Quotes about creativity
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“Sometime 30 years ago I wrote a piece for the Stan Kenton Neophonic Band. The night of the concert at the Music Center Auditorium in Los Angeles Stan counted it off much too fast. When it came to the recapitulation at the end, the woodwind instrumentation had changed to mixtures of piccolos, flutes and saxes; and being too fast, it turned into a woodwind knuckle-buster. I was hiding on the floor between the seats. Later, when this was recorded, Stan counted too slowly. That recording was released without my piece. Years later when Stan created his "The Creative World of Stan Kenton" record company, Capitol was so angry that he had left them and released everything they had in the can to jeopardize his market. My piece was released with the first third cut off. I rewrote this for my present instrumentation and when we first went through it, while conducting, I was in tears to finally hear what I had written 30 years ago.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Discussing "Piece for Soft Brass, Woodwinds and Percussion"; from the liner notes for Jazz Corps

World, Music, Angels, Tear

“There'll be what you might call a moment of inspiration – a way of seeing or feeling or remembering, an instance or a person that's made a large impression. Like the sand and the oyster, it's a creative irritant. In each poem, I'm trying to reveal a truth, so it can't have a fictional beginning”

Carol Ann Duffy (1955) British writer and professor of contemporary poetry

Interviewed in The Guardian, December 4, 2005.

Truth, Way, Feeling, Personality

“Nationality is the creative power of human culture, culture is the creative power of nationality.”

A.C. Cuza (1857–1947) Romanian politician

From Naţionalitatea în artă ("Nationality in Art"), Bucureşti: Cartea Romaneasca, 1905.

“Mani Kaul was one of the greatest auteurs of New Wave Indian Cinema. His films reflected his personal creative vision. Kaul was a man with a luminous mind who pioneered the parallel cinema movement in India. His films explored a new language and expression. Innovative imagery, vocabulary and experimentation were his forte. His debut film Uski Roti was a landmark film in Indian cinema. He was deeply influenced by Robert Bresson, Andrei Tarkovsky and Ritwik Ghatak, though he made a mark of his own.”

Arin Paul (1980) Indian film director

On Mani Kaul http://cinefreakin.blogspot.com/2011/07/tribute-mani-kaul.html (2011)

Personality

“Genuine time, if it exists as anything else except the measure of motions in space, is all one with the existence of individuals as individuals, with the creative, with the occurrence of unpredictable novelties. Everything that can be said contrary to this conclusion is but a reminder that an individual may lose his individuality, for individuals become imprisoned in routine and fall to the level of mechanisms. Genuine time then ceases to be an integral element of their being. Our behavior becomes predictable, because it is but an external rearrangement of what went before.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Time and Individuality (1940)

Behavior, Time

“I am still far from being the type of the positively new women who take their experience as and working women contemporaries, were able to understand that love was not the main goal of our life and that we knew how to place work at its center. Nevertheless we would have been able to create and achieve much more had our energies not been fragmentized in the eternal struggle with our egos and with our feelings for another. It was, in fact, an eternal defensive war against the intervention of the male into our ego, a struggle revolving around the problem-complex: work or marriage and love? We, the older generation, did not yet understand, as most men do and as young women are learning today, that work and the longing for love can be harmoniously combined so that work remains as the main goal of existence. Our mistake was that each time we succumbed to the belief that we had finally found the one and only in the man we loved, the person with whom we believed we could blend our soul, one who was ready fully to recognize us as a spiritual-physical force. But over and over again things turned out differently, since the man always tried to impose his ego upon us and adapt us fully to his purposes. Thus despite everything the inevitable inner rebellion ensued, over and over again since love became a fetter. We felt enslaved and tried to loosen the love-bond. And after the eternally recurring struggle with the beloved man, we finally tore ourselves away and rushed toward freedom. Thereupon we were again alone, unhappy, lonesome, but free–free to pursue our beloved, chosen ideal… work. Fortunately young people, the present generation, no longer have to go through this kind of struggle which is absolutely unnecessary to human society. Their abilities, their work-energy will be reserved for their creative activity. Thus the existence of barriers will become a spur.”

Alexandra Kollontai (1872–1952) Soviet diplomat

The Autobiography of a Sexually Emancipated Communist Woman (1926)

Love, Life, Women, Men

“I was interested in achieving a creative freedom, a style that I could express with Seurat's.... color technique [color-divisionism], but shaped to my own needs. Proof that I found it is in my paintings of that period, among which is the famous 'Pan-Pan a Monico' [Severini painted in 1912]. My preference for Neo-Impressionism dates from those works. At times I tried to suppress it, but it always worked its way back to the surface.”

Gino Severini (1883–1966) Italian painter

Source: The Life of a Painter - autobiography', 1946, p. 53; as quoted in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003.

Color, Way, Freedom, Time

“You know, I think in the world of creativity there will always be risk. Whatever you do. Because creativity is something that is very personal, very individual. I may think that I am doing something great, you may not think that or the public outside may not think that, and you have an opinion.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

World, Thinking, Personality

“The thing about happiness is that it doesnt help you to grow; only unhappiness does that. So I'm grateful that my bed of roses was made up equally of blossoms and thorns. I've had a privileged, creative, exciting life, and I think that the parts that were less joyous were preparing me, testing me, strengthening me.”

Lana Turner (1921–1995) American actress

On strength, p. 307.
Autobiography

Life, Happiness, Thinking, Help

“Our creative habits are as mysterious to each other as our domestic habits.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

“Stupidity is an attempt to iron out all differences, and not to use or value them creatively.”

Bill Mollison (1928–2016) Australian permaculturist

Source: Permaculture: A Designers' Manual (1988), chapter 4.7

Stupidity

“How many great problems have gone unsolved because men didn't know enough, or have enough faith in the creative process and in themselves, to let go for the whole mind to work at it?”

Daniel Keyes book Flowers for Algernon

Flowers for Algernon (1966)

Men, Faith, Problem

“Creativity comes from looking for the unexpected and stepping outside your own experience. Computers simply cannot do that.”

Masaru Ibuka (1908–1997) Japanese businessman

Masaru Ibuka in: The Corporate Board, (1992), Vol. 13, p. 30

“The fanatics have another name for fetuses. They call them the pre-born. Now we're getting creative. If you accept pre-born, I think you would have to say that, at the moment of birth, we go instantly from being pre-born to being pre-dead. Makes sense, doesn't it? Technically, we're all pre-dead.”

George Carlin (1937–2008) American stand-up comedian

Source: Books, When Will Jesus Bring the Pork Chops? (2004), p. 162

Birth, Thinking, Sense, Dead

“The mystery is that the world is at it is -- a mystery that is the source of all joy and all sorrow, of all hope and fear, and the source of development both creative and degenerative. The contingency of all into which time enters is the source of pathos, comedy, and tragedy.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Time and Individuality (1940)

World, Fear, Hope, Time

“Art is something absolute, something positive, which gives power just as food gives power.
While creative science is a mental food, art is the satisfaction of the soul.”

Hans Hofmann (1880–1966) American artist

'Painting and Culture' p. 56
Search for the Real and Other Essays (1948)

Food, Art, Soul, Science

“We tend to think of [Hitler] as an idiot because the central tenet of his ideology was idiotic – and idiotic, of course, it transparently is. Anti-Semitism is a world view through a pinhole: as scientists say about a bad theory, it is not even wrong. Nietzsche tried to tell Wagner that it was beneath contempt. Sartre was right for once when he said that through anti-Semitism any halfwit could become a member of an elite. But, as the case of Wagner proves, a man can have this poisonous bee in his bonnet and still be a creative genius. Hitler was a destructive genius, whose evil gifts not only beggar description but invite denial, because we find it more comfortable to believe that their consequences were produced by historical forces than to believe that he was a historical force. Or perhaps we just lack the vocabulary. Not many of us, in a secular age, are willing to concede that, in the form of Hitler, Satan visited the Earth, recruited an army of sinners, and fought and won a battle against God. We would rather talk the language of pseudoscience, which at least seems to bring such events to order. But all such language can do is shift the focus of attention down to the broad mass of the German people, which is what Goldhagen has done, in a way that, at least in part, lets Hitler off the hook – and unintentionally reinforces his central belief that it was the destiny of the Jewish race to be expelled from the Volk as an inimical presence.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Ibid.
Essays and reviews, As Of This Writing (2003)

God, People, Age, World

“You know the worst thing is freedom. Freedom of any kind is the worst for creativity. You know, Dalí spent two months in jail in Spain, and these two months were the most enjoyable and happy in my life. Before my jail period, I was always nervous, anxious. I didn't know if I should make a drawing, or perhaps make a poem, or go to the movies or the theater, or catch a girl, or play with the boys. The people put me in jail, and my life became divine. Tremendous!”

Salvador Dalí (1904–1989) Spanish artist

Quotes of Salvador Dali, 1971 - 1980, Dali interviewed by Victor Bockris, 1974

Life, Happiness, People, Girl

“I co-wrote all the songs on my album, and co-produced a lot of them as well, So being involved in the creative aspect and not just singing is so important to me because, above everything, I love to create and I love to express myself.”

Skye Sweetnam (1988) Canadian singer-songwriter

Love, Singing

“The conglomerate heads may be business geniuses, but as far as movies are concerned they have virgin instincts; ideas that are new to them and take them by storm may have failed grotesquely dozens of times. But they feel that they are creative people — how else could they have made so much money and be in a position to advise artists what to do? Who is to tell them no?”

Pauline Kael (1919–2001) American film critic

Taking It All In (1983), Why Are Movies So Bad? Or, The Numbers (1980-06-23)

Money, People, Feeling, Idea

“The defensiveness of Islam is its crucial feature today. It's what, by the way, is in such contrast to the most interesting period of Islamic history, when Islam was an open, absorbing religion, constantly taking in outside influences, as opposed to its current hedgehog-like posture, prickly to the outside … always looking backward. This is not how it was in the creative moment, in the first four, six, eight centuries of Islam, where it was constantly seeking out and absorbing.”

Kanan Makiya (1949) American orientalist

"Faith and Doubt at Ground Zero" http://www.pbs.org/wgbh/pages/frontline/shows/faith/interviews/makiya.html, PBS Frontline (2002)

Religion, Way, History

“The creative personality never remains fixed on the first world it discovers. It never resigns itself to anything.”

Anaïs Nin book The Novel of the Future

The Novel of the Future (1969)

World, Personality

“Thirty years of lax budget policy (the Trente Dispendieuses) marked by soaring public spending in the 1980’s, the happy-go-lucky attitude of the 1990’s and finally, a policy of procrastination in the 2000’s characterised by the development of creative budgetary marketing strategies exclusively destined to delay the (always) socially and politically painful moment of addressing the accounts.”

Éric Pichet (1960) economist

Le programme de stabilité et le pacte de responsabilité : la trajectoire des finances publiques de 2014 à 2017 http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2499496 Article in Revue de Droit Fiscal n31-35 (2014). Budgetary policy, From the Expensive 30 toe the Expensive 36, The Expensive 30

Pain, Happiness

“Science focuses on the study of the natural world. It seeks to describe what exists. Focusing on problem finding, it studies and describes problems in its various domains. The humanities focus on understanding and discussing the human experience. In design, we focus on finding solutions and creating things and systems of value that do not yet exist.
The methods of science include controlled experiments, classification, pattern recognition, analysis, and deduction. In the humanities we apply analogy, metaphor, criticism, and (e)valuation. In design we devise alternatives, form patterns, synthesize, use conjecture, and model solutions. \
Science values objectivity, rationality, and neutrality. It has concern for the truth. The humanities value subjectivity, imagination, and commitment. They have a concern for justice. Design values practicality, ingenuity, creativity, and empathy. It has concerns for goodness of fit and for the impact of design on future generations.”

Béla H. Bánáthy (1919–2003) Hungarian linguist and systems scientist

Source: Designing Social Systems in a Changing World (1996), p. 34-35, as cited in Alexander Laszlo and Stanley Krippner (1992) " Systems Theories: Their Origins, Foundations, and Development http://archive.syntonyquest.org/elcTree/resourcesPDFs/SystemsTheory.pdf" In: J.S. Jordan (Ed.), Systems Theories and A Priori Aspects of Perception. Amsterdam: Elsevier Science, 1998. Ch. 3, pp. 47-74.

Truth, World, Justice, Imagination

“Any man can face death but to be committed to bring it as close as possible while performing certain classic movements and do this again and again and again and then deal it out yourself with a sword to an animal weighing half a ton which you love is more complicated than just facing death. It is facing your performance as a creative artist each day and your necessity to function as a skillful killer. Antonio had to kill quickly and mercifully and still give the bull one full chance at him when he crossed over the horn at least twice a day.
Everyone in bullfighting helps everyone else in bullfighting in the ring. In spite of all rivalries and hatreds it is the closest brotherhood there is. Only bullfighters know the risks they run and what the bull can do with his horns to their bodies and their minds.”

Ernest Hemingway (1899–1961) American author and journalist

Source: The Dangerous Summer (1985), Ch. 9

Love, Death, Chance, Help

“No one really believes in an eternal existence after death. The mind staggers before the concept of infinity in either time or space. Even the Hindus, who have calculated that the present age will end precisely, in terms of our calendar, on 17 February 428,898, when the universe (with all its gods except the Trinity) will perish in a cosmic conflagration, believe that the senior member of the Trinity, Brahman, will create another universe and yet another in a process that will continue for another 311,035,680,000,000 years, after which, they modestly admit, they do not know exactly what will happen, except that the creative force itself cannot perish with the total destruction of all things, including the supreme gods. Even they draw back before the horror of infinity!”

Revilo P. Oliver (1908–1994) American philologist

"Afterthoughts on Afterlife", Instauration magazine (August 1980)
1970s, 1980s

Death, God, Age, Universe

“I think that when you are famous every weakness is exaggerated. … Goethe said, "Talent is developed in privacy," you know? And it's really true. … Creativity has got to start with humanity and when you're a human being, you feel, you suffer. You're gay, you're sick, you're nervous or whatever.”

Marilyn Monroe (1926–1962) American actress, model, and singer

"Marilyn Monroe Pours Her Heart Out" interview by Richard Meryman, in LIFE (3 August 1962)

Feeling, Thinking, Suffering

“The more I learnt about this cheeky – almost rebellious – company, the more it appealed to me, as it unapologetically pointed to an alternative in a complacent and creatively bankrupt industry. Apple stood for something and had reason for being that wasn't just about making money.”

Jonathan Ive (1967) English designer and VP of Design at Apple

On how he felt when he used a Mac for the first time at college, in an interview at the Design Museum (2003)[citation needed]

Money

“Command & Conquer is very much a part of what my style…was founded on, combining the various elements of rock, electronic, hip-hop, and contemporary edge with some orchestral and some what-not—it comes down to not having limitations on what it is you can do, and when you have a project like this that allows you that freedom and that creativity to thrive, you can really take advantage…I think the biggest difference now is, imagine my mindset and the way I was thinking and writing when Command & Conquer first came out, and add about fifteen years experience to that—I think that's what you can expect from Universe at War.”

Frank Klepacki (1974) American musician, video game music composer and sound director

Petroglyph Video Podcast Source: [Kevin Yu, Frank Klepacki = date=2007-03-27, http://www.petroglyphgames.com/news/index.php?id=149&year=2007, VIDEO PODCAST: THE KING IS BACK TO PREVIEW THE MUSIC IN UAW!, Petroglyph Games http://www.petroglyphgames.com/, 22 April, 2007]

War, Way, Imagination, Thinking

“In fact I am beginning to see a way to provide a place for my line. I am at last finding my way out of the dead-end of ornament where I found myself one day in 1907! With new strength from my naturalistic études [studies], I may dare to give form to enter my prime real of psychic improvisation again. Bound only very indirectly to an impression of nature, I may again dare to give form to what burdens the soul. To note experiences that can turn themselves into linear compositions even in the blackest night. Here a new creative possibility has long since been awaiting me, which only my frustration resulting from isolation interfered with in the past. Working in this way, my real personality will express itself, will be able to emancipate itself into the greatest freedom.”

Paul Klee (1879–1940) German Swiss painter

Quote (1908), # 840, in The Diaries of Paul Klee; University of California Press, 1964; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee - Part Three' : Klee as a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html 1903 - 1910

Way, Soul, Nature, Study

“(Holism is) the tendency in nature to form wholes that are greater than the sum of the parts through creative evolution …”

Jan Smuts (1870–1950) military leader, politician and statesman from South Africa

Holism and Evolution (1926)

Nature, Parting

“To further the appreciation of culture among all the people, to increase respect for the creative individual, to widen participation by all the processes and fulfillments of art — this is one of the fascinating challenges of these days.”

John F. Kennedy (1917–1963) 35th president of the United States of America

"The Arts in America" in LOOK magazine (18 December 1962), p. 110; also reported in Public Papers of the Presidents of the United States: John F. Kennedy, 1962 http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx, p. 907 and inscribed on the John F. Kennedy Center for the Performing Arts, Washington, D.C. 1962

People, Art

“Gloria Estefan was a huge influence for me. Of course, she was one of the few Latina women around who had this major international success. She sang in Spanish and English, and she was very much the sort of woman I recognised from my culture. I go to her home, and I think that she is a woman who has got it just right. She has her music, she has her family, she has her relationship. I admire her so much because she has always put her family before everything. All her priorities are in place and she is still an amazingly creative artist.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

comment by "close friend" Jennifer Lopez, arts.guardian.co.uk (March 30, 2007)
2007, 2008

Women, Family, Music, Home

“For anyone seeking meaning for his life a figure from Greek mythology comes to mind. It is that of Atlas, bearing with endless perseverance the weight of the heavens on his back. — Atlas, resolutely bearing his burden and accepting his responsibility that gives us the example we seek. To seek out and accept responsibility; to persevere; to be committed to excellence; to be creative and courageous; to be unrelenting in the pursuit of intellectual development; to maintain high standards of ethics and morality; and to bring these basic principles of existence to bear through active participation in life — these are some of my ideas on the goals which must be met to achieve meaning and purpose in life.
And finally, the man who knows his purpose in life accepts praise humbly. He knows whatsoever talents we has were given him by the Lord and that these talents must be developed and used. In this way man renders thanks for the Lord's gift — and finds meaning in his life.”

Hyman George Rickover (1900–1986) United States admiral

Thoughts on Man's Purpose in Life (1974)

Life, Way, Idea, Courage

“Life is dull, but it could be worse and it could be better. We accept that a corporation determines our life’s routines. It’s the trade-off so that we don’t have to be chronically unemployed creative types, and we know it. When we were younger, we’d at least make a show of not being fooled and leave copies of Adbusters on our desktops. After a few years it just doesn’t matter. You trawl for jokes or amusingly diversionary. wav files. You download music. A new project comes along, then endures a slow-motion smothering at the hands of meetings. All ideas feel stillborn. The air smells like five hundred sheets of paper.
And then it’s another day.”

Douglas Coupland book JPod

JPod (2006)

Life, Fools, Music, Feeling

“It is a curious paradox that several of the greatest and most creative spirits in science, after achieving important discoveries by following their unfettered imaginations, were in their later years obsessed with reductionist philosophy and as a result became sterile. Hilbert was a prime example of this paradox. Einstein was another.”

Freeman Dyson (1923) theoretical physicist and mathematician

The Scientist As Rebel (2006)

Imagination, Science

“Lewis Carroll is somebody who wore different hats. He was a clergyman, a mathematician, a teacher. He wrote serious books, and amazing children's books. He was a photographer. So like most people, he was many people in one skin. Creatively, he made a greater impact than almost any other Victorian, and yet we know next to nothing about him, we just fall back on the old cliché.”

Gyles Brandreth (1948) British writer, broadcaster and former Member of Parliament

Interview The Scotsman, 2010

Children, People, Books, Teachers

“I wish in closing to emphasize how little corporate philanthrophy (the practical meaning of “creative capitalism,” a terrible expression that implies nonaltruistic capitalism is uncreative) is actually philanthropic, in the sense of being driven by altruism rather than by profit maximization.”

Richard A. Posner (1939) United States federal judge

" Against Creative Capitalism, Part Two https://web.archive.org/web/20080821055810/http://creativecapitalism.typepad.com:80/creative_capitalism/2008/08/against-creativ.html" (2008), published in Creative Capitalism: A Conversation with Bill Gates, Warren Buffett, and Other Economic Leaders.

Sense

“A visionary leader seeks to empower others. They continue to search for truth while maintaining their principle-centered focus. Visionary leaders have a good balance between right-brain and leftbrain thinking. The right brain is more feminine, nurturing, intuitive and creative; the left-brain is more masculine and “physical,” interested more in results. Visionary leaders often produce a host of solutions for social, economic and other types of problems.
If we want visionary leaders, we must, of course, learn to recognize them and support them. Visionary leaders have great qualities, which they develop through their interest in values, intuition and partnership with others. They can bring spiritual culture to our religious and political lives. Mahatma Gandhi once said, “I must first be the change I want to see in my world.””

Bhakti Tirtha Swami (1950–2005) American Hindu writer

A visionary leader knows he must lead by example, and that his leadership will have a powerful impact on both present and future generations.
Ten Characteristics of a Servant-Leader
Books, Leadership for an Age of Higher Consciousness, Volume II: Ancient Wisdom for Modern Times (Hari-Nama Press, 2001)

Truth, World, Search, Support

“It's hard to overemphasize how important Ford's deregulation was. True, most of the benefits took years to unfold-rail freight rates, for example hardly budged at first. Yet deregulation set the stage for an enormous wave of creative destruction in the 1980s:…”

Alan Greenspan (1926) 13th Chairman of the Federal Reserve in the United States

Source: 2000s, The Age of Turbulence (2008), Chapter Three, "Economics Meets Politics", p. 72.

“Who are you inspired by?
Creative people who have made their seemingly most self-indulgent artistic whims into a career.”

Steve Purcell (1959) American cartoonist, animator, film director and game designer

Interview on samandmax.net http://samandmax.net/index.php?section=historyfaq&page=interview1&id=4

People

“I find myself lined up with the surrealists because Surrealism means freedom for the creative side of man, for surprise & discovery & life, for an opening out & widening of mans consciousness, for changing life & against conserving worn out traditions, for variety not a uniformity, for opening not closing.”

Henry Moore (1898–1986) English artist

Source: 1925 - 1940, Unpublished notes' for 'The Sculptor Speaks' (1937), p. 123

Life, Freedom, Change

“One of the important functions of prayer, I believe, is to act as a stimulus to creative ideas. Within the mind are all the resources required for successful living. Ideas are present in the consciousness, which when released and given scope to grow and take shape, can lead to successful events. God, our Creator, has stored within our minds and personalities, great potential strength and ability. Prayer helps to tap and develop these powers.”

A. P. J. Abdul Kalam book Wings of Fire

Source: Wings of Fire, p. 32.

God, Idea, Success, Help

“I trust that I am honest with myself. I know that I am not very sociable and I expect to go on being so; a man capable of creative work has no time to spare for fools who would like to visit.”

Robert A. Heinlein book The Number of the Beast

Source: The Number of the Beast (1980), Chapter XXVI : The Keys to the City, p. 249

Fools, Time

“To give a valid Islamic content, as well as a creative, positive direction to the people's dreams and desires; to prepare them not only politically (in the conventional context of this word) but also spiritually and ideologically for the great goal of Pakistan: this is the supreme task awaiting our leaders.”

Muhammad Asad (1900–1992) Austro-Hungarian writer and academic

Source: This Law of Ours and Other Essays (1987), Chapter: What Do we Mean by Pakistan, p 84

People, Dreams

“There is no God!
This negation must be understood solely to affect a creative Deity. The hypothesis of a pervading Spirit co-eternal with the universe remains unshaken.”

Percy Bysshe Shelley book The Necessity of Atheism

The Necessity of Atheism (1811)

God, Universe

“The dark net is all of these things, to some extent – but for me, it is an idea more than a particular place: an underworld set apart yet connected to the internet we inhabit, a world of complete freedom and anonymity, and where users say and do what they like, uncensored, unregulated, and outside of society’s norms. It is a world that is as shocking and disturbing as it is innovative and creative, a world that is also much closer than you think.”

Jamie Bartlett book The Dark Net: Inside the Digital Underworld

The Dark Net: Inside the Digital Underworld (2014)

World, Idea, Thinking, Freedom

“Hans Haacke's "Visitor's Profile" encouraged visitors to interact with a computer by inputting personal information, which was then tabulated to output statistical data on the exhibition's audience. Such demographic research - as art - opened up a critical discourse, following Foucault and others, on the exclusivity of cultural institutions and their patrons, revealing the myth of public service as a thin veneer justifying the hierarchical values that reify extant social relations. Similarly, "Interactive Paper Systems" by Sonia Sheridan, engaged museum-goers in a creative exchange with the artist and 3M's first commercially available color photocopying machine, dissolving conventional artist-viewer-object relations. In "The Seventh Investigation (Art as Idea as Idea)" Joseph Kosuth utilized multiple forms of mass media and distribution (a billboard, an newspaper advertisement, a banner, and a museum installation) to question the conceptual and contextual boundaries between art, philosophy, commerce, pictures, and texts.”

Edward A. Shanken (1964) American art historian

Edward A. Shanken. " The House That Jack Built: Jack Burnham's Concept of "Software" as a Metaphor for Art http://www.artexetra.com/House.html" in Leonardo Electronic Almanac 6:10 (November, 1998)

Art, Color, Idea, Question

“Most proponents of a mandatory retirement age or term limits claim that we should amend the Constitution in order to alleviate the problems associated with life tenure. Their proposals implicitly reject an incentives approach to retirement because they assume that Justices will not act rationally in response to institutional modifications. In other words, both proposals are not only radical in their scope and represent substantial constitutional change, but they also rely on the remarkable proposition that Justices are fundamentally different from the rest of us in the way they approach economic decisions. There is little evidence to commend this view, and there is considerable empirical research to the contrary that supports Judge Posner’s thesis that Justices maximize the same thing everybody else does: their own utility.11 Put simply, legal scholars have not thought creatively about life tenure, shunning promising interdisciplinary approaches in favor of drastic constitutional change.”

David Stras (1974) American judge

The Incentives Approach to Judicial Retirement https://poseidon01.ssrn.com/delivery.php?ID=550083013021092016089124092101123109019053019081050000104123078004026111095112098007032035042036057108108088070117116005124105087007061001121113115101118119116088029023111029064077104010121092024068066031005116087002001031092011074124095102105073&EXT=pdf (October 25, 2005)

Life, Age, Justice, Way

“The result of walking round Tate Modern is not an experience of the marvel of creative profundity which gives meaning to life, but more akin to the detritus of a dryly analytical bureaucrat reverting to an infantile stage during an extended breakdown.”

Charles Thomson (artist) (1953) British artist

"Interview with Charles Thomson of the Stuckists" http://www.artistica.co.uk/2006/01/29/interview-with-charles-thomson-of-the-stuckists/ artistica.com, 2006-01-29.

Life

“I think art certainly is the vehicle for us to develop any new ideas, to be creative, to extend our imagination, to change the current conditions.”

Ai Weiwei (1957) Chinese concept artist

2010-, Ai Weiwei Does Not Feel Powerful, 2011

Art, Imagination, Idea, Thinking

“Art and Science are two different streams which rise from the same creative force and flow into the same ocean of the common culture, but the currents of these two streams flow in different directions.”

Naum Gabo (1890–1977) Russian sculptor

Quote of Naum Gabo (1957), as cited in: Gabo: Construction, Sculpture, Paintings, Drawings, Engravings. p. 164.
1936 - 1977

Art, Science

“Democracy cannot survive without the guidance of a creative minority.”

Harlan F. Stone (1872–1946) United States federal judge

Reported in Alpheus Thomas Mason, Harlan Fiske Stone, Pillar of the Law (1956), p. 95.

Democracy

“At the end of the Washington Monument rally in September, 1976, I was admitted to the second entering class at Unification Theological Seminary. During the next two years, I took a long prayer walk every evening. I asked God what He wanted me to do with my life, and the answer came not only through my prayers, but also through Father's many talks to us, and through my studies. Father encouraged us to set our sights high and accomplish great things. He also spoke out against the evils in the world; among them, he frequently criticized Darwin's theory that living things originated without God's purposeful, creative activity. My studies included modern theologians who took Darwinism for granted and thus saw no room for God's involvement in nature or history; in the process, they re-interpreted the fall, the incarnation, and even God as products of human imagination. Father's words, my studies, and my prayers convinced me that I should devote my life to destroying Darwinism, just as many of my fellow Unificationists had already devoted their lives to destroying Marxism. When Father chose me (along with about a dozen other seminary graduates) to enter a Ph. D. program in 1978, I welcomed the opportunity to prepare myself for battle.”

Jonathan Wells (1942) American intelligent design advocate

Darwinism: Why I Went for a Second Ph.D. http://www.tparents.org/library/unification/talks/wells/DARWIN.htm

Life, God, World, Imagination

“If we have real, creative destruction here with Trump, and we have Armageddon or worse, out of the ruins will come new successes. New movements. And eventually, new rackets. And I'll be in on them. I admit it, I'm a racketeer.”

Mike Murphy (political consultant) (1962) American political consultant

As quoted in "Debriefing Mike Murphy" https://www.weeklystandard.com/matt-labash/debriefing-mike-murphy (18 March 2016), by Matt Labash, The Weekly Standard 2010s

Success

“I believe dreams connect us to our ancestors and it is through creativity that we can tap into this in the conscious state. Creativity is a sort of trance that we have as artists that erases time and space.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Regarding his ancestry influencing his work; as quoted in "Americymru" http://americymru.blogspot.com/2010/08/interview-with-lorin-morgan-richards.html "An Interview With Lorin Morgan-Richards” (25 August 2010).

Dreams, Time

“What is creative instinct, if not an incessant living sympathy with Nature, a constant craving like that of Nature's own, to fashion something new out of all that comes within the grasp of those faculties with which Nature has endowed us? The qualities of vision, of fancy, and of imaginative power, are no more divorced from Nature, than are the qualities of common-sense and courage. They are rarer, that is all.”

John Galsworthy (1867–1933) English novelist and playwright

Vague Thoughts On Art (1911)

Imagination, Fashion, Courage, Nature

“What is really meant when we talk of the need for men to make relationships a priority is that we would like to have the best of both worlds by preserving the qualities that make the young man a creative and dedicated technological person, while superimposing on that an equal competence in relationships. In fact, the psychological undertow that makes one possible, to the same degree makes the other impossible. … Achieving the ultimate in externalization and internalization at the same time is a psychological impossibility, because one exists to the degree that the other doesn't. You can't have the best of both worlds. You can only manipulate matters enough to give the temporary appearance of having the best of both worlds.”

Herb Goldberg (1937–2019) American psychologist

We can send a man to the moon but we still can't handle relationships: exploring a misleading cliche, pp. 269–270
The Inner Male (1987)

Men, World, Appearance, Time

“When we were growing up, the 45 single was the heart of rock-and-roll and in many regards still is. It's the hardest thing to pull off. The surest sign that a band is growing stale and running out of creative ideas is when it turns to prog. And I well remember the 1970s when prog almost destroyed rock music. It's the mold growing on a congealed band on its last legs. Indeed, it still lurks among us in new, insidious forms like indie. The few times U2 has attempted prog, we've tempered it with good songwriting.”

Bono (1960) Irish rock musician, singer of U2

Music, Idea, Time, Heart

“With more mainstream filmmaking, the problem is who’s making the decisions. They’re not artists. The key creative decisions are being made by lawyers and accountants—that’s a very precarious situation. It’s precarious because it really does matter. Icons are being made and manufactured. People say it’s just a movie—but it’s not.”

Jennifer Beals (1963) American actress and a former teen model

Detours Interview (1995) http://www.jennifer-beals.com/media/press/detours1.html/

People, Problem, Decision

“The man of frank and strong prejudices, far from being a political and social menace and an obstacle in the path of progress, is often a benign character and helpful citizen. The chance is far greater, furthermore, that he will be more creative than the man who can never come to more than a few gingerly held conclusions, or who thinks that all ideas should be received with equal hospitality. There is such a thing as being so broad you are flat.”

Richard M. Weaver (1910–1963) American scholar

“Life without prejudice,” p. 11-12.
Life Without Prejudice (1965)

Idea, Thinking, Strong, Chance

“Like Shakespeare, I too am often occupied with the pursuit of my creative endeavors and dealing with all aspects of life's mundane matters. "Who are the best musicians for these songs?" "Am I recording in the right studio?" "Is this song in the right key?" Some things never change, even in 400 years. Not once have I ever had the time to ask myself, "Are my songs literature?" So, I do thank the Swedish Academy, both for taking the time to consider that very question, and, ultimately, for providing such a wonderful answer.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Nobel Banquet Speech

Life, Literature, Question, Change

“I do not belong to any church, but I do consider myself a religious man…part of the creative and intelligence behind life. Therefore, if we are part of God than our lives are not brief meaningless things, but rather have a great importance and significance.”

Gene Roddenberry (1921–1991) American television screenwriter and producer

Ibdb p.61. as quoted in Alexander, 1994:423

Life, God, Intelligence, Parting

“Whatever creativity is, it is in part a solution to a problem.”

Brian W. Aldiss (1925–2017) British science fiction author

"Apéritif" in Bury My Heart at W.H. Smith's (1990)

Problem, Parting

“Creativity requires risk. So do exploration and innovation. Anyone who thinks outside of the box is taking a risk. Leadership brings many risk. Courage is exercised in the face of risk. Invest involve risk. Decision-making always mean a certain degree of risk.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Take The Risk (2008), p. 161

Exercises, Courage, Thinking, Decision

“Britain is a special country. We have so many great advantages: a Parliamentary democracy where we resolve great issues about our future through peaceful debate; a great trading nation, with our science and arts, our engineering and our creativity, respected the world over. And while we are not perfect, I do believe we can be a model for the multi-racial, multi-faith democracy, where people can come and make a contribution and rise to the very highest that their talent allows.”

David Cameron (1966) Former Prime Minister of the United Kingdom

Speech delivered outside outside 10 Downing Street, announcing that he would resign as prime minister after British voters chose to leave the European Union in a referendum (June 24, 2016), see David Cameron's resignation speech in full http://www.cnn.com/2016/06/24/europe/david-cameron-full-resignation-speech/ (published by CNN) 2010s, 2016

People, World, Peace, Faith

“When we first started, they basically went John and Paul's way because they were the writers and they would say, "This is the song," and I would play as creatively as I could. Sometimes I would have three people telling me how to do it. They were saying play it this like on that track. I'm saying, "For Christ's sake, there are two drummers there." They could never hear that, you know. You'd have to have four arms to do half the stuff they wanted me to do.”

Ringo Starr (1940) British musician, former member of the Beatles

Interview in Viva magazine (1978)

People, Way, Christ

“It is true that for us art is not an end in itself, we have lost too many of our illusions for that. Art is for us an occasion for social criticism, and for real understanding of the age we live in... Dada was not a school of artists, but an alarm signal against declining values, routine and speculations, a desperate appeal, on behalf of all forms of art, for a creative basis on which to build a new and universal consciousness of art.”

Hugo Ball (1886–1927) German author, poet and one of the leading Dada artists

quoted by Richard Kostelanetz and Joseph Darby (eds.) in Classic Essays on Twentieth-Century Music; Schirmer, New York, 1996 ISBN 0028645812
after 1916

Age, School, Art, Understanding

“The influence of a woman's first love is felt on her whole after-existence: never can she dream such dream again. For a woman there is no second-love—youth, hope, belief, are all given to her first attachment; if unrequited, the heart becomes its own Prometheus, creative, ideal, but with the vulture preying upon it for ever.—If deceived, the whole poetry of life is gone; the very essence of poetry is belief, and how can she, whose sweet eager credulity has once learnt the bitter truth—that its reliance was in vain, how can she ever believe again?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Love, Life, Truth, Youth

“I sat, just watching the moon creep up, and hearing the thin, dry rustle of the leaves along the holly hedge. And there came to me this thought: What is this Universe — that never had beginning and will never have an end — but a myriad striving to perfect pictures never the same, so blending and fading one into another, that all form one great perfected picture? And what are we — ripples on the tides of a birthless, deathless, equipoised Creative-Purpose — but little works of Art?”

John Galsworthy (1867–1933) English novelist and playwright

Vague Thoughts On Art (1911)

Art, Universe, Perfection

“Globalisation is highly selective. It proceeds by linking up all that, according to dominant interests, has value anywhere in the planet, and discarding anything which has no value or becomes devalued, in a variable geometry of creative destruction and destructive creation of value.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Materials for an exploratory theory of the network society (2000)

“We define a fruitful partnership between our twin professions of librarian and information systems scientist in support of this adventure in creativity, and the pursuit of wisdom? If it is the nature of the creative mind that it sets out to grapple with the tensions and contradictions in the "paradigm", as Kuhn calls it, it follows that first of all one must know what the paradigm is.”

Douglas John Foskett (1918–2004)

Librarians and Information Systems (1995)

Wisdom, Support, Nature, Partnership

“Excessive bureaucracy is distracting, time-consuming, and destructive to creativity.”

Jerome Isaac Friedman (1930) American physicist

"Will Innovation Flourish in the Future?," 2002

Time

“I put all my poetry in long hand, try to let the idea marinate as long as possible, clinging to the commonplace notion of a creative connection between the movement of the hand and the flow of imagination.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

Imagination, Idea

“I have so strong a sense of creation, of tomorrow, that I cannot get drunk, knowing I will be less alive, less well, less creative the next day.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

The Diary Of Anais Nin, Volume Two (1934-1939)
Diary entries (1914 - 1974)

Sense, Strong

“Originality is the essence of true scholarship. Creativity is the soul of the true scholar.”

Nnamdi Azikiwe (1904–1996) First President of Nigeria

Attributed without citation in Answers Africa 40 famous quotes about Africa, http://answersafrica.com/quotes-about-africa.html answersafrica.com

Soul

“When I speak of the erotic, then I speak of it as an assertion of the life force of women; of that creative energy empowered, the knowledge and use of which we are now reclaiming in our language, our history, our dancing, our loving, our work, our lives.”

Audre Lorde (1934–1992) writer and activist

entry for June 26 Living Life Fully in Meditations for Women Who Do Too Much, Anne Wilson Schaef, c. 1990

Love, Life, Women, History

“I think restrictions are an essential condition in the fight for freedom of expression. It’s also a source for any kind of creativity.”

Ai Weiwei (1957) Chinese concept artist

Solway, Diane. “Enforced Disappearance.” W Magazine, November 2011.
2010-, 2011

Thinking, Freedom, Fight

“It would be pleasant to believe that the age of pessimism is now coming to a close, and that its end is marked by the same author who marked its beginning: Aldous Huxley. After thirty years of trying to find salvation in mysticism, and assimilating the Wisdom of the East, Huxley published in 1962 a new constructive utopia, The Island. In this beautiful book he created a grand synthesis between the science of the West and the Wisdom of the East, with the same exceptional intellectual power which he displayed in his Brave New World. (His gaminerie is also unimpaired; his close union of eschatology and scatology will not be to everybody's tastes.) But though his Utopia is constructive, it is not optimistic; in the end his island Utopia is destroyed by the sort of adolescent gangster nationalism which he knows so well, and describes only too convincingly.
This, in a nutshell, is the history of thought about the future since Victorian days. To sum up the situation, the sceptics and the pessimists have taken man into account as a whole; the optimists only as a producer and consumer of goods. The means of destruction have developed pari passu with the technology of production, while creative imagination has not kept pace with either.
The creative imagination I am talking of works on two levels. The first is the level of social engineering, the second is the level of vision.”

Dennis Gabor (1900–1979) Nobel Prize-winning physicist and inventor of holography

In my view both have lagged behind technology, especially in the highly advanced Western countries, and both constitute dangers.
Source: Inventing the Future (1963), p. 18-19

Wisdom, Books, Age, World

“As a director, you must keep your sense of humor, your patience and, most of all, your ability to funnel the collective energies of a large group of creative people. For that, you must stay well-hydrated, well-fed, and well-rested. It's also crucial that you have a top-notch ensemble.”

Tommy Lee Wallace (1949) American film director

Tommy Lee Wallace on Crafting His Miniseries Masterpiece, IT https://dailydead.com/stephen-king-week-tommy-lee-wallace-on-crafting-his-miniseries-masterpiece-it/ (October 27, 2015)

People, Sense, Patience

“The capitalists misinformed and miseducated workers in the metropoles to the point where they became allies in colonial exploitation. In accepting to be led like sheep, European workers were perpetuating their own enslavement to the capitalists. They ceased to seek political power and contented themselves with bargaining for small wage increases, which were usually counter-balanced by increased costs of living. They ceased to be creative and allowed bourgeois cultural decadence to overtake them all. They failed to exercise any independent judgment on the great issues of war and peace, and therefore ended up by slaughtering not only colonial peoples but also themselves.”

Walter Rodney book How Europe Underdeveloped Africa

Source: How Europe Underdeveloped Africa (1972), p. 316.

War, People, Peace, Exercises

“Historically, it may be useful to fancy playfulness and piety as being the respective residues of the aristocratic and priestly backgrounds of the intellectual function. The element of play seems to be rooted in the ethos of the leisure class, which has always been central in the history of creative imagination and humanistic learning. The element of piety is reminiscent of the priestly inheritance of the intellectuals: the quest for and the possession of truth was a holy office. As their legatee, the modern intellectual inherits the vulnerability of the aristocrat to the animus of Puritanism and egalitarianism and the vulnerability of the priest to anticlericalism and popular assaults upon hierarchy. We need not be surprised, then, if the intellectual’s position has rarely been comfortable in a country which is, above all others, the home of the democrat and the antinomian.”

Richard Hofstadter (1916–1970) American historian

Source: Anti-Intellectualism in American Life (1974), pp. 32-33

Truth, Home, Imagination, History

“Play your part creatively in all the struggles
Of men of your time, thereby
Helping, with the seriousness of study and the cheerfulness of knowledge
To turn the struggle into common experience and
Justice into a passion.”

Bertolt Brecht (1898–1956) German poet, playwright, theatre director

"Speech to Danish working-class actors on the art of observation" [Rede an dänische Arbeiterschauspieler über die Kunst der Beobachtung] (1934), from The Messingkauf Poems, published in Versuche 14 (1955); trans. John Willett in Poems, 1913-1956, p. 238
Poems, 1913-1956 (1976)

Men, Justice, Knowledge, Study

“When we were told to follow set procedures and not deviate from the rules, we could see how this schooling process actually discouraged creativity.”

Robert T. Kiyosaki (1947) American finance author , investor

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

School

“By the time I stood for Parliament I was already carrying a walking stick, and the combination of my illness and my sense of withdrawal from a belief in a kind of Britain I would have preferred to see meant that I was no longer satisfied with such a (political) role: it wasn't creative enough, it didn't satisfy me. I simply didn't fit the bill in the end. Although I was a Labour candidate I didn't even vote in that election. I was probably the only candidate who didn't vote for his party.”

Dennis Potter (1935–1994) English television dramatist, screenwriter and journalist

G. Fuller (ed.), Potter on Potter (Faber and Faber, 1993), p. 14
On his candidature in East Hertfordshire in the 1964 general election, which formed the basis of his play "Vote, vote, vote for Nigel Barton"

Sense, Time

“Indeed, Hayek’s later monetary work constitutes some of his most creative practical policy suggestions, though his thought in the area was, by his own admission, undeveloped.”

Alan O. Ebenstein (1959) American political scientist, educator and author

Hayek's Journey: The Mind of Friedrich Hayek (2003)

“You have to not be arrogant and say you know better, and you have to not thwart their creativity because they are creative people and they have a very different point-of-view than a filmmaker on how to get people in the seats. So, it’s a balance, like everything in life, between keeping your focus and being overly constricting. So, if you want to be a filmmaker, you have to realize what a long arbiter a movie is cut of and shaped on, how many phases there are to it, and how long you have to be totally focused on your story and the movie itself, and how it seemed one way but making a film is really trench warfare.”

Rob Cohen (1949) American film director, producer and writer

Interview: Rob Cohen – Director (The Mummy: Tomb of the Dragon Emperor) http://horrornews.net/45720/interview-rob-cohen-director-the-mummy-tomb-of-the-dragon-emperor/ (December 16, 2008)

Life, People, Way

“I believe creative work needs communication. So it’s extremely encouraging to be with a group of people who form a community and to know that you’re not isolated, although as individuals we must always work in an inner silence.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Conversation. Interview with Byron Dobell (1957), p. 34

People, Communication, Silence

“I’m a vegan. But, no one believes it because when you’re out in the field, most of your meal options involve meat with a side of something fried. I’ve learned how to be creative and improvise and can eat anywhere — even a steak house or a gas station.”

Nicole Lapin (1984) American journalist

Interview with 944 Magazine, "Woman of Power." http://www.nicolelapin.net/gallery/displayimage.php?pid=246&fullsize=1(November 2007)

Learning, Housing

“For literary purposes, the art of writing poetry can be simply defined as: A creative act using language as a medium refined to an art.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Cosmos as a Poem (2010)

Art

“Creative people live in two worlds. One is the ordinary world which they share with others and in which they are not in any special way set apart from their fellow men. The other is private and it is in this world that the creative acts take place.”

Mark Kac (1914–1984) Polish-American mathematician

Introduction, p. xv.
Enigmas Of Chance (1985)

Men, People, World, Way

“I find myself frequently maintaining to any young passer-by upon whose attention I can force myself that a genuinely creative career must like a milking stool stand on three legs. There must be accident, there must be sweat, there must be dissatisfaction. That one must work hard is too obvious for comment here. That one must be endowed with native dissatisfaction is very nearly as obvious, for it is the engine that drives you: dissatisfaction with the world and the arts as you find them, dissatisfaction with your own best efforts to capture the uncapturable. What is not so obvious is the support which one must gain from accident, from those dispositions of wind and stars over which one has no control.”

Robert Ardrey book Plays of Three Decades

Plays of Three Decades: Thunder Rock / Jeb / Shadow of Heroes (1968)

World, Art, Star, Support

“The design process involves a series of operations. In map design, it is convenient to break this sequence into three stages. In the first stage, you draw heavily on imagination and creativity. You think of various graphic possibilities, consider alternative ways…”

Arthur H. Robinson (1915–2004) American geographer

Source: Elements of Cartography (1953), p. 318

Way, Imagination, Thinking, Drawing

“It is just in thinking all these elements in an active originating Unit-thought, or an "I," that the essential and characteristic nature of man or any other real intelligence consists. Such an originating Unit-thinking, providing its own element-complex of primal thoughts that condition its experience, and that thus provide for that experience the form of a cosmic Evolutional Series, is precisely what an intelligent being is. Thus creatively to think and be a World is what it means to be a man. To think and enact such a world merely in the unity framed for it by natural causation, is what it means to be a "natural" man; to think and enact it in its higher unity, its unity as framed by the supernatural causation of the Pure Ideals, supremely by the Moral Ideal, is what it means to be a "spiritual" man, a moral and religious man; or, in the philosophical and true sense of the words, a supernatural being — a being transcending and yet including Nature, not excluding or annulling it.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Limits of Evolution, p.47

World, Intelligence, Nature, Thinking

“That is financial intelligence. It is not so much what happens, but how many different financial solutions you can think of to turn a lemon into millions. It is how creative you are in solving financial problems.”

Robert T. Kiyosaki (1947) American finance author , investor

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

Intelligence, Problem, Thinking

“The officials want China to be seen as a cultured, creative nation, but in this anti-liberal political society everything outside the direct control of the state is seen as a potential threat.”

Ai Weiwei (1957) Chinese concept artist

2010-, China’s ‘Mozart’ Drops Off State Hit Parade, 2010

“These people are not interested in creative destruction, they are only interested in destruction. That leads to gas chambers. That leads to, uh, guillotines. That leads to millions dead. That leads to Mao. That leads to totalitarianism. Every. Single. Time.”

Glenn Beck (1964) U.S. talk radio and television host

The Glenn Beck Program
Radio
Premiere Radio Networks
2011-10-04
Beck: Occupy Wall Street Is "Only Interested In Destruction," Which "Leads To Gas Chambers," "Guillotines," "Mao"
Media Matters for America
2011-10-04
http://mediamatters.org/mmtv/201110040017
2011-08-13
regarding Occupy Wall Street protests
2010s, 2011

People, Time, Dead