Quotes about darkness
page 21

Enoch Powell photo
John Fante photo
Nasreddin photo
Lionel Richie photo
Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Koenraad Elst photo
John Ruysbroeck photo
Derren Brown photo
William Wordsworth photo

“"What is good for a bootless bene?"
With these dark words begins my tale;
And their meaning is, Whence can comfort spring
When prayer is of no avail?”

William Wordsworth (1770–1850) English Romantic poet

Force of Prayer.
Bartlett's Familiar Quotations, 10th ed. (1919)

Anthony Burgess photo
Lois Duncan photo
John Keats photo
Reginald Heber photo

“Thou art gone to the grave; but we will not deplore thee,
Though sorrows and darkness encompass the tomb.”

Reginald Heber (1783–1826) English clergyman

"At a Funeral", No. II.
need further publication dates

Johannes Tauler photo
Matt Groening photo

“To an asshole, the whole world looks dark.”

Source: Under the Gun (2008), Chapter 21

“The untransacted destiny of the American people is to subdue the continent — to rush over this vast field to the Pacific Ocean — to animate the many hundred millions of its people, and to cheer them upward — to set the principle of self-government at work — to agitate these herculean masses — to establish a new order in human affairs — to set free the enslaved — to regenerate superannuated nations — to change darkness into light — to stir up the sleep of a hundred centuries — to teach old nations a new civilization — to confirm the destiny of the human race — to carry the career of mankind to its culminating point — to cause stagnant people to be re-born — to perfect science — to emblazon history with the conquest of peace — to shed a new and resplendent glory upon mankind — to unite the world in one social family — to dissolve the spell of tyranny and exalt charity — to absolve the curse that weighs down humanity, and to shed blessings round the world!
Divine task! immortal mission! Let us tread fast and joyfully the open trail before us! Let every American heart open wide for patriotism to glow undimmed, and confide with religious faith in the sublime and prodigious destiny of his well-loved country.”

Address to the U.S. Senate (2 March 1846); quoted in Mission of the North American People, Geographical, Social, and Political (1873), by William Gilpin, p. 124.

Isaac Leib Peretz photo

“Youth is fair, a graceful stag,
Leaping, playing in a park.
Age is gray, a toothless hag,
Stumbling in the dark.”

Isaac Leib Peretz (1852–1915) Yiddish language author and playwright

Sewing the Wedding Gown, 1906. Nine One-Act Plays from Yiddish. Translated by Bessie F. White, Boston, John W. Luce & Co., 1932, p. 127.

John Donne photo
Jared Yates Sexton photo
Henry George photo
Ursula K. Le Guin photo

“The word must be heard in silence; there must be darkness to see the stars.”

Ursula K. Le Guin (1929–2018) American writer

Source: Earthsea Books, The Farthest Shore (1972), Chapter 8, "The Children of the Open Sea" (Ged)

Roger Manganelli photo
Edward Young photo

“How commentators each dark passage shun,
And hold their farthing candle to the sun.”

Edward Young (1683–1765) English poet

Satire VII, l. 97.
Love of Fame (1725-1728)

Jim Steinman photo
Bob Dylan photo

“I know she ain't you, but she's here, and she's got that dark rhythm in her soul.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Knocked Out Loaded (1986), Brownsville Girl (with Sam Shepard)

“The most significant feature of our histories, however, is the religious zeal felt or exhibited by the swordsmen of Islam before and after the “infidels” who resisted “were sent to hell”, the Brahmans massacred or molested or expelled, idols desecrated, temples demolished, and mosques raised in their stead. The prophet of Islam appears in a dream and bids a sultãn to start on the “holy expedition”, leaving no doubt that the “victory of religion” was assured. Amîr Khusrû was very eloquent about the transformation that was taking place. When the hordes of Alãu’d-Dîn Khaljî sacked the temple of Somnath, he exulted, “The sword of Islãm purified the land as the Sun purifies the earth.” His enthusiasm broke all bounds when the same hordes swept over South India: “The tongue of the sword of the Khalifa of the time, which is the tongue of the flame of Islãm, has imparted light to the entire darkness of Hindustãn by the illumination of its guidance… and several capitals of the gods of the Hindus in which Satanism had prevailed since the time of Jinns, have been demolished. All these impurities of infidelity have been cleansed by the Sultãn’s destruction of idol-temples, beginning with his first expedition to Deogîr, so that the flames of the fight of the law illumine all these unholy countries… God be praised!” One wonders whether the poet of Islam is being honoured or slandered when he is presented in our own times as the pioneer of Secularism. Or, perhaps, Secularism in India has a meaning deeper than that we find in the dictionaries or dissertations on political science. We may not be much mistaken if, seeing its studied exercise in blackening everything Hindu and whitewashing everything Islamic, we suspect that this Secularism is nothing more than the good old doctrine of Islam in disguise.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

Pablo Neruda photo

“If you should ask me where I've been all this time
I have to say "Things happen."
I have to dwell on stones darkening the earth,
on the river ruined in its own duration:
I know nothing save things the birds have lost,
the sea I left behind, or my sister crying.
Why this abundance of places? Why does day lock
with day? Why the dark night swilling round
in our mouths? And why the dead?”

Pablo Neruda (1904–1973) Chilean poet

Si me preguntáis en dónde he estado
debo decir "Sucede."
Debo de hablar del suelo que oscurecen las piedras,
del río que durando se destruye:
no sé sino las cosas que los pájaros pierden,
el mar dejado atrás, o mi hermana llorando.
¿Por qué tantas regiones, por qué un día
se junta con un día? ¿Por qué una negra noche
se acumula en la boca? ¿Por qué muertos?
No Hay Olvido (Sonata) (There's No Forgetting (Sonata) or There is No Oblivion (Sonata)), Residencia II (Residence II), VI, stanza 1.
Alternate translation by Donald D. Walsh:
If you ask me where I have been
I must say "It so happens."
I must speak of the ground darkened by stones,
of the river that enduring is destroyed:
I know only the things that the birds lose,
the sea left behind, or my sister weeping.
Why so many regions, why does a day
join a day? Why does a black night
gather in the mouth? Why dead people?
Residencia en la Tierra (Residence on Earth) (1933)

Percy Bysshe Shelley photo
Bawa Muhaiyaddeen photo
Michael Savage photo
James Jeans photo
Roger Waters photo
Ursula K. Le Guin photo
Christopher Titus photo
Mark Hopkins (educator) photo

“The movement has indeed been slow, and not such as man would have expected; but it has been analogous to the great movements of God in His providence and in His works. So, if we may credit the geologists, has this earth reached its present state. So have moved on the great empires. So retribution follows crime. So rise the tides. So grows the tree with long intervals of repose and apparent death. So comes on the spring, with battling elements and frequent reverses, with snowbanks and violets, and, if we had no experience, we might be doubtful what the end would be. But we know that back of all this, beyond these fluctuations, away in the serene heavens, the sun is moving steadily on; that these very agitations of the elements and seeming reverses, are not only the sign, but the result of his approach, and that the full warmth and radiance of the summer noontide are sure to come. So, O Divine Redeemer, Sun of Righteousness, come Thou! So will He come. It may be through clouds and darkness and tempest; but the heaven where He is, is serene; He is "traveling in the greatness of His strength; "and as surely as the throne of God abides, we know He shall yet reach the height and splendor of the highest noon, and that the light of millennial glory shall yet flood the earth.”

Mark Hopkins (educator) (1802–1887) American educationalist and theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 418.

Walter de la Mare photo
Maria Edgeworth photo
Ursula K. Le Guin photo

“It is light that defeats the dark.”

Ursula K. Le Guin (1929–2018) American writer

Source: Earthsea Books, A Wizard of Earthsea (1968), Chapter 7 (Ged)

Dag Hammarskjöld photo

“The big, shoe-thumping fellow continues as a dark thunderhead to threaten all unrepentant non-Communists with hail and thunder.”

Dag Hammarskjöld (1905–1961) Swedish diplomat, economist, and author

On Nikita Kruschev, in a letter to a friend, as quoted in Hammarskjöld (1972) by Brian Urquhart

John the Evangelist photo

“Men loved darkness rather than light, because their deeds were evil. For every one that doeth evil hateth the light, neither cometh to the light, lest his deeds should be reproved.”

John the Evangelist (10–98) author of the Gospel of John; traditionally identified with John the Apostle of Jesus, John of Patmos (author o…

Jesus in John 3:19-20 KJV
Gospel of John

Conrad Aiken photo
Megan Mullally photo
Antonin Artaud photo
Ursula K. Le Guin photo
Dana Gioia photo
H. Rider Haggard photo
John Milton photo
Robert A. Heinlein photo

“I think girls should be raised in the bottom of a deep, dark sack until they are old enough to know better.”

Source: Farmer in the Sky (1950), Chapter 4, “Captain DeLongPre” (p. 50)

Nyanaponika Thera photo
Chris Cornell photo
Prem Rawat photo
Letitia Elizabeth Landon photo
Thomas Carlyle photo
Abby Sunderland photo
Letitia Elizabeth Landon photo
Bruce Springsteen photo
Ursula K. Le Guin photo

“Before the gods and after, always, are the streams. Caves, stones, hills. Trees. The earth. The darkness of the earth.”

Ursula K. Le Guin (1929–2018) American writer

“Dragonfly” (p. 227)
Earthsea Books, Tales from Earthsea (2001)

Eugène Fromentin photo

“The art of painting is only the art of expressing the invisible by the visible. Whether its roads be great or small, they are sown with problems which it is permitted to sound for one's self as truth, but which it is well to leave in their darkness as mysteries.”

Eugène Fromentin (1820–1876) French painter

Quote from The Old Masters of Belgium and Holland - Les Maitres d’Autrefois, 'Preface', Eugène Fromentin; ed. Mary Caroline Robbins, publisher: J. R. Osgood and company, Boston 1882, p. iv

Margaret Fuller photo
Ludovico Ariosto photo

“Six days I rode, from morn to setting sun,
By horrid cliff, by bottom dark and drear;
And giddy precipice, where path was none.”

Sei giorni me n'andai matina e sera
Per balze e per pendici orride e strane,
Dove non via, dove sentier non era.
Canto II, stanza 41 (tr. William Stewart Rose)
Orlando Furioso (1532)

Frederick Douglass photo

“The slave is a man, "the image of God," but "a little lower than the angels;" possessing a soul, eternal and indestructible; capable of endless happiness, or immeasurable woe; a creature of hopes and fears, of affections and passions, of joys and sorrows, and he is endowed with those mysterious powers by which man soars above the things of time and sense, and grasps, with undying tenacity, the elevating and sublimely glorious idea of a God. It is such a being that is smitten and blasted. The first work of slavery is to mar and deface those characteristics of its victims which distinguish men from things, and persons from property. Its first aim is to destroy all sense of high moral and religious responsibility. It reduces man to a mere machine. It cuts him off from his Maker, it hides from him the laws of God, and leaves him to grope his way from time to eternity in the dark, under the arbitrary and despotic control of a frail, depraved, and sinful fellow-man. As the serpent-charmer of India is compelled to extract the deadly teeth of his venomous prey before he is able to handle him with impunity, so the slaveholder must strike down the conscience of the slave before he can obtain the entire mastery over his victim.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

The Nature of Slavery. Extract from a Lecture on Slavery, at Rochester, December 1, 1850
1850s, My Bondage and My Freedom (1855)

Angela of Foligno photo
Paul Krugman photo
Joan Miró photo
Robert E. Howard photo
Halldór Laxness photo
Samuel Pepys photo
Tanith Lee photo
Philip Schaff photo
Statius photo

“The sounds of early night die down. Mingled with the darkness of his kinsman Death and dripping with Stygian dew, Sleep enfolds the doomed city, pouring heavy ease from his unforgiving horn, and separates the men.”
Primae decrescunt murmura noctis, cum consanguinei mixtus caligine Leti rore madens Stygio morituram amplectitur urbem Somnus et implacido fundit grauia otia cornu secernitque viros.

Source: Thebaid, Book V, Line 196

Toni Morrison photo
Tim Powers photo
Pink (singer) photo
Gerard Bilders photo

“Now one thing is annoying and no one can change this. It is that the days are so horribly short because of the dark weather. Sketching and [? ] is still possible to do, but to look closely and to reproduce subtle hues and shades would now be completely impossible. Especially in the Museum it is sometimes really dark.”

Gerard Bilders (1838–1865) painter from the Netherlands

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Gerard Bilders' brief, in het Nederlands: ..Nu is er maar één ding, dat hinderlijk is en waar niemand iets aan veranderen kan, het is, dat de dagen zoo schrikkelijk kort zijn door het donkere weder. Voor aanleggen[?] en schetsen gaat het nog, maar fijne toonen en tinten te begluren en weder te geven zou nu eene onmogelijkheid zijn. Vooral op het Museum is het somtijds bijzonder duister.
Quote of Gerard Bilders, in a letter to his mecenas Johannes Kneppelhout, The Hague 19 Jan. 1857; from an excerpt of this letter https://rkd.nl/nl/explore/excerpts/512, in the RKD-Archive, The Hague
1850's

George W. Bush photo

“In the history of Iraq, a dark and painful era is over. A hopeful day has arrived. All Iraqis can now come together and reject violence and build a new Iraq.”

George W. Bush (1946) 43rd President of the United States

2000s, 2003, Remarks on the Capture of Saddam Hussein (December 2003)

W.E.B. Du Bois photo

“It was a bright September afternoon, and the streets of New York were brilliant with moving men…. He was pushed toward the ticket-office with the others, and felt in his pocket for the new five-dollar bill he had hoarded…. When at last he realized that he had paid five dollars to enter he knew not what, he stood stock-still amazed…. John… sat in a half-maze minding the scene about him; the delicate beauty of the hall, the faint perfume, the moving myriad of men, the rich clothing and low hum of talking seemed all a part of a world so different from his, so strangely more beautiful than anything he had known, that he sat in dreamland, and started when, after a hush, rose high and clear the music of Lohengrin's swan. The infinite beauty of the wail lingered and swept through every muscle of his frame, and put it all a-tune. He closed his eyes and grasped the elbows of the chair, touching unwittingly the lady's arm. And the lady drew away. A deep longing swelled in all his heart to rise with that clear music out of the dirt and dust of that low life that held him prisoned and befouled. If he could only live up in the free air where birds sang and setting suns had no touch of blood! Who had called him to be the slave and butt of all?… If he but had some master-work, some life-service, hard, aye, bitter hard, but without the cringing and sickening servility…. When at last a soft sorrow crept across the violins, there came to him the vision of a far-off home — the great eyes of his sister, and the dark drawn face of his mother…. It left John sitting so silent and rapt that he did not for some time notice the usher tapping him lightly on the shoulder and saying politely, 'will you step this way please sir?'… The manager was sorry, very very sorry — but he explained that some mistake had been made in selling the gentleman a seat already disposed of; he would refund the money, of course… before he had finished John was gone, walking hurriedly across the square… and as he passed the park he buttoned his coat and said, 'John Jones you're a natural-born fool.”

Then he went to his lodgings and wrote a letter, and tore it up; he wrote another, and threw it in the fire....
Source: The Souls of Black Folk (1903), Ch. XIII: Of the Coming of John

Bob Dylan photo

“In the dark I hear the night birds call
I can feel a lover's breath
I sleep in the kitchen with my feet in the hall
Sleep is like a temporary death”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Modern Times (2006), Workingman's Blues #2

Tim Powers photo
Ursula K. Le Guin photo
John Constable photo

“I have likewise made many 'skies' and effects — for I wish it could be said of me as Fuselli says of Rembrandt, 'he followed nature in her calmest abodes and could pluck a flower on every hedge — yet he was born to cast a steadfast eye on the bolder phenomena of nature'… We have had noble clouds & effects of light & dark & color.”

John Constable (1776–1837) English Romantic painter

Quote from a letter to Rev. John Fisher in 1821 on his oil-sketches of stormy weather, as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London 1993), p. 222
1820s

John Ruysbroeck photo
Mordehai Milgrom photo
Ono no Komachi photo

“He does not come.
Tonight in the dark of the moon
I wake wanting him.
My breasts heave and blaze.
My heart chars.”

Ono no Komachi (825–900) Japanese poet

Source: Kenneth Rexroth's translations, Women Poets of Japan (1982), p. 15

Henry Van Dyke photo
Don McLean photo

“Starry starry night,
Paint your palette blue and grey
Look out on a summer's day with eyes that know the darkness in my soul…”

Don McLean (1945) American Singer and songwriter

Song lyrics, American Pie (1971), Vincent

Letitia Elizabeth Landon photo
Adelaide Anne Procter photo
Abraham Isaac Kook photo