Quotes about darkness
page 20

Albert Einstein photo

“The more a man is imbued with the ordered regularity of all events the firmer becomes his conviction that there is no room left by the side of this ordered regularity for causes of a different nature. For him neither the rule of human nor the rule of divine will exists as an independent cause of natural events. To be sure, the doctrine of a personal God interfering with natural events could never be refuted, in the real sense, by science, for this doctrine can always take refuge in those domains in which scientific knowledge has not yet been able to set foot.
But I am persuaded that such behavior on the part of the representatives of religion would not only be unworthy but also fatal. For a doctrine which is able to maintain itself not in clear light but only in the dark, will of necessity lose its effect on mankind, with incalculable harm to human progress. In their struggle for the ethical good, teachers of religion must have the stature to give up the doctrine of a personal God, that is, give up that source of fear and hope which in the past placed such vast power in the hands of priests. In their labors they will have to avail themselves of those forces which are capable of cultivating the Good, the True, and the Beautiful in humanity itself. This is, to be sure, a more difficult but an incomparably more worthy task.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

1940s, Science and Religion (1941)

“p>One translucent day I leave the city
to visit my home, the land of Champa.Here are stupas gaunt with yearning,
ancient temples ruined by time,
streams that creep alone through the dark
past peeling statues that moan of Champa.Here are dense and drooping forests
where long processions, lost souls of Champa,
march; and evening spills through thick,
fragrant leaves, mingling with the cries of moorhens.Here is the field where two great armies
were reduced to a horde of clamoring souls.
Champa blood still cascades in streams of hatred
to grinding oceans filled with Champa bones.Here too are placid images: hamlets at rest
in evening sun, Champa girls gliding homeward,
their light chatter floating
with the pink and saffron of their dresses.Here are magnificent sunbaked palaces,
temples that blaze in cerulean skies.
Here battleships dream on the glossy river, while the thunder
of sacred elephants shakes the walls.Here, in opaque light sinking through lapis lazuli,
the Champa king and his men are lost in a maze of flesh
as dancers weave, wreathe, entranced,
their bodies harmonizing with the flutes.All this I saw on my way home years ago
and still I am obsessed,
my mind stunned, sagged with sorrow
for the race of Champa.”

Chế Lan Viên (1920–1989) Vietnamese writer

"On the Way Home", in A Thousand Years of Vietnamese Poetry, ed. Nguyễn Ngọc Bích (Alfred A. Knopf, 1975), p. 167; quoted in full in Buddhism & Zen in Vietnam by Thich Thien-an (Tuttle Publishing, 1992)

Neil Peart photo

“My young friend who was taught that she was so sinful the only way an angry God could be persuaded to forgive her was by Jesus dying for her, was also taught that part of the joy of the blessed in heaven is watching the torture of the damned in hell. A strange idea of joy. But it is a belief limited not only to the more rigid sects. I know a number of highly sensitive and intelligent people in my own communion who consider as a heresy my faith that God's loving concern for his creation will outlast all our willfulness and pride. No matter how many eons it takes, he will not rest until all of creation, including Satan, is reconciled to him, until there is no creature who cannot return his look of love with a joyful response of love… Origen held this belief and was ultimately pronounced a heretic. Gregory of Nyssa, affirming the same loving God, was made a saint. Some people feel it to be heresy because it appears to deny man his freedom to refuse to love God. But this, it seems to me, denies God his freedom to go on loving us beyond all our willfulness and pride. If the Word of God is the light of the world, and this light cannot be put out, ultimately it will brighten all the dark corners of our hearts and we will be able to see, and seeing, will be given the grace to respond with love — and of our own free will.”

Madeleine L'Engle (1918–2007) American writer

The Crosswicks Journal, The Irrational Season (1977)

Michael Moorcock photo
Edmund Waller photo

“The soul's dark cottage, battered and decayed,
Lets in new light through chinks that Time has made;
Stronger by weakness, wiser, men become
As they draw near to their eternal home.
Leaving the old, both worlds at once they view,
That stand upon the threshold of the new.”

Edmund Waller (1606–1687) English poet and politician

On the Divine Poems (1686). Compare: "To vanish in the chinks that Time has made", Samuel Rogers, Pæstum; "As that the walls worn thin, permit the mind
Poetical Works of Edmund Waller and Sir John Denham (1857)

Gerard Manley Hopkins photo

“That night, that year
Of now done darkness I wretch lay wrestling with (my God!) my God.”

Gerard Manley Hopkins (1844–1889) English poet

"Carrion Comfort", lines 13-14
Wessex Poems and Other Verses (1918)

Horace Bushnell photo
John Dryden photo

“Than a successive title long and dark,
Drawn from the mouldy rolls of Noah's ark.”

Pt 1, line 301.
The Hind and the Panther (1687)

Hans Arp photo

“It was Sophie [Taeuber] who, by the example of her work and her life, both of them bathed in clarity, showed me the right way. In her world, the high and the low, the light and the dark, the eternal and the ephemeral, are balanced in prefect equilibrium.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

In 'Unsern täglichen Traum', Hans Arp (1914 - 1954); p. 76; as quoted in Arp, ed. Serge Fauchereau, Ediciones Poligrafa, S. A., Barcelona 1988, p. 11
1960s

Kalpana Chawla photo
Mark Tobey photo
Pope Benedict XVI photo
Bayard Taylor photo

“Knowledge alone is the being of Nature,
Giving a soul to her manifold features,
Lighting through paths of the primitive darkness,
The footsteps of Truth and the vision of Song.”

Bayard Taylor (1825–1878) United States poet, novelist and travel writer

Kilimandjaro (1852), Stanza 2; later published in The Poetical Works of Bayard Taylor (1907), p. 73.

Edward Elgar photo

“The enigma I will not explain – its "dark saying" must be left unguessed, and I warn you that the apparent connection between the variations and the theme is often of the slightest texture.”

Edward Elgar (1857–1934) English composer

Elgar's programme note to the Enigma Variations, quoted in Simon Mundy Elgar (London: Omnibus Press, [1980] 2001) p. 64.

Al-Mutanabbi photo
Philip Pullman photo
Brian Clevinger photo
Robin Sloan photo
Letitia Elizabeth Landon photo

“She had always thought she would be like her father, and fancied a tall, dark, and handsome face.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Eric R. Kandel photo
Peter Kropotkin photo
Martin Niemöller photo
Frank McCourt photo
Iltutmish photo
Taliesin photo
Stephen King photo
George Eliot photo
Joseph Conrad photo

“This stretch of the Thames from London Bridge to the Albert Docks is to other watersides of river ports what a virgin forest would be to a garden. It is a thing grown up, not made. It recalls a jungle by the confused, varied, and impenetrable aspect of the buildings that line the shore, not according to a planned purpose, but as if sprung up by accident from scattered seeds. Like the matted growth of bushes and creepers veiling the silent depths of an unexplored wilderness, they hide the depths of London’s infinitely varied, vigorous, seething life. In other river ports it is not so. They lie open to their stream, with quays like broad clearings, with streets like avenues cut through thick timber for the convenience of trade… But London, the oldest and greatest of river ports, does not possess as much as a hundred yards of open quays upon its river front. Dark and impenetrable at night, like the face of a forest, is the London waterside. It is the waterside of watersides, where only one aspect of the world’s life can be seen, and only one kind of men toils on the edge of the stream. The lightless walls seem to spring from the very mud upon which the stranded barges lie; and the narrow lanes coming down to the foreshore resemble the paths of smashed bushes and crumbled earth where big game comes to drink on the banks of tropical streams.Behind the growth of the London waterside the docks of London spread out unsuspected, smooth, and placid, lost amongst the buildings like dark lagoons hidden in a thick forest. They lie concealed in the intricate growth of houses with a few stalks of mastheads here and there overtopping the roof of some four-story warehouse.”

London Bridge to the Royal Albert Dock
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Pauline Kael photo
Thomas Carlyle photo
Thomas Brooks photo
Jane Roberts photo
Ernst Ludwig Kirchner photo

“Down there it's still Summer, I suppose, whereas our sun [in Switzerland] is already gilding the mountains and the larches are turning yellow, but the colours are wonderful, like old, dark red satin. Down here in the valley the huts stand out in the strongest Paris blue against the yellow fields. Here one really learns the values of the individual colours for the first time. And the harsh, monumental lines of the mountains.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Letter to Nele van de Velde ((daughter of Henry van de Velde), from Frauenkirch, 13 October 1918; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 223-224
1916 - 1919

Cat Stevens photo
Ray Bradbury photo
Derren Brown photo
Miranda July photo

“I wanted to make the movie feel like life feels to me — and life feels both sad and dark and confusing and more than hopeful — it feels like something totally incredible could happen at any moment and with no explanation.”

Miranda July (1974) American performance artist, musician and writer

On her film Me and You and Everyone We Know (2005), in an interview at Apple.com http://www.apple.com/finalcutstudio/in-action/?movie=july

Richard Watson Gilder photo

“Through love to light! Oh wonderful the way
That leads from darkness to the perfect day!”

Richard Watson Gilder (1844–1909) editor

After-song (1894), reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Hermann Samuel Reimarus photo
Richard Rodríguez photo
Laraine Day photo
Paul Klee photo

“The harbor and city.... were behind us [Klee's first glimpse of Tunis], slightly hidden. First, we passed down a long canal. On shore, very close, our first Arabs. The sun has a dark power. The colorful clarity on shore full of promise. Macke too feels it. We both know that we shall work well here.”

Paul Klee (1879–1940) German Swiss painter

Diary-note, 7 April 1914; as quoted by June Taboroff, on 'AramcoWorld', May, June 1991 http://archive.aramcoworld.com/issue/199103/travels.in.tunisia.htm
1911 - 1914, Diary-notes from Tunisia' (1914)

Samuel Taylor Coleridge photo

“Forth from his dark and lonely hiding place
(Portentous-sight!) the owlet Atheism,
Sailing an obscene wings athwart the noon,
Drops his blue-fringèd lids, and holds them close,
And hooting at the glorious sun in Heaven,
Cries out, "Where is it?"”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

" Fears in Solitude http://etext.lib.virginia.edu/stc/Coleridge/poems/Fears_in_Solitude.html", l. 81 (1798)

Zell Miller photo

“Lyndon Johnson is a Southerner who sold his birthright for a mess of pottage|mess of dark pottage.”

Zell Miller (1932–2018) Politician and United States Marine Corps officer

During his 1964 Congressional race. History News Network http://hnn.us/roundup/comments/7534.html

Henry Wadsworth Longfellow photo

“Thy fate is the common fate of all;
Into each life some rain must fall,
Some days must be dark and dreary.”

"The Rainy Day", Bentley's Miscellany ( December 1841 http://books.google.com/books?id=pW8AAAAAYAAJ&q=%22Thy+fate+is+the+common+fate+of+all+Into+each+life+some+rain+must+fall+some+days+must+be+dark+and+dreary%22&pg=PA626#v=onepage).

Conrad Aiken photo
Statius photo

“May that day perish from Time's record, nor future generations believe it! Let us at least keep silence, and suffer the crimes of our own house to be buried deep in whelming darkness.”
Excidat illa dies aevo nec postera credant saecula. nos certe taceamus et obruta multa nocte tegi propriae patiamur crimina gentis.

ii, line 88 (tr. J. H. Mozley)
Silvae, Book V

“Alone he rides, alone,
The fair and fatal king:
Dark night is all his own,
That strange and solemn thing.”

Lionel Johnson (1867–1902) English poet

By the Statue of King Charles at Charing Cross (1895)

Abby Sunderland photo
Anthony Burgess photo
Ray Nagin photo

“You take dark chocolate, you mix it with white milk, and it becomes a delicious drink. That is the chocolate I am talking about.”

Ray Nagin (1956) politician, businessman

Explaining the previous remarks. http://news.bbc.co.uk/2/hi/americas/4622038.stm
2006

Miguel de Unamuno photo

“Warmth, warmth, more warmth! for we are dying of cold and not of darkness. It is not the night that kills, but the frost.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), XI : The Practical Problem

Giovanni Pico della Mirandola photo

“Oh unsurpassed generosity of God the Father, Oh wondrous and unsurpassable felicity of man, to whom it is granted to have what he chooses, to be what he wills to be! The brutes, from the moment of their birth, bring with them, as Lucilius says, “from their mother’s womb” all that they will ever possess. The highest spiritual beings were, from the very moment of creation, or soon thereafter, fixed in the mode of being which would be theirs through measureless eternities. But upon man, at the moment of his creation, God bestowed seeds pregnant with all possibilities, the germs of every form of life. Whichever of these a man shall cultivate, the same will mature and bear fruit in him. If vegetative, he will become a plant; if sensual, he will become brutish; if rational, he will reveal himself a heavenly being; if intellectual, he will be an angel and the son of God. And if, dissatisfied with the lot of all creatures, he should recollect himself into the center of his own unity, he will there become one spirit with God, in the solitary darkness of the Father, Who is set above all things, himself transcend all creatures.”
O summam Dei patris liberalitatem, summam et admirandam hominis foelicitatem! Cui datum id habere quod optat, id esse quod velit. Bruta simul atque nascuntur id secum afferunt (ut ait Lucilius) e bulga matris quod possessura sunt. Supremi spiritus aut ab initio aut paulo mox id fuerunt, quod sunt futuri in perpetuas aeternitates. Nascenti homini omnifaria semina et omnigenae vitae germina indidit Pater. Quae quisque excoluerit illa adolescent, et fructus suos ferent in illo. Si vegetalia planta fiet, si sensualia obrutescet, si rationalia caeleste evadet animal, si intellectualia angelus erit et Dei filius. Et si nulla creaturarum sorte contentus in unitatis centrum suae se receperit, unus cum Deo spiritus factus, in solitaria Patris caligine qui est super omnia constitutus omnibus antestabit.

6. 24-31; translation by A. Robert Caponigri
Alternate translation of 6. 28-29 (Nascenti homini omnifaria semina et omnigenae vitae germina indidit Pater. Quae quisque excoluerit illa adolescent, et fructus suos ferent in illo.):
The Father infused in man, at birth, every sort of seed and sprouts of every kind of life. These seeds will grow and bear their fruit in each man who will cultivate them.
Oration on the Dignity of Man (1496)

Alicia Witt photo

“The night was long and dark and just
Another dagger to my trust.
I thrust it in until I bleed
I wiped my point for you to see. And anyway,
It's over now.
Nothing left to say.”

Alicia Witt (1975) American actress

"Anyway" Official Video http://vimeo.com/12147261 - Performance on The Late Late Show with Craig Ferguson (1 July 2010) http://www.youtube.com/watch?v=3TduFqUob4o
Lyrics, Alicia Witt (2009)
Context: I'm bruised again,
I wear it well,
The self-inflicted tale they tell.
I singed my hair,
I broke my nails.
You'd love me then,
If all else failed.
The night was long and dark and just
Another dagger to my trust.
I thrust it in until I bleed
I wiped my point for you to see. And anyway,
It's over now.
Nothing left to say.
I don't know why,
I don't care how,
It's over anyway.
It's broken in pieces.
You've got the space you needed.
Too late to try,
Just say good-bye
It's over anyway.

Eddie Izzard photo
Nat King Cole photo

“Madison Avenue is afraid of the dark.”

Nat King Cole (1919–1965) American singer and jazz pianist

Comment on why his hit NBC TV show couldn't get a national sponsor. (1956) Quoted in article http://www.songwritershalloffame.org/award_recipient_detail.asp?awardRecipientId=44&ceremonyId=4 at the Songwriters Hall of Fame

Blu photo

“I was told you either stand or you fall, as long as you know when you walk you holding' hands with a god. That alone can turn the dark to a walk in the park.”

Blu (1983) American rapper and music producer

The World Is (Below the Heavens)
Below the Heavens (2007)

Enda Kenny photo

“The incoming government is not going to leave our people in the dark. Paddy likes to know what the story is.”

Enda Kenny (1951) Irish Fine Gael politician and Taoiseach

During an election count interview with Richard Crowley on RTÉ Television on 26 February 2011.
“Paddy likes to know what the story is” – Ireland’s Taoiseach-in-waiting promises to tell the truth http://www.thejournal.ie/paddy-likes-to-know-what-the-story-is-irelands-taoiseach-in-waiting-promises-to-tell-the-truth-92285-Feb2011/ TheJournal.ie, 2011-02-26.
Ministers would like Paddy to know that they didn't know at all, at all http://www.independent.ie/opinion/analysis/ministers-would-like-paddy-to-know-that-they-didnt-know-at-all-at-all-30138535.html Sunday Independent, 2014-03-30.
Ireland's historic election: What they said http://www.spotlight-online.de/news/politics/irelands-historic-election-what-they-said Spotlight: Einfach Englisch! 2011-02-28.
2010s

Alan Keyes photo
John Buchan photo
Frederick Douglass photo
Colette Dowling photo
Robert Penn Warren photo
Jean Metzinger photo
Robert Herrick photo

“Night makes no difference 'twixt the Priest and Clerk;
Joan as my Lady is as good i' the dark.”

"No Difference i' th' Dark".
Hesperides (1648)

Tila Tequila photo
Bram van Velde photo

“I am powerless, helpless. Each time it’s a leap in the dark. A deliberate encounter with the unknown.”

Bram van Velde (1895–1981) Dutch painter

1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)

Isaac Rosenberg photo
Ralph Waldo Emerson photo
Octavio Paz photo
Albert Pike photo
Walther von der Vogelweide photo

“The world is beautiful outside: white, green, and red; but inside it is black and dark as death.”

Walther von der Vogelweide (1170–1230) Middle High German lyric poet

Diu welt ist ûzen schoene wîz grüen unde rôt
und innân swarzer varwe vinster sam der tôt.
"Owe war sint verswunden alliu mîniu jâr", line 37; translation from George Fenwick Jones Walther von der Vogelweide (New York: Twayne, 1968) p. 136.

Leo Tolstoy photo
Amir Khusrow photo
Manav Gupta photo
Georg Christoph Lichtenberg photo
Robert Southey photo
Bruce Springsteen photo
Aristarchus of Samos photo
Gabriel García Márquez photo
Peter Gabriel photo

“I'm waiting for ignition, I'm looking for a spark
Any chance collision and I light up in the dark
There you stand before me, all that fur and all that hair
Oh, do I dare… I have the touch.”

Peter Gabriel (1950) English singer-songwriter, record producer and humanitarian

I Have The Touch
Song lyrics, Peter Gabriel (IV), Security (1982)

Francis Parkman photo
Derren Brown photo
Nalo Hopkinson photo
Carole Morin photo
Cassandra Clare photo
Thomas Moore photo
John Shelby Spong photo