
The castle of Kmita and Lubomirski at Wiśnicz Nowy, "Aura" 2, 1991-02, p. 18-20. http://agro.icm.edu.pl/agro/element/bwmeta1.element.agro-bd5a073d-07bd-4353-9edc-6bf8ea3d43c5?q=de70f1df-826d-4538-9cee-535aa9902521$5&qt=IN_PAGE
A collection of quotes on the topic of detail, use, work, working.
The castle of Kmita and Lubomirski at Wiśnicz Nowy, "Aura" 2, 1991-02, p. 18-20. http://agro.icm.edu.pl/agro/element/bwmeta1.element.agro-bd5a073d-07bd-4353-9edc-6bf8ea3d43c5?q=de70f1df-826d-4538-9cee-535aa9902521$5&qt=IN_PAGE
“Be stubborn on the vision, but flexible on the details.”
Alex Jones: The "Justin Biebler" Rant https://www.youtube.com/watch?v=VDMB0KyhPN8, 21 February 2011.
2011
2010s
“You can't think of the global and close your eyes to the details.”
Zelensky’s speech at the UN General Assembly https://www.president.gov.ua/en/news/vistup-prezidenta-ukrayini-volodimira-zelenskogo-na-zagalnih-57477 (25 September 2019)
Letter to Juana Gratia (1857)
“The outstanding, unmistakable mark of Dickens's writing is the unnecessary detail.”
"Charles Dickens" (1939)
Charles Dickens (1939)
God and the State (1871; publ. 1882)
Context: I bow before the authority of special men because it is imposed upon me by my own reason. I am conscious of my inability to grasp, in all its details and positive developments, any very large portion of human knowledge. The greatest intelligence would not be equal to a comprehension of the whole. Thence results, for science as well as for industry, the necessity of the division and association of labor. I receive and I give — such is human life. Each directs and is directed in his turn. Therefore there is no fixed and constant authority, but a continual exchange of mutual, temporary, and, above all, voluntary authority and subordination.
About "Leaf by Niggle", in a letter to Caroline Everett (24 June 1957)
Context: I should say that, in addition to my tree-love (it was originally called The Tree), it arose from my own pre-occupation with the Lord of the Rings, the knowledge that it would be finished in great detail or not at all, and the fear (near certainty) that it would be 'not at all'. The war had arisen to darken all horizons. But no such analyses are a complete explanation even of a short story...
Source: "Can Socialists Be Happy?" https://www.orwellfoundation.com/the-orwell-foundation/orwell/essays-and-other-works/can-socialists-be-happy/, Tribune (20 December 1943). Published under the name ‘John Freeman’.
“Our life is frittered away by detail. Simplify, simplify.”
Variant: Our life is frittered away by detail. Simplify, simplify.
Source: Walden and Other Writings
“The special quality of hell is to see everything clearly down to the last detail.”
Source: The Temple of the Golden Pavilion
“Details make perfection, and perfection is not a detail.”
Source: My Name is Red
Même au point de vue des plus insignifiantes choses de la vie, nous ne sommes pas un tout matériellement constitué, identique pour tout le monde et dont chacun n'a qu'à aller prendre connaissance comme d'un cahier des charges ou d'un testament; notre personnalité sociale est une création de la pensée des autres.
"Overture"
In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol I: Swann's Way (1913)
Tutankhamen and the Glint of Gold http://www.fathom.com/feature/190166/index.html
Diary, 26 November 1922.
Source: Reflections and Maxims (1746), p. 178.
Source: The Limits of State Action (1792), Ch. 16
The Perfect Way in Diet (London: Kegan Paul, Trench & Co., 1881), pp. 13 https://archive.org/stream/perfectwayindie00kinggoog#page/n34-14.
1860s, Second Inaugural Address (1865)
“The details are not the details. These make the design.”
Attributed to Charles Eames in: Garrett, Jesse James. "The Elements of User Experience." Diagram retrieved January (2004).
Alternative: The details are not the details. The details make the product.
Source: Culture and Value (1980), p. 56e
Letter to Christoffer Hansteen (1826) as quoted by Øystein Ore, Niels Henrik Abel: Mathematician Extraordinary (1957) & in part by Morris Kline, Mathematical Thought from Ancient to Modern Times (1972) citing Œuvres, 2, 263-65
"The Private Production of Defense" http://www.mises.org/journals/scholar/Hoppe.pdf (15 June 1999)
1910s, Address to the Knights of Columbus (1915)
Paolo Padillo, "A Traviata of Note: Teatro Lirico d'Europa". Opera - L (March, 2004) http://listserv.cuny.edu/Scripts/wa.exe?A2=ind0403d&L=opera-l&F=&S=&P=15287
Fabio: confessions of the original male supermodel https://www.theguardian.com/fashion/2015/jul/15/fabio-confessions-original-male-supermodel (July 15, 2015)
Letter to C.L. Moore (August 1936), quoted in "H.P. Lovecraft, a Life" by S.T. Joshi, p. 574
Non-Fiction, Letters
The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
Concepts
Ohlin’s application to the Royal Academy of Sciences, January 30, 1922; Translation by Rolf G. H. Henriksson in "Eureka unter den Linden" in: Bertil Ohlin: A Centennial Celebration, 1899-1999, p. 129.
1920s
Source: "Money and Finance in the Macro-Economic Process" (1982), p. 12
Other
Quoted in "The Devil's Disciples: Hitler's Inner Circle" - Page 807 - by Anthony Read - History - 2004.
Robert Burns Woodward, "Art and Science in the Synthesis of Organic Compounds: Retrospect and Prospect," in Pointers and Pathways in Research (Bombay:CIBA of India, 1963).
Unpublished (and probably unsent) letter to the Providence Journal (13 April 1934), quoted in Collected Essays, Volume 5: Philosophy, edited by J. T. Joshi, pp. 115-116
Non-Fiction, Letters
Letter to his wife, reprinted in Rilke’s Letters on Cézanne (1952, trans. 1985). (October 21, 1907)
Rilke's Letters
Speaking to western journalists and academics in Sochi for the first time since the Georgia crisis began. (September 2008) http://www.guardian.co.uk/world/2008/sep/12/putin.georgia
2006- 2010
The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade
Quote from a speech of Ferdinand Hodler: 'The artist's mission' (held in Freibourg in 1897), first published in 1923 in Zurich; as cited by Paul Westheim in Confessions of Artists - Letters, Memoirs and Observations of Contemporary Artists, Propyläen Publishing House, Berlin, 1925
"Some Notes on Interplanetary Fiction", Californian 3, No. 3 (Winter 1935): 39-42. Published in Collected Essays, Volume 2: Literary Criticism edited by S. T. Joshi, p. 178
Non-Fiction
Henry Ford and Samuel Crowther (1930). Edison as I Know Him. Cosmopolitan Book Company. p. 15
Letter to Elizabeth Toldridge (8 March 1929), in Selected Letters II, 1925-1929 edited by August Derleth and Donald Wandrei, p. 316
Non-Fiction, Letters
Source: 1910s, Introduction to Mathematical Philosophy (1919), Ch. 18: Mathematics and Logic
Letter to Mathilde Mayer, July 16, 1878, cited in Karl Jaspers, Nietzsche (Baltimore: 1997), p. 46
Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.86
As quoted in MarilynManson.com (6 February 1999).
1990s
1860s, Speech to Germans at Cincinnati, Ohio (1861), Commercial version
Herbart (1982b, p. 22), as cited in: Norbert Hilgenheger, "Johann Friedrich Herbart (1776-1841)." Kwartalnik Pedagogiczny 3-4 (1999): 5-26.
As quoted in: Anis Chowdhury, Colin Kirkpatrick (2003) Development Policy and Planning: An Introduction to Models http://books.google.com/books?id=dv7eEUpkwsMC&pg=PA6. p. 6
"The Use of Models: Experience," 1969
1977 interview https://www.youtube.com/watch?v=AEWsxCrMM1U in Pitkin County Prison, Colorado
The Human group, 1950
Source: 1960s, Continuities in Cultural Evolution (1964), p. 338
Preface to the Second Edition (December 1869).
Faraday as a Discoverer (1868)
Context: The experimental researches of Faraday are so voluminous, their descriptions are so detailed, and their wealth of illustration is so great, as to render it a heavy labour to master them. The multiplication of proofs, necessary and interesting when the new truths had to be established, are however less needful now when these truths have become household words in science.
“Nature can afford to be prodigal in everything, the artist must be frugal down to the last detail.”
Diary entry (Munich, 1909), # 857, in The Diaries of Paul Klee, 1898-1918; University of California Press, 1968, p. 236
1903 - 1910
Context: Nature can afford to be prodigal in everything, the artist must be frugal down to the last detail.
Nature is garrulous to the point of confusion, let the artist be truly taciturn.
Source: Alone (1938), Ch. 6
Context: When a man achieves a fair measure of harmony within himself and his family circle, he achieves peace; and a nation made up of such individuals and groups is a happy nation. As the harmony of a star in its course is expressed by rhythm and grace, so the harmony of a man's life-course is expressed by happiness; this, I believe, is the prime desire of mankind.
"The universe is an almost untouched reservoir of significance and value," and man need not be discouraged because he cannot fathom it. His view of life is no more than a flash in time. The details and distractions are infinite. It is only natural, therefore, that we should never see the picture whole. But the universal goal — the attainment of harmony — is apparent. The very act of perceiving this goal and striving constantly toward it does much in itself to bring us closer, and therefore, becomes an end in itself.
“These things cannot be explained in detail. From one thing, know ten thousand things.”
Go Rin No Sho (1645), The Ground Book
Context: These things cannot be explained in detail. From one thing, know ten thousand things. When you attain the Way of strategy there will not be one thing you cannot see. You must study hard.
Source: The Dream of a Ridiculous Man (1877), IV
Context: Oh, everyone laughs in my face now, and assures me that one cannot dream of such details as I am telling now, that I only dreamed or felt one sensation that arose in my heart in delirium and made up the details myself when I woke up. And when I told them that perhaps it really was so, my God, how they shouted with laughter in my face, and what mirth I caused! Oh, yes, of course I was overcome by the mere sensation of my dream, and that was all that was preserved in my cruelly wounded heart; but the actual forms and images of my dream, that is, the very ones I really saw at the very time of my dream, were filled with such harmony, were so lovely and enchanting and were so actual, that on awakening I was, of course, incapable of clothing them in our poor language, so that they were bound to become blurred in my mind; and so perhaps I really was forced afterwards to make up the details, and so of course to distort them in my passionate desire to convey some at least of them as quickly as I could. But on the other hand, how can I help believing that it was all true? It was perhaps a thousand times brighter, happier and more joyful than I describe it. Granted that I dreamed it, yet it must have been real. You know, I will tell you a secret: perhaps it was not a dream at all!
Book I, 1098a-b; §7 as translated by W. D. Ross
Nicomachean Ethics
Context: Let this serve as an outline of the good; for we must presumably first sketch it roughly, and then later fill in the details. But it would seem that any one is capable of carrying on and articulating what has once been well outlined, and that time is a good discoverer or partner in such a work; to which facts the advances of the arts are due; for any one can add what is lacking. And we must also remember what has been said before, and not look for precision in all things alike, but in each class of things such precision as accords with the subject-matter, and so much as is appropriate to the inquiry. For a carpenter and a geometer investigate the right angle in different ways; the former does so in so far as the right angle is useful for his work, while the latter inquires what it is or what sort of thing it is; for he is a spectator of the truth. We must act in the same way, then, in all other matters as well, that our main task may not be subordinated to minor questions. Nor must we demand the cause in all matters alike; it is enough in some cases that the fact be well established, as in the case of the first principles; the fact is the primary thing or first principle. Now of first principles we see some by induction, some by perception, some by a certain habituation, and others too in other ways. But each set of principles we must try to investigate in the natural way, and we must take pains to state them definitely, since they have a great influence on what follows. For the beginning is thought to be more than half of the whole, and many of the questions we ask are cleared up by it.
Source: Howards End (1910), Ch. 11
Context: He remembered his wife's even goodness during thirty years. Not anything in detail — not courtship or early raptures —but just the unvarying virtue, that seemed to him a woman's noblest quality. So many women are capricious, breaking into odd flaws of passion or frivolity. Not so his wife. Year after year, summer and winter, as bride and mother, she had been the same, he had always trusted her. Her tenderness! Her innocence! The wonderful innocence that was hers by the gift of God. Ruth knew no more of worldly wickedness and wisdom than did the flowers in her garden, or the grass in her field. Her idea of business — "Henry, why do people who have enough money try to get more money?" Her idea of politics — "I am sure that if the mothers of various nations could meet, there would be no more wars," Her idea of religion — ah, this had been a cloud, but a cloud that passed. She came of Quaker stock, and he and his family, formerly Dissenters, were now members of the Church of England. The rector's sermons had at first repelled her, and she had expressed a desire for "a more inward light," adding, "not so much for myself as for baby" (Charles). Inward light must have been granted, for he heard no complaints in later years. They brought up their three children without dispute. They had never disputed.
She lay under the earth now. She had gone, and as if to make her going the more bitter, had gone with a touch of mystery that was all unlike her.
" TO THE PRESIDENT OF CONGRESS." in a letter to Thomas Mifflin (17 JUNE 1783); published in The Writings of George Washington (1938), edited by John C. Fitzpatrick, Vol. 26, p. 294
1780s
As quoted in Grey Wolf: Mustafa Kemal – An intimate study of a dictator (1932) by Harold Courtenay Armstrong, pp. 199-200
Disputed
Soviet Russia: Some Random Sketches and Impressions (1949)