“.. the personification of the close-up detail, the individualisation of the fragment, where the drama takes shape, moves and have it being. Film concurs with this aspect for life. The hand is a multiple, transformable object. Before I saw it in a film, I did not know what a hand was! The object in itself is capable of becoming an absolute, moving, tragic thing.”

— Fernand Léger

Quote from: 'L'ésthetique de la Machine - l'Ordre Géometrique et le Vrai', in Propos d’Artistes, 1925
Quotes of Fernand Leger, 1920's

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Fernand Léger42

French painter 1881–1955

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“I myself have employed the close-up, which is the cinema's only real invention. The fragment of the object has also been of use to me; by isolating it you personalize it. All this work has led me to regard the phenomenon of objectivity as a new and highly contemporary value in itself”

Fernand Léger (1881–1955) French painter

quote of c. 1927
Quote in 'Autour de Ballet Méchanique', as quoted in Fernand Léger – The Later Years -, catalogue ed. Nicolas Serota; published by the Trustees of the Whitechapel Art gallery, London, Prestel Verlag, 1988, pp. 21-22
Quotes of Fernand Leger, 1920's

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Hays translation
V, 19
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“The lover is moved by the beloved object as the senses are by sensual objects; and they unite and become one and the same thing. The work is the first thing born of this union; if the thing loved is base the lover becomes base.”

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Or anything to do with war, which is real and can happen, and unfortunately, no doubt, will happen again some time. But the films that dear Christopher Lee and I do are really fantasy. And I think fantasy is a better adjective to use. I don’t object to the term horror, it’s just the wrong adjective! <br class="br"> Peter Cushing Interview 1973 http://www.bbc.co.uk/programmes/p048plh0 (1973)

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https://www.theguardian.com/film/2005/apr/28/hayfilmfestival2005.guardianhayfestival

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