive blood remains, alive, but robbed of its strongest and most promising elements. This residue is the Fellah type.
If anything has demonstrated the fact that Causality has nothing to do with history, it is the familiar "decline" of the Classical, which accomplished itself long before the irruption of Germanic migrants. The Imperium enjoyed the completest peace; it was rich and highly developed; it was well organized; and it possessed in its emperors from Nerva to Marcus Aurelius a series of rulers such as the Caesarism of no other Civilization can show. And yet the population dwindled, quickly and wholesale. The desperate marriage-and-children laws of Augustus—amongst them the Lex de maritandis ordinibus, which dismayed Roman society more than the destruction of Varus's legions—the wholesale adoptions, the incessant plantation of soldiers of barbarian origin to fill the depleted country-side, the immense food-charities of Nerva and Trajan for the children of poor parents—nothing availed to check the process.”

Oswald Spengler book The Decline of the West

Vol. II, Alfred A. Knopf, 1928, pp. 104–06 https://archive.org/stream/Decline-Of-The-West-Oswald-Spengler/Decline_Of_The_West#page/n573/mode/2up/search/depopulation The Decline of the West (1918, 1923)

Life, Marriage, Children, World

“As poets we do not ask permission before we begin to practise, for there is no authority to license us. We do not inquire whether it is still possible to pen a drama, for the answer to that question is ours alone to give. It is our drama, spoken or sung, that asserts our right to the title of poet. It is our decision that counts, and not the opinion of some theatre management, or the ponderings of the critic, or even the advice of our friendliest mentors.”

James Fenton (1949) poet

Source: An Introduction to English Poetry (2002), Ch. 22: Poetic Drama and Opera (p. 125)

Question, Decision

“For what are we interrupted? For the grandest dramas and the greatest joys, … for true loves, for desperate needs … If you are a moral being, you will have done well to be a being who has broken off, one who has stopped.”

Laurie Zoloth (1950) American ethicist

"Interrupting Your Life: An Ethics for the Coming Storm" (2014)

Love, Joy