Quotes about depth
page 3

“With massive arsenals still on hair-trigger alert, a global holocaust is just as possible now, through mistakes or misjudgments, as it was during the depths of the Cold War.”

Jimmy Carter (1924) American politician, 39th president of the United States (in office from 1977 to 1981)

Page 141
Post-Presidency, Our Endangered Values (2005)

War

“It is not within our province to inquire by what process, and in what condition the Almighty brought matter into existence-what the space was which it occupied, or what the forms were which it assumed. Of such things we know nothing. In the depths of primeval time, the globe we inhabit may have a planetary existence, wheeling along its ethereal railway without a breathing passenger to count its periods, and without a living plant to measure the day by its opening and closing blossoms, or to mark the rolling seasons by the yearly increments of its stem. Or it may have been the theatre on which vast cycles of animal and vegetable life have been run- now its birthplace, and now its grave: But we have no data to guide us in our conjectures, and even imagination fails us if we call it to our aid. Whatever may have been, had ceased to be at the commencement of our history, when the primary rocks, forming the moten nucleus of the globe, were first exposed to the action of the elements.”

David Brewster (1781–1868) British astronomer and mathematician

Review of Vestiges (1845)

Life, Imagination, History, Time

“I did find Calypso hotdog — but only once, far in the depths of the very wildest of Canadian dark woods, near those high, cold, moss-covered swamps. … I felt as if I were in the presence of superior beings who loved me and beckoned me to come. I sat down beside them and wept for joy.”

John Muir (1838–1914) Scottish-born American naturalist and author

letter to Mrs. Ezra S. Carr (1866); published as "The Calypso Borealis, Botanical Enthusiasm" in Boston Recorder, 21 December 1866; republished in Bonnie Johanna Gisel, Kindred & Related Spirits: The Letters of John Muir and Jeanne C. Carr (2001), page 41 Muir's first published writing, concerning the orchid Calypso http://plants.usda.gov/java/profile?symbol=CABU. 1860s

Love, Joy

““The depth of creativity of the author (Mani Madhava Chakyar) is evident from the introductory Shlokas (hymns in Sanskrit) itself ”
- Dr. Prem Lata Sharma (noted Hindi writer and scholar of Indian arts and literature)”

Mani Madhava Chakyar book Nātyakalpadrumam

Nātyakalpadrumam

Art, Literature

“If only I was as eloquent as Demosthenes, I would have to do no more than repeat a single word three times. Reason is language — Logos; I gnaw on this marrowbone and will gnaw myself to death over it. It is still always dark over these depths for me: I am still always awaiting an apocalyptic angel with a key to this abyss.”

Johann Georg Hamann (1730–1788) German philosopher

Briefwechsel, ed. Arthur Henkel (Wiesbaden/Frankfurt: Insel Verlag, 1955-1975), vol. V, p. 177.

Death, Angels, Time

“In that Renaissance (Cellini, Tintoretto, Titian..) there was an explosion of unique truthfulness, a love of painting and form... Then come the Jesuits and everything is formal; everything has to be taught and learned. It required a revolution for nature to be rediscovered; for Delacroix to paint his beach at Etratat, Corot his roman rubble, Gustave Courbet his forest scenes and his waves. And how miserable slow that revolution was, how many stages it had to go through!... These artists had not yet discovered that nature has more to do with depth than with surfaces. I can tell you, you can do things to the surface.... but by going deep you automatically go to the truth. You feel a healthy need to be truthful. You'd rather strip your canvas right down than invent or imagine a detail. You want to know.”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), pp. 156-157, in: 'What he told me – I. The motif'

Love, Truth, Feeling, Imagination

“Both artists and neurotics speak and live from the subconscious and unconscious depths of their society. The artist does this positively, communicating what he experiences to his fellow men. The neurotic does this negatively.”

Rollo May book Love and Will

Source: Love and Will (1969), Ch. 1 : Introduction : Our Schizoid World, p. 21

Men, Communication

“Until this day the history of restoration has been the course of being beaten and recovering. Thus, history has been made by those who were beaten and persecuted. Go where people hate to be, and where people cry sorrowfully from the depths of their hearts. There lies the bone marrow of history.”

Sun Myung Moon (1920–2012) Korean religious leader

The Way of God's Will Chapter 1-2. The Heart of Restoration http://www.unification.net/wogw/wogw1-02.html Translated 1980.

Hate, People, History, Heart

“A little skill in antiquity inclines a man to Popery; but depth in that study brings him about again to our religion.”

Thomas Fuller (1608–1661) English churchman and historian

The True Church Antiquary. Compare: "A little philosophy inclineth man’s mind to atheism, but depth in philosophy bringeth men's minds about to religion", Francis Bacon, Of Atheism.
The Holy State and the Profane State (1642)

Religion, Study

“The more I examined my emotions, the more I was able to put that in my writing. I wanted to concentrate more on human emotions and internal feelings in the characters, inasmuch as I could in an animated cartoon show—ostensibly one for a young audience. There were times when I felt I couldn’t put the depth of feeling that I wanted to in the cartoons at that time, because it’s for kids and you have to keep it kind of upbeat. But I did it where I could. And I put it in my other work as well, when I was writing things like comics and screenplays.”

Paul Dini (1957) writer

Harley Quinn co-creator Paul Dini discusses how Batman helped him heal https://www.dailydot.com/parsec/paul-dini-batman-dark-night-harley-quinn-interview/ (June 21, 2016)

Feeling, Time, Animals

“Ah, the immortal ocean.
Consider the instructive metaphor: every conceivable terror dwells in her depths; she receives all wreckage, refuse, corruption of every kind, she pulls down into her depths human calamity indescribable; but none of this is any consideration to the sea. Let the screaming mortal passengers fight for room in the lifeboats, as the wreck belches flame and settles below the extinguishing wave; next morning she’ll still be beautiful and serene, her combers no less white, her distances as blue, her seabirds no less graceful as they wheel in the pure air. What perfection, to be so heartless. An inspiration to any lesser immortal.”

Kage Baker book The Children of the Company

Source: The Children of the Company (2005), Chapter 4, “Son Observe the Time” (p. 165)

Beauty, Fight, Perfection, Sea

“True Love in this differs from gold and clay,
That to divide is not to take away.
Love is like understanding, that grows bright,
Gazing on many truths; 'tis like thy light,
Imagination! which from earth and sky,
And from the depths of human phantasy,
As from a thousand prisms and mirrors, fills
The Universe with glorious beams, and kills
Error, the worm, with many a sun-like arrow
Of its reverberated lightning.”

Percy Bysshe Shelley Epipsychidion

Epipsychidion (1821)

Love, Truth, Error, Imagination

“Thus when Plotinus speaks of "the flight of the alone to the Alone," and the positivist or the empiricist asserts that these words are meaningless, he is right. Yet this does not import that the words are nonsense locutions, mere senseless noises which a man makes like a cough or a sneeze though it is possible that this is what the positivist intends. If this were so, it would be impossible to explain why generations of men have quoted those famous words. The explanation is that the words evoke in us a measure of the same experience which the author of them had. Our experience may be but a dim reflection of what was in him bright and clear. Our spirits vibrate faintly in unison with the soul of the great mystic, as a tuning fork vibrates faintly in response to the sound of the clear bell. But it is our own spontaneous experience which is evoked; it is not his experience which is communicated to us. His words are as grappling irons let down into the depths of our subconsciousness, which draw our own inner experiences nearer to the conscious threshold. But they are not, for most of us, drawn above the threshold. They remain below the surface faintly visible. Therefore they appear at the upper levels of our consciousness as faint hints, glimpses, and sometimes as mere vague feelings.”

Walter Terence Stace (1886–1967) British civil servant, educator and philosopher.

p. 91-92.

Men, Feeling, Quotes, Soul

“We take pleasure in watching an athlete break a record, hearing a soprano in full flight, or reading a philosopher of depth and insight. Human accomplishment is the ultimate spectator sport. Apply as much historical analysis to it as we wish, and we’ll not unlock all its mysteries. The continuous capacity of genius to surpass understanding remains a human constant.”

Denis Dutton (1944–2010) Professor and philosopher

" Of Human Accomplishment http://denisdutton.com/murray_review.htm", The New Criterion (February 2004)

Pleasure, Understanding, Sport, Reading

“Brethren, is not this the Saviour that you need? one who can save you from the utmost depths of depravity, in the utmost corner of the earth, on the utmost inch of time? One who can save you amidst the utmost urgency of fierce temptations, and who in the uttermost extreme of exhausted nature, when heart and flesh do faint and fail, completes the work, and seals the salvation for evermore?”

James Hamilton (1814–1867) Scottish minister and a prolific author of religious tracts

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 83.

Nature, Time, Heart

“Today the term “global” can no longer constitute a serious topic for an in depth intellectual discussion because it simply means “Camerica.””

Genco Gulan (1969) contemporary artist

Gulan, Genco. (2004). CAMERICA, PUPPY ART AND THE REST THAT GLOW IN THE DARK http://artefact.mi2.hr/_a04/lang_en/theory_gulan_en.htm. Artefact. Retrieved 2012-07-23.

“I think that for me any picture that works even if it is in the guise of pure color application, if it works, involved drawing. That is falt space on a flat surface. And for me, and I always say this, whether it's a Titian or a [Kenneth] Noland, the ones that come off work in that depth and the color perhaps it is divine and the thing that makes it work, but it is line color. If it doesn't work then it's decorative or dead or just applied colors on a surface. That's what wallpaper is. And that's the difference between the striped wallpaper and a great Noland.”

Helen Frankenthaler (1928–2011) American artist

quote about drawing in a picture
1960s, Interview with Barbara Rose', Archives - American Art, 1968

Color, Thinking, Drawing, Dead

“SCANALYZER is the one single, the ONLY study of the news in depth that’s processed by General Technics’ famed computer Shalmaneser, who sees all, hears all, knows all save only that which YOU, Mr. and Mrs. Everywhere, wish to keep to yourselves.”

John Brunner book Stand on Zanzibar

context (1) “Scanalyze My Name“
Stand on Zanzibar (1968)

Study

“…I suspect people would be in for a real shock if they knew the depths of [Obama's] historical ignorance.”

Charles Foster Johnson (1953) American musician

May 25, 2008 http://littlegreenfootballs.com/article/30079_Obama-_Bush_is_Responsible_for_Chavez_(Bzzt!_Wrong!)&only

People

“Nobody ever comes back from a "missing" ship to tell how hard was the death of the craft, and how sudden and overwhelming the last anguish of her men. Nobody can say with what thoughts, with what regrets, with what words on their lips they died. But there is something fine in the sudden passing away of these hearts from the extremity of struggle and stress and tremendous uproar—from the vast, unrestful rage of the surface to the profound peace of the depths, sleeping untroubled since the beginning of ages.”

Joseph Conrad book The Mirror of the Sea

Source: The Mirror of the Sea (1906), Ch. 17

Death, Men, Age, Peace

“I wish I had the talent to paint the way I feel about you, for my words always feel inadequate. I imagine using red for your passion and pale blue for your kindness; forest green to reflect the depth of your empathy and bright yellow for your unflagging optimism. And still I wonder: can even an artist's palette capture the full range of what you mean to me?”

Nicholas Sparks (1965) American writer and novelist

Ira Levinson, Chapter 28, p. 326-327
2009, The Longest Ride (2013)

Way, Feeling, Imagination, Optimism

“A secure pluralistic society requires communities that are educated and confident both in the identity and depth of their own traditions and in those of their neighbours.”

Aga Khan IV (1936) 49th and current Imam of Nizari Ismailism

Address at the Leadership and Diversity Conference Gatineau, Quebec, Canada (19 May 2004)

Education, Confidence, Communication

“It was so frightening at the time to be seventeen and have heart monitors hooked up to you. That was the moment the songwriter in me was born. I discovered a whole other side of me. I came home that night and started writing lyrics. I discovered it all at once: It was like opening up a lockbox, and inside was a depth that I didn't even know I had as a person, or a writer — incredible creativity and vision and neurosis, complete neurosis. They all go together in a package.”

John Mayer (1977) guitarist and singer/songwriter

On the effects of having a critical cardiac arrhythmia at age 17 Hiatt, Brian (2006-09-21), "My Big Mouth Strikes Again" http://www.rollingstone.com/news/story/11515443/john_mayer_speaks_listen_to_his_hilarious_takes_on_paris_hilton_brad__angelina_living_in_ny. Rolling Stone. (1009): 66-70

Home, Time, Heart, Personality

“People are surprised at the depth of resentment against Asian Americans, but it never shocks me. We are the object of hatred not only for the things we do but just being who we are, ching chong chinamen.”

Margaret Cho (1968) American stand-up comedian

From Her Books, I Have Chosen To Stay And Fight, RACISM AND CIVIL RIGHTS

People

“Lysistrata: O women, if we would compel the men to bow to Peace, […] We must refrain from every depth of love…. Why do you turn your backs? Where are you going? Why do you bite your lips and shake your heads? Why are your faces blanched? Why do you weep?”

Aristophanés Lysistrata

tr. Lindsay 1925, Perseus http://www.perseus.tufts.edu/hopper/text.jsp?doc=Aristoph.+Lys.+120 Lysistrata, line 120-121 & 124-127 Lysistrata (411 BC)

Love, Women, Men, Peace

“However, there are all kinds of Writers. Some who know only one field themselves. Next those who know two or three fields in depth, and nothing more, and thirdly the majority who know a little about many things. Lin Yutang says, "It seems to me that simplicity is almost the most difficult thing to achieve in scholarship or writing," presumably because simplicity pre-supposes digestion and also maturity.”

Peter de Noronha (1897–1970) Indian businessman

The Pageant of Life (1964), On Writers

“I myself have experienced the volcanic existential depths of the Greek language. It was during a performance of Medea by Tzeni Karezi at the Herod Atticus theatre in Athens, when she was pleading to the callous Jason to take pity on her and she used the word ' splachniasou'. 'Pity' is too weak a word to describe the emotional and psychological depths ' splachniasou' expresses. 'Splachna 'is the part of the body where a woman carries her unborn children, the very root of ontological existence. How deep can you get!”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

On the Greek language
Interview on Helenism .net (September 2011)

Children, Parting

“From the depths of the gloom wherein you dwell, you do not see much more distinctly than we the radiant and distant portals of Eden. Only, the priests are mistaken. These holy portals are before and not behind us.”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Du fond de l'ombre où nous sommes et où vous êtes, vous ne voyez pas beaucoup plus distinctement que nous les radieuses et lointaines portes de l'éden. Seulement les prêtres se trompent. Ces portes saintes ne sont pas derrière nous, mais devant nous.
Letter To M. Daelli on Les Misérables (1862)

Distant

“Ye subterranean gods! whose awful sway
The gliding ghosts and silent shades obey:
O Chaos, hear! and Phlegethon profound!
Whose solemn empire stretches wide around!
Give me, ye great tremendous powers! to tell
Of scenes and wonders in the depths of Hell;
Give me your mighty secrets to display
From those black realms of darkness to the day.”

Christopher Pitt (1699–1748) English poet

Book VI, line 371
The Æneid of Virgil (1740)

God, Secret, Hell

“Even there, in the mines, underground, I may find a human heart in another convict and murderer by my side, and I may make friends with him, for even there one may live and love and suffer. One may thaw and revive a frozen heart in that convict, one may wait upon him for years, and at last bring up from the dark depths a lofty soul, a feeling, suffering creature; one may bring forth an angel, create a hero! There are so many of them, hundreds of them, and we are to blame for them.”

Fyodor Dostoyevsky (1821–1881) Russian author

The Brothers Karamazov (1879–1880)

Love, Angels, Feeling, Soul

“The heart hath its mystery, and who may reveal it,
Or who ever read in the depths of their own? —
How much, we never may speak of, yet feel it,
But, even in feeling it, know it unknown!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

A Night in May
The Venetian Bracelet (1829)

Feeling, Reading, Heart

“From 1931 to 1935, I was an undergraduate at Cambridge in my father's old college, Gonville and Caius, which was particularly strong in medicine and the law. However, after two years of law I switched to economics, much to my father's disappointment. At that time the world was in the depth of the great depression and my motive for wanting to change subject was the belief, bred of youthful ignorance and optimism, that if only economics were better understood, the world would be a better place.”

Richard Stone (1913–1991) British economist, Nobel Memorial Prize winner

"Richard Stone - Biographical," 1984

Youth, World, Law, Disappointment

“I don't mind hidden depths but I insist that there be a surface.”

James Nicoll (1961) Canadian fiction reviewer

Livejournal post http://james-nicoll.livejournal.com/176181.html (2005) 2000s

“I so much like real things - the realities that come naturally from the depths of us like - what shall I say? - the way trees grow, from some inner essential principle of them, just expressing itself.”

Rose Wilder Lane (1886–1968) American journalist

Letter to Arthur Griggs (June 22, 1920).

Way, Nature, Reality, Tree

“Another great writer who led me on It this stage was Bankim Chandra Chatterjee. I had read all his novels but had never been able to understand why he had been honoured as a rishi. I myself was a novelist and had already written several humane stories. I thought that a novelist dealt with the dimensions of human character and mapped the heights it could scale and the depths to which it could sink. Why should we foist the title of a rishi on this poor fellow? That way rishis will be available a dime a dozen. My doubts about Bankim Chandra being a rishi were removed when I read the second volume of his Collected Works in Bengali. His insights into the innermost core of Hindu culture were a revelation. His Ramayaner Alochona made me see the monstrosities of modern Indology, more than ever before. I immediately translated this masterpiece into Hindi.”

Sita Ram Goel (1921–2003) Indian activist

How I became a Hindu (1982)

Way, Understanding, Reading

“Wakin' up to find yourself creamin'
Check your fears and hope that you're dreamin'
A little space is all that I need
If these suckers just allow me to breathe
Snake pits and Lucifer's burns
Can't take the strength I've earned and learned
Stepped in depth of the same livin' hell
Ain't too proud to die here as well.Do Do Wap is strong in here;
Do Do Wap is strong in here, hey! hey!”

Curtis Mayfield (1942–1999) American singer, songwriter, and record producer

Do Do Wap is Strong in Here, from Short Eyes (1977).
Song lyrics

Fear, Hope, Hell, Strong

“Just observe what you are. What you are is the fact: the fact that you are jealous, anxious, envious, brutal, demanding, violent. That is what you are. Look at it, be aware; don’t shape it, don’t guide it, don’t deny it, don’t have opinions about it. By looking at it without condemnation, without judgement, without comparison, you observe; out of that observation, out of that awareness comes affection. Now, go still further. And you can do this in one flash. It can only be done in one flash — not first from the outside and then working further and deeper and deeper and deeper; it does not work that way, it is all done with one sweep, from the outermost to the most inward, to the innermost depth. Out of this, in this, there is attention — attention to the whistle of that train, the noise, the coughing, the way you are jerking your legs about; attention whereby you listen to what is said, you find out what is true and what is false in what is being said, and you do not set up the speaker as an authority. So this attention comes out of this extraordinarily complex existence of contradiction, misery and utter despair. And when the mind is attentive, it can then give focus, which then is quite a different thing; then it can concentrate but that concentration is not the concentration of exclusion. Then the mind can give attention to whatever it is doing, and that attention becomes much more efficient, much more vital, because you are taking everything in.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Vol. XIV, p. 301
Posthumous publications, The Collected Works

Jerk, Way, Falseness, Training

“I think the Anthropic Cosmological Principle brings to us an idea perhaps as old as humanity itself: that we are not at all just an accidental anomaly, the microscopic caprice of a tiny particle whirling in the endless depth of the universe. Instead, we are mysteriously connected to the entire universe, we are mirrored in it, just as the entire evolution of the universe is mirrored in us.”

Václav Havel (1936–2011) playwright, essayist, poet, dissident and 1st President of the Czech Republic

The Need for Transcendence in the Postmodern World (1994)

Idea, Thinking, Universe

“In the depths of our crater lake, everything is silent. The volcano's been extinct for ages. Layer upon layer of solitude, like folds of soft mud. The little bit of light that manages to penetrate to the depths lights up the surroundings like the remains of some faint, distant memory. At these depths there's no sign of life. I don't know how long she looks at me -not at me, maybe, but at the spot where I am. Time's rules don't apply here. Time expands, then contracts, all in tune with the stirrings of the heart.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 23, Kafka Temura

Life, Age, Solitude, Light

“I attended the Royal Opening of the Indian Conference yesterday…Our delegation is starting well, but Winston [Churchill] is in the depths of gloom. He wants the Conference to bust up quickly and the Tory Party to go back to pre-war and govern with a strong hand. He has become once more the subaltern of Hussars of '96.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Letter to J. C. C. Davidson (13 November 1930), quoted in Robert Rhodes James (ed.), Memoirs of a Conservative: J. C. C. Davidson's Memoirs and Papers, 1910-1937 (London: Weidenfeld and Nicolson, 1969), p. 355.
1930

War, Strong

“The foundational morality of the civilized world is best summarized in the Ten Commandments. Moral relativism and secular humanism are slippery slopes. The terminal moraine at the base of these slopes is a rubble pile consisting of either despotism and pillage, or anarchy and the depths of depravity. I believe that it takes both faith and friends to survive perilous times.”

James Wesley Rawles (1960) Survivalist-fiction author and blogger

Source: How to Survive the End of the World as We Know It, Plume, New York (2009), p. 13

World, Faith, Time

“There were two problems which had to be faced. One was spatial and the other methodological. In the first case I had to do something about relational painting, i. e. the balancing of the various parts of the painting with and against each other. The obvious answer was symmetry – make it the same all over. The question still remained, though, of how to do this in depth. A symmetrical image or configuration symmetrically placed on a open ground is not balanced out in the illusionistic space. The solution I arrived at, and there are probably quite a few, although I only know of one other, color density, forces illusionistic space out of the painting at constant intervals by using a regulated pattern. The remaining problem was simply to find a method of paint application which followed and complemented the design solution. This was done by using the house painters technique and tools.”

Frank Stella (1936) American artist

Source: Quotes, 1960 - 1970, The Pratt lecture (1960), p. 114

Color, Question, Problem, Parting

“The life of the spirit may be fairly represented in diagram as a large acute-angled triangle divided horizontally into unequal parts with the narrowest segment uppermost. The lower the segment the greater it is in breadth, depth, and area.”

Wassily Kandinsky (1866–1944) Russian painter

III. The Movement of the Triangle
1910 - 1915, Concerning the Spiritual in Art, 1911

Life, Parting

“The party is all-embracing. It rules our lives in all their breadth and depth… Each activity and each need of the individual will thereby be regulated by the party as the representative of the general good… This is Socialism- not such trifles as the private possession of the means of production. Of what importance is that if I range men firmly within a discipline they cannot escape. Let them own land or factories as much as they please. The decisive factor is that the State, through the party, is supreme over all, regardless of whether they are owners or workers… Our Socialism goes far deeper.”

Hermann Rauschning (1887–1982) German politician

Source: The Voice of Destruction (1940), p. 191

Men, Decision

“A mistake that most people make is to assume that the more followers you can recruit, the better. That's true if you are trying to win an election. A vote is a vote regardless of whether the voter is deeply committed or just barely interested enough to get to the polls. But when you're building a revolutionary movement, the number of people you have is far less important than the quality of your people and the depth of their commitment. Too many lukewarm or otherwise unsuitable people will ruin the movement.”

Theodore Kaczynski (1942) American domestic terrorist, mathematician and anarchist

Letters to David Skrbina
The Road to Revolution (2008)

People

“If the depths of our mind contain within it strange forces capable of augmenting those on the surface, or of waging a victorious battle against them, there is every reason to seize them - first to seize them, then, if need be, to submit them to the control of our reason. The analysts themselves have everything to gain by it. But it is worth noting that no means has been designated a priori for carrying out this undertaking, that until further notice it can be construed to be the province of poets as well as scholars, and that its success is not dependent upon the more or less capricious paths that will be followed.”

André Breton (1896–1966) French writer

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

Success, Victory, Dependency

“I had gotten really bad. I mean my place was almost like a crack house.”

Lawrence Taylor (1959) All-American college football player, professional football player, linebacker, Pro Football Hall of Fame member

discussing the depths of his drug problems after he retired, in his 60 Minutes interview with Mike Wallace.

Problem, Housing

“Youth instinctively understand the present environment – the electric drama. It lives mythically and in depth.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1960s, The Medium is the Message (1967)

Youth, Understanding

“Who knows what to make of the weighting of the polls and the assumptions as to who will vote? Who knows the depth and breadth of each party's turnout efforts? Among the wisest words spoken this cycle were by John Dickerson of CBS News and Slate, who said, in a conversation the night before the last presidential debate, that he thought maybe the American people were quietly cooking something up, something we don't know about.I think they are and I think it's this: a Romney win.”

Peggy Noonan (1950) American author and journalist

" Monday Morning http://blogs.wsj.com/peggynoonan/2012/11/05/monday-morning/" (), Peggy Noonan's Blog, Wall Street Journal

People, Thinking, Effort, Cooking

“Man (in B major) asks: When? When? Nature, (in C Major) answers from the depths Never, never, never will the weather improve.”

Richard Strauss (1864–1949) German composer and orchestra director

Whilst composing Also Sprach Zarthustra, Strauss made this joke about the Bavaria weather to his friend, the conductor Max von Schillings. Quoted in Kurt Wilhelm, Richard Strauss - an intimate portrait, page 73.
Other sources

Nature, Weather

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Love, Beauty, Music, Color

“There was a sculptured form; the feet were placed
Upon a finely-carved rose wreath; the arms
Were raised to Heaven, as if to clasp the stars
EULALIA leant beside; 'twas hard to say
Which was the actual marble: when she spoke,
You started, scarce it seem'd a human sound;
But the eyes' lustre told life linger'd still;
And now the moonlight seem'd to fill their depths.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

A History of the Lyre
The Venetian Bracelet (1829)

Life, Star

“There is no depth of life without a way to depth, no truth without a way to truth.”

Ruth Nanda Anshen (1900–2003) American philosopher, author and editor

The Mystery of Consciousness: A Prescription for Human Survival, pg. 108 (1994)

Life, Truth, Way

“The more I think about colour, the more convinced I become that this reflected half-tint is the principle that must predominate, because it is this that gives the true tone, the tone that constitutes the value, the thing that matters in giving life and character to the object. Light, to which the schools teach us to attach equal importance and which they place on the canvas at the same time as the half-tint and shadow, is really only an accident. Without grasping this principle, one cannot understand true colour, I mean the colour that gives the feeling of thickness and depth and of that essential difference that distinguishes one object from another.”

Eugène Delacroix (1798–1863) French painter

29 April 1854 (p. 228)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

Life, School, Feeling, Understanding

“She had expected to encounter death as a kind of existential depth and had been disappointed. But maybe there was a deeper truth there. Maybe profundity actually is a mode of disappointment. The rhythm of the climax—joy and despair, sex and pain—is of course the currency of life. Death can only ever be a sort of anticlimactic belatedness.”

Adam Roberts book Jack Glass: The Story of a Murderer

Part 2, Chapter 3, “The Utility of Dreaming” (pp. 119-120).
Jack Glass (2012)

Life, Death, Pain, Truth

“Although I am small, I am skilful.
From the sea and the mountain,
From the river's depth
God gives His gifts to the blessed.”

Taliesin (534–599) Welsh bard

The Tale of Taleisin

God, Mountain, Sea

“In the artist/theorist tradition of Robert Smithson, Joseph Nechvatal is a pioneer in the field of digital image making who challenges our perceptions of nature by altering conventional notions of space and time, gender, and self… Nechvatal successfully plunged into the depths where art, technology and theory meet.”

Joe Lewis (artist) (1953) American photographer

"Joseph Nechvatal at Universal Concepts Unlimited," in: Art in America Magazine, March 2003. pp.123-124.

Art, Nature, Time

“Do not hover always on the surface of things, nor take up suddenly with mere appearances; but penetrate into the depth of matters, as far as your time and circumstances allow, especially in those things which relate to your own profession. Do not indulge yourselves to judge of things by the first glimpse, or a short and superficial view of them; for this will fill the mind with errors and prejudices, and give it a wrong turn and ill habit of thinking, and make much work for retraction.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

(1727), Ch. I, General Rules for the Improvement of Knowlege, Rule VII -
1720s, The Improvement of the Mind (1727)

Error, Thinking, Appearance, Time

“I know it's tedious, but you aren't SL4 until you appreciate the depth of human irrationality. Yes rationality is there, but at a level that just barely shows up when measured with precise instruments. This is important with respect to non-human intelligences, because super-rationality, almost as much as superintelligence, is potentially overwhelming and because intelligence bootstraping moves a system towards rationality. Appreciate how far humans are from rational and you appreciate how utterly transformed, and essentially recreated, they would be by haphazard bootstrapping. Appreciate how formidable rationality is and you see why a highly rational infrahuman GAI would still be a massive existential threat.”

Michael Vassar (1979) President of the Singularity Institute

"Another reminder of irrationality" http://sl4.org/archive/0602/14276.html, February 2006

Intelligence

“The digital revolution changed my process early on in terms of technique, but my early analog drawings and paintings had the same thematic intention as my latest digital work: the attempt to conjure, or render, a glimpse into an enigmatically layered and lively world that I sense and know to be reality, an energetic vibratory world of almost dreadful depth. In this respect, my process of making computer-robotic assisted paintings and animations have, until recently, been made up of an excessive concoction of ambiguous sexual body parts (morphed from both sexes) tied to the viral form. Philosophy has been, and is, a way of freeing myself enough to connect with this depth so as to process the phantasmagorical aspects of reality into art. This process of art making, for me, must hinge on a dynamic engagement and then wedding of image production and image resistance. The idea is to encourage subversive readings of computational media by presenting an artistic consciousness that articulates contemporary concerns regarding safety, truth, identity and objectivity.”

Joseph Nechvatal (1951) American artist

" An Interview with Joseph Nechvatal http://versejunkies.com/?p=6110#," at versejunkies.com. Posted On 10 August 2013.

Truth, World, Art, Sex

“This house will bear witness to his piety; this town, his birthplace, to his munificence; history to his patriotism; posterity to the depth and compass of his mind.”

John Quincy Adams (1767–1848) American politician, 6th president of the United States (in office from 1825 to 1829)

Epitaph for John Adams (1829), inscribed on one of the portals of the United First Parish Church Unitarian (Church of the Presidents), Quincy

History, Housing

“Death in your eyes, Earthman. Nothing in your mind but murder. Can that brain of yours comprehend nothing but battle? Is there no curiosity there?…Let me look deeper — if there are depths. Your death will be — useful and, in a way, pleasant. Otherwise — well, the black beasts hunger. And flesh must feed them, as a sweeter drink feeds me…”

C. L. Moore (1911–1987) American author

"Black Thirst" (1934); later published in Shambleau, and Others‎ (1953)

Death, Hunger, Way, Drink

“Francisco Varela is amazingly inventive, freewheeling, and creative. There's a lot of depth in what he and Humberto Maturana have said. Conversely, from the point of view of a tied-down molecular biologist, this is all airy-fairy, flaky stuff. Thus there's the mixed response. That part of me that's tough-minded and critical is questioning, but the other part of me has cottoned on to the recent stuff he's doing on self- representation in immune networks. I love it.”

Stuart Kauffman (1939) American biophysicist

Stuart Kauffman in: John Brockman ed. (1995) The Third Culture: Beyond the Scientific Revolution. p. 209 ( online http://www.edge.org/documents/ThirdCulture/t-Ch.12.html)

Love, Question, Parting

“In the depths of the mirror the evening landscape moved by, the mirror and the reflected figures like motion pictures superimposed one on the other. The figures and the background were unrelated, and yet the figures, transparent and intangible, and the background, dim in the gathering darkness, melted into a sort of symbolic world not of this world. Particularly when a light out in the mountains shone in the center of the girl's face, Shimamura felt his chest rise at the inexpressible beauty of it.”

Yasunari Kawabata book Snow Country

Snow Country (1948)

World, Beauty, Girl, Mountain

“"All this beauty makes a person realize how insignificant they are," Paul says.
"How insignificant I am. You're the insignificant one"
He grins real big as he realizes how his words sounded. "I didn't mean it like that," he chuckles.
"No, I know what you meant, bud. I was just thinking kind of the same thing. I was looking at all this depth and it came to me how very shallow you are."
"Ha, ha," Paul chortles. He takes a few steps down the trail and turns. "You know, Don, I was just looking at this little flowery cactus here and thinking how nice it looks and it made me realize how ugly you are."
"Is that right," I say. "Well, I was just considering how smart these rocks look and it made me realize how dumb you are." With that I give him a little kick in the backside.
"How smart these rocks are?" he heckles. "Well, I was just looking at that cloud up there, reflecting on its beauty and stuff, and it hit me how much you smell."
"Is that right," I say. "The cloud made you realize that, huh?"
Paul distances himself a little and keeps turning to see if I am going to kick him again. He's got this grin going like he got the last laugh.
"You know, Paul, I was just looking at this pebble and it made me realize that I'm going to tackle you and throw you off the ledge."
"I see. That's real deep, Don. The pebble; you got that from a pebble?"”

Donald Miller (1971) American writer

Prayer and the Art of Volkswagen Maintenance (2000, Harvest House Publishers)

Beauty, Thinking, Personality

“When I first heard the songs of Mario Ruiz Armengol I responded in awe at the totality of their musical expression. Mario's harmonic sense was one that I had never encountered in most Latin music; melodies which in themselves were distinctive and lingered in your mind after only one hearing; profound emotional content without being hyper-romantic in conception. Some of them seemed almost brooding in character, filled with a feeling of melancholia and reflecting the depth of his personality.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

From the liner notes for Cal Tjader Plays the Contemporary Music of Mexico and Brazil (September 1962)

Music, Feeling, Sense, Personality

“In the electric age, when our central nervous system is technologically extended to involve us in the whole of mankind and to incorporate the whole of mankind in us, we necessarily participate, in depth, in the consequences of our every action. It is no longer possible to adopt the aloof and dissociated role of the literate Westerner.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Understanding Media (1964), p. 4

Age

“Nature is vast, deep, high, intelligent, infinite and eternal. The heaven appearing before us is only this bright, shining mass; but in its immeasurable extent, the sun, the moon, stars and constellations are suspended in it, and all things are embraced under it. The earth, appearing before us, is but a handful of soil; but in all its breadth and depth, it sustains mighty mountains without feeling their weight; rivers and seas dash against it without causing it to leak. The mountain appearing before us is only a mass of rock; but in all the vastness of its size, grass and vegetation grow upon it, birds and beasts dwell on it, and treasures of precious minerals are found in it. The water appearing before us is but a ladleful of liquid; but in all its unfathomable depths, the largest crustaceans, dragons, fishes, and turtles are produced in them, and all useful products abound in them.
In the Book of Songs it is said: "The ordinance of God, / How inscrutable it is and goes on for ever."”

Zisi (-481–-402 BC) Chinese philosopher

That is to say, this is the essence of God.
Source: The Doctrine of the Mean, pp. 125–126

God, Books, Feeling, Mountain

“Mathematicks therefore is a Science which teaches or contemplates whatever is capable of Measure or Number as such. When it relates to Number, it is called Arithmetick; but when to measure, as Length, Breadth, Depth, Degrees of Velocity in Motion, Intenseness or Remissness of Sounds, Augmentation or Diminution of Quality, 6tc. it is called Geometry.”

Jacques Ozanam (1640–1718) French mathematician

Source: A Mathematical Dictionary: Or; A Compendious Explication of All Mathematical Terms, 1702, p. 1, The Introduction

Science

“Being an incomplete female, the male spends his life attempting to complete himself, become female. He attempts to do this by constantly seeking out, fraternizing with and trying to live through and fuse with the female and by claiming as his own all female characteristics - emotional strength and independence, forcefulness, dynamism, decisiveness, coolness, objectivity, assertiveness, courage, integrity, vitality, intensity, depth of character, grooviness, etc. - and projecting onto women all male traits - vanity, frivolity, triviality, weakness, etc. It should be said, though, that the male has one glaring area of superiority over the female - public relations. He has done a brilliant job of convincing millions of women that men are women and women are men.”

Valerie Solanas (1936–1988) American radical feminist and writer. Attempted to assassinate Andy Warhol.

Source: SCUM MANIFESTO (1967), p. 2 (hyphens (not en- or em-dashes) so in original).

Life, Women, Men, Courage

“The mosaic form of the TV image demands participation and involvement in depth, of the whole being, as does the sense of touch.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Understanding Media (1964), p. 334

Sense

“.. [Picasso had] a depth of understanding and insight into the inwardness of things.... doing very exceptional things of a most abstract psychic nature..”

Marsden Hartley (1877–1943) American artist

letter from Paris to Rockwell Kent, August 22, 1912, Archives of American Art; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 42
1908 - 1920

Understanding, Nature

“Then I gathered the éléments of what people call my symbolism. I do not understand anything about long words and theories. But I am willing to be a symbolist, if that defines the ideas that Michael Angelo gave me, namely that the essence of sculpture is the modelling, the general scheme which alone enables us to render the intensity, the supple variety of movement and character. If we can imagine the thought of God in creating the world, He thought first of the construction, which is the sole principle of nature, of living things and perhaps of the planets. Michael Angelo seems to me rather to derive from Donatello than from the ancients; Raphaël proceeds from them. He understood that an architecture can be built up with the human body, and that, in order to possess volume and harmony, a statue or a group ought to be contained in a cube, a pyramid or some simple figure. Let us look at a Dutch interior and at an interior painted by an artist of the present day. The latter no longer touches us, because it docs not possess the qualities of depth and volume, the science of distances. The artist who paints it does not know how to reproduce a cube. An interior by Van der Meer is a cubic painting. The atmosphere is in it and the exact volume of the objects; the place of these objects has been respected, the modem painter places them, arranges them as models. The Dutchmen did not touch them, but set themselves to render the distances that separated them, that is, the depth. And then, if I go so far as to say that cubic truth, not appearance, is the mistress of things, if I add that the sight of the plains and woods and country views gives me the principle of the plans that I employ on my statues, that I feel cubic truth everywhere, and that plan and volume appear to me as laws of all life and ail beauty, will it be said that I am a symbolist, that I generalise, that I am a metaphysician? It seems to me that I have remained a sculptor and a realist. Unity oppresses and haunts me.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 65-67

Life, God, People, Truth

“What depth in these thoughts - what classical talent!”

Joseph Martin Kraus (1756–1792) German composer

Welche Tiefe der Gedanken - welch klassisches Talent!
Joseph Haydn to Fredrik Samuel Silverstolpe

“I had a feeling once about Mathematics, that I saw it all—Depth beyond depth was revealed to me—the Byss and the Abyss. I saw, as one might see the transit of Venus—or even the Lord Mayor's Show, a quantity passing through infinity and changing its sign from plus to minus. I saw exactly how it happened and why the tergiversation was inevitable: and how the one step involved all the others. It was like politics. But it was after dinner and I let it go!”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Source: My Early Life: A Roving Commission (1930), Chapter 3 (Examinations), p. 27.

Feeling, Mathematics, Change

“Suffering, my son, is the fount of love. Suffering is the grace, the great grace, which our Father in heaven pours down upon us. For suffering gives men submissive hearts. He that does not suffer thinks that he stands upon a mighty rock which he himself has raised. He does not see his brother; he sees only himself. He believes in no one; he believes only in his own strength. His heart becomes a swamp which swarms with reptiles: pride, obstinacy, and self-love. And when his footstool is rolled away from under him, he sinks, together with all the reptiles, into the depths of hell. But he to whom God has granted suffering shall find his pains like ropes which bind him to his Father in heaven. His heart is awake to feel the pains of his brother in need. He sends afflictions upon you and makes you small on earth that you may be great in heaven.”

Sholem Asch (1880–1957) Polish-American novelist, dramatist, essayist

The Nazarene, 1939, p. 512.

Love, Men, God, Pain

“A spontaneous, passionate, yet just, true-meaning man! Full of wild faculty, fire and light; of wild worth, all uncultured; working out his life-task in the depths of the Desert there.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Prophet

Life, Light, Passion

“But with today's mammoth papers the poor boobs have to write at ten times the length their subject is worth, and apart from over-padded news we have the curse of modern journalism, the proliferation of the commentary, the background exposition, the in-depth analysis, the "think-piece", all adding up to an indigestible stream of crap which no one wants to read, and no one, to judge by the mechanical repetition and weary rambling, wants to write either.”

George MacDonald Fraser (1925–2008) English-born author of Scottish descent

Dumbing Down, Down, Down... p. 253-254.
The Light's On At Signpost (2002)

Thinking, Time, Reading

“I have a feeling that my boat
has struck, down there in the depths,
against a great thing.
And nothing
happens! Nothing … Silence … Waves.
— Nothing happens? Or Has everything happened,
and we are standing now, quietly, in the new life?”

Juan Ramón Jimenéz (1881–1958) Spanish poet

"Oceans", as translated by Robert Bly; quoted in Opening Our Moral Eye : Essays, Talks & Poems Embracing Creativity & Community (1996) by Mary Caroline Richards.

Life, Feeling, Silence

“At the foot of the cross, in all humility and in all adoration, we have learned at once the depth and the height of human nature; we have learned to think all wisdom but foolishness for the knowledge of Christ; all purity but sin, unwashed by His atonement; all hope in earth, of all hopes the most miserable, but in the faith of His most blessed resurrection; content to bear the struggles of life, at His command; and submitting to the grave, with a consciousness that it can sting no more.”

George Croly (1780–1860) Irish poet, novelist, historian, and divine

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 172.

Life, Wisdom, Faith, Hope

““Late Shri. Cakyar, was not just a skilled exponent and a capable teacher of Kutiyattam, his wisdom and depth of knowledge made him worthy of the title "Acharya" ”
- Dr. Prem Lata Sharma (noted Hindi writer and scholar of Indian arts and literature), 1994”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya Source: Nāṭyakalpadruma : Kerala kī Kūṭiyāṭṭam nāṭyakalā kī rūparekhā http://worldcat.org/oclc/44811805&referer=brief_results(Hindi translation), Mani Madhava Chakyar, Dr. Prem Lata Sharma (Ed), Sangeet Natak Akademi New Delhi, 1994

Wisdom, Art, Literature, Knowledge

“The Stone]'s an absolutely magical work…. It's about everything, so much detail, and yet the bigger picture is so inspiring. It's about that extraordinary cross connection between human feelings and the ability to see through human feelings – kan po hong chen（看破紅塵). But even though you kan po hong chen, you still have strong feelings. That's what so special about The Stone. It captures that. For me that's what I read about. Every time you read, you find more depth, more detail…. The author communicates – for lack of a better word, what I would just call – love. It's a love for humanity.”

John Minford (1946) New Zealand sinologist

Master-Insight.com Interview (2016)

Love, Feeling, Communication, Strong

“We measure the earth, sun, stars, and ocean depths. We burrow into the depths of the earth for gold. We search for rivers and mountains on the moon. We discover new stars and know their magnitudes. We sound the depths of gorges and build clever machines. Each day brings a new invention. What don’t we think of! What can’t we do! But there is something else, the most important thing of all, that we are missing. We do not know exactly what it is. We are like a small child who knows he does not feel well but cannot explain why. We are uneasy, because we know a lot of superfluous facts; but we do not know what is really important—ourselves.”

Leo Tolstoy (1828–1910) Russian writer

Source: Path of Life (1909), p. 10

Feeling, Search, Mountain, Star

“As I wanted to suggest a luxuriant and untamed type of nature, a tropical sun that sets aglow everything around it, I was obliged to give my figures a suitable setting.It is indeed the outdoor life — yet intimate at the same time, in the thickets and the shady streams, these women whispering in an immense palace decorated by nature itself, with all the riches that Tahiti has to offer. This is the reason behind all these fabulous colors, this subdued and silent glow."But none of this exists!""Oh yes it does, as an equivalent of the grandeur, the depth, the mystery of Tahiti, when you have to express it on a canvas measuring only one square meter."Very subtle, very knowing in her naïveté is the Tahitian Eve. The riddle hiding in the depth of her childlike eyes is still incommunicable to me.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1890s - 1910s, The Writings of a Savage (1996), p. 137: Diverse Choses, his notebook (1896 - 1898)

Life, Women, Color, Nature

“Oswald Cabal: Rest enough for the individual man, too much and too soon, and we call it death. But for Man, no rest and no ending. He must go on, conquest beyond conquest. First, this little planet and its winds and ways. And then all the laws of mind and matter that restrain him. Then the planets about him, and, at last, out across immensity to the stars. And when he has conquered all the depths of space, and all the mysteries of time, still he will be beginning…”

H. G. Wells book The Shape of Things to Come

Things to Come (1936)

Death, Law, Way, Star

“We ceased to deal seriously with mobile combat. We relegated to oblivion the fundamentals of combat-in-depth tactics and of combined arms maneuvers which had been widespread before the Finnish campaign.”

Sergei Biriuzov (1904–1964) Soviet military commander

Quoted in "Nomonhan: Japan Against Russia, 1939" - Page 997 - by Alvin D. Coox - Political Science - 1990

“We cannot avoid conflict, conflict with society, other individuals and with oneself. Conflicts may be the sources of defeat, lost life and a limitation of our potentiality but they may also lead to greater depth of living and the birth of more far-reaching unities, which flourish in the tensions that engender them.”

Karl Jaspers (1883–1969) German psychiatrist and philosopher

As quoted in Turning Conflict Into Profit : A Roadmap for Resolving Personal and Organizational Disputes (2005) by Larry Axelrod and Rowland Johnson

Life, Birth

“…the finances of the country is intimately associated with the liberties of the country. It is a powerful leverage by which English liberty has been gradually acquired. Running back into the depths of antiquities for many centuries, it lies at the root of English liberty, and if the House of Commons can by any possibility lose the power of the control of the grants of public money, depend upon it your very liberty will be worth very little in comparison.”

William Ewart Gladstone (1809–1898) British Liberal politician and prime minister of the United Kingdom

Speech in Hastings (17 March 1891), quoted in A. W. Hutton and H. J. Cohen (eds.), The Speeches of The Right Hon. W. E. Gladstone on Home Rule, Criminal Law, Welsh and Irish Nationality, National Debt and the Queen's Reign. 1888–1891 (London: Methuen, 1902), p. 343.
1890s

Money, Housing, Dependency, Country

“From the moment of His self-dedication, when He threw His cares away, and went forth not knowing where to lay His head, the whole energy which others spend on interests of their own was poured into His human and Divine affections, and filled His life with an enthusiasm resistless and unique. However quiet His words, it is impossible not to feel the tender depths from which they come.”

James Martineau (1805–1900) English religious philosopher

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 59.

Life, Feeling

“I long to live in a manifold of duty and individuals, to grasp things at their source, not taking them for granted as coming from an unknown and unchangeable origin. I long to experience things in depth and nearness, because through depth and nearness I realize the centre of reality. The whole of history shows me that this is possible. Formerly it would have been said that it was not possible, that we had to await death. Today I will die at every moment to rise again with God, at the centre of reality.”

Aldo Capitini (1899–1968) Italian philosopher and political activist

Hymn

Death, God, History, Reality

“Experience is, in fever and anguish, the putting into question (to the test) of that which a man knows of being. Should he in this fever have any apprehension whatsoever, he cannot say: “I have seen God, the absolute, or the depths of the universe”; he can only say “that which I have seen eludes understanding”—and God, the absolute, the depths of the universe are nothing if they are not categories of the understanding.

If I said decisively, “I have seen God,” that which I see would change. Instead of the inconceivable unknown—wildly free before me, leaving me wild and free before it—there would be a dead object and the thing of the theologian, to which the unknown would be subjugated.”

Georges Bataille (1897–1962) French intellectual and literary figure

Source: L’Expérience Intérieure (1943), p. 4

God, Understanding, Question, Decision

“There's no redder rag for our modern, progressive Catholics than a certain religious approach to sex and Eros ranging from suspicion to open condemnation and branded accordingly as Manichean, neo-Platonic, Puritan, etc. Quite unacceptable. And yet in these quite obviously heretical speculations there's a barb which, even at first encounter, penetrated to the depths of my mind as the startling confirmation of something always known, and this ferment keeps on working - all the time…the idea which one finds in so many apocryphal trends of thought, i. e. that there's definitely something wrong with sex in its present form, that is, during this terrestrial aeon - something that is not sex in itself, as a whole, but some trait or quality.. Something which does not belong to original human nature, but which owes its actual existence to The Fall; in the same sense unnatural as death is unnatural and yet taken for granted, an inevitable, undeniable factor - in this fallen world.”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights p15-16 Diaries 1951.

Death, World, Sex, Idea

“I have tried to show that psychiatric research can be empirical and experimental, controlled, and operational and not dependent on inferences, analogies, or anecdotes. Hypotheses can be derived which are testable. Theory is a different matter. At the present we rely heavily on psychoanalytic theory or on still poorly formulated and defined general systems theory, information theory, or transactional theory. To explain the depth and variety of the interrelationship of somatopsychosocial facets of the totality of human behavior in process requires a unified theory of human behavior which we have not yet even approached. Integration or synthesis of biological, psychological, and social theory is not enough.”

Roy R. Grinker, Sr. (1900–1993) American psychiatrist and neurologist

Ginker (1964) as cited in: S. Nassir Ghaemi (2009) The Rise and Fall of the Biopsychosocial Model. p. 24

Behavior, Dependency

“The young generations of the world, who had in them the freshness of young children, and yet the depth of earnest men, who did not think that they had finished off all things in Heaven and Earth by merely giving them scientific names, but had to gaze direct at them there, with awe and wonder: they felt better what of divinity is in man and Nature; they, without being mad, could worship Nature, and man more than anything else in Nature.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Divinity

Men, Children, World, Nature

“It was one thing to be instantly attracted to a woman, and another to like her independence, the way she took no notice of what he thought of her, one way or the other. She was indeed a modern woman—not aggressive, yet not submissive. A self-possessed apartness, a lack of cling…
Yes, that was what held his attention: her reserve. The promise of depths you could not guess merely by seeing her in a swimsuit.”

Gregory Benford Artifact

Part 2, Chapter 6 (p. 80; ellipsis represents a minor elision of narration)
Artifact (1985)

Way

“The organism of the Western society and culture seems to be undergoing one of the deepest and most significant crises of its life. The crisis is far greater than the ordinary; its depth is unfathomable, its end not yet in sight, and the whole of the Western society is involved in it. It is the crisis of a Sensate culture, now in its overripe stage, the culture that has dominated the Western World during the last five centuries. It is also the crisis of a contractual (capitalistic) society associated with it. In this sense we are experiencing one of the sharpest turns in the historical road.”

Pitirim Sorokin (1889–1968) American sociologist

Pitirim Sorokin (1957) Social and Cultural Dynamics http://books.google.nl/books?id=fbZyka2W_1cC , p. 622; as cited in: " Culture in Crisis: The Visionary Theories of Pitirim Sorokin http://satyagraha.wordpress.com/2010/08/19/pitirim-sorkin-crisis-of-modernity/." Satyagraha – Cultural Psychology, Aug. 19, 2010

Life, World, Sense