Heinrich Luden, Rueckblicke in mein Leben, Jena 1847
Attributed
Quotes about cloud
page 6
1836
Quoted in Leslie Parris and Ian Fleming-Williams, Constable, (Tate Gallery Publications, London, 1993), p. 37
1830s
Source: Queen's Gambit Declined (1989), Chapter 17 (p. 219)
Speech in the House of Commons (16 May 1820), quoted in George Henry Francis, Opinions and Policy of the Right Honourable Viscount Palmerston, G.C.B., M.P., &c. as Minister, Diplomatist, and Statesman, During More Than Forty Years of Public Life (London: Colburn and Co., 1852), pp. 15-16.
1820s
Book I, No. 4, The Cliff-Top.
Shorter Poems (1879-1893)
Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
Cardanus Comforte (1574)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 418.
Creed or Christ (1909)
Source: http://www.rosicrucian.com/rcc/rcceng00.htm http://www.rosicrucian.com/rcc/rcceng00.htm
Source: 1860s, Evidence as to Man's Place in Nature (1863), Ch.2, p. 131-132
"Written Crossing the Yellow River to Qing-he" (渡河到清河作)
1920s, Toleration and Liberalism (1925)
What is Patriotism? (1908)
Canto I, I opening lines
The Fate of Adelaide (1821)
"The Promised Land"
Song lyrics, Darkness on the Edge of Town (1978)
Source: Queer: A Novel (1985), Chapter Three
Book III
The Poems of Ossian, Fingal, an ancient Epic Poem
Unsourced, In A Soldiers' Hospital II: Gramophone Tunes
Quote from a letter to Rev. John Fisher in 1821 on his oil-sketches of stormy weather, as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London 1993), p. 222
1820s
Woo, Elaine. " Larry LeSueur/'Murrow Boy' former war correspondant http://articles.latimes.com/2003/feb/07/local/me-lesueur7", (obituary), Los Angeles Times, February 8, 2003, accessed June 21, 2011. As quoted by Stanley W. Cloud and Lynne Olson in The Murrow Boys: Pioneers on the Front Lines of Broadcast Journalism, ISBN 0395877539. LeSueur just "after interviewing a young British pilot who had just flown a reconnaissance mission over Germany.
“But no clouds in a red sky promised daylight's return, nor in lessening shadows did a long twilight gleam with reflected sun. Black night that no ray can pierce comes ever denser from earth, veiling the heavens.”
Sed nec puniceo rediturum nubila caelo
promisere jubar, nec rarescentibus umbris
longa repercusso nituere crepuscula Phoebo:
densior a terris et nulli peruia flammae
subtexit nox atra polos.
Source: Thebaid, Book I, Line 342
as cited in Landscape Painting and Modern Dutch Artists, E. B. Greenshields https://ia902605.us.archive.org/6/items/landscapepaintin00greeuoft/landscapepaintin00greeuoft.pdf; The Copp, Clark, Co. Limited, Toronto, 1906, p. 150
Jacob Maris painted many 'Dutch City' paintings, in which he combined different parts of the cities Amsterdam, Dordrecht, Delft and Rotterdam
Thoughts and Aphorisms (1913), Bhakti
“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis
Aethiopasque alios, nulli penetrabilis astro,
lucus iners, subterque cavis graue rupibus antrum
it uacuum in montem, qua desidis atria Somni
securumque larem segnis Natura locavit.
limen opaca Quies et pigra Oblivio servant
et numquam vigili torpens Ignauia vultu.
Otia vestibulo pressisque Silentia pennis
muta sedent abiguntque truces a culmine ventos
et ramos errare vetant et murmura demunt
alitibus. non hic pelagi, licet omnia clament
litora, non ullus caeli fragor; ipse profundis
vallibus effugiens speluncae proximus amnis
saxa inter scopulosque tacet: nigrantia circum
armenta omne solo recubat pecus, et nova marcent
germina, terrarumque inclinat spiritus herbas.
mille intus simulacra dei caelaverat ardens
Mulciber: hic haeret lateri redimita Voluptas,
hic comes in requiem vergens Labor, est ubi Baccho,
est ubi Martigenae socium puluinar Amori
obtinet. interius tecti in penetralibus altis
et cum Morte jacet, nullique ea tristis imago
cernitur. hae species. ipse autem umentia subter
antra soporifero stipatos flore tapetas
incubat; exhalant vestes et corpore pigro
strata calent, supraque torum niger efflat anhelo
ore vapor; manus haec fusos a tempore laevo
sustentat crines, haec cornu oblita remisit.
Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)
Source: posthumous, Astract Expressionist Painting in America, p. 124, (in Gorky Memorial Exhibition, Schwabacher pp. 22,23
“The skin is impossibly wet, a cloud condensed into animate matter.”
"February 28th — Salamander," page 41
The Forest Unseen: A Year's Watch in Nature http://theforestunseen.com/ (2012)
Koho Kenichi (1241 - 1316), quoted in: junchiyabari.com http://junchiyabari.com/. Accessed 2018-06-23.
"Spending the Night in a Tower by the River" (trans. Stephen Owen)
John Maynard Keynes: 1883-1946: Economist, Philosopher, Statesman (2003), Ch. 2. Cambridge Civilisation: Sidgwick and Marshall
" Two Tramps in Mud-Time http://www.unz.org/Pub/SaturdayRev-1934oct06-00156", first published in The Saturday Review of Literature, 6 October 1934, st. 3 http://books.google.com/books?id=AmggAQAAMAAJ&q=%22The+sun+was+warm+but+the+wind+was+chill+You+know+how+it+is+with+an+April+day+When+the+sun+is+out+and+the+wind+is+still+You're+one+month+on+in+the+middle+of+May+But+if+you+so+much+as+dare+to+speak+A+cloud+comes+over+the+sunlit+arch+A+wind+comes+off+a+frozen+peak+And+you're+two+months+back+in+the+middle+of+March%22&pg=PA156#v=onepage
1930s
On Behalf of the Creatures (1926), p. 120; as quoted in The Vegetarian Movement in England, 1847– 1981 by Julia Twigg (University of London, 1981), ch. 7 http://www.ivu.org/history/thesis/cross.html.
Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 17
Source: Emir's Education In The Proper Use of Magical Powers (1979), p. 50
"I Am a Rainworm", 1900, translated by Jacob Robbins. J. Leftwich. Golden Peacock. Sci-Art, 1939, p. 83.
Source: Alfred P. Sloan in The Turning Wheel, 1934, p. 185-6; Retrospective vein President Alfred P. Sloan, Jr., addressing the automobile editors of American newspapers at the Proving Ground at Milford, Michigan in 1927.
“Clouds signify the veil of the Most High.”
Source: Seraphita (1835), Ch. 3: Seraphita - Seraphitus.
Source: The Boys Of Summer, Chapter 1, The Trolley Car That Ran By Ebbets Field, p. 3
Source: Drenai series, Quest for Lost Heroes, Ch. 1
Source: The Way to Life: Sermons (1862), P. 273 (The Christian's Triumph).
"The God and His Man", Asimov's Science Fiction, 1980, Reprinted in Gene Wolfe, Endangered Species (1989), Reprinted in Gene Wolfe, The Best of Gene Wolfe (2009)
Fiction
Introduction to Mohammed and the Rise of Islam by D.S. Margoliouth, Voice of India reprint, New Delhi, 1985, pp. xvii-xviii. 10Ibid., pp. xix-xx.
Speech at the City of London (17 July 1914), quoted in The Times (18 July 1914), p. 10
Chancellor of the Exchequer
“And still the arrows flew so thick and fast,
That, as by clouds, the heavens were overcast.”
Tal l'aspro saettare, e tanto dura,
Che per l'ombra de' dardi il ciel s'oscura.
LXIV, 61
Rifacimento of Orlando Innamorato
“I will walk till the water checks my path,
Then sit and watch the rising clouds.”
"Zhongnan Retreat" (终南别业)
Sam Harris, “Religion, Terror, and Self-Transcendence.” The Ethical Culture Society and the Center for Inquiry, New York, NY, November 16, 2005 (broadcast on CSPAN-2)
2000s
"A Song Of Pure Happiness I" (清平调之一)
The Day's Burden: Studies Literary & Political, and Miscellaneous Essays (1910).
" Hurrahing in Harvest http://www.bartleby.com/122/14.html", lines 1-4
Wessex Poems and Other Verses (1918)
"Sóng" (29-12-1967)
Letter to his brother Jeff, from Hawaii (22 March 1942); p. 17
To Reach Eternity (1989)
On writing "The Little White Cloud That Cried", The Chicago Tribune (16 March 1952)
Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel
The World Is (Below the Heavens)
Below the Heavens (2007)
Winston Churchill's shocking use of chemical weapons https://www.theguardian.com/world/shortcuts/2013/sep/01/winston-churchill-shocking-use-chemical-weapons (1 September 2013), The Guardian.
"Statistical Mentality" https://web.archive.org/web/20110718052233/http://www.thatsmags.com/shanghai/index.php/article/detail/522/statistical-mentality (2011)
aśaraṇaśaraṇa praṇatabhayadaraṇa
dharaṇibharaharaṇa dharaṇitanayāvaraṇa
janasukhakaraṇa taraṇikulabharaṇa
kamalamṛducaraṇa dvijāṅganāsamuddharaṇa ।
tribhuvanabharaṇa danujakulamaraṇa
niśitaśaraśaraṇa dalitadaśamukharaṇa
bhṛgubhavacātakanavīnajaladhara rāma
vihara manasi saha sītayā janābharaṇa ॥
Śrībhārgavarāghavīyam
“There were clouds like sharks with open jaws in the sky that morning.”
Source: Short fiction, The Winter Players (1976), Chapter 6, “Blue Cave” (p. 170)
Five Essays on Liberty (2002), Historical Inevitability (1954)
Source: The Gospel in Ezekiel Illustrated in a Series of Discourses (1856), PP. 63-64 (Man Suffering).
“We hoped to join like fish and water once:
instead, we're split apart—a stream, a cloud.”
Source: Chinh phụ ngâm, Lines 115–116
Source: Practical Pictorial Photography, 1898, Composition and clouds considered as an aid to expression, p. 105
Big River
Song lyrics, Johnny Cash Sings the Songs That Made Him Famous (1958)
The Lake Gun http://www.gutenberg.org/files/2328/2328-h/2328-h.htm (1851)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 430.
"A Walk In The Rain" [Yu xing]
“Nature is a mutable cloud which is always and never the same.”
History
Bartlett's Familiar Quotations, 10th ed. (1919), Essays, First Series
Variant: Nature is a mutable cloud which is always and never the same.
Quote from 'The History of Landscape Painting,' third lecture, Royal Institution (9 June 1836), from notes taken by C.R. Leslie; as quoted in: 'A brief history of weather in European landscape art', John E. Thornes, in Weather Volume 55, Issue 10 Oct. 2000, p. 366-67
1830s, his lectures History of Landscape Painting (1836)
Internet Archive founder Brewster Kahle on Recode Decode https://www.recode.net/2017/3/8/14843408/transcript-internet-archive-founder-brewster-kahle-wayback-machine-recode-decode (March 8, 2017)
Introduction.
Boy's Life (1991)
Source: The Existential Pleasures of Engineering (1976), p. 27
[NewsBank, 03I, Science Guy Wants You to Ask, 'Why?', The Columbus Dispatch, Ohio, October 24, 2001, Connie A. Higgins]