Quotes about composer (804 quotes, page 6)

“We are told that we have to accept the Treaty of Rome. I have read the Treaty of Rome pretty carefully, and it expresses an outlook entirely different from our own. It may be that I am insular, but I value our Parliamentary outlook, an outlook which has extended throughout the Commonwealth. That is not the same position that holds on the Continent of Europe. No one of these principal countries in the Common Market has been very successful in running Parliamentary institutions: Germany, hardly any experience; Italy, very little; France, a swing between a dictatorship and more or less anarchic Parliament, and not very successfully. As I read the Treaty of Rome, the whole position means that we shall enter a federation which is composed in an entirely different way. I do not say it is the wrong way. But it is not our way. In this set-up it is the official who really puts up all the proposals; the whole of the planning is done by officials. It seems to me that the Ministers come in at a later stage—and if there is anything like a Federal Parliament, at a later stage still. I do not think that that is the way this country has developed, or wishes to develop. I am all for working in with our Continental friends. I was one of those who worked to build up NATO; I have worked for European integration. But that is a very different thing from bringing us into a close association which, I may say, is not one for defence, or even just for foreign policy. The fact is that if the designs behind the Common Market are carried out, we are bound to be affected in every phase of our national life. There would be no national planning, except under the guidance of Continental planning—we shall not be able to deal with our own problems; we shall not be able to build up the country in the way we want to do, so far as I can see. I think we shall be subject to overall control and planning by others. That is my objection.”

Clement Attlee (1883–1967) Former Prime Minister of the United Kingdom

Speech http://hansard.millbanksystems.com/lords/1962/nov/08/britain-and-the-common-market in the House of Lords on the British application to join the Common Market (8 November 1962).
1960s

Life , Way , Problem , Thinking

“The rex bite is unique among better known dinosaurs. Instead of inflicting a long, shallow wound, rex jaws would thrust a few crowns deep into bone armor, killing a Triceratops with a single blow. We see close-linked co-evolution here, a terminal Cretaceous arms race. Triceratops is the commonest horned dino of the time, the final dinosaurian Age, the Lancian. T’tops departs from the ceratopsian tradition of frill construction. Torosaurus, very rare during the Lancian Age of the Cretaceous, retains that basic design: the frill is composed of thin bone rods that make a frame, with huge holes in the middle. Triceratops fills in the holes with greatly thickened bone. Why would Triceratops invest in five times as much bone volume in its frill? Well…to me the answer is obvious. Because the commonest predator has evolved great, armor-penetrating teeth. The argument goes in the other direction – T. rex evolved swollen, tall tooth crowns to deal with the unusual protection of the commonest horned herbivore.”

Robert T. Bakker (1945) American paleontologist

As quoted in Paleontological Profiles: Robert Bakker http://scienceblogs.com/laelaps/2008/04/07/paleontological-profiles-rober/, scienceblogs (April 7, 2008)

Age , Time

“Our strength is often composed of the weakness that we're damned if we're going to show.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

“Civilizations and social orders have not been geared to the fulfillment of human potential (even now, for all of our liberal thought), but to the suppression of abilities that did not fit in with the basic assumptions about the nature of the self. We inhibited any such evidence from conscious awareness, developing a kind of one-line official consciousness. Opposing data did not disappear, but formed powerful undercurrents that composed the unofficial knowledge of the race.”

Jane Roberts (1929–1984) American Writer

Source: Psychic Politics: An Aspect Psychology Book (1976), p. 275

Nature , Knowledge

“He who shall wish to disentangle this proposition will easily be able to compose a volume.”

Girard Desargues (1591–1661) French mathematician and engineer

ca. 1640) as quoted by William Thompson Sedgwick, Harry Walter Tyler, A Short History of Science https://books.google.com/books?id=Wl8AAAAAMAAJ (1917

“Well, if I were thus rationed in this article and could have but one adjective for George Gershwin, that adjective would be "ingenuous." Ingenuous at and about his piano. Once an occasional composer named Oscar Levant stood beside that piano while those sure, sinewy, catlike Gershwin fingers beat their brilliant drum-fire—the tumultuous cascade of the "Rhapsody In Blue," the amorous languor of "The Man I Love," the impish glee of "Fascinating Rhythm," the fine, jaunty, dust-spurning scorn of "Strike Up the Band." If the performer was familiar with the work of any other composer, he gave no evidence of it. Levant (who, by the way, makes a fleeting appearance in the new Dashlell Hammett book, under the guise of Levi Oscant) could be heard mutterIng under his breath, "An evening with Gershwin Is a Gershwln evening."
"I wonder," said our young composer dreamily, "if my music will be played a hundred years from now."
"It certainly will be," said the bitter Levant,"if you are still around."”

Alexander Woollcott (1887–1943) American critic

"George the Ingenuous" in Cosmopolitan (November 1933); reprinted in Ch. IV: "'...A Young Colossus...'" https://books.google.com/books?id=ATcjgQTx0uIC&pg=PA45#v=onepage&q&f=false from Gershwin Remembered (1992) by Edward Jablonski, pp. 44-45

Love , Books , Music , Way

“There is a widespread public misperception, particularly among the New Age sector, that the Chinese word for “crisis” is composed of elements that signify “danger” and “opportunity.” I first encountered this curious specimen of alleged oriental wisdom about ten years ago at an altitude of 35,000 feet sitting next to an American executive. … While it is true that wēijī does indeed mean “crisis” and that the wēi syllable of wēijī does convey the notion of “danger,” the jī syllable of wēijī most definitely does not signify “opportunity.” … The jī of wēijī, in fact, means something like “incipient moment; crucial point (when something begins or changes).” Thus, a wēijī is indeed a genuine crisis, a dangerous moment, a time when things start to go awry. A wēijī indicates a perilous situation when one should be especially wary.”

Victor H. Mair (1943) American sinologist and linguist

danger + opportunity ≠ crisis http://www.pinyin.info/chinese/crisis.html (2009).

Wisdom , Age , Change , Time

“Life is a wave, which in no two consecutive moments of its existence is composed of the same particles.”

John Tyndall (1820–1893) British scientist

Vitality.
Fragments of Science, Vol. II (1879)

Life

“And since every man retains, and can never be deprived of his natural right (founded on a regard to the general good) of relieving himself from all oppression, that is, from every thing that has been imposed upon him without his own consent; this must be the only true and proper foundation of all the governments subsisting in the world, and that to which the people who compose them have an unalienable right to bring them back.”

Joseph Priestley book Essay on the First Principles of Government

Section II, "Of Political Liberty"
Essay on the First Principles of Government, 2nd Edition (1771)

People , World , Nature

“By the time of his Fourth String Quartet, inversional symmetry had become as fundamental a premise of Bartók's harmonic language as it is of the twelve-tone music of Schoenberg, Berg, and Webern. Neither he nor they ever realized that this connection establishes a profound affinity between them in spite of the stylistic features that so obviously distinguish his music from theirs…Nowhere does he [Bartók] recognize the communality of his harmonic language with that of the twelve-tone composers that is implied in their shared premise of the harmonic equivalence of inversionally symmetrical pitch-class relations.”

George Perle (1915–2009) American composer

Pages 46-47
The Listening Composer

Music , Communication , Time

“According to the current doctrines of mysticoscientism, we human animals are really and actually nothing but "organic patterns of nodular energy composed of collocations of infinitesimal points oscillating on the multi-dimensional coordinates of the space-time continuum." I'll have to think about that. Sometime. Meantime, I'm going to gnaw on this sparerib, drink my Blatz beer, and contemplate the a posteriori coordinates of that young blonde over yonder, the one in the tennis skirt, tying her shoelaces.”

Edward Abbey (1927–1989) American author and essayist

A Voice Crying in the Wilderness (Vox Clamantis in Deserto) (1990)

Drink , Beer , Thinking , Time

“Everything that I saw became something to be made, and it had to be exactly as it was, with nothing added. It was a new freedom: there was no longer the need to compose. The subject was there already made, and I could take from everything. It all belonged to me: a glass roof of a factory, with its broken and patched panels, lines on a road map, a corner of a Braque painting, paper fragments in the street. It was all the same: anything goes.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 10 : Notes from 1969

Freedom , Painting

“The idea of the elite as composed of men and women having a finer moral character is an ideology of the elite.”

C. Wright Mills book The Power Elite

Source: The Power Elite (1956), p. 14.

Women , Men , Idea

“Writing music for a picture means you have to compromise with a given reference to a movie or the advice coming from the director and producer. Working on your own material, you have to be just authentic with yourself, following your subjective perspectives and ideas. There is no-one who will judge what you are doing as long as you are in the composing process. Both ways are very different but can support your input learning about the musical universe immensely.”

Edgar Froese (1944–2015) German musician and founder of Tangerine Dream

Music , Way , Idea , Support

“These Disciplines [mathematics] serve to inure and corroborate the Mind to a constant Diligence in Study; to undergo the Trouble of an attentive Meditation, and cheerfully contend with such Difficulties as lie in the Way. They wholly deliver us from a credulous Simplicity, most strongly fortify us against the Vanity of Scepticism, effectually restrain from a rash Presumption, most easily incline us to a due Assent, perfectly subject us to the Government of right Reason, and inspire us with Resolution to wrestle against the unjust Tyranny of false Prejudices. If the Fancy be unstable and fluctuating, it is to be poised by this Ballast, and steadied by this Anchor, if the Wit be blunt it is sharpened upon this Whetstone; if luxuriant it is pared by this Knife; if headstrong it is restrained by this Bridle; and if dull it is roused by this Spur. The Steps are guided by no Lamp more clearly through the dark Mazes of Nature, by no Thread more surely through the intricate Labyrinths of Philosophy, nor lastly is the Bottom of Truth sounded more happily by any other Line. I will not mention how plentiful a Stock of Knowledge the Mind is furnished from these, with what wholesome Food it is nourished, and what sincere Pleasure it enjoys. But if I speak farther, I shall neither be the only Person, nor the first, who affirms it; that while the Mind is abstracted and elevated from sensible Matter, distinctly views pure Forms, conceives the Beauty of Ideas, and investigates the Harmony of Proportions; the Manners themselves are sensibly corrected and improved, the Affections composed and rectified, the Fancy calmed and settled, and the Understanding raised and excited to more divine Contemplation. All which I might defend by Authority, and confirm by the Suffrages of the greatest Philosophers.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 31: Prefatory Oration

Pleasure , Truth , Lie , Food

“Regarding my childhood, my grandmother could play by ear and she loved to hear me practice and would say after every piece, "That was pretty. Play that one again." She was a booster. I had two women piano teachers who encouraged me to compose--Margie Murphy and Helen Lipscomb. Helen was also a composer and we used part of my lessons for composition.
When I was in high school, I read John Cage's books and fell in love with the ideas and the excitement of the avant garde. My music, as a result, moved over to what has been called post-Cagian, non-academic. That lasted until about 1979 at which point I changed. My music is now quite lyrical, sometimes called neo-Romantic, and full of cut-ups/collage of newly composed materials. Since 1985 I have been composing mostly swales for various instrumental combinations.
A swale is a meadow or a marsh where there is nourishment and moisture and therefore, a rich diversity of plant life. My work, since 1984, has been made from swatches (of newly composed music, rather than found music) which are reminiscent of this diversity…”

Beth Anderson (1950) American neo-romantic composer

Anderson (1996-2011) "Beth Anderson, Composer, Miscellany From The Dark Past" at beand.com http://www.beand.com/, Last Updated January 3, 2011

Love , Life , Women , Books

“I met [Meyerbeer] at the performance of my "Battle." Most of the composers then in Vienna were kind enough to undertake something or other in my orchestra, and the young man played the big drum. Ha! ha! ha! (a peal of laughter). I had reason not to be very well satisfied with him. He was always behindhand, and I had to give it him roundly. (New peal of laughter.) He must have felt mortified by my observations; but there is no reliance to be placed in him; he has not the courage to raise his arm at the proper moment.”

Ludwig Van Beethoven (1770–1827) German Romantic composer

10th October, 1814
In: Johann Wenzel Tomaschek, "A Talk with Beethoven", The Musical Times and Singing Class Circular, Vol. 33, Beethoven Supplement (Dec. 15, 1892)

Courage , Laughter

“Our public prayers too often consist almost entirely of passages of Scripture—not always judiciously chosen or well arranged — and common-place phrases, which have been transmitted down for ages, from one generation to another, selected and put together just as we would compose a sermon or essay, while the heart is allowed no share in the performance; so that we may more properly be said to make a prayer than to pray.”

Edward Payson (1783–1827) American religious leader

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 472.

Age , Heart

“I do not think that any composer has ever asked for octave glissandi on the black keys, but there is a recording by Moriz Rosenthal of Chopin's Black-Key Etude in which he plays the short octave passage in both hands glissando: it hurts my hands just to think about it.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: Piano Notes: The World of the Pianist (2002), Ch. 3 The Instrument and Its Discontents

Thinking , Hurt

“The composer is seldom a great theorist; the theorist is never a great composer. Each is equally fatal to and essential in the other.”

Samuel Butler (1835–1902) novelist

Action and Study
The Note-Books of Samuel Butler (1912), Part IX - A Painter's Views on Painting

“Anthropologists are interested in reconstructing the kinship system as it might have existed at the time of a proto-language. A kinship system can be regarded as composed of two correlated systems: a system of kinship terminology and a set of behaviors that are patterned in relation to the terminological system. We know of no way in which we can rigorously infer the kinds of behavior directly, but it is generally regarded as possible to reconstruct the terminology at least in part. If rigor can be introduced in the procedure of reconstructing kinship terminology, then a generalization of that rigorous procedure is lexical reconstruction.”

David Aberle (1918–2004) anthropologist

Isidore Dyen, ‎David F. Aberle (1974), Lexical Reconstruction: The Case of the Proto-Athapaskan Kinship System. p. 7

Way , Behavior , Time , Parting

“The human species, according to the best theory I can form of it, is composed of two distinct races, the men who borrow and the men who lend.”

Charles Lamb book Essays of Elia

The Two Races of Men.
Essays of Elia (1823)

Men

“[Black Jade] had her lamp relit and began to compose a series of quatrains, writing them directly on the handkerchiefs that Pao-yu had sent. After writing three stanzas, she began to feel exhausted and feverish. Going to her mirror, she found her cheeks flushed as if they were afire. She thought nothing of it, but from that moment on, her illness entered a more critical stage.”

Wang Chi-chen (1899–2001)

Source: Dream of the Red Chamber (1958), p. 178

Feeling

“He would have died of loneliness and other things if the divine Omnipotence had not called him whenever It had the chance and invited him to become one with the radiant glory of heaven and earth. He tried whenever the opportunity occurred to obey this call and allow his soul to become one with a higher world beyond this world. He did not compose poetry openly now—his first experience at that had taught him a lesson; he resolved not to compose poetry openly until he was grown up and living among good and high-minded men, whom he imagined must exist elsewhere. But that did not stop him composing poetry; he composed just for himself now. Sometimes he scratched out a whole verse on the ice. He committed to memory every scrap of poetry he heard, and absorbed everything to do with knowledge, and was determined to write it all down in books later on—you see, he had the idea that there were too few books in the world, and that somewhere in the world there were people waiting impatiently, hungry for more books to be written.</b”

Halldór Laxness (1902–1998) Icelandic author

Heimsljós (World Light) (1940), Book One: The Revelation of the Deity

Men , People , Books , World

“Most mathematics books are filled with finished theorems and polished proofs, and to a surprising extent they ignore the methods used to create mathematics. It is as if you merely walked through a picture gallery and never told how to mix paints, how to compose pictures, or all the other "tricks of the trade."”

Richard Hamming (1915–1998) American mathematician and information theorist

Methods of Mathematics Applied to Calculus, Probability, and Statistics (1985)

Books , Mathematics , Painting

“Sibelius justified the austerity of his old age by saying that while other composers were engaged in manufacturing cocktails, he offered the public pure cold water.”

Neville Cardus (1888–1975) English writer

Manchester Guardian (1958)

Age , Water

“A deep and serene silence filled her structures composed of colors and surfaces. The exclusive use of horizontal and vertical rectangular planes in the work of art, the extreme simplification, exerted a decisive influence on my work. Here I found, stripped down to the limit, the essential elements of all earthly constructions: the bursting, upward surge of the lines and the planes toward the sky, the verticality of pure life, and the vast equilibrium, the sheer horizontality and expansiveness of dreamlike peace. Her work was for me a symbol of a divinely built 'house' which man in his vanity has ravaged and sullied.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

a remark on the art of Sophie Taeuber, whom he later married.
in Abstract Painting Michel Seuphor, Dell Publishing Co., 1964, p. 58
1960s

Life , Peace , Art , Color

“[In the introduction to his Middle Commentary on Aristotle's Topics, Averroes said] This art has three parts. The first part sets forth the speeches from which dialectical conversation is composed — i. e., its parts, and the parts of its parts on to its simplest components. This part is found in the first treatise on Aristotle's book.
The second part sets forth the topics from which syllogisms are drawn — syllogisms for affirming something or denying it with respect to every kind of problem occurring in this art. This is the next six treatises of Aristotle's book
The third part set forth how The third part sets forth how the questioner ought to question and the answerer answer. It also sets forth how many kinds of questions and answers there are. This is in the eighth treatise of Aristotle's book.”

Averroes (1126–1198) Medieval Arab scholar and philosopher

Averroës, Charles Edwin Butterworth (1977) Averroës' Three Short Commentaries on Aristotle's "Topics,". p. 92

Books , Art , Question , Problem

“Question: What is their external behaviour like?
Answer: They have few mannerisms, and they do not talk a lot; their words are simple and direct. They live modestly so that things pass through them without their involvement. They are composed in their use of the senses.
Question: Are all detached people like this?
Answer: More so or less so, depending on accidental circumstances. Essentially, however, they are the same.
Question: Do such people come to a full knowledge of the truth, or do they remain in the realm of opinion and imagining?
Answer: Since they remain basically human, they continue to have opinions and imaginings. But because they have withdrawn from themselves into that which is, they have a knowledge of all truth; for this is truth itself and they ignore themselves. But let this be enough for you. It is important to realize that everyone has five kinds of self One does not arrive at the goal by asking questions. It is rather through detachment that one comes to this hidden truth. Amen”

Henry Suso (1295–1366) Dominican friar and mystic

The Exemplar, The Little Book of Truth

People , Truth , Imagination , Question

“The fundamental difference between composing for a nobleman or a personal patron in general and working for the anonymous concert public is that the commissioned work is usually intended for a single performance, whereas the concert piece is written for as many repeats as possible. That explains not only the greater degree of care with which such a work is often composed but also the more exacting way in which the composer presents it. Now that it is possible to create works which would not be consigned to oblivion so quickly as commissioned works, he 76 sets out to create ‘immortal’ works. Haydn already composes much more cautiously and slowly than his predecessors. But even he writes over a hundred symphonies; Mozart writes only half as many and Beethoven only nine.”

Arnold Hauser (1892–1978) Hungarian art historian

Source: The Social History of Art, Volume III. Rococo, Classicism and Romanticism, 1999, Chapter 2. The New Reading Public

Way , Personality

“I am not shooting at immortality through my books, no. Nor do I think Chopin was shooting at immortality through his music. That strikes me as a very selfish goal, and I don't think Chopin was particularly selfish. I would also say that I think that music comes much closer to capturing the essence of a composer's soul than do a writer's ideas capture the writer's soul. Perhaps some very emotional ideas that I express in my books can get across a bit of the essence of my soul to some readers, but I think that Chopin's music probably does a lot better job”

Douglas Hofstadter (1945) American professor of cognitive science

and the same holds, of course, for many composers

Books , Music , Soul , Idea

“This paper introduces a concept of organizational ecology. This refers to the organizational field created by a number of organizations, whose interrelations compose a system at the level of the field as a whole. The overall field becomes the object of inquiry, not the single organization as related to its organization-set. The emergence of organizational ecology from earlier organization theory is traced and illustrated from empirical studies. Its relevance to the task of institution-building, in a world in which the environment has become exceedingly complex and more interdependent, is argued.”

Eric Trist (1909–1993) British scientist

Eric Trist, "A concept of organizational ecology." Australian journal of management 2.2 (1977): 161-175. p. 161; abstract

World , Study

“Composers are not human; They can live on diminished sevenths, and be contented with a pianoforte for a wife, and a string quartet for a family.”

George Bernard Shaw (1856–1950) Irish playwright

1900s, Love Among the Artists (1900)

Family

“Has it been found that bodies of men act with more rectitude or greater disinterestedness than individuals? The contrary of this has been inferred by all accurate observers of the conduct of mankind; and the inference is founded upon obvious reasons. Regard to reputation has a less active influence, when the infamy of a bad action is to be divided among a number than when it is to fall singly upon one. A spirit of faction, which is apt to mingle its poison in the deliberations of all bodies of men, will often hurry the persons of whom they are composed into improprieties and excesses, for which they would blush in a private capacity.”

Alexander Hamilton Federalist Papers

No. 15
The Federalist Papers (1787–1788)

Men , Personality

“The moral hero, guided as he or she is by the ethical experience, who carves out an adventurous path is akin to the discoverer who brings order into the scattered elements of a science or the artist who composes a piece of music or designs buildings.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

Music , Science

“How far away from the earth are those remotest of stars: they are beyond the reach of eye, or man's devices, or man's thought. What an absurdity is this motion (of spheres). He also argues for the extreme variability of the distance to the various heavenly bodies and states that situated "in thinnest aether, or in the most subtle fifth essence, or in vacuity - how shall the stars keep their places in the mighty swirl of these enormous spheres composed of a substance of which no one knows aught?”

William Gilbert (astronomer) book De Magnete

Translation by P. Fleury Mottelay (1958) p. 319-20.
De Magnete (1600), Book 6, Chapter III: Of the Daily Magnetic Rotation of the Globes

Star

“I lived long enough to see the cure for death; to see the rise of the Bitchun Society, to learn ten languages; to compose three symphonies; to realize my boyhood dream of taking up residence in Disney World; to see the death of the workplace and of work.”

Cory Doctorow book Down and Out in the Magic Kingdom

First lines
Down and Out in the Magic Kingdom (2003)

Death , World , Dreams , Learning

“Severe and saintly righteousness
Composed the clear white bridal dress;
Jesus, the Son of Heaven's high King
Bought with his blood the marriage ring”

Charles Lamb (1775–1834) English essayist

A Vision Of Repentance, as quoted in Works of Charles Lamb and Mary Lamb.

Marriage

“If you, or Colonel Dalrymple under you, have the power to remove one regiment you have the power to remove both. It is at your peril if you refuse. The meeting is composed of three thousand people. They have become impatient. A thousand men are already arrived from the neighborhood, and the whole country is in motion. Night is approaching. An immediate answer is expected. Both regiments or none!”

Samuel Adams (1722–1803) American statesman, Massachusetts governor, and political philosopher

Address to acting governor Thomas Hutchinson, 6 March 1770, the day following the Boston Massacre. Hutchinson had offered to remove one of the two British regiments stationed in Boston. http://books.google.com/books?vid=ISBN0395825105&id=EQriRekKKPMC&pg=PA68&lpg=PA68&dq=%22Night+is+approaching.+An+immediate+answer+is+expected.+Both+regiments+or+none%22&sig=P3liJRs37lVSpjUrLHv7bPdEuXk

Men , People , Night , Country

“I am much obliged to you for your last letter, and the lessons reed, before. I think I now begin to see a little into the nature of modulation and the introduction of flats and sharps; and when we meet you shall hear me play extempore.. [his friend William Jackson of Exeter was composer and organist]”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

1755 - 1769

Nature , Thinking

“Man's hope is transformed into faith when he no longer thinks of himself alone, that is, of his salvation here and now, or of his eternal salvation (the latter, if I may say so, with calculating sanctimoniousness). Hope is transformed into faith when man associates the future with the emergence of a community whose concerns will reach beyond its everyday concrete reality. Such a community will not be composed merely of man's immediate circle of friends or family nor will it include only those who share his own cherished beliefs; indeed, it will even cut across the borders of his own country because it will represent the community of mankind.”

Hermann Cohen (1842–1918) German philosopher

Source: Reason and Hope: Selections from the Jewish Writings of Hermann Cohen (1971), p. 124

Family , Faith , Hope , Communication

“Government is humbug. There is no government. Behind the noisy, smoke-belching, larger-than-life illusion of government are ordinary human beings. It isn't accurate to say government 'is composed of' people; government is simply people. They may be good people but they are very bad wizards. Mortals have no magic. Individuals are the only human reality. All groups are fictions. That is, groups have no concrete existence; they are not beings or entities in themselves; they exist only in the abstract, in the mind. Governments, nations, societies, classes, tribes, cub scout packs, football teams, corporations, labor unions, proletariats, political parties, majorities, elite minorities, communities, civilizations and such are all fictions. Those words only describe, or try to describe, a relationship between persons.”

Roger Lea MacBride (1929–1995) American writer, TV producer, and politician; 1976 Libertarian Party candidate for President

A New Dawn for America : The Libertarian Challenge (1976) p. 16

Life , People , Communication , Reality

“Games run primarily on music loops. Each piece is composed to cycle during gameplay so it’s important to create music that doesn’t get monotonous or annoying and has very exact pacing. The use of themes, signature motifs and rhythmic passages needs to be arranged so they remain effective when played over and over. In a film, it’s a one-time-through experience. Tracks are scored tightly to picture and each track is crafted to exactly match what’s going on on-screen. Scoring in such a precise manner wouldn’t be practical in games because of the dynamic environment of gameplay. It can be different each time you revisit a level or area of a game, whereas a film is intended to play one way every time.”

Michael Wandmacher (1967) composer

Exclusive Interview: Composer Michael Wandmacher discusses his Voice from the Stone score and more https://www.flickeringmyth.com/2017/09/interview-composer-michael-wandmacher-discusses-his-voice-from-the-stone-score-more/ (September 16, 2017)

Music , Way , Game , Time

“The golden chain of affection is binding together all who compose the goodly fellowship of the saints. Calvary rather than Sinai is the typical source of the church's inspiration; and bonds of law are being supplanted by bonds of love Indeed, the whole host of the redeemed is marching in solid phalanx against the combined forces of ignorance and error, of depravity and sin; while, high above all the regimental standards, floats the banner of the cross, blazoned with this suggestive inscription, "Everyone that loveth is born of God."”

John McClellan Holmes (1834–1911) US Christian minister and author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 111.

Love , God , Law , Error

“Mahmood having reached Tahnesur before the Hindoos had time to take measures for its defence, the city was plundered, the idols broken, and the idol Jugsom was sent to Ghizny to be trodden under foot…Mahmood having refreshed his troops, and understanding that at some distance stood the rich city of Mutra [Mathura], consecrated to Krishn-Vasdew, whom the Hindoos venerate as an emanation of God, directed his march thither and entering it with little opposition from the troops of the Raja of Delhy, to whom it belonged, gave it up to plunder. He broke down or burned all the idols, and amassed a vast quantity of gold and silver, of which the idols were mostly composed. He would have destroyed the temples also, but he found the labour would have been excessive; while some say that he was averted from his purpose by their admirable beauty. He certainly extravagantly extolled the magnificence of the buildings and city in a letter to the governor of Ghizny, in which the following passage occurs: "There are here a thousand edifices as firm as the faith of the faithful; most of them of marble, besides innumerable temples; nor is it likely that this city has attained its present condition but at the expense of many millions of deenars, nor could such another be constructed under a period of two centuries."…The King tarried in Mutra 20 days; in which time the city suffered greatly from fire, beside the damage it sustained by being pillaged. At length he continued his march along the course of a stream on whose banks were seven strong fortifications, all of which fell in succession: there were also discovered some very ancient temples, which, according to the Hindoos, had existed for 4000 years. Having sacked these temples and forts, the troops were led against the fort of Munj…The King, on his return, ordered a magnificent mosque to be built of marble and granite, of such beauty as struck every beholder with astonishment, and furnished it with rich carpets, and with candelabras and other ornaments of silver and gold. This mosque was universally known by the name of the Celestial Bride. In its neighbourhood the King founded an university, supplied with a vast collection of curious books in various languages. It contained also a museum of natural curiosities. For the maintenance of this establishment he appropriated a large sum of money, besides a sufficient fund for the maintenance of the students, and proper persons to instruct youth in the arts and sciences…The King, in the year AH 410 (AD 1019), caused an account of his exploits to be written and sent to the Caliph, who ordered it to be read to the people of Bagdad, making a great festival upon the occasion, expressive of his joy at the propagation of the faith.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. I, pp. 27-37.
Quotes from Muslim medieval histories

Money , God , People , Books

“The universe (which others call the Library) is composed of an indefinite and perhaps infinite number of hexagonal galleries, with vast air shafts between, surrounded by very low railings.”

Jorge Luis Borges book The Library of Babel

"The Library of Babel" ["La Biblioteca de Babel"] (1941) First lines

Universe

“The Lierna Chair is a chair specially designed as a seat to be placed next to the dining table. It was therefore with the rather high back that shields behind the diner, tight to facilitate the movements of those who serve lunch and that is well suited to the position composed of people sitting. The chair was designed by us for the Cassina, and we are oriented on a light chair with joints in sections reduced to the essentials …”

Achille Castiglioni (1918–2002) Italian designers and architect

Sedia Lierna, Achille e Pier Giacomo Casiglioni, Lierna (Lake Como), 1971. Scultore. in: Fondazione Achille Castiglioni., Lierna Village, Lake Como, p. 201 ( online http://fondazioneachillecastiglioni.it/progetto/sedia-lierna/)

People , Light

“Armida smiles to hear, but keeps her gaze
fixed on herself, love's labours to behold.
Her locks she braided and their wanton ways
in lovely order marshalled and controlled.
She wound the curls of her fine strands with sprays
of flowers, like enamel worked on gold,
and made the stranger rose join with her pale
breast's native lily, and composed her veil.”

Torquato Tasso (1544–1595) Italian poet

Ride Armida a quel dir: ma non che cesse
Dal vagheggiarsi, o da' suoi bei lavori.
Poichè intrecciò le chiome, e che ripresse
Con ordin vago i lor lascivi errori,
Torse in anella i crin minuti, e in esse,
Quasi smalto su l'or, consparse i fiori:
E nel bel sen le peregrine rose
Giunse ai nativi giglj, e 'l vel compose.
Canto XVI, stanza 23 (tr. Wickert)
Gerusalemme Liberata (1581)

Love , Smile , Way , Flowers

“A Greek architect of the great epoch would no more have thought of omitting the mark of the harmonic scale of proportion, on which the design was based, than would the composer of music think of omitting the harmonic scale of his composition.”

Ernest Flagg (1857–1947) American architect

Source: Small Houses: Their Economic Design and Construction (1922), Ch. II

Music , Thinking

“Standing by me and helping my work as newspaper man were the Fascisti. They were composed of revolutionary spirits who believed in intervention. They were youths—the students of the universities, the socialist syndicalists—destroying faith in Karl Marx by their ideals.”

Benito Mussolini book My Autobiography

My Autobiography, New York, C. Scribner's Sons, 1928. Reprinted in Benito Mussolini, My Rise And Fall, Volumes 1-2 Da Capo Press, 1998 (p.40).
1920s

Youth , Faith , Universe , Help

“I like to take things easy. I don't constantly think about music. I never plan concerts, practise or even hum. When I go up on the stage, music courses through me. My family members attend my concerts because they do not hear me sing at home. I have entrusted you [Prince Rama Varma] with the task of popularising my style of singing among others, especially in foreign countries. I have heard some of your foreign students sing my compositions and was surprised. They sound better than many Indian students. I want to be known more as a composer than as a musician. You are now making this happen.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Interview by Prince Rama Varma "There's no one way to teach".

Family , Music , Home , Thinking

“Neither is it accidental that the Upanishads contain no internal evidence as to when, where or by whom they were composed. Their very thesis is that we dwell in the midst of a timeless eternity. With everything so indissolubly united that particular areas or places are of no concern. Who might be the author of an idea or a way of communicating it must be of no importance whatsoever, since truth is truth.”

Robert T. Oliver (1909–2000) American academic

Communication and Culture In Ancient India & China (1971)

Truth , Way , Communication , Idea

“As far as Bach is concerned, I never came close to liking him [-] My favourite composer is Scriabin -[and] his Fifth sonata, in my mind, the greatest piece of music ever written.”

Henry Miller (1891–1980) American novelist

Reflections (1981)

Music

“When discussing Bach’s six Brandenburg concertos, the artistically aware person usually states, among other things, that when these masterpieces were composed, the stars were dancing in heavens. God and his dwelling place are always involved whenever these people talk about Bach.”

Elfriede Jelinek book The Piano Teacher

P159
The Piano Teacher (1988)

God , People , Star , Dance

“There’d been studies over the years supporting the proposition that groups composed exclusively of women usually made intelligent decisions, that exclusively male groups did a bit less well, and that mixed groups did most poorly of all, by a substantial margin. It appeared that, when women were present, testosterone got the upper hand and men took greater risks than they might otherwise. Correspondingly, women in the mixed group tended to revert to roles, becoming more passive, and going along with whatever misjudgment the males might perpetrate.”

Jack McDevitt (1935) American novelist, Short story writer

Source: Academy Series - Priscilla "Hutch" Hutchins, Chindi (2002), Chapter 24 (p. 335)

Women , Men , Intelligence , Support

“Bollywood film music composers are under a lot of pressure to add elements of disco or bhangra or any other flavour currently popular with the youth. But when it comes to regional films, composers are given a free hand and they compose music they believe in. I think it's a matter of great pride to be singing such soulful tunes.”

Shreya Ghoshal (1984) Indian playback singer

Theory about composers http://timesofindia.indiatimes.com/entertainment/hindi/music/news/National-Award-made-me-conscious-Shreya/articleshow/5501985.cms

Youth , Music , Soul , Thinking

“My favorite composers tend to be great improvisers as well as great players. It doesn't matter whether they're contemporary or classical.”

Joanna MacGregor (1959) British musician

The Independent, 23/06/2003
On Classical Music

“Institutions are social structures that have attained a high degree of resilience. [They] are composed of cultural-cognitive, normative, and regulative elements that, together with associated activities and resources, provide stability and meaning to social life. Institutions are transmitted by various types of carriers, including symbolic systems, relational systems, routines, and artifacts. Institutions operate at different levels of jurisdiction, from the world system to localized interpersonal relationships. Institutions by definition connote stability but are subject to change processes, both incremental and discontinuous.”

W. Richard Scott (1932) American sociologist

Source: Institutions and Organizations., 1995, p. 33 (2001:48)

Life , World , Change

“The Columbia faculty was not, of course, composed wholly of young skeptics and esthetes. By any count of academic noses, they were a small minority.”

Whittaker Chambers (1901–1961) Defected Communist spy

Source: Cold Friday (1964), p. 119

“Matiushin's sound [composer of the Futurist opera: 'Victory over the Sun', Malevich did the stage design] shattered the object-word. The curtain was torn, by the same token tearing the scream of consciousness of the old brain. [1917]”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 266
1910 - 1920

Tear , Sun , Victory

“Disarmament, with mutual honor and confidence, is a continuing imperative. Together we must learn how to compose differences, not with arms, but with intellect and decent purpose.”

Dwight D. Eisenhower (1890–1969) American general and politician, 34th president of the United States (in office from 1953 to 1961)

1960s, Farewell address (1961)

Confidence , Learning

“There's a dream where the contents are visible
Where the poetic champions compose
Will you breathe not a word of this secrecy, and
Will you still be my special rose?”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Queen of the Slipstream
Song lyrics, Poetic Champions Compose (1987)

Dreams

“We have respect for our audience. … We operate on the conviction that it is composed of young children of potentially good taste, and that this taste should be developed.”

Bob Keeshan (1927–2004) United States Marine

Interview with Steven V. Roberts in The New York Times (1965); as quoted in "Bob Keeshan, Creator and Star of TV's 'Captain Kangaroo,' Is Dead at 76" in The New York Times (24 January 2004)

Children

“Since most of the mass immigration now convulsing Europe is composed of Muslims, it is therefore hardly surprising that anti-immigrant feeling is largely anti-Muslim feeling. The sheer weight of numbers plus the refusal to assimilate to western values makes this an unprecedented crisis for western liberalism. The crisis is forcing it to confront the fundamental questions of what constitutes a country, national identity and the very nature of a liberal society.”

Melanie Phillips (1951) British journalist

"How the West was lost" http://www.melaniephillips.com/how-the-west-was-lost (May 11, 2002)

Feeling , Question , Nature , Country

“The first song I ever wrote back then was the song that landed me the job as composer at Westwood Studios, which was remarkable for me at the time. It was basically an acoustic guitar song with electric guitar leads and keyboard strings, and raining sound effects in the background. If I had to compare it to anything, it was probably similar to an interlude Queensryche song. I never released this song before, but I've recently been thinking about re-recording it with the experience I have now and really making it sound proper. Maybe one day.”

Frank Klepacki (1974) American musician, video game music composer and sound director

Gameplay magazine

Thinking , Time

“We may… have surmised nebulae to be no other than clusters of stars disguised by their very great distance, but a longer experience and better acquaintance with the nature of nebulae, will not allow a general admission of such a principle, although undoubtedly a cluster of stars may assume a nebulous appearance when it is too remote for us to discern the stars of which it is composed.”

William Herschel (1738–1822) German-born British astronomer, technical expert, and composer

p, 125
Astronomical Observations relating to the Construction of the Heavens... (1811)

Star , Nature , Appearance

“Just as a primitive sextant functions on the illusion that the sun and stars rotate around the planet we are standing on, our senses give us the illusion of stability in the universe, and we accept it, because without that acceptance, nothing can be done.
Virginia Vidaura, pacing the seminar room, lost in lecture mode.
But the fact that a sextant will let you navigate accurately across an ocean does not mean that the suns and stars do rotate are us. For all that we have done, as a civilization, as individuals, the universe is not stable, nor is any single thing within it. Stars consume themselves, the universe itself rushes apart, and we ourselves are composed of matter in constant flux. Colonies of cells in temporary alliance, replicating and decaying, and housed within, an incandescent cloud of electrical impulse and precariously stacked carbon code memory. This is reality, this is self-knowledge, and the perception of it will, of course, make you dizzy.”

Richard K. Morgan book Altered Carbon

Source: Altered Carbon (2002), Chapter 28 (pp. 354-355)

Star , Knowledge , Reality , Sense

“{Music symbolizes the loss of faith, of common belief. ] The small, intimate church is closed, the organs are dead, it is sadder than before. Only those whom fate designs for the eternal mass of infinite love remain. They compose only a very small chapel of clarity in space and time.”

Louis-ferdinand Céline (1894–1961) French writer

45
Mea culpa; suivi de la vie et l'oeuvre de Semmelweis (1937)

Love , Fate , Faith , Music

“You have now in the field armies sufficient to repel the whole force of your enemies and their base and mercenary auxiliaries. The hearts of your soldiers beat high with the spirit of freedom; they are animated with the justice of their cause, and while they grasp their swords can look up to Heaven for assistance. Your adversaries are composed of wretches who laugh at the rights of humanity, who turn religion into derision, and would, for higher wages, direct their swords against their leaders or their country. Go on, then, in your generous enterprise, with gratitude to Heaven for past, success, and confidence of it in the future. For my own part, I ask no greater blessing than to share with you the common danger and common glory. If I have a wish dearer to my soul than that my ashes may be mingled with those of a Warren and a Montgomery, it is that these American States may never cease to be free and independent.”

Samuel Adams (1722–1803) American statesman, Massachusetts governor, and political philosopher

Speech about Declaration of Independence (1776)

Religion , Justice , Soul , Confidence

“Critics of visual arts and of music describe in words — that is to say, a system of signs other than those made by brushes on canvas or chisels into stone or notes of music — those characteristics of painting or sculpture or music which can be described or analysed. Visual artists and composers can disregard critics on the ground that the medium of verbal criticism bears so indirect a relation to the medium in which they make something. Poets are in a different situation. With the development of so-called scientific methods of criticism they are made ever conscious that criticism of poetry is in the same medium of work as the art which they practise. “Close analysis” is useful to critics and readers. But for the poet there is the danger of disintegration of poetry into paraphrase, examination of technique, influences, all analysed in the language of criticism.”

Stephen Spender (1909–1995) English poet and man of letters

"Tradition-Bound Literature and Traditionless Painting"
The Struggle of the Modern (1963)

Art , Music , Painting

“Although Freud said happiness is composed of love and work, reality often forces us to choose love or work.”

Letty Cottin Pogrebin (1939) American author, journalist, lecturer, and social justice activist

Source: Family and Politics (1983), Ch. 6

Love , Reality , Happiness

“This group is composed of those for whom belief in saucers is tantamount to religion…They believe men from outer space will step in on Earth "before it's too late," put a stop to the atomic bomb threat "by their superior powers," and enforce perpetual peace "for the good of the universe"…”

Frank Herbert (1920–1986) American writer

On UFO cultists, In "Flying Saucers: Fact or Farce?", San Francisco Sunday Examiner & Chronicle, "People" supplement, (20 October 1963); reprinted in The Maker of Dune : Insights of a Master of Science Fiction (1987), edited by Tim O'Reilly
General sources

Men , Peace , Religion , Universe

“The captain, thinking over this event afterward, realized that by his own lifelong standards he had a crew composed entirely of lunatics, with himself well to the front in degree of aberration; but he was fairly sure that this particular form of insanity was going to be useful.”

Hal Clement book Mission of Gravity

Source: Mission of Gravity (1954), Chapter 9

Thinking

“Pāṇini had before him a list of irregularly formed words, which survives, in a somewhat modified form, as the Uṇādi Sūtra. There are also two appendixes to which Pāṇini refers: one is the Dhātupāṭha, "List of Verbal Roots," containing some 2000 roots, of which only about 800 have been found in Sanskrit literature, and from which about fifty Vedic verbs are omitted; the second is the Gaṇapāṭha, or "List of Word-Groups," to which certain rules apply. These gaṇas were metrically arranged in the Gaṇaratna-mahodadhi, composed by Vardhamāna in 1140 A. D.”

Pāṇini ancient Sanskrit grammarian

Appendix A History of Sanskrit Literature

Literature

“The fact that certain composers have been able to create first-class music within the medium of film proves that film music can be as good as the composer is gifted.”

Jerry Goldsmith (1929–2004) film composer

ibid., p. 209

Music

“I strongly suspect that most of the great knowers of Suchness paid very little attention to art.… (To a person whose transfigured and transfiguring mind can see the All in every this, the first-rateness or tenth-rateness of even a religious painting will be a matter of the most sovereign indifference.) Art, I suppose, is only for beginners, or else for those resolute dead-enders, who have made up their minds to be content with the ersatz of Suchness, with symbols rather than with what they signify, with the elegantly composed recipe in lieu of actual dinner.”

Aldous Huxley book The Doors of Perception

The Doors of Perception (1954)

Art , Painting , Personality , Dead

“I stand at the window and see a house, trees, sky.
Theoretically I might say there were 327 brightnesses and nuances of colour. Do I have "327"? No. I have sky, house, and trees. It is impossible to achieve "327 " as such. And yet even though such droll calculation were possible and implied, say, for the house 120, the trees 90, the sky 117 -- I should at least have this arrangement and division of the total, and not, say, 127 and 100 and 100; or 150 and 177.
The concrete division which I see is not determined by some arbitrary mode of organization lying solely within my own pleasure; instead I see the arrangement and division which is given there before me. And what a remarkable process it is when some other mode of apprehension does succeed! I gaze for a long time from my window, adopt after some effort the most unreal attitude possible. And I discover that part of a window sash and part of a bare branch together compose an N.”

Max Wertheimer (1880–1943) Co-founder of Gestalt psychology

Max Wertheimer (1923). "Laws of organization in perceptual forms." Translation published in W. D. Ellis (Ed.), A source book of Gestalt psychology, pp. 71–94. London, England: Routledge & Kegan Paul, 1938. (Original title: Untersuchungen zur Lehre von der Gestalt II); Online http://psychclassics.yorku.ca/Wertheimer/Forms/forms.htm at psychclassics.yorku.ca, accessed 03.2017.

Pleasure , Lying , Effort , Tree

“The general opinion appears to be that it is very funny to make yourself out as fast or as foolish as possible; though even worse than this is the painful orthodoxy of those individuals who claim Shakespeare for their favourite poet, Beethoven for their favourite composer, and Raphael for their favourite painter.”

Aubrey Beardsley (1872–1898) English illustrator and author

The Story of a Confession Album (1889)

Pain , Appearance

“There is now resentment in my love. The thought is troubling my mind that she has a narrow heart, and that in this lies the secret of her unyieldingness. To-day, when I come to think it over more calmly, I go back to the conviction that she has some feeling for me, composed of gratitude, pity, and memories of the past; but it has no active power, cannot rise above prejudice, — even to the avowal of its existence. It does not respect itself, hides, is ashamed of itself, and in comparison with mine is as the mustard-seed to those Alps which surround us. From Aniela one may expect that she will restrict it rather than let it grow. It is of no use to hope or watch for anything from her; that conviction makes me very wretched.”

Henryk Sienkiewicz book Without Dogma

2 August
Without Dogma (1891)

Love , Secret , Hope , Feeling

“All this countryside [along the Seine] was calm and peaceful. The strongest emotions I have experienced on the high roads or on the hill tops whence I could see down into the valleys on tot he roofs of houses which I felt I could reach out and touch with my hand.. And then I was tempted to begin painting [c. 1893 - 17 years old]... I composed instinctively and awkwardly. I applied colors with only one idea which justified everything: to express what I felt. I painted hesitantly and exclusively for myself and no one else. It seemed to me that water, sky, clouds and trees understood the happiness they gave me.”

Maurice de Vlaminck (1876–1958) French painter

Source: Quotes dated, Dangerous Corner', 1929, p. 46

Peace , Color , Idea , Tree

“We can see that canonic status is accorded to the works of a composer not by posterity, or at least not by a posterity as distant in time as is sometimes thought; nor does it depend very much on whether the works are frequently performed for the public in every important musical center. To a certain extent, canonic status is actually built into some new works, partly by the way they impose themselves on an already substantial musical tradition. This may explain why it is so difficult to alter a firmly installed canon in any radical way, or to dislodge works that have been an integral part of it for some time.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 2 : How to Become Immortal

Music , Way , Distant , Time

“But inequality of representation in both Houses of our legislature, is not the only republican heresy in this first essay of our revolutionary patriots at forming a constitution. For let it be agreed that a government is republican in proportion as every member composing it has his equal voice in the direction of its concerns (not indeed in person, which would be impracticable beyond the limits of a city, or small township, but) by representatives chosen by himself, and responsible to him at short periods, and let us bring to the test of this canon every branch of our constitution.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

1810s, Letter to H. Tompkinson (AKA Samuel Kercheval) (1816)

Housing , Personality

“To be simply a poorly paid or seldom played composer seems so tragic to me. But to be a woman composer with all the trials and tribulations that seem to go along with being a woman composer, puts everything in perspective. The struggle becomes heroic--not pitiful. The success becomes a success for all of us in the cause, not something merely egoistic.”

Beth Anderson (1950) American neo-romantic composer

What Makes Music Woman Oriented (1996)

Success

“[The title] was the last thing that I chose, after all the songs and the cover art were finished. So none of the songs directly allude to that myth. But the main themes that emerge out of that myth are really close to the themes on the record -- mortality, decadence, an excess of water, isolation, rebirth. The myth is also significant to me because of the way that I encountered it, which relates to one of the huge events the record is about.
I also liked the power of the word itself. I liked how violent and cryptic it felt; it's such a daunting word to encounter. I like how it contrasted this finely rendered, carefully composed front cover -- the painting is information-dense, formal, and stylized; it looks the way something looks when a painter spends a year on it, which is what Benjamin [Vierling] did. So it has all this detail and carefulness to it, which was really important to me and relates very closely to the record. But I also felt like it needed some sort of ballast, or balance, next to it, to reflect the other elements of the record; its innate violence. I wanted a word that was like throwing a brick at the visual on the front cover; I liked that whenever someone looked at that cover they also had to encounter this short, weird word.”

Joanna Newsom (1982) American musician

Interview with Pitchfork (2006)

Art , Way , Water , Painting

“Recently the British people suffered a huge loss. It was a tragedy next to his barracks on the streets of London. A violent assassination, a very brutal killing of a British serviceman. Clearly the opposition is not composed all of this but many of them are exactly the same as the ones who perpetrated the killing in London. If we equip these people, if we arm them what is going to control and verify? who is going to have these weapons?, including in Europe as well. So we call all our partners, before making this dangerous step, think about it very carefully.”

Vladimir Putin (1952) President of Russia, former Prime Minister

In Enniskillen, 18 June 2013, g8-summit-politics-live-blog http://www.guardian.co.uk/politics/blog/2013/jun/18/g8-summit-politics-live-blog, guardian.co.uk
2011 - 2015

People , Thinking , Suffering , Loss

“I've written every drum bit I ever done, every note. I played the drums. I played the guitar. I played the piano. I wanted it exactly the way I wanted. Exactly. Any composer I would think would want it that way, and I don't deviate at all. Don't you think that somebody like Stravinsky, for instance, don't you think that it would have annoyed him if someone bent a note the wrong way?”

Captain Beefheart (1941–2010) musician

On Trout Mask Replica
The Artist Formerly Known as Captain Beefheart (1997)

Way , Thinking

“The most uninteresting part of the biography of a composer is his childhood. All those preludes are the same and the reader hurries on to the fugue.”

Dmitri Shostakovich book Testimony

Page 6
Testimony (1979)

Parting , Childhood

“In my view, the composer, just as the poet, the sculptor or the painter, is in duty bound to serve Man, the people. He must beautify human life and defend it. He must be a citizen first and foremost, so that his art might consciously extol human life and lead man to a radiant future. Such is the immutable code of art as I see it.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 136; from his "Music and Life" (1951).
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Life , People , Art , Future

“If my serenade of song and story should serve as a pillow for some composer's head, as yet perhaps unborn, to dream and build on our fond melodies in his tomorrow, I have not labored in vain.”

W. C. Handy (1873–1958) American blues composer and musician

Profiles In Black http://www.theblackmarket.com/ProfilesInBlack/WCHandy.htm

Dreams

“One of the things a cartoon does is to express violent emotion and passion in a completely mechanical and removed style. To express this thing in a painterly style would dilute it; the techniques I use are not commercial, they only appear to be commercial – and the ways of seeing and composing and unifying are different and have different ends.”

Roy Lichtenstein (1923–1997) American pop artist

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

Way , Appearance , Passion

“What I admire in the ancient philosophers is their desire to make their lives conform to their writings, a trait which we notice in Plato, Theophrastus and many others. Practical morality was so truly their philosophy's essence that many, such as Xenocrates, Polemon, and Speusippus, were placed at the head of schools although they had written nothing at all. Socrates was none the less the foremost philosopher of his age, although he had not composed a single book or studied any other science than ethics.”

Nicolas Chamfort (1741–1794) French writer

Ce que j'admire dans les anciens philosophes, c'est le désir de conformer leurs mœurs à leurs écrits: c'est ce que l'on remarque dans Platon, Théophraste et plusieurs autres. La Morale pratique était si bien la partie essentielle de leur philosophie, que plusieurs furent mis à la tête des écoles, sans avoir rien écrit; tels que Xénocrate, Polémon, Heusippe, etc. Socrate, sans avoir donné un seul ouvrage et sans avoir étudié aucune autre science que la morale, n'en fut pas moins le premier philosophe de son siècle.
Maximes et Pensées (Van Bever, Paris : 1923), #448
Maxims and Considerations, #448

Books , Age , School , Study

“Socialized industries should be governed by boards of directors composed of representatives of engineers, workers, and consumers.”

Kirby Page (1890–1957) American clergyman

Property (1935)

“Miniaturization doesn't actually make sense unless you miniaturize the very atoms of which matter is composed. Otherwise a tiny brain in a man the size of an insect, composed of normal atoms, is composed of too few atoms for the miniaturized man to be any more intelligent than the ant. Also, miniaturizing atoms is impossible according to the rules of quantum mechanics.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

As quoted in Omni's Screen Flights/Screen Fantasies (1984) edited by Danny Peary, p. 5
General sources

Intelligence , Sense

“We should take counsel of both nature and art in the consideration of this question. When the architect intends a grand structure, he makes the foundation broad and strong. We should imitate this prudence in laying the foundations of the future Republic. There is a law of harmony in all departments of nature. The oak is in the acorn. The career and destiny of individual men are enfolded in the elements of which they are composed. The same is true of a nation. It will be something or it will be nothing. It will be great, or it will be small, according to its own essential qualities. As these are rich and varied, or pure and simple, slender and feeble, broad and strong, so will be the life and destiny of the nation itself. The stream cannot rise higher than its source. The ship cannot sail faster than the wind. The flight of the arrow depends upon the strength and elasticity of the bow, and as with these, so with a nation.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, Our Composite Nationality (1869)

Life , Men , Law , Art

“There is a definite limit to the length of time a composer can go on writing in one dance rhythm (this limit is obviously reached by Ravel towards the end of La Valse and towards the beginning of Bolero).”

Constant Lambert (1905–1951) British composer and conductor

"Exoticism and Low Life", p. 174.
Music, Ho! (1934)

Time , Dance

“I am a composer first and foremost, and have always believed that being able to write memorable melodies is what sets musicians apart.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

“(Carmine Crocco) In such a crowd, so numerous and composed of such heterogeneous elements, it might have appeared almost absurd to look for discipline; but perfect discipline there was, for, whatever his other qualities might be, Crocco most undoubtedly was a "ruler of men". His word in that band was law, and the punishment of disaffection was death.”

Charles Dickens (1812–1870) English writer and social critic and a Journalist

All the year round, Vol.15 (1876), p. 281

Death , Men , Law , Appearance

“Composers combine notes, that's all.”

Igor Stravinsky (1882–1971) Russian composer, pianist and conductor

Source: 1970s and later, Themes and Conclusions (1982), p. 52 : Dialogues.

“Many times I had spoken about "mental bipolarity" and proved that our affects are bipolar. Desire and disgust, love and hate, will-to-power and will-to-submission, are composed of negative and positive parts like the current of electricity. My contention was that any human affect has its own counterpart. Later Bleuler described this fact as "ambivalence," a term that was accepted by everybody, whereas previously they had laughed at my discovery, and given me the nickname "Stekel with his Bipolarity."”

Wilhelm Stekel (1868–1940) Austrian physician and psychologist

Source: The Autobiography of Wilhelm Stekel (1950), p. 132

Love , Hate , Time , Parting

“I feel grateful to the happy chance which forced me to compose freely and in silence, and has thus delivered me from the tyranny of the fingers, so dangerous to thought.”

Hector Berlioz Mémoires

Je ne puis m'empêcher de rendre grâces au hasard qui m'a mis dans la nécessité de parvenir à composer silencieusement et librement, en me garantissant ainsi de la tyrannie des habitudes des doigts, si dangereuses pour la pensée.
On being unable to master the piano.
Source: Mémoires (1870), Ch. 4, p. 14

Feeling , Silence , Chance , Happiness

Quotes about composer page 6

Quotes about composer
page 6