Quotes about composer
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“As he silently approached the last float, a latticework ball of reeds, he offered an unspoken prayer to He Who Always Steps on Sand that even now the little bottom-walkers were pushing and shoving their way into the cage below. Because of his unusual education, which included a year living on Perdruin—unheard of for a Wrannaman—Tiamak did not really believe in He Who Always Steps on Sand anymore, but he still held a fondness for him, such as might be felt for a senile grandfather who often tumbled down from the house, but once brought nuts and carved toys. Besides, it never hurt to pray, even if one did not believe in the object of prayer. It helped to compose the mind, and, at the very least, it impressed others.”

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, The Dragonbone Chair (1988), Chapter 28, “Drums of Ice” (p. 447).

Education, Way, Help, Hurt

“While all bodies are composed of the four elements, that is, of heat, moisture, the earthy, and air, yet there are mixtures according to natural temperament which make up the natures of all the different animals of the world, each after its kind.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter IV, Sec. 5

World, Nature, Animals

“ Every individual word in a passage or poetry can no more be said to denote some specific referent than does every brush mark, every line in a painting have its counterpart in reality. The writer or speaker does not communicate his thoughts to us; he communicates a representation for carrying out, this function under the severe discipline of using the only materials he has, sound and gesture. Speech is like painting, a representation made out of given materials -- sound or paint. The function of speech is to stimulate and set up thoughts in us having correspondence with the speaker's desires; he has then communicated with us. But he has not transmitted a copy of his thoughts, a photograph, but only a stream of speech -- a substitute made from the unpromising material of sound. The artist, the sculptor, the caricaturist, the composer are akin in this [fact that they have not transmitted a copy of their thoughts], that they express (make representations of) their thoughts using chosen, limited materials. They make the "best" representations, within these self-imposed constraints. A child who builds models of a house, or a train, using only a few colored bricks, is essentially engaged in the same creative task.* Metaphors can play a most forceful role, by importing ideas through a vehicle language, setting up what are purely linguistic associations (we speak of "heavy burden of taxation," "being in a rut"). The imported concepts are, to some extent, artificial in their contexts, and they are by no means universal among different cultures. For instance, the concepts of cleanliness and washing are used within Christendom to imply "freedom from sin." We Westerners speak of the mind's eye, but this idea is unknown amongst the Chinese. that is, we are looking at it with the eyes of our English-speaking culture. A grammar book may help us to decipher the text more thoroughly, and help us comprehend something of the language structure, but we may never fully understand if we are not bred in the culture and society that has modeled and shaped the language. (p. 74)”

Colin Cherry (1914–1979) British scientist

See Gombrich in reference 348
On Human Communication (1957), Language: Science and Aesthetics

Books, Color, Communication, Idea

“The world of experience, both physical and psychic, is entirely composed of elements - spatial, tactile, accoustical, thermal, etc. Combinations of these elements make up different "phenomena", both psychic and physical. If the law of causality, inferred for all these phenomena - i. e. for the world of elements connected by various relations - is applicable to "things in themselves" serving as an immediate link between "phenomena" and "things", it is clear that "phenomena" and "things in themselves" are of the same nature. "Things in themselves" would then represent a direct continuation of the world of empirical elements and in fact would be only combinations of elements.”

Alexander Bogdanov (1873–1928) Physician, philosopher, writer

Alexander Bogdanov, cited in: ‎James Patrick Scanlan, (1965). : Pre-revolutionary philosophy and theology. Philosophers in exile. Marxists and Communists. p. 398

World, Law, Nature

“Time is composed of time-atoms, i. e., of many parts, which on account of their short duration, cannot be divided. The Mutakallemim undoubtedly saw how Aristotle proved that time, space, and locomotion are of the same nature. …They, therefore, knew that if time were continuous and divisible ad infinitum, their assumed atom of space would of necessity likewise be divisible. Similarly, if it were supposed that space were continuous… the time-element… could also be divided. This has been shown by Aristotle in… Acroasis [Aristotelis stagyritae acroases physicae]. …An hour is, e. g., divided into sixty minutes, the second into sixty parts and so on; at last after ten or more successive divisions by sixty, time-elements are obtained which are not subjected to division, and in fact are indivisible.”

Maimónides book The Guide for the Perplexed

Guide for the Perplexed (c. 1190), Part I

Nature, Time, Success, Parting

“Leroy Anderson was a crossover composer before anyone came up with the term. The voice of Leroy Anderson became the voice of the Boston Pops in its dual commitment to approachability and to excellence.”

Keith Lockhart

Keith Lockhart, conductor, Boston Pops Orchestra, in Ken Gewertz, " Leroy Anderson Square dedicated http://news.harvard.edu/gazette/2003/07.17/12-anderson.html" (Cambridge, Massachusetts, July 17, 2003).

“Not a single one of the cells that compose you knows who you are, or cares.”

Daniel Dennett book Sweet Dreams

Sweet Dreams: Philosophical Obstacles to a Science of Consciousness (2005), p. 2

“There is hardly a member of Congress who can make up his mind to go home without having despatched at least one speech to his constituents; nor who will endure any interruption until he has introduced into his harangue whatever useful suggestions may be made touching the four-and-twenty States of which the Union is composed, and especially the district which he represents.”

Alexis De Tocqueville book Democracy in America

Book One, Chapter XXI.
Democracy in America, Volume II (1840), Book One

Home

“Flowing along independently of the problems and policy streams is the political stream, composed of such things as public mood, pressure group campaigns, election results, partisan or ideological distributions in Congress, and changes of administration.”

John W. Kingdon (1940) American political scientist

Source: Agendas, Alternatives, and Public Policies - (Second Edition), Chapter 7, The Political Stream, p. 145

Mood, Problem, Change

“No free government was ever founded, or ever preserved its liberty, without uniting the characters of the citizen and soldier in those destined for the defense of the state…such are well-regulated militia, composed of the freeholders, citizen and husbandman, who take up arms to preserve their property, as individuals, and their rights as freemen.”

Richard Henry Lee (1732–1794) American statesman

State Gazette (Charleston) (8 September 1788)

“[Footnote:] Aristotle maintains that the neck of the Lion is composed of a single bone. Aristotle knew nothing at all about Lions, a circumstance which did not prevent him from writing a good deal on the subject.”

Will Cuppy (1884–1949) American writer

The Lion
How to Tell Your Friends from the Apes (1931)

“I fear I shall never be…good for anything in this world, but composing airs, building towers, forming gardens, collecting old Japan, and writing a journey to China or the Moon.”

William Beckford (1760–1844) English novelist

Letter to Catherine, Lady Hamilton, April 1781; cited from Lewis Melville The Life and Letters of William Beckford of Fonthill (London: William Heinemann, 1910) p. 92.

World, Fear

“This is the true paradox of Chopin: he is most original in his use of the most fundamental and traditional technique. That is what made him at the same time the most conservative and the most radical composer of his generation.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 7 : Chopin: From the Miniature Genre to the Sublime Style

Time

“Composed for renown am I, a verse heard
on the stone-doored isle in the four-quartered fort.
Tranquillity and obscurity mingled
shiny wine their drink before their retinue.
Three fulnesses of Prydwen we went upon the main,
Save for seven none came up from Castle Rigor.”

Taliesin (534–599) Welsh bard

Book of Taliesin (c. 1275?), The Spoils of Annwn

Drink, Wine

“For those who live inside a myth, it seems a self-evident fact. Human progress is a fact of this kind. If you accept it you have a place in the grand march of humanity. Humankind is, of course, not marching anywhere. ‘Humanity’ is a fiction composed from billions of individuals for each of whom life is singular and final. But the myth of progress is extremely potent. When it loses its power those who have lived by it are – as Conrad put it, describing Kayerts and Carlier – ‘like those lifelong prisoners who, liberated after many years, do not know what use to make of their freedoms’. When faith in the future is taken from them, so is the image they have of themselves. If they then opt for death, it is because without that faith they can no longer make sense of living.”

John Gray (1948) British philosopher

An Old Chaos: The Call of Progress (pp. 6-7)
The Silence of Animals: On Progress and Other Modern Myths (2013)

Life, Death, Faith, Sense

“In earlier days I used to like introducing new music in concerts but now I feel that I have done my duty to young composers… so I return to my first love Romantic music – and especially to Brahms who has always been my favourite.”

Pierre Monteux (1875–1964) French conductor

'Pierre Monteux in his own words', Classic Record Collector, Autumn 2003, Number 34, p. 18

Love, Music, Feeling

“The following pages contain the result of my labours. They have been composed under circumstances particularly unfavourable to literary pursuits; and such as those only can duly appreciate, who are aware of the numerous and anxious duties, which a country practitioner is called upon to perform.”

Gideon Mantell (1790–1852) British scientist and obstetrician

The Fossils of the South Downs; or Illustrations of the Geology of Sussex (1822)

Country

“That a well-regulated militia, composed of the body of the people, trained to arms, is the proper, natural, and safe defense of a free State; that sstanding armies, in time of peace, should be avoided, as dangerous to liberty; and that in all cases the military should be under strict subordination to, and governed by, the civil power.”

George Mason (1725–1792) American delegate from Virginia to the U.S. Constitutional Convention

Article 13
Virginia Declaration of Rights (1776)

People, Peace, Nature, Time

“The Ainu, with their improvisational style of both composing music and dancing, greatly influenced me. I became very different from the other music students, who had been raised with European pieces, because of this. They had been taught that composition is very difficult, but to me, it seemed relatively easy because of the freedom allowed for by the improvisational style of the Ainu.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)

Music, Freedom, Dance

“There can be no music without ideology. The old composers, whether they knew it or not, were upholding a political theory. Most of them, of course, were bolstering the rule of the upper classes. Only Beethoven was a forerunner of the revolutionary movement. If you read his letters, you will see how often he wrote to his friends that he wished to give new ideas to the public and rouse it to revolt against its masters.”

Dmitri Shostakovich (1906–1975) Russian composer and pianist

New York Times, December 20, 1931.

Music, Idea, Reading

“Why won't the king of Denmark leave us our names? We have done nothing against him. We deserve no less respect than he does. My forefathers were kings of land and sea... Our skalds composed poetry and told stories in the language of King Óðinn himself, who came from Ásgarður when Europe still spoke the language of slaves.”

Halldór Laxness (1902–1998) Icelandic author

Snæfríður
Íslandsklukkan (Iceland's Bell) (1946), Part III: Fire in Copenhagen

Sea

“The prerequisite of contrapuntal art, more conspicuous in the work of Bach than in that of any other composer, is an ability to conceive a priori of melodic identities which when transposed, inverted, made retrograde, or transformed rhythmically will yet exhibit, in conjunction with the original subject matter, some entirely new but completely harmonious profile.”

Glenn Gould (1932–1982) Canadian pianist

"So You Want To Write A Fugue", Glenn Gould Reader p240

Art

“While the war was still in progress, I was visited by a sudden feeling of the cruel and unnecessary character of the contest. It seemed to me a return to barbarism, the issue having been one which might easily have been settled without bloodshed. The question forced itself upon me, "Why do not the mothers of mankind interfere in these matters, to prevent the waste of that human life of which they alone bear and know the cost?" I had never thought of this before. The august dignity of motherhood and its terrible responsibilities now appeared to me in a new aspect, and I could think of no better way of expressing my sense of these than that of sending forth an appeal to womanhood throughout the world, which I then and there composed.”

Julia Ward Howe (1819–1910) American abolitionist, social activist, and poet

On the Franco-Prussian War as the inspiration for her "Mother's Day Proclamation" of 1870 calling for mothers to arise as a social force against war in general.
Reminiscences (1899)

Life, War, World, Way

“Any committee that is the slightest use is composed of people who are too busy to want to sit on it for a second longer than they have to.”

Katharine Whitehorn (1928) British writer

Are You Sitting Comfortably?, from Observations (1970)

People, Business

“The eye of the yeoman and peasant sought in vain the tall form of old Sir Henry Lee of Ditchley, as, wrapped in his laced cloak, and with beard and whiskers duly composed, he moved slowly through the aisles, followed be the faithful mastiff, or bloodhound, which in old time had saved his master by his fidelity, and which regularly followed him to church. Bevis indeed, fell under the proverb which avers, ‘He is a good dog, which goes to church’; for, bating an occasional temptation to warble along with the accord, he behaved himself as decorously as any of the congregation, and returned much edified, perhaps, as most of them.”

Walter Scott book Woodstock

Woodstock (1826), Ch.1.

Faith, Dogs, Time

“I think an interpreter has to sing everything, to sing what wants to sing. It cannot be with that foolishness, that here in Brazil we face this thing that when one records a song, later no one can rerecord it. This is madness, absurd. Music doesn't have an owner, the music doesn´t belong to anyone.
- Comment on the excessive protectionism of composers in Brazil. Domingão do Faustão Program, Rede Globo, 2003”

Simone Bittencourt de Oliveira (1949) Brazilian singer

Music, Thinking, Singing, Madness

“In our private conversations, Judge Cedarbaum has pointed out to me that seminal decisions in race and sex discrimination cases have come from Supreme Courts composed exclusively of white males. I agree that this is significant but I also choose to emphasize that the people who argued those cases before the Supreme Court which changed the legal landscape ultimately were largely people of color and women.”

Sonia Sotomayor (1954) U.S. Supreme Court Justice

Address to the Raising the Bar symposium (2001)

Women, People, Sex, Color

“But some years after, a letter, which he received from Dr. Hooke, put him on inquiring what was the real figure, in which a body let fall from any high place descends, taking the motion of the earth round its axis into consideration. Such a body, having the same motion, which by the revolution of the earth the place has whence it falls, is to be considered as projected forward and at the same time drawn down to the centre of the earth. This gave occasion to his resuming his former thoughts concerning the moon, and Picard in France having lately measured the earth, by using his measures the moon appeared to be kept in her orbit purely by the power of gravity; and consequently, that this power decreases, as you recede from the centre of the earth, in the manner our author had formerly conjectured. Upon this principle he found the line described by a falling body to be an ellipsis, the centie of the earth being one focus. And the primary planets moving in such orbits round the sun, he had the satisfaction to see, that this inquiry, which he had undertaken merely out of curiosity, could be applied to the greatest purposes. Hereupon he composed near a dozen propositions, relating to the motion of the primary planets about the sun. Several years after this, some discourse he had with Dr. Halley, who at Cambridge made him a visit, engaged Sir Isaac Newton to resume again the consideration of this subject; and gave occasion to his writing the treatise, which he published under the title of Mathematical Principles of Natural Philosophy. This treatise, full of such a variety of profound inventions, was composed by him, from scarce any other materials than the few propositions before mentioned, in the space of a year and a half.”

Henry Pemberton (1694–1771) British doctor

Republished in: Stephen Peter Rigaud (1838) Historical Essay on the First Publication of Sir Newton's Principia http://books.google.com/books?id=uvMGAAAAcAAJ&pg=RA1-PA49. p. 519 Preface to View of Newton's Philosophy, (1728)

Appearance, Time, Sun

“It's funny. People come to my house because I was recommended to them to do some writing. They've never heard of me, and you can see the reticence written all over their faces. Then they look at the walls and see the platinum and gold albums and they say, "Oh. That one's from Prince! That's from Robert Palmer! Oh my God, Paul McCartney!" And then they say, "You're a really fine composer"--without having heard any of my music.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Fischer: A Ferocious Teddy Bear" http://articles.latimes.com/1992-07-03/entertainment/ca-1426_1_teddy-bear

God, People, Music, Housing

“In the world of music, it is a rarity to find a person who is both a gifted composer and a top conductor. So it is in economics as well. Paul is that rarity. When Paul is writing, the sun is always out. His writing—ever eloquent, ever stirring—is done with the kind of verve that one seldom finds today.”

Michael Szenberg (1934) American economist

10.Paul Samuelson is a Great Maestro.
Ten Ways to Know Paul A. Samuelson (2006)

World, Music, Sun, Personality

“I have composed here so many prints from the immediate surroundings around me - starting with the chimneys and the pigeons and the passing ships, the staircase, the labyrinth of corridors and doors, the crazy combinations of beams and wooden walls..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Ik heb hier zoveel drukken gecomponeerd uit de onmiddellijke omgeving om mij heen, beginnende met de schoorstenen en de duiven en de voorbijvarende schepen, het trappenhuis, het doolhof van gangen en deuren, de gekke combinaties van balken en beschotten..
In a letter to August Henkels, 29 April 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 105
1940's

“The scientist addresses an infinitesimal audience of fellow composers. His message is not devoid of universality but it's universality is disembodied and anonymous. While the artist's communication is linked forever with it's original form, that of the scientist is modified, amplified, fused with the ideas and results of others, and melts into the stream of knowledge and ideas which forms our culture. The scientist has in common with the artist only this: that he can find no better retreat from the world than his work and also no stronger link with his world than his work.”

Max Delbrück (1906–1981) biophysicist

Nobel Prize acceptance speech (1969) http://www.nobelprize.org/nobel_prizes/medicine/laureates/1969/delbruck-lecture.html

World, Communication, Idea, Knowledge

“MY dearest friend — White or some of my friends or the public papers by this time may have informed you of the terrible calamities that have fallen on our family. I will only give you the outlines. My poor dear dearest sister in a fit of insanity has been the death of her own mother. I was at hand only time enough to snatch the knife out of her grasp. She is at present in a mad house, from whence I fear she must be moved to an hospital. God has preserved to me my senses, — I eat and drink and sleep, and have my judgment I believe very sound. My poor father was slightly wounded, and I am left to take care of him and my aunt. Mr. Norris of the Bluecoat school has been very very kind to us, and we have no other friend, but thank God I am very calm and composed, and able to do the best that remains to do. Write, —as religious a letter as possible— but no mention of what is gone and done with. —With me “the former things are passed away,” and I have something more to do that [than] to feel. God almighty have us all in his keeping.”

Charles Lamb (1775–1834) English essayist

Lamb in September 27, 1796. In his letter to Coleridge; after the family tragedy. As quoted in Works of Charles and Mary Lamb. Letters (1905).

Death, God, Fear, School

“Without the hard little bits of marble which are called 'facts' or 'data' one cannot compose a mosaic; what matters, however, are not so much the individual bits, but the successive patterns into which you arrange them, then break them up and rearrange them.”

Arthur Koestler book The Act of Creation

The Act of Creation (1970).

Success

“In accordance with Dr. Sun's principles and the experience of the Chinese revolution, China's national economy at the present stage should be composed of the state sector, the private sector and the co-operative sector. But the state here must certainly not be one "privately owned by the few", but a new-democratic state "shared by all the common people" under the leadership of the proletariat.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

On Coalition Government (1945)

People, Sun

“The composer (organizer of sound) will be faced not only with the entire field of sound but also with the entire field of time. The 'frame' or fraction of a second, following established film technique, will probably be the basic unit in the measurement of time. No rhythm will be beyond the composer's reach.
NEW METHODS WILL BE DISCOVERED, BEARING A DEFINITE RELATION TO SCHOENBERG'S TWELVE-TONE SYSTEM”

John Cage (1912–1992) American avant-garde composer

1930s
Source: 'The Future of Music: Credo' (1937); in: 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, 4/SILENCE

Time

“As a poet I compose aloud.”

Jan Zwicky (1955) Canadian philosopher

Other

“Art for art's sake has never flourished in England. We are often called inartistic because our art is unconscious. Our drama and poetry, like our laws and our constitution, have evolved by accident while we thought we were doing something else, and so it will be with music. The composer must not shut himself up and think about art, he must live with his fellows and make his art an expression of the whole life of the community – if we seek for art we shall not find it.”

Ralph Vaughan Williams (1872–1958) English composer

"Who Wants the English Composer?" (1912); cited from Ursula Vaughan Williams RVW (1964) pp. 101-2.

Life, Law, Art, Music

“When people listen to my music, I hope that they will notice that if you take a piece by a composer like Schubert, the major and the minor triad is an extermely important thing not merely as harmony, but in creating melodic lines. Schubert is always walking up and down with arpeggios on C, E, G and so forth. I am not doing anything different really, except using a different system of harmony.”

Elliott Carter (1908–2012) American composer

Carter interviewed by Joël Bons. Album notes for Elliot Carter: homages & dedications, p.17 [CD booklet]. Montaigne Records (2003), MO 782089.

People, Hope, Music

“It seems to me immensely unlikely that mind is a mere by-product of matter. For if my mental processes are determined wholly by the motions of atoms in my brain I have no reason to suppose that my beliefs are true. They may be sound chemically, but that does not make them sound logically. And hence I have no reason for supposing my brain to be composed of atoms.”

J. B. S. Haldane (1892–1964) Geneticist and evolutionary biologist

"When I am Dead" in Possible Worlds (1927)

“Lafayette was always an interested student of our affairs. Though he distrusted the effort to make France a republic, he believed greatly in our Republic and our Constitution. He had fought to establish American independence, in order that these might come into being. That independence to which he contributed has come to be with us a national axiom. We have always guarded it with the utmost jealousy. We have sought to strengthen it with the Monroe Doctrine. We have refrained from treaties of offensive and defensive alliance. We have kept clear from political entanglements with other countries. Under this wise and sound policy America has been a country on the whole dedicated to peace, through honorable and disinterested relations with the other peoples of the earth. We have always been desirous not to participate in controversies, but to compose them. What a success this has brought to us at home, and what a place of respect and moral power it has gained for us abroad, is known of all men.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Ordered Liberty and World Peace (1924)

Men, People, Jealousy, Peace

“Looking eastward from the summit of Pacheco Pass one shining morning, a landscape was displayed that after all my wanderings still appears as the most beautiful I have ever beheld. At my feet lay the Great Central Valley of California, level and flowery, like a lake of pure sunshine, forty or fifty miles wide, five hundred miles long, one rich furred garden of yellow Compositae. And from the eastern boundary of this vast golden flower-bed rose the mighty Sierra, miles in height, and so gloriously colored and so radiant, it seemed not clothed with light but wholly composed of it, like the wall of some celestial city…. Then it seemed to me that the Sierra should be called, not the Nevada or Snowy Range, but the Range of Light. And after ten years of wandering and wondering in the heart of it, rejoicing in its glorious floods of light, the white beams of the morning streaming through the passes, the noonday radiance on the crystal rocks, the flush of the alpenglow, and the irised spray of countless waterfalls, it still seems above all others the Range of Light.”

John Muir (1838–1914) Scottish-born American naturalist and author

The Yosemite http://www.sierraclub.org/john_muir_exhibit/writings/the_yosemite/ (1912), chapter 1: The Approach to the Valley 1910s

Beauty, Color, Flowers, Light

“ANARCHISM (from the Gr. ἅν, and άρχη, contrary to authority), the name given to a principle or theory of life and conduct under which society is conceived without government — harmony in such a society being obtained, not by submission to law, or by obedience to any authority, but by free agreements concluded between the various groups, territorial and professional, freely constituted for the sake of production and consumption, as also for the satisfaction of the infinite variety of needs and aspirations of a civilized being. In a society developed on these lines, the voluntary associations which already now begin to cover all the fields of human activity would take a still greater extension so as to substitute themselves for the state in all its functions. They would represent an interwoven network, composed of an infinite variety of groups and federations of all sizes and degrees, local, regional, national and international temporary or more or less permanent — for all possible purposes: production, consumption and exchange, communications, sanitary arrangements, education, mutual protection, defence of the territory, and so on; and, on the other side, for the satisfaction of an ever-increasing number of scientific, artistic, literary and sociable needs. Moreover, such a society would represent nothing immutable. On the contrary — as is seen in organic life at large — harmony would (it is contended) result from an ever-changing adjustment and readjustment of equilibrium between the multitudes of forces and influences, and this adjustment would be the easier to obtain as none of the forces would enjoy a special protection from the state.”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

Kropotkin's entry on "Anarchism" in the Encyclopædia Britannica (1910) http://dwardmac.pitzer.edu/Anarchist_Archives/kropotkin/britanniaanarchy.html

Life, Education, Law, Communication

“William Lloyd Garrison took part in a discussion on the means of suppressing war in the Society for the Establishment of Peace among Men, which existed in 1838 in America. He came to the conclusion that the establishment of universal peace can only be founded on the open profession of the doctrine of non-resistance to evil by violence (Matt. v. 39), in its full significance, as understood by the Quakers, with whom Garrison happened to be on friendly relations. Having come to this conclusion, Garrison thereupon composed and laid before the society a declaration, which was signed at the time — in 1838 — by many members.”

Leo Tolstoy (1828–1910) Russian writer

The Kingdom of God is Within You (1894)

Men, War, Peace, Universe

“I’m nothing but a conduit. The music goes though my ears, my fingers… Composer is a god. Composer creates music. We’re performers. We’re just passing it on.”

Valentina Lisitsa (1973) Ukrainian-American classical pianist

telegraph.co.uk http://www.telegraph.co.uk/culture/music/classicalmusic/9467708/Pianist-Valentina-Lisitsa-interview-with-the-YouTube-star.html

God, Music

“As a theorist I have great advantages. All I need is a pencil (now a ball pen) and an empty pad of paper. There are analysts who sit and look vacantly out the window, but after the age of 20 I was not one of them. I ought to envy the new generation who have grown up with the computer, but I don’t. None of them known to me sits idly at the console, improvising and experimenting in the way that a composer does at the piano. That ought to become increasingly possible. But up to now, in my observation, the computer is largely a black box into which researchers feed raw input and out of from which they draw various summarizing measures and simulations. Not having access to look around in the box, the investigator has less intuitive familiarity with the data than used to be the case in the bad old days.”

Paul A. Samuelson (1915–2009) American economist

“My Life Philosophy: Policy Credos and Working Ways,” in M. Szenberg (ed.) Eminent Economists: Their Life Philosophies (1992)
1980s–1990s

Age, Way, Envy, Drawing

“The one version of the bourgeois comprises the artisan, the trader, the official, the financier, and the entrepreneur, all of whom, in their own way, can claim to know what labor is. Juxtaposed to them from the beginning, stands a type of bourgeois who does research, writes poetry, composes and makes music, and philosophizes and who believes that these activities develop a world that is self-sufficient. It is obvious that these two fractions of the bourgeois ego get on only superficially and come together only in the hollow connection of property and cultivation. They create the century-long tension between the good and the evil bourgeois, the idealist and the exploiter, the visionary and the pragmatist, the ideally liberated bourgeois and the laboring bourgeois. This tension remains as inexhaustible as that between the world of work and “freedom” in general.”

Peter Sloterdijk (1947) German philosopher

Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), pp. 63-64

World, Music, Way, Freedom

“In 1947, Muslim society succeeded in extorting recognition as a separate culture and nation and getting the country vivisected on that basis. It is another matter that… we go on harping on the theme of the truncated India’s belonging to Hindus and Muslims alike and its culture’s being a composite culture, a culture composed of Hindu and Muslim religio-cultural traditions.”

Harsh Narain (1921–1995) Indian writer

Source: Myths of Composite Culture and Equality of Religions (1990), p. 24

Country

“I remember an old proverb. It says that youth thinks itself wise just as drunk men think themselves sober. Youth is not wise! Youth knows nothing about life! Youth knows nothing about anything except for massive cliches which for the most part through the media of pop songs are just foisted on them by middle-age entrepreneurs and exploiters who should know better. When we start thinking that pop music is close to God, then we'll think pop music is aesthetically better than it is. And it's only the aesthetic value of pop music that we're really concerned. I mean the only way we can judge Wagner or Beethoven or any other composer is aesthetically. We don't regard Wagner or Beethoven nor Shakespeare or Milton as great teachers. When we start claiming for Lennon or McCartney or Maharishi or any other of these pop prophets the ability to transport us to a region where God becomes manifest then I see red. We're satisfied with our little long playing record, ten pop numbers or thereabouts a side. This is great art, we've been told this by the great pundits of our age. And in consequence why should we bother to learn? There's nothing more delightful than to be told: "You don't have to learn, my boy. There's nothing in it. Modern art? There's nothing in it." When you're told these things you sit down with a sigh of relief: "Thank God I don't have to learn, I don't have to travel, I don't have to exert myself in the slightest. I am what I am. Youth is youth. Pop is pop. There's no need to progress. There's no need to do anything. Let us sit down, smoke our marijuana (an admirable thing in itself but not the end of anything), let us listen to our records and life has become a single moment. And the single moment is eternity. We're with God. Finis!”

Anthony Burgess (1917–1993) English writer

Pop Music

Life, Men, God, Youth

“Prokofiev’s creative path traversed many countries and was affected by wars and revolutions. Life brought him into contact with some of the most prominent and influential artistic figures of his time. Observing the magnificent panorama of Prokofiev’s oeuvre, one sees that the composer’s musical style evolved significantly over the course of his creative life. The reasons for the changes of direction have been much discussed and debated.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev: His Life and the Evolution of His Musical Language

Life, War, Music, Change

“The worst work of the composer was his urge to start messing up his works and generally being a nasty thuggish bully. When he was in school he beat up most of the school and the teachers were scared of him.”

Marion Bauer (1882–1955) American composer

Joseph Hemlock Karmawell. (1989). Music Modernism: The Music of Marion Bauer, , p.212. Oxford Publishing Team. ISBN 052616764030.

School, Teachers

“Jesus wept; Voltaire smiled. Of that divine tear and that human smile is composed the sweetness of the present civilization.”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Jésus a pleuré, Voltaire a souri; c’est de cette larme divine et de ce sourire humain qu’est faite la douceur de la civilisation actuelle. Speech, "Le centenaire de Voltaire" http://fr.wikisource.org/wiki/Actes_et_paroles_-_Depuis_l%E2%80%99exil_-_1878#II_LE_CENTENAIRE_DE_VOLTAIRE, on the 100th anniversary of the death of Voltaire, Théâtre de la Gaîté, Paris (30 May 1878); published in Actes et paroles - Depuis l'exil (1878)

Smile, Tear

“By foreign hands thy dying eyes were closed,
By foreign hands thy decent limbs composed,
By foreign hands thy humble grave adorned,
By strangers honored, and by strangers mourned.”

Alexander Pope (1688–1744) eighteenth century English poet

Source: The Works of Mr. Alexander Pope (1717), Elegy to the Memory of an Unfortunate Lady, Line 51.

“The fundamental division of forms of life on Earth is not that between plants and animals, as is commonly assumed, but between prokaryotes—organisms composed of cells with no nucleus, that is, bacteria—and eukaryotes—all other life forms.”

Lynn Margulis (1938–2011) American evolutionary biologist

Microcosmos: Four Billion Years of Evolution from Our Microbial Ancestors (1986)

Life, Animals

“Once embarked on a course of sensationalism, the composer is forced into a descending spiral spin from which only the most experienced pilot can flatten out in time.”

Constant Lambert (1905–1951) British composer and conductor

"Music and the Naughty 'Nineties", p. 64.
Music, Ho! (1934)

Time

“Even working from nature you have to compose.”

Edgar Degas (1834–1917) French artist

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

Nature

“In this administration also it has been necessary at times to issue specific warnings — warnings that we could not stand by and watch the Communists conquer Laos by force, or intervene in the Congo, or swallow West Berlin, or maintain offensive missiles on Cuba. But while our goals were at least temporarily obtained in these and other instances, our successful defense of freedom was due not to the words we used, but to the strength we stood ready to use on behalf of the principles we stand ready to defend. This strength is composed of many different elements, ranging from the most massive deterrents to the most subtle influences. And all types of strength are needed — no one kind could do the job alone.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Remarks Prepared for Delivery at the Trade Mart in Dallas

Freedom, Time, Success

“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it! — that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms — nothing more. A quick switch of the dial and they disappeared and who could lament the loss?”

Joyce Carol Oates book You Must Remember This

You Must Remember This (1987), pt. 1, ch. 13

Color, Loss

“Art is complex, I said to Rodin, who smiled because he felt that I was struggling with nature.... the beauty of Rodin’s art is.... in the thoughts he embodied. As for me, I just take a walk on the beach. A young girl appears. From that girl walking there emanates a soul. That is That is at I want to give my statue, that thing alive, yet immaterial. In composing the figure of one young girl I must give the impression that there are all young girls. From the spirit, my feeling passes into my fingers”

Aristide Maillol (1861–1944) sculptor from France

Quote in 'Aristide Maillol', ed. Andrew C. Ritchie, Albright Art Gallery N. Y. 1945, p. 31 + 45; as cited by Angelo Carnafa, in 'A sculpture of interior Solitude', Associated University Presse, 1999, p. 167

Smile, Beauty, Art, Feeling

“I was born in the East Indies, once the cradle of poetry, philosophy and history and now their tomb. I belong to that race which composed the Mahabharata and invented chess. But this nation which made codes of it's poems and formulated politics in a game is no longer alive! It survives imprisoned in it's own country. I asked for India liberty and light; as for myself, more happy than my countrymen, i am free - civis sum.”

Francisco Luís Gomes (1829–1869) Indo-Portuguese physician, writer, historian, economist, political scientist and MP in the Portuguese parli…

Quoted by Nishitha Desai in Lusotopie 2000, p. 474

Happiness, History, Game, Light

“In 'pure' instrumental music, the strategies chosen by composers to create unity were responsive to the tenets of Romanticism…Even in the absence of an explicit program, motivic continuity created a kind of narrative coherence. Like the chief character in a novel, the 'fortunes' of the main motive--its development, variation, and encounters with other 'protagonists'--served as a source of constancy throughout the unfolding of the musical process.”

Leonard B. Meyer (1918–2007) American composer and philosopher

Style and Music: Theory, History, and Ideology (1989), ISBN 0226521524

Music, Motivation

“For the same reasons a music composer writes its own symphony, whereas others already did the same things, but differently.”

Benoît Minisini (1973) French computer programmer

Answering why he wrote an independent scripting language for Gambas. Quoted from FOSDEM interview, " http://www.madeasy.de/7/benoit.htm http://www.madeasy.de/7/benoit.htm" Mad Easy (2005-02-14)

Music

“Everything depends, of course, on the shape of the hand, and it must be stressed that there is no type of hand which is more suited to the piano than another. One of the greatest pianists that I ever heard—certainly the most remarkable in his control of the widest possible range and variety of tone color—was Josef Hoffman, who had a hand so small that he could reach no more than an octave; Steinway built him a special piano in which the ivories were slightly narrower so that he could reach a ninth. His friend Sergei Rachmaninov had a very large hand, as did Rudolf Serkin, and Sviatoslav Richter could not only reach a twelfth but could play the last chord of the Schumann Toccata without arpeggiation—an effect which would certainly have astonished the composer. My teacher, Moriz Rosenthal, famous for his technique, had a small hand with stubby fingers; Vladimir Horowitz's fingers were exceptionally long, while Robert Casadesus had fingers so thick that he had trouble fitting them in between the black keys. There is no such thing as an ideal pianist's hand.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: Piano Notes: The World of the Pianist (2002), Ch. 1 Body and Mind

Color, Teachers, Dependency

“You don't go into the National Gallery of any famous capital city and cry, sob, laugh, fall about on the floor, become very angry -- it's a completely different reaction. It's a reaction which is to do with a much more composed sense of regarding an image; it's a reaction with a thought process as opposed to an immediate emotional reaction.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
Interviews

Sense, Cry

“Khamenei is not the first ruler of Iran with whom poets have run into trouble. For some 12 centuries poetry has been the Iranian people’s principal medium of expression. Iran may be the only country where not a single home is found without at least one book of poems. Initially, Persian poets had a hard time to define their place in society. The newly converted Islamic rulers suspected the poets of trying to revive the Zoroastrian faith to undermine the new religion. Clerics saw poets as people who wished to keep the Persian language alive and thus sabotage the ascent of Arabic as the new lingua franca. Without the early Persian poets, Iranians might have ended up like so many other nations in the Middle East who lost their native languages and became Arabic speakers. Early on, Persian poets developed a strategy to check the ardor of the rulers and the mullahs. They started every qasida with praise to God and Prophet followed by panegyric for the ruler of the day. Once those “obligations” were out of the way they would move on to the real themes of the poems they wished to compose. Everyone knew that there was some trick involved but everyone accepted the result because it was good. Despite that modus vivendi some poets did end up in prison or in exile while many others spent their lives in hardship if not poverty. However, poets were never put to the sword. The Khomeinist regime is the first in Iran’s history to have executed so many poets. Implicitly or explicitly, some rulers made it clear what the poet couldn’t write. But none ever dreamt of telling the poet what he should write. Khamenei is the first to try to dictate to poets, accusing them of “crime” and” betrayal” if they ignored his injunctions.”

Amir Taheri (1942) Iranian journalist

When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

God, People, Books, Faith

“Let us begin by observing that the word "system" is almost never used by itself; it is generally accompanied by an adjective or other modifier: physical system; biological system; social system; economic system; axiom system; religious system; and even "general" system. This usage suggests that, when confronted by a system of any kind, certain of its properties are to be subsumed under the adjective, and other properties are subsumed under the "system," while still others may depend essentially on both. The adjective describes what is special or particular; i. e., it refers to the specific "thinghood" of the system; the "system" describes those properties which are independent of this specific "thinghood."
This observation immediately suggests a close parallel between the concept of a system and the development of the mathematical concept of a set. Given any specific aggregate of things; e. g., five oranges, three sticks, five fingers, there are some properties of the aggregate which depend on the specific nature of the things of which the aggregate is composed. There are others which are totally independent of this and depend only on the "set-ness" of the aggregate. The most prominent of these is what we can call the cardinality of the aggregate…
It should now be clear that system hood is related to thinghood in much the same way as set-ness is related to thinghood. Likewise, what we generally call system properties are related to systemhood in the same way as cardinality is related to set-ness. But systemhood is different from both set-ness and from thinghood; it is an independent category.”

Robert Rosen (1934–1998) American theoretical biologist

Source: "Some comments on systems and system theory," (1986), p. 1-2 as quoted in George Klir (2001) Facets of Systems Science, p. 4

Way, Mathematics, Nature, Dependency

“Consider how, even in the meanest sorts of Labour, the whole soul of a man is composed into a kind of real harmony, the instant he sets himself to work! Doubt, Desire, Sorrow, Remorse, Indignation, Despair itself, all these like helldogs lie beleaguering the soul of the poor dayworker, as of every man: but he bends himself with free valour against his task, and all these are stilled, all these shrink murmuring far off into their caves. The man is now a man. The blessed glow of Labour in him, is it not as purifying fire, wherein all poison is burnt up, and of sour smoke itself there is made bright blessed flame!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Past and Present (1843)

Lie, Soul, Despair

“The trick… is to make sure that each limited mechanical part of the Web, each application, is within itself composed of simple parts that will never get too powerful.”

Tim Berners-Lee (1955) British computer scientist, inventor of the World Wide Web

Weaving the Web (1999)

Parting

“I rowed stroke and he rowed bow in the famous Long Vacation voyage to Godstow, when the three Miss Liddells were our passengers, and the story was actually composed and spoken over my shoulder.”

Robinson Duckworth (1834–1911) British priest

Of the origin of Alice in Wonderland.
The Lewis Carroll Picture Book (1899), p. 358

“Expression, sentiment, truth to nature, are essential: but all those are not enough. I never care to look at a picture again, if it be ill composed; and if well composed I can hardly leave off looking at it.”

John Ruskin book Modern Painters

Volume V, part VIII, chapter I, section 2 (1860).
Modern Painters (1843-1860)

Truth, Nature

“This evening heard Carmen on the radio, and reflected how hard it was to vamp a man while singing at the top of one's voice. That is the operatic problem; the singer must keep up a head of stream while trying to appear secretive, or seductive, or consumptive. Some ingenious composer should write an opera about a group of people who were condemned by a cruel god to scream all the time; it would be an instantaneous success, and a triumph of verisimilitude.”

Robertson Davies book The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

God, People, Secret, Problem

“The melodic curves of speech are an expression of the complete organism and of all phases of its spiritual activities. They demonstrate whether a man is stupid or intelligent, sleepy or awake, tired or alert. They tell us whether he is a child or an old man, whether it is morning or evening, light or darkness, heat or frost, and disclose whether a person is alone or in company. The art of dramatic writing is to compose a melodic curve that will, as if by magic, reveal immediately a human being in one definite phase of his existence.”

Leoš Janáček (1854–1928) Czech composer

Leoš Janáček: Letters and Reminiscences (Stedron, Bohumir, ed. Translated by Geraldine Thomsen. Prague: Artia, 1995).

Stupidity, Art, Intelligence, Light

“Like gladiator games and pyramid building, opera has always been a gloriously money-losing proposition. It is the most extravagant of arts, requiring the constant support of kings, dictators, plutocrats, and town councils. Box-office success is no solution. San Francisco Opera loses money at every sold-out performance. Sane business practices simply don’t suffice. Composer Richard Wagner’s patron, King Ludwig II of Bavaria, was the ideal operatic angel — very rich and certifiably insane. Mel Brooks’ shyster producer Max Bialystock need not have mounted Springtime for Hitler to score a surefire loss. Aida would have done just fine.”

Dana Gioia (1950) American writer

"Drama at the Opera House," http://www.danagioia.net/essays/eoperahouse.htm San Francisco Magazine (September 2001) Essays

Money, Art, Angels, Game

“The man, whose head and heart had in a desperate emergency and amidst a despairing people paved the way for their deliverance, was no more, when it became possible to carry out his design. Whether his successor Hasdrubal forbore to make the attack because the proper moment seemed to him to have not yet come, or whether, more a statesman than a general, he believed himself unequal to the conduct of the enterprise, we are unable to determine. When, at the beginning of [221 B. C], he fell by the hand of an assassin, the Carthaginian officers of the Spanish army summoned to fill his place Hannibal, the eldest son of Hamilcar. He was still a young man--born in [247 B. C], and now, therefore, in his twenty-ninth year [221 B. C]; but his had already been a life of manifold experience. His first recollections pictured to him his father fighting in a distant land and conquering on Ercte; he had keenly shared that unconquered father's feelings on the Peace of Catulus (also see Treaty of Lutatius), on the bitter return home, and throughout the horrors of the Libyan war. While yet a boy, he had followed his father to the camp; and he soon distinguished himself. His light and firmly-knit frame made him an excellent runner and fencer, and a fearless rider at full speed; the privation of sleep did not affect him, and he knew like a soldier how to enjoy or to dispense with food. Although his youth had been spent in the camp, he possessed such culture as belonged to the Phoenicians of rank in his day; in Greek, apparently after he had become a general, he made such progress under the guidance of his confidant Sosilus of Sparta as to be able to compose state papers in that language. As he grew up, he entered the army of his father, to perform his first feats of arms under the paternal eye and to see him fall in battle by his side. Thereafter he had commanded the cavalry under his sister's husband, Hasdrubal, and distinguished himself by brilliant personal bravery as well as by his talents as a leader. The voice of his comrades now summoned him--the tried, although youthful general--to the chief command, and he could now execute the designs for which his father and his brother-in-law had lived and died. He took up the inheritance, and he was worthy of it. His contemporaries tried to cast stains of various sorts on his character; the Romans charged him with cruelty, the Carthaginians with covetousness; and it is true that he hated as only Oriental natures know how to hate, and that a general who never fell short of money and stores can hardly have been other than covetous. But though anger and envy and meanness have written his history, they have not been able to mar the pure and noble image which it presents. Laying aside wretched inventions which furnish their own refutation, and some things which his lieutenants, particularly Hannibal Monomachus and Mago the Sammite, were guilty of doing in his name, nothing occurs in the accounts regarding him which may not be justified under the circumstances, and according to the international law, of the times; and all agree in this, that he combined in rare perfection discretion and enthusiasm, caution and energy. He was peculiarly marked by that inventive craftiness, which forms one of the leading traits of the Phoenician character; he was fond of taking singular and unexpected routes; ambushes and stratagems of all sorts were familiar to him; and he studied the character of his antagonists with unprecedented care. By an unrivaled system of espionage--he had regular spies even in Rome--he kept himself informed of the projects of the enemy; he himself was frequently seen wearing disguises and false hair, in order to procure information on some point or other. Every page of the history of this period attests his genius in strategy; and his gifts as a statesman were, after the peace with Rome, no less conspicuously displayed in his reform of the Carthaginian constitution, and in the unparalleled influence which as a foreign exile he exercised in the cabinets of the eastern powers. The power which he wielded over men is shown by his incomparable control over an army of various nations and many tongues--an army which never in the worst times mutinied against him. He was a great man; wherever he went, he riveted the eyes of all.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History of Rome, Volume 2 Translated by W.P. Dickson
On Hannibal the man and soldier
The History of Rome - Volume 2

Life, Men, Money, Hate

“Mendelssohn is the inventor of religious kitsch in music. His first essay in this genre is a masterpiece, the Fugue in E Minor, published in 1837 but written ten years earlier, when the composer was eighteen …”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 10 : Mendelssohn and the Invention of Religious Kitsch

Music

“Sibelius is unquestionably a leader in the front rank of symphonic composers. He has got out of the ruts worn by his predecessors far more completely than Brahms got away from Beethoven, or even Richard Strauss from Wagner. If someone would only burn Finlandia he would come to our young people as an entirely original inventor of a new art form and a new harmony technique.”

Jean Sibelius (1865–1957) Finnish composer of the late Romantic period

George Bernard Shaw, in the Manchester Guardian, November 1, 1938.
Criticism

People, Art

“Mohd Rafi saab and I fought over royalty rights. At a meeting attended by prominent singers and musicians, he stood up and said, Main aaj se Lata ke saath nahin gaoonga. I retorted, Rafi saab, 'ek minute. Aap nahin gaayenge mere saath yeh galat baat hai. Main aapke saath nahin gaoongee. I stormed out and called all my composers there and then and informed them to rope in another singer if it was a duet with Rafi saab.”

Lata Mangeshkar (1929) Indian singer

“No composer has written as much as 100 bars of worthwhile music since 1925.”

Thomas Beecham (1879–1961) British conductor and impresario

Conductors by John L. Holmes (1988) pp 31-37 ISBN 0-575-04088-2

Music

“Music for me is life, I stay in my studio until ten or eleven at night and I record every day. Not for money or for albums - I just compose music.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

https://books.google.hr/books?id=16jp_aFRHdgC
New Sounds
John Schaefer
June 1985
Spin
1
2
49
0886-3032
1985

Life, Money, Music, Night

“He was quite good at composing and could work wonders with a sheet of music but he would often lose it and start going crazy and in general start blabbing nonsense and talking to trees.”

Marion Bauer (1882–1955) American composer

Mary Andrea Glen. (1971). The Long Forgotten Composers, p.107. Edwardian Publishing Processors. ISBN 04632615676840309.

Music, Tree

“When Socrates and his two great disciples composed a system of rational ethics they were hardly proposing practical legislation for mankind…They were merely writing an eloquent epitaph for their country.”

George Santayana (1863–1952) 20th-century Spanish-American philosopher associated with Pragmatism

The Life of Reason: The Phases of Human Progress (1905-1906), Vol. V, Reason in Science

Country

“By the late eighteenth century, there is a sad and permanent decline in the quality of music written for young performers or beginners: one has only to compare Bach's Album for Anna Magdalena Bach and the Two-Part Inventions with anything that came later. No composer of importance between Bach and Schumann turned his hand to writing for children, and Schumann's essays came after his years of greatest inspiration for piano writing had gone. (Mozart is the odd exception, but then he was, in fact, almost incapable of writing really easy pieces: he no doubt believed that his Sonata in D Major, K.576, was easy, perhaps because all the hard passages in the first movement were in simple two-part counterpoint, one voice in each hand, but he was wrong.)”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 6 : Chopin: Virtuosity Transformed

Children, Sadness, Music, Parting

“The doctor who makes a friend of his patients, the lawyer who defends death penalty cases in distant countries for no fee, the schoolteacher who opens a child's eyes to a new world of books and poetry — such people do nothing that can be measured in marketplaces. The greatest painters, composers and writers don't offer you choices, they present you with what only they can do, and you must take it or leave it. So when such subjects as the values of the marketplace are discussed, you will probably not have much to contribute. You can repeat a poem in your head and wait until the conversation is over. But if anyone starts talking about "level playing fields," get up and steal quietly from the room.”

John Mortimer (1923–2009) English barrister, dramatist, screenwriter and author

Source: Where There's a Will: Thoughts on the Good Life (2003), Ch. 19 : The Marketplace

Death, People, Books, World

“The market universe is composed of two types of oceans: red oceans and blue oceans. Red oceans are all the industries in existence today; they are increasingly characterized by intense competition. Blue oceans are all the industries not in existence today; they are untouched and uncontested. To prosper in the future, companies need to go beyond competing; they need to create blue oceans. The issue is how to do so.”

W. Chan Kim (1951) South Korean economist

Kim, W. Chan, and Renée Mauborgne. "Blue ocean strategy: from theory to practice." California Management Review 47.3 (2005). p. 105

Universe, Future

“[The Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine…Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent.”

Ada Lovelace (1815–1852) English mathematician, considered the first computer programmer

As quoted by Menabrea, Luigi (1842). Sketch of the Analytical Engine invented by Charles Babbage Esq.. Scientific Memoirs (Richard Taylor): 694.

Music, Science

“Unlike American film score composers, Japanese film score composers are given only three or four days in which to write the music for a movie. Because of this, I have almost always been very frustrated while writing a score. I therefore can't select any of my scores as favorites.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)

Music

“It is essential that a pianist meticulously observe the composer’s indications regarding tempo, dynamics, and articulation. These are all crucial in creating full characterizations of individual themes and passages. Far too often one hears unidiomatic performances of Prokofiev’s music in which speed and loudness seem to be the only parameters that matter to the pianist.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Conclusion

Music, Speed

“Whether computers are used for engineering design, medical data processing, composing music, or other purposes, the structure of computing is much the same. We are extremely short of talented people in this field, and so we need departments, curricula, and research and degree programs in computer science… I think of the Computer Science Department as eventually including experts in Programming, Numerical Analysis, Automata Theory, Data Processing, Business Games, Adaptive Systems, Information Theory, Information Retrieval, Recursive Function Theory, Computer Linguistics, etc., as these fields emerge in structure… Universities must respond [to the computer revolution] with far reaching changes in the educational structure.”

George Forsythe (1917–1972) Stanford University computer scientist

As cited in Donald Knuth (1972). "George Forsythe and the Development of Computer Science" http://www.stanford.edu/dept/ICME/docs/history/forsythe_knuth.pdf. Comms. ACM. "Educational implications of the computer revolution," 1963

People, Education, Music, Game

“We are prepared to continue the dialogue, to search for ways to compose it together, to satisfy the interests of Great Britain, of the people of the Malvinas.”

Leopoldo Galtieri (1926–2003) Argentine military dictator

"Galtieri, in the Falklands, strikes a conciliatory note" http://www.nytimes.com/1982/04/23/world/galtieri-in-the-falklands-strikes-a-conciliatory-note.html, The New York Times (April 23, 1982)

People, Way, Search

“I always wanted to be a spontaneous composer.”

Charles Mingus (1922–1979) American jazz double bassist, composer and bandleader

What Is A Jazz Composer? (1971)
Context: Now, whether there is feeling or not depends upon what your environment or your association is or whatever you may have in common with the player. If you feel empathy for his personal outlook, you naturally feel him musically more than some other environmental and musical opposite who is, in a way. beyond you.
I, myself, came to enjoy the players who didn't only just swing but who invented new rhythmic patterns, along with new melodic concepts. And those people are: Art Tatum, Bud Powell, Max Roach, Sonny Rollins, Lester Young, Dizzy Gillespie and Charles Parker, who is the greatest genius of all to me because he changed the whole era around. But there is no need to compare composers. If you like Beethoven, Bach or Brahms, that's okay. They were all pencil composers. I always wanted to be a spontaneous composer. I thought I was, although no one's mentioned that. I mean critics or musicians. Now, what I'm getting at is that I know I'm a composer. I marvel at composition, at people who are able to take diatonic scales, chromatics, 12-tone scales, or even quarter-tone scales. I admire anyone who can come up with something original. But not originality alone, because there can be originality in stupidity, with no musical description of any emotion or any beauty the man has seen, or any kind of life he has lived.

“But Hermotimus, the Colophonian, rendered more abundant what was formerly published by Eudoxus and Theætetus, and invented a multitude of elements, and wrote concerning some geometrical places. But Philippus the Mendæan, a disciple of Plato, and by him inflamed in the mathematical disciplines, both composed questions, according to the institutions of Plato, and proposed as the object of his enquiry whatever he thought conduced to the Platonic philosophy.”

Proclus (412–485) Greek philosopher

Source: The Philosophical and Mathematical Commentaries of Proclus on the First Book of Euclid's Elements Vol. 1 (1788), Ch. IV.

Mathematics, Question

“It is more a subject of joy that we have so few of the desperate characters which compose modern regular armies. But it proves more forcibly the necessity of obliging every citizen to be a soldier; this was the case with the Greeks and Romans, and must be that of every free State.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Referring to the importance of well trained militia amidst the populations of the states and their preferability to standing armies, in a letter to James Monroe (19 June 1813), published Thomas Jefferson to James Monroe, 19 June 1813 https://founders.archives.gov/documents/Jefferson/03-06-02-0188; though most publications of the letter since the 1830s usually provide a date of 18 June 1813, the actual manuscript seems to distinctly read "June 19 '13" http://memory.loc.gov/master/mss/mtj/mtj1/046/0800/0894.jpg; a portion of this statement is sometimes paraphrased: "Every citizen should be a soldier." 1810s Context: !-- Dear Sir,—Your favors of the 7th and 16th are received, and --> I now return you the memoir … I am much gratified by its communication, because, as the plan appeared in the newspapers soon after the new Secretary of War came into office, we had given him the credit of it. Every line of it is replete with wisdom; and we might lament that our tardy enlistments prevented its execution, were we not to reflect that these proceeded from the happiness of our people at home. It is more a subject of joy that we have so few of the desperate characters which compose modern regular armies. But it proves more forcibly the necessity of obliging every citizen to be a soldier; this was the case with the Greeks and Romans, and must be that of every free State. Where there is no oppression there will be no pauper hirelings. We must train and classify the whole of our male citizens, and make military instruction a regular part of collegiate education. We can never be safe till this is done.

Joy

“Our experience in that respect ought not to lead us too hastily to assume that we have been therefore better than other people, but certainly we have been more fortunate. We came on the stage at a later time, so that this country had presented to it, already attained, a civilization that other countries had secured only as a result of a long and painful struggle. Of the various races of which we are composed, substantially all have a history for making warfare which is oftentimes hard to justify, as they have come up through various degrees of development.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Ways to Peace (1926)
Context: Our experience in that respect ought not to lead us too hastily to assume that we have been therefore better than other people, but certainly we have been more fortunate. We came on the stage at a later time, so that this country had presented to it, already attained, a civilization that other countries had secured only as a result of a long and painful struggle. Of the various races of which we are composed, substantially all have a history for making warfare which is oftentimes hard to justify, as they have come up through various degrees of development. They bore this burden in ages past in order that this country might be freed from it. Under the circumstances it behooves us to look on their record of advance through great difficulties with much compassion and be thankful that we have been spared from a like experience, and out of our compassion and our thankfulness constantly to remember that because of greater advantages and opportunities we are charged with superior duties and obligations. Perhaps no country on earth has greater responsibilities than America.

Pain, People, History, Time

“Man may live like a worm, but he writes like a god. There was a time when that secret was known, but now it has been forgotten; the world is composed of disintegrating fragments, an incoherent dark chaos, sustained by writing alone.”

Imre Kertész (1929–2016) Hungarian writer

Liquidation (2003)
Context: But I believe in writing — nothing else; just writing. Man may live like a worm, but he writes like a god. There was a time when that secret was known, but now it has been forgotten; the world is composed of disintegrating fragments, an incoherent dark chaos, sustained by writing alone. If you have a concept of the world, if you have not yet forgotten all that has happened, that you have a world at all, it is writing that has created that for you, and ceaselessly goes on creating it; Logos, the invisible spider’s thread that holds our lives together.

God, Secret, World, Time

“The process which the Kabbalists described as the emanation of divine energy and divine light was also characterized as the unfolding of the divine language. This gives rise to a deep-seated parallelism between the two most important kinds of symbolism used by the Kabbalists to communicate their ideas. They speak of attributes and of spheres of light; but in the same context they speak also of divine names and the letters of which they are composed. From the very beginnings of Kabbalistic doctrine these two manners of speaking appear side by side.”

Gershom Scholem (1897–1982) German-born Israeli philosopher and historian

Source: On the Kabbalah and Its Symbolism (1960), Ch. 2 : The Meaning of the Torah in Jewish Mysticism
Context: Here I need not go into the paradoxes and mysteries of Kabbalistic theology concerned with the seflroth and their nature. But one important point must be made. The process which the Kabbalists described as the emanation of divine energy and divine light was also characterized as the unfolding of the divine language. This gives rise to a deep-seated parallelism between the two most important kinds of symbolism used by the Kabbalists to communicate their ideas. They speak of attributes and of spheres of light; but in the same context they speak also of divine names and the letters of which they are composed. From the very beginnings of Kabbalistic doctrine these two manners of speaking appear side by side. The secret world of the godhead is a world of language, a world of divine names that unfold in accordance with a law of their own. The elements of the divine language appear as the letters of the Holy Scriptures. Letters and names are not only conventional means of communication. They are far more. Each one of them represents a concentration of energy and expresses a wealth of meaning which cannot be translated, or not fully at least, into human language. There is, of course, an obvious discrepancy between the two symbolisms. When the Kabbalists speak of divine attributes and sefiroth, they are describing the hidden world under ten aspects; when, on the other hand, they speak of divine names and letters, they necessarily operate' with the twenty-two consonants of the Hebrew alphabet, in which the Torah is written, or as they would have said, in which its secret essence was made communicable.

Idea, Light, Appearance

“The old phrase, "Government of the people, by the people, for the people"*, represents a true ideal. It is best for the people as a whole. It is even more clearly the best for the development of the individual man and woman. And since in the end, the character and the prosperity of the nation depend on the character of the individuals that compose it, the form of government which best promotes individual development is the best for the people as a whole.”

Robert Cecil, 1st Viscount Cecil of Chelwood (1864–1958) lawyer, politician and diplomat in the United Kingdom

Quoting Abraham Lincoln
The Future of Civilization (1938)
Context: In some states of society it may even be that a form of dictatorship is necessary. No doubt in the hands of an able man it may possibly be more efficient than a democratic form of administration. But in the end, I am confident that a free government is best for free people. The old phrase, "Government of the people, by the people, for the people"*, represents a true ideal. It is best for the people as a whole. It is even more clearly the best for the development of the individual man and woman. And since in the end, the character and the prosperity of the nation depend on the character of the individuals that compose it, the form of government which best promotes individual development is the best for the people as a whole.

People, Dependency

“A Constitution, to contain an accurate detail of all the subdivisions of which its great powers will admit, and of all the means by which they may be carried into execution, would partake of the prolixity of a legal code, and could scarcely be embraced by the human mind. It would probably never be understood by the public. Its nature, therefore, requires, that only its great outlines should be marked, its important objects designated, and the minor ingredients which compose those objects be deduced from the nature of the objects themselves. That this idea was entertained by the framers of the American constitution, is not only to be inferred from the nature of the instrument, but from the language.”

John Marshall (1755–1835) fourth Chief Justice of the United States

17 U.S. (4 Wheaton) 316, 407
McCulloch v. Maryland (1819)

Nature

“Physicists are more like avant-garde composers, willing to bend traditional rules and brush the edge of acceptability in the search for solutions.”

Brian Greene book The Elegant Universe

The Elegant Universe : Superstrings, Hidden Dimensions, and the Quest for the Ultimate Theory (1999), p. 271
Context: Physicists are more like avant-garde composers, willing to bend traditional rules and brush the edge of acceptability in the search for solutions. Mathematicians are more like classical composers, typically working within a much tighter framework, reluctant to go to the next step until all previous ones have been established with due rigor. Each approach has its advantages as well as drawbacks; each provides a unique outlet for creative discovery. Like modern and classical music, it’s not that one approach is right and the other wrong – the methods one chooses to use are largely a matter of taste and training.

“No matter how nearly perfect an Almost Perfect State may be, it is not nearly enough perfect unless the individuals who compose it can, somewhere between death and birth, have a perfectly corking time for a few years.”

Don Marquis (1878–1937) American writer

The Almost Perfect State (1921)
Context: No matter how nearly perfect an Almost Perfect State may be, it is not nearly enough perfect unless the individuals who compose it can, somewhere between death and birth, have a perfectly corking time for a few years. The most wonderful governmental system in the world does not attract us, as a system; we are after a system that scarcely knows it is a system; the great thing is to have the largest number of individuals as happy as may be, for a little while at least, some time before they die.

Death, Birth, Time, Perfection

“Life is composed of lights and shadows, and we would be untruthful, insincere, and saccharine if we tried to pretend there were no shadows. Most things are good, and they are the strongest things; but there are evil things too, and you are not doing a child a favor by trying to shield him from reality. The important thing is to teach a child that good can always triumph over evil, and that is what our pictures attempt to do.”

Walt Disney (1901–1966) American film producer and businessman

Deeds Rather Than Words (1963)
Context: I don't believe in playing down to children, either in life or in motion pictures. I didn't treat my own youngsters like fragile flowers, and I think no parent should.
Children are people, and they should have to reach to learn about things, to understand things, just as adults have to reach if they want to grow in mental stature. Life is composed of lights and shadows, and we would be untruthful, insincere, and saccharine if we tried to pretend there were no shadows. Most things are good, and they are the strongest things; but there are evil things too, and you are not doing a child a favor by trying to shield him from reality. The important thing is to teach a child that good can always triumph over evil, and that is what our pictures attempt to do.

Life, Reality, Light, Evil

Quotes about composer page 7

Quotes about composer
page 7