Quotes about crowd
page 7

Bobby Fischer photo
George Sarton photo
George W. Bush photo

“This is an impressive crowd — the haves and the have-mores. Some people call you the elites; I call you my base.”

George W. Bush (1946) 43rd President of the United States

Speech at the Al Smith Dinner for charity (October 20, 2000), as quoted in "Bush And Gore Do New York" (CBS) http://www.cbsnews.com/stories/2000/10/18/politics/main242210.shtml (October 20, 2000); also in Michael Moore's Fahrenheit 9/11.
2000s, 2000

Steve McManaman photo
Thomas Jefferson photo
Sri Aurobindo photo
Anna Akhmatova photo
Al Gore photo
Brad Paisley photo

“Me neither.
I'm glad that we agree.
Believe me,
That's a big relief.
Well, this place is awful crowded
And this music is so loud.
Would you like to go and grab a bite to eat?
Me neither.”

Brad Paisley (1972) American country music singer

Me Neither written by Brad Paisley, Chris DuBois and Frank Rogers.
Song lyrics, Who Needs Pictures (1999)

Stephen Colbert photo
Jim Morrison photo
Wendy Doniger photo
Derek Mahon photo

“And in a disused shed in Co. Wexford,
Deep in the grounds of a burnt-out hotel,
Among the bathtubs and the washbasins
A thousand mushrooms crowd to a keyhole.”

Derek Mahon (1941) Poet

Poem A Disused Shed in Co. Wexford (lines 10-13); in The Oxford Book of Contemporary Verse ed. D. J. Enright

Annie Besant photo

“Liberty is a great celestial Goddess, strong, beneficent, and austere, and she can never descend upon a nation by the shouting of crowds, nor by arguments of unbridled passion, nor by the hatred of class against class.”

Annie Besant (1847–1933) British socialist, theosophist, women's rights activist, writer and orator

The Political Thought of Annie Besant http://books.google.co.in/books?id=p-j4fWQxpGIC&pg=PA104, p. 104

Nigel Cumberland photo

“Unless you think that the majority of people are living successful lives, chances are that at some point you will have to act differently from those around you. Success can take many forms and it is often about standing out from the crowd or being above average, spotting when the crowd moves one way and making sure that you move the other.”

Nigel Cumberland (1967) British author and leadership coach

Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE

Aurangzeb photo
Robert Delaunay photo
Edward Gibbon photo

“Crowds without company, and dissipation without pleasure.”

Edward Gibbon (1737–1794) English historian and Member of Parliament

Referring to London.
Memoirs (1796)

Conrad Aiken photo
William Blake photo
John Fante photo
Billy Joel photo
Revilo P. Oliver photo
Fred Astaire photo

“They climb the clouds/ To come through with airmail/ The dancing crowds/ Look up to some rare male/ Like that Astaire male.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

from Lorenz Hart's title number to On Your Toes.

Hayley Williams photo

“"Boys! Hey boys out there: NEVER kiss a girl unless she says she… wants you to! Alright?!" "Never kiss a girl again. Unless she tells you she wants you to." (To the crowd, about a fan who just kissed her, and then to that boy)”

Hayley Williams (1988) American singer-songwriter and musician

Honda Civic Tour, Phoenix AZ, September 15th, 2010. http://www.youtube.com/watch?v=C2bhqOIZkLk&feature=related

Bert McCracken photo
Morrissey photo

“JU: Are you thin still?
M: Um, in a crowd, yes. In a crowd of very heavy people.”

Morrissey (1959) English singer

From "LA Confidential", interview by Jaan Uhelszki, Mojo (April 2001)
In interviews etc., About himself and his work

Fernand Léger photo
Wisława Szymborska photo

“My dreams — even they're not as populous as they should be.
They hold more solitude than noisy crowds.”

Wisława Szymborska (1923–2012) Polish writer

"A Large Number"
Poems New and Collected (1998), A Large Number (1976)

Everett Dean Martin photo
Everett Dean Martin photo
Roger Manganelli photo
Alan Keyes photo
Kim Wilde photo
Johannes Kepler photo

“He who will please the crowd and for the sake of the most ephemeral renown will either proclaim those things which nature does not display or even will publish genuine miracles of nature without regard to deeper causes is a spiritually corrupt person… With the best of intentions I publicly speak to the crowd (which is eager for things new) on the subject of what is to come.”

Johannes Kepler (1571–1630) German mathematician, astronomer and astrologer

Translation by an unknown person, from De fundamentis astrologiae certioribus, ibid., from the foreword

Ref: en.wikiquote.org - Johannes Kepler / Mysterium Cosmographicum (1596) / De fundamentis astrologiae certioribus (1601)

Conrad Aiken photo
Charles Dickens photo
Leo Tolstoy photo
Thomas Sowell photo
J. William Fulbright photo
Pierre-Auguste Renoir photo

“He Corot was always surrounded by a crowd of fools and I didn't want to get caught up in it. I admired him from a distance.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Source: undated quotes, Renoir – his life and work, 1975, p. 12 : Renoir's remark to Vollard referring to the pre-impressionist landscape-painter Camille Corot.

Letitia Elizabeth Landon photo
Joseph Conrad photo
William Golding photo
Willa Cather photo
Chris Cornell photo
Grant Morrison photo
Charles Bukowski photo
Alexander Pope photo
Joseph Strutt photo
Joseph Goebbels photo

“My God is a God of strength. HE does not like the smell of frankincense and the dishonoring crawl of the crowd. I stand before HIM proudly, with the head held high, as HE created me, and I profess gladly and freely before HIM. The true German seeks God for all of his life.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Mein Gott ist ein Gott der Stärke. Er mag nicht den Weihrauchdampf und das entehrende Kriechen der Menge. Ich stehe vor ihm stolz erhobenen Hauptes, wie er mich erschaffen hat, und bekenne mich freudig und frei vor ihm. Der wahre Deutsche bleibt Zeit seines Lebens ein Gottsucher.
Michael: a German fate in diary notes (1926)

Thomas Robert Malthus photo
Jared Diamond photo
William S. Burroughs photo

“A ghost in daylight on a crowded street.”

Junkie (1953)

Amir Taheri photo
Ralph Waldo Emerson photo

“How can he [today’s writer] be honored, when he does not honor himself; when he loses himself in the crowd; when he is no longer the lawgiver, but the sycophant, ducking to the giddy opinion of a reckless public.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

“Goethe; or, the Writer,” p. 274
1850s, Representative Men (1850)

Anthony Trollope photo
Ron Paul photo
Lydia Maria Child photo
John Kennedy Toole photo
Harbhajan Singh photo

“We have grown up playing on Indian conditions, we know the crowd, what is a defendable score and what is a chaseable target, while playing in home conditions has its challenges especially the expectations of the people, at the same time it also lifts you up to perform bette”

Harbhajan Singh (1980) Indian cricketer

Singh on playing at home grounds in cricket, quoted on sports.ndtv, "Harbhajan Singh Says he Urged Mahendra Singh Dhoni to Bat up the Order in Asia Cup Final" http://sports.ndtv.com/asia-cup-2016/news/256271-harbhajan-singh-says-he-urged-mahendra-singh-dhoni-to-bat-up-the-order-in-asia-cup-final, March 8, 2016.

Robert Seymour Bridges photo

“Whither, O splendid ship, thy white sails crowding,
Leaning across the bosom of the urgent West,
That fearest nor sea rising, nor sky clouding,
Whither away, fair rover, and what thy quest?”

Robert Seymour Bridges (1844–1930) British writer

Bk. II, No. 2, A Passer-By http://www.bartleby.com/101/835.html, st. 1 (1879).
Shorter Poems (1879-1893)

Peter Greenaway photo
Umberto Boccioni photo
Mike Oldfield photo
Benjamin N. Cardozo photo
Donald J. Trump photo
Theodore Kaczynski photo
George William Russell photo
Letitia Elizabeth Landon photo
David Lynch photo

“Speaking in front of a large crowd is not pleasant. Once it gets rolling, it's okay. But beforehand, it's murder. I'm getting a lot better. The first interview I ever did was in 1972, I believe, and I couldn't speak. I couldn't speak one word. I only said, "I painted it black."”

David Lynch (1946) American filmmaker, television director, visual artist, musician and occasional actor

That was my one sentence. And so I have improved.
GreenCine interview (16 November 2005) http://www.greencine.com/article?action=view&articleID=254

Basava photo

“In a brahmin house
where they feed the fire as a god
when the fire goes wild and burns the house
they splash on it
the water of the gutter and the dust of the street,
beat their breasts
and call the crowd.
These men then forget their worship
and scold their fire,
O lord of the meeting rivers!”

Basava (1134–1196) a 12th-century Hindu philosopher, statesman, Kannada Bhakti poet of Lingayatism

Basava’s saying in his “The Lord of the Meeting Rivers: Devotional Poems of Basavanna” quoted in The Lord of the Meeting Rivers Quotes, 23 November 2013, Goodreads.com http://www.goodreads.com/work/quotes/3772282-the-lord-of-the-meeting-rivers-devotional-poems-of-basavanna,

A. P. Herbert photo
David C. McClelland photo

“From the top of the campanile, or Giotto's bell tower, in Florence, one can look out over the city in all directions, past the stone banking houses where the rich Medici lived, past the art galleries they patronized, past the magnificent cathedral and churches their money helped to build, and on to the Tuscan vineyards where the contadino works the soil as hard and efficiently as he probably ever did. The city below is busy with life. The university halls, the shops, the restaurants are crowded. The sound of Vespas, the "wasps" of the machine age, fills the air, but Florence is not today what it once was, the center in the 15th century of a great civilization, one of the most extraordinary the world has ever known. Why? ­­What produced the Renaissance in Italy, of which Florence was the center? How did it happen that such a small population base could produce, in the short span of a few generations, great historical figures first in commerce and literature, then in architecture, sculpture and painting, and finally in science and music? Why subsequently did Northern Italy decline in importance both commercially and artistically until at the present time it is not particularly distinguished as compared with many other regions of the world? Certainly the people appear to be working as hard and energetically as ever. Was it just luck or a peculiar combination of circumstances? Historians have been fascinated by such questions ever since they began writing history, because the rise and fall of Florence or the whole of Northern Italy is by no means an isolated phenomenon.”

David C. McClelland (1917–1998) American psychological theorist

Source: The Archiving Society, 1961, p. 1; lead paragraph, about the problem

Richard Holbrooke photo
Thomas Carlyle photo
Phil Brooks photo

“Punk: Hey, Jeff. Jeff, aren't you nervous sitting way up there so… high? Especially in the condition you're in, and by "condition", I mean that you're probably drunk right now, just like all these people here tonight. (Crowd boos) Yeah, that's something to be proud of, I mean, you'd have to be under the influence to stomach this "live in the moment" crap that you spew. What's living in the moment gotten you, Jeff? I know it got you a night in a hospital, and for what? The adulation of these people? One brief moment of attention? (Crowd chants "Hardy") You know, I don't know what's more pathetic—all these people hanging on your every word, waiting for the next pitiful example for you to set that they can lead, or you and your egotistical addiction to their cheers and support and adulation. Listen, listen to them, Jeff. They actually believe that you can beat me at SummerSlam. (Crowd cheers)
Jeff: So do I.
Punk: So does our general manager. Teddy Long's the guy that said TLC is your match. It's Jeff Hardy's match, everybody. They're right, it is your match. This TLC is your last match. I know what I have to accomplish to get everything I want. When I beat you at SummerSlam and I take back my World Heavyweight Title, it will validate everything I've said in the past. I will prove once and for all, beyond the shadow of a doubt, that straight edge is the right way, that straight edge means I'm better than you. Jeff, I have to get rid of you to teach these people the difference between right and wrong. I have to get rid of you to teach them how to say, "just say no." I have to get rid of you so they stop living in your moment, and they wake up, and they start living in my reality. Make no mistake about it, Jeff; there's no turning back from this point on. You can talk about the space from the top of that ladder to this mat, but from here on out, there's nothing left. At SummerSlam, I will hurt you, and I will remove you and the stain of all your bad examples from the WWE forever.
Jeff: Punk, you can't destroy me, you can't destroy what I've created over my ten years here. Kansas City's not gonna listen to you. You won't beat me at SummerSlam, Punk. I will prove that I'm better than you in my specialty: Tables, Ladders, & Chairs.
Punk: You're right, Jeff. You know what, you wouldn't be here if it wasn't for them, because you need them to enable you. You need them to justify your reckless behavior with their support and their cheers, just like they need you to somehow justify their reckless behavior, with their smoking and their drinking and their use of prescription medication. They try in vain to live vicariously through a man who, by way of his lifestyle, thinks he can fly.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Interrupting Jeff Hardy's promo from the top of a ladder. August 21, 2009.
Friday Night SmackDown

Boris Johnson photo
Rose Wilder Lane photo
George W. Bush photo

“If you want to kill the bill, if you don't want to do what's right for America, you can pick one little aspect out of it, you can use it to frighten people. Or you can show leadership and solve this problem once and for all, so the people who wear the uniform in this crowd can do the job we expect them to do.”

George W. Bush (1946) 43rd President of the United States

Speaking at the Federal Law Enforcement Training Center regarding the proposed immigration bill http://georgewbush-whitehouse.archives.gov/news/releases/2007/05/20070529-7.html (May 29, 2007)
2000s, 2007

Frances Kellor photo
Mona Charen photo
Lyndon B. Johnson photo

“Johnson: What do you think about this Vietnam thing? I’d like to hear you talk a little bit.
Russell: Well, frankly, Mr. President, it’s the damn worse mess that I ever saw, and I don’t like to brag and I never have been right many times in my life, but I knew that we were going to get into this sort of mess when we went in there. And I don’t see how we’re ever going to get out of it without fighting a major war with the Chinese and all of them down there in those rice paddies and jungles. I just don’t see it. I just don’t know what to do.
Johnson: Well, that’s the way I have been feeling for six months.
Russell: Our position is deteriorating and it looks like the more we try to do for them, the less they are willing to do for themselves. It is a mess and it’s going to get worse, and I don’t know how or what to do. I don’t think the American people are quite ready for us to send our troops in there to do the fighting. If I was going to get out, I’d get the same crowd that got rid of old Diem [the Vietnamese prime minister who was overthrown and assassinated in 1963] to get rid of these people and to get some fellow in there that said we wish to hell we would get out. That would give us a good excuse for getting out.
Johnson: How important is it to us?
Russell: It isn’t important a damn bit for all this new missile stuff.
Johnson: I guess it is important.
Russell: From a psychological standpoint. Other than the question of our word and saving face, that’s the reason that I said that I don’t think that anybody would expect us to stay in there. It’s going to be a headache to anybody that tries to fool with it. You’ve got all the brains in the country, Mr. President—you better get ahold of them. I don’t know what to do about this. I saw it all coming on, but that don’t do any good now, that’s water over the dam and under the bridge. And we are there.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, Telephone call with Senator Richard Russell (May 27, 1964)

Benito Mussolini photo

“My labor had not been easy nor light; our Masonry had spun a most intricate net of anti-religious activity; it dominated the currents of thought; it exercised its influence over publishing houses, over teaching, over the administration of justice and even over certain dominant sections of the armed forces. To give an idea of how far things had gone, this significant example is sufficient. When, in parliament, I delivered my first speech of November 16, 1922, after the Fascist revolution, I concluded by invoking the assistance of God in my difficult task. Well, this sentence of mine seemed to be out of place! In the Italian parliament, a field of action for Italian Masonry, the name of God had been banned for a long time. Not even the Popular party — the so-called Catholic party — had ever thought of speaking of God. In Italy, a political man did not even turn his thoughts to the Divinity. And, even if he had ever thought of doing so, political opportunism and cowardice would have deterred him, particularly in a legislative assembly. It remained for me to make this bold innovation! And in an intense period of revolution! What is the truth! It is that a faith openly professed is a sign of strength. I have seen the religious spirit bloom again; churches once more are crowded, the ministers of God are themselves invested with new respect. Fascism has done and is doing its duty.”

1920s
Source: My Autobiography (1928)

GG Allin photo
Thomas Fuller (writer) photo

“62. A Crowd is not Company.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

“The Hindus of this region had been victims of Muslim high-handedness for a long time, particularly in respect of their women. Murshid Qulî Khãn, the faujdãr of Mathura who died in 1638, was notorious for seizing “all their most beautiful women” and forcing them into his harem. “On the birthday of Krishna,” narrates Ma’sîr-ul-Umara, “a vast gathering of Hindu men and women takes place at Govardhan on the Jumna opposite Mathura. The Khan, painting his forehead and wearing dhoti like a Hindu, used to walk up and down in the crowd. Whenever he saw a woman whose beauty filled even the moon with envy, he snatched her away like a wolf pouncing upon a flock, and placing her in the boat which his men kept ready on the bank, he sped to Agra. The Hindu [for shame] never divulged what had happened to his daughter.” Another notorious faujdãr of Mathura was Abdu’n Nabî Khãn. He plundered the people unscrupulously and amassed great wealth. But his worst offence was the pulling down of the foremost Hindu temple in the heart of Mathura and building a Jãmi‘ Masjid on its site. This he did in AD 1660-61. Soon after, in 1665, Aurangzeb imposed a pilgrim tax on the Hindus. In 1668, he prohibited celebration of all Hindu festivals, particularly Holi and Diwali. The Jats who rightly regarded themselves as the defenders of Hindu hounour were no longer in a mood to take it lying. (Jadunath Sarkar, History of Aurangzeb, Vol. III, Calcutta, 1972 )”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

Dejan Stojanovic photo

“And this that you call solitude is in fact a big crowd.”

Dejan Stojanovic (1959) poet, writer, and businessman

"The Shape and Society," p. 19
The Shape (2000), Sequence: “Happiness of Atoms”