Quotes about cloud
page 6

Johann Wolfgang von Goethe photo

“Smoking stupefies a man, and makes him incapable of thinking or writing. It is only fit for idlers, people who are always bored, who sleep for a third of their lifetime, fritter away another third in eating, drinking, and other necessary or unnecessary affairs, and don’t know—though they are always complaining that life is so short—what to do with the rest of their time. Such lazy Turks find mental solace in handling a pipe and gazing at the clouds of smoke that they puff into the air; it helps them to kill time. Smoking induces drinking beer, for hot mouths need to be cooled down. Beer thickens the blood, and adds to the intoxication produced by the narcotic smoke. The nerves are dulled and the blood clotted. If they go on as they seem to be doing now, in two or three generations we shall see what these beer-swillers and smoke-puffers have made of Germany. You will notice the effect on our literature—mindless, formless, and hopeless; and those very people will wonder how it has come about. And think of the cost of it all! Fully 25,000,000 thalers a year end in smoke all over Germany, and the sum may rise to forty, fifty, or sixty millions. The hungry are still unfed, and the naked unclad. What can become of all the money? Smoking, too, is gross rudeness and unsociability. Smokers poison the air far and wide and choke every decent man, unless he takes to smoking in self-defence. Who can enter a smoker’s room without feeling ill? Who can stay there without perishing?”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Heinrich Luden, Rueckblicke in mein Leben, Jena 1847
Attributed

John Constable photo

“My observations on clouds and skies are on scraps and bits of paper, and I have never yet put them together so as to form a lecture, which I shall do.... next summer.”

John Constable (1776–1837) English Romantic painter

1836
Quoted in Leslie Parris and Ian Fleming-Williams, Constable, (Tate Gallery Publications, London, 1993), p. 37
1830s

Melinda M. Snodgrass photo

“Clouds boiled like a brooding frown in the west, and the sun drew fire from them as it sank burning and orange into their billowing embrace.”

Melinda M. Snodgrass (1951) American writer

Source: Queen's Gambit Declined (1989), Chapter 17 (p. 219)

Henry Temple, 3rd Viscount Palmerston photo

“The honourable gentleman has alluded to the distresses and financial embarrassments of the country. I should be the last man to speak of those distresses in a slighting manner; but in considering the amount of our burdens, we ought not to forget under what circumstances those difficulties have been incurred. Engaged in an arduous struggle, single-handed and unaided, not only against all the powers of Europe, but with the confederated forces of the civilized world, our object was not merely military glory—not the temptation of territorial acquisition—not even what might be considered a more justifiable object, the assertion of violated rights and the vindication of national honour; but we were contending for our very existence as an independent nation. When the political horizon was thus clouded, when no human foresight could point out from what quarter relief was to be expected, when the utmost effort of national energy was not to despair, I would put to the honourable gentleman whether, if at that period it could have been shown that Europe might be delivered from its thraldom, but that this contingent must be purchased at the price of a long and patient endurance of our domestic burdens, we should not have accepted the conditions with gratitude? I lament as deeply as the honourable gentleman the burdens of the country; but it should be recollected that they were the price which we bad agreed to pay for our freedom and independence.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech in the House of Commons (16 May 1820), quoted in George Henry Francis, Opinions and Policy of the Right Honourable Viscount Palmerston, G.C.B., M.P., &c. as Minister, Diplomatist, and Statesman, During More Than Forty Years of Public Life (London: Colburn and Co., 1852), pp. 15-16.
1820s

Robert Seymour Bridges photo

“Were I a cloud I'd gather
My skirts up in the air,
And fly I well know whither,
And rest I well know where.”

Robert Seymour Bridges (1844–1930) British writer

Book I, No. 4, The Cliff-Top.
Shorter Poems (1879-1893)

Yoshida Shoin photo
Alexander Smith photo
George Long photo
Anna Akhmatova photo
Wallace Stevens photo
Girolamo Cardano photo
Mark Hopkins (educator) photo

“The movement has indeed been slow, and not such as man would have expected; but it has been analogous to the great movements of God in His providence and in His works. So, if we may credit the geologists, has this earth reached its present state. So have moved on the great empires. So retribution follows crime. So rise the tides. So grows the tree with long intervals of repose and apparent death. So comes on the spring, with battling elements and frequent reverses, with snowbanks and violets, and, if we had no experience, we might be doubtful what the end would be. But we know that back of all this, beyond these fluctuations, away in the serene heavens, the sun is moving steadily on; that these very agitations of the elements and seeming reverses, are not only the sign, but the result of his approach, and that the full warmth and radiance of the summer noontide are sure to come. So, O Divine Redeemer, Sun of Righteousness, come Thou! So will He come. It may be through clouds and darkness and tempest; but the heaven where He is, is serene; He is "traveling in the greatness of His strength; "and as surely as the throne of God abides, we know He shall yet reach the height and splendor of the highest noon, and that the light of millennial glory shall yet flood the earth.”

Mark Hopkins (educator) (1802–1887) American educationalist and theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 418.

Max Heindel photo
Thomas Henry Huxley photo
Wang Wei photo
Calvin Coolidge photo

“When we look over the rest of the world, in spite of all its devastation there is encouragement to believe it is on a firmer moral foundation than it was in 1914. Much of the old despotism has been swept away, While some of it comes creeping back disguised under new names, no one can doubt that the general admission of the right of the people to self-government has made tremendous progress in nearly every quarter of the globe. In spite of the staggering losses and the grievous burden of taxation, there is a new note of hope for the individual to be more secure in his rights, which is unmistakably clearer than ever before. With all the troubles that beset the Old World, the former cloud of fear is evidently not now so appalling. It is impossible to believe that any nation now feels that it could better itself by war, and it is apparent to me that there has been a very distinct advance in the policy of peaceful and honorable adjustment of international differences. War has become less probable; peace has become more secure. The price which has been paid to bring about this new condition is utterly beyond comprehension. We can not see why it should not have come in orderly and peaceful methods without the attendant shock of fire and sword and carnage. We only know that it is here. We believe that on the ruins of the old order a better civilization is being constructed.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Toleration and Liberalism (1925)

Emma Goldman photo
Letitia Elizabeth Landon photo
Bruce Springsteen photo
Adyashanti photo
William S. Burroughs photo
James Macpherson photo

“The groan of the people spread over the hills; it was like the thunder of night, when the cloud bursts on Cona; and a thousand ghosts shriek at once on the hollow wind.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

Book III
The Poems of Ossian, Fingal, an ancient Epic Poem

Phillip Guston photo
John Constable photo

“I have likewise made many 'skies' and effects — for I wish it could be said of me as Fuselli says of Rembrandt, 'he followed nature in her calmest abodes and could pluck a flower on every hedge — yet he was born to cast a steadfast eye on the bolder phenomena of nature'… We have had noble clouds & effects of light & dark & color.”

John Constable (1776–1837) English Romantic painter

Quote from a letter to Rev. John Fisher in 1821 on his oil-sketches of stormy weather, as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London 1993), p. 222
1820s

Mata Amritanandamayi photo

“… [Y]our observer's camera is clicking steadily. It's beautiful up above the sunlit clouds. The smooth drone of your twin motors makes you happy. You feel like singing and then you do. Then out of the corner of your eye, you see four black dots, growing larger momentarily. It's an enemy patrol of German Messerschmitts. Your gunner has seen them too. You hear the rattle of the machine gun as you put your bomber in a fast climbing turn, but the Messerschmitt fighters climb faster. They form under your tail, two on each side. One by one, they attack. A yellow light flashes in front of you. The first fighter slips away while the next comes on at you. Again that smashing yellow flame. Your observer falls over unconscious. Before you can think, the next Messerschmitt is upon you. A terrific jolt. Your port engine belches smoke. It's been hit…. You force-land on the first Allied airfield. That night, seated next to a hospital bed where your observer nurses a scalp wound, you hear an enemy communique. A British bomber was shot down over the lines today. Well, you puff a cigarette and grin.”

Larry LeSueur (1909–2003) American journalist

Woo, Elaine. " Larry LeSueur/'Murrow Boy' former war correspondant http://articles.latimes.com/2003/feb/07/local/me-lesueur7", (obituary), Los Angeles Times, February 8, 2003, accessed June 21, 2011. As quoted by Stanley W. Cloud and Lynne Olson in The Murrow Boys: Pioneers on the Front Lines of Broadcast Journalism, ISBN 0395877539. LeSueur just "after interviewing a young British pilot who had just flown a reconnaissance mission over Germany.

Statius photo

“But no clouds in a red sky promised daylight's return, nor in lessening shadows did a long twilight gleam with reflected sun. Black night that no ray can pierce comes ever denser from earth, veiling the heavens.”
Sed nec puniceo rediturum nubila caelo promisere jubar, nec rarescentibus umbris longa repercusso nituere crepuscula Phoebo: densior a terris et nulli peruia flammae subtexit nox atra polos.

Source: Thebaid, Book I, Line 342

Jacob Maris photo

“When I am tired of long, straight roof lines, why should I not introduce a cupola, especially where the cloud formation requires its support?.. Why should I not build my own towns to suit myself?”

Jacob Maris (1837–1899) Dutch painter

as cited in Landscape Painting and Modern Dutch Artists, E. B. Greenshields https://ia902605.us.archive.org/6/items/landscapepaintin00greeuoft/landscapepaintin00greeuoft.pdf; The Copp, Clark, Co. Limited, Toronto, 1906, p. 150
Jacob Maris painted many 'Dutch City' paintings, in which he combined different parts of the cities Amsterdam, Dordrecht, Delft and Rotterdam

Sri Aurobindo photo
Statius photo

“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis Aethiopasque alios, nulli penetrabilis astro, lucus iners, subterque cavis graue rupibus antrum it uacuum in montem, qua desidis atria Somni securumque larem segnis Natura locavit. limen opaca Quies et pigra Oblivio servant et numquam vigili torpens Ignauia vultu. Otia vestibulo pressisque Silentia pennis muta sedent abiguntque truces a culmine ventos et ramos errare vetant et murmura demunt alitibus. non hic pelagi, licet omnia clament litora, non ullus caeli fragor; ipse profundis vallibus effugiens speluncae proximus amnis saxa inter scopulosque tacet: nigrantia circum armenta omne solo recubat pecus, et nova marcent germina, terrarumque inclinat spiritus herbas. mille intus simulacra dei caelaverat ardens Mulciber: hic haeret lateri redimita Voluptas, hic comes in requiem vergens Labor, est ubi Baccho, est ubi Martigenae socium puluinar Amori obtinet. interius tecti in penetralibus altis et cum Morte jacet, nullique ea tristis imago cernitur. hae species. ipse autem umentia subter antra soporifero stipatos flore tapetas incubat; exhalant vestes et corpore pigro strata calent, supraque torum niger efflat anhelo ore vapor; manus haec fusos a tempore laevo sustentat crines, haec cornu oblita remisit.

Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)

Linus Torvalds photo
Arshile Gorky photo

“About a hundred and ninety-four feet away from our house [Gorky was born in Armenia] on the road to the spring, my father had a little garden with a few apple trees which had retired from giving fruit. There was a ground constantly in shade where grew incalculable amounts of wild carrots, and porcupines had made their nests. There was a blue rock half buried in the black earth with a few patches of moss placed here and there like fallen clouds. But from where came all the shadows in constant battle like the lancers of w:Paolo Ucello's painting? This garden was identified as the Garden of Wish Fulfilment and often I had seen my mother and other village women opening their bosoms and taking out their soft breasts in their hands to rub them on the rock. Above this all stood an enormous tree all bleached under the sun, the rain, the cold, and deprived of leaves. This was the Holy Tree. I myself don't know why this tree was holy but I had witnessed many people, whoever did pass by, that would tear voluntarily a strip of their clothes and attach this to the tree. Thus through many years of the same ac, like a veritable parade of banners under the pressure of wind all these personal inscriptions of signatures, very softly to my innocent ear used to give echo to the sh-h—h-sh—h of silver leaves of the poplars.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: posthumous, Astract Expressionist Painting in America, p. 124, (in Gorky Memorial Exhibition, Schwabacher pp. 22,23

“The skin is impossibly wet, a cloud condensed into animate matter.”

David G. Haskell (1950) writer, Biologist

"February 28th — Salamander," page 41
The Forest Unseen: A Year's Watch in Nature http://theforestunseen.com/ (2012)

“Here in a
thatched hut
hidden
among
mountain
peaks with
barely room
for one I am
suddenly invaded by
wandering
white clouds.”

Koho Kenichi (1241–1316) Japanese sangha of Rinzai school in Kamakura era

Koho Kenichi (1241 - 1316), quoted in: junchiyabari.com http://junchiyabari.com/. Accessed 2018-06-23.

Du Fu photo
Robert Skidelsky photo
Robert Frost photo

“The sun was warm but the wind was chill.
You know how it is with an April day
When the sun is out and the wind is still,
You´re one month on in the middle of May.
But if you so much as dare to speak,
A cloud comes over the sunlit arch,
A wind comes off a frozen peak,
And you´re two months back in the middle of March.”

Robert Frost (1874–1963) American poet

" Two Tramps in Mud-Time http://www.unz.org/Pub/SaturdayRev-1934oct06-00156", first published in The Saturday Review of Literature, 6 October 1934, st. 3 http://books.google.com/books?id=AmggAQAAMAAJ&q=%22The+sun+was+warm+but+the+wind+was+chill+You+know+how+it+is+with+an+April+day+When+the+sun+is+out+and+the+wind+is+still+You're+one+month+on+in+the+middle+of+May+But+if+you+so+much+as+dare+to+speak+A+cloud+comes+over+the+sunlit+arch+A+wind+comes+off+a+frozen+peak+And+you're+two+months+back+in+the+middle+of+March%22&pg=PA156#v=onepage
1930s

Conrad Aiken photo

“Thus when the body is kept impure through pernicious diet and living, the mind remains impure. When the mind is in that state its vision is clouded.”

John Todd Ferrier (1855–1943) Christian vegetarian

On Behalf of the Creatures (1926), p. 120; as quoted in The Vegetarian Movement in England, 1847– 1981 by Julia Twigg (University of London, 1981), ch. 7 http://www.ivu.org/history/thesis/cross.html.

William Ellery Channing photo
Samuel Taylor Coleridge photo
Jane Roberts photo

“There was a god or goddess of wind, rain, lightning, thunder, clouds, stars, sun, and of course, the moon goddess, and they all more or less worked under SkyMaker.”

Jane Roberts (1929–1984) American Writer

Source: Emir's Education In The Proper Use of Magical Powers (1979), p. 50

Alexis De Tocqueville photo
Isaac Leib Peretz photo

“I want to soar the boundless blue
Where winds and tempests have their birth,
And let the clouds conceal for me
Not heaven, but the earth.”

Isaac Leib Peretz (1852–1915) Yiddish language author and playwright

"I Am a Rainworm", 1900, translated by Jacob Robbins. J. Leftwich. Golden Peacock. Sci-Art, 1939, p. 83.

Alfred P. Sloan photo

“In the spring of 1920, General Motors found itself, as it appeared at the moment, in a good position. On account of the limitation of automotive production during the war there was a great shortage of cars. Every car that could be produced was produced and could be sold at almost any price. So far as any one could see, there was no reason why that prosperity should not continue for a time at least. I liken our position then to a big ship in the ocean. We were sailing along at full speed, the sun was shining, and there was no cloud in the sky that would indicate an approaching storm. Many of you have, of course, crossed the ocean and you can visualize just that sort of a picture yet what happened? In September of that year, almost over night, values commenced to fall. The liquidation from the inflated prices resulting from the war had set in. Practically all schedules or a large part of them were cancelled. Inventory commenced to roll in, and, before it was realized what was happening, this great ship of ours was in the midst of a terrific storm. As a matter of fact, before control could be obtained General Motors found itself in a position of having to go to its bankers for loans aggregating $80,000,000 and although, as we look at things from today's standpoint, that isn't such a very large amount of money, yet when you must have $80,000,000 and haven't got it, it becomes an enormous sum of money, and if we had not had the confidence and support of the strongest banking interests our ship could never have weathered the storm.”

Alfred P. Sloan (1875–1966) American businessman

Source: Alfred P. Sloan in The Turning Wheel, 1934, p. 185-6; Retrospective vein President Alfred P. Sloan, Jr., addressing the automobile editors of American newspapers at the Proving Ground at Milford, Michigan in 1927.

Honoré de Balzac photo

“Clouds signify the veil of the Most High.”

Source: Seraphita (1835), Ch. 3: Seraphita - Seraphitus.

William Wordsworth photo
Han-shan photo
Richard Hovey photo
Han-shan photo
Derek Walcott photo
Thomas Guthrie photo
Gene Wolfe photo

“In the marketplace he told of honor, and how it is a higher law than any law.
At the crossroads he talked of freedom, the freedom of the wind and clouds, and freedom that loves all things and is without guilt.
Beside the city gates he told stories of the forgotten cities that were and of the forgotten cities that might be, if only men would forget them.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

"The God and His Man", Asimov's Science Fiction, 1980, Reprinted in Gene Wolfe, Endangered Species (1989), Reprinted in Gene Wolfe, The Best of Gene Wolfe (2009)
Fiction

David Lloyd George photo
Francesco Berni photo

“And still the arrows flew so thick and fast,
That, as by clouds, the heavens were overcast.”

Francesco Berni (1497–1535) Italian poet

Tal l'aspro saettare, e tanto dura,
Che per l'ombra de' dardi il ciel s'oscura.
LXIV, 61
Rifacimento of Orlando Innamorato

Wang Wei photo

“I will walk till the water checks my path,
Then sit and watch the rising clouds.”

Wang Wei (699–759) a Tang dynasty Chinese poet, musician, painter, and statesman

"Zhongnan Retreat" (终南别业)

Sam Harris photo

“If Jesus does come down out of the clouds like a superhero, Christianity will stand revealed as a science. That will be the science of Christianity.”

Sam Harris (1967) American author, philosopher and neuroscientist

Sam Harris, “Religion, Terror, and Self-Transcendence.” The Ethical Culture Society and the Center for Inquiry, New York, NY, November 16, 2005 (broadcast on CSPAN-2)
2000s

Han-shan photo
Edward Coote Pinkney photo
Li Bai photo

“Her robe is a cloud, her face a flower;
Her balcony, glimmering with the bright spring dew,
Is either the tip of earth's Jade Mountain,
Or a moon-edged roof of paradise.”

Li Bai (701–762) Chinese poet of the Tang dynasty poetry period

"A Song Of Pure Happiness I" (清平调之一)

Thomas Kettle photo
Gerard Manley Hopkins photo
Han-shan photo

“Sometimes the air is awfully clear here. You can look off to sea and see the soft, warm, raggedy roof of clouds stretching on and on and on. It almost seems as if you can look right on into eternity.”

James Jones (1921–1977) American author

Letter to his brother Jeff, from Hawaii (22 March 1942); p. 17
To Reach Eternity (1989)

Amit Ray photo
Thomas Chatterton photo
Johnnie Ray photo

“Half the campus was designed by Bottom the Weaver, half by Ludwig Mies van der Rohe; Benton had been endowed with one to begin with, and had smiled and sweated and and spoken for the other. A visitor looked under black beams, through leaded casements (past apple boughs, past box, past chairs like bath-tubs on broomsticks) to a lawn ornamented with one of the statues of David Smith; in the months since the figure had been put in its place a shrike had deserted for it a neighboring thorn tree, and an archer had skinned her leg against its farthest spike. On the table in the President’s waiting-room there were copies of Town and Country, the Journal of the History of Ideas, and a small magazine—a little magazine—that had no name. One walked by a mahogany hat-rack, glanced at the coat of arms on an umbrella-stand, and brushed with one’s sleeve something that gave a ghostly tinkle—four or five black and orange ellipsoids, set on grey wires, trembled in the faint breeze of the air-conditioning unit: a mobile. A cloud passed over the sun, and there came trailing from the gymnasium, in maillots and blue jeans, a melancholy procession, four dancers helping to the infirmary a friend who had dislocated her shoulder in the final variation of The Eye of Anguish.”

Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel

Blu photo

“Be a star out your gang & aim above the clouds, and if you miss, you at least be amongst your own crowd.”

Blu (1983) American rapper and music producer

The World Is (Below the Heavens)
Below the Heavens (2007)

Julian Barnes photo
Yoko Ono photo

“If your judgement is clouded, you must be carrying too many things which are being a burden to you.”

Yoko Ono (1933) Japanese artist, author, and peace activist

9 October 2009.
Twitter messages

Rāmabhadrācārya photo
James Anthony Froude photo

“We start with enthusiasm — out we go each of us to our task in all the brightness of sunrise, and hope beats along our pulses; we believe the world has no blanks except to cowards, and we find, at last, that, as far as we ourselves are concerned, it has no prizes; we sicken over the endless unprofitableness of labour most when we have most succeeded, and when the time comes for us to lay down our tools we cast them from us with the bitter aching sense, that it were better for us if it had been all a dream. We seem to know either too much or too little of ourselves — too much, for we feel that we are better than we can accomplish; too little, for, if we have done any good at all, it has heen as we were servants of a system too vast for us to comprehend. We get along through life happily between clouds and sunshine, forgetting ourselves in our employments or our amusements, and so long as we can lose our consciousness in activity we can struggle on to the end. But when the end comes, when the life is lived and done, and stands there face to face with us; or if the heart is weak, and the spell breaks too soon, as if the strange master-worker has no longer any work to offer us, and turns us off to idleness and to ourselves; in the silence then our hearts lift up their voices, and cry out they can find no rest here, no home. Neither pleasure, nor rank, nor money, nor success in life, as it is called, have satisfied, or can satisfy; and either earth has nothing at all which answers to our cravings, or else it is something different from all these, which we have missed finding — this peace which passes understanding — and from which in the heyday of hope we had turned away, as lacking the meretricious charm which then seemed most alluring.
I am not sermonizing of Religion, or of God, or of Heaven, at least not directly.”

Confessions Of A Sceptic
The Nemesis of Faith (1849)

Tanith Lee photo

“There were clouds like sharks with open jaws in the sky that morning.”

Tanith Lee (1947–2015) British writer

Source: Short fiction, The Winter Players (1976), Chapter 6, “Blue Cave” (p. 170)

Isaiah Berlin photo
Thomas Guthrie photo

“We hoped to join like fish and water once:
instead, we're split apart—a stream, a cloud.”

Đặng Trần Côn (1710–1745) writer

Source: Chinh phụ ngâm, Lines 115–116

John Keats photo
Alfred Horsley Hinton photo
Johnny Cash photo
James Fenimore Cooper photo
Wallace Stevens photo
Samuel Johnson photo

“Clouds that are grey
Can no longer be washed clean.
We open the umbrella
And simply paint the sky black.”

Gu Cheng (1956–1993) Chinese poet

"A Walk In The Rain" [Yu xing]

Arthur Schopenhauer photo
Joan Maragall photo
Ralph Waldo Emerson photo

“Nature is a mutable cloud which is always and never the same.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

History
Bartlett's Familiar Quotations, 10th ed. (1919), Essays, First Series
Variant: Nature is a mutable cloud which is always and never the same.

John Constable photo

“The landscapes of Ruysdael present the greatest possible contrast to those of Claude, showing how powerfully, from the most opposite directions, genius may command our homage. In Claude's pictures, with scarcely an exception, the sun ever shines. Ruysdael, on the contrary, delighted in, and has made delightful to our eyes, those solemn days, peculiar to his country and to ours, when without storm, large rolling clouds scarcely permit a ray of sunlight to break the shades of the forest.”

John Constable (1776–1837) English Romantic painter

Quote from 'The History of Landscape Painting,' third lecture, Royal Institution (9 June 1836), from notes taken by C.R. Leslie; as quoted in: 'A brief history of weather in European landscape art', John E. Thornes, in Weather Volume 55, Issue 10 Oct. 2000, p. 366-67
1830s, his lectures History of Landscape Painting (1836)

Brewster Kahle photo

“Here’s the problem with the web — this is so cool, it’s worth it. The internet is decentralized in the sense that you can kind of nuke any part of it and it still works. That was its original design. The World Wide Web isn’t that way. You go and knock out any particular piece of hardware, it goes away. Can we make a reliable web that’s served from many different places, kind of like how the Amazon cloud works, but for everybody? The answer is yes, you can. You can make kind of a pure to pure distribution structure, such that the web becomes reliable. Another is that we can make it private so that there’s reader privacy. Edward Snowden has brought to light some really difficult architectural problems of the current World Wide Web. The GCHQ, the secret service of the British, watched everybody using WikiLeaks, and then offered all of those IP addresses, which are personally identifiable in the large part, to the NSA. The NSA had conversations about using that as a means to go and… monitor people at an enhanced level that those are now suspects. Libraries have long had history with people being rounded up for what they’ve read and bad things happening to them. We have an interest in trying to make it so that there’s reader privacy”

Brewster Kahle (1960) American computer engineer, founder of the Internet Archive

Internet Archive founder Brewster Kahle on Recode Decode https://www.recode.net/2017/3/8/14843408/transcript-internet-archive-founder-brewster-kahle-wayback-machine-recode-decode (March 8, 2017)

Samuel C. Florman photo
Bill Nye photo

“Without clouds we wouldn't have rain. Without rain there is no water, no crops and no food for you and me. Humans would not exist without the sun, heat, water and oxygen from plants.”

Bill Nye (1955) American science educator, comedian, television host, actor, writer, scientist and former mechanical engineer

[NewsBank, 03I, Science Guy Wants You to Ask, 'Why?', The Columbus Dispatch, Ohio, October 24, 2001, Connie A. Higgins]