Quotes about creativity
page 11

“The reciprocal relation of color to color produces a phenomenon of a more mysterious order. This new phenomenon is psychological. A high sensitivity is necessary in order to expand color into the sphere of the surreal without losing creative ground. Color stimulates certain moods in us. It awakens joy or fear in accordance with its figuration. In fact, the whole world, as we experience it visually, comes to us through the mystic realm of color. Our entire being is nourished by it. This mystic quality of color should likewise find expression in a work of art.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 45
Search for the Real and Other Essays (1948)

World, Fear, Art, Color

“The engines that have driven poetry's institutional success — the explosion of academic writing programs, the proliferation of subsidized magazines and presses, the emergence of a creative-writing career track, and the migration of American literary culture to the university — have unwittingly contributed to its disappearance from public view.”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991)

Universe, Success

“The greatest real thrill that life offers is to create, to construct, to develop something useful. Too often we fail to recognize and pay tribute to the creative spirit. It is that spirit that creates our jobs. There has to be this pioneer, the individual who has the courage, the ambition to overcome the obstacles that always develop when one tries to do something worthwhile, especially when it is new and different.”

Alfred P. Sloan (1875–1966) American businessman

Alfred P. Sloan. quoted in: John Bourne (2000), Learning Effectiveness and Faculty Satisfaction. p. 11

Life, Courage

“Writing isn’t fun. It’s the hardest work in the world. The very, very hardest. I mean creative writing. If it’s reportorial, it’s a different thing. When you have to create a whole milieu, with characters and background, that’s a different thing entirely. … Oh, you start out all enthusiastic. But after two or three chapters it becomes plain drudgery. I worked about ten hours the other night just on correcting and rewriting, because what you write originally is just a shadow of what you had in mind.”

Taylor Caldwell (1900–1985) Novelist

1970s-, The Captains, the Kings, and Taylor Caldwell (1978)

World, Night

“Guided only by their feeling for symmetry, simplicity, and generality, and an indefinable sense of the fitness of things, creative mathematicians now, as in the past, are inspired by the art of mathematics rather than by any prospect of ultimate usefulness.”

Eric Temple Bell (1883–1960) mathematician and science fiction author born in Scotland who lived in the United States for most of his li…

As quoted in 777 Mathematical Conversation Starters http://books.google.co.in/books?id=JNbKURWmODkC&pg=PA172 (2002) by John de Pillis, p. 172

Art, Feeling, Mathematics, Sense

“Some say it appears that painting has come to an end. I say the problem is that the painters' curiosity has come to an end, and this is more observable in the West and not in the East, since in the East there are plenty of untouched and unexplored spaces that could still inspire an artist as sources of creativity.”

Guity Novin (1944) artist

Source: Negin (1971), p. 57

Problem, Appearance, Painting

“There are certain moments in performance when I'm hand-in-glove with a conductor and feel I can take risks and try something completely different from what we did in rehearsal. Sometimes we pull it off, and it's magical. Other times you try to get creative, the support isn't there, and you think, oh well, maybe next time.”

Sarah Chang (1980) violinist

JS online 1999 http://www2.jsonline.com/enter/performingarts/strini/jun99/chang03060299.asp

Feeling, Support, Thinking, Time

“The creative process lies not in imitating, but in paralleling nature — translating the impulse received from nature into the medium of expression, thus vitalizing this medium. The picture should be alive, the statue should be alive, and every work of art should be alive.”

Hans Hofmann (1880–1966) American artist

'Painting and Culture' p. 55
Search for the Real and Other Essays (1948)

Art, Nature

“Group organization is to be the new method in politics, the basis of our future industrial system, the foundation of international order. Group organization will create the new world we are now blindly feeling after, for creative force comes from the group, creative power is evolved through the activity of the group life.”

Mary Parker Follett The New State

Source: The New State, 1918, p. 3

Life, World, Feeling, Future

“The uncommon man has done the impossible and there has been that much more light in the world because of it. Children respond to heroes by thinking creatively and sometimes in breaking beyond the bounds of the impossible in their turn, and so becoming heroes themselves.”

Madeleine L'Engle (1918–2007) American writer

Section 3.13
The Crosswicks Journal, A Circle of Quiet (1972)

Children, World, Thinking, Light

“Solitude is out of fashion. Our companies, our schools and our culture are in thrall to an idea I call the New Groupthink, which holds that creativity and achievement come from an oddly gregarious place.”

Susan Cain (1968) self-help writer

"The Rise of the New Groupthink," Opinion section of The New York Times, online January 13, 2012; in print January 15, 2012.

School, Idea, Fashion, Solitude

“I don't think it's a good idea for politicians to design television programmes, but what we can do is design policies - and by implementing those policies we help to create an environment in which talented people can do great things, and significant and dynamic creative companies can be built for this generation and the next generation. That means having the infrastructure, the skills, and the education. We need a clear vision. We need to identify the opportunities and provide the resources.”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Broadcasting Speech (August 8, 2007)

People, Education, Idea, Thinking

“.. art and life are no longer separate domains… The word 'art' no longer has anything to say to us. In place of that, we [=De Stijl-artists ] insist upon the construction of our surroundings according to creative laws, deriving from a fixed principle.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

quote of 1918
quoted in Abstract Art, Anna Moszynska, Thames and Hudson 1990, p. 85
1912 – 1919

Life, Law, Art, Quotes

“'World' is a large term, but man must enlarge his allegiance, considering himself in the light of a world citizen," I continued "A person who truly feels: 'The world is my homeland; it is my America, my India, my Philippines, my England, my Africa,' will never lack scope for a useful and happy life. His natural local pride will know limitless expansion; he will be in touch with creative universal currents.”

Paramahansa Yogananda book Autobiography of a Yogi

Source: Autobiography of a Yogi, Chapter 48 - "At Encinitas In California"

Life, Happiness, World, Feeling

“My talent lies in the expression of my life and creative power through light, colour and form. As a painter I can convey the essence of life.”

László Moholy-Nagy (1895–1946) Hungarian artist

Art of the 20th century, Part 1 by Karl Ruhrberg, Klaus Honnef, Manfred Schneckenburger, Ingo F. Walther, Christiane Fricke (2000) p. 178.

Life, Light

“Whoever thought of the No Child Left Behind legislation and its title certainly understands irony because millions of our children our indeed being left behind. This standardized testing is making the job of teachers unnecessarily difficult, limiting the discretion of teachers to teach. School systems are imposing conformity instead of promoting creativity.”

Ken Robinson (1950) UK writer

Wit and humor combine in presenting serious message http://www.ourmidland.com/story_prep/article_8640fc8b-aed4-53a0-afa2-2076785c4fde.html (6 June 2011) Matrix:Midland Festival

Children, School, Understanding, Teachers

“To a lesser degree, a secret ressentiment underlies every way of thinking which attributes creative power to mere negation and criticism. Thus modern philosophy is deeply penetrated by a whole type of thinking which is nourished by ressentiment. I am referring to the view that the “true” and the “given” is not that which is self-evident, but rather that which is “indubitable” or “incontestable,” which can be maintained against doubt and criticism.”

Max Scheler (1874–1928) German philosopher

Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1973), p. 67

Secret, Way, Thinking

“Lick the alphabet. It makes you appear creative, it's an easy diagram to remember, it's like "aaaaa…. beeeee…. ceeee." She's thinking you're from fuckin' Europe or somethin: "OH GOD, WHERE'D YOU LEARN THAT, OHHH," and you're going "A, B, C, D, E, F, G".”

Sam Kinison (1953–1992) American comedian

HBO Special (1985)

God, Thinking, Learning, Appearance

“The creative action is not voluntary at all, but automatic; we can only put the mind into the proper attitude, and wait for the wind, that blows where it listeth, to breathe over it. Thus the true state of creative genius is allied to reverie, or dreaming.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Autocrat of the Breakfast Table (1858)

Dreams, Waiting

“Love of God implies love of religion. And religion exemplifies that creative spirit of God which is at work in history as well as in the mind of man. Thus, one ought to love any religion, that is, religion as such, and in any form—as a manifestation of the moral spirit, the divine spirit of mankind.”

Hermann Cohen (1842–1918) German philosopher

Source: Reason and Hope: Selections from the Jewish Writings of Hermann Cohen (1971), p. 52

Love, God, Religion, History

“I went vegan for the animals. I love them all and I don't want to eat my friends. I know it sounds cheesy but it's true. I started promoting it on my social media and I wasn't expecting people from all different areas of the world reaching out to me, saying how much I inspire them … My whole family is vegan and it's really fun to get creative in the kitchen while staying healthy, and just have fun with it. Veganism can be really healthy, but it can also be really unhealthy if you don't do it right. And it's not like I don't have cheat days with vegan junk food or vegan sweets, but it's important to stay on the program. … It was surprising how easy it is to be vegan. I was vegetarian my whole life prior so the transition was relatively easy for me to cut out dairy. When I cut out the dairy I noticed I had more energy. I also lost some fat and gained muscle!”

Tia Blanco (1997)

"3 Ways to Go Vegan with Tia Blanco" http://www.worldsurfleague.com/posts/237346/3-ways-to-go-vegan-with-tia-blanco, interview with World Surf League (February 2, 2017).

Love, Life, People, World

“It seemed to me that I now saw the Star Maker in two aspects: as the spirit’s particular creative mood that had given rise to me, the cosmos; and also, most dreadfully, as something incomparably greater than creativity, namely as the eternally achieved perfection of the absolute spirit.
Barren, barren and trivial are these words. But not barren the experience.”

Olaf Stapledon book Star Maker

Source: Star Maker (1937), Chapter XIII: The Beginning and the End; 3. The Supreme Moment and After (p. 161)

Star, Mood, Perfection

“On May 17, 1969, a show which was to become the seminal exhibition of video art in the U. S. opened at the Howard Wise Gallery in New York City. That exhibition, "TV as a Creative Medium," effectively pointed to the diverse potential of a new art form and social tool. Subsequently, the show became renowned for the inspiration it provided for many artists and future advocates of video. The artists represented in the show, a few of whom are still involved in the medium today, came from varied backgrounds-painting, filmmaking, nuclear physics, avant-garde music and performance, kinetic and light sculpture-and their approaches presented a primer of the directions which video would soon take. Theoretically, they variously saw video as viewer participation, a spiritual and meditative experience, a mirror, an electronic palette, a kinetic sculpture, or acultural machine to be deconstructed. Ripe with ideas and armed with a heady optimism about the future of communications, these artists used video as an information tool and as a means of gaining understanding and control of television, not solely as an art form. In "TV as a Creative Medium" alternative television was presented as a stepping stone to the promised communications utopia.”

Marita Sturken (1957) American academic

Marita Sturken. " TV as a Creative Medium: Howard Wise and Video Art http://www.vasulka.org/archive/4-30c/AfterImageMay84(1004).pdf," in: Afterimage, May 1984

Art, Music, Communication, Idea

“This is an amazing business, creative and mechanical at the same time.”

Irene Dunne (1898–1990) American actress

If You Want Success (Screenland Interview) (1961)

Business, Time

“Principles heretofore unknown, signifying the emergence of a new era in creative work - an era of purely artistic achievements. An era of the final emancipation of the Great Art of Painting from Literary, Social, and crudely everyday attributes uncharacteristic of it at its core. The elaboration of this valuable world outlook is the service of our times, irrespective of idle speculation about how quickly the individual trends created by it will flash by.”

Olga Rozanova (1886–1918) Russian artist

Olga Rozanova, in 'Osnovy Novogo Tvorchestva i printsipy ego neponimaniia,' Soiuz molodezhi 3 (March 1913), pp. 20-21; as quoted by Svetlana Dzhafarova, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932 (transl. Jane Bobko); Guggenheim Museum, New York, 1992, p. 477

World, Art, Time, Painting

“All truly creative thought is in some sense intuitive; it demands a leap forward into the dark world of uncreated reality. Seen in this way, intuition is not the abdication of reason but rather reason speeded up, encapsulated in an instant, so that a solution appears without the usual laborious logical preparations. A creative genius comes back from this undiscovered country like ones of the the heroes of antiquity, who has wrested something back from the gods and brought it to mankind. It is possible, perhaps, to see religious inspiration in a similar way.”

Karen Armstrong (1944) author and comparative religion scholar from Great Britain

Source: Muhammad: A Biography of The Prophet (2001), Chapter 4: "Revelation"

God, World, Way, Reality

“If there is any group in the world that should be motivated to make improvements, reflecting God's creative nature, it should be Christians.”

Craig Groeschel (1967) American priest

It – How Churches and Leaders Can Get It and Keep It (2008, Zondervan)

God, World, Motivation, Nature

“It's mind-boggling to consider that movies this bad are actually committed to film. The poor quality of The Pest in almost every category — humor, intelligence, creativity, and just plain entertainment value — ranks it somewhere between a bad infomercial and a local cable newscast. Rarely do I consider the act of seeing a movie to be a chore, but this kind of experience is the exception - Directed By Paul Miller.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/p/pest.html of The Pest (1997). Zero star reviews

Intelligence

“I started my career giving a clinic in bad acting in the film, "The Silver Chalice," and now I'm playing a crusty old man who's an animated automobile [in "Cars"]. That's a creative arc for you, isn't it?”

Paul Newman (1925–2008) American actor and film director

Quoted in Craig Modderno, "Newman remains animated at 81," Reuters (2006-06-12)

Cars, Animals

“The idea of creativity is for me the problem of the future. Since the creative power is not a simple thing. It has a rich structure. It is divided into a lot of different principles and represented by figures, and these figures you can also write down in a kind of symbolic mantra. It is important to work on every point of creativity and see how the human being stands in the energy that comes out from the surrounding world.”

Joseph Beuys (1921–1986) German visual artist

Quote in a conversation between Lama Sogyal Rinpoché and Joseph Beuys, 1982; republished in: Joseph Beuys, Carin Kuoni. Joseph Beuys in America: Energy Plan for the Western Man. New York, 1993. p. 197
1980's

World, Idea, Problem, Future

“We are living the events which for centuries to come will be minutely studied by scholars who will undoubtedly describe these days as probably the most exciting and creative in the history of mankind. But preoccupied with our daily chores, our worries and personal hopes and ambitions, few of us are actually living in the present.”

Lawrence K. Frank (1890–1968) American cyberneticist

Source: Nature and human nature (1951), p. 8

Hope, History, Study, Personality

“The creative writer uses his life as well as being its victim; he can control, in his work, the self-presentation that in actuality is at the mercy of a thousand accidents.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Writers on Themselves (1986)

Life

“Great leaders recognize that companies must innovate to remain competitive, and they nurture environments that encourage creative thinking… Innovation is rarely accidental — it takes an organizational commitment that starts at the executive level. The idea is not enough. As Thomas Edison said, innovation is 1% inspiration and 99% perspiration. Too often companies forget the ‘perspiration’ or execution part of the equation.”

Gregory Balestrero (1947) American industrial engineer

Balestrero (2008) quoted in: "America the Innovator The New Rules for Global Market Growth" http://www.forbesspecialsections.com/SectionPDFs/PMIAmericaInnov.pdf By Karen A. Edelman. Forbes : A Special Advertising Section. Accessed 3 Dec 2008. 2000s

Idea, Thinking, Parting, Forgetting

“For me to get into that creative process I have to have a sort of quiet place that I work from. And if I was living the life of … somebody in the industry, as a pop star or whatever, it's too distracting. It's too to do with other people's perceptions of who you are, and what's important to me is to be a human being who has a soul, and who hopefully has a sense of who they are, not who everybody else thinks you are.
And I think, you know, that's something that's very difficult for people who become extremely famous. I mean, I find it completely ridiculous this obsession with celebrities. … Why are celebrities so important to people? It's absolute crap. I mean, the important people are surgeons and doctors and people actually put people back together and make a difference to people's lives. Not somebody who's in an ad on telly. I mean, okay, so that's valid for what it is, too. But why so much attention on something that's so shallow?”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Interview on The Mark Radcliff Show, BBC Radio 2 (7 November 2005) http://gaffa.org/reaching/iv05_bbc2_Mark_Radcliff_interview.html

Life, People, Soul, Star

“The founder of this NGO [UDIK] Edvin Kanka Ćudić and his colleagues, have succeeded to make a civil resistance niche in a very short time. It is not a repetition of existing non-violent practices of a civil society but more authentic, innovative and a long-term creative gesture that changes our violent and militaristic society in the direction of a genuine culture of remembrance.”

Edvin Kanka Cudic (1988) Human rights defender

Nerzuk Ćurak, as quoted in In Memoriam BiH (1992-1995) (2016) p.399
About

Change, Time

“I heard Postgate's Desert Island Discs last year and I was very impressed by him as a man, and thoroughly enjoyed his choice of When the Saints Come Marching In. Listening to a creative visionary, one's life suddenly feels exciting again - you just want to get making, and doing. Thank God for people like Oliver Postgate - when you discover them, life takes on a whole new meaning. What an incredible man.”

Stella Vine (1969) English artist

Jackson, Nicole and Edemariam, Aida. "Homespun Genius" http://www.guardian.co.uk/media/2008/dec/10/bagpuss-oliver-postgate, (2008-12-10). On Oliver Postgate, creator of Bagpuss.

Life, God, People, Feeling

“The professional man lives off ideas, not for them. … He has acquired a stock of mental skills that are for sale. The skills are highly developed, but we do not think of him as being an intellectual if certain qualities are missing from his work—disinterested intelligence, generalizing power, free speculation, fresh observation, creative novelty, radical criticism. At home he may happen to be an intellectual, but at his job he is a hired mental technician who uses his mind for the pursuit of externally determined ends. It is this element—the fact that ends are set from some interest or vantage point outside the intellectual process itself—which characterizes both the zealot, who lives obsessively for a single idea, and the mental technician, whose mind is used not for free speculation but for a salable end. The goal here is external and not self-determined, whereas the intellectual life has a certain spontaneous character and inner determination. It has also a peculiar poise of its own, which I believe is established by a balance between two basic qualities in the intellectual’s attitude toward ideas—qualities that may be designated as playfulness and piety.”

Richard Hofstadter (1916–1970) American historian

Source: Anti-Intellectualism in American Life (1974), p. 27

Life, Home, Intelligence, Idea

“As you get all this money out there, there’s a tendency for more conservatism and sequelization. So we’re doing ‘Madden 38,’ but now the shoelaces have shadows! And when you step on the turf, the grass is just pressed a little bit, and springs back in just a couple of seconds. Unfortunately, it’s kind of the death of creativity when you make a big deal about really trivial features.”

Eugene Jarvis (1955) American game designer and game programmer

"Newcity Chicago," April 2008 http://www.newcitychicago.com/chicago/7612.html

Death, Money, Spring, Grass

“The chief function of the city is to convert power into form, energy into culture, dead matter into the living symbols of art, biological reproduction into social creativity.”

Lewis Mumford book The City in History

Source: The City in History (1961), Ch. 18

Art, Dead

“When we are self-conscious, we cannot be wholly aware; we must throw ourselves out first. This throwing ourselves away is the act of creativity. So, when we wholly concentrate, like a child in play, or an artist at work, then we share in the act of creating. We not only escape time, we escape our self-conscious selves.”

Madeleine L'Engle (1918–2007) American writer

Section 1.3
The Crosswicks Journal, A Circle of Quiet (1972)

Time

“The other conclusion is that art is the complement of science. Science as I have said is concerned wholly with relations, not with individuals. Art, on the other hand, is not only the disclosure of the individuality of the artist but also a manifestation of individuality as creative of the future, in an unprecedented response to conditions as they were in the past. Some artists in their vision of what might be, but is not, have been conscious rebels. But conscious protest and revolt is not the form which the labor of the artist in creation of the future must necessarily take. Discontent with things as they are is normally the expression of the vision of what may be and is not, art in being the manifestation of individuality is this prophetic vision.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Time and Individuality (1940)

Art, Science, Past, Future

“All my sermons are prepared in the presence of the Blessed Sacrament. As recreation is most pleasant and profitable in the sun, so homiletic creativity is best nourished before the Eucharist. The most brilliant ideas come from meeting God face to face. The Holy Spirit that presided at the Incarnation is the best atmosphere for illumination. Pope John Paul II keeps a small desk or writing pad near him whenever he is in the presence of the Blessed Sacrament; and I have done this all my life — I am sure for the same reason he does, because a lover always works better when the beloved is with him.”

Fulton J. Sheen (1895–1979) Catholic bishop and television presenter

Treasure in Clay : The Autobiography of Fulton J. Sheen (1980)

Life, God, Lovers, Idea

“In men of genius, sterile years precede productive years, these again to be followed by sterility, the barren periods being marked by psychological self-depreciation, by the feeling that they are less than other men; times in which the remembrance of the creative periods is a torment, and when they envy those who go about undisturbed by such penalties. Just as his moments of ecstasy are more poignant, so are the periods of depression of a man of genius more intense than those of other men [Wie seine Ekstasen gewaltiger sind als die der anderen, so sind auch seine Depressionen fürchterlicher]. Every great man has such periods, of longer or shorter duration, times in which he loses self-confidence, … times in which, indeed, he may be sowing the seeds of a future harvest, but which are devoid of the stimulus to production.”

Otto Weininger (1880–1903) austrian philosopher and writer

Collected Aphorisms

Men, Penalty, Feeling, Confidence

““The innovative ideas of social democracy are emerging in other forums, in the networks of creative small business and social entrepreneurs.””

Mark Latham (1961) Australian politician

Unsourced

Democracy, Idea, Business

“…it's not an illusionistic thing. It just seems as though there are forms in some experience in your life that have an excitement for you.... those sort of forms in your experience do, in some way, not dominate, but they become the things that you are involved with. I don't mean that squares becomes windows; after all, squares becomes heads, they becomes everything you know. I don't mean it in that sense. A curve or line or rhythmical relation do have, in some way, some psychological bearing, not only on the person who looks at them after they've been conceived but also they do have a lot to do with the creative being who is involved with wondering just how exiting it can be..”

Franz Kline (1910–1962) American painter

n.p.
1960's, Living Art, 1963

Life, Way, Sense, Personality

“The White Man is tremendously creative. He is the greatest builder the world has ever known. He is the builder of the world civilizations and world empires. Unfettered and unhampered, what the White Race can accomplish collectively when properly organized is truly phenomenal and earthshaking. It is the goal of the CHURCH OF THE CREATOR to develop and bring about this tremendous potential. Bringing out this prodigious potential is what we mean by the resurrection and redemption of the White Race. Our supreme goal is advancing the best interests of the White Race. No cost is too high, no struggle too hard. We gladly intend to pay the price to accomplish this noble goal, whatever the price.”

Ben Klassen (1918–1993) American engineer, author and politician

White Man's Bible (1983)
White Man's Bible (1983)

World

“It was almost as if there were no peace unless one could fight well, kill well (if always with honor), love well and love many. … It was as if the message in the labyrinth of the genes would insist that violence was locked with creativity, and adventure was the secret of love.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Superman Comes to the Supermarket (1960)

Love, Secret, Peace, Fight

“Using your head to manage your life = creativity constipation.”

David Allen (1945) American productivity consultant and author

19 July 2012 https://twitter.com/gtdguy/status/226141872467369984 Official Twitter profile (@gtdguy) https://twitter.com/gtdguy

Life

“There are, roughly speaking, two kinds of mathematical creativity. One, akin to conquering a mountain peak, consists of solving a problem which has remained unsolved for a long time and has commanded the attention of many mathematicians. The other is exploring new territory.”

Mark Kac (1914–1984) Polish-American mathematician

Source: Enigmas Of Chance (1985), Chapter 2, Lwów, p. 39.

Mountain, Mathematics, Problem, Time

“The battle is in our hands. And we can answer with creative nonviolence the call to higher ground to which the new directions of our struggle summons us. The road ahead is not altogether a smooth one. There are no broad highways that lead us easily and inevitably to quick solutions. But we must keep going.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, How Long, Not Long (1965)

“Let me remind you that science is not necessarily wisdom. To know, is not the sole nor even the highest office of the intellect; and it loses all its glory unless it act in furtherance of the great end of man's life. That end is, as both reason and revelation unite in telling us, to acquire the feelings and habits that will lead us to love and seek what is good in all its forms, and guide us by following its traces to the first Great Cause of all, where only we find it pure and unclouded.
If science be cultivated in congruity with this, it is the most precious possession we can have— the most divine endowment. But if it be perverted to minister to any wicked or ignoble purpose — if it even be permitted to take too absolute a hold of the mind, or overshadow that which should be paramount over all, the perception of right, the sense of Duty — if it does not increase in us the consciousness of an Almighty and All-beneficent presence, — it lowers instead of raising us in the great scale of existence.
This, however, it can never do but by our fault. All its tendencies are heavenward; every new fact which it reveals is a ray from the origin of light, which leads us to its source. If any think otherwise, their knowledge is imperfect, or their understanding warped, or darkened by their passions. The book of nature is, like that of revelation, written by God, and therefore cannot contradict it; both we are unable to read through all their extent, and therefore should neither wonder nor be alarmed if at times we miss the pages which reconcile any seeming inconsistence. In both, too, we may fail to interpret rightly that which is recorded; but be assured, if we search them in quest of truth alone, each will bear witness to the other, — and physical knowledge, instead of being hostile to religion, will be found its most powerful ally, its most useful servant. Many, I know, think otherwise; and because attempts have occasionally been made to draw from astronomy, from geology, from the modes of the growth and formation of animals and plants, arguments against the divine origin of the sacred Scripture, or even to substitute for the creative will of an intelligent first cause the blind and casual evolution of some agency of a material system, they would reject their study as fraught with danger. In this I must express my deep conviction that they do injury to that very cause which they think they are serving.
Time will not let me touch further on the cavils and errors in question; and besides they have been often fully answered. I will only say, that I am here surrounded by many, matchless in the sciences which are supposed so dangerous, and not less conspicuous for truth and piety. If they find no discord between faith and knowledge, why should you or any suppose it to exist? On the contrary, they cannot be well separated. We must know that God is, before we can confess Him; we must know that He is wise and powerful before we can trust in Him, — that He is good before we can love Him. All these attributes, the study of His works had made known before He gave that more perfect knowledge of himself with which we are blessed. Among the Semitic tribes his names betoken exalted nature and resistless power; among the Hellenic races they denote his wisdom; but that which we inherit from our northern ancestors denotes his goodness. All these the more perfect researches of modern science bring out in ever-increasing splendour, and I cannot conceive anything that more effectually brings home to the mind the absolute omnipresence of the Deity than high physical knowledge. I fear I have too long trespassed on your patience, yet let me point out to you a few examples.
What can fill us with an overwhelming sense of His infinite wisdom like the telescope? As you sound with it the fathomless abyss of stars, till all measure of distances seems to fail and imagination alone gauges the distance; yet even there as here is the same divine harmony of forces, the same perfect conservation of systems, which the being able to trace in the pages of Newton or Laplace makes us feel as if we were more than men. If it is such a triumph of intellect to trace this law of the universe, how transcendent must that Greatest over all be, in which it and many like it, have their existence! That instrument tells us that the globe which we inhabit is but a speck, the existence of which cannot be perceived beyond our system. Can we then hope that in this immensity of worlds we shall not be overlooked? The microscope will answer. If the telescope lead to one verge of infinity, it brings us to the other; and shows us that down in the very twilight of visibility the living points which it discloses are fashioned with the most finished perfection, — that the most marvellous contrivances minister to their preservation and their enjoyment, — that as nothing is too vast for the Creator's control, so nothing is too minute or trifling for His care. At every turn the philosopher meets facts which show that man's Creator is also his Father, — things which seem to contain a special provision for his use and his happiness : but I will take only two, from their special relation to this very district. Is it possible to consider the properties which distinguish iron from other metals without a conviction that those qualities were given to it that it might be useful to man, whatever other purposes might be answered by them. That it should. be ductile and plastic while influenced by heat, capable of being welded, and yet by a slight chemical change capable of adamantine hardness, — and that the metal which alone possesses properties so precious should be the most abundant of all, — must seem, as it is, a miracle of bounty. And not less marvellous is the prescient kindness which stored up in your coalfields the exuberant vegetation of the ancient world, under circumstances which preserved this precious magazine of wealth and power, not merely till He had placed on earth beings who would use it, but even to a late period of their existence, lest the element that was to develope to the utmost their civilization and energy migbt be wasted or abused.
But I must conclude with this summary of all which I would wish to impress on your minds—* that the more we know His works the nearer we are to Him. Such knowledge pleases Him; it is bright and holy, it is our purest happiness here, and will assuredly follow us into another life if rightly sought in this. May He guide us in its pursuit; and in particular, may this meeting which I have attempted to open in His name, be successful and prosperous, so that in future years they who follow me in this high office may refer to it as one to be remembered with unmixed satisfaction.”

Thomas Romney Robinson

Robinson in his 1849 adress, as quoted in the Report of the Nineteenth Meeting of the British Association for the Advancement of Science https://archive.org/stream/report36sciegoog#page/n50/mode/2up, London, 1850.

Love, Life, Wisdom, Men

“The strength of capitalism does not lie in the neoclassical idea of stability, but in its ability to unleash this creative energy. like a chaotic mathematical system, it is capable of producing surprise.”

David Orrell (1962) Canadian mathematician

Source: The Other Side Of The Coin (2008), Chapter 6, At Rest Versus In Motion, p. 194

Lie, Mathematics, Idea

“Now the Disney Corporation could do this because that culture lived in a commons, an intellectual commons, a cultural commons, where people could freely take and build. It was a lawyer-free zone.
It was culture, which you didn't need the permission of someone else to take and build upon. That was the character of creativity at the birth of the last century. It was built upon a constitutional requirement that protection be for limited times, and it was originally limited. Fourteen years, if the author lived, then 28, then in 1831 it went to 42, then in 1909 it went to 56, and then magically, starting in 1962, look — no hands, the term expands.
Eleven times in the last 40 years it has been extended for existing works — not just for new works that are going to be created, but existing works. The most recent is the Sonny Bono copyright term extension act.”

Lawrence Lessig (1961) American academic, political activist.

OSCON 2002

People, Birth, Time

“In the humanist ideal, the mainstream is where interesting debate, the generating of new ideas and creativity take place. In rational society this mainstream is considered uncontrollable and is therefore made marginal. The centre ground is occupied instead by structures and courtiers.”

John Ralston Saul The Doubter's Companion

"Mainstream"
The Doubter's Companion (1994)

Idea

“There are too many "creative writing" courses and seminars, in which young wirters are constantly being taught to rewrite the previous generation. They should be experimenting on their own. Every writer faces different problems which he must solve for himself.”

John Dos Passos (1896–1970) novelist, playwright, poet, journalist, painter

"Conversation with Dos Passos," New Leader, Feb 23 1959

Problem

“To forget oneself totally, one's mind should keep awake at every moment. A mind that has forgotten the past and the future, that is awake to the now, to the present, expresses the highest concentration of intelligence. It is alert, it is watchful, it is inspired. The actions of a man who has such a mind are exceptionally creative and perfect. Verily to forget oneself totally, is to be in perfection.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

Intelligence, Past, Future, Perfection

“This is the way in which the artist has set about the construction of the world - an activity which affects every human being and carries work beyond the frontiers of comprehension. We see how its creative path took it by way of cubism to pure construction, but there was still no outlet to be found here.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

1915 - 1925, Suprematism' in World Reconstruction (1920)

World, Way

“I have never agreed to the word of creative activity. Man does not create. In the best case, he interprets, in a good or bad way; in the worst case, he manipulates, cheats and causes confusion; like in all the walks of life, in art as well…”

Sadik Kaceli (1914–2000) Albanian artist

Source: Sadik Kaceli Source: Monografi Kaceli

Life, Art, Way, Cheating

“In the "Alexandrian" explanation described above, the multiple from which evolution emerges is both secondary and sinful from its origin: it represents in fact (an idea that smacks of Manicheanism and the Hindu metaphysical systems) broken and pulverized unity. Starting from a very much more modern and completely different point of view, let us assert, as our original postulate, that, the multiple (that is, non-being, if taken in the pure state) being the only rational form of a creatable (creabile) nothingness, the creative act is comprehensible only as a gradual process of arrangement and unification, which amounts to accepting that to create is to unite. And, indeed, there is nothing to prevent our holding that union creates. To the objection that union presupposes already existing elements, I shall answer that physics has just shown us (in the case of mass) that experientially (and for all the protests of "common sense") the moving object exists only as the product of its motion.”

Pierre Teilhard De Chardin (1881–1955) French philosopher and Jesuit priest

pp. 193–195 https://archive.org/stream/ChristianityAndEvolution/Christianity_and_Evolution#page/n191/mode/2up Christianity and Evolution (1969)

Idea, Sense

“If you love the good thing vitally, enough to give up for it all that one must give up, then you must hate the cheap thing just as hard. I tell you, there is such a thing as creative hate! A contempt that drives you through fire, makes you risk everything and lose everything, makes you a long sight better than you ever knew you could be.”

Willa Cather book The Song of the Lark

Part VI, Ch. 9
The Song of the Lark (1915)

Love, Hate

“Everything we see in the world is the creative work of women.”

Mustafa Kemal Atatürk (1881–1938) Turkish army officer, revolutionary, and the first President of Turkey

As quoted in The Macmillan Dictionary of Political Quotations (1993) by Lewis D. Eigen and Jonathan Paul Siegel, p. 424; also in Ataturk: First President and Founder of the Turkish Republic (2002) by Yüksel Atillasoy, p. 15

Women, World

““Are we innately aggressive?” asked Aquinas. “Was the nuclear predicament symptomatic of a more profound depravity? Nobody knows. But if this is so—and I suspect that it is—then the responsibility for what we are pleased to call our inhumanity still rests squarely in our blood-soaked hands. The killer-ape hypothesis does not specify a fate—it lays out an agenda. Beware, the fable warns. Caution. Trouble ahead. Genocidal weapons in the hands of creatures who are bored by peace.”
“I think I’m going to throw up,” said Brat.
“But the fable went unheeded. And the weapons, unchecked. And then, one cold Christmas season, death came to an admirable species—a species that wrote symphonies and sired Leonardo da Vinci and would have gone to the stars. It did not have to be this way. Three virtues only were needed—creative diplomacy, technical ingenuity, and moral outrage. But the greatest of these is moral outrage.””

James K. Morrow (1947) (1947-) science fiction author

Source: This Is the Way the World Ends (1986), Chapter 16, “In Which the Essential Question Is Answered and Something Very Much Like Justice Is Served” (p. 211)

Death, Fate, Peace, Way

“"Doing science," particularly the synthesis of disparate ideas, is not as arcane as it is often made out to be. Discipline and taste play a vital role, but the activity is familiar to anyone who has made some effort to be creative.”

John H. Holland (1929–2015) US university professor

Preface, p. xix
Hidden Order - How Adaptation Builds Complexity (1995)

Idea, Effort, Science

“The Italian metaphysical movement [initiated by De Chirico ] started from the spiritual reality, a consequence of the physical miracle and it aspects grouped on an immaterial plane; all this formed a new spectral reality, in order to attain maximal, almost erotic creativity in touch. The Cubists, on the other hand, starting from this sensual-idealistic touch, found a pure, new form of spirituality. Lorca is one of those who have reached this new form of miracle by following the paths of the greatest incredulity. He does not even believe in his own hands, unless it be to turn one-legged physiological and abstract tables.”

Salvador Dalí (1904–1989) Spanish artist

Quote from Dali's 'Introduction' of the exhibition of drawings, made by Lorca, 1930's (MPC 3); as quoted in Dali and Me, Catherine Millet, - translation Trista Selous -, Scheidegger & Spiess AG, 8001 Zurich Switzerland, p. 152
Quotes of Salvador Dali, 1931 - 1940

Reality

“Nature provides-I must use the word- signifies, and these signifies organize human relation in a creative way, providing them with structures and shaping them.”

Jacques Lacan (1901–1981) French psychoanalyst and psychiatrist

The Freudian Unconscious and Ours
The Four Fundamental Concepts of Psycho Analysis (1978)

Way, Nature

“ Every individual word in a passage or poetry can no more be said to denote some specific referent than does every brush mark, every line in a painting have its counterpart in reality. The writer or speaker does not communicate his thoughts to us; he communicates a representation for carrying out, this function under the severe discipline of using the only materials he has, sound and gesture. Speech is like painting, a representation made out of given materials -- sound or paint. The function of speech is to stimulate and set up thoughts in us having correspondence with the speaker's desires; he has then communicated with us. But he has not transmitted a copy of his thoughts, a photograph, but only a stream of speech -- a substitute made from the unpromising material of sound. The artist, the sculptor, the caricaturist, the composer are akin in this [fact that they have not transmitted a copy of their thoughts], that they express (make representations of) their thoughts using chosen, limited materials. They make the "best" representations, within these self-imposed constraints. A child who builds models of a house, or a train, using only a few colored bricks, is essentially engaged in the same creative task.* Metaphors can play a most forceful role, by importing ideas through a vehicle language, setting up what are purely linguistic associations (we speak of "heavy burden of taxation," "being in a rut"). The imported concepts are, to some extent, artificial in their contexts, and they are by no means universal among different cultures. For instance, the concepts of cleanliness and washing are used within Christendom to imply "freedom from sin." We Westerners speak of the mind's eye, but this idea is unknown amongst the Chinese. that is, we are looking at it with the eyes of our English-speaking culture. A grammar book may help us to decipher the text more thoroughly, and help us comprehend something of the language structure, but we may never fully understand if we are not bred in the culture and society that has modeled and shaped the language. (p. 74)”

Colin Cherry (1914–1979) British scientist

See Gombrich in reference 348
On Human Communication (1957), Language: Science and Aesthetics

Books, Color, Communication, Idea

“Is the conviction that acting unreasonably contradicts God's nature merely a Greek idea, or is it always and intrinsically true? I believe that here we can see the profound harmony between what is Greek in the best sense of the word and the biblical understanding of faith in God. Modifying the first verse of the Book of Genesis, the first verse of the whole Bible, John began the prologue of his Gospel with the words: "In the beginning was the λόγος". This is the very word used by the emperor: God acts, σὺν λόγω, with logos. Logos means both reason and word - a reason which is creative and capable of self-communication, precisely as reason. John thus spoke the final word on the biblical concept of God, and in this word all the often toilsome and tortuous threads of biblical faith find their culmination and synthesis. In the beginning was the logos, and the logos is God, says the Evangelist. The encounter between the Biblical message and Greek thought did not happen by chance.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

2006, Faith, Reason and the University — Memories and Reflections (2006)

God, Books, Faith, Communication

“The bizarre but all too common transformation of the woman artist from a producer in her own right into a subject for representation forms a leitmotif in the history of art. Confounding subject and object, it undermines the speaking position of the individual woman artist by generalizing her. Denied her individuality, she is displaced from being a producer and becomes instead a sign for male creativity.”

Whitney Chadwick (1943)

Women, Art, and Society: Fourth Edition (2007) ISBN 0-500-20393-8

Art, History

“Over many years of work all over the world, I've lucius allen arned that if we organize in the same way that the rest of life does, we develop the skills we need: we become resilient, adaptive, aware, and creative. We enjoy working together. And life's processes work everywhere, no matter the culture, group, or person, because these are basic dynamics shared by all living beings.”

Margaret J. Wheatley (1941) American writer

Finding Our Way: Leadership For an Uncertain Time (2005)

Life, World, Way, Personality

“Creative insight is not the final link in a chain of reasoning. If it were that, it would not strike us as inspired in its origin. Intuition is not the end, but part of an ever-developing and ever-dynamic process of realization. There is continual system of “checks and balances” between intuition and the logical method of discursive reasoning. Cognitive intuitions are not substitutes for thought, they are challenges to intelligence. Mere intuitions are blind while intellectual work is empty. All processes are partly intuitive and partly intellectual. There is no gulf between the two.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

Intelligence, Parting

“Everywhere, no matter what the sphere of interest (whether religious, political, or personal), the really creative acts are represented as those deriving from some sort of dying to the world; and what happens in the interval of the hero's nonentity, so that he comes back as one reborn, made great and filled with creative power, mankind is also unanimous in declaring. We shall have only to follow, therefore, a multitude of heroic figures through the classic stages of the universal adventure in order to see again what has always been revealed. …the singleness of the human spirit in its aspirations, powers, vicissitudes, and wisdom.”

Joseph Campbell book The Hero with a Thousand Faces

Source: The Hero with a Thousand Faces (1949), Chapter 3

Wisdom, World, Universe, Personality

“Creative work, in geology and anywhere else, is interaction and synthesis: half-baked ideas from a barroom, rocks in the field, chains of thought from lonely walks, numbers squeezed from rocks in a laboratory, numbers from a calculator riveted to a desk, fancy equipment usually malfunctioning on expensive ships, cheap equipment in the human cranium, arguments before a roadcut.”

Stephen Jay Gould book An Urchin in the Storm

"Deep Time and Ceaseless Motion", p. 98
An Urchin in the Storm (1987)

Idea

“Innovative roles represent patterned organizational deviance… The intra-role conflicts of the innovator stem from his engagement and commitment to the creative, non-routine aspects of his job and his corresponding disinterest and disdain for the routine or uncreative demands placed upon him.”

Robert L. Kahn (1918–2019) American psychologist

Source: Organizational stress: Studies in role conflict and ambiguity, 1964, p. 388, as cited in: Eugene E. Szymaszek (1996). Changing Role of Leadership for Vocational Education in... p. 41

“I’m motivated every single day to go to the rink because of what she brings. I know that she brings her best every day. With brilliant people, with being so creative, it’s hard to imagine you’d just be so steady. That last thing, that’s the consistency.”

Tessa Virtue (1989) Canadian ice dancer

Scott Moir, Interview with Kristina Rutherford for Sportsnet.ca (January 2018)
Partnership with Scott Moir, Scott Moir about Virtue

People, Imagination, Motivation

“I think it's bad to talk about one's present work, for it spoils something at the root of the creative act. It discharges the tension.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

As quoted in The Writer's Quotation Book : A Literary Companion (1980) by James Charlton, p. 43

Thinking

“If the individual realizes his self by spontaneous activity and thus relates himself to the world, he ceases to be an isolated atom; he and the world become part of one structuralized whole; he has his rightful place, and thereby his doubt concerning himself and the meaning of life disappears. This doubt sprang from his separateness and from the thwarting of life; when he can live, neither compulsively nor automatically but spontaneously, the doubt disappears. He is aware of himself as an active and creative individual and recognizes that there is only one meaning of life: the act of living itself.”

Erich Fromm book Escape from Freedom

Source: Escape from Freedom (1941), Ch. 7, p. 262-3

Life, World, Parting

“It seemed to me that all over the world intelligent people were waking up to the indignity and absurdity of being endangered, restrained, and impoverished, by a mere uncritical adhesion to traditional governments, traditional ideas of economic life, and traditional forms of behaviour, and that these awaking intelligent people must constitute first a protest and then a creative resistance to the inertia that was stifling and threatening us. These people I imagined would say first, "We are drifting; we are doing nothing worth while with our lives. Our lives are dull and stupid and not good enough."”

H. G. Wells book The Open Conspiracy

The Open Conspiracy (1928)

Life, People, Stupidity, World

“When the sins and errors of an age have made the world impossible to live in, the next generation, seeking to make life tolerable again, may be able to find no way save by surrender of cherished ideals, and so may find themselves compelled to cast about for new dreams and purposes. An important aspect of the historical process is the work of the new generation… being driven to something like a creative act for the very reason that life on the old terms has become impossible.”

Herbert Butterfield book The Whig Interpretation of History

The Whig Interpretation of History (1931)

Life, Age, World, Dreams

“Schumpeter’s work, his dynamic view of the entrepreneur and creative destruction has had a great impact on me. He indeed wrote a book, Capitalism, Socialism and Democracy, which intended to give a complex analysis of the two systems. But these two books, and a few others (e. g., some of Mises’s and Hayek’s works) are rather exceptional. A typical American textbook on economic systems is not written with the same ambition about capitalism with which I wrote about socialism. It doesn’t give you a general model of capitalism, including the characterization of the political, ideological, and social spheres.”

János Kornai (1928) Hungarian economist

János Kornai, in "An Interview with János Kornai : Interviewed by Olivier Blanchard", Macroeconomic Dynamics, 1999

Books, Democracy

“Not til the late nineteenth century was the doctrine of the subordination of time and change seriously challenged. Bergson and William James, animated by different motives and proceeding by different methods, then installed change at the very heart of things. Bergson took his stand on the primacy of life and consciousness, which are notoriously in a state of flux. He assimilated that which is completely real in the natural world to them, conceiving the static as that which life leaves behind as a deposit as it moves on. From this point of view he criticized mechanistic and teleological theories on the ground that both are guilty of the same error, although from opposite points. Fixed laws which govern change and fixed ends toward which changes tend are both the products of a backward look, one that ignores the forward movement of life. They apply only to that which life has produced and has then left behind in its ongoing vital creative course, a course whose behavior and outcome are unpredictable both mechanistically and from the standpoint of ends.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Time and Individuality (1940)

Life, World, Law, Behavior

“The point I would make is that the novelist and the historian are seeking the same thing: the truth — not a different truth: the same truth — only they reach it, or try to reach it, by different routes. Whether the event took place in a world now gone to dust, preserved by documents and evaluated by scholarship, or in the imagination, preserved by memory and distilled by the creative process, they both want to tell us how it was: to re-create it, by their separate methods, and make it live again in the world around them.”

Shelby Foote (1916–2005) Novelist, historian

Shelby Foote, The Civil War, A Narrative: Fort Sumter to Perryville (1958; reprint, New York: Vintage, 1986), 815. ISBN 0-394-74623-6.

Truth, World, Imagination, Memory

“One of the most controversial issues of our time and one in which we share a keen interest is the question of abortion. I have grave concern over the serious moral questions raised by this issue. Each new life is a miracle of creation. To interfere with that creative process is a most serious act. In my view, the Government has a very special role in this regard. Specifically, the Government has a responsibility to protect life — and indeed to provide legal guarantees for the weak and unprotected. It is within this context that I have consistently opposed the 1973 decision of the Supreme Court. As President, I am sworn to uphold the laws of the land and I intend to carry out this responsibility. In my personal view, however, this court decision was unwise. I said then and I repeat today — abortion on demand is wrong.”

Gerald Ford (1913–2006) American politician, 38th President of the United States (in office from 1974 to 1977)

Letter to the Archbishop of Cincinnati (10 September 1976) http://www.presidency.ucsb.edu/ws/print.php?pid=6320 1970s

Life, Law, Question, Decision

“While I agree that the film is historical, and the logo also, apparently, because of the film it is a part of, I disagree that as creative individuals there need be quite so much analyzing and in such disturbingly personal criticism about me as an individual for my having shared my experiences about my design of this logo. It’s needless by others, makes no contribution to the information and, instead, detracts from the genuine story I’ve related about this bit of film history.”

Suzy Rice graphic designer

The “Star Wars” Logo Design http://suzyrice.com/the-star-wars-logo-design-page-one-of-two/ (October 28, 2011)

History, Parting, Personality

“This… was the religion that I was raised with: veneration for human creativity and the power of ideas.”

Ray Kurzweil (1948) Author, scientist, inventor, and futurist

The Singularity Is Near: When Humans Transcend Biology (2005)

Religion, Idea

“Hinduism is a religion of the Earth. It honors the Earth as the Divine Mother and encourages us to honor her and help her develop her creative potentials. The deities of Hinduism permeate the world of nature. For example, Shiva is the God of the mountains, while Parvati is the mountain Goddess. Shiva dwells in high and steep rocky crags and cliff faces. Parvati rules over mountain streams, waterfalls, and mountain meadows with their many flowers.”

David Frawley (1950) American Hindu teacher

How I Became A Hindu - My Discovery Of Vedic Dharma

God, World, Religion, Mountain

“Our post-Hannah Arendt imaginations are haunted by the wrong figure: for every owl-eyed, mild-mannered pen-pusher clinically shuffling the euphemistic paperwork of oblivion, there were a hundred noisily dedicated louts revelling in the bloodbath. The gas chambers, our most enduring symbol of the catastrophe, were in fact anomalous: most of those annihilated did not die suddenly and surprised as the result of a deception, but only after protracted humiliations and torments to whose devising their persecutors devoted inexhaustible creative zeal.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Hitler's Unwitting Exculpator', a review of Hitler's Willing Executioners by Daniel Jonah Goldhagen
Essays and reviews, As Of This Writing (2003)

Imagination

“Man's conception of what is most worth knowing and reflecting upon, of what may best compel his scholarly energies, has changed greatly with the years. His earliest impressions were of his own insignificance and of the stupendous powers and forces by which he was surrounded and ruled. The heavenly fires, the storm-cloud and the thunderbolt, the rush of waters and the change of seasons, all filled him with an awe which straightway saw in them manifestations of the superhuman and the divine. Man was absorbed in nature, a mythical and legendary nature to be sure, but still the nature out of which science was one day to arise. Then, at the call of Socrates, he turned his back on nature and sought to know himself; to learn the secrets of those mysterious and hidden processes by which he felt and thought and acted. The intellectual centre of gravity had passed from nature to man. From that day to this the goal of scholarship has been the understanding of both nature and man, the uniting of them in one scheme or plan of knowledge, and the explaining of them as the offspring of the omnipotent activity of a Creative Spirit, the Christian God. Slow and painful have been the steps toward the goal which to St. Augustine seemed so near at hand, but which has receded through the intervening centuries as the problems grew more complex and as the processes of inquiry became so refined that whole worlds of new and unsuspected facts revealed themselves. Scholars divided into two camps. The one would have ultimate and complete explanations at any cost; the other, overcome by the greatness of the undertaking, held that no explanation in a large or general way was possible. The one camp bred sciolism; the other narrow and helpless specialization.
At this point the modern university problem took its rise; and for over four hundred years the university has been striving to adjust its organization so that it may most effectively bend its energies to the solution of the problem as it is. For this purpose the university's scholars have unconsciously divided themselves into three types or classes: those who investigate and break new ground; those who explain, apply, and make understandable the fruits of new investigation; and those philosophically minded teachers who relate the new to the old, and, without dogma or intolerance, point to the lessons taught by the developing human spirit from its first blind gropings toward the light on the uplands of Asia or by the shores of the Mediterranean, through the insights of the world's great poets, artists, scientists, philosophers, statesmen, and priests, to its highly organized institutional and intellectual life of to-day. The purpose of scholarly activity requires for its accomplishment men of each of these three types. They are allies, not enemies; and happy the age, the people, or the university in which all three are well represented. It is for this reason that the university which does not strive to widen the boundaries of human knowledge, to tell the story of the new in terms that those familiar with the old can understand, and to put before its students a philosophical interpretation of historic civilization, is, I think, falling short of the demands which both society and university ideals themselves may fairly make.
A group of distinguished scholars in separate and narrow fields can no more constitute a university than a bundle of admirably developed nerves, without a brain and spinal cord, can produce all the activities of the human organism.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Scholarship and service : the policies of a national university in a modern democracy https://archive.org/details/scholarshipservi00butluoft (1921)

Life, Men, God, Pain

“I want to found a free school for creativity and interdisciplinary research in Düsseldorf [where Beuys was teaching at the Art Academy]. I hope that I will succeed. Everyone can come to me. This school has a legal status... First a school is there to develop ability, that is consciousness, then the children will recognize what a future social structure should look like; that means that one can learn a social feeling or a social sense…”

Joseph Beuys (1921–1986) German visual artist

1970's, Every Man an Artist: Talks at Documenta 5', 1972

Children, School, Hope, Art

“That man is a creature who needs order yet yearns for change is the creative contradiction at the heart of the laws which structure his conformity and define his deviancy.”

Freda Adler (1934) Criminologist, educator

Source: Sisters in Crime: The Rise of the New Female Criminal (1975), P. 171.

Law, Change, Heart

“I see America, not in the setting sun of a black night of despair ahead of us, I see America in the crimson light of a rising sun fresh from the burning, creative hand of God. I see great days ahead, great days possible to men and women of will and vision …”

Carl Sandburg (1878–1967) American writer and editor

Interview with Frederick Van Ryn, This Week Magazine (January 4, 1953), p. 11. Sandburg previously used these words at a rally at Madison Square Garden, New York City (October 28, 1952), praising Adlai E. Stevenson during the latter's 1952 presidential campaign. Reported in The Papers of Adlai E. Stevenson (1955), vol. 4, p. 175.

Women, Men, God, Light

“My wife and child and I were on a camping trip and we stopped in Virginia City. In the Opera House, I saw a photograph of Maude Adams, the famous American actress. It was such a great photograph that creatively I fell in love with her. What if some guy did the same thing and could go back in time?”

Richard Matheson (1926–2013) American fiction writer

On his initial inspiration for the novel Bid Time Return (1975), as quoted in Behind the Scenes of Somewhere in Time (1980) http://erasofelegance.com/OldFiles/Movies/sitmovie.html"

Love, Guy, Time, Housing

“A key difference between a dialogue and an ordinary discussion is that, within the latter people usually hold relatively fixed positions and argue in favor of their views as they try to convince others to change. At best this may produce agreement or compromise, but it does not give rise to anything creative.”

David Bohm (1917–1992) American theoretical physicist

p, 125
Collaborations with others, Science Order, and Creativity (1987)

People, Change

“If anything deserves a reward, it is social contribution. Creativity can be a social contribution, but only in so far as society is free to use the results. If programmers deserve to be rewarded for creating innovative programs, by the same token they deserve to be punished if they restrict the use of these programs.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

1980s, GNU Manifesto (1985)

“For many things we can find substitutes, but there is not now, nor will there ever be, a substitute for creative thought.”

Crawford Greenewalt (1902–1993) American chemical engineer

In Chemical and Engineering News, November 10, 1952, as quoted by Alan Tower Waterman in Research for National Defense, in the Bulletin of the Atomic Scientists (March 1953), Vol. 9, No. 2,ISSN 0096-3402, published by Educational Foundation for Nuclear Science, Inc., p. 39.

“You as a Fascist stand for the small trader against the chain-store; for the peasant against the usurer; for the nation, great or small, against the super-state; for personal business against Big Business; for the craftsman against the Machine; for the creator against the middleman; for all that prospers by individual effort and creative toil, against all that prospers in the abstract air of High Finance or of the theoretic ballyhoo of Internationalism.”

Wyndham Lewis (1882–1957) writer and painter

British Union Quarterly, 1937.

Business, Effort, Personality

Otto Weininger book Sex and Character

Denn gerade die starke Periodizität des Genies bringt es mit sich, daß bei ihm immer erst auf sterile Jahre die fruchtbaren und auf sehr produktive Zeiten immer wieder sehr unfruchtbare folgen—Zeiten, in denen er von sich nichts hält, ja von sich psychologisch (nicht logisch) weniger hält als von jedem anderen Menschen: quält ihn doch die Erinnerung an die Schaffensperiode, und vor allem—wie frei sieht er sie, die von solchen Erinnerungen nicht Belästigten, herumgehen! Wie seine Ekstasen gewaltiger sind als die der anderen, so sind auch seine Depressionen fürchterlicher.
Source: Sex and Character (1903), p. 107.

Men, Penalty, Feeling, Time

“Most societies are ruled by mediocre people that have no vision and no imagination. Most rulers are scared of creation and creative people. Artists are funny people. All they want is to touch and move, challenge and surprise others. But dictators hate surprises more than anything else. All they want is to turn their territory into a neat little toy prison camp and play with their little toy people. Push them around, rip a leg or a head off now and then or throw them into the garbage when they are tired of their stupid, little doll faces.”

Gottfried Helnwein (1948) Austrian photographer and painter

Interview by Michal Szyksznian http://www.gottfried-helnwein-interviews.com/interviews/celebritarian.html, celebritarian.pl, 2009

Hate, People, Stupidity, Imagination

“In terms that I admit are difficult to describe, the creative solutions will change the course of history in the past, so that variations are taken, and technology does not progress in the same way that it has in your experience.”

Jane Roberts (1929–1984) American Writer

Session 735, Page 576
The “Unknown” Reality: Volume Two, (1979)

Way, History, Change, Past

“I'll never stop working. I want to die in the saddle. A day is wasted for me if I haven't done something even mildly creative.”

Bob Monkhouse (1928–2003) English entertainer

Obituary on BBC news website http://news.bbc.co.uk/1/hi/3353445.stm

“One of the few graces of getting old — and God knows there are few graces — is that if you’ve worked hard and kept your nose to the grindstone, something happens: The body gets old but the creative mechanism is refreshed, smoothed and oiled and honed. That is the grace. That is the splendid grace. And I think that is what’s happening to me.”

Maurice Sendak (1928–2012) American illustrator and writer of children's books

As quoted in "Interview: Why Is Maurice Sendak So Incredibly Angry?" by Leonard S. Marcus in Parenting (October 1993); also in Ways of Telling : Conversations on the Art of the Picture Book (2002) by Leonard S. Marcus, p. 181

God, Thinking

Quotes about creativity page 11

Quotes about creativity
page 11