Quotes about detail

A collection of quotes on the topic of detail, use, work, working.

Quotes about detail

Marek Żukow-Karczewski photo

“The history of the castle at Wiśnicz Nowy is enlivened by many legends. Many well-known artists visited the castle in centuries past. Till now, many elements of old architecture (towers, chapel) have survived, together with some details of interior design.”

Marek Żukow-Karczewski (1961) Polish historian, journalist and opinion journalist

The castle of Kmita and Lubomirski at Wiśnicz Nowy, "Aura" 2, 1991-02, p. 18-20. http://agro.icm.edu.pl/agro/element/bwmeta1.element.agro-bd5a073d-07bd-4353-9edc-6bf8ea3d43c5?q=de70f1df-826d-4538-9cee-535aa9902521$5&qt=IN_PAGE

Harriet Beecher Stowe photo
Arthur Conan Doyle photo
George Orwell photo
Georgia O'Keeffe photo
George Orwell photo
Jeff Bezos photo

“Be stubborn on the vision, but flexible on the details.”

Jeff Bezos (1964) American entrepreneur, founder and CEO of Amazon.com, Inc.
Alex Jones photo

“Look, when you realize how fake it all is; the football, the basketball, the Lady Gaga, the Justin Bieber—you know, who gives you these carbon tax messages. They tell your kids they gotta love Justin Biebler [sic], and then Biebler [sic] says "hand in your guns", "pass the Cyber Security Act", and "the police state is good", and then your children are turned into a mindless vassals—who now, they look up to some twit, instead of looking up to Thomas Jefferson, or looking up to Nikola Tesla, or looking up to Magellan; I mean, kids, Magellan is a lot cooler than Justin Bieber! He circumnavigated with one ship the entire planet! He was killed by wild natives before they got back to Portugal! And when they got back there was only like eleven people alive of the two hundred and something crew and the entire ship was rotting down to the waterline! That's destiny! That's will! That's striving! That's being a trailblazer and explore! Going into space! Mathematics! Quantum mechanics! The secrets of the universe! It's all there! Life is fiery with its beauty! Its incredible detail! Tuning into it! They wanna shutter your mind, talking about Justin Bieber! It's pure evil! They're taking your intellect, your soul, and giving you Michael Jordan and Bieber. Unlock your human potential! Defeat the globalists who wanna shutter your mind!—Your doorways to perception!—I wanna see you truly live! I wanna see you truly be who you are!”

Alex Jones (1974) American radio host, author, conspiracy theorist and filmmaker

Alex Jones: The "Justin Biebler" Rant https://www.youtube.com/watch?v=VDMB0KyhPN8, 21 February 2011.
2011

Alfred Freddy Krupa photo
Volodymyr Zelensky photo

“You can't think of the global and close your eyes to the details.”

Volodymyr Zelensky (1978) 6th President of Ukraine

Zelensky’s speech at the UN General Assembly https://www.president.gov.ua/en/news/vistup-prezidenta-ukrayini-volodimira-zelenskogo-na-zagalnih-57477 (25 September 2019)

Cassandra Clare photo
Ernest Hemingway photo
George Orwell photo
Franz Kafka photo
George Orwell photo
Marvin Minsky photo
Francisco Palau photo
Andrea Dworkin photo
Henry Dunant photo
George Orwell photo

“The outstanding, unmistakable mark of Dickens's writing is the unnecessary detail.”

George Orwell (1903–1950) English author and journalist

"Charles Dickens" (1939)
Charles Dickens (1939)

Mikhail Bakunin photo

“I bow before the authority of special men because it is imposed upon me by my own reason. I am conscious of my inability to grasp, in all its details and positive developments, any very large portion of human knowledge.”

God and the State (1871; publ. 1882)
Context: I bow before the authority of special men because it is imposed upon me by my own reason. I am conscious of my inability to grasp, in all its details and positive developments, any very large portion of human knowledge. The greatest intelligence would not be equal to a comprehension of the whole. Thence results, for science as well as for industry, the necessity of the division and association of labor. I receive and I give — such is human life. Each directs and is directed in his turn. Therefore there is no fixed and constant authority, but a continual exchange of mutual, temporary, and, above all, voluntary authority and subordination.

John Ronald Reuel Tolkien photo

“I should say that, in addition to my tree-love (it was originally called The Tree), it arose from my own pre-occupation with the Lord of the Rings, the knowledge that it would be finished in great detail or not at all, and the fear (near certainty) that it would be 'not at all'.”

About "Leaf by Niggle", in a letter to Caroline Everett (24 June 1957)
Context: I should say that, in addition to my tree-love (it was originally called The Tree), it arose from my own pre-occupation with the Lord of the Rings, the knowledge that it would be finished in great detail or not at all, and the fear (near certainty) that it would be 'not at all'. The war had arisen to darken all horizons. But no such analyses are a complete explanation even of a short story...

George Orwell photo
Massimo Vignelli photo
Henry David Thoreau photo

“Our life is frittered away by detail. Simplify, simplify.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

Variant: Our life is frittered away by detail. Simplify, simplify.
Source: Walden and Other Writings

Yukio Mishima photo
Orhan Pamuk photo
Emil M. Cioran photo
Tamora Pierce photo

“If you've a story, make sure it's a whole one, with details close to hand. It's the difference between a good lie and getting caught.”

Tamora Pierce (1954) American writer of fantasy novels for children

Source: Trickster's Choice

Edward St. Aubyn photo
Tennessee Williams photo

“The scene is memory and is therefore nonrealistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart.”

Variant: Memory takes a lot of poetic licence. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart. The interior is therefore rather dim and poetic.
Source: The Glass Menagerie

Douglas Adams photo
Oscar Wilde photo
Marcel Proust photo

“Even in the most insignificant details of our daily life, none of us can be said to constitute a material whole, which is identical for everyone, and need only be turned up like a page in an account-book or the record of a will; our social personality is created by the thoughts of other people.”

Même au point de vue des plus insignifiantes choses de la vie, nous ne sommes pas un tout matériellement constitué, identique pour tout le monde et dont chacun n'a qu'à aller prendre connaissance comme d'un cahier des charges ou d'un testament; notre personnalité sociale est une création de la pensée des autres.
"Overture"
In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol I: Swann's Way (1913)

Howard Carter photo
Terry Pratchett photo
Luc de Clapiers, Marquis de Vauvenargues photo
Wilhelm Von Humboldt photo

“The legislator should keep two things constantly before his eyes:
1. The pure theory developed to its minutest details;
2. The particular condition of actual things which he designs to reform.”

Wilhelm Von Humboldt (1767–1835) German (Prussian) philosopher, government functionary, diplomat, and founder of the University of Berlin

Source: The Limits of State Action (1792), Ch. 16

Anna Kingsford photo

“How many times, for instance, have we not heard people speak with all the authority of conviction about the "canine teeth" and "simple stomach" of man, as certain evidence of his natural adaptation for a flesh diet! At least we have demonstrated one fact; that if such arguments are valid, they apply with even greater force to the anthropoid apes—whose "canine" teeth are much longer and more powerful than those of man … And yet, with the solitary exception of man, there is not one of these last which does not in a natural condition absolutely refuse to feed on flesh! M. Pouchet observes that all the details of the digestive apparatus in man, as well as his dentition, constitute "so many proofs of his frugivorous origin"—an opinion shared by Professor Owen, who remarks that the anthropoids and all the quadrumana derive their alimentation from fruits, grains, and other succulent and nutritive vegetable substances, and that the strict analogy which exists between the structure of these animals and that of man clearly demonstrates his frugivorous nature. This is also the view taken by Cuvier, Linnæus, Professor Lawrence, Charles Bell, Gassendi, Flourens, and a great number of other eminent writers.”

Anna Kingsford (1846–1888) English physician, activist and feminist

The Perfect Way in Diet (London: Kegan Paul, Trench & Co., 1881), pp. 13 https://archive.org/stream/perfectwayindie00kinggoog#page/n34-14.

Abraham Lincoln photo

“The details are not the details. These make the design.”

Charles Eames (1907–1978) American designer, half of duo the Eames

Attributed to Charles Eames in: Garrett, Jesse James. "The Elements of User Experience." Diagram retrieved January (2004).
Alternative: The details are not the details. The details make the product.

Ludwig Wittgenstein photo

“I am showing my pupils details of an immense landscape which they cannot possibly know their way around.”

Ludwig Wittgenstein (1889–1951) Austrian-British philosopher

Source: Culture and Value (1980), p. 56e

Niels Henrik Abel photo

“My work in the future must be devoted entirely to pure mathematics in its abstract meaning. I shall apply all my strength to bring more light into the tremendous obscurity which one unquestionably finds in analysis. It lacks so completely all plan and system that it is peculiar that so many have studied it. The worst of it is, it has never been treated stringently. There are very few theorems in advanced analysis which have been demonstrated in a logically tenable manner. Everywhere one finds this miserable way of concluding from the special to the general, and it is extremely peculiar that such a procedure has led to do few of the so-called paradoxes. It is really interesting to seek the cause.
In analysis, one is largely occupied by functions which can be expressed as powers. As soon as other powers enter—this, however, is not often the case—then it does not work any more and a number of connected, incorrect theorems arise from false conclusions. I have examined several of them, and been so fortunate as to make this clear. …I have had to be extremely cautious, for the presumed theorems without strict proof… had taken such a stronghold in me, that I was continually in danger of using them without detailed verification.”

Niels Henrik Abel (1802–1829) Norwegian mathematician

Letter to Christoffer Hansteen (1826) as quoted by Øystein Ore, Niels Henrik Abel: Mathematician Extraordinary (1957) & in part by Morris Kline, Mathematical Thought from Ancient to Modern Times (1972) citing Œuvres, 2, 263-65

Hans-Hermann Hoppe photo

“According to the pronouncements of our state rulers and their intellectual bodyguards (of whom there are more than ever before), we are better protected and more secure than ever. We are supposedly protected from global warming and cooling, from the extinction of animals and plants, from the abuses of husbands and wives, parents and employers, from poverty, disease, disaster, ignorance, prejudice, racism, sexism, homophobia, and countless other public enemies and dangers. In fact, however, matters are strikingly different. In order to provide us with all this protection, the state managers expropriate more than 40 percent of the incomes of private producers year in and year out. Government debt and liabilities have increased without interruption, thus increasing the need for future expropriations. Owing to the substitution of government paper money for gold, financial insecurity has increased sharply, and we are continually robbed through currency depreciation. Every detail of private life, property, trade, and contract is regulated by ever higher mountains of laws legislation), thereby creating permanent legal uncertainty and moral hazard. In particular, we have been gradually stripped of the right to exclusion implied in the very concept of private property. … In short, the more the state has increased its expenditures on social security and public safety, the more our private property rights have been eroded, the more our property has been expropriated, confiscated, destroyed, or depreciated, and the more we have been deprived of the very foundation of all protection: economic independence, financial strength, and personal wealth.”

Hans-Hermann Hoppe (1949) Austrian school economist and libertarian anarcho-capitalist philosopher

"The Private Production of Defense" http://www.mises.org/journals/scholar/Hoppe.pdf (15 June 1999)

Theodore Roosevelt photo
Vytautas Juozapaitis photo
Fabio Lanzoni photo
H.P. Lovecraft photo
Leonardo Da Vinci photo
Jordan Peterson photo
Bertil Ohlin photo
James Tobin photo
Emile Zola photo
Jordan Peterson photo
Clement of Alexandria photo
Adolf Galland photo
Robert Burns Woodward photo
H.P. Lovecraft photo

“We know today that nothing will restore the pre-machine condition of reasonably universal employment save an artificial allocation of working hours involving the use of more men than formerly to perform a given task.... The primary function of society, in spite of all the sophistries spurred of selfishness, is to give men better conditions than they could get without it; and the basic need today is jobs for all—not for "property" for a few of the luck and the acquisitive.... In view of the urgent need for change, there is something almost obscene in the chatter of the selfish about various psychological evils allegedly inherent in a New Deal promising decent economic security and humane leisure for all instead of for a few.... What is worth answering is the kindred outcry about "regimentation", "collective slavery", "violation of Anglo-Saxon freedom", "destruction of the right of the individual to make his own way" and so on; with liberal references to Stalin, Hitler, Mustapha Kemal, and other extremist dictators who have sought to control men's personal, intellectual, and artistic lives, and traditional habits and folkways, as well as their economic fortunes. Naturally the Anglo-Saxon balks at any programme calculated to limit his freedom as a man and a thinker or to disturb his inherited perspectives and daily customs—and need we say that no plan ever proposed in an Anglo-Saxon country would conceivably seek to limit such freedom or disturb such perspectives and customs? Here we have a deliberate smoke-screen—conscious and malicious confusion of terms. A decent planned society would indeed vary to some extent the existing regulations (for there are such) governing commercial and economic life. Yet who save a self-confessed Philistine or Marxist (the plutocrat can cite "Das Kapital" for his purpose!) would claim that the details and conditions of our merely economic activities form more than a trivial fraction of our whole lives and personalities? That which is essential and distinctive about a man is not the routine of material struggle he follows in his office; but the civilised way he lives, outside his office, the life whose maintenance is the object of his struggle. So long as his office work gains him a decently abundant and undisputedly free life, it matters little what that work is—what the ownership of the enterprise, and what and how distributed its profits, if profits there be. We have seen that no system proposes to deny skill and diligence an adequate remuneration. What more may skill and diligence legitimately ask? Nor is any lessening in the pride of achievement contemplated. Man will thrill just as much at the overcoming of vast obstacles, and the construction of great works, whether his deeds be performed for service or for profit. As it is, the greatest human achievements have never been for profit. Would Keats or Newton or Lucretius or Einstein or Santayana flourish less under a rationally planned society? Any intimation that a man's life is wholly his industrial life, and that a planned economic order means a suppression of his personality, is really both a piece of crass ignorance and an insult to human nature. Incidentally, it is curious that no one has yet pointed to the drastically regulated economic life of the early Mass. Bay colony as something "American!"”

H.P. Lovecraft (1890–1937) American author

Unpublished (and probably unsent) letter to the Providence Journal (13 April 1934), quoted in Collected Essays, Volume 5: Philosophy, edited by J. T. Joshi, pp. 115-116
Non-Fiction, Letters

Rainer Maria Rilke photo
Vladimir Putin photo
Leonardo Da Vinci photo
Sally Ride photo
Ferdinand Hodler photo

“The artist's mission is to give shape to what is eternal in nature, to reveal its inherent beauty; he sublimates the shapes of the human body. He shows an enlarged and simplified nature, liberated from all the details, which do not tell us anything. He shows us a work according to the size of his own experience, of his heart and his spirit.”

Ferdinand Hodler (1853–1918) Swiss artist

Quote from a speech of Ferdinand Hodler: 'The artist's mission' (held in Freibourg in 1897), first published in 1923 in Zurich; as cited by Paul Westheim in Confessions of Artists - Letters, Memoirs and Observations of Contemporary Artists, Propyläen Publishing House, Berlin, 1925

Maria Callas photo

“[Serafin was] an extraordinary coach, sharp as a vecchio lupo [old wolfe]. He opened a world to me, showed me there was a reason for everything, that even fiorature and trills… have a reason in the composer's mind, that they are the expression of the stato d'animo [state of mind] of the character — that is, the way he feels at the moment, the passing emotions that take hold of him. He would coach us for every little detail, every movement, every word, every breath. One of the things he told me — and this is the basis of bel canto — is never to attack a note from underneath or from above, but always to prepare it in the face. He taught me that pauses are often more important than the music. He explained that there was a rhythm — these are the things you get only from that man! — a measure for the human ear, and that if a note was too long, it was no good after a while. A fermata always must be measured, and if there are two fermate close to one another in the score, you ignore one of them. He taught me the proportions of recitative — how it is elastic, the proportions altering so slightly that only you can understand it…. But in performance he left you on your own. "When I am in the pit, I am there to serve you, because I have to save my performance." he would say. We would look down and feel we had a friend there. He was helping you all the way. He would mouth all the words. If you were not well, he would speed up the tempo, and if you were in top form, he would slow it down to let you breathe, to give you room. He was breathing with you, living the music with you, loving it with you. It was elastic, growing, living.”

Maria Callas (1923–1977) American-born Greek operatic soprano

Callas : The Art and the Life (1974)

H.P. Lovecraft photo

“Inconceivable events and conditions form a class apart from all other story elements, and cannot be made convincing by any mere process of casual narration. They have the handicap of incredibility to overcome; and this can be accomplished only through a careful realism in every other phase of the story, plus a gradual atmospheric or emotional build-up of the utmost subtlety. The emphasis, too, must be kept right—hovering always over the wonder of the central abnormality itself. It must be remembered that any violation of what we know as natural law is in itself a far more tremendous thing than any other event or feeling which could possibly affect a human being. Therefore in a story dealing with such a thing we cannot expect to create any sense of life or illusion of reality if we treat the wonder casually and have the characters moving about under ordinary motivations. The characters, though they must be natural, should be subordinated to the central marvel around which they are grouped. The true "hero" of a marvel tale is not any human being, but simply a set of phenomena. Over and above everything else should tower the stark, outrageous monstrousness of the one chosen departure from Nature. The characters should react to it as real people would react to such a thing if it were suddenly to confront them in daily life; displaying the almost soul-shattering amazement which anyone would naturally display instead of the mild, tame, quickly-passed-over emotions prescribed by cheap popular convention. Even when the wonder is one to which the characters are assumed to be used, the sense of awe, marvel, and strangeness which the reader would feel in the presence of such a thing must somehow be suggested by the author.... Atmosphere, not action, is the thing to cultivate in the wonder story. We cannot put stress on the bare events, since the unnatural extravagance of these events makes them sound hollow and absurd when thrown into too high relief. Such events, even when theoretically possible or conceivable in the future, have no counterpart or basis in existing life and human experience, hence can never form the groundwork of an adult tale. All that a marvel story can ever be, in a serious way, is a vivid picture of a certain type of human mood. The moment it tries to be anything else it becomes cheap, puerile, and unconvincing. Therefore a fantastic author should see that his prime emphasis goes into subtle suggestion—the imperceptible hints and touches of selective and associative detail which express shadings of moods and build up a vague illusion of the strange reality of the unreal—instead of into bald catalogues of incredible happenings which can have no substance or meaning apart from a sustaining cloud of colour and mood-symbolism. A serious adult story must be true to something in life. Since marvel tales cannot be true to the events of life, they must shift their emphasis toward something to which they can be true; namely, certain wistful or restless moods of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural laws.”

H.P. Lovecraft (1890–1937) American author

"Some Notes on Interplanetary Fiction", Californian 3, No. 3 (Winter 1935): 39-42. Published in Collected Essays, Volume 2: Literary Criticism edited by S. T. Joshi, p. 178
Non-Fiction

Henry Ford photo
Socrates photo

“How grievously I was disappointed! …I found my philosopher altogether forsaking mind and any other principle of order, but having recourse to air, and ether, and water, and other eccentricities. I might compare him to a person that began by maintaining generally that mind is the cause of the actions of Socrates, but who, when endeavored to explain the causes of my several actions in detail, went on to show that I sit here because my body is made up of bones and muscles; and the bones he would say, are hard and have ligaments which divide them, and the muscles are elastic, and they cover the bones, which also have a covering or environment of flesh and skin which contains them; and as the bones are lifted at their joints by the contraction or relaxation of the muscles, I am able to bend my limbs, and this is why I an sitting here in a curved posture… and he would have a similar explanation of my talking to you, which he would attribute to sound, and air, and hearing, and he would assign ten thousand other causes of the same sort, forgetting to mention the true cause, which is that Athenians have thought fit to condemn me, and accordingly I have thought it better and more right to remain here and undergo my sentence; for I am inclined to think that these muscles and bones of mine would have gone off to Megara or Boeotia… if they had been guided only by their idea of what was best, and if I had not chosen as the better and nobler part… to undergo any punishment that the State inflicts.”

Socrates (-470–-399 BC) classical Greek Athenian philosopher

Plato, Phaedo

Abraham Lincoln photo
H.P. Lovecraft photo
Bertrand Russell photo
Friedrich Nietzsche photo

“I now myself live, in every detail, striving for wisdom, while I formerly merely worshipped and idolized the wise.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Letter to Mathilde Mayer, July 16, 1878, cited in Karl Jaspers, Nietzsche (Baltimore: 1997), p. 46

Ronald Fisher photo
Max Planck photo
H.P. Lovecraft photo
Will Eisner photo

“Graves: Now…why would the elders of Zion in their protocols of world domination devote so much time to the ‘’’mundane’’’ details of financial management??”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.86

Marilyn Manson photo
H.P. Lovecraft photo
Abraham Lincoln photo
Johann Friedrich Herbart photo
Jan Tinbergen photo

“Models constitute a framework or a skeleton and the flesh and blood will have to be added by a lot of common sense and knowledge of details.”

Jan Tinbergen (1903–1994) Dutch economist

As quoted in: Anis Chowdhury, ‎Colin Kirkpatrick (2003) Development Policy and Planning: An Introduction to Models http://books.google.com/books?id=dv7eEUpkwsMC&pg=PA6. p. 6
"The Use of Models: Experience," 1969

Ted Bundy photo
Margaret Mead photo
Fernando Pessoa photo
Socrates photo
John Tyndall photo

“The experimental researches of Faraday are so voluminous, their descriptions are so detailed, and their wealth of illustration is so great, as to render it a heavy labour to master them.”

John Tyndall (1820–1893) British scientist

Preface to the Second Edition (December 1869).
Faraday as a Discoverer (1868)
Context: The experimental researches of Faraday are so voluminous, their descriptions are so detailed, and their wealth of illustration is so great, as to render it a heavy labour to master them. The multiplication of proofs, necessary and interesting when the new truths had to be established, are however less needful now when these truths have become household words in science.

Paul Klee photo

“Nature can afford to be prodigal in everything, the artist must be frugal down to the last detail.”

Paul Klee (1879–1940) German Swiss painter

Diary entry (Munich, 1909), # 857, in The Diaries of Paul Klee, 1898-1918; University of California Press, 1968, p. 236
1903 - 1910
Context: Nature can afford to be prodigal in everything, the artist must be frugal down to the last detail.
Nature is garrulous to the point of confusion, let the artist be truly taciturn.

Richard Evelyn Byrd photo

“The details and distractions are infinite. It is only natural, therefore, that we should never see the picture whole. But the universal goal — the attainment of harmony — is apparent.”

Richard Evelyn Byrd (1888–1957) Medal of Honor recipient and United States Navy officer

Source: Alone (1938), Ch. 6
Context: When a man achieves a fair measure of harmony within himself and his family circle, he achieves peace; and a nation made up of such individuals and groups is a happy nation. As the harmony of a star in its course is expressed by rhythm and grace, so the harmony of a man's life-course is expressed by happiness; this, I believe, is the prime desire of mankind.
"The universe is an almost untouched reservoir of significance and value," and man need not be discouraged because he cannot fathom it. His view of life is no more than a flash in time. The details and distractions are infinite. It is only natural, therefore, that we should never see the picture whole. But the universal goal — the attainment of harmony — is apparent. The very act of perceiving this goal and striving constantly toward it does much in itself to bring us closer, and therefore, becomes an end in itself.

Miyamoto Musashi photo

“These things cannot be explained in detail. From one thing, know ten thousand things.”

Miyamoto Musashi (1584–1645) Japanese martial artist, writer, artist

Go Rin No Sho (1645), The Ground Book
Context: These things cannot be explained in detail. From one thing, know ten thousand things. When you attain the Way of strategy there will not be one thing you cannot see. You must study hard.

Fyodor Dostoyevsky photo

“Oh, everyone laughs in my face now, and assures me that one cannot dream of such details as I am telling now”

Source: The Dream of a Ridiculous Man (1877), IV
Context: Oh, everyone laughs in my face now, and assures me that one cannot dream of such details as I am telling now, that I only dreamed or felt one sensation that arose in my heart in delirium and made up the details myself when I woke up. And when I told them that perhaps it really was so, my God, how they shouted with laughter in my face, and what mirth I caused! Oh, yes, of course I was overcome by the mere sensation of my dream, and that was all that was preserved in my cruelly wounded heart; but the actual forms and images of my dream, that is, the very ones I really saw at the very time of my dream, were filled with such harmony, were so lovely and enchanting and were so actual, that on awakening I was, of course, incapable of clothing them in our poor language, so that they were bound to become blurred in my mind; and so perhaps I really was forced afterwards to make up the details, and so of course to distort them in my passionate desire to convey some at least of them as quickly as I could. But on the other hand, how can I help believing that it was all true? It was perhaps a thousand times brighter, happier and more joyful than I describe it. Granted that I dreamed it, yet it must have been real. You know, I will tell you a secret: perhaps it was not a dream at all!

Aristotle photo

“Let this serve as an outline of the good; for we must presumably first sketch it roughly, and then later fill in the details.”

Book I, 1098a-b; §7 as translated by W. D. Ross
Nicomachean Ethics
Context: Let this serve as an outline of the good; for we must presumably first sketch it roughly, and then later fill in the details. But it would seem that any one is capable of carrying on and articulating what has once been well outlined, and that time is a good discoverer or partner in such a work; to which facts the advances of the arts are due; for any one can add what is lacking. And we must also remember what has been said before, and not look for precision in all things alike, but in each class of things such precision as accords with the subject-matter, and so much as is appropriate to the inquiry. For a carpenter and a geometer investigate the right angle in different ways; the former does so in so far as the right angle is useful for his work, while the latter inquires what it is or what sort of thing it is; for he is a spectator of the truth. We must act in the same way, then, in all other matters as well, that our main task may not be subordinated to minor questions. Nor must we demand the cause in all matters alike; it is enough in some cases that the fact be well established, as in the case of the first principles; the fact is the primary thing or first principle. Now of first principles we see some by induction, some by perception, some by a certain habituation, and others too in other ways. But each set of principles we must try to investigate in the natural way, and we must take pains to state them definitely, since they have a great influence on what follows. For the beginning is thought to be more than half of the whole, and many of the questions we ask are cleared up by it.

E.M. Forster photo

“He remembered his wife's even goodness during thirty years. Not anything in detail — not courtship or early raptures —but just the unvarying virtue, that seemed to him a woman's noblest quality.”

Source: Howards End (1910), Ch. 11
Context: He remembered his wife's even goodness during thirty years. Not anything in detail — not courtship or early raptures —but just the unvarying virtue, that seemed to him a woman's noblest quality. So many women are capricious, breaking into odd flaws of passion or frivolity. Not so his wife. Year after year, summer and winter, as bride and mother, she had been the same, he had always trusted her. Her tenderness! Her innocence! The wonderful innocence that was hers by the gift of God. Ruth knew no more of worldly wickedness and wisdom than did the flowers in her garden, or the grass in her field. Her idea of business — "Henry, why do people who have enough money try to get more money?" Her idea of politics — "I am sure that if the mothers of various nations could meet, there would be no more wars," Her idea of religion — ah, this had been a cloud, but a cloud that passed. She came of Quaker stock, and he and his family, formerly Dissenters, were now members of the Church of England. The rector's sermons had at first repelled her, and she had expressed a desire for "a more inward light," adding, "not so much for myself as for baby" (Charles). Inward light must have been granted, for he heard no complaints in later years. They brought up their three children without dispute. They had never disputed.
She lay under the earth now. She had gone, and as if to make her going the more bitter, had gone with a touch of mystery that was all unlike her.

George Washington photo
Mustafa Kemal Atatürk photo
Jawaharlal Nehru photo
Nikola Tesla photo
Choudhry Rahmat Ali photo