Quotes about critic
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William Glasser photo

“The most destructive habit [to relationships] is criticizing; next comes blaming, but any of the habits are more than capable of disconnecting you from a person you want to be close with.”

William Glasser (1925–2013) American psychiatrist

Source: Unhappy Teenagers A Way for Parents and Teachers to Reach Them (2002), p.14

Alan M. Dershowitz photo

“Dershowitz: The Israeli military then did an analysis, and they discovered, of course, that when they dropped that bomb and killed those people, they had no idea that those people were in the building, and the people who made the decision to drop the bomb were criticized and disciplined for it. The point I make is, when they knew, for sure, that family members were there, they withheld doing it. That doesn't deny the fact that on occasion they will accidentally make a decision that's wrong. The difference is deliberateness, willfulness…
Norman Finkelstein: …That was a nice fairy tale, dropping a 1 ton bomb on a densely populated civilian neighborhood in Gaza, and they had no idea that civilians would be there. And then he goes on to fantasy #2, that those who did it were disciplined. Really, Mr. Dershowitz? I'd love the evidence for that. I mean, if I could get $10,000 for every one of your fraudulent statements…”

Alan M. Dershowitz (1938) American lawyer, author

Never Before Aired: Watch PART II of the debate between Finkelstein and Dershowitz http://www.normanfinkelstein.com/article.php?pg=11&ar=109 (archive located here http://web.archive.org/web/20120814094352/http://www.normanfinkelstein.com/never-before-aired-watch-part-ii-of-the-debate-between-finkelstein-and-dershowitz/ is a continuation of part 1 http://web.archive.org/web/20120910213955/http://www.democracynow.org/2003/9/24/scholar_norman_finkelstein_calls_professor_alan) published 2003-9-24

Revilo P. Oliver photo
Northrop Frye photo

“The only way to forestall the work of criticism is through censorship, which has the same relation to criticism that lynching has to justice.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", Anatomy of Criticism: Four Essays (1957), Polemical Introduction

Arthur Quiller-Couch photo
Ken Kutaragi photo

“I believe we made the most beautiful thing in the world. Nobody would criticize a renowned architect's blueprint that the position of a gate is wrong. It's the same as that.”

Ken Kutaragi (1950) Japanese businessman

In response to the original PSP units' square button problems https://www.gamespot.com/articles/gamers-report-psp-malfunction/1100-6116985/

Irshad Manji photo
John Steinbeck photo
Brian Leiter photo
Albert O. Hirschman photo
John Steinbeck photo
Gordon B. Hinckley photo
Eric Hobsbawm photo

“Unlike the word 'communist', which always signified a programme, the word 'socialist' was primarily analytical and critical.”

Eric Hobsbawm (1917–2012) British academic historian and Marxist historiographer

How To Change the World: Reflections on Marx and Marxism (2011)

Mani Madhava Chakyar photo
G. K. Chesterton photo

“What embitters the world is not excess of criticism, but absence of self-criticism.”

G. K. Chesterton (1874–1936) English mystery novelist and Christian apologist

"On Bright Old Things — and Other Things" in Sidelights on New London and Newer New York : And Other Essays (1932)

Henry Adams photo

“True artists, turned critics, think also less of rules than of values.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

William Empson photo

“Johnson, Hazlitt and Empson are the greatest English critics of their respective centuries not least because they are the funniest.”

William Empson (1906–1984) English literary critic and poet

Jonathan Bate, in the London Review of Books January 24, 1991.
Criticism

James O'Keefe photo
Peter Sloterdijk photo
Piet Mondrian photo

“I am searching for the proper harmony of rhythm and unchanging proportion, as I wrote in the article. And I cannot tell you how difficult it is. [Mondrian is reacting on Van Doesburg criticism of the strong domination of the regular grid in Mondrian's latest paintings]”

Piet Mondrian (1872–1944) Peintre Néerlandais

In Mondrian's letter to Theo van Doesburg, Paris, 16 September 1919; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 171
1910's

Everett Dean Martin photo

“Education is emancipation from herd opinion, self-mastery, capacity for self-criticism, suspended judgment, and urbanity.”

Everett Dean Martin (1880–1941)

Preface p. vii
The Meaning of a Liberal Education (1926)

Donald J. Trump photo
Rudolph Rummel photo
Arthur Guirdham photo
J. B. Bury photo
Neal Stephenson photo

“For a Westerner to trash Western culture is like criticizing our nitrogen/oxygen atmosphere on the grounds that it sometimes gets windy, and besides, Jupiter's is much prettier. You may not realize its advantages until you're trying to breathe liquid methane.”

Neal Stephenson (1959) American science fiction writer

Wired 2.02: In the Kindom of Mao Bell http://www.wired.com/wired/archive/2.02/mao.bell.html?pg=2&topic=&topic_set=

Mani Madhava Chakyar photo

““Eyes, what an eloquent pair he has! He is able to express with them even the slightest difference in the mood”
- L. S Rajagopalan (noted art critic), 1990”

Mani Madhava Chakyar (1899–1990) Indian actor

Source: Abhinaya and Netrābhinaya, L.S Rajagopalan, Mani Madhava Chakyar- A Titan of A Thespian, Sruti- India's premier Music and Dance magazine, August 1990 issue (71), p. 17.

George Will photo

“Many of the words and numbers bandied by Obama and his administration may reflect an honest belief that the world is whatever well-intentioned people like them say about it. So, Obama's critics should reconsider their assumption that he is cynical. It is his sincerity that is scary.”

George Will (1941) American newspaper columnist, journalist, and author

Column, February 7, 2014, "President Obama's Magic Words and Numbers" http://www.washingtonpost.com/opinions/george-will-president-obamas-magic-words-and-numbers/2014/02/07/220fbc04-8f76-11e3-84e1-27626c5ef5fb_story.html at washingtonpost.com.
2010s

Aubrey Beardsley photo
Chris Cornell photo

“RockNet: Were you terribly uncomfortable at the recent Grammy Award Show?
Cornell: I don't know. It's just a strange subject. It's almost as if the music industry is patting itself on the back in a way. This was the seventh Grammy nomination for us and had we won one for our first nomination I would have had a really cool attitude about it because it would have meant that the people who were actually voting were paying attention to music for music's sake as opposed to some other reason.
I was happy that we were nominated because it was an independent record company and it was a low-profile record. We didn't win a Grammy until we'd sold several millions and it seems that what sells a lot is what wins, even though the record may or may not be any good, but that seems to be the requirement.
I'm not critical of the people who work in the music industry, and I appreciate the Grammy. (But) to me it's their party and it's not really mine. It's not for the musicians. It has more to do with the industry. You can tell after a Grammy period all the record labels and artists who won a bunch take out full-page ads in the trades gloating. That's fine. That's what they do, they sell records and they work really hard to develop careers. If they're into it, I'm not going to be disrespectful, but I'd hate for anyone to think that it's something that was a necessity for me or the rest of the band, or that it was a benchmark to us of legitimacy for us because it's not. It doesn't really matter that much to us. It seems like it's for someone else. I'd never get up and say that. If I was totally not into it, the best thing to do is to not show up.
Maybe ten years from now I'll reflect and say "wow, that happened and it was pretty unusual. Not every kid on the block gets to go up and pick up a Grammy Award."”

Chris Cornell (1964–2017) American singer-songwriter, musician

It's just one more thing to take the focus away from what we like to do, which is to write music and make records and try not to think about anything whether it's how many records we sell or what people think of us.
For us, I think the key to success for being a band and always making good records is always going to be forgetting about everything else outside our own little band.
RockNet Interview: Chris Cornell of Soundgarden, May 1, 1996 https://web.archive.org/web/19961114054327/http://www.rocknet.com/may96/soundgar.html,
Soundgarden Era

Jean Piaget photo

“The principal goal of education in the schools should be creating men and women who are capable of doing new things, not simply repeating what other generations have done; men and women who are creative, inventive and discoverers, who can be critical and verify, and not accept, everything they are offered.”

Jean Piaget (1896–1980) Swiss psychologist, biologist, logician, philosopher & academic

As quoted in Education for Democracy, Proceedings from the Cambridge School Conference on Progressive Education (1988) edited by Kathe Jervis and Arthur Tobier

Gerard O'Neill photo
Gary Snyder photo

“According to a stagist conception of progressive history (which is usually blind to its implicit teleology), the work of figures like Foucault, Derrida and other cutting-edge French theorists is often intuitively affiliated with a form of profound and sophisticated critique that presumably far surpasses anything found in the socialist, Marxist or anarchist traditions. It is certainly true and merits emphasis that the Anglophone reception of French theory, as John McCumber has aptly pointed out, had important political implications as a pole of resistance to the false political neutrality, the safe technicalities of logic and language, or the direct ideological conformism operative in the McCarthy-supported traditions of Anglo-American philosophy. However, the theoretical practices of figures who turned their back on what Cornelius Castoriadis called the tradition of radical critique—meaning anti-capitalist and anti-imperialist resistance—surely contributed to the ideological drift away from transformative politics. According to the spy agency itself, post-Marxist French theory directly contributed to the CIA’s cultural program of coaxing the left toward the right, while discrediting anti-imperialism and anti-capitalism, thereby creating an intellectual environment in which their imperial projects could be pursued unhindered by serious critical scrutiny from the intelligentsia.”

Gabriel Rockhill (1972) philosopher

"The CIA reads French Theory: On the Intellectual Labor of Dismantling the Cultural Left" (2017)

Thorstein Veblen photo
Arun Shourie photo
Gerard Manley Hopkins photo
Billy Crystal photo
George Bernard Shaw photo

“A critic recently described me, with deadly acuteness, as having 'a kindly dislike of my fellow-creatures.' Perhaps dread would have been nearer the mark than dislike; for man is the only animal of which I am thoroughly and cravenly afraid.”

George Bernard Shaw (1856–1950) Irish playwright

As quoted in George Bernard Shaw, his life and works: a critical biography (authorised), Archibald Henderson, Stewart & Kidd (1911), Chapter VII (The Art Critic), pp. 201-202
1910s

Pauline Kael photo
Matthew Arnold photo

“I am bound by my own definition of criticism: a disinterested endeavour to learn and propagate the best that is known and thought in the world.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

The Functions of Criticism at the Present Time (1864)

Camille Pissarro photo

“What I dislike is that he [= Paul Gauguin ] copied these elements from the Japanese, the Byzantine painters and others. I criticize him for not applying his synthesis to our modern philosophy which is absolutely social, anti-authoritarian and anti-mystical. - There is where the problem becomes serious. This is a step backwards; Gauguin is not a seer, he is a schemer… The symbolists also take this line! What do you think? They must be fought like the pest!”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, in a letter to his son, 20 April 1891, in Camille Pissarro - Letters to His Son Lucien, ed. John Rewald, with assistance of Lucien Pissarro – (translated from the unpublished French letters by Lionel Abel); Pantheon Books Inc. New York, second edition, 1943, p. 163
1890's

Henry Adams photo

“…but he distinctly remembered standing at the house door one summer morning in a passionate outburst of rebellion against going to school. Naturally his mother was the immediate victim of his rage; that is what mothers are for, and boys also; but in this case the boy had his mother at unfair disadvantage, for she was a guest, and had no means of enforcing obedience. Henry showed a certain tactical ability by refusing to start, and he met all efforts at compulsion by successful, though too vehement protest. He was in fair way to win, and was holding his own, with sufficient energy, at the bottom of the long staircase which led up to the door of the President's library, when the door opened, and the old man slowly came down. Putting on his hat, he took the boy's hand without a word, and walked with him, paralyzed by awe, up the road to the town. After the first moments of consternation at this interference in a domestic dispute, the boy reflected that an old gentleman close on eighty would never trouble himself to walk near a mile on a hot summer morning over a shadeless road to take a boy to school, and that it would be strange if a lad imbued with the passion of freedom could not find a corner to dodge around, somewhere before reaching the school door. Then and always, the boy insisted that this reasoning justified his apparent submission; but the old man did not stop, and the boy saw all his strategical points turned, one after another, until he found himself seated inside the school, and obviously the centre of curious if not malevolent criticism. Not till then did the President release his hand and depart.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Robert Benchley photo

“I am more the inspirational type of speller. I work on hunches rather than mere facts, and the result is sometimes open to criticism by purists.”

Robert Benchley (1889–1945) American comedian

My Ten Years in a Quandary and How They Grew (1936)

“Philosophy establishes itself as a discourse by opposition to the authority of received opinion, especially the opinions sedimented as cult and as law. Philosophy puts into question the authority of what has been handed down. It is not just that there is a critique of philosophic authorities; rather, philosophy appears to be characterized by rejection of intellectual authority as such. How is philosophy to distinguish, then, a permissible authority from those many impermissible authorities which it must reject if it is to survive?
Perhaps it would be better to avoid the quandary altogether by dismissing authority in order to consider only the "content" of the claims under consideration, regardless of their pretensions. The dismissal fails for at least two reasons. The first is that there are no claims in philosophic texts that are wholly free at least from the implicit constructions of authority. If criticism takes only the content, then it ends up with something other than the texts that have constituted the discourse of philosophy. There is no Platonic "theory of Forms" dissociable from the Platonic pedagogy, that is, from the teaching authority of the Platonic Socrates. The second reason for not being able to dismiss authority altogether is that the very criticism that wants to look only at contents will impose itself as an authority in its choice of procedure. One will still have authority, but an authority that refuses to raise any question about authority.
Perhaps the question about legitimate authority could be avoided, again, by replying that the obvious criterion for claims in philosophy is the truth. The assumption here is that access to the truth is had entirely apart from the authority of philosophical traditions. Yet it is a biographical fact that one is brought into philosophy by education. First principles are learned most often not by simple observation or by the natural light of reason, but under the tutelage of some authoritative tradition.”

Authority and persuasion in philosophy (1985)

“Two aspects of this work process are of critical importance.”

Charles Perrow (1925–2019) American sociologist

1960s, "Hospitals: technology, structure and goals", 1965

“It is a barren kind of criticism which tells you what a thing is not.”

Alfred Whitney Griswold (1906–1963) American historian

Rufus Wilmot Griswold, as quoted in Intuitions and Summaries of Thought (1862) by Christian Nestell Bovee, p. 132.
Misattributed

Geert Wilders photo
Calvin Coolidge photo
Robert Moses photo

“Those who can, build. Those who can't, criticize.”

Robert Moses (1888–1981) American urban planner

Quoted in his obituary in the New York Times http://www.nytimes.com/learning/general/onthisday/bday/1218.html

Elon Musk photo
Paulo Freire photo

“Critical and liberating dialogue, which presupposes action, must be carried on with the oppressed at whatever the stage of their struggle for liberation.”

Paulo Freire (1921–1997) educator and philosopher

Pedagogia do oprimido (Pedagogy of the Oppressed) (1968, English trans. 1970)

Peter Sloterdijk photo
Ingmar Bergman photo
Fred Astaire photo
Maxime Bernier photo

“This title is unacceptably misleading, @CTVNews. I did not criticize “diversity” but rather “more diversity,” and “ever more diversity” as Trudeau is proposing with his radical multiculturalism. Canada has always been a diverse country and this is part of who we are. I love this Canada. But there is a difference between recognizing diversity and pushing for ever more of it. Something infinitely diverse has no core identity and ceases to exist.”

Maxime Bernier (1963) Canadian politician

7:10am 13 August 2018 https://twitter.com/MaximeBernier/status/1029007345005879296 reply to CTV News misquotation "Diversity will 'destroy' what makes Canada great" https://twitter.com/CTVNews/status/1029000159856914434 at 6:42am, leading CTV to re-issue the report under a different title by 9:40am https://www.ctvnews.ca/politics/tory-mp-bernier-criticized-for-saying-more-diversity-will-destroy-what-makes-canada-great-1.4050494
2018

Christopher Hitchens photo
Andrew Sullivan photo
Hugh Macmillan, Baron Macmillan photo
Arthur C. Clarke photo

“Churchman recognized in his critical systemic thinking that the human mind is not able to know the whole. … Yet the human mind, for Churchman, may appreciate the essential quality of the whole. For Churchman, appreciation of this essential quality begins … when first you see the world through the eyes of another. The systems approach, he says, then goes on to discover that every worldview is terribly restricted. Consequently, with Churchman, a rather different kind of question about practice surfaces. … That is, who is to judge that any one bounded appreciation is most relevant or acceptable? Each judgment is based on a rationality of its own that chooses where a boundary is to be drawn, which issues and dilemmas thus get on the agenda, and who will benefit from this. For each choice it is necessary to ask, What are the consequences to be expected insofar as we can evaluate them and, on reflection, how do we feel about that? As Churchman points out, each judgment of this sort is of an ethical nature since it cannot escape the choice of who is to be the client—the beneficiary—and thus which issues and dilemmas will be central to debate and future action. In this way, the spirit of C. West Churchman becomes our moral conscience. A key principle of systemic thinking, according to Churchman, is to remain ethically alert. Boundary judgments facilitate a debate in which we are sensitized to ethical issues and dilemmas.”

Robert L. Flood (1959) British organizational scientist

Robert L. Flood (1999, p. 252-253) as cited in: Michael H. G. Hoffmann (2007) Searching for Common Ground on Hamas Through Logical Argument Mapping. p. 5.

Bram van Velde photo
Northrop Frye photo
Gene Wolfe photo
Niklaus Wirth photo

“Experience shows that the success of a programming course critically depends on the choice of these examples.”

Niklaus Wirth (1934) Swiss computer scientist

Program Development by Stepwise Refinement (1971)

Richard Russo photo
Michelangelo Antonioni photo
William Foote Whyte photo
Maurice Allais photo

“Anyone who dares to speak about an aether is regarded as an ignorant and backward mind and he can only lose his credibility in scientific circles, although in reality those who criticize him use the same concept of intermediate medium in other words, whether it be fields, an associated fluid, a probability fluid, a pilot fluid, a quantum fluid, etc.”

Maurice Allais (1911–2010) French economist; 1988 winner of the Nobel Memorial Prize in Economics

[Maurice Allais, L'anisotropie de l'espace. La nécessaire révision de certains postulats des théories contemporaines. Les données de l'expérience, Editions Clément Juglar, Paris, 1997, 506, 2-908735-09-1]

Ta-Nehisi Coates photo
Constant Lambert photo
Daniel Dennett photo

“Evolution embodies information in every part of every organism. … This information doesn't have to be copied into the brain at all. It doesn't have to be "represented" in "data structures" in the nervous system. It can be exploited by the nervous system, however, which is designed to rely on, or exploit, the information in the hormonal systems just as it is designed to rely on, or exploit, the information embodied in your limbs and eyes. So there is wisdom, particularly about preferences, embodied in the rest of the body. By using the old bodily systems as a sort of sounding board, or reactive audience, or critic, the central nervous system can be guided — sometimes nudged, sometimes slammed — into wise policies. Put it to the vote of the body, in effect….When all goes well, harmony reigns and the various sources of wisdom in the body cooperate for the benefit of the whole, but we are all too familiar with the conflicts that can provoke the curious outburst "My body has a mind of its own!" Sometimes, apparently, it is tempting to lump together some of the embodied information into a separate mind. Why? Because it is organized in such a way that it can sometimes make independent discriminations, consult preferences, make decisions, enact policies that are in competition with your mind. At such time, the Cartesian perspective of a puppeteer self trying desperately to control an unruly body-puppet is very powerful. Your body can vigorously betray the secrets you are desperately trying to keep — by blushing and trembling or sweating, to mention only the most obvious cases. It can "decide" that in spite of your well-laid plans, right now would be a good time for sex, not intellectual discussion, and then take embarrassing steps in preparation for a coup d'etat. On another occasion, to your even greater chagrin and frustration, it can turn a deaf ear on your own efforts to enlist it for a sexual campaign, forcing you to raise the volume, twirl the dials, try all manner of preposterous cajolings to persuade it.”

Daniel Dennett (1942) American philosopher

Kinds of Minds (1996)

Pauline Kael photo
Hillary Clinton photo

“It saddens me that a historic event like this is being misconstrued by a small but vocal group of critics trying to spread the notion that the UN gathering is really the work of radicals and atheists bent on destroying our families.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

"China, UN Seek to Put Conference Back on Track" (Reuters: September 4, 1995)
White House years (1993–2000)

Neal Stephenson photo
Henry Moore photo

“The idea for [his sculpture] 'The Warrior' came to me at the end of 1952 or very early in 1953. It was evolved from a pebble I found on the seashore in the summer of 1952, and which reminded me of the stump of a leg, amputated at the hip. Just as Leonardo says somewhere in his notebooks that a painter can find a battle scene in the lichen marks on a wall, so this gave me the start of The Warrior idea. First I added the body, leg and one arm and it became a wounded warrior, but at first the figure was reclining. A day or two later I added a shield and altered its position and arrangement into a seated figure and so it changed from an inactive pose into a figure which, though wounded, is still defiant... The head has a blunted and bull-like power but also a sort of dumb animal acceptance and forbearance of pain... The figure may be emotionally connected (as one critic has suggested) with one’s feelings and thoughts about England during the crucial and early part of the last war. The position of the shield and its angle gives protection from above. The distance of the shield from the body and the rectangular shape of the space enclosed between the inside surface of the shield and the concave front of the body is important... This sculpture is the first single and separate male figure that I have done in sculpture and carrying it out in its final large scale was almost like the discovery of a new subject matter; the bony, edgy, tense forms were a great excitement to make... Like the bronze 'Draped Reclining Figure' of 1952-3 I think 'The Warrior' has some Greek influence, not consciously wished…”

Henry Moore (1898–1986) English artist

Quote from Moore's letter, (15 Jan. 1955); as cited in Henry Moore on Sculpture: a Collection of the Sculptor's Writings and Spoken Words, ed. Philip James, MacDonald, London 1966, p. 250
1940 - 1955

David Cameron photo
Bill Mollison photo
W. Somerset Maugham photo

“People ask you for criticism, but they only want praise.”

Source: Of Human Bondage (1915), Ch. 50

George Steiner photo

“Literary criticism has about it neither rigour nor proof. Where it is honest, it is passionate, private experience seeking to persuade.”

George Steiner (1929–2020) American writer

Source: The Death of Tragedy (1961), Ch. X (p. 351).

Sri Aurobindo photo
Theo van Doesburg photo
W. Somerset Maugham photo

“…you know what the critics are. If you tell the truth they only say you're cynical and it does an author no good to get a reputation for cynicism.”

W. Somerset Maugham (1874–1965) British playwright, novelist, short story writer

Source: Cakes and Ale: Or, The Skeleton in the Cupboard (1930), p. 137